Big Sleeves Quotes

We've searched our database for all the quotes and captions related to Big Sleeves. Here they are! All 100 of them:

Life isn't happily ever after... It's work. The person you love is rarely worthy of how big your love is. Because no one is worthy of that and maybe no one deserves that burden of it, either. You'll be let down. You'll be disappointed and have your trust broken and have a lot of real sucky days. You lose more than you win. You hate the person you love as much as you love him. But you roll up your sleeves and work - at everything - because that's what growing older is.
Dennis Lehane (Mystic River)
She blew a stream of smoke up at the empty clotheslines. 'These silly dreams you have when you're young. I mean, what, Katie and Brendan Harris were going ot make a life in Las Vegas? How long would that little Eden have lasted? Maybe they'd be on their second trailer park, second kid, but it would have hit them sooner or later - life isn't happily ever after and golden sunsets and shit like that. It's work. The person you love is rarely worthy of how big your love is. Because no one is worthy of that and maybe no one deserves the burden of it, either. You'll be let down. You'll be disappointed and have your trust broken and have a lot of real sucky days. You lose more than you win. You hate the person you love as much as you love him. But, shit, you roll up your sleeves and work - at everything -because that's what growing older is.
Dennis Lehane (Mystic River)
Do not think that enlightenment is going to make you special, it’s not. If you feel special in any way, then enlightenment has not occurred. I meet a lot of people who think they are enlightened and awake simply because they have had a very moving spiritual experience. They wear their enlightenment on their sleeve like a badge of honor. They sit among friends and talk about how awake they are while sipping coffee at a cafe. The funny thing about enlightenment is that when it is authentic, there is no one to claim it. Enlightenment is very ordinary; it is nothing special. Rather than making you more special, it is going to make you less special. It plants you right in the center of a wonderful humility and innocence. Everyone else may or may not call you enlightened, but when you are enlightened the whole notion of enlightenment and someone who is enlightened is a big joke. I use the word enlightenment all the time; not to point you toward it but to point you beyond it. Do not get stuck in enlightenment.
Adyashanti
Today," she told it, "death comes to all your circuits. Will it be slow and systematic or fast and brutal?" Considering, she circled it, "Tough decision. I've waited so long for this moment. Dreamed of it." Showing her teeth, she began to roll up her sleeves. "What," Roarke asked from the doorway that connected their work areas, "is that?" "The former bane of my existence. The Antichrist of technology. Do we have a hammer?" Studying the pile on the floor, he walked in. "Several, I imagine, of various types." "I want all of them. Tiny little hammers, big, wallbangers, and everything in between." "Might one ask why?" "I'm going to beat this thing apart, byte by byte, until there's nothing left but dust from the last trembling chip." "Hmmm." Roarke crouched down, examined the pitifully out-of-date system. "When did you haul this mess in here?" "Just now. I had it in the car. Maybe I should use acid, just stand here and watch it hiss and dissolve. That could be good." Saying nothing, Roarke took a small case out of his pocket, opened it, and chose a slim tool. With a few deft moves, he had the housing open. "Hey! Hey! What're you doing?" "I haven't seen anything like this in a decade. Fascinating. Look at this corrosion. Christ, this is a SOC chip system. And it's cross-wired." When he began to fiddle, she rushed over and slapped at his hands. "Mine. I get to kill it." "Get a grip on yourself," he said absently and delved deeper into the guts. "I'll take this into research." "No. Uh-uh. I have to bust it apart. What if it breeds?
J.D. Robb (Witness in Death (In Death, #10))
The Mistake With the mistake your life goes in reverse. Now you can see exactly what you did Wrong yesterday and wrong the day before And each mistake leads back to something worse And every nuance of your hypocrisy Towards yourself, and every excuse Stands solidly on the perspective lines And there is perfect visibility. What an enlightenment. The colonnade Rolls past on either side. You needn't move. The statues of your errors brush your sleeve. You watch the tale turn back — and you're dismayed. And this dismay at this, this big mistake Is made worse by the sight of all those who Knew all along where these mistakes would lead — Those frozen friends who watched the crisis break. Why didn't they say? Oh, but they did indeed — Said with a murmur when the time was wrong Or by a mild refusal to assent Or told you plainly but you would not heed. Yes, you can hear them now. It hurts. It's worse Than any sneer from any enemy. Take this dismay. Lay claim to this mistake. Look straight along the lines of this reverse.
James Fenton (Out of Danger)
Miracles don't have to be big, and they can happen in the unlikeliest places. Sometimes they are so small people don't notice. Sometimes miracles are shy. They brush against your sleeve, they settle on your eyelashes. They wait for you to notice, then melt away. Lots of things start by being small. It's a good way to begin, because no one takes any notice of you. You're just a little thing beetling along, minding your own business. Then you grow.
Grace McCleen (The Land of Decoration)
But you want me to die. You think I’m somehow wrong. Broken.” “I think we’re all broken,” said Serena, tossing her the red coat. “Put that on.” “I don’t feel broken,” Sydney said quietly as she tugged on the too-big sleeves. “And even if I am, I can fix other people.
Victoria E. Schwab (Vicious (Villains, #1))
She reminded me that the world was really one big bee yard, and the same rules worked fine in both places: Don't be afraid, as no life-loving bee wants to sting you. Still, don't be an idiot; wear long sleeves and long pants. Don't swat. Don't even think about swatting. If you feel angry, whistle. Anger agitates, while whistling melts a bee's temper. Act like you know what you're doing, even if you don't. Above all, send the bees love. Every little thing wants to be loved.
Sue Monk Kidd (The Secret Life of Bees)
When they started rolling up their sleeves like Vincent had with smiles on their faces, she came to the understanding that one was scary and gorgeous, while the other was big and frightening.
Sarah Brianne (Vincent (Made Men, #2))
The belt slid down her thin hips, and she nervously gripped at it, pulling it up. Short sleeves showed her very thin arms and big delicate elbow joints. Her body was all concave and jerkily fluid lines; it moved with sensitive looseness, loosely threaded together: each movement had a touch of exaggeration , as though some secret power kept springing out.
Elizabeth Bowen (The Death of the Heart)
The women looked pretty, except when you got near them, but they were very clumsy about the waist. They had all full white sleeves of some kind or other, and most of them had big belts with a lot of strips of something fluttering from them like the dresses in a ballet, but of course there were petticoats under them. The strangest figures we saw were the Slovaks, who were more barbarian than the rest, with their
Bram Stoker (Dracula)
I appreciate the scientific rigor with which you’ve approached this project, Anna,” said Christopher, who had gotten jam on his sleeve. “Though I don’t think I could manage to collect that many names and also pursue science. Much too time-consuming.” Anna laughed. “How many names would you want to collect, then?” Christopher tilted his head, a brief frown of concentration crossing his face, and did not reply. “I would only want one,” said Thomas. Cordelia thought of the delicate tracery of the compass rose on Thomas’s arm, and wondered if he had any special person in mind. “Too late for me to only have one,” declared Matthew airily. “At least I can hope for several names in a carefully but enthusiastically selected list.” “Nobody’s ever tried to seduce me at all,” Lucie announced in a brooding fashion. “There’s no need to look at me like that, James. I wouldn’t say yes, but I could immortalize the experience in my novel.” “It would be a very short novel, before we got hold of the blackguard and killed him,” said James. There was a chorus of laughter and argument. The afternoon sun was sinking in the sky, its rays catching the jeweled hilts of the knives in Anna’s mantelpiece. They cast shimmering rainbow patterns on the gold-and-green walls. The light illuminated Anna’s shabby-bright flat, making something in Cordelia’s heart ache. It was such a homey place, in a way that her big cold house in Kensington was not. “What about you, Cordelia?” said Lucie. “One,” said Cordelia. “That’s everyone’s dream, isn’t it, really? Instead of many who give you little pieces of themselves—one who gives you everything.” Anna laughed. “Searching for the one is what leads to all the misery in this world,” she said. “Searching for many is what leads to all the fun.
Cassandra Clare (Chain of Gold (The Last Hours, #1))
He was a big, bony man. Iron muscles shaped his jacket sleeves and quickly wore through new trousers. He had a way of imposing himself just by standing there.
Georges Simenon (Pietr the Latvian (Maigret, #1))
I hesitate a moment. Wearing his dressing gown seems a bit cutesy. A bit Let me put on your great big manly shirt and allow the sleeves to flap endearingly around my fingers. But I have no choice.
Sophie Kinsella (Wedding Night)
Do it" she commands. "I need to know I won't cave, I need to prove to myself that even the torture of tickling won't make me give up the secrets of my best friend." I unbutton my cuffs, and roll up my shirt sleeves to my forearms "Don't go easy on me." she says. "Not in my nature.
Lauren Blakely (Big Rock (Big Rock, #1))
The person you love is rarely worthy of how big your love is. Because no one is worthy of that and maybe no one deserves the burden of it, either. You’ll be let down. You’ll be disappointed and have your trust broken and have a lot of real sucky days. You lose more than you win. You hate the person you love as much as you love him. But, shit, you roll up your sleeves and work—at everything—because that’s what growing older is.
Dennis Lehane (Mystic River)
It would be autumn, and our fathers would be out threshing in the fields. We would walk through the mulberry groves, past the big loquat tree and the old lotus pond, where we used to catch tadpoles in the spring. Our dogs would come running up to us. Our neighbours would wave. Our mothers would be sitting by the well with their sleeves tied up, washing the evening's rice. And when they saw us they would just stand up and stare. "Little girl," they would say to us, "where in the world have you been?
Julie Otsuka (The Buddha in the Attic)
The secret tugs at my sleeve. A child looking for attention. It is not a big secret. But it is not the only one either. “Strength in numbers” they say. For they are many. Many little things that – together – weigh tonnes. And take up space. And are quite noisy. The way only a lot of whispers can make noise. And they follow me. Little secrets of omission, desire, and denial. Of indulgence, hedonism, and exploration. Of peeves, passion, and deep-seated fear. Little secrets of despair and disrepair and prohibited thoroughfare.
Adelheid Manefeldt (Years: a book of tiny poetry)
I had a hand fetish. His hands were big, probably beneficial for that stupid sport he played. His were the kind of hands that made wedding rings look sexy—tan with vein lines that ran like snaking rivers to his wrist and disappeared under his sleeves.
Tarryn Fisher (The Opportunist (Love Me with Lies, #1))
Scarecrow thin, but immaculate in black long sleeved shirt and slacks, with his big black hat and that grin just a little too wide to be sane... he did. He looked good.
Richard Roberts (Please Don't Tell My Parents I'm a Supervillain (Please Don't Tell My Parents, #1))
When he reached out with both huge hands to grasp me, I ducked under them and stepped forward, smoothly pulling my knife out of my sleeve. Then, with one quick swipe, I sliced him across the belly. I wasn't certain enough of his anatomy to try stabbing him in the heart. As big as he was, his ribs were probably as thick as my wrist. He stared at me in utter amazement. Then he looked down at the entrails that came boiling out of the gaping wounds that ran from hip to hip across his lower belly. "I think you dropped something there, Grul," I suggested. He clutched at his spilling entrails with both hands, a look of consternation on his brutish face. "'Grat cut Grul's belly," he said. "Make Grul's insides fall out." "Yes, I noticed that. Did you want to fight some more, Grul? I think you could spend your time better by sewing yourself back together. You're not going to be able to move very fast with your guts tangled around your feet." "'Grat is not nice," he accused mournfully, sitting down and holding his entrails in his lap.
David Eddings (Belgarath the Sorcerer)
The sea is full of saints. You know that? You know that: you're a big boy. The sea's full of saints and it's been full of saints for years. Since longer than anything. Saints were there before there were even gods. They were waiting for them, and they're still there now. Saints eat fish and shellfish. Some of them catch jellyfish and some of them eat rubbish. Some saints eat anything they can find. They hide under rocks; they turn themselves inside out: they spit up spirals. There's nothing saints don't do. Make this shape with your hands. Like that. Move your fingers. There, you made a saint. Look out, here come another one! Now they're fighting! Yours won. There aren't any big corkscrew saints anymore, but there are still ones like sacks and ones like coils, and ones like robes with flapping sleeves. What's your favourite saint? I'll tell you mine. But wait a minute, first, do you know what it is makes them all saints? They're all a holy family, they're all cousins. Of each other, and of ... you know what else they're cousins of? That's right. Of gods. Alright now. Who was it made you? You know what to say. Who made you?
China Miéville (Kraken)
What happened?" I ask. My heart hurts. "That big guy," he says. His voice is high and tight. "Number forty-six. Jeez, he just bashed his shoulder right into my chest, and when I was on the ground, he steps on my leg with his cleat." He sniffs hard, rubs his nose on his sleeve, doesn't meet my eyes. "That bastard," I say. "The minute he gets off the field I'm going to kick him in the balls." Oliver laughs a little, his eyes filling up at the same time. "He'll never know what hit him. His balls are gonna go flying, I promise you that. People will wish they brought their catcher's mitts.
Deb Caletti (The Nature of Jade)
Then I'm a paunchy guy in a room, with a note pinned to his sleeve: "You were alone in the world," it says, "and did a kindness for someone in need. Good for you. Now post this module, and follow this map to the home of Mrs. Ken Schwartz. Care for her with some big money that will come in the mail. Find someone to love. Your heart has never been broken. You've never done anything unforgivable or hurt anyone beyond reparation. Everyone you've ever loved you've treated like gold.
George Saunders
Hey, YOU, the puker and the crier, I think you’re awesome. It’s not an easy task living with your heart on your sleeve. Your heartache might run deep, you might get what’s considered overly excited about things that light you up, you might be a little too passionate at times, but your big heart is the most amazing part of you. Please don’t change it for anyone, ever.
Kate Stewart (Drive (The Bittersweet Symphony Duet #1))
So look," he began, leaning over the desk, "I was—" "Excuse me?" Bethany said. Her voice was loud, even. Wes turned and looked at her. As he did so, I watched his profile, his arm, that little bit of the heart in hand peeking out from his sleeve. "We can help you over here," Bethany said to him. "Did you have a question?" "Um, sort of," Wes said, glancing at me, a mild smile on his face. "But—" "I can answer it," Bethany said solidly, so confidently. Amanda, beside her, nodded, seconding this. "Really, it's fine," he said, then looked at me again. He raised his eyebrows, and I just shrugged. "Okay, so—" "She's only a trainee, she won't know the answer," Bethany told him, pushing her chair over closer to where he was, her voice too loud, bossy even. "It's better if you ask me. Or ask us." Then, and only then, did I see the tiniest flicker of annoyance on Wes's face. "You know," Wes said, "I think she'll know it." "She won't. Ask me." Now it wasn't just a flicker. Wes looked at me, narrowing his eyes, and for a second I just stared back. Whatever happens, I thought, happens. For the first time, time at the info desk was flying. "Okay," he said slowly, moving down the counter. He leaned on his elbows, closer to Bethany, and she sat up even straighter, readying herself, like someone onJeopardy awaiting the Daily Double. "So here's my question." Amanda picked up a pen, as if there might be a written portion. "Last night," Wes said, his voice serious, "when the supplies were being packed up, what happened to the big tongs?" The sick part was that Bethany, for a second, looked as if she was actually flipping through her mental Rolodex for the answer. I watched her swallow, then purse her lips. "Well," she said. But that was all. I could feel myself smiling. A real smile. Wes looked at Amanda. "Do you know?" Amanda shook her head slowly. "All right," he said, turning back to look at me. "Better ask the trainee, then. Macy?" I could feel Amanda and Bethany looking at me. "They're in the bottom of that cart with the broken back wheel, under the aprons," I said. "There wasn't room for them with the other serving stuff.
Sarah Dessen (The Truth About Forever)
Standing on your own feet, naturally, is as tiresome and dangerous as standing your ground; and when the wild dogs begin to circle grinning round you with their dripping tongues hanging out and you know that with mock servility they like to go for your toes first, why, then, you should stand on someone else’s feet, or head if necessary. It is a point of faith for me never to be Hitler; he stood his ground in his own two shoes in his own little hole almost to the end, the fool. But I may disguise myself as any other animate or inanimate object in what follows. I can be eight lame women with falsies, eight cracked chamber pots, or -- let’s get right to the point -- a gladiator who is actually constructed of old clothes, brooms, and a paper plate with a face daubed on in finger-paints, not to mention two vagrants inside each shirt-sleeve and pant-leg, moving Goliath’s limbs at my say-so; but as long as you believe in the gladiator, you are whipped, and the Museum people will set out on your track, and then once they catch you, don’t think I won’t come study your exhibit until I can convince your own sweetheart that I am you come back from the dead. For I am Big George, the eternal winner.
William T. Vollmann (You Bright and Risen Angels (Contemporary American Fiction))
School went exactly as Violet thought it would: weird. It wasn’t her best, and it wasn’t her worst, day ever. It was just weird. Jay was true to his word, deciding not to hold anything back. And it started the second they got out of the car, when he claimed her hand and refused to let go, even when Violet tugged and pulled to try to get it away from him. He ignored her mute protests and held on tight, smiling more to himself than to her, and paraded her right into the school like that. Not that they’d never held hands before, because they had. But this was entirely different, and Jay was hell-bent on making sure that everyone knew it. And just in case anyone wondered what the hand-holding actually meant, he made sure to clear things up for them by planting a big, albeit very satisfying, kiss on her lips, right in the middle of the hallway. Violet didn’t try to pull away from that; in fact, she was dismayed to find herself leaning into him, craving more, and not caring—at least at that moment—who might see them together. Unfortunately that person turned out to be Chelsea. Chelsea, of all people, along with Claire, who happened to walk up at very inopportune instant. “Well, well, well,” Chelsea said in an oh-so-innocent voice. “Look what we have here, Claire-bear. It’s old Jay and Violet.” The unconcealed smile was embedded deep in her voice. “Only, and correct me if I’m wrong, this looks a little more than friendly, don’t you think?” “I never kiss my friends like that,” Claire replied, blank-faced and serious, oblivious to sarcasm. Jay’s answer was to pull Violet closer, wrapping his arm around her waist. Violet cringed. Chelsea cocked her head at Claire. “I was just trying to make a point.” Claire looked confused. “What point?” “Seriously, Claire? That Violet and Jay are dating now.” She glanced away from poor confused Claire and flashed a gloating look to the couple in front of her. “It’s about time, by the way. I think everyone will thank you for putting us all out of our misery. I, for one, was completely fed up with watching you two lovesick puppies pining over each other. Seriously, it was disgusting.” She grabbed Claire by the sleeve of her snug, body-hugging hoodie and led her down the hallway, toward their first-period class. Violet watched in stunned silence, processing everything that Chelsea had said to them, as Claire bounded along in Chelsea’s commanding wake. Jay decided that it was his turn to gloat. “You pined for me?” he asked, stupid grin and all. Violet hit him in the arm. “Shut up!” She shook her head. “I’m pretty sure she was talking about you anyway.
Kimberly Derting (The Body Finder (The Body Finder, #1))
Straining to hear, I can make out something acoustic. Coming from...the backyard? I glance down from my bedroom window and feel my jaw fall open. Matt Finch is standing below my window, guitar strapped across his chest. I pull my window up, and I expect the song from that old movie - the one about a guy with a trench coat and the big radio and his heart on his sleeve. But it's not that. It's not anything I recognise, and I strain to make out the lyrics: Stop being ridiculous, stop being ridiculous, Reagan. What an asshole. The mesh screen and two floors between us don't seem like enough to protect him from my anger. "Nice apology," I call down to him. "I've apologised thirteen times," he yells back, "and so far you haven't called me back." I open my mouth to say it doesn't matter, but he's already redirecting the song. "Now I'm gonna stand here until you forgive me," he sings loudly, "or at least until you hear me out, la-la, oh-la-la. I drove seven hours overnight, and I won't leave until you come out here." (...) "This is private property!" My throat feel coarse from how loudly I'm yelling. "And that doesn't even rhyme!" The guitar chord continues as he sings, "Then call the cops, call the cops, call the cops..." I storm downstairs, my feet pounding against the staircase. When I turn the corner, my dad looks almost amused from his seat in the recliner. Noticing my expression, he stares back at his newspaper, as if I won't notice him. (...) "Dad. How did Matt know which window was mine?" "Well..." he peeks over the sports section. "I reckon I told him." "You talked to him?" My voice is no longer a voice. It's a shriek. "God, Dad!" He juts out his chin, defensive. "How was I supposed to know you had some sort of drama with him? He shows up, lookin' to serenade my daughter. Thought it seemed innocent enough. Sweet, even. Old-fashioned." "It's not any of those things! I hate him!
Emery Lord (Open Road Summer)
LIFE DOESN'T FRIGHTEN ME Shadows on the wall Noises down the hall Life doesn't frightnes me at all Bad dogs barking loud Big ghosts in a cloud Life doesn't frighten me at all. Mean old Mother Goose Lions on the loose They don't frighten me at all Dragons breathing flame On my counterpane That doesn't frighten me at all. I go boo Make them shoo I make fun Way they run I won't cry So they fly I just smile They go wild Life doesn't frighten me at all. Tough guys in a fight All alone at night Life doesn't frighten me at all. Panthers in the park Strangers in the dark No, they don't frighten me at all. That new classrom where Boys all pull my hair (Kissy little girls With their hair in curls) They don't frighten me at all. Don't show me frogs and snakes And listen for my scream, If I'm afraid at all It's only in my dreams. I've got a magic charm That I keep up my sleeve, I can walk the ocean floor And never have to breathe. Life doesn't frighten me at all Not at all Not at all. Life doesn't frigthen me at all.
Maya Angelou (And Still I Rise)
It is one of those big-smelling days, when people bring the outdoors in with them, the scent of rain on their sleeves, in their hair.
Gillian Flynn (Gone Girl)
I've already got the storm figured out. Some idiot blew up the sun. Some dumb Russian general pushed the wrong button and launched one of their million missiles, or maybe NASA misaimed one of our test rockets. Either way, the sun is gone and we're now engaged in a nuclear shootout. It's the end of everything. Batman and Superman aren't coming and James Bond doesn't have a trick up his sleeve to save us this time. In a week or a month, we'll all freeze to death, just like in that Twilight Zone episode where the pretty lady is burning up with fever, dreaming the sun is baking the world dry, when really the Earth has dropped out of orbit, is hurtling further and further away from the sun, rapidly turning into a big ball of ice.
Bob Thurber (Paperboy: A Dysfunctional Novel)
The wedding ended, hurriedly, on a surge of masculine bonhomie and relief. Five minutes later, followed by the red-eyed glares of their womenfolk, Buccleuch and his friends and his new-married son had plunged off to join Lord Culter, head of the Crawfords, and Francis Crawford his brother, to fight the English once more. * Sentimentally, Will Scott thought, it made his wedding-day perfect. Cantering, easy and big-limbed, through the bracken of Ettrick-side, with leaves stuck, lime-green and scarlet on his wet sleeves, blue eyes narrowed and fair, red-blooded Scott face misted with rain, he was borne on a vast, angry joy.
Dorothy Dunnett (The Disorderly Knights (The Lymond Chronicles, #3))
LARKIN WATCHED Pike leaving, and in the moment he stepped outside, he was framed in the open door of their Echo Park house like a picture in a magazine, frozen in time and space. A big man, but not a giant. More average in size than not. With the sleeves covering his arms, and his face turned away, he seemed heartbreakingly normal, which made her love him even more. A superman risked nothing, but an average man risked everything.
Robert Crais (The Watchman (Elvis Cole, #11; Joe Pike, #1))
It’s cold and clammy in the alley like White Scar Cave in the Yorkshire Dales. Dad took me when I was ten. I find a dead cat lying on the ground at the first corner. It’s gray like dust on the moon. I know it’s dead because it’s as still as a dropped bag, and because big flies are drinking from its eyes. How did it die? There’s no bullet wound or fang marks, though its head’s at a slumped angle so maybe it was strangled by a cat-strangler. It goes straight into the Top Five of the Most Beautiful Things I’ve Ever Seen. Maybe there’s a tribe in Papua New Guinea who think the droning of flies is music. Maybe I’d fit in with them. “Come along, Nathan.” Mum’s tugging my sleeve.
David Mitchell (Slade House)
What it all comes down to, as it so often does, is the very beginning of the universe. This, say the big-heads of the scientific fraternity, all began with a big bang. Wrong! The universe, in fact, began with the sound of a duck call, followed by a whistle and an enormous cosmic wind-break. Had anyone been around at the time to overhear these sounds, they would probably have received a pretty good indication of what God had up his sleeve, amongst other places.
Robert Rankin (Armageddon: The Musical (Armageddon Trilogy Book 1))
It was late spring and everything was fragrant and in bloom: the dogwood trees, the dogs themselves, their owners. Big Swiss was a showy white flower in puffed sleeves and linen shorts. Greta, who’d peaked weeks ago, was already wilting and losing her petals.
Jen Beagin (Big Swiss)
I wiped my face with my sleeve. Jack, who'd been watching everything with big, worried eyes, opened his man purse and handed me a little travel Kleenex package. 'Thank you,' I sniffled. 'Just keep it. You'll probably cry more later,' he said, patting my shoulder.
P.C. Cast, Kristin Cast (Tempted (House of Night, #6))
Obstructive Sleep Apnea — When you have obstructive sleep apnea, you stop breathing for seconds or even minutes while you are sleeping. Usually, you stop each episode by snorting or coughing yourself awake. The cycle can repeat itself five to 30 times per hour throughout the night.
Alex Brecher (The BIG Book on the Gastric Sleeve: Everything You Need To Know To Lose Weight and Live Well with the Vertical Sleeve Gastrectomy (The BIG Books on Weight Loss Surgery 2))
Dear New Orleans, What a big, beautiful mess you are. A giant flashing yellow light—proceed with caution, but proceed. Not overly ambitious, you have a strong identity, and don’t look outside yourself for intrigue, evolution, or monikers of progress. Proud of who you are, you know your flavor, it’s your very own, and if people want to come taste it, you welcome them without solicitation. Your hours trickle by, Tuesdays and Saturdays more similar than anywhere else. Your seasons slide into one another. You’re the Big Easy…home of the shortest hangover on the planet, where a libation greets you on a Monday morning with the same smile as it did on Saturday night. Home of the front porch, not the back. This engineering feat provides so much of your sense of community and fellowship as you relax facing the street and your neighbors across it. Rather than retreating into the seclusion of the backyard, you engage with the goings-on of the world around you, on your front porch. Private properties hospitably trespass on each other and lend across borders where a 9:00 A.M. alarm clock is church bells, sirens, and a slow-moving eight-buck-an-hour carpenter nailing a windowpane two doors down. You don’t sweat details or misdemeanors, and since everybody’s getting away with something anyway, the rest just wanna be on the winning side. And if you can swing the swindle, good for you, because you love to gamble and rules are made to be broken, so don’t preach about them, abide. Peddlin worship and litigation, where else do the dead rest eye to eye with the livin? You’re a right-brain city. Don’t show up wearing your morals on your sleeve ’less you wanna get your arm burned. The humidity suppresses most reason so if you’re crossing a one-way street, it’s best to look both ways. Mother Nature rules, the natural law capital “Q” Queen reigns supreme, a science to the animals, an overbearing and inconsiderate bitch to us bipeds. But you forgive her, and quickly, cus you know any disdain with her wrath will reap more: bad luck, voodoo, karma. So you roll with it, meander rather, slowly forward, takin it all in stride, never sweating the details. Your art is in your overgrowth. Mother Nature wears the crown around here, her royalty rules, and unlike in England, she has both influence and power. You don’t use vacuum cleaners, no, you use brooms and rakes to manicure. Where it falls is where it lays, the swerve around the pothole, the duck beneath the branch, the poverty and the murder rate, all of it, just how it is and how it turned out. Like a gumbo, your medley’s in the mix. —June 7, 2013, New Orleans, La.
Matthew McConaughey (Greenlights)
I drummed my fingers on the steering wheel as I looked around the empty lot. I wavered on getting out when a giant lightning bolt painted a jagged streak across the rainy lavender-gray sky. Minutes passed and still he didn’t come out of the Three Hundreds’ building. Damn it. Before I could talk myself out of it, I jumped out of the car, cursing at myself for not carrying an umbrella for about the billionth time and for not having waterproof shoes, and ran through the parking lot, straight through the double doors. As I stomped my feet on the mat, I looked around the lobby for the big guy. A woman behind the front desk raised her eyebrows at me curiously. “Can I help you with something?” she asked. “Have you seen Aiden?” “Aiden?” Were there really that many Aidens? “Graves.” “Can I ask what you need him for?” I bit the inside of my cheek and smiled at the woman who didn’t know me and, therefore, didn’t have an idea that I knew Aiden. “I’m here to pick him up.” It was obvious she didn’t know what to make of me. I didn’t exactly look like pro-football player girlfriend material in that moment, much less anything else. I’d opted not to put on any makeup since I hadn’t planned on leaving the house. Or real pants. Or even a shirt with the sleeves intact. I had cut-off shorts and a baggy T-shirt with sleeves that I’d taken scissors to. Plus the rain outside hadn’t done my hair any justice. It looked like a cloud of teal. Then there was the whole we-don’t-look-anything-alike thing going on, so there was no way we could pass as siblings. Just as I opened my mouth, the doors that connected the front area with the rest of the training facility swung open. The man I was looking for came out with his bag over his shoulder, imposing, massive, and sweaty. Definitely surly too, which really only meant he looked the way he always did. I couldn’t help but crack a little smile at his grumpiness. “Ready?” He did his form of a nod, a tip of his chin. I could feel the receptionist’s eyes on us as he approached, but I was too busy taking in Grumpy Pants to bother looking at anyone else. Those brown eyes shifted to me for a second, and that time, I smirked uncontrollably. He glared down at me. “What are you smiling at?” I shrugged my shoulders and shook my head, trying to give him an innocent look. “Oh, nothing, sunshine.” He mouthed ‘sunshine’ as his gaze strayed to the ceiling. We ran out of the building side by side toward my car. Throwing the doors open, I pretty much jumped inside and shivered, turning the car and the heater on. Aiden slid in a lot more gracefully than I had, wet but not nearly as soaked. He eyed me as he buckled in, and I slanted him a look. “What?” With a shake of his head, he unzipped his duffel, which was sitting on his lap, and pulled out that infamous off-black hoodie he always wore. Then he held it out. All I could do was stare at it for a second. His beloved, no-name brand, extra-extra-large hoodie. He was offering it to me. When I first started working for Aiden, I remembered him specifically giving me instructions on how he wanted it washed and dried. On gentle and hung to dry. He loved that thing. He could own a thousand just like it, but he didn’t. He had one black hoodie that he wore all the time and a blue one he occasionally donned. “For me?” I asked like an idiot. He shook it, rolling his eyes. “Yes for you. Put it on before you get sick. I would rather not have to take care of you if you get pneumonia.” Yeah, I was going to ignore his put-out tone and focus on the ‘rather not’ as I took it from him and slipped it on without another word. His hoodie was like holding a gold medal in my hands. Like being given something cherished, a family relic. Aiden’s precious.
Mariana Zapata (The Wall of Winnipeg and Me)
Beckett returned his attention to Livia. He rubbed her shoulders and set to the task of rolling up the sleeves of her father’s too-big jacket to reveal her hands. The simple act almost took Livia’s breath away. The basic kindness in this criminal was all she’d prayed for from Chris in the forest. But instead he shot Blake.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
She saw Bran step through the heavy gate. A big smile spread across her face at the sight of him. Unable to stop herself she drank in the way his broad shoulders stretched out his long-sleeved shirt and the way his thick thigh muscles flexed and strained under his cargo pants. The male was walking, talking sex and he was all hers.
Katie Reus (Beyond the Darkness (Darkness, #3))
A door behind the desk opened, and a short, wiry man entered. His short-sleeved dress shirt was shiny and unbuttoned down to the navel, revealing a host of gold chains and, uh, bling. His arms were knotted, ropy muscle. Have you ever seen someone who gave you the chills just by entering a room? This guy had that. Even the big bouncer, who had to be a foot taller and a hundred pounds heavier than the short guy, took half a step back. A hush fell over us. The short, wiry man had the narrow face of a ferret and what I can only describe as psycho eyes. I know that you are not supposed to judge people by their looks, but a blind man would be able to see that this guy was serious bad news. “Hello
Harlan Coben (Shelter (Micky Bolitar, #1))
He told the jury that i was hiding the fact that i had big fat arms like the woman who was shown robbing the bank, that i was concealing my arms because i had not worn a sleeveless dress in kourt (the trial was held in the middle of January). As he was talking, i politely rolled up my sleeves right there in the kourtroom, exposing my very thin arms.
Assata Shakur (Assata: An Autobiography)
Under the horizon, under the bowl of the earth, giant wheels have started turning, monstrous conveyer belts are winding, toothed gears are pulling the sun down and the moon up. The day is tired, it has folded its white wings, flies west-ward, big, in loose clothes, it waves a sleeve, releases stars, blesses the people walking on the chilling earth: good-bye, good-bye, I'll come again tomorrow.
Tatyana Tolstoya
It could have been so much worse. He rarely hit her face. She’d never broken a limb or needed stitches. Her bruises could always be kept secret with a turtleneck or sleeves or long pants. He would never lay a finger on the children. The boys never saw. It could be worse. Oh, so much worse. She’d read the articles about proper domestic violence victims. That was terrible. That was real. What Perry did didn’t count.
Liane Moriarty (Big Little Lies)
He trains hard, I can tell. That is not a body that you get from just diet and good genes. That’s a body you lift heavy iron for. Dark sweatpants hang off his slim waist, a perfectly dipped V dancing down his pelvis. There’s a tattoo going over that area too though, in big Old English font. My eyes dart to his left rib cage where a paragraph is inked in cursive. He also has two full sleeves of tattoos—no color, just grey and white—and what looks
Amo Jones (Manik)
They got into a taxi and drove out to Rimmily Hissa along the Bosphorus, and around, and back in the cool night and went to bed and she felt as over-ripe as she looked but smooth, rose-petal, syrupy, smooth-bellied, big-breasted and needed no pillow under her buttocks, and he left her before she was awake looking blousy enough in the first daylight and turned up at the Pera Palace with a black eye, carrying his coat because one sleeve was missing.
Ernest Hemingway (The Snows of Kilimanjaro and Other Stories)
A door behind the desk opened, and a short, wiry man entered. His short-sleeved dress shirt was shiny and unbuttoned down to the navel, revealing a host of gold chains and, uh, bling. His arms were knotted, ropy muscle. Have you ever seen someone who gave you the chills just by entering a room? This guy had that. Even the big bouncer, who had to be a foot taller and a hundred pounds heavier than the short guy, took half a step back. A hush fell over us. The
Harlan Coben (Shelter (Micky Bolitar, #1))
It was raining and I had to walk on the grass. I’ve got mud all over my shoes. They’re brand-new, too.” “I’ll carry you across the grass on the return trip, if you like,” Colby offered with twinkling eyes. “It would have to be over one shoulder, of course,” he added with a wry glance at his artificial arm. She frowned at the bitterness in his tone. He was a little fuzzy because she needed glasses to see at distances. “Listen, nobody in her right mind would ever take you for a cripple,” she said gently and with a warm smile. She laid a hand on his sleeve. “Anyway,” she added with a wicked grin, “I’ve already given the news media enough to gossip about just recently. I don’t need any more complications in my life. I’ve only just gotten rid of one big one.” Colby studied her with an amused smile. She was the only woman he’d ever known that he genuinely liked. He was about to speak when he happened to glance over her shoulder at a man approaching them. “About that big complication, Cecily?” “What about it?” she asked. “I’d say it’s just reappeared with a vengeance. No, don’t turn around,” he said, suddenly jerking her close to him with the artificial arm that looked so real, a souvenir of one of his foreign assignments. “Just keep looking at me and pretend to be fascinated with my nose, and we’ll give him something to think about.” She laughed in spite of the racing pulse that always accompanied Tate’s appearances in her life. She studied Colby’s lean, scarred face. He wasn’t anybody’s idea of a pinup, but he had style and guts and if it hadn’t been for Tate, she would have found him very attractive. “Your nose has been broken twice, I see,” she told Colby. “Three times, but who’s counting?” He lifted his eyes and his eyebrows at someone behind her. “Well, hi, Tate! I didn’t expect to see you here tonight.” “Obviously,” came a deep, gruff voice that cut like a knife. Colby loosened his grip on Cecily and moved back a little. “I thought you weren’t coming,” he said. Tate moved into Cecily’s line of view, half a head taller than Colby Lane. He was wearing evening clothes, like the other men present, but he had an elegance that made him stand apart. She never tired of gazing into his large black eyes which were deep-set in a dark, handsome face with a straight nose, and a wide, narrow, sexy mouth and faintly cleft chin. He was the most beautiful man. He looked as if all he needed was a breastplate and feathers in his hair to bring back the heyday of the Lakota warrior in the nineteenth century. Cecily remembered him that way from the ceremonial gatherings at Wapiti Ridge, and the image stuck stubbornly in her mind. “Audrey likes to rub elbows with the rich and famous,” Tate returned. His dark eyes met Cecily’s fierce green ones. “I see you’re still in Holden’s good graces. Has he bought you a ring yet?” “What’s the matter with you, Tate?” Cecily asked with a cold smile. “Feeling…crabby?” His eyes smoldered as he glared at her. “What did you give Holden to get that job at the museum?” he asked with pure malice. Anger at the vicious insinuation caused her to draw back her hand holding the half-full coffee cup, and Colby caught her wrist smoothly before she could sling the contents at the man towering over her. Tate ignored Colby. “Don’t make that mistake again,” he said in a voice so quiet it was barely audible. He looked as if all his latent hostilities were waiting for an excuse to turn on her. “If you throw that cup at me, so help me, I’ll carry you over and put you down in the punch bowl!” “You and the CIA, maybe!” Cecily hissed. “Go ahead and try…!” Tate actually took a step toward her just as Colby managed to get between them. “Now, now,” he cautioned. Cecily wasn’t backing down an inch. Neither was Tate.
Diana Palmer (Paper Rose (Hutton & Co. #2))
She reminded me that the world was really one big bee yard, and the same rules worked fine in both places: Don’t be afraid, as no life-loving bee wants to sting you. Still, don’t be an idiot; wear long sleeves and long pants. Don’t swat. Don’t even think about swatting. If you feel angry, whistle. Anger agitates, while whistling melts a bee’s temper. Act like you know what you’re doing, even if you don’t. Above all, send the bees love. Every little thing wants to be loved. August had been stung so many times she had
Sue Monk Kidd (The Secret Life of Bees)
Autumn was a harvest of big-box stores and their back-to-school sales: fruit leather, instant mac 'n' cheese, and bread that we unhusked, crinkling, from its plastic sleeve. My mouth watered for the sweetness of processed wheat sown thick through gas stations from California to New York. Honey Buns and Wonder Breads, in perfect squares and machined circles, and the ripe weight of a Danish, mass-produced, that attempts no fidelity to the country after which it is named--- no country but this one ambered by waves of industrial grain.
C Pam Zhang (Land of Milk and Honey)
She also saw an interesting sight. On a curve not far from Little Rock a busload of Elks had turned over. The bus was on its right side in the ditch, the front wheels still slowly turning, and the Elks were surfacing one at a time through the escape hatch on the left side, now topside. One Elk was lying on the grass, maybe dead, no ball game for him, and others were limping and hopping about and holding their heads. Another one, in torn shirt-sleeves, was sitting on a suitcase on top of the bus. He was not lifting a finger to help but as each surviving brother Elk stuck his head up through the hatchway, he gave a long salute from his compressed-air horn. The big Trailways cruiser began to slow down. When the man saw this he turned with his noise device and hooted it -- there could be no mistake -- at the driver. Norwood was talking to a man with bulging eyes across the aisle who had gone broke in Mississippi selling premium beer for $3.95 a case on credit, and they both missed it, that hooting part. They did help load the injured into ambulances. The former tavern keeper found a silver dollar in the grass and kept it.
Charles Portis (Norwood)
She opened the door of the room and went into the corridor, and then she began her wanderings. It was a long corridor and it branched into other corridors and it led her up short flights of steps which mounted to others again. There were doors and doors, and there were pictures on the walls. Sometimes they were pictures of dark, curious landscapes, but oftenest they were portraits of men and women in queer, grand costumes made of satin and velvet. She found herself in one long gallery whose walls were covered with these portraits. She had never thought there could be so many in any house. She walked slowly down this place and stared at the faces which also seemed to stare at her. She felt as if they were wondering what a little girl from India was doing in their house. Some were pictures of children—little girls in thick satin frocks which reached to their feet and stood out about them, and boys with puffed sleeves and lace collars and long hair, or with big ruffs around their necks. She always stopped to look at the children, and wonder what their names were, and where they had gone, and why they wore such odd clothes. There was a stiff, plain little girl rather like herself. She wore a green brocade dress and held a green parrot on her finger. Her eyes had a sharp, curious look. "Where do you live now?" said Mary aloud to her. "I wish you were here." Surely no other little girl ever spent such a queer morning. It seemed as if there was no one in all the huge rambling house but her own small self, wandering about up-stairs and down, through narrow passages and wide ones, where it seemed to her that no one but herself had ever walked. Since so many rooms had been built, people must have lived in them, but it all seemed so empty that she could not quite believe it true.
Frances Hodgson Burnett (The Secret Garden)
He leaned on the bar. "I'm Tony. And you owe me." Okay, here we go, Liza thought, and leaned on the bar, too, mirroring him. "I owe you?" "Yes." He grinned at her. "Because of chaos theory." Liza shook her head. "Chaos theory." He moved closer to her. "Chaos theory says that complex dynamical systems become unstable because of disturbances in their environments after which a strange attractor draws the trajectory of the stress." Liza looked at him, incredulous. "This is your line?" "I am a complex dynamical system," Tony said. "Not that complex," Liza said. "And I was stable until you caused a disturbance in my environment." "Not that stable," Liza said. Tony grinned. "And since you're the strangest attractor in the room, I followed the trajectory of my stress right to you." "That's not what you followed to me." Liza turned so that her back was against the bar, her shoulder blocking him. "Give me something better than that, or I'll find somebody else to amuse myself with." From the corner of her eye, she saw the other guy, the vacant-looking blond, lean down to Bonnie. "Is she always like this?" he said to Bonnie, and Liza turned to size him up. Big. Husky. Boring. "Well, your friend isn't exactly Prince Charming," Bonnie said, giving him her best fluttery smile. He beamed back down at her. "Neither am I. Is that okay?" Oh, come on, Liza thought, and caught Tony-the-bullethead's eye. "He means it," Tony said. "Roger has no line." "After the chaos theory debacle, that's a plus," Liza said. "Poor baby," Bonnie was saying as she put her hand on Roger's sleeve. "Of course, that's okay. I'm Bonnie." Roger looked down at her with naked adoration. "I'm Roger, and you are the most beautiful woman I've ever seen in my life." Bonnie's smile widened, and she moved closer to him. "Which doesn't mean he's bad with women," Tony said, sounding bemused.
Jennifer Crusie (Bet Me)
I was mildly curious but clueless, and my husband—to—be and his friends were too hung—over to be of much help. They were mostly “lapsed” Catholics like my husband, the products of parochial schools in the 1950s and Jesuit colleges in the 1960s. They seemed vastly bored by the proceedings and had not gone forward to receive communion. But I watched the ceremony intently from far back in the big stone church. And at one point, I gasped. “Look,” I said, tugging on David’s sleeve. “Look at that! The priest is cleaning up! He’s doing the dishes!” My husband shrugged; others in the pew looked at me and then at him, as if to say—Dave, your girlfriend has gone soft in the head.
Kathleen Norris (The Quotidian Mysteries: Laundry, Liturgy and "Women's Work")
Hey, Large,” Gabe says, flicking me with his towel. “Where you been all day?” “I’ve been around.” I look over at Peter, but he won’t meet my eyes. “I saw you guys on the slopes.” Darrell says, “Then why didn’t you holler at us? I wanted to show off my ollies for you.” Teasingly I say, “Well, I called Peter’s name, but I guess he didn’t hear me.” Peter finally looks me in the eyes. “Nope. I didn’t hear you.” His voice is cold and indifferent and so un-Peterlike, the smile fades from my face. Gabe and Darrell exchange looks like oooh and Gabe says to Peter, “We’re gonna head out to the hot tub,” and they trot off. Peter and I are left standing in the lobby, neither of us saying anything. I finally ask, “Are you mad at me or something?” “Why would I be mad?” And then it’s back to quiet again. I say, “You know, you’re the one who talked me into coming on this trip. The least you could do is talk to me.” “The least you could do was sit next to me on the bus!” he bursts out. My mouth hangs open. “Are you really that mad that I didn’t sit next to you on the bus?” Peter lets out an impatient breath of air. “Lara Jean, when you’re dating someone, there are just…certain things you do, okay? Like sit next to each other on a school trip. That’s pretty much expected.” “I just don’t see what the big deal is,” I say. How can he be this mad over such a tiny thing? “Forget it.” He turns like he’s going to leave, and I grab his sweatshirt sleeve. I don’t want to be in a fight with him; I just want it to be fun and light the way it always is with us. I want him to at least still be my friend. Especially now that we’re at the end. I say, “Come on, don’t be mad. I didn’t realize it was that big of a deal. I swear I’ll sit next to you on the way home, okay?” He purses his lips. “But do you get why I was pissed?” I nod back. “Mm-hmm.” “All right then, you should know that you missed out on mocha sugar donuts.” My mouth falls open. “How’d you get those? I thought the shop didn’t open that early!” “I went out and got them last night specifically for the bus ride,” Peter says. “For you and me.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
KA: What is your basic process working with a writer? LB: I read a manuscript very quickly first, then I sit down the second time and start reading very carefully and do the detail work, the minute hammering on every page. At this point, I know where the story goes so I’m looking for holes. I’m looking for anything that doesn’t add up. The best way to edit is to live entirely in the world as much as you can. Before I had a child I would edit ten hours on Friday ten hours on Saturday and ten hours on Sunday (obviously I had no hobbies or any nee to go outdoors). You knew everything about the book. You were in tune with every character. You have the voice in your head. Then the author gets a hugely marked up manuscript with all these little scribbles. I’m asking them every question that occurs to me. I give them as much time as they want to sit and digest it. Again, this is one of the reasons I like working far in advance. I have time with the manuscript and they have time with the manuscript. I’m happy to let them work in peace and quiet. Then we go back and forth as long as is helpful to them. They do the revision and it lands on my desk again. I read it again beginning to end. I assume it doesn’t need a line edit at that point, although I tend to read with a pencil in my hand. There could be one big thing still sticking in your craw that didn’t get fixed, so you just roll up your sleeves…
Lee Boudreaux
Marisol looked me over. “Now for your outfit.” I tugged my black tee and tan shorts. “I’m already wearing an outfit.” “No,” Marisol said with a slow head shake. “There’s a big difference between wearing clothes and wearing an outfit.” She pointed at my closet. “Get that denim shirt I made you buy and layer it on top, opened, sleeves rolled. Your tee has a little rip.” I glanced down. Grimaced. “Then the necklace with the dangling blue stone that’s hanging in your jewelry caddy, by your black jacket. And swap the flip-flops for sandals. The black ones with silver buckles.” “How in the—” “After all this time, you’re actually questioning it?” I conceded with a hand flip and moved toward the closet Marisol freakishly knew by heart.
Laura Taylor Namey (The Library of Lost Things)
Around back of the stables she saw a group of boys, surrounding something on the ground. As she gasped, a boy- a great big fellow, nearly as big as a man- drew back his leg and kicked. The thing on the ground yelped. "No!" Bridget shouted, but she was drowned out by a gunshot. She turned to see the Duke of Montgomery, standing in his shirt-sleeves and pink embroidered waistcoat and breeches, hip cocked, a smoking pistol held almost negligently aloft in his left hand. He smiled, as sweetly as an adder baring its fangs, at the boys. "Won't you please vacate this area?" The boys seemed frozen by surprise- or stark fear. The duke tilted his head and his smile dropped from his face, leaving it blank- and somehow much more frightening. "Now.
Elizabeth Hoyt (Duke of Sin (Maiden Lane, #10))
The first person in my line seemed to anticipate a fight. She brazenly looked at me and the big cross on my shirt and said, “I’m a witch.” I believed her. She was dressed in layers upon layers of black, with sleeves kind of coming to dripping points. There was a big pentagram on her chest. I smiled and asked her, “Would you like for me to pray for you?” She sort of raised her eyebrows and repeated, “But I’m a witch.” “I would love to pray for you,” I told her. She looked at me, puzzled this time. “You’re not afraid?” I had to smile again. “No.” She asked me again, “You’re not afraid at all?” “No, no,” I told her. “I love to pray for witches. As a matter of fact, I’ve been asking the Lord to send some witches my way so I could pray for them.
Robby Dawkins (Do What Jesus Did: A Real-Life Field Guide to Healing the Sick, Routing Demons and Changing Lives Forever)
It was 2 a.m. in Harlem and it was hot. Even if you couldn’t feel it, you could tell it by the movement of the people. Everybody was limbered up, glands lubricated, brains ticking over like a Singer sewing-machine. Everybody was ahead of the play. There wasn’t but one square in sight. He was a white man. He stood well back in the recessed doorway of the United Tobacco store at the northwest corner of 125th Street and Seventh Avenue, watching the sissies frolic about the lunch counter in the Theresa building on the opposite corner. The glass doors had been folded back and the counter was open to the sidewalk. The white man was excited by the sissies. They were colored and mostly young. They all had straightened hair, conked like silk, waving like the sea; long false eyelashes fringing eyes ringed in mascara; and big cushiony lips painted tan. Their eyes looked naked, brazen, debased, unashamed; they had the greedy look of a sick gourmet. They wore tight-bottomed pastel pants and short-sleeved sport shirts revealing naked brown arms. Some sat to the counter on the high stools, others leaned on their shoulders. Their voices trilled, their bodies moved, their eyes rolled, they twisted their hips suggestively. Their white teeth flashed in brown sweaty faces, their naked eyes steamed in black cups of mascara. They touched one another lightly with their fingertips, compulsively, exclaiming in breathless falsetto, “Girl.…” Their motions were wanton, indecent, suggestive of an orgy taking place in their minds. The hot Harlem night had brought down their love.
Chester Himes (Blind Man with a Pistol (Harlem Cycle, #8))
At the sound of his voice, down went the arm, and Mrs. Podgers saw a boy of nine or ten, arrayed in a flannel garment that evidently belonged to Mr. ’Rusalem; for though none too long, it was immensely broad, and the voluminous sleeves were pinned up, showing a pair of wasted arms, chapped with cold and mottled with bruises. A large blue sock still covered one foot. The other was bound up as if hurt. A tall cotton nightcap, garnished with a red tassel, looked like a big extinguisher on a small candle; and from under it, a pair of dark, hollow eyes glanced sharply with a shrewd, suspicious look that made the little face more pathetic than the marks of suffering, neglect, and abuse, which told the child’s story without words. As if quite reassured by ’Rusalem’s presence, the boy shuffled out of his corner, saying coolly, as he prepared to climb into his nest again:
Louisa May Alcott (A Merry Christmas: And Other Christmas Stories)
In the back of my closet, I saw a pink wrap dress that was hopelessly Southern. Pale pink, with little flutter sleeves all in a Swiss-dot fabric that you could see through if you held it up to the light. I would need nude undergarments, which I was sure I had. My mom always told me never to wear wild undies, you never knew who'd see them! What if I got in a car wreck? I pulled my hair up and allowed a few red curls to fall out of a messy bun at the nape of my neck. I slipped the dress on and gave my lips a quick swipe of gloss. I chose small gold hoop earrings that had belonged to Gran at one time and stepped into a pair of gold flip-flops. I looked at myself in the mirror and reminded myself I was going to a farm. Jim walked in. "Ready for the big... Oh, my God, Magnolia!" "What? Too much?" I said, grimacing. "Good God, no! You look absolutely perfect! You look like a mouthwatering pink confection! A true Southern Magnolia!
Victoria Benton Frank (My Magnolia Summer)
In a matter of sixty short minutes, that thing could whisk Neil away to civilization, I thought. Hmm. My goodness, that was a beautiful prospect. Somehow I had to get on that chopper with him. I packed in thirty seconds flat, everything from the past three months. I taped a white cross onto my sleeve, and raced out to where Neil was sat waiting. One chance. What the heck. Neil shook his head at me, smiling. “God, you push it, Bear, don’t you?” he shouted over the noise of the rotors. “You’re going to need a decent medic on the flight,” I replied, with a smile. “And I’m your man.” (There was at least some element of truth in this: I was a medic and I was his buddy--and yes, he did need help. But essentially I was trying to pull a bit of a fast one.) The pilot shouted that two people would be too heavy. “I have to accompany him at all times,” I shouted back over the engine noise. “His feet might fall off at any moment,” I added quietly. The pilot looked back at me, then at the white cross on my sleeve. He agreed to drop Neil somewhere down at a lower altitude, and then come back for me. “Perfect. Go. I’ll be here.” I shook his hand firmly. Let’s just get this done before anyone thinks too much about it, I mumbled to myself. And with that the pilot took off and disappeared from view. Mick and Henry were laughing. “If you pull this one off, Bear, I will eat my socks. You just love to push it, don’t you?” Mick said, smiling. “Yep, good try, but you aren’t going to see him again, I guarantee you,” Henry added. Thanks to the pilot’s big balls, he was wrong. The heli returned empty, I leapt aboard, and with the rotors whirring at full power to get some grip in the thin air, the bird slowly lifted into the air. The stall warning light kept buzzing away as we fought against gravity, but then the nose dipped and soon we were skimming over the rocks, away from base camp and down the glacier. I was out of there--and Mick was busy taking his socks off.
Bear Grylls (Mud, Sweat and Tears)
Anything exciting with your music, dear?” her mom asks. At least she tries to look like she cares. “There’s a big show coming up at the end of the week. I have to prepare an original piece to perform.” Her brow furrows, and I can tell she’s unsure about it. “Sounds exciting,” her mom says with a smile. She tugs on her husband’s sleeve. “Doesn’t it, darling?” He shrugs her hand off his arm. “Sounds like a waste of time.” “Emily’s a talented musician,” I break in. I won’t let them put down her art. “You’ve never even heard her play.” “And you have?” he shoots back. “I might not be able to hear, but I can see the passion in her eyes and feel the joy in her heart when she’s playing, Mr. Madison.” I take a deep breath. “The crowd loves her. And she loves music. So, I love to watch her play.” I lean down and kiss her forehead. “I’ll be at your show, no matter what.” She smiles up at me and lays her head on my arm. “So will we,” her mother declares. I’m not going to hold my breath.
Tammy Falkner (Smart, Sexy and Secretive (The Reed Brothers, #2))
The happiest person on earth isn’t always happy. In fact, the happiest people all have their fair share of low moods, problems, disappointments, and heartache. Often the difference between a person who is happy and someone who is unhappy isn’t how often they get low, or even how low they drop, but instead, it’s what they do with their low moods. How do they relate to their changing feelings? Most people have it backward. When they are feeling down, they roll up their sleeves and get to work. They take their low moods very seriously and try to figure out and analyze what’s wrong. They try to force themselves out of their low state, which tends to compound the problem rather than solve it. When you observe peaceful, relaxed people, you find that when they are feeling good, they are very grateful. They understand that both positive and negative feelings come and go, and that there will come a time when they won’t be feeling so good. To happy people, this is okay, it’s the way of things. They accept the inevitability of passing feelings. So, when they are feeling depressed, angry, or stressed out, they relate to these feelings with the same openness and wisdom. Rather than fight their feelings and panic simply because they are feeling bad, they accept their feelings, knowing that this too shall pass. Rather than stumbling and fighting against their negative feelings, they are graceful in their acceptance of them. This allows them to come gently and gracefully out of negative feeling states into more positive states of mind. One of the happiest people I know is someone who also gets quite low from time to time. The difference, it seems, is that he has become comfortable with his low moods. It’s almost as though he doesn’t really care because he knows that, in due time, he will be happy again. To him, it’s no big deal. The next time you’re feeling bad, rather than fight it, try to relax. See if, instead of panicking, you can be graceful and calm. Know that if you don’t fight your negative feelings, if you are graceful, they will pass away just as surely as the sun sets in the evening.
Richard Carlson (Don't Sweat the Small Stuff ... and it's all small stuff: Simple Ways to Keep the Little Things from Taking Over Your Life)
Some time ago, my son Emilio was going back to school after vacation. He did not like the idea at all and was filled with anxiety. To him, the approach of school days was like a monster that threatened him and wanted to squash him. What is a parent supposed to do? I tried to lift his spirits, to distract him, convince him it was not as bad as it seemed, but in vain. Then I hit upon the idea of offering him something that is almost taboo in our family: French fries at a fast-food place. Usually anything that is prohibited appeals to Emilio, especially junk food. I thought I had the ace up my sleeve. But no. Emilio's reply ought to be chiseled in stone: "Dad, you don't solve problems with french fries." Touche. You don't pretend problems do not exist, and you can't solve them with ephemeral distractions. You have to face them with open-eyed honesty. Offering French fries to my son in order to console and distract him from his anxiety was by no means a kind act. I was simply choosing the easier option--far too easy. I had found a comfortable way out.
Piero Ferrucci (The Power of Kindness: The Unexpected Benefits of Leading a Compassionate Life)
When she was finished with the mailbox, Lisey trudged back down the driveway with her buckets in the long evening light. Breakfast had been coffee and oatmeal, lunch little more than a scoop of tuna and mayo on a scrap of lettuce, and dead cat or no dead cat, she was starved. She decided to put off her call to Woodbody until she had some food in her belly. The thought of calling the Sheriff's Office—anyone in a blue uniform, for that matter—hadn't yet returned to her. She washed her hands for three minutes, using very hot water and making sure any speck of blood was gone from under her nails. Then she found the Tupperware dish containing the leftover Cheeseburger Pie, scraped it onto a plate, and blasted it in the microwave. While she waited for the chime, she hunted a Pepsi out of the fridge. She remembered thinking she'd never finish the Hamburger Helper stuff once her initial lust for it had been slaked. You could add that to the bottom of the long, long list of Things in Life Lisey Has Been Wrong About, but so what? Big diddly, as Cantata had been fond of saying in her teenage years. "I never claimed to be the brains of the outfit," Lisey told the empty kitchen, and the microwave bleeped as if to second that. The reheated gloop was almost too hot to eat but Lisey gobbled it anyway, cooling her mouth with fizzy mouthfuls of cold Pepsi. As she was finishing the last bite, she remembered the low whispering sound the cat's fur had made against the tin sleeve of the mailbox, and the weird pulling sensation she'd felt as the body began, reluctantly, to come forward. He must have really crammed it in there, she thought, and Dick Powell once more came to mind, black-and-white Dick Powell, this time saying And have some stuffing! She was up and rushing for the sink so fast she knocked her chair over, sure she was going to vomit everything she'd just eaten, she was going to blow her groceries, toss her cookies, throw her heels, donate her lunch. She hung over the sink, eyes closed, mouth open, midsection locked and straining. After a pregnant five-second pause, she produced one monstrous cola-burp that buzzed like a cicada. She leaned there a moment longer, wanting to make absolutely sure that was all. When she was, she rinsed her mouth, spat, and pulled "Zack McCool"'s letter from her jeans pocket. It was time to call Joseph Woodbody.
Stephen King (Lisey's Story)
Harper walked over to her reception desk. “What’s with the Tyson look-alikes out there? I almost couldn’t get in here.” Pixie frowned. “Better go ask your boy-o. Famous rock star in the house.” Pixie accentuated her comment with the poke of her pen. Jeez, he was huge. And built. And shirtless. Okay, enough staring. Well, maybe just for another second. Trent was leaning over the guy, and she could tell from the wide-reaching spread of purple transfer lines that he was just beginning a sleeve on the other man’s lower arm. The guy in the chair might well be a rock star— although Harper would never admit she had no clue who he was— but he was wincing. Harper could totally feel for him. Trent was in his usual position— hat on backward, gloves on, and perched on a stool. Harper approached them nervously. The big guy’s size and presence were a little intimidating. “I don’t bite.” Oh God. He was talking to her. “Excuse me?” He sucked air in between clenched teeth. “I said I don’t bite. You can come closer.” His blue eyes were sparkling as he studied her closely. Trent looked up. “Hey, darlin’,” he said, putting the tattoo machine down and reaching for her hand. “Dred, this is my girl, Harper. Harper, this is Dred Zander from the band Preload. He’s one of the other judges I told you about.” Wow. Not that she knew much about the kind of music that Trent listened to, but even she had heard of Preload. That certainly explained the security outside. Dred reached out his hand and shook hers. “Nice to meet you, Harper. And a pity. For a minute, I thought you were coming over to see me.” “No,” Harper exclaimed quickly, looking over at Trent, who was grinning at her. “I mean, no, I was just bringing Trent some cookies.” Holy shit. Was she really that lame? It was like that moment in Dirty Dancing when Baby told Johnny she carried a watermelon. Dred turned and smiled enigmatically at Trent. “I see what you mean, man.” “Give.” Smiling, Trent held out his hand. Reaching inside her bag, she pulled out the cookies and handed the container to him. “Seriously, dude, she’s the best fucking cook on the planet.” Trent paused to take a giant bite. “You got to try one,” he mumbled, offering the container over. Harper watched, mortified, as a modern-day rock legend bit into one of her cookies. Dred chewed and groaned. “These are almost as good as sex.” Harper laughed. “Not quite,” Trent responded, giving her a look that made her burn. “You should try her pot roast. Could bring a grown man to his knees.
Scarlett Cole (The Strongest Steel (Second Circle Tattoos, #1))
The speaker standing on an upturned barrel at the intersection of 135th Street and Seventh Avenue was shouting monotonously: “BLACK POWER! BLACK POWER! Is you is? Or is you ain’t? We gonna march this night! March! March! March! Oh, when the saints — yeah, baby! We gonna march this night!” Spit flew from his looselipped mouth. His flabby jowls flopped up and down. His rough brown skin was greasy with sweat. His dull red eyes looked tired. “Mistah Charley been scared of BLACK POWER since the day one. That’s why Noah shuffled us off to Africa the time of the flood. And all this time we been laughing to keep from whaling.” He mopped his sweating face with a red bandanna handkerchief. He belched and swallowed. His eyes looked vacant. His mouth hung open as though searching for words. “Can’t keep this up,” he said under his breath. No one heard him. No one noticed his behavior. No one cared. He swallowed loudly and screamed. “TONIGHT’S THE NIGHT! We launch our whale boats. Iss the night of the great white whale. You dig me, baby?” He was a big man and flabby all over like his jowls. Night had fallen but the black night air was as hot as the bright day air, only there was less of it. His white short-sleeved shirt was sopping wet. A ring of sweat had formed about the waist of his black alpaca pants as though the top of his potbelly had begun to melt. “You want a good house? You got to whale! You want a good car? You got to whale! You want a good job? You got to whale! You dig me?” His conked hair was dripping sweat. For a big flabby middle-aged man who would have looked more at home in a stud poker game, he was unbelievably hysterical. He waved his arms like an erratic windmill. He cut a dance step. He shuffled like a prizefighter. He shadowed with clenched fists. He shouted. Spit flew. “Whale! Whale! WHALE, WHITEY! WE GOT THE POWER! WE IS BLACK! WE IS PURE!” A crowd of Harlem citizens dressed in holiday garb had assembled to listen. They crowded across the sidewalks, into the street, blocking traffic. They were clad in the chaotic colors of a South American jungle. They could have been flowers growing on the banks of the Amazon, wild orchids of all colors. Except for their voices. “What’s he talking ’bout?” a high-yellow chick with bright red hair wearing a bright green dress that came down just below her buttocks asked the tall slim black man with smooth carved features and etched hair. “Hush yo’ mouth an’ lissen,” he replied harshly, giving her a furious look from the corners of muddy, almond-shaped eyes. “He tellin’ us what black power mean!
Chester Himes (Blind Man with a Pistol (Harlem Cycle, #8))
A chair down the row from mine shifted and my mouth watered from the aroma of hot cinnamon rolls. I snuck a peek and noticed red, silky, curly hair. I knew her. Echo Emerson. Not a cinnamon roll in sight, but damn if she didn’t smell like one. We had several of our main courses together and last semester one of our free periods. I didn’t know much about her other than she kept to herself, she was smart, a redhead and she had big tits. She wore large, long-sleeved shirts that hung off her shoulders and tank tops underneath that revealed just enough to get the fantasies flowing. Like always, she stared straight ahead as if I didn’t exist. Hell, I probably didn’t exist in her mind. People like Echo Emerson irritated the crap out of me. “You’ve got a f*cked-up name,” I mumbled. I didn’t know why I wanted to rattle her, I just did. “Shouldn’t you be getting high in the bathroom?” So she did know me. “They installed security cameras. We do it in the parking lot now.” “My bad.” Her foot rocked frantically back and forth. Good, I’d succeeded in getting under that perfect facade. “Echo … echo … echo …” Her foot stopped rocking and red curls bounced furiously as she turned to face me. “How original. I’ve never heard that before.” She swept up her backpack and left the office. Her tight ass swayed side to side as she marched down the hallway.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
Anyhow, he say, you know how it is. You ast yourself one question, it lead to fifteen. I start to wonder why us need love. Why us suffer. Why us black. Why us men and women. Where do children really come from. It didn't take long to realize I didn't hardly know nothing. And that if you ast yourself why you black or a man or a woman or a bush it don't mean nothing if you don't ast why you here, period. So what you think? I ast. I think us here to wonder, myself. To wonder. To ast. And that in wondering bout the big things and asting bout the big things, you learn about the little ones, almost by accident. But you never know nothing more about the big things than you start out with. The more I wonder, he say, the more I love. And people start to love you back, I bet, I say. They do, he say, surprise. Harpo seem to love me. Sofia and the children. I think even ole evil Henrietta love me a little bit, but that's cause she know she just as big a mystery to me as the man in the moon. Mr. ______ is busy patterning a shirt for folks to wear with my pants. Got to have pockets, he say. Got to have loose sleeves. And definitely you not spose to wear it with no tie. Folks wearing ties look like they being lynch. And then, just when I know I can live content without Shug, just when Mr. ______ done ast me to marry him again, this time in the spirit as well as in the flesh, and just after I saw Naw, I still don't like frogs, but let's us be friends, Shug write me she coming home. Now. Is this life or not? I be so calm. If she come, I be happy. If she don't, I be content. And then I figure this the lesson I was suppose to learn.
Alice Walker (The Color Purple)
Chelsea was something else. Like an unstoppable force of nature. Similar to a hurricane or a tornado. Or a pit bull. Violet admired that about her. And, in this instance, Chelsea had proven to be nothing less than formidable. So when Jay had mentioned earlier in the week that they might be able to go to the movies over the weekend, Chelsea held him to it. A time and a place were chosen. And word spread. And, somehow, Chelsea managed to unravel it all. She still wanted the Saturday night plans; she just didn’t want the crowd that came with them. She’d decided it should be more of a “double date.” With Mike. Except Mike would never see it coming. By the time the bell rang at the end of lunch on Friday, everyone had agreed to meet up for the seven o’clock showing the next night. But when they split up to go to their classes, Chelsea set her own plan into motion. She began to separate the others from the pack and, one by one, they all fell. She started with Andrew Lauthner. Poor Andrew didn’t know what hit him. “Hey, Andy, did you hear?” From the look on his face, he didn’t hear anything other than that Chelsea-his Chelsea-was talking to him. Out of the blue. Violet needed to get to class, but she was dying to see what Chelsea had up her sleeve, so she stuck it out instead. “What?” His huge frozen grin looked like it had been plastered there and dried overnight. Chelsea’s expression was apologetic, something that may have actually been difficult for her to pull off. “The movie’s been canceled. Plans are off.” She stuck out her lower lip in a disappointed pout. “But I thought…” He seemed confused. So was Violet. “…didn’t we just make the plans at lunch?” he asked. “I know.” Chelsea managed to sound as surprised as he did. “But you know how Jay is, always talking out of his ass. He forgot to mention that he has to work tomorrow night and can’t make it.” She looked at Violet and said, again apologetically, “Sorry you had to hear that, Vi.” Violet just stood there gaping and thinking that she should deny what Chelsea was saying, but she wasn’t even sure where to start. She knew Jules would have done it. Where was Jules when she needed her? “What about everyone else?” Andrew asked, still clinging to hope. Chelsea shrugged and placed a sympathetic hand on Andrew’s arm. “Nope. No one else can make it either. Mike’s got family plans. Jules has a date. Claire has to study. And Violet here is grounded.” She draped an arm around Violet’s shoulder. “Right, Vi?” Violet was saved from having to answer, since Andrew didn’t seem to need one. Apparently, if Chelsea said it, it was the gospel truth. But the pathetic look on his face made Violet want to hug him right then and there. "Oh," he finally said. And then, "Well, maybe next time." "Yeah. Sure. Of course," Chelsea called over her shoulder, already dragging Violet away from the painful scene. "Geez, Chels, break his heart, why don't you? Why didn't you just say you have some rare disease or something?" Violet made a face at her friend. "Not cool." Chelsea scoffed. "He'll be fine. Besides, if I said 'disease,' he would have made me some chicken soup and offered to give me a sponge bath or something." She wrinkled her nose. "Eww." The rest of the afternoon went pretty much the same way, with a few escalations: Family obligations. Big tests to study for. House arrests. Chelsea made excuses to nearly everyone who'd planned on going, including Clair. She was relentless. By Saturday night, it was just the four of them...Violet, Jay, Chelsea, and, of course, Mike. It was everything Chelsea had dreamed of, everything she'd worked for.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
That means we don’t exist in one place. Instead, everything we do is left in … like a trail out there, a big ring of decisions. Every action we take—” “And mistake.” He nodded and dabbed at his forehead with his sleeve. “And every mistake. But every good thing we do as well. They are immortal, every single touch we leave behind. Even if nobody sees them or remembers them, that doesn’t matter. That trail will always be what happened, what we did, every choice. The past lives on forever. There’s no changing it.” “Makes you not want to fuck up,” Juliette said, thinking on all the times she had, wondering if this box between them was one more mistake. She saw images of herself in a great loop of space: fighting with her father, losing a lover, going out to clean, a great spiral of hurts like a journey down the stairs with a bleeding foot. And the stains would never wash out. That’s what Lukas was saying. She would always have hurt her father. Was that the way to phrase it? Always have had. It was immortal tense. A new rule of grammar. Always have had gotten friends killed. Always have had a brother die and a mother take her own life. Always have had taken that damn job as sheriff. There was no going back. Apologies weren’t welds; they were just an admission that something had been broken. Often between two people. “You okay?” Lukas asked. “Ready to go on?” But she knew he was asking more than if her arm was tired. He had this ability to spot her secret worries. He had a keen vision that allowed him to glimpse the smallest pinprick of hurt through heavy clouds. “I’m fine,” she lied. And she searched her past for some noble deed, for a bloodless tread, for any touch on the world that had left it a brighter place. But when she had been sent to clean, she had refused. Always have had refused. She had turned her back and walked off, and there was no chance of going back and doing it any other way. ••••
Hugh Howey (Dust (Silo, #3))
Then I saw the figure standing outside my car door: it was Marlboro Man, who’d come outside to greet me. His jeans were clean, his shirt tucked in and starched. I couldn’t yet see his face, though, which was what I wanted most. Getting out of the car, I smiled and looked up, squinting. The western sunset was a backdrop behind his sculpted frame. It was such a beautiful sight, a stark contrast to all the ugliness that had surrounded me that day. He shut the car door behind me and moved in for a hug, which provided all the emotional fuel I needed to continue breathing. Finally, in that instant, I felt like things would be okay. I smiled and acted cheerful, following him into the kitchen and not at all letting on that my day had sucked about as badly as a day could have sucked. I’d never been one to wear my feelings on my sleeve, and I sure wasn’t going to let them splay out on what was merely my sixth date with the sexiest, most masculine man I’d ever met. But I knew I was a goner when Marlboro Man looked at me and asked, “You okay?” You know when you’re not okay, but then someone asks you if you’re okay, and you say you’re okay and act like you’re okay, but then you start realizing you’re not okay? Then you feel your nose start to tingle and your throat start to swell and your chin start to quiver and you tell yourself, In the name of all that is good and holy, do not do this. Do not do this…but you’re powerless to stop it? And you try to blink it away and you finally think you’ve just about got it under control? But then the cowboy standing in front of you smiles gently and says, “You sure?” Those two simple words opened up the Floodgates of Hell. I smiled and laughed, embarrassed, even as two big, thick tears rolled down both my cheeks. Then I laughed again and blew a nice, clear explosion of snot from my nose. Of all the things that had happened that day, that single moment might have been the worst.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
We don't have much time. The mono travels just as fast toward its point of ending whether Blaine's with us or not." "You don't really believe he's gone, do you?" Eddie asked. "A slippery pup like him? Come on, get real. He's peeking, I guarantee you." "I doubt it very much," Roland said, and Susannah decided she agreed with him. For now, at least. "You could hear how excited he was at the idea of riddling again after all these years. And-" "And he's confident," Susannah said. "Doesn't expect to have much trouble with the likes of us." "Will he?" Jake asked the gunslinger. "Will he have trouble with us?" "I don't know," Roland said. "I don't have a Watch Me hidden up my sleeve, if that's what you're asking. It's a straight game ... but at least it's a game I've played before. We've all played it before, at least to some extent. And there's that." He nodded toward the book which Jake had taken back from Oy. "There are forces at work here, big ones, and not all of them are working to keep us away from the Tower." Susannah heard him, but it was Blaine she was thinking of-Blaine who had gone away and left them alone, like the kid who's been chosen "it" obediently covering his eyes while his playmates hide. And wasn't that what they were? Blaine's playmates? The thought was somehow worse than the image she'd had of trying the escape hatch and having her head torn off. "So what do we do?" Eddie asked. "You must have an idea, or you never would have sent him away." "His great intelligence-coupled with his long period of loneliness and forced inactivity-may have combined to make him more human than he knows. That's my hope, anyway. First, we must establish a kind of geography. We must tell, if we can, where he is weak and where he is strong, where he is sure of the game and where not so sure. Riddles are not just about the cleverness of the riddler, never think it. They are also about the blind spots of he who is riddled." "Does he have blind spots?" Eddie asked. "If he doesn't," Roland said calmly, "we're going to die on this train.
Stephen King (Wizard and Glass (The Dark Tower, #4))
Yes, he was down at the edge of the garden on this side, standing by the fence. I thought”—he hesitated, looking down into his glass—“I rather thought he was looking up at your window.” “My window? How extraordinary!” I couldn’t repress a mild shiver, and went across to fasten the shutters, though it seemed a bit late for that. Frank followed me across the room, still talking. “Yes, I could see you myself from below. You were brushing your hair and cursing a bit because it was standing on end.” “In that case, the fellow was probably enjoying a good laugh,” I said tartly. Frank shook his head, though he smiled and smoothed his hands over my hair. “No, he wasn’t laughing. In fact, he seemed terribly unhappy about something. Not that I could see his face well; just something about the way he stood. I came up behind him, and when he didn’t move, I asked politely if I could help him with something. He acted at first as though he didn’t hear me, and I thought perhaps he didn’t, over the noise of the wind, so I repeated myself, and I reached out to tap his shoulder, to get his attention, you know. But before I could touch him, he whirled suddenly round and pushed past me and walked off down the road.” “Sounds a bit rude, but not very ghostly,” I observed, draining my glass. “What did he look like?” “Big chap,” said Frank, frowning in recollection. “And a Scot, in complete Highland rig-out, complete to sporran and the most beautiful running-stag brooch on his plaid. I wanted to ask where he’d got it from, but he was off before I could.” I went to the bureau and poured another drink. “Well, not so unusual an appearance for these parts, surely? I’ve seen men dressed like that in the village now and then.” “Nooo …” Frank sounded doubtful. “No, it wasn’t his dress that was odd. But when he pushed past me, I could swear he was close enough that I should have felt him brush my sleeve—but I didn’t. And I was intrigued enough to turn round and watch him as he walked away. He walked down the Gereside Road, but when he’d almost reached the corner, he … disappeared. That’s when I began to feel a bit cold down the backbone.
Diana Gabaldon (Outlander (Outlander, #1))
Mr. Rudolph reaches out and lifts the flower out of its vase. "To a flower, this photograph means nothing. So when you ask what is the meaning of life, there can be no answer that will apply to everyone and everything. What is a photograph, or a sunset, to a flower? We all bring our own perceptions, needs, and experiences to everything we do. We will all interpret an event, or a sunset, differently." He pauses, and I am trying to keep up with him. "Basically," I (Jeremy) say slowly, concentrating on my words. "What you're saying is that it's all relative. The meaning of the sunset, or of life itself, is different for everyone?" Exactly," he says. ... As we head slowly into the big room, I turn to him and ask, "But even if the sunset has different meanings for everyone, it still has meaning, right?" "That's a tricky question to answer," Mr. Rudolph says, stopping to replace the frame back on the wall. "That sunset will still shine just as surely, just as colorfully, whether it is shining on a wedding or a war. So it would seem that the sunset itself doesn't have inherent meaning; it is just doing its job. If the sunset doesn't have meaning apart from what we give it, does a rock? Or a fish? Or life itself? But just because a park bench, for instance, doesn't have meaning, that doesn't mean it doesn't have worth." ... We have reached the door now, and I'm not sure I'm any closer to understanding what's in the box. My shoulders sag. "Maybe this will help clear things up," Mr. Rudolph says. "You need to be sure of the question you are asking. Sometimes people think they are looking for the meaning of life, when really they are looking for an understanding of why they are here. What their purpose is, the purpose of life in general. And that is a much easier question to answer that the meaning of life." Lizzy is already halfway out the door. "It is?" I ask, pulling her back in by the sleeve. ... "You are the same as the lamp, the chair, the flower," Mr. Rudolph explains. "All you have to do is be the most authentic you that you can be. Find out who you really are, find out why you are here, and you will find your purpose. And with it, the meaning of life.
Wendy Mass (Jeremy Fink and the Meaning of Life)
I looked around and realized we were headed down a different road than Marlboro Man would normally take. “I have to give you your wedding present,” Marlboro Man said before I could ask where we were going. “I can’t wait a month before I give it to you.” Butterflies fluttered in my stomach. “But…,” I stammered. “I haven’t gotten yours yet.” Marlboro Man clasped my hand, continuing to look forward at the road. “Yes you have,” he said, bringing my hand to his lips and turning me to a pool of melted butter right in his big Ford truck. We wound through several curves in the road, and I tried to discern whether I’d been there before. My sense of direction was lousy; everything looked the same to me. Finally, just as the sun was dipping below the horizon, we came upon an old barn. Marlboro Man pulled up beside it and parked. Confused, I looked around. He got me a barn? “What…what are we doing here?” I asked. Marlboro Man didn’t answer. Instead, he just turned off the pickup, turned to me…and smiled. “What is it?” I asked as Marlboro Man and I exited the pickup and walked toward the barn. “You’ll see,” he replied. He definitely had something up his sleeve. I was nervous. I always hated opening gifts in front of the person who gave them to me. It made me uncomfortable, as if I were sitting in a dark room with a huge spotlight shining on my head. I squirmed with discomfort. I wanted to turn and run away. Hide in his pickup. Hide in the pasture. Lie low for a few weeks. I didn’t want a wedding present. I was weird that way. “But…but…,” I said, trying to back out. “But I don’t have your wedding present yet.” As if anything would have derailed him at that point. “Don’t worry about that,” Marlboro Man replied, hugging me around the waist as we walked. He smelled so good, and I inhaled deeply. “Besides, we can share this one.” That’s strange, I thought. Any fleeting ideas I’d had that he’d be giving me a shiny bracelet or sparkly necklace or other bauble suddenly seemed far-fetched. How could he and I share the same tennis bracelet? Maybe he got me one of those two-necklace sets, the ones with the halved hearts, I thought, and he’ll wear one half and I’ll wear the other. I couldn’t exactly picture it, but Marlboro Man had never been above surprising me. Then again, we were walking toward a barn.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
In a matter of sixty short minutes, that thing could whisk Neil away to civilization, I thought. Hmm. My goodness, that was a beautiful prospect. Somehow I had to get on that chopper with him. I packed in thirty seconds flat, everything from the past three months. I taped a white cross onto my sleeve, and raced out to where Neil was sat waiting. One chance. What the heck. Neil shook his head at me, smiling. “God, you push it, Bear, don’t you?” he shouted over the noise of the rotors. “You’re going to need a decent medic on the flight,” I replied, with a smile. “And I’m your man.” (There was at least some element of truth in this: I was a medic and I was his buddy--and yes, he did need help. But essentially I was trying to pull a bit of a fast one.) The pilot shouted that two people would be too heavy. “I have to accompany him at all times,” I shouted back over the engine noise. “His feet might fall off at any moment,” I added quietly. The pilot looked back at me, then at the white cross on my sleeve. He agreed to drop Neil somewhere down at a lower altitude, and then come back for me. “Perfect. Go. I’ll be here.” I shook his hand firmly. Let’s just get this done before anyone thinks too much about it, I mumbled to myself. And with that the pilot took off and disappeared from view. Mick and Henry were laughing. “If you pull this one off, Bear, I will eat my socks. You just love to push it, don’t you?” Mick said, smiling. “Yep, good try, but you aren’t going to see him again, I guarantee you,” Henry added. Thanks to the pilot’s big balls, he was wrong. The heli returned empty, I leapt aboard, and with the rotors whirring at full power to get some grip in the thin air, the bird slowly lifted into the air. The stall warning light kept buzzing away as we fought against gravity, but then the nose dipped and soon we were skimming over the rocks, away from base camp and down the glacier. I was out of there--and Mick was busy taking his socks off. As we descended, I spotted, far beneath us, this lone figure sat on a rock in the middle of a giant boulder field. Neil’s two white “beacons” shining bright. I love it. I smiled. We picked Neil up, and in an instant we were flying together through the huge Himalayan valleys like an eagle freed. Neil and I sat back in the helicopter, faces pressed against the glass, and watched our life for the past three months become a shimmer in the distance. The great mountain faded into a haze, hidden from sight. I leaned against Neil’s shoulder and closed my eyes. Everest was gone.
Bear Grylls (Mud, Sweat and Tears)
Rowan coughed and spluttered on his gulp of beer. “I’ve never played with my pussy,” he said with an amused glint in his eye.” Her cheeks heated at his dirty language, but the tingles running under her skin made her aware of her reaction to being alone in the hotel room with Rowan, sitting on the big bed and playing silly games. “I’ve never touched a woman’s breasts beside my own.” “I’ve never given a blow job.” “I’ve never received a blow job,” she said, tilting the mini wine bottle to her mouth and realizing it was empty. “I’ve never played I never with a woman I love before,” he said, setting his beer can on the nightstand with a clink. “I’ve never kissed a man in a hotel room before.” She pressed forward onto her hands and knees to reach and kiss him. Their lips lingered for a long moment before she leaned back and waited for his next I never. “I’ve never removed a woman’s shirt in a hotel room.” Now it was his turn to lean forward and tug her sweater up over her head. She thought long and hard about her next words, knowing he would act on whatever she said. “I’ve never ordered a man to take off his shirt in a hotel room,” she said finally and watched happily as he removed his long sleeve navy cotton T–shirt. She’d never tire of seeing his smooth skin over hard pectorals. A narrow line of hair trailed down the center of his belly disappearing into jeans. She’d licked her way along that line yesterday and licked her lips now in anticipation of tasting him again. “I’ve never kissed a woman’s nipples in a hotel room,” he said. In a flash, her bra was flying through the air to land in a pile on the carpet in front of the window, and Rowan’s mouth was on her breasts. Sensation spiraled through her as she shuddered and her arousal built. She’d been on edge since their heated kisses in the car in the parking lot, and it didn’t take much for Rowan’s tongue to turn her into a shuddering, needy wanton. “I think this game has turned from I Never into Truth or Dare,” she said, clasping Rowan’s head to her chest. He pulled away from his decadent kisses to look her in the face. “Let’s do it. Dare me, Jill.” The look in his eye told her she might’ve taken on more than she could handle. Though she’d been an active participant in their lovemaking up to now, Rowan had taken the lead and guided her. She had the power here. The question was what to do with it. “I dare you to”—she licked her lips thoughtfully—“I dare you to get naked and lie on your back. Eyes closed,” she added. When all was as she wanted, she leaned over him and planted a kiss on his lips. Then she kissed her way down his body, stopping at all the best spots. His chin, where his unshaven beard scratched at her skin. His pectorals, one nipple, then another. His belly button. “You’re ticklish,” she observed. “Yeah.” Then she made her way lower to his erection, lying over his belly pointing at the chin. She freaking loved his body and how it reacted to her every touch. Being alone with him in the hotel room was even better. Here there were no echoes of footsteps in the hallway, no clock ticking signaling the end of their hour together, no narrow bed forcing them to get creative in their positions. They had a king–size bed and a whole night to explore. Kneeling at the side, she took him in her mouth, eliciting a moan. His musky taste filled her mouth, and she lovingly used her tongue to drive him wild. His hand found the crease of her jeans between her legs and explored her while she used her mouth on him. She parted her legs, giving him better access, and it was all she could do to concentrate on giving him pleasure when he was making her feel so good. She wanted to straddle him so bad. The temptation to stop the foreplay and ride this thing to completion was great, but she held off. “Are you ready for me?” Rowan asked. “You want my cock in you?” His eyes remained closed, and a smile lingered on his face.
Lynne Silver (Desperate Match (Coded for Love, #5))
What did they put all that war paint on for, if they aren’t going to stay and fight?” Hooter whispered. “I guess it wasn’t war paint,” Matt muttered. “I hate to say it,” Hooter whispered. “But I think they have the right idea. We’re no match for these guys. Maybe we could catch up if we hurry,” he said, turning around in the direction of the Indians. “Tony, where’s your sense of loyalty?” Matt exclaimed, grabbing his sleeve. “That’s Katie and Q over there. They are fellow club members, part of our tribe, don’t you see? The Indians risked their lives to get us here. Now, it’s up to us to save our people.” “But we don’t even have any weapons to save them with,” Tony moaned. “Those soldiers have guns and swords.” “We have courage and sticks. Just pick up a big stick,” Matt ordered. “A stick?” Tony whimpered. “Did he say a stick?
Elvira Woodruff (George Washington's Socks (Time Travel Adventure))
Sometime later, Matthew ushered James firmly into breakfast and to their table, which James noticed was only Christopher and Thomas, and a rather select table after all. Christopher and Thomas, in another surprise for James in a morning full of surprises, seemed pleased to see him. "Oh, have you decided not to detest Matthew any longer?" Christopher asked. "I'm so glad. You were really hurting his feelings. Though we are not supposed to talk about that to you." He gazed dreamily at the bread basket, as if it were a wonderful painting. "I forgot that." Thomas put his head down on the table. "Why are you the way that you are?" Matthew reached over and patted Thomas on the back, then rescued Christopher from setting his own sleeves on fire with a candle. He gave James the candle and a smile. "If you ever see Christopher near an open flame, take him away from it, or take it away from him," Matthew said. "Fight the good fight with me. I must be eternally watchful." "That must be difficult, when surrounded by, um, your adoring public," said James. "Well," said Matthew, and paused, "it's possible," he said, and paused again, "I may have been . . . slightly showing off? 'Look, if you don't want to be friends with me, everybody else does, and you are making a big mistake.' I may have been doing that. Possibly." "Is that over?" Thomas asked. "Thank the Angel. You know large crowds of people make me nervous! You know I can never think of anything to say to them! I am not witty like you or aloof and above it all like James or living in cloud cuckoo land like Christopher. I came to the Academy to get away from being bossed by my sisters, but my sisters make me much less nervous than battering rams flying through the air and parties all the time. Can we please have some peace and quiet occasionally!" James stared at Thomas. "Does everybody think I'm aloof?" "No, mostly people think you're an unholy abomination upon this earth," Matthew said cheerfully. "Remember?" Thomas looked ready to put his head back on the table, but he cheered up when he saw James had not taken offense.
Cassandra Clare (The Lost Herondale (Tales from the Shadowhunter Academy, #2))
Grace rolled up her sleeves and joined the group in the kitchen, where Gladys, Pablo's wife, had worked all day directing many other women who kept food pouring out the front and side door, onto a long series of folding tables, all covered in checkered paper table cloths. While some of the women prepped and cooked, others did nothing but bring food out and set it on the table- Southern food with a Mexican twist, and rivers of it: fried chicken, chicken and dumplings, chicken mole, shrimp and grits, turnip greens, field peas, fried apples, fried calabaza, bread pudding, corn pudding, fried hush puppies, fried burritos, fried okra, buttermilk biscuits, black-eyed peas, butter bean succotash, pecan pie, corn bread, and, of course, apple pie, hot and fresh with sloppy big scoops of local hand-churned ice creams. As the dinner hours approached, Carter grabbed Grace out of the kitchen, and they both joined Sarah, Carter's friend, helping Sarah's father throw up a half-steel-kettle barbecue drum on the side of the house. Mesquite and pecan hardwoods were quickly set ablaze, and Dolly and the quilting ladies descended on the barbecue with a hurricane of food that went right on to the grill, whole chickens and fresh catfish and still-kicking mountain trout alongside locally-style grass-fed burgers all slathered with homemade spicy barbecue sauce. And the Lindseys, the elderly couple who owned the fields adjoining the orchard, pulled up in their pickup and started unloading ears of corn that had been recently cut. The corn was thrown on the kettle drum, too, and in minutes massive plumes of roasting savory-sweet smoke filled the air around the house. It wafted into the orchards, toward the workers who soon began pouring out of the house.
Jeffrey Stepakoff (The Orchard)
I'll stay if you'll tell me about the time you broke your nose.” Bronson's smile lingered as he touched the angled bridge of his nose reflectively. “I got this while sparring with Tom Crib, the former coal porter they called the ‘Black Diamond.’ He had fists as big as hams and a left hook that made you see stars.” “Who won?” Holly asked, unable to resist. “I outlasted Crib after twenty rounds and finally knocked him down. It was after that fight that I got my name—‘ Bronson the Butcher.’” The obvious masculine pride he took in the name made Holly feel slightly queasy. “How charming,” she murmured in a dry tone that made him laugh. “It didn't improve my looks much, having Crib smash my beak,” he said, rubbing the bridge of his nose between thumb and forefinger. “I wasn't a pretty sort to begin with. Now I'll definitely never be mistaken for an aristocrat.” “You wouldn't have anyway.” Bronson pretended to wince. “That's as painful a jab as any I received in the rope ring, my lady. So you don't exactly fancy my beat-up mug, is that what you're saying?” “You know very well that you're an attractive man, Mr. Bronson. Just not in an aristocratic way. For one thing, you have too many… that is, you're too… muscular.” She gestured to his bulging coat sleeves and shoulders. “Pampered noblemen don't have arms like that.” “So my tailor tells me.” “Isn't there any way to make them, well… smaller?” “Not that I'm aware of. But just to satisfy my curiosity, how much would I have to shrivel to pass for a gentleman?” Holly laughed and shook her head. “Physical appearance is the least of your worries, sir. You need to acquire a proper air of dignity. You're far too irreverent.” “But attractive,” he countered. “You did say I was attractive.” “Did I? I'm certain I meant to use the word ‘incorrigible.
Lisa Kleypas (Where Dreams Begin)
The mind's well-being was the well that was poisoned. One doesn't own a little anti-Semitism as if it were a puppy that isn't big enough yet to poop a lot. One yap from the pooch is already too much. Nor is saying "it was only social" a successful excuse. Only social, indeed ... only a mild case. The mild climate renders shirt-sleeves acceptable, loosens ties and collars, allows extremes to seem means, makes nakedness normal, facilitates the growth of weeds. Since the true causes of anti-Semitism do not lie with the Jews themselves (for if they did, anti-Semitism might bear some semblance of reason), they must lie elsewhere--so, if not in the hated, then in the hater, in another mode of misery. Rationalist philosophers, from the beginning, regarded ignorance and error as the central sources of evil, and the conditions of contemporary life have certainly given their view considerable support. We are as responsible for our beliefs as for our behavior. Indeed, they are usually linked. Our brains respond, as well as our bodies do, to exercise and good diet. One can think of hundreds of beliefs--religious, political, social--which must be as bad for the head as fat is for the heart, and whose loss would lighten and enliven the spirit; but inherently silly ones, like transubstantiation, nowadays keep their consequences in control and relatively close to home. However, anti-Semitism does not; it is an unmitigated moral catastrophe. One can easily imagine how it might contaminate other areas of one's mental system. But is it the sickness or a symptom of a different disease? Humphrey Carpenter's level headed tone does not countenance Pound's corruption. It simply places the problem before us, permitting out anger and our pity. -- From "Ezra Pound
William H. Gass (Finding a Form)
Cole was still working on the car when a dark green Lexus stopped across his drive. Cole straightened, and was surprised to see Pike and a young woman with ragged hair and big sunglasses get out. The girl looked wary, and Pike was wearing a long-sleeved shirt with the sleeves down. Pike never wore long-sleeved shirts. Cole limped out to meet them. “Joseph. You should have told me we had guests. I would have cleaned up.” Cole smiled at the girl, spreading his hands to show off his gym shorts, bare feet, and wax on, wax off T-shirt. Mr. Personable, making a joke of his sweat-soaked appearance. “I’m Elvis. This is me, doing my Ralph Macchio impersonation.” The girl painted him with a smile that was smart and sharp, and jerked a thumb at Pike. “Thank God you have a personality. Riding around with him is like riding with a corpse.” “Only until you get to know him. Then you can’t shut him up.” Cole noticed how Pike touched her back without familiarity, moving her into the carport. Pike said, “Let’s go in.” Cole glanced at the Lexus, already sensing this wasn’t a social visit.
Robert Crais (The Watchman (Elvis Cole, #11; Joe Pike, #1))
The uniform has a hundred pockets, big flat pockets for deliveries and eensy narrow pockets for gear, pockets sewn into sleeves, thighs, shins. The equipment stuck into these multifarious pockets tends to be small, tricky, lightweight: pens, markers, penlights, penknives, lock picks, bar-code scanners, flares, screwdrivers, Liquid Knuckles, bundy stunners, and lightsticks. A calculator is stuck upside-down to her right thigh, doubling as a taxi meter and a stopwatch. On
Neal Stephenson (Snow Crash)
This stallion says hi, hites, how are you, my friend.” He ran a muscular arm around the black’s neck, moving in close to his shoulder. “He is son to my friend who is dead. Breathe into him so he will know your smell and remember with no horizon.” The thought of kissing a horse wasn’t particularly appealing, but after witnessing the Comanche’s rapport with his other stallion, she couldn’t argue that he knew better than she how to communicate with them. She bent over and exhaled close to the black’s muzzle. The horse sniffed and nibbled her face, nickering and blowing. Loretta gave a startled laugh and reared back, scrubbing her mouth with her sleeve. She glanced up to find the Comanche smiling. Her laughter trailed away, and she felt suddenly self-conscious. His large, sandpapery palm still enfolded hers, and the contact made her heart skitter. His fingers tightened. “You like?” “I--um, yes, he’s wonderful. His left ear isn’t notched like so many of the others. Why is that?” “The notched ear says a horse is gentled. He is not. If another puts hands upon him, he fights the big fight.” “Then how can I ride him?” “You will be his good friend. Come close.” Loretta stepped back instead. “But he’s wild.” Tightening his hold on her hand, Hunter tugged her forward. “He is friend to me and no other, eh? He carries me because he wishes it. Now, he will carry you.
Catherine Anderson (Comanche Moon (Comanche, #1))
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Knee Force Reviews
November The month of the drowned dog. After long rain the land Was sodden as the bed of an ancient lake, Treed with iron and bridles. In the sunk lane The ditch - a seep silent all summer - Made brown foam with a big voice: that, and my boots On the lane's scrubbed stones, in the gulleyed leaves, Against the hill's hanging silence; Mist silvering the droplets on bare thorns Slower than the change of daylight. In a let of the ditch a tramp was bundled asleep; Face tucked down into beard, drawn in Under his hair like a hedgehog's. I took him for dead, But his stillness separated from the death Of the rotting grass on the ground. A wind chilled, And a fresh comfort tightened through him, Each hand stuffed deeper into the other sleeve. His ankles, bound with sacking and hairy band, Rubbed each other, resettling. The wind hardened; A puff shook a glittering from the thorns, And against the rains' dragging grey columns Smudged the farms. In a moment The fields were jumping and smoking; the thorns Quivered, riddled with the glassy verticals. I stayed on under the welding cold Watching the tramp's face glisten and the drops on his coat Flash and darken. I thought what strong trust Slept in him - as the trickling furrows slept, And the thorn-roots in their grip on darkness; And the buried stones, taking the weight of winter; The hill where the hare crouched with clenched teeth. Rain plastered the land till it was shining Like hammered lead, and I ran, and in the rushing wood Shuttered by a black oak leaned. The keeper's gibbet had owls and hawks By the neck, weasels, a gang of cats, crows: Some stiff, weightless, twirled like dry bark bits In the drilling rain. Some still had their shape, Had their pride with it; hung, chins on chests Patient to outwait these worst days that beat Their crowns bare and dripped from their feat.
Ted Hughes
November The month of the drowned dog. After long rain the land Was sodden as the bed of an ancient lake, Treed with iron and bridles. In the sunk lane The ditch - a seep silent all summer - Made brown foam with a big voice: that, and my boots On the lane's scrubbed stones, in the gulleyed leaves, Against the hill's hanging silence; Mist silvering the droplets on bare thorns Slower than the change of daylight. In a let of the ditch a tramp was bundled asleep; Face tucked down into beard, drawn in Under his hair like a hedgehog's. I took him for dead, But his stillness separated from the death Of the rotting grass on the ground. A wind chilled, And a fresh comfort tightened through him, Each hand stuffed deeper into the other sleeve. His ankles, bound with sacking and hairy band, Rubbed each other, resettling. The wind hardened; A puff shook a glittering from the thorns, And against the rains' dragging grey columns Smudged the farms. In a moment The fields were jumping and smoking; the thorns Quivered, riddled with the glassy verticals. I stayed on under the welding cold Watching the tramp's face glisten and the drops on his coat Flash and darken. I thought what strong trust Slept in him - as the trickling furrows slept, And the thorn-roots in their grip on darkness; And the buried stones, taking the weight of winter; The hill where the hare crouched with clenched teeth. Rain plastered the land till it was shining Like hammered lead, and I ran, and in the rushing wood Shuttered by a black oak leaned. The keeper's gibbet had owls and hawks By the neck, weasels, a gang of cats, crows: Some stiff, weightless, twirled like dry bark bits In the drilling rain. Some still had their shape, Had their pride with it; hung, chins on chests Patient to outwait these worst days that beat Their crowns bare and dripped from their feet.
Ted Hughes
Alcoholism is a formidable adversary. As the Big Book says, it’s “cunning, baffling, and powerful,” and the moment you think you have it licked, it will crush you. As soon as you relax, alcoholism will get the upper hand. You have no idea what moves are up its sleeve. But when you can step back and really understand that a glass of wine is equivalent to a glass of poison, you begin to appreciate the seriousness of the battle.
Karlyn Pipes (The Do-Over: My Journey from the Depths of Addiction to World Champion Swimmer)
it was a fine line for me between making fun of my culture—which is a fine line I straddled the entire show—and just allowing it to be as silly and ridiculous as it is. How much can I get away saying without insulting, you know? I still get emails from people saying, “You really insulted your culture by saying this and that,” but that’s the nature of comedy. You’re never going to make everyone laugh, and someone’s going to be offended by all the colloquiums that you bring to light about your own cultures. So the dance sequence was one of those moments where I was like, Oh, this could go really badly, but it ended up being really fun. And there were certain things that I said on the show that I wish I could unsay now, given the current political climate, but it’s nothing so life-changing. It was a different time where people were not so sensitive to the divisiveness around us… and there was a lot more tolerance between people. We were not so offended by making fun of each other. Everything we said was not the end of the world. There’s only one line—and I don’t even remember it [entirely], but it was something about a prostitute—I wish I could take back. [Ed. note: It is “Madhuri Dixit is a l-leperous prostitute! ” in an exchange with Sheldon from season two, episode one, “The Bad Fish Paradigm.”] But even though Raj made fun of India, he was very [proud to be] Indian. He wore his culture on his sleeve. There’s a scene that rarely ever gets brought up, but it’s a very beautiful scene where Howard and Raj are sitting in a car together in front of a Hindu temple and talking about religion and science. Raj wants to show Howard how he can make an amalgamation between spirituality and science and what that means to him. I thought, Why don’t more people talk about that instead of him insulting his culture? But that’s just the nature of things.
Jessica Radloff (The Big Bang Theory: The Definitive, Inside Story of the Epic Hit Series)
life isn’t happily ever after and golden sunsets and shit like that. It’s work. The person you love is rarely worthy of how big your love is. Because no one is worthy of that and maybe no one deserves the burden of it, either. You’ll be let down. You’ll be disappointed and have your trust broken and have a lot of real sucky days. You lose more than you win. You hate the person you love as much as you love him. But, shit, you roll up your sleeves and work—at everything—because that’s what growing older is.
Dennis Lehane (Mystic River)
Hope It started out as snow, oh, big flakes floating softly, catching on my sweater, lacy on the edges of my sleeves. Snow covered the dust, softened the fences, soothe the parched lips of the land. And then it changed halfway between snow and rain, sleet, glazing the earth. Until at last it slipped into rain, light as mist. It was the kindest kind of rain that fell. Soft and then a little heavier, helping along what had already fallen into the hard-pan earth until it rained, steady as a good friend who walks beside you, not getting in your way, staying with you through a hard time. And because the rain came so patient and slow at first, and built up strength as the earth remembered how to yield, instead of washing off, the water slid in, into the dying ground and softened its stubborn pride, and eased it back toward life.
Karen Hesse
love is by whether the Big Event You Attend in order to celebrate it is called a “convention” or not. You can tell, too, by how relieved you are when you finally get to turn yourself inside out and wear your deepest passion on your sleeve.
Alexandra Petri (A Field Guide to Awkward Silences)
The way I see it,” she went on, “our friendship, and our working relationship, were solid foundations we built over time. Now you’re here wanting more, and the way we started that next step was with a kiss. So I feel like we’ve done just about everything two people can do in getting to know each other except…finish that kiss. It seemed to me that the logical next step, the next piece of information we needed to know, was what comes next when we let that kiss go to its natural conclusion.” She did smile then, and her emerald green eyes blazed as she let down a guard he didn’t know she’d still had erected, letting him see for the first time the rest of what she was feeling. “Or at least that was my rationale for finally letting myself have what I fantasized about having, all those months I worked next to you.” He opened his mouth, then shut it again when her words sank in. “I--what did you just say?” Her smile remained, but there was a new light flickering in the depths of her eyes now, one that somehow managed to look bold, excited, and endearingly nervous all at the same time. “You weren’t alone, Cooper, in wanting…what you wanted. At least the physical attraction part anyway. I should have been more forthright about that when you showed up at the pub, or afterward. But at least try to see this from my perspective. Suddenly, out of the blue, the man I lusted after all those months was standing, quite improbably, right in front of me, in his full, Technicolor gorgeousness, looking even better than the guy I was sure I’d exaggerated and romanticized. Right there, in the flesh. And before I could even begin to get a grip on that, you went all going down on bended knee on me, and--it was all so much, too much, to even begin to process.” She let out a short, disbelieving laugh. “Maybe if you’d just dragged me into your arms and not given me a chance to think, I might have surrendered right there on the spot, and the rest of the Cove be damned. But instead you’re all sincere, with your big, beautiful heart hanging on your sleeve, all earnest and lovely, and I so didn’t deserve anything like that, not after the way I left things between me and your entire family. I didn’t have the first clue what to do with that. With you.” Her smile turned decidedly rueful. “So, naturally, I resorted to form. I shut you down, told you to go away. If I couldn’t run away, I was going to make damn sure you did. I mean, it was one thing to leave Cameroo, then insult you and your family by not keeping in touch. It was another thing entirely to do it again, right to your face.” “I hate to interrupt,” he said, trying like hell not to grin, then drag her into his lap to do what he apparently should have done the moment he’d laid eyes on her again. “But I haven’t heard a word you’ve said since that part where you’ve been lusting after me for two years.
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))