Thirteen Lives Quotes

We've searched our database for all the quotes and captions related to Thirteen Lives. Here they are! All 100 of them:

No one knows for certain how much impact they have on the lives of other people. Oftentimes, we have no clue. Yet we push it just the same.
Jay Asher (Thirteen Reasons Why)
You can't go back to how things were. How you thought they were. All you really have is...now.
Jay Asher (Thirteen Reasons Why)
Dr. Armonson stitched up her wrist wounds. Within five minutes of the transfusion he declared her out of danger. Chucking her under the chin, he said, "What are you doing here, honey? You're not even old enough to know how bad life gets." And it was then Cecilia gave orally what was to be her only form of suicide note, and a useless one at that, because she was going to live: "Obviously, Doctor," she said, "you've never been a thirteen-year-old girl.
Jeffrey Eugenides (The Virgin Suicides)
Live free or die. Four words. Thirteen letters. Ridges, bumps, swirls under my fingertips. Another story. We cling tightly to it, and our belief turns it to truth.
Lauren Oliver (Pandemonium (Delirium, #2))
The nutritionist said I should eat root vegetables. Said if I could get down thirteen turnips a day I would be grounded, rooted. Said my head would not keep flying away to where the darkness lives. The psychic told me my heart carries too much weight. Said for twenty dollars she’d tell me what to do. I handed her the twenty. She said, “Stop worrying, darling. You will find a good man soon.” The first psycho therapist told me to spend three hours each day sitting in a dark closet with my eyes closed and ears plugged. I tried it once but couldn’t stop thinking about how gay it was to be sitting in the closet. The yogi told me to stretch everything but the truth. Said to focus on the out breath. Said everyone finds happiness when they care more about what they give than what they get. The pharmacist said, “Lexapro, Lamicatl, Lithium, Xanax.” The doctor said an anti-psychotic might help me forget what the trauma said. The trauma said, “Don’t write these poems. Nobody wants to hear you cry about the grief inside your bones.” But my bones said, “Tyler Clementi jumped from the George Washington Bridge into the Hudson River convinced he was entirely alone.” My bones said, “Write the poems.
Andrea Gibson (The Madness Vase)
If you think I'm going to let six people risk their lives - !' 'because it's the first time for all of us,' said Ron. 'This is different, pretending to be me -' 'Well, none of us really fancy it, Harry,' said Fred earnestly. 'Imagine if something went wrong and we were stuck as specky, scrawny gits forever.' Harry did not smile. 'You can't do it if I don't cooperate, you need me to give you some hair.' 'Well, that's the plan scuppered,' said George. 'Obviously there's no chance at all of us getting a bit of your hair unless you cooperate.' 'Yeah, thirteen of us against one bloke who's not allowed to use magic; we've got no chance,' said Fred.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
No one know for certain how much impact they have on the lives of other people. Oftentimes, we have no clue.
Jay Asher (Thirteen Reasons Why)
I guess that's the point of it all. No one knows for certain how much impact they have on the lives of other people. Oftentimes, we have no clue. Yet we push it just the same
Jay Asher (Thirteen Reasons Why)
It is a bad idea to live too long. Few carry it off well.
Charles Frazier (Thirteen Moons)
Hello, boys and girls. Hannah Baker here. Live and in stereo. No return engagements. No encore. And this time, absolutely no requests. I hope you’re ready, because i’m about to tell you the story of my life. More specifically, why my life ended. And if you’re listening to theses tapes, you’re one of the reasons why. Now, why would a dead girl lie?
Jay Asher (Thirteen Reasons Why)
A bluebear has twenty-seven lives. I shall recount thirteen-and-a-half of them in this book but keep quiet about the rest. A bear must have his secrets, after all; they make him seem attractive and mysterious.
Walter Moers (The 13½ Lives of Captain Bluebear (Zamonia, #1))
Close your eyes. Remember what we talked about that night after your concert? Living is hard. It was hard when you were thirteen, it’s hard today, and it will be hard again in the future. So, you close your eyes and you breathe. Breathe with me.
Cora Carmack (Faking It (Losing It, #2))
The first time I was ever called ugly, I was thirteen. It was a rich friend of my brother Carlton's over to shoot guns in the field. 'Why you crying, girl?' Constantine asked me in the kitchen. I told her what the boy had called me, tears streaming down my face. 'Well? Is you?' I blinked, paused my crying. 'Is I what?' 'Now you look a here, Egenia'-because constantien was the only one who'd occasionally follow Mama's rule. 'Ugly live up on the inside. Ugly be a hurtful, mean person. Is you one a them peoples?' 'I don't know. I don't think so,' I sobbed. Constantine sat down next to me, at the kitchen table. I heard the cracking of her swollen joints. She pressed her thumb hard in the palm of my hand, somthing we both knew meant Listen. Listen to me. 'Ever morning, until you dead in the ground, you gone have to make this decision.' Constantine was so close, I could see the blackness of her gums. 'You gone have to ask yourself, Am I gone believe what them fools say about me today?' She kept her thumb pressed hard in my hand. I nodded that I understood. I was just smart enough to realize she meant white people. And even though I still felt miserable, and knew that I was, most likely, ugly, it was the first time she ever talked to me like I was something besides my mother's white child. All my life I'd been told what to believe about politics, coloreds, being a girl. But with Constantine's thumb pressed in my hand, I realized I actually had a choice in what I could believe.
Kathryn Stockett (The Help)
Her firm belief was that things would be better in society if there was a periodic ‘social cleansing’ to eliminate those influences that are considered unsavory. She sounds like she’d be fun at parties,” the officer joked.
Kathleen Lopez (Thirteen for Dinner)
I'm old with living. So much older than almost thirteen.
Carol Lynch Williams (Glimpse)
Old words; words that nearly brought me to my knees. "Live free or die." Four words. Thirteen letters. Ridges, bumps, swirls under my fingertips. Another story. We cling tightly to it, and our belief turns it to truth.
Lauren Oliver (Pandemonium (Delirium, #2))
He scanned the skies beyond her for the Thirteen, for Asterin Blackbeak, undoubtedly roaring her victory to the stars. Manon said quietly, “You will not find them. In this sky, or any other.” His heart strained as he understood. As the loss of those twelve fierce, brilliant lives carved another hole within him. One he would not forget, one he would honor. Silently, he crossed the balcony. Manon did not back away as he slid his arms around her. “I am sorry,” he said into her hair. Tentatively, slowly, her hands drifted across his back. Then settled, embracing him. “I miss them,” she whispered, shuddering. Dorian only held her tighter, and let Manon lean on him for as long as she needed, Abraxos staring toward that blasted bit of earth on the plain, toward the mate who would never return, while the city below celebrated.
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
Think of that person you knew when you were a kid, who you always thought you could have loved completely and forever.Well, you could have. It’s the truth, and it’s the saddest and simplest thing. There isn’t just one person for each of us in the world. There aren’t many, but there are always a few people we could have made it with, that maybe we still want to make it with, that press themselves so close to our hearts they leave scars, and then slip through our fingers and disappear from our lives. And it doesn’t make a difference if you’re thirteen or ninety- eight because some things you feel are real, no matter when.
Abigail Tarttelin (Flick)
Do you suppose you will look the same when you are an old woman as you do now? Most folk have three faces—the face they get when they’re children, the face they own when they’re grown, and the face they’ve earned when they’re old. But when you live as long as I have, you get many more. I look nothing like I did when I was a wee thing of thirteen. You get the face you build your whole life, with work and loving and grieving and laughing and frowning.
Catherynne M. Valente (The Girl Who Fell Beneath Fairyland and Led the Revels There (Fairyland, #2))
Shuller was thankful they’d found sheets for those who had been killed, but just the knowing who was under the sheet ... well, he wasn’t sure if that was still a kindness or made it worse for the imagination.
Kathleen Lopez (Thirteen for Dinner)
No such thing as time travel, he'd rumbled patiently, once. Only live with what you've done, and try in the future to do what you're happy to live with.
Richard K. Morgan (Thirteen)
That's the way it is at some point in life. An inevitable consequence of living. A lot of things begin falling away.
Charles Frazier (Thirteen Moons)
‎Life is worth living really but only if we believe it is, if we believe further that life is eternal not because the tissues last forever, but because the imagination never dies
F. Sionil José (Puppy Love and Thirteen Short Stories)
Chucking her under her chin, he said, "What are you doing here, honey? You're not even old enough to know how bad life gets." And it was then Cecilia gave orally what was to be her only form of suicide note, and a useless one at that, because she was going to live: "Obviously, Doctor," she said, "you've never been a thirteen-year-old girl.
Jeffrey Eugenides (The Virgin Suicides)
Each time she glanced in his direction, she was struck with the fact that this measly slip of a man had had the power to destroy her husband’s career. Every bit of loathing she had for him was there on display for Willum to take in.
Kathleen Lopez (Thirteen for Dinner)
Each group seemed to be collected in front of two doors, each looking at the other, and no one looking at Mica. There was one person looking at Mica, but she was unaware that she was being watched.
Kathleen Lopez (Thirteen for Dinner)
Picture a thirteen-year-old boy sitting in the living room of his family home doing his math assignment while wearing his Walkman headphones or watching MTV. He enjoys the liberties hard won over centuries by the alliance of philosophic genius and political heroism, consecrated by the blood of martyrs; he is provided with comfort and leisure by the most productive economy ever known to mankind; science has penetrated the secrets of nature in order to provide him with the marvelous, lifelike electronic sound and image reproduction he is enjoying. And in what does progress culminate? A pubescent child whose body throbs with orgasmic rhythms; whose feelings are made articulate in hymns to the joys of onanism or the killing of parents; whose ambition is to win fame and wealth in imitating the drag-queen who makes the music. In short, life is made into a nonstop, commercially prepackaged masturbational fantasy.
Allan Bloom (The Closing of the American Mind)
No one knows for certain how much impact they have on the lives of other people - Hannah Baker
Jay Asher (Thirteen Reasons Why)
Not all ghosts haunt houses. Some try to live in your head.
Craig DiLouie (Episode Thirteen)
Once upon a time, there was a boy. He lived in a village that no longer exists, on the edge of a field that no longer exists, where everything was discovered and everything was possible. A stick could be a sword. A pebble could be a diamond. A tree was a castle. Once upon a time, there was a boy who lived in a house across the field from a girl who no longer exists. They made up a thousand games. She was the Queen and he was the King. In the autumn light, her hair shone like a crown. They collected the world in small handfuls. When the sky grew dark, they parted with leaves in their hair. Once upon a time there was a boy who loved a girl, and her laughter was a question he wanted to spend his whole life answering. When they were ten he asked her to marry him. When they were eleven he kissed her for the first time. When they were thirteen they got into a fight and for three weeks they didn't talk. When they were fifteen she showed him the scar on her left breast. Their love was a secret they told no one. He promised her he would never love another girl as long as he lived. "What if I die?" she asked. "Even then," he said. For her sixteenth birthday, he gave her an English dictionary and together they learned the words. "What's this?" he'd ask, tracing his index finger around her ankle and she'd look it up. "And this?" he'd ask, kissing her elbow. "Elbow! What kind of word is that?" and then he'd lick it, making her giggle. "What about this," he asked, touching the soft skin behind her ear. "I don't know," she said, turning off the flashlight and rolling over, with a sigh, onto her back. When they were seventeen they made love for the first time, on a bed of straw in a shed. Later-when things happened that they could never have imagined-she wrote him a letter that said: When will you learn that there isn't a word for everything?
Nicole Krauss (The History of Love)
You may think novelists always have fixed plans to which they work, so that the future predicted by Chapter One is always inexorably the actuality of Chapter Thirteen. But novelists write for countless different reasons: for money, for fame, for reviewers, for parents, for friends, for loved ones; for vanity, for pride, for curiosity, for amusement: as skilled furniture makers enjoy making furniture, as drunkards like drinking, as judges like judging, as Sicilians like emptying a shotgun into an enemy's back. I could fill a book with reasons, and they would all be true, though not true of all. Only one same reason is shared by all of us: we wish to create worlds as real as, but other than the world that is. Or was. This is why we cannot plan. We know a world is an organism, not a machine. We also know that a genuinely created world must be independent of its creator; a planned world (a world that fully reveals its planning) is a dead world. It is only when our characters and events begin to disobey us that they begin to live.
John Fowles (The French Lieutenant’s Woman)
It appeared to be from behind us. We were all turned and listening to Barry as he was in the midst of a rant and had all our attentions. The gun shot seemed to come from the area of the foyer.
Kathleen Lopez (Thirteen for Dinner)
Hello boys and girls, Hannah Baker here. Live and in stereo. No return engagements, no encore. And this time? Absolutely no requests.
Jay Asher (Thirteen Reasons Why)
And then we turn 18 and even though we never had an original thought we have to make the most important decission of our lives.
Jay Asher (Th1rteen R3asons Why)
The greenness of nature is the lives of plants and trees. Green is life. And that’s the reason we love to go out for walks.
Naoki Higashida (The Reason I Jump: The Inner Voice of a Thirteen-Year-Old Boy with Autism)
Max dances around in a circle with one leg pulled up, and people move away as if he's mentally unstable. He and I are the only collectors that like to remain visible to the living. The other four roll incognito. Max finishes his dance and brushes his shoulders off. "What the hell was that?" I ask. "My new move," he says matter-of-factly. My fellow collector is six years older than me but acts like he's thirteen. We met a couple of years ago after he kicked the bucket and came onboard. He talks so fast, I have trouble understanding him sometimes. I like to think he was the World's Best Car Salesman before he croaked.
Victoria Scott (The Collector (Dante Walker, #1))
Basically, even though Hannah admits that the decision to take her life was entirely her own, it’s also important to be aware of how we treat others. Even though someone appears to shrug off a sideways comment or to not be affected by a rumor, it’s impossible to know everything else going on in that person’s life, and how we might be adding to his/her pain. People do have an impact on the lives of others; that’s undeniable.
Jay Asher (Thirteen Reasons Why)
The religion of the flag promptly replaced the cult of heaven, an old cloud which had already been deflated by the Reformation and reduced to a network of episcopal money boxes. In olden times the fanatical fashion was: 'Long live Jesus! Burn the heretics!' . . . But heretics, after all, were few and voluntary . . . Whereas today vast hordes of men are fired with aim and purpose by cries of ‘Hang the limp turnips! The juiceless lemons! The innocent readers! By the millions, eyes right!’ If anybody doesn’t want to fight or murder, grab ‘em, tear ‘em to pieces! Kill them in thirteen juicy ways. For a starter, to teach them how to live, rip their guts out of their bodies, their eyes out of their sockets, and the years out of their filthy slobbering lives!
Louis-Ferdinand Céline (Journey to the End of the Night)
Ma’am.” The officer was already tired of the haughtiness of Ms. Headstrom. “You specifically sought out this particular group of people, who all had a particular criterion of being in the press for unfavorable reasons. Is that correct?” “Well, not all of them were for unfavorable reasons,” she tried to rationalize. “Some were associated with an unfavorable reason. It was a themed party. That was the theme. That was the only reason. Why else would I have brought them all to the house for a dinner?” “Exactly.
Kathleen Lopez (Thirteen for Dinner)
Citizens of Luna, I ask that you stop what you’re doing to listen to this message. My name is Selene Blackburn. I am the daughter of the late Queen Channary, niece to Princess Levana, and the rightful heir to Luna’s throne. You were told that I died thirteen years ago in a nursery fire, but the truth is that my aunt, Levana, did try to kill me, but I was rescued and taken to Earth. There, I have been raised and protected in preparation for the time when I would return to Luna and reclaim my birthright. In my absence, Levana has enslaved you. She takes your sons and turns them into monsters. She takes your shell infants and slaughters them. She lets you go hungry, while the people in Artemisia gorge themselves on rich foods and delicacies. But Levana’s rule is coming to an end. I have returned and I am here to take back what’s mine. Soon, Levana is going to marry Emperor Kaito of Earth and be crowned the empress of the Eastern Commonwealth, an honor that could not be given to anyone less deserving. I refuse to allow Levana to extend her tyranny. I will not stand aside while my aunt enslaves and abuses my people here on Luna, and wages a war across Earth. Which is why, before an Earthen crown can be placed on Levana’s head, I will bring an army to the gates of Artemisia. I ask that you, citizens of Luna, be that army. You have the power to fight against Levana and the people that oppress you. Beginning now, tonight, I urge you to join me in rebelling against this regime. No longer will we obey her curfews or forgo our rights to meet and talk and be heard. No longer will we give up our children to become her disposable guards and soldiers. No longer will we slave away growing food and raising wildlife, only to see it shipped off to Artemisia while our children starve around us. No longer will we build weapons for Levana’s war. Instead, we will take them for ourselves, for our war. Become my army. Stand up and reclaim your homes from the guards who abuse and terrorize you. Send a message to Levana that you will no longer be controlled by fear and manipulation. And upon the commencement of the royal coronation, I ask that all able-bodied citizens join me in a march against Artemisia and the queen’s palace. Together we will guarantee a better future for Luna. A future without oppression. A future in which any Lunar, no matter the sector they live in or the family they were born to, can achieve their ambitions and live without fear of unjust persecution or a lifetime of slavery. I understand that I am asking you to risk your lives. Levana’s thaumaturges are powerful, her guards are skilled, her soldiers are brutal. But if we join together, we can be invincible. They can’t control us all. With the people united into one army, we will surround the capital city and overthrow the imposter who sits on my throne. Help me. Fight for me. And I will be the first ruler in the history of Luna who will also fight for you.
Marissa Meyer (Winter (The Lunar Chronicles, #4))
No one at school knows what I’m about to tell you. And it wasn’t really the class itself that played a part. Even if I never took Peer Communications, the outcome may very well have been the same. Or not. I guess that’s the point of it all. No one knows for certain how much impact they have on the lives of other people. Oftentimes, we have no clue. Yet we push it just the same.
Jay Asher (Thirteen Reasons Why)
Oh yes, how terrible for you. Having to have a staff wait on you, having the world for yours to take due to being born into privilege and being so unbelievably bored at the prospect of living a life of leisure thanks to the genetic lottery you won that you threw it all away for a pursuit of a career that, quite frankly, is not your strong suit, shall we say. Yes. Poor little rich girl. Everything you have now, everything you had lost and walked away from, is of your doing. You just had to maintain a life of decorum. Sorry if the expectations of being proper were unattainable for you. I hadn’t expected that to be outside of your reach.
Kathleen Lopez (Thirteen for Dinner)
What would she be saying if she did? That she did want to marry him? For ten years, at least, since she was twelve or thirteen, Rosa had been declaring roundly to anyone who asked that she had no intention of getting married, ever, and that if she ever did, it would be when she was old and tired of life. When this declaration in its various forms had ceased to shock people sufficiently, she had taken to adding that the man she finally married would be no older than twenty-five. But lately she had been starting to experience strong, inarticulate feelings of longing, of a desire to be with Joe all the time, to inhabit his life and allow him to inhabit hers, to engage with him in some kind of joint enterprise, in a collaboration that would be their lives. She didn't suppose they needed to get married to do that, and she knew that she certainly ought to not want to. But did she?
Michael Chabon (The Amazing Adventures of Kavalier & Clay)
I lost Susy thirteen years ago; I lost her mother--her incomparable mother!--five and a half years ago; Clara has gone away to live in Europe and now I have lost Jean. How poor I am, who was once so rich! . . . Jean lies yonder, I sit here; we are strangers under our own roof; we kissed hands good-by at this door last night--and it was forever, we never suspecting it. She lies there, and I sit here--writing, busying myself, to keep my heart from breaking. How dazzling the sunshine is flooding the hills around! It is like a mockery. Seventy-four years ago twenty-four days. Seventy-four years old yesterday. Who can estimate my age today?
Mark Twain
I’m kind of hoping it will end like this. You made me happy. Very happy. But…you deserve everything. Wife, kids, a white picket fence.” “And I’ll have all of it. With you.” “You know that can’t happen with me.” “Then it can’t happen with anyone. There won’t be a next Rosie. And there won’t be another story like ours. This is it, Rose LeBlanc. And this is us. If there is no you, then there is no me.” “You know, I always hated Romeo and Juliet . The play. The movie. The very idea. It was tragic, all right. Tragically stupid. I mean, they were what? Thirteen? Sixteen? What a waste of life, to kill yourself because your family wouldn’t let you get hitched. But Romeo and Juliet were right. I was the next eleven years killing myself slowly while I grieved for you. Then you came back, and I still thought it was just a fascination. But now that I know…” “Now that I know that it can only ever be you, you’re going to get better for me so Earth won’t explode. Can you do that, Sirius? I promise not to leave this room until you get out. Not even for a shower. Not even to get you your chocolate chip cookies. I’ll get someone to drive all the way to New York and bring them for you.” “I love you.” Rosie’s tears curtained her vision. “I love you, Baby LeBlanc,” I said. “So fucking much. You taught me how to love. How well did I do?” “A-plus,” she whispered. “You aced it. Can you promise me something?” “Anything.” “ Live .” “Not without you.” “And have kids. Lots of them. They’re fun.” “Rosie…” “I’m not afraid. I got what I wanted from this life. You .” “Rosie.” “I love you, Earth. You were good to me.” “Rose!” Her eyes closed, the door opened, the sound on her monitor went off, and my heart disintegrated. Piece. By piece. By piece.
L.J. Shen (Ruckus (Sinners of Saint, #2))
You can tell all of us are morphing into full-blown adults, wingtip adults, because all the time now the Big Question is, What are you going to do? After the summer, about your scholarship, about choosing a college, after graduation, with the rest of your life. When you are thirteen, the question is, Smooth or crunchy? That's it. Later, at the onset of full-blown adulthood, the Big Question changes a little bit - instead of, What are you going to do? it turns into, What do you do? I hear it all the time when my parents have parties, all the men standing around. After they talk sports, they always ask, What do you do? It's just part of the code that they mean "for a living" because no one ever answers it by saying, I go for walks and listen to music full-blast and don't care about my hearing thirty years from now, and I drink milk out of the carton, and I cough when someone lights up a cigarette, and I dig rainy days because they make me sad in a way I like, and I read books until I fall asleep holding them, and I put on sock-shoe, sock-shoe instead of sock-sock, shoe-shoe because I think it's better luck. Never that. People are always in something. I'm in advertising. I'm in real estate. I'm in sales and marketing.
Brad Barkley (Jars of Glass)
It has been the will of Heaven," the essay began, "that we should be thrown into existence at a period when the greatest philosophers and lawgivers of antiquity would have wished to live... a period when a coincidence of circumstances without example has afforded to thirteen colonies at once an opportunity of beginning government anew from the foundation and building as they choose. How few of the human race have ever had the opportunity of choosing a system of government for themselves and their children? How few have ever had anything more of choice in government than in climate?
David McCullough (John Adams)
I'm a lesbian and I'd rather you bully me than a thirteen-year-old kid.
Dan Savage (It Gets Better: Coming Out, Overcoming Bullying, and Creating a Life Worth Living)
I guess that’s the point of it all. No one knows for certain how much impact they have on the lives of other people. Oftentimes, we have no clue. Yet we push it just the same.
Jay Asher (Thirteen Reasons Why)
I guess that's the point of it all. No one knows for certain how much impact they have on the lives of other people. Oftentimes, we have no clue. Yet we push it just the same.
Jay Asher (Thirteen Reasons Why)
Some people like danger and adventure, some like to be free of civilization, and some like to live by their wits. It was those special people who headed west.
Joy Hakim (Making Thirteen Colonies: 1600-1740 A History of US (A History of US #2))
What kept me hammering away at it was the thought that to live my life as a human being, nothing is more important than being able to express myself.
Naoki Higashida (The Reason I Jump: The Inner Voice of a Thirteen-Year-Old Boy with Autism)
Instead, so long as Kennedy lived and Khrushchev stayed in power, there was steady movement toward the relaxation of tension—the American University speech, the Limited Test Ban Treaty, the establishment of the “hotline” between the White House and the Kremlin.
Robert F. Kennedy (Thirteen Days: A Memoir of the Cuban Missile Crisis)
The overwhelming noise we live with has made a fundamental pleasure like sex somehow less exciting, less satisfying, than it was for our libidinous forefathers and mothers. It seems to me that for sex and other pleasures to be enjoyed to the fullest, a certain contemplative quality to life must be present. If you doubt this imagine yourself for a moment having sex. Now imagine you wished to increase the pleasure you were feeling, feel it more intensely. What might you do? Well one of the things you'd probably do is close your eyes. What this does of course is shut out other stimuli. The visual quiet increases your sensual enjoyment and you concentrate more fully on the pleasure. The same is true for the removal of auditory noise as well. Well my feeling is that the average person has a much harder time doing this today than they would have decades ago. Today you close your eyes and shut off Television but the noise persists. It's part of our fabric now, our biology, and all other pleasures including sex are diminished as a result. We don't notice this derogation by the way and sex still feels great, don't get me wrong, but I think the difference is there nonetheless. Like the difference between seeing breasts when you're thirty as opposed to when you were thirteen.
Sergio de la Pava (A Naked Singularity)
When you are thirteen, you spend all your time imagining what it would be like to live in a world where you could pay a robot for sex. And that sex would cost a dollar. And the only obstacle to getting that sex would be making sure you had four quarters. Then you grow up and it turns out you do live in that kind of world. A world with coin-operated sexbots. And it's not really as great as you thought it would be.
Charles Yu (How to Live Safely in a Science Fictional Universe)
Mrs. Tulliver had lived thirteen years with her husband, yet she retained in all the freshness of her early married life a facility of saying things which drove him in the opposite direction to the one she desired. Some minds are wonderful for keeping their bloom in this way, as a patriarchal gold-fish apparently retains to the last its youthful illusion that it can swim in a straight line beyond the encircling glass.
George Eliot
Well, my dear sisters, the gospel is the good news that can free us from guilt. We know that Jesus experienced the totality of mortal existence in Gethsemane. It's our faith that he experienced everything- absolutely everything. Sometimes we don't think through the implications of that belief. We talk in great generalities about the sins of all humankind, about the suffering of the entire human family. But we don't experience pain in generalities. We experience it individually. That means he knows what it felt like when your mother died of cancer- how it was for your mother, how it still is for you. He knows what it felt like to lose the student body election. He knows that moment when the brakes locked and the car started to skid. He experienced the slave ship sailing from Ghana toward Virginia. He experienced the gas chambers at Dachau. He experienced Napalm in Vietnam. He knows about drug addiction and alcoholism. Let me go further. There is nothing you have experienced as a woman that he does not also know and recognize. On a profound level, he understands the hunger to hold your baby that sustains you through pregnancy. He understands both the physical pain of giving birth and the immense joy. He knows about PMS and cramps and menopause. He understands about rape and infertility and abortion. His last recorded words to his disciples were, "And, lo, I am with you always, even unto the end of the world." (Matthew 28:20) He understands your mother-pain when your five-year-old leaves for kindergarten, when a bully picks on your fifth-grader, when your daughter calls to say that the new baby has Down syndrome. He knows your mother-rage when a trusted babysitter sexually abuses your two-year-old, when someone gives your thirteen-year-old drugs, when someone seduces your seventeen-year-old. He knows the pain you live with when you come home to a quiet apartment where the only children are visitors, when you hear that your former husband and his new wife were sealed in the temple last week, when your fiftieth wedding anniversary rolls around and your husband has been dead for two years. He knows all that. He's been there. He's been lower than all that. He's not waiting for us to be perfect. Perfect people don't need a Savior. He came to save his people in their imperfections. He is the Lord of the living, and the living make mistakes. He's not embarrassed by us, angry at us, or shocked. He wants us in our brokenness, in our unhappiness, in our guilt and our grief. You know that people who live above a certain latitude and experience very long winter nights can become depressed and even suicidal, because something in our bodies requires whole spectrum light for a certain number of hours a day. Our spiritual requirement for light is just as desperate and as deep as our physical need for light. Jesus is the light of the world. We know that this world is a dark place sometimes, but we need not walk in darkness. The people who sit in darkness have seen a great light, and the people who walk in darkness can have a bright companion. We need him, and He is ready to come to us, if we'll open the door and let him.
Chieko N. Okazaki
And it was then Cecilia gave orally what was to be her only form of suicide note, and a useless one at that, because she was going to live: “Obviously, Doctor,” she said, “you’ve never been a thirteen-year-old girl.
Anonymous
Ruby Bates, one of the young white girls, was a remarkable person. She told me she had been driven into prostitution when she was thirteen. She had been working in a textile mill for a pittance. When she asked for a raise, the boss told her to make it up by going with the workers. She told me there was nothing else she could do...Ruby Bates was a remarkable woman. Underneath it all—the poverty, the degradation—she was decent, pure. Here was an illiterate white girl, all of whose training had been clouded by the myths of white supremacy, who, in the struggle for the lives of these nine innocent boys, had come to see the role she was being forced to play. As a murderer. She turned against her oppressors. . .. I shall never forget her.
Studs Terkel (Hard Times: An Oral History of the Great Depression)
I want people to see and hear the things I see and hear. And I want them to remember how it was when they were children. I don't want them to grow up entirely. Every adult is the creation of a child. My own signature, that identifying scrawl required by parcel postmen and valued by a handful of comic-book fans, that signature was devised by a thirteen-year-old boy who thought I'd want to seem important one day. I am stuck with it. My life is the result of that boy's dreams and limitations, and of the company that boy kept a long time ago, back when things could still happen for the first time.
Chris Fuhrman (The Dangerous Lives of Altar Boys)
For the next thirteen-plus hours, I stared out the window at the passing towns and countryside. All those lives. All those untold stories and private dramas. There was something so beautiful and sad about it. I felt weirdly emotional, like I was running away from home, but also running to a new home.
Kate Klise (In the Bag)
What do you know about somebody not being good enough for somebody else? And since when did you care whether Corinthians stood up or fell down? You've been laughing at us all your life. Corinthians. Mama. Me. Using us, ordering us, and judging us: how we cook your food; how we keep your house. But now, all of a sudden, you have Corinthians' welfare at heart and break her up from a man you don't approve of. Who are you to approve or disapprove anybody or anything? I was breathing air in the world thirteen years before your lungs were even formed. Corinthians, twelve. . . . but now you know what's best for the very woman who wiped the dribble from your chin because you were too young to know how to spit. Our girlhood was spent like a found nickel on you. When you slept, we were quiet; when you were hungry, we cooked; when you wanted to play, we entertained you; and when you got grown enough to know the difference between a woman and a two-toned Ford, everything in this house stopped for you. You have yet to . . . move a fleck of your dirt from one place to another. And to this day, you have never asked one of us if we were tired, or sad, or wanted a cup of coffee. . . . Where do you get the RIGHT to decide our lives? . . . I'll tell you where. From that hog's gut that hangs down between your legs. . . . I didn't go to college because of him. Because I was afraid of what he might do to Mama. You think because you hit him once that we all believe you were protecting her. Taking her side. It's a lie. You were taking over, letting us know you had the right to tell her and all of us what to do. . . . I don't make roses anymore, and you have pissed your last in this house.
Toni Morrison (Song of Solomon)
And so the Thirteen Kingdoms were liberated from Darian rule. Well, all except Eïsborg, which people always tend to forget about. It’s very far north. And barely anybody lives there, anyway. We even forget to put it on the map in the first book. The fifteen Darians stationed there would end up sitting around for two and half years wondering why their vision orb never turned on anymore.
Christopher Healy (The Hero's Guide to Being an Outlaw (The League of Princes, #3))
Roddy the assistant manager lived in the theater. He'd emptied out one of the supply closets. He'd installed an inflatable mattress, a Shower Anywhere portable shower, and a wee television. He slept amid the powdered-butter fumes and empty drink-syrup tanks. He had grub-white skin and Goth circles under his eyes that, unlike those of Goths, came from really, truly existing half in the world of the dead. He smelled like carpeting, Scotch tape, and steak sauce. He was almost forty but had one of those half mustaches that thirteen-year-olds have. He was the closest thing to a zombie I've yet encountered in this world.
Patton Oswalt (Zombie Spaceship Wasteland)
Saetan paused. “Can you also appreciate that, in the thirteen years she’s lived here, Jaenelle has never been concerned enough about clothes to ask for my opinion about something she was wearing. And can you appreciate that she wasn’t asking for my opinion as her Steward or her father but as a man. And I admit that, considering the way that dress fit her, my opinion of it as a father would have differed considerably from my opinion as a man.” Daemon almost smiled. “She sees you as a man, Daemon. A man, not a male friend. For the first time in her life, she’s trying to deal with her own lust. So she’s running.” “She’s not the only one trying to deal with it,” Daemon muttered, but the sleepy look had changed to sharp interest. “I am her Consort. She could just—” Saetan shook his head. “Do you really think Jaenelle would demand that from you?” “No.
Anne Bishop (Queen of the Darkness (The Black Jewels, #3))
And I’m a sheriff,” Shuller jumped in. Willum’s demeaner faltered for a moment. It was so minor that it could have been missed by most, but Shuller caught it. The ever-so-slight blanching at the mention of law. Shuller was able to perceive the slight discomfort which concerned him. It was not a good sign to Shuller when someone bristled at the idea he was a sheriff. It never boded well for the type of person he was dealing with if the fact he was a man of law was what made them act oddly.
Kathleen Lopez (Thirteen for Dinner)
We meet again, Spider-Man she said. And I replied How many people have you saved today, Girl M. She pretended to count on her fingers. Nine hundred and thirty-seven she shrugged. It's been a quiet day. We started to giggle. How about you, Spider-Man. I scratched my head. Eight hundred and thirteen I said. But I started late and finished early. We exploded into laughter. We do the same joke every single day and it never ever gets boring.
Annabel Pitcher (My Sister Lives on the Mantelpiece)
I am not my uncle. I am not my father, but I do subscribe to the twenty rules he taught me from the cradle. One, if you’re afraid to fight, then you’ll never win. Two, in times of tragedy and turmoil, you’ll learn who your true friends are. Treasure them because they are few and far between. Three, know your enemies, and never become your own worst one. Four, be grateful for those enemies. They will keep you honest and ever striving to better yourself. Five, listen to all good advice, but never substitute someone else’s judgment for your own. Six, all men and women lie. But never lie to yourself. Seven, many will flatter you. Befriend the ones who don’t, for they will remind you that you’re human and not infallible. Eight, never fear the truth. It’s the lies that will destroy you. Nine, your worst decisions will always be those that are made out of fear. Think all matters through with a clear head. Ten, your mistakes won’t define you, but your memories, good and bad, will. Eleven, be grateful for your mistakes as they will tell you who and what you’re not. Twelve, don’t be afraid to examine the past, it’s how you learn what you don’t want to do again. Thirteen, there’s a lot to be said for not knowing better. Fourteen, all men die. Not everyone lives. Fifteen, on your deathbed, your greatest regrets will be what you didn’t do. Sixteen, don’t be afraid to love. Yes, it’s a weakness that can be used against you. But it’s also a source of the greatest strength you will ever know. Seventeen, the past is history written in stone that can’t be altered. The future is transitory and never guaranteed. Today is the only thing you can change for certain. Have the courage to do so and make the most of it because it could be all you’ll ever have. Eighteen, you can be in a crowd, surrounded by people, and still be lonely. Nineteen, love all, regardless of what they do. Trust only those you have to. Harm none until they harm you. And twenty… Never be afraid to kill or destroy your enemies. They won’t hesitate to kill or destroy you.” - Darling Cruel
Sherrilyn Kenyon
If you have read this far in the chronicle of the Baudelaire orphans - and I certainly hope you have not - then you know we have reached the thirteenth chapter of the thirteenth volume in this sad history, and so you know the end is near, even though this chapter is so lengthy that you might never reach the end of it. But perhaps you do not yet know what the end really means. "The end" is a phrase which refers to the completion of a story, or the final moment of some accomplishment, such as a secret errand, or a great deal of research, and indeed this thirteenth volume marks the completion of my investigation into the Baudelaire case, which required much research, a great many secret errands, and the accomplishments of a number of my comrades, from a trolley driver to a botanical hybridization expert, with many, many typewriter repairpeople in between. But it cannot be said that The End contains the end of the Baudelaires' story, any more than The Bad Beginning contained its beginning. The children's story began long before that terrible day on Briny Beach, but there would have to be another volume to chronicle when the Baudelaires were born, and when their parents married, and who was playing the violin in the candlelit restaurant when the Baudelaire parents first laid eyes on one another, and what was hidden inside that violin, and the childhood of the man who orphaned the girl who put it there, and even then it could not be said that the Baudelaires' story had not begun, because you would still need to know about a certain tea party held in a penthouse suite, and the baker who made the scones served at the tea party, and the baker's assistant who smuggled the secret ingredient into the scone batter through a very narrow drainpipe, and how a crafty volunteer created the illusion of a fire in the kitchen simply by wearing a certain dress and jumping around, and even then the beginning of the story would be as far away as the shipwreck that leftthe Baudelaire parents as castaways on the coastal shelf is far away from the outrigger on which the islanders would depart. One could say, in fact, that no story really has a beginning, and that no story really has an end, as all of the world's stories are as jumbled as the items in the arboretum, with their details and secrets all heaped together so that the whole story, from beginning to end, depends on how you look at it. We might even say that the world is always in medias res - a Latin phrase which means "in the midst of things" or "in the middle of a narrative" - and that it is impossible to solve any mystery, or find the root of any trouble, and so The End is really the middle of the story, as many people in this history will live long past the close of Chapter Thirteen, or even the beginning of the story, as a new child arrives in the world at the chapter's close. But one cannot sit in the midst of things forever. Eventually one must face that the end is near, and the end of The End is quite near indeed, so if I were you I would not read the end of The End, as it contains the end of a notorious villain but also the end of a brave and noble sibling, and the end of the colonists' stay on the island, as they sail off the end of the coastal shelf. The end of The End contains all these ends, and that does not depend on how you look at it, so it might be best for you to stop looking at The End before the end of The End arrives, and to stop reading The End before you read the end, as the stories that end in The End that began in The Bad Beginning are beginning to end now.
Lemony Snicket (The End (A Series of Unfortunate Events, #13))
You don’t look like a mom,” Isabelle observed. “What does a mom look like to you?” “I don’t know.” She smiled. “Cartier Love bracelet? Lululemon?” I laughed at that, her referencing the staples of private-school carpool lanes. There were so many things I wanted to teach her. That being a mother did not have to mean no longer being a woman. That she could continue to live outside the lines. That forty was not the end. That there was more joy to be had. That there was an Act II, an Act III, an Act IV if she wanted it … But at thirteen, I imagined, she did not care. I imagined she just wanted to feel safe. I could not blame her. We had already shaken her ground. “Am I a mom?” I asked her then, kissing her forehead. She nodded. “Well, then, this is what a mom looks like.
Robinne Lee (The Idea of You)
Loneliness is treated like the ultimate taboo; at the same time, it’s regarded as a trifle. That to be a thirty-seven-year-old who has spent a decade without someone to hold her hand at the doctor’s office is akin to being a thirteen-year-old sighing over a boy band. Again, I know—‘single’ is not a synonym for ‘lonely.’ I know there are many lonely married people, as well as lots of single people who have a rich network of deep social connections—friends, sisters, daughters, nephews, etc.—whose lives are as far from Heller’s unhappy narrator as can be. But for many of us, living alone in a society that is so rigorously constructed around couples and nuclear families is hard on the soul.
Sara Eckel (It's Not You: 27 (Wrong) Reasons You're Single)
How about this?” she retorted, her voice deceptively flirtatious, and in that small, stolen moment in his mind, he quickly spun and grasped her by the small of her back, pulled her close into to him, and made her his. And maybe she resisted at first before giving in, or maybe she didn’t—maybe she’d wanted this just as long as he had. But none of that would matter, because they would finally be together, starting at that moment and for the rest of their lives. And they would love each other and raise children and make music, and life would suddenly be worth living, and Christ, how could anyone ever throw something like that away?
J. Tonzelli (The End of Summer: Thirteen Tales of Halloween)
Angels and demons, heaven and hell, God, morality, law and language. It’s all metaphor. Scaffolding to handle the areas where base reality won’t cut it for you guys, where it’s too cold for humans to live without something made up. We codify our hopes and fears and wants, and then build whole societies on the code. And then forget it ever was code and treat it like fact. Act like the universe gives a shit about it. Go to war over it, string men and women up by the neck for it. Firebomb trains and skyscrapers in the name of it.
Richard K. Morgan (Thirteen)
...when President Clinton, on the anniversary of his election, spoke in the church in Tennessee where Martin Luther King, Jr., had delivered his last sermon. Inspired by the place and the occasion, he made one of the most eloquent speeches of his presidency. What would King have said, he asked, had he lived to see this day? "He would say, I did not live and die to see the American family destroyed. I did not live and die to see thirteen-year-old boys get automatic weapons and gun down nine-year-olds just for the kick of it. I did not live and die to see young people destroy their lives with drugs and then build fortunes destroying the lives of others. This is not what I came here to do. I fought for freedom, he would say, but not for the freedom of people to kill each other with reckless abandon; not for the freedom of children to have children and the fathers of the children walk away from them and abandon them as if they don't amount to anything. I fought for people to have the right to work, but not have whole communities and people abandoned. This is not what I lived and died for." After describing what his administration was doing to curb drugs and violence, the President concluded that the government alone could not do the job. The problem was caused by "the breakdown of the family, the community and the disappearance of jobs," and unless we "reach deep inside to the values, the spirit, the soul and the truth of human nature, none of the other things we seek to do will ever take us where we need to go.
Gertrude Himmelfarb (The De-moralization Of Society: From Victorian Virtues to Modern Values)
I decided that many of Bear’s stories and comments shared a general drift. They advised against fearing all of creation. But not because it is always benign, for it is not. It will, with certainty, consume us all. We are made to be destroyed. We are kindling for the fire, and our lives will stand as naught against the onrush of time. Bear’s position, if I understood it, was that refusal to fear these general terms of existence is an honorable act of defiance.
Charles Frazier (Thirteen Moons)
About the Author Terry Pratchett is one of the most popular living authors in the world. His first story was published when he was thirteen, and his first full-length book when he was twenty. He worked as a journalist to support the writing habit, but gave up the day job when the success of his books meant that it was costing him money to go to work.
Terry Pratchett (Small Gods (Discworld, #13))
Mrs. Tulliver had lived thirteen years with her husband, yet she retained in all the freshness of her early married life a facility of saying things which drove him in the opposite direction to the one she desired. Some minds are wonderful for keeping their bloom in this way, as a patriarchal goldfish apparently retains to the last its youthful illusion that it can swim in a straight line beyond the encircling glass. Mrs. Tulliver was an amiable fish of this kind, and after running her head against the same resisting medium for thirteen years would go at it again to-day with undulled alacrity.
George Eliot (The Mill on the Floss)
Goldene Haar!'' he exclaims and takes one of my long braids into his hand. I am not certain I heard right. Did he say ''golden hair'' about my braids? Are you Jewish? The question startles me. ''Yes, I am Jewish.'' How old are you? I am thirteen.'' ''You are tall for your age. Is this your mother?'' He touches Mommy lightly on the shoulder. ''You go with your mother.
Livia Bitton-Jackson (I Have Lived A Thousand Years: Growing Up In The Holocaust)
Can any of us pinpoint the moment when we've lost our younger selves, lost joy in the simple things, stopped celebrating life? For years-decades-we work, raise a family, plant begonias. Then one day we wake up to chemotherapy and eulogies and nursing home visits and the realization that we haven't had a real vacation in years. And all we can do is ask: how did life get so hard?
Cheryl Jarvis (The Necklace: Thirteen Women and the Experiment That Transformed Their Lives)
It was not only for Americans that he was concerned, or primarily the older generation of any land. The thought that disturbed him the most, and that made the prospect of war much more fearful than it would otherwise have been, was the specter of the death of the children of this country and all the world—the young people who had no role, who had no say, who knew nothing even of the confrontation, but whose lives would be snuffed out like everyone else’s. They would never have a chance to make a decision, to vote in an election, to run for office, to lead a revolution, to determine their own destinies. Our generation had. But the great tragedy was that, if we erred, we erred not only for ourselves, our futures, our hopes, and our country, but for the lives, futures, hopes, and countries of those who had never been given an opportunity to play a role, to vote aye or nay, to make themselves felt.
Robert F. Kennedy (Thirteen Days: A Memoir of the Cuban Missile Crisis)
I find it appalling that the Church claims Mary consented at the age of thirteen to become the mother of God.” “But she did,” James said. “There is ample evidence to show she consented.” “Isn’t that the classic defense of the pedophile?” Helena asked. “In Christ’s time and even today in some countries in the Middle East and India, child marriages are customary. But that doesn’t make it right. In Europe and the U.S. we prosecute adults for preying on children. God would be arrested for impregnating a girl below the age of consent.” “People didn’t live as long then,” James said. Helena would not back down. “But human biology hasn’t changed. My point is she was too young to consent. The brain of a young teenager isn’t fully developed.” “The mysteries of the faith require us to have faith.” “Don’t hide behind that nonsense. What kind of message is the Church sending to women? Only virgin children are pure? Experienced mothers are impure and unfit to raise Christ? It’s creepy and insulting when you think about it, but you would have me suspend rational judgment and just accept something I would tear your eyes out for thinking about my underage sister?
Janet M. Tavakoli (Archangels: Rise of the Jesuits)
He pulled my skirt up. I began to worry. Everyone knew he had broken in girls before and I didn't want it to happen to me. I said, 'No. Get off, please.' He pulled me down the alley and pushed me to the ground. As I lay on my back worrying about my new blue coat, he pushed his fingers up between my legs — and rammed himself into me. I was crying. His lips were pressed against mine but I was motionless, like a small corpse. He grunted and I knew it was over. He got up, I just lay there on the ground, my tights round my ankles. The clock was striking twelve. As he walked away, he turned and said, 'I've always wanted to do it to you. I like your mouth'. When I got in, my mum said, 'Tracey, what's wrong with you?' I showed her my coat, the dirt and the stains, and told her 'I'm not a virgin any more.' She didn't call the police or make any fuss. She just washed my coat and everything carried on as normal, as though nothing had happened. But for me, my childhood was over, I had become conscious of my physicality, aware of my presence and open to the ugly truths of the world. At the age of thirteen, I realised that there was a danger in innocence and beauty, and I could not live with both. (describing childhood rape)
Tracey Emin (Strangeland)
SOCIETY AS COMPULSIVE AND ADDICTED Our society is highly addictive. We have sixty million sexual abuse victims. Possibly seventy-five million lives are seriously affected by alcoholism, with no telling how many more through other drugs. We have no idea of the actual impact on our economy of the billions of tax-free dollars that come from the illegal drug trade. Over fifteen million families are violent. Some 60 percent of women and 50 percent of men have eating disorders. We have no actual data on work addiction or sexual addictions. I saw a recent quotation that cited thirteen million gambling addicts. If toxic shame is the fuel of addiction, we have a massive problem of shame in our society.
John Bradshaw (Healing the Shame that Binds You)
Once upon a time, in a gloomy castle on a lonely hill, where there were thirteen clocks that wouldn't go, there lived a cold, aggressive Duke, and his niece, the Princess Saralinda. She was warm in every wind and weather, but he was always cold. His hands were as cold as his smile and almost as cold as his heart. He wore gloves when he was asleep, and he wore gloves when he was awake, which made if difficult for him to pick up pins or coins or the kernels of nuts, or to tear the wings from nightingales. He was six feet four, and forty-six, and even colder than he thought he was.
James Thurber (The 13 Clocks)
Mohandas’s marriage, which was arranged when he was thirteen, lasted for the next sixty-two years. Despite his enduring reputation for living a life of simplicity and self-denial, he did not come to this easily and struggled in his youth with uncontrolled appetites, both sexual and gastronomic. In violation of his family’s religious code, he experimented with meat eating, hoping it would make him large and strong like the carnivorous English.
Mark Kurlansky (Salt: A World History)
I told them you’d take it like this,” said Hermione with a hint of complacency. “If you think I’m going to let six people risk their lives--!” “--because it’s the first time for all of us,” said Ron. “This is different, pretending to be me--” “Well, none of us really fancy it, Harry,” said Fred earnestly. “Imagine if something went wrong and we were stuck as specky, scrawny gits forever.” Harry did not smile. “You can’t do it if I don’t cooperate, you need me to give you some hair.” “Well, that’s that plan scuppered,” said George. “Obviously there’s no chance at all of us getting a bit of your hair unless you cooperate.” “Yeah, thirteen of us against one bloke who’s not allowed to use magic; we’ve got no chance,” said Fred. “Funny,” said Harry, “really amusing.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
Paris has a child, and the forest has a bird; the bird is called the sparrow; the child is called the gamin. Couple these two ideas which contain, the one all the furnace, the other all the dawn; strike these two sparks together, Paris, childhood; there leaps out from them a little being. Homuncio, Plautus would say. This little being is joyous. He has not food every day, and he goes to the play every evening, if he sees good. He has no shirt on his body, no shoes on his feet, no roof over his head; he is like the flies of heaven, who have none of these things. He is from seven to thirteen years of age, he lives in bands, roams the streets, lodges in the open air, wears an old pair of trousers of his father's, which descend below his heels, an old hat of some other father, which descends below his ears, a single suspender of yellow listing; he runs, lies in wait, rummages about, wastes time, blackens pipes, swears like a convict, haunts the wine-shop, knows thieves, calls gay women thou, talks slang, sings obscene songs, and has no evil in his heart. This is because he has in his heart a pearl, innocence; and pearls are not to be dissolved in mud. So long as man is in his childhood, God wills that he shall be innocent. If one were to ask that enormous city: "What is this?" she would reply: "It is my little one.
Victor Hugo (Works of Victor Hugo. Les Miserables, Notre-Dame de Paris, Man Who Laughs, Toilers of the Sea, Poems & More)
Thank you," he said. "Welcome. Welcome especially to Mr. Coyle Mathis and the other men and women of Forster Hollow who are going to be employed at this rather strikingly energy-inefficient plant. It's a long way from Forster Hollow, isn't it?" "So, yes, welcome," he said. "Welcome to the middle class! That's what I want to say. Although, quickly, before I go any further, I also want to say to Mr. Mathis here in the front row: I know you don't like me. And I don't like you. But, you know, back when you were refusing to have anything to do with us, I respected that. I didn't like it, but I had respect for your position. For your independence. You see, because I actually came from a place a little bit like Forster Hollow myself, before I joined the middle class. And, now you're middle-class, too, and I want to welcome you all, because it's a wonderful thing, our American middle class. It's the mainstay of economies all around the globe!" "And now that you've got these jobs at this body-armor plant," he continued, "You're going to be able to participate in those economies. You, too, can help denude every last scrap of native habitat in Asia, Africa, and South America! You, too, can buy six-foot-wide plasma TV screens that consume unbelievable amounts of energy, even when they're not turned on! But that's OK, because that's why we threw you out of your homes in the first places, so we could strip-mine your ancestral hills and feed the coal-fired generators that are the number-one cause of global warming and other excellent things like acid rain. It's a perfect world, isn't it? It's a perfect system, because as long as you've got your six-foot-wide plasma TV, and the electricity to run it, you don't have to think about any of the ugly consequences. You can watch Survivor: Indonesia till there's no more Indonesia!" "Just quickly, here," he continued, "because I want to keep my remarks brief. Just a few more remarks about this perfect world. I want to mention those big new eight-miles-per-gallon vehicles you're going to be able to buy and drive as much as you want, now that you've joined me as a member of the middle class. The reason this country needs so much body armor is that certain people in certain parts of the world don't want us stealing all their oil to run your vehicles. And so the more you drive your vehicles, the more secure your jobs at this body-armor plant are going to be! Isn't that perfect?" "Just a couple more things!" Walter cried, wresting the mike from its holder and dancing away with it. "I want to welcome you all to working for one of the most corrupt and savage corporations in the world! Do you hear me? LBI doesn't give a shit about your sons and daughters bleeding in Iraq, as long as they get their thousand-percent profit! I know this for a fact! I have the facts to prove it! That's part of the perfect middle-class world you're joining! Now that you're working for LBI, you can finally make enough money to keep your kids from joining the Army and dying in LBI's broken-down trucks and shoddy body armor!" The mike had gone dead, and Walter skittered backwards, away from the mob that was forming. "And MEANWHILE," he shouted, "WE ARE ADDING THIRTEEN MILLION HUMAN BEINGS TO THE POPULATION EVERY MONTH! THIRTEEN MILLION MORE PEOPLE TO KILL EACH OTHER IN COMPETITION OVER FINITE RESOURCES! AND WIPE OUT EVERY OTHER LIVING THING ALONG THE WAY! IT IS A PERFECT FUCKING WORLD AS LONG AS YOU DON'T COUNT EVERY OTHER SPECIES IN IT! WE ARE A CANCER ON THE PLANT! A CANCER ON THE PLANET!
Jonathan Franzen (Freedom)
The most important things are the hardest things to say. They are the things you get ashamed of, because words diminish them—words shrink things that seemed limitless when they were in your head to no more than living size when they’re brought out. But it’s more than that, isn’t it? The most important things lie too close to wherever your secret heart is buried, like landmarks to a treasure your enemies would love to steal away. And you may make revelations that cost you dearly only to have people look at you in a funny way, not understanding what you’ve said at all, or why you thought it was so important that you almost cried while you were saying it. That’s the worst, I think. When the secret stays locked within not for want of a teller but for want of an understanding ear. I was twelve going on thirteen when I first saw a dead human being. It happened in 1960, a long time ago . . . although sometimes it doesn’t seem that long to me. Especially on the nights I wake up from dreams where the hail falls into his open eyes.
Stephen King (Different Seasons)
Why does it seem to take more than half a lifetime to get to be a lousy teenager? Why does childhood take forever – when you’re a child? Why does it seem to occupy a solid three-quarters of the whole trip? And when it’s over, when the kids grow up, when you suddenly have to face facts…well,” Frank said to me, just recently, “you know the story. When we were in the first Hotel New Hampshire, it seemed we’d go on being thirteen and fourteen and fifteen forever. For fucking forever, as Franny would say. But once we left the first Hotel New Hampshire,” Frank said, “the rest of our lives moved past us twice as fast. That’s just how it is,” Frank claimed, smugly. “For half your life, you’re fifteen. Then one day your twenties begin, and they’re over the next day. And your thirties blow by you like a weekend spent with pleasant company. And before you know it, you’re thinking about being fifteen again.
John Irving (The Hotel New Hampshire)
I have a fetish,” Kami claimed. “For scars,” she added, and Jared’s mouth quirked. His smile still looked incredulous, but in a different way. “Obviously my first choice would be Mr. Stearn, who was in World War II and is by all reports absolutely covered in scars. Hot, am I right? But alas, our love can never be.” “That’s tragic,” said Jared. “He’s like a hundred years old, I’d kill him with my enthusiasm,” said Kami. “I couldn’t live with myself. He’s a hero who fought for our country. You’ll have to do.” “I’m a little reassured,” Jared told her. He laughed, a slow, wonderful sound, warm as the line of his body against hers. “But I’m mostly appalled. I had no idea of the massive age range my competition apparently fits into. Anyone from the age of thirteen to a hundred?
Sarah Rees Brennan (Unmade (The Lynburn Legacy, #3))
This is outrageous and demonstrates the danger of permitting religion in the public square,” Liebowitz said. “History teaches us, or should have by now, that wars caused by religion, and especially Christianity, have killed more people than all other causes, combined.” “I'm afraid that's not accurate. Stalin, Mao and Pol Pot each killed millions and they were all confirmed atheists,” Cardinal Guzetti replied. “Remember the Great Peoples Cultural Revolution? Over twenty million died before it was over. The killing fields in Cambodia claimed the lives of unknown millions, but some estimates suggest twenty five percent of the country's population died at the hands of the Camere Rouge. Joseph Stalin starved ten to twelve million Russian peasant farmers to death and killed another two million building the great Canal outside of Moscow. All three of these monsters were confirmed atheists . . . Probably five thousand people were killed during the Inquisition. In America, thirteen were put on trial during the Salem witch trials. Horrible and indefensible, no doubt. But millions of human beings were slaughtered by Stalin, Pol Pot and Mao. I'm afraid we Christians are amateurs compared to you atheists.
Joseph Max Lewis (Separation of Church and State)
One," said the recording secretary. "Jesus wept," answered Leon promptly. There was not a sound in the church. You could almost hear the butterflies pass. Father looked down and laid his lower lip in folds with his fingers, like he did sometimes when it wouldn't behave to suit him. "Two," said the secretary after just a breath of pause. Leon looked over the congregation easily and then fastened his eyes on Abram Saunders, the father of Absalom, and said reprovingly: "Give not sleep to thine eyes nor slumber to thine eyelids." Abram straightened up suddenly and blinked in astonishment, while father held fast to his lip. "Three," called the secretary hurriedly. Leon shifted his gaze to Betsy Alton, who hadn't spoken to her next door neighbour in five years. "Hatred stirreth up strife," he told her softly, "but love covereth all sins." Things were so quiet it seemed as if the air would snap. "Four." The mild blue eyes travelled back to the men's side and settled on Isaac Thomas, a man too lazy to plow and sow land his father had left him. They were not so mild, and the voice was touched with command: "Go to the ant, thou sluggard, consider her ways and be wise." Still that silence. "Five," said the secretary hurriedly, as if he wished it were over. Back came the eyes to the women's side and past all question looked straight at Hannah Dover. "As a jewel of gold in a swine's snout, so is a fair woman without discretion." "Six," said the secretary and looked appealingly at father, whose face was filled with dismay. Again Leon's eyes crossed the aisle and he looked directly at the man whom everybody in the community called "Stiff-necked Johnny." I think he was rather proud of it, he worked so hard to keep them doing it. "Lift not up your horn on high: speak not with a stiff neck," Leon commanded him. Toward the door some one tittered. "Seven," called the secretary hastily. Leon glanced around the room. "But how good and how pleasant it is for brethren to dwell together in unity," he announced in delighted tones as if he had found it out by himself. "Eight," called the secretary with something like a breath of relief. Our angel boy never had looked so angelic, and he was beaming on the Princess. "Thou art all fair, my love; there is no spot in thee," he told her. Laddie would thrash him for that. Instantly after, "Nine," he recited straight at Laddie: "I made a covenant with mine eyes; why then should I think upon a maid?" More than one giggled that time. "Ten!" came almost sharply. Leon looked scared for the first time. He actually seemed to shiver. Maybe he realized at last that it was a pretty serious thing he was doing. When he spoke he said these words in the most surprised voice you ever heard: "I was almost in all evil in the midst of the congregation and assembly." "Eleven." Perhaps these words are in the Bible. They are not there to read the way Leon repeated them, for he put a short pause after the first name, and he glanced toward our father: "Jesus Christ, the SAME, yesterday, and to-day, and forever!" Sure as you live my mother's shoulders shook. "Twelve." Suddenly Leon seemed to be forsaken. He surely shrank in size and appeared abused. "When my father and my mother forsake me, then the Lord will take me up," he announced, and looked as happy over the ending as he had seemed forlorn at the beginning. "Thirteen." "The Lord is on my side; I will not fear; what can man do unto me?" inquired Leon of every one in the church. Then he soberly made a bow and walked to his seat.
Gene Stratton-Porter (Laddie: A True Blue Story (Library of Indiana Classics))
Oh, there had been divorced Presidents, even, late in the twentieth century, one who had survived a White House divorce to the extent of being re-elected. Of course old Gus Time hadn't made any mistake in the marital department. Sixty years of wedded bliss. The grin came and went. Old fox! They said when he was in his early twenties and so new in Washington he still smacked of the boondocks, he had cast his eyes around all the Washington wives: he picked Senator Black's wife Olive for her beauty, her brains, her organizational genius and her relish of public life, then simply stole her from the Senator. It worked, though she was thirteen years older than he. She was the greatest First Lady the country had ever known. But behind the scenes - Oh man, what a tartar! Not that he had ever heard old Gus complain. The public lion was perfectly content to be a private mouse. Gus do this, Gus don't do that - and he was so lost when she died that he abandoned Washington the moment her funeral was over, went to live in his home state of Iowa and died himself not two months later.
Colleen McCullough (A Creed for the Third Millennium)
Margaret, the eldest of the four, was sixteen, and very pretty, being plump and fair, with large eyes, plenty of soft brown hair, a sweet mouth, and white hands, of which she was rather vain. Fifteen-year-old Jo was very tall, thin, and brown, and reminded one of a colt, for she never seemed to know what to do with her long limbs, which were very much in her way. She had a decided mouth, a comical nose, and sharp, gray eyes, which appeared to see everything, and were by turns fierce, funny, or thoughtful. Her long, thick hair was her one beauty, but it was usually bundled into a net, to be out of her way. Round shoulders had Jo, big hands and feet, a flyaway look to her clothes, and the uncomfortable appearance of a girl who was rapidly shooting up into a woman and didn't like it. Elizabeth, or Beth, as everyone called her, was a rosy, smooth-haired, bright-eyed girl of thirteen, with a shy manner, a timid voice, and a peaceful expression which was seldom disturbed. Her father called her 'Little Miss Tranquility', and the name suited her excellently, for she seemed to live in a happy world of her own, only venturing out to meet the few whom she trusted and loved. Amy, though the youngest, was a most important person, in her own opinion at least. A regular snow maiden, with blue eyes, and yellow hair curling on her shoulders, pale and slender, and always carrying herself like a young lady mindful of her manners. What the characters of the four sisters were we will leave to be found out.
Louisa May Alcott (Little Women)
I do love Oregon." My gaze wanders over the quiet, natural beauty surrounding us, which isn't limited to just this garden. "Being near the river, and the ocean, and the rocky mountains, and all this nature ... the weather." He chuckles. "I've never met anyone who actually loves rain. It's kind of weird. But cool, too," he adds quickly, as if afraid to offend me. "I just don't get it." I shrug. "It's not so much that I love rain. I just have a healthy respect for what if does. People hate it, but the world needs rain. It washes away dirt, dilutes the toxins in the air, feeds drought. It keeps everything around us alive." "Well, I have a healthy respect for what the sun does," he counters with a smile." "I'd rather have the sun after a good, hard rainfall." He just shakes his head at me but he's smiling. "The good with the bad?" "Isn't that life?" He frowns. "Why do I sense a metaphor behind that?" "Maybe there is a metaphor behind that." One I can't very well explain to him without describing the kinds of things I see every day in my life. The underbelly of society - where twisted morals reign and predators lurk, preying on the lost, the broken, the weak, the innocent. Where a thirteen-year-old sells her body rather than live under the same roof as her abusive parents, where punks gang-rape a drunk girl and then post pictures of it all over the internet so the world can relive it with her. Where a junkie mom's drug addiction is readily fed while her children sit back and watch. Where a father is murdered bacause he made the mistake of wanting a van for his family. In that world, it seems like it's raining all the time. A cold, hard rain that seeps into clothes, chills bones, and makes people feel utterly wretched. Many times, I see people on the worst day of their lives, when they feel like they're drowing. I don't enjoy seeing people suffer. I just know that if they make good choices, and accept the right help, they'll come out of it all the stronger for it. What I do enjoy comes after. Three months later, when I see that thirteen-year-old former prostitute pushing a mower across the front lawn of her foster home, a quiet smile on her face. Eight months later, when I see the girl who was raped walking home from school with a guy who wants nothing from her but to make her laugh. Two years later, when I see the junkie mom clean and sober and loading a shopping cart for the kids that the State finally gave back to her. Those people have seen the sun again after the harshest rain, and they appreciate it so much more.
K.A. Tucker (Becoming Rain (Burying Water, #2))
Despite the complexity and variety of the universe, it turns out that to make one you need just three ingredients. Let’s imagine that we could list them in some kind of cosmic cookbook. So what are the three ingredients we need to cook up a universe? The first is matter—stuff that has mass. Matter is all around us, in the ground beneath our feet and out in space. Dust, rock, ice, liquids. Vast clouds of gas, massive spirals of stars, each containing billions of suns, stretching away for incredible distances. The second thing you need is energy. Even if you’ve never thought about it, we all know what energy is. Something we encounter every day. Look up at the Sun and you can feel it on your face: energy produced by a star ninety-three million miles away. Energy permeates the universe, driving the processes that keep it a dynamic, endlessly changing place. So we have matter and we have energy. The third thing we need to build a universe is space. Lots of space. You can call the universe many things—awesome, beautiful, violent—but one thing you can’t call it is cramped. Wherever we look we see space, more space and even more space. Stretching in all directions. It’s enough to make your head spin. So where could all this matter, energy and space come from? We had no idea until the twentieth century. The answer came from the insights of one man, probably the most remarkable scientist who has ever lived. His name was Albert Einstein. Sadly I never got to meet him, since I was only thirteen when he died. Einstein realised something quite extraordinary: that two of the main ingredients needed to make a universe—mass and energy—are basically the same thing, two sides of the same coin if you like. His famous equation E = mc2 simply means that mass can be thought of as a kind of energy, and vice versa. So instead of three ingredients, we can now say that the universe has just two: energy and space. So where did all this energy and space come from? The answer was found after decades of work by scientists: space and energy were spontaneously invented in an event we now call the Big Bang.
Stephen Hawking (Brief Answers to the Big Questions)
Darling paused to let that seep into their collective minds before he spoke in a cold tone. “I am not my uncle. I am not my father, but I do subscribe to the twenty rules he taught me from the cradle. One, if you’re afraid to fight, then you’ll never win. Two, in times of tragedy and turmoil, you’ll learn who your true friends are. Treasure them because they are few and far between. Three, know your enemies, and never become your own worst one. Four, be grateful for those enemies. They will keep you honest and ever striving to better yourself. Five, listen to all good advice, but never substitute someone else’s judgment for your own. Six, all men and women lie. But never lie to yourself. Seven, many will flatter you. Befriend the ones who don’t, for they will remind you that you’re human and not infallible. Eight, never fear the truth. It’s the lies that will destroy you. Nine, your worst decisions will always be those that are made out of fear. Think all matters through with a clear head. Ten, your mistakes won’t define you, but your memories, good and bad, will. Eleven, be grateful for your mistakes as they will tell you who and what you’re not. Twelve, don’t be afraid to examine the past, it’s how you learn what you don’t want to do again. Thirteen, there’s a lot to be said for not knowing better. Fourteen, all men die. Not everyone lives. Fifteen, on your deathbed, your greatest regrets will be what you didn’t do. Sixteen, don’t be afraid to love. Yes, it’s a weakness that can be used against you. But it’s also a source of the greatest strength you will ever know. Seventeen, the past is history written in stone that can’t be altered. The future is transitory and never guaranteed. Today is the only thing you can change for certain. Have the courage to do so and make the most of it because it could be all you’ll ever have. Eighteen, you can be in a crowd, surrounded by people, and still be lonely. Nineteen, love all, regardless of what they do. Trust only those you have to. Harm none until they harm you. And twenty… Never be afraid to kill or destroy your enemies. They won’t hesitate to kill or destroy you.” The
Sherrilyn Kenyon (Born of Silence (The League #5))
To celebrate the Russian/Ukrainian partnership, in 1954 the 300th anniversary of the Pereiaslav Treaty was marked throughout the Soviet Union in an unusually grandiose manner. In addition to numerous festivities, myriad publications, and countless speeches, the Central Committee of the all-union party even issued thirteen "thesis", which argued the irreversibility of the "everlasting union" of the Ukrainians and the Russians: "The experience of history has shown that the way of fraternal union and alliance chosen by the Russians and Ukrainians was the only true way. The union of two great Slavic peoples multiplied their strength in the common struggle against all external foes, against serf owners and the bourgeoisie, again tsarism and capitalist slavery. The unshakeable friendship of the Russian and Ukrainian peoples has grown and strengthened in this struggle." To emphasize the point that the union with Moscow brought the Ukrainians great benefits, the Pereiaslav anniversary was crowned by the Russian republic's ceding of Crimea to Ukraine "as a token of friendship of the Russian people." But the "gift" of the Crimea was far less altruistic than it seemed. First, because the peninsula was the historic homeland of the Crimean Tatars whom Stalin had expelled during the Second World War, the Russians did not have the moral right to give it away nor did the Ukrainians have the right to accept it. Second, because of its proximity and economic dependence on Ukraine, the Crimea's links with Ukraine were naturally greater than with Russia. Finally, the annexation of the Crimea saddled Ukraine with economic and political problems. The deportation of the Tatars in 1944 had created economic chaos in the region and it was Kiev's budget that had to make up loses. More important was the fact that, according to the 1959 census, about 860,000 Russians and only 260,000 Ukrainians lived in the Crimea. Although Kiev attempted to bring more Ukrainians into the region after 1954, the Russians, many of whom were especially adamant in rejecting any form of Ukrainization, remained the overwhelming majority. As a result, the Crimean "gift" increased considerably the number of Russians in the Ukrainian republic. In this regard, it certainly was an appropriate way of marking the Pereiaslav Treaty.
Orest Subtelny (Ukraine: A History)
The men who had inhabited prehistoric Egypt, who had carved the Sphinx and founded the world‘s oldest civilization, were men who had made their exodus from Atlantis to settle on this strip of land that bordered the Nile. And they had left before their ill-fated continent sank to the bottom of the Atlantic Ocean, a catastrophe which had drained the Sahara and turned it into a desert. The shells which to-day litter the surface of the Sahara in places, as well as the fossil fish which are found among its sands, prove that it was once covered by the waters of a vast ocean. It was a tremendous and astonishing thought that the Sphinx provided a solid, visible and enduring link between the people of to-day and the people of a lost world, the unknown Atlanteans. This great symbol has lost its meaning for the modern world, for whom it is now but an object of local curiosity. What did it mean to the Atlanteans? We must look for some hint of an answer in the few remnants of culture still surviving from peoples whose own histories claimed Atlantean origin. We must probe behind the degenerate rituals of races like the Incas and the Mayas, mounting to the purer worship of their distant ancestors, and we shall find that the loftiest object of their worship was Light, represented by the Sun. Hence they build pyramidal Temples of the Sun throughout ancient America. Such temples were either variants or slightly distorted copies of similar temples which had existed in Atlantis. After Plato went to Egypt and settled for a while in the ancient School of Heliopolis, where he lived and studied during thirteen years, the priest-teachers, usually very guarded with foreigners, favoured the earnest young Greek enquirer with information drawn from their well-preserved secret records. Among other things they told him that a great flat-topped pyramid had stood in the centre of the island of Atlantis, and that on this top there had been build the chief temple of the continent – a sun temple. […] The Sphinx was the revered emblem in stone of a race which looked upon Light as the nearest thing to God in this dense material world. Light is the subtlest, most intangible of things which man can register by means of one of his five senses. It is the most ethereal kind of matter which he knows. It is the most ethereal element science can handle, and even the various kind of invisible rays are but variants of light which vibrate beyond the power of our retinas to grasp. So in the Book of Genesis the first created element was Light, without which nothing else could be created. „The Spirit of God moved upon the face of the Deep,“ wrote Egyptian-trained Moses. „And God said, Let there be Light: and there was Light.“ Not only that, it is also a perfect symbol of that heavenly Light which dawns within the deep places of man‘s soul when he yields heart and mind to God; it is a magnificent memorial to that divine illumination which awaits him secretly even amid the blackest despairs. Man, in turning instinctively to the face and presence of the Sun, turns to the body of his Creator. And from the sun, light is born: from the sun it comes streaming into our world. Without the sun we should remain perpetually in horrible darkness; crops would not grow: mankind would starve, die, and disappear from the face of this planet. If this reverence for Light and for its agent, the sun, was the central tenet of Atlantean religion, so also was it the central tenet of early Egyptian religion. Ra, the sun-god, was first, the father and creator of all the other gods, the Maker of all things, the One, the self-born [...] If the Sphinx were connected with this religion of Light, it would surely have some relationship with the sun.
Paul Brunton (A Search in Secret Egypt)