Think Wider Quotes

We've searched our database for all the quotes and captions related to Think Wider. Here they are! All 100 of them:

There's a girl, Dad." He smiled a bit. "A girl." "She kinda hates me, and I kinda..." "Love her?" "I don't know. I don't think so. I mean...how do you know?" His smile grew wider. "When you're talking about her with your old dad because you don't know what else to do.
Jamie McGuire (Walking Disaster (Beautiful, #2))
I’m…getting there. I’m beginning to think that maybe it’s okay to be a blank canvas. Maybe it’s okay that my future is unknown. And maybe,” I say with another smile, “it’s okay to be inspired by the people who do know their future.” “It goes both ways, you know.” I link his icicle fingers through mine. “What does?” “Artists are inspired by blank canvases.” My smile grows wider.
Stephanie Perkins (Isla and the Happily Ever After)
Burns from dropped matches, Ms. Lane? Matches one might have dropped while flirting with a pernicious Fae, Ms. Lane? Have you any idea the value of this rug?” I didn’t think his nostrils could flare any wider. His eyes were black flame. “Pernicious? Good grief, is English your second language? Third?” Only someone who’d learned English from a dictionary would use such a word. “Fifth,” he snarled. “Answer me.
Karen Marie Moning (Bloodfever (Fever, #2))
I try to believe," she said, "that God doesn't give you more than one little piece of the story at once. You know, the story of your life. Otherwise your heart would crack wider than you could handle. He only cracks it enough so you can still walk, like someone wearing a cast. But you've still got a crack running up your side, big enough for a sapling to grow out of. Only no one sees it. Nobody sees it. Everybody thinks you're one whole piece, and so they treat you maybe not so gentle as they could see that crack.
Rebecca Wells (Divine Secrets of the Ya-Ya Sisterhood)
Most things, even the greatest movements on earth, have their beginnings in something small. An earthquake that shatters a city with a tremor, a tremble, a breath. Music begins with a vibration. The flood that rushed into Portland twenty years ago after nearly two months of straight rain, that hurtled up beyond the labs and damaged more than a thousand houses, swept up tire and trash bags and old, smelly shoes and floated them through the streets like prizes, that left a thin film of green mold behind, a stench of rotting and decay that didn't go away for months, began with a trickle of water, no wider than a finger, lapping up onto the docks. And God created the whole universe from an atom no bigger than a thought. Grace's life fell apart because of a single word: sympathizer. My world exploded because of a different word: suicide. Correction: That was the first time my world exploded. The second time my world exploded, it was also because of a word. A word that worked its way out of my throat and danced onto and out of my lips before I could think about it, or stop it. The question was: Will you meet me tomorrow? And the word was: Yes.
Lauren Oliver (Delirium (Delirium, #1))
The error all women commit. Why can’t you women love us, faults and all? Why do you place us on monstrous pedestals? We have all feet of clay, women as well as men; but when we men love women, we love them knowing their weaknesses, their follies, their imperfections, love them all the more, it may be, for that reason. It is not the perfect, but the imperfect, who have need of love. It is when we are wounded by our own hands, or by the hands of others, that love should come to cure us – else what use is love at all? All sins, except a sin against itself, Love should forgive. All lives, save loveless lives, true Love should pardon. A man’s love is like that. It is wider, larger, more human than a woman’s. Women think that they are making ideals of men. What they are making of us are false idols merely. You made your false idol of me, and I had not the courage to come down, show you my wounds, tell you my weaknesses. I was afraid that I might lose your love, as I have lost it now.
Oscar Wilde (An Ideal Husband)
Whoa, Rebecca," Talia said smiling even wider, "Walking on the wild side, are we?" Raisa seemed to think the situation needed more explaining. "He - uh - I'm tutoring him." "She is," Han said solemnly. "She's very good. I'm learning a lot." Pearlie snickered. "What's she teaching you?" "Well," Han said, "we're jumping around a lot.
Cinda Williams Chima (The Exiled Queen (Seven Realms, #2))
I do this thing for Rosie, you sleep with me" I stared at him, open-mouthed and in stunned silence. I did, of course, understand what he meant but he explained further. "Not like last night, we'll both be naked and sexual acts will be performed." My expression didn't change except maybe my mouth opened wider. "I'll expect your participation." Holly shit. "Your avid participation." Dear Lord in Heaven. Eventually, I whispered, "You must be joking." He shook his head and watched me. I dropped my eyes, unable to hold his stqare. "I think I need more coffee," I told his throat.
Kristen Ashley (Rock Chick (Rock Chick, #1))
The Secret Garden was what Mary called it when she was thinking of it. She liked the name, and she liked still more the feeling that when its beautiful old walls shut her in no one knew where she was. It seemed almost like being shut out of the world in some fairy place. The few books she had read and liked had been fairy-story books, and she had read of secret gardens in some of the stories. Sometimes people went to sleep in them for a hundred years, which she had thought must be rather stupid. She had no intention of going to sleep, and, in fact, she was becoming wider awake every day which passed at Misselthwaite.
Frances Hodgson Burnett (The Secret Garden)
Hey!" I yell. Everyone turns around and looks at us. I glance at Six and her eyes are wide. I inhale a deep breath, then turn back to the table. Specifically to Holder. "She fist bumped me,"I say, pointing at Six. "It's not my fault. She hates purses and she fist bumped me, then she made me push her on the damn merry-go-round. After that, she demanded to see where I had sex in the park, then she forced me to sneak into my own bedroom. She's weird and half the time I can't keep up with her, but she thinks I'm funny as hell. And Chunk asked me this morning if I wanted to love her someday, and I realized I've never hoped I could love someone more than I want to love her. So every single one of you who has an issue with us dating is going to have to get over it because..." I pause and turn toward Six. "Because you fist bumped me and I could care less who knows we're together. I'm not going anywhere and I don't want to go anywhere so stop thinking I'm into you because I'm not supposed to be into you." I lift my hands and tilt her face toward mine. "I'm into you because you're awesome. And because you let me accidentally touch your boob." She's smiling wider than I've ever seen her smile. "Daniel Wesley, where'd you learn those smooth moves?" I laugh. "Not moves, Six. Charisma.
Colleen Hoover (Finding Cinderella (Hopeless, #2.5))
I didn't know I had it in me. There's more to all of us than we realize. Life is so much bigger, grander, higher, and wider than we allow ourselves to think. We're capable of so much more than we allow ourselves to believe.
Queen Latifah (Put on Your Crown: Life-Changing Moments on the Path to Queendom)
Oh. My. God. You're Rose Hathaway aren't you?" "Yeah." I said with surprise. "Do you know me?" "Everyone knows you. I mean, everyone heard about you. You're the one who ran away. And then you came back and killed the Strigoi. That is so cool! Did you get molnija marks?" Her words came out in one long string. She hardly took a breath. "Yeah. I have two." Thinking about the tiny tattoos on the back of my neck made my skin itch. Her pale green eyes—if possible—grew wider. "Oh my God. Wow." I usually grew irate when people made a big deal about molnija marks. After all, the circumstances had not been cool. But this girl was young, and there was something appealing about her. "What's your name?" I asked. "Jillian—Jill. I mean, just Jill. Not both. Jillian's my full name. Jill's what everyone calls me." "Right." I said, hiding a smile. "I figured it out." "I heard Moroi used magic on that trip to fight. Is that true? I would love to do that. I wish someone would teach me. I use air. Do you think i could fight Strigoi with that? Everyone says I'm crazy!" For centuries, Moroi using magic to fight had been viewed as a sin. Everyone believed it should be used peacefully. Recently, some had started to question that, particularly after Christian had proved useful in the Spokane escape. "I don't know." I said. "You should talk to Christian Ozera." She gaped. "Would he talk to me?" "If you bring up fighting the establishment, yeah he'll talk to you." "Okay, cool. Was that Guardian Belikov?" she asked, switching subjects abruptly. "Yeah." I swore I thought she might faint then and there. "Really? He's even cuter then I heard. He's your teacher right? Like, your own personal teacher?" "Yeah." I wondered where he was. Talking to Jill was exhausting. "Wow. You know you guys don't even act like teacher and student. You seem like friends. Do you hang out when you're not training?" "Er, well, kind of. Sometimes." I remembered my earlier thoughts, about how I was one of the few people Dimitri was social with outside of his guardian duties. "I knew it! I can't even imagine that—I'd be freaking out all the time around him. I'd never get anything done, but your so cool about it all, kind of like, 'Yeah. I'm with this totally hot guy, but whatever it doesn't matter!'" I laughed in spite of myself. "I think you're giving me more credit than I deserve." "No way. And I don't believe any of those stories, you know." "Um, stories?" "Yeah about you beating up Christian Ozera." "Thanks." I said.
Richelle Mead (Shadow Kiss (Vampire Academy, #3))
And then a throb hits you on the left ide of the head so hard that your head bobs to the right...There's no way that came from inside your head, you think. That's no metaphysical crisis. God just punched you in the face.
Andrew Levy (A Brain Wider Than the Sky: A Migraine Diary)
That's good," Hunter said, panting. "Keep grinning at your attacker like that and they'll think you're way creepy. And mental." I grinned wider. "I totally love this. Who can I punch next?
Alyxandra Harvey (Bleeding Hearts (Drake Chronicles, #4))
Everyone thinks their world is the only one. A flea believes a dog is the world. A dog believes the kennel is the world. The huntsman thinks his country is the world. The king believes the globe is the world. The farther out you get, the wider you get, the higher you get, the more you see you have misunderstood the bounds of what is possible. Of what is right and wrong. Of what you can truly do. Perspective, Ronan Lynch.
Maggie Stiefvater (Call Down the Hawk (Dreamer Trilogy, #1))
I have always been thinking of the different ways in which Christianity is taught, and whenever I find one way that makes it a wider blessing than any other, I cling to that as the truest—I mean that which takes in the most good of all kinds, and brings in the most people as sharers in it. It is surely better to pardon too much, than to condemn too much.
George Eliot (Middlemarch)
I've met so many parents of the kids who are on the low end of the autism spectrum, kids who are diametrically opposed to Jacob, with his Asperger's. They tell me I'm lucky to have a son who's verbal, who is blisteringly intelligent, who can take apart the broken microwave and have it working again an hour later. They think there is no greater hell than having a son who is locked in his own world, unaware that there's a wider one to explore. But try having a son who is locked in his own world and still wants to make a connection. A son who tries to be like everyone else but truly doesn't know how.
Jodi Picoult (House Rules)
All thrones should be made of ice, I think. Sit on that numb arse, sinking down and down, with the puddle of dissolution getting ever wider around you. Sit, dear ruler, and tell me all your grand designs.
Steven Erikson (Reaper's Gale (Malazan Book of the Fallen, #7))
I love your hair!" Marlee gushed. "I wish I'd been born with red hair. It makes you look so alive. I hear that people with red hair have bed tempers. Is that true? Despite my rotten day, Marlee's manner was so vivacious that my smile grew wider. "I don't think so. I mean, I can have a bad temper at times, but my sister is a redhead, and she's as sweet as can be.
Kiera Cass (The Selection (The Selection, #1))
Dispelling fear. Taming what was scary not by hiding it, not by blocking it or burying it, not by keeping it secret, but by reminding themselves, and everyone else, to choose love, choose openness, to think and be calm. That there were more ways than just two, wider possibilities than hidden or betrayed, stalled or brokenhearted, male or female, right or wrong. Middle ways. Ways beyond. They
Laurie Frankel (This Is How It Always Is)
It may be that The Great Gatsby is as perfect, word for word, just in terms of English; but Ulysses is deeper, richer, wider – and is comic, whereas The Great Gatsby is a tragic novel. And I think all great art is comic art. (video)
Stephen Fry
Mercy's eyes held equal parts shock, and delight. "Riley." He felt his lips stretch even wider. "I think we need to celebrate with some brand-new etchings." His cat's laugh was surprised and warm and the sound of home. "It's your etchings that got us into this position.
Nalini Singh (Tangle of Need (Psy-Changeling, #11))
So how's Cupid Day treating you?" He pops a mint in his mouth and leans closer. It grosses me out, like he thinks he can seduce me with fresh breath. "Any big romantic plans tonight? Got someone special to cozy up next to?" He raises his eyebrows at me. [...] "We'll see," I say, smiling. "What about you? Are you going to be all by your lonesome? Table for one?" He leans forward even more, and I stay perfectly still, willing myself not to pull away. "Now why would you assume that?" He winks at me, obviously thinking that this is my version of flirting--like I'm going to offer to keep this company or something. I smile even wider. "Because if you had a real girlfriend," I say, quietly but clearly, so he can hear every word perfectly, "you wouldn't be hitting on high school girls.
Lauren Oliver (Before I Fall)
I'm sorry, but anyone who thinks the use of an angelic (or seemingly angelic character), whose likes have been written about for, oh, about 4,000 years, is ripping off Star Trek, has his head so thoroughly up his ass as to have blipped into an entirely new intestinally-based reality and desperately needs to get a wider frame of reference.
J. Michael Straczynski
Dispelling fear. Taming what was scary not by hiding it, not by blocking it or burying it, not by keeping it secret, but by reminding themselves, and everyone else, to choose love, choose openness, to think and be calm. That there were more ways than just two, wider possibilities than hidden or betrayed, stalled or brokenhearted, male or female, right or wrong. Middle ways. Ways beyond.
Laurie Frankel (This Is How It Always Is)
I used to come from the village with all that dirt and coarse ugliness like a pain within me, and the simpering pictures in the drawing-room seemed to me like a wicked attempt to find delight in what is false, while we don't mind how hard the truth is for the neighbors outside our walls. I think we have no right to come forward and urge wider changes for good, until we have tried to alter the evils which lie under our own hands.
George Eliot (Middlemarch)
I frown. "See? You do think I'm crazy. Because of my dad." He shakes his head, his smile becoming wider and more crooked. "No. I think you're crazy in a completely different way. In a beautiful way.
Jasmine Warga (My Heart and Other Black Holes)
On Hayao Miyazaki I told Miyazaki I love the "gratuitous motion" in his films; instead of every movement being dictated by the story, sometimes people will just sit for a moment, or they will sigh, or look in a running stream, or do something extra, not to advance the story but only to give the sense of time and place and who they are. "We have a word for that in Japanese," he said, "It's called ma. Emptiness. It's there intentionally." Is that like the "pillow words" that separate phrases in Japanese poetry? "I don't think it's like the "pillow word." He clapped his hands three or four times. "The time in between my clapping is ma. If you just have non-stop action with no breathing space at all, it's just busyness, but if you take a moment, then the tension building in the film can grow into a wider dimension. If you just have constant tension at 80 degrees all the time you just get numb.
Roger Ebert
Girls don't have to be nice," she says simply. "But they should stick together...The wider world wants you to think other women are drama...or catty. But that's just because when we work together, we're unstoppable....One day you'll wake up to find that there's a woman, or maybe a few, who have outlasted every changing season of your life.
Julie Murphy (Puddin' (Dumplin', #2))
The more people stared at their phones, the more money these companies made. Period. The people in Silicon Valley did not want to design gadgets and websites that would dissolve people’s attention spans. They’re not the Joker, trying to sow chaos and make us dumb. They spend a lot of their own time meditating and doing yoga. They often ban their own kids from using the sites and gadgets they design, and send them instead to tech-free Montessori schools. But their business model can only succeed if they take steps to dominate the attention spans of the wider society. It’s not their goal, any more than ExxonMobil deliberately wants to melt the Arctic. But it’s an inescapable effect of their current business model.
Johann Hari (Stolen Focus: Why You Can't Pay Attention—and How to Think Deeply Again)
I think I'm losing control all over again. This is because I've registered two things above and beyond his hypnotic green eyes and rock star hot voice. 1. His perfectly square chin has one of those little divots dead center. 2. He's taller, and wider across the shoulders than I'd thought. My heart ramps into some sort of a private hailstorm. My list won't stop. 3. His hair is still shower damp. It's made up of little inky-black curls—an amazing amount of them. 4. The dumb eyes aren't simply green. They're like an exploded rainbow of greens and gold and browns. On closer inspection, he's…he's simply overall amazing and…I'll just say it again: HOLY. HOLY. WOW.
Anne Eliot (Almost)
No,” I hear myself say. “You’re not supposed to be here.” She’s sitting on my bed. She’s leaning back on her elbows, legs outstretched in front of her, crossed at the ankles. And while some part of me understands I must be dreaming, there’s another, overwhelmingly dominant part of me that refuses to accept this. Part of me wants to believe she’s really here, inches away from me, wearing this short, tight black dress that keeps slipping up her thighs. But everything about her looks different, oddly vibrant; the colors are all wrong. Her lips are a richer, deeper shade of pink; her eyes seem wider, darker. She’s wearing shoes I know she’d never wear. And strangest of all: she’s smiling at me. “Hi,” she whispers. It’s just one word, but my heart is already racing. I’m inching away from her, stumbling back and nearly slamming my skull against the headboard, when I realize my shoulder is no longer wounded. I look down at myself. My arms are both fully functional. I’m wearing nothing but a white T-shirt and my underwear. She shifts positions in an instant, propping herself up on her knees before crawling over to me. She climbs onto my lap. She’s now straddling my waist. I’m suddenly breathing too fast. Her lips are at my ear. Her words are so soft. “Kiss me,” she says. “Juliette—” “I came all the way here.” She’s still smiling at me. It’s a rare smile, the kind she’s never honored me with. But somehow, right now, she’s mine. She’s mine and she’s perfect and she wants me, and I’m not going to fight it. I don’t want to. Her hands are tugging at my shirt, pulling it up over my head. Tossing it to the floor. She leans forward and kisses my neck, just once, so slowly. My eyes fall closed. There aren’t enough words in this world to describe what I’m feeling. I feel her hands move down my chest, my stomach; her fingers run along the edge of my underwear. Her hair falls forward, grazing my skin, and I have to clench my fists to keep from pinning her to my bed. Every nerve ending in my body is awake. I’ve never felt so alive or so desperate in my life, and I’m sure if she could hear what I’m thinking right now, she’d run out the door and never come back. Because I want her. Now. Here. Everywhere. I want nothing between us. I want her clothes off and the lights on and I want to study her. I want to unzip her out of this dress and take my time with every inch of her. I can’t help my need to just stare; to know her and her features: the slope of her nose, the curve of her lips, the line of her jaw. I want to run my fingertips across the soft skin of her neck and trace it all the way down. I want to feel the weight of her pressed against me, wrapped around me. I can’t remember a reason why this can’t be right or real. I can’t focus on anything but the fact that she’s sitting on my lap, touching my chest, staring into my eyes like she might really love me. I wonder if I’ve actually died. But just as I lean in, she leans back, grinning before reaching behind her, never once breaking eye contact with me. “Don’t worry,” she whispers. “It’s almost over now.” Her words seem so strange, so familiar. “What do you mean?” “Just a little longer and I’ll leave.” “No.” I’m blinking fast, reaching for her. “No, don’t go—where are you going—” “You’ll be all right,” she says. “I promise.” “No—” But now she’s holding a gun. And pointing it at my heart.
Tahereh Mafi (Destroy Me (Shatter Me, #1.5))
I am the wind and the wind is invisible, all the leaves tremble but I am invisible, blackbird over the dark field but I am invisible, what fills the balloon and what it moves through, knot without rope, bloom without flower, galloping without the horse, the spirit of the thing without the thing, location without dimension, without a within, song without throat, word without ink, wingless flight, dark boat in the dark night, shine without light, pure velocity, as the hammer is a hammer when it hits the nail and the nail is a nail when it meets the wood and the invisible table begins to appear out of mind, pure mind, out of nothing, pure thinking, hand of the mind, hand of the emperor, arm of the empire, void and vessel, sheath and shear, and wider, and deeper, more vast, more sure, through silence, through darkness, a vector, a violence, and even farther, and even worse, between, before, behind, and under, and even stronger, and even further, beyond form, beyond number, I labor, I lumber, I fumble forward through the valley as winter, as water, a shift in the river, I mist and frost, flexible and elastic to the task, a fountain of gravity, space curves around me, I thirst, I hunger, I spark, I burn, force and field, force and counterforce, agent and agency, push to your pull, parabola of will, massless mass and formless form, dreamless dream and nameless name, intent and rapturous, rare and inevitable, I am the thing that is hurtling towards you…
Richard Siken
I am sorry that I cannot make it okay. I am sorry that I cannot save you -- but not that sorry. Part of me thinks that your very vulnerability brings you closer to the meaning of life, just as for others, the quest to believe oneself white divides them from it. The fact is that despite their dreams, their lives are also not inviolable. When their own vulnerability becomes real -- when the police decide that tactics for the ghetto should enjoy wider usage, when their armed society shoots down their children, when nature sends hurricanes against their cities -- they are shocked in a way that those of us who were born and bred to understand cause and effect can never be. And I would not have you like them. You have been cast into a race in which the wind is always at your face and the hounds are always at your heels. And to varying degrees this is true of all life. The difference is that you do not have the privilege of living in ignorance of this essential fact. I am speaking to you as I always have -- as the sober and serious man I have always wanted you to be, who does not apologize for his human feelings, who does not make excuses for his height, his long arms, his beautiful smile. You are growing into consciousness, and my wish for you is that you feel no need to constrict yourself to make other people comfortable. None of that can change the math anyway. I never wanted you to be twice as good as them, so much as I have always wanted you to attack every day of your brief bright life in struggle. The people who must believe they are white can never be your measuring stick. I would not have you descend into your own dream. I would have you be a conscious citizen of this terrible and beautiful world.
Ta-Nehisi Coates (Between the World and Me)
It is our habit to say that while the lower nature can never understand the higher, the higher nature commands a complete view of the lower. But I think the higher nature has to learn this comprehension, as we learn the art of vision, by a good deal of hard experience, often with bruises and gashes incurred in taking things up by the wrong end, and fancying our space wider than it is.
George Eliot (Adam Bede)
The United States is a society in which people not only can get by without knowing much about the wider world but are systematically encouraged not to think independently or critically, and instead to accept the mythology of the United States as a benevolent, misunderstood giant as it lumbers around the world trying to do good.
Robert Jensen
But when the bad day in your week finally arrives—and it comes to all—by which I mean, that particular moment when your sufferings, as puny as they may be in the wider scheme of things, direct themselves absolutely and only to you, as if precisely designed to destroy you and only you, at that point it might be worth allowing yourself the admission of the reality of suffering, if not for yourself, exactly, then in preparation for that next painful bout of videoconferencing, so that you don’t roll your eyes or laugh or puke while listening to what some other person seems to think is pain.
Zadie Smith (Intimations)
However, just as the gap between religion and science is narrower than we commonly think, so the gap between religion and spirituality is much wider. Religion is a deal, whereas spirituality is a journey.
Yuval Noah Harari (Homo Deus: A History of Tomorrow)
Five thousand dollars? For a kiss?” “That’s what I said.” “With tongue?” “It’s not really a kiss without it. Just say yes, pet. You obviously need the money.” I gasp before I can stop myself. I didn’t think five words from a stranger could hurt so much. What a dick. “For fuck’s sake, Nicholas,” Simon says. But he just looks at me, waiting, those arrogant green eyes alight with anticipation. So I give him what he’s waiting for. “Hands under the table,” I order. He smiles wider, puts his flask in his pocket, and does what he’s told. “Close your eyes.” “I like a woman who’s not afraid to take charge.” “No more talking.” He’s said more than enough. I lean in, keeping my eyes open the whole time, memorizing every angle of that face, feeling his warm breath against my cheek. This close, I can see the shadow of stubble on his chin and for just a second, I let myself wonder what it would feel like scratching against my stomach, my thighs—everywhere. Then in one move, I pick up his plate—and smash the apple pie in his stupid, handsome face. “Kiss this, asshole.
Emma Chase (Royally Screwed (Royally, #1))
I have got, over the years, a sense of the immense sweep of creation, of the evolutionary process in everything, of how incomprehensible God must necessarily be to be the God of heaven and earth. You can’t fit the Almighty into your intellectual categories…. What kept me a skeptic [of secularism] in college was precisely my Christian faith. It always said: wait, don’t bite on this, get a wider picture, continue to read. If you want your faith, you have to work for it…. Even in the life of a Christian, faith rises and falls like the tides of an invisible sea. It’s there, even when he can’t see it or feel it, if he wants it to be there. You realize, I think, that it is more valuable, more mysterious, altogether more immense than anything you can learn or decide in college. Learn what you can, but cultivate Christian skepticism.
Flannery O'Connor
When we tell those stories to people in chronic pain, or those living with incurable illness, we often end up minimizing their experience. We end up expressing our doubt in the face of their certainty, which only compounds the extent to which pain separates the person experiencing it from the wider social order. The challenge and responsibility of per- sonhood, it seems to me, is to recognize personhood in others-to listen to others' pain and take it seriously, even when you yourself cannot feel it. That capacity for listening, I think, really does separate human life from the quasi-life of an enterovirus.
John Green (The Anthropocene Reviewed: Essays on a Human-Centered Planet)
Should I, too, prefer the title of 'non-Jewish Jew'? For some time, I would have identified myself strongly with the attitude expressed by Rosa Luxemburg, writing from prison in 1917 to her anguished friend Mathilde Wurm: What do you want with these special Jewish pains? I feel as close to the wretched victims of the rubber plantations in Putamayo and the blacks of Africa with whose bodies the Europeans play ball… I have no special corner in my heart for the ghetto: I am at home in the entire world, where there are clouds and birds and human tears. An inordinate proportion of the Marxists I have known would probably have formulated their own views in much the same way. It was almost a point of honor not to engage in 'thinking with the blood,' to borrow a notable phrase from D.H. Lawrence, and to immerse Jewishness in other and wider struggles. Indeed, the old canard about 'rootless cosmopolitanism' finds a perverse sort of endorsement in Jewish internationalism: the more emphatically somebody stresses that sort of rhetoric about the suffering of others, the more likely I would be to assume that the speaker was a Jew. Does this mean that I think there are Jewish 'characteristics'? Yes, I think it must mean that.
Christopher Hitchens (Hitch 22: A Memoir)
That night in bed I was thinking about the way creeks and streams operate. They start off little, gurgling and bubbling and jumping over rocks and stuff, full of energy, going all over the place. Then they get older and bigger, become rivers, take a more definite course, stick to their path, know where they're going, get slower and wider. And eventually they reach the ocean and become part of this vast mysterious world of water that stretches away forever. Yep, just like people.
John Marsden (While I Live (The Ellie Chronicles, #1))
There’s a certain amount of humility that is attached to wonder, and a certain amount of pride attached to knowledge and I think the moment you say ‘we know beyond a shadow of a doubt this exists’, you can’t have faith that it exists. Faith is no longer possible. So faith is only possible when doubt is possible. Faith is only possible when humility and wonder is possible. And I feel like the musical world of humility and wonder is a much wider door to enter into than the narrow confines of epistemology and things like knowledge and these really narrow boxes. That’s kind of where our songs are… [those are] the worlds our songs are trying to explore.
Jon Foreman
I try to believe" ,she said "that god doesn't give you more than one piece of the story at ounce. You know, the story of your life. Otherwise your heart would crack wider than you could handle. He only crack it enough so you can still walk, like someone wearing a cast. But you've still got a crack running up your side, big enough for a sapling to grow out of. Only no one sees it. Everyone thinks you're one whole piece, and so they treat you maybe not so gentle as they can't see that crack.
Rebecca Wells
We'll see," I say, smiling. "What about you? Are you going to be all by your lonesome? Table for one?" He leans forward even more, and I stay perfectly still, willing myself not to pull away. "Now why would you assume that?" He winks at me, obviously thinking that this is my version of flirting--like I'm going to offer to keep him company or something. I smile even wider. "Because if you had a real girlfriend," I say quickly but clearly, so he can hear every word perfectly, "you wouldn't be hitting on high school girls.
Lauren Oliver (Before I Fall)
How funny your name would be if you could follow it back to where the first person thought of saying it, naming himself that, or maybe some other persons thought of it and named that person. It would be like following a river to its source, which would be impossible. Rivers have no source. They just automatically appear at a place where they get wider, and soon a real river comes along, with fish and debris, regal as you please, and someone has already given it a name: St. Benno (saints are popular for this purpose) or, or some other name, the name of his long-lost girlfriend, who comes at long last to impersonate that river, on a stage, her voice clanking like its bed, her clothing of sand and pasted paper, a piece of real technology, while all along she is thinking, I can do what I want to do. But I want to stay here.
John Ashbery
When, upon the closed system of normal preoccupations, a story of a sea serpent appears, it is inhospitably treated. To us of the wider cordialities, it has recommendations for kinder reception. I think that we shall be noted in recognitions of good works for our bizarre charities.
Charles Fort (New Lands)
Grace just is. Nobody can explain it, and it's not something you can deserve. Whether you recognize it or not, whether you feel grateful for it or not, it just is. Guilty or innocent, condemned or redeemed, when you think that you can't go on, and when you think you've already gone on, grace is wider and deeper than you think, and it can change far more that you ever imagined. There is no place where anything begins or ends, but by grace, everything comes in it's time.
Maxine Clair (October Suite: A Novel)
I woke one night to find him staring at the ceiling, his profile lit by the glow of streetlights outside. He looked vaguely troubled, as if he were pondering something deeply personal. Was it our relationship? The loss of his father? “Hey, what’re you thinking about over there?” I whispered. He turned to look at me, his smile a little sheepish. “Oh,” he said. “I was just thinking about income inequality.” This, I was learning, was how Barack’s mind worked. He got himself fixated on big and abstract issues, fueled by some crazy sense that he might be able to do something about them. It was new to me, I have to say. Until now, I’d hung around with good people who cared about important enough things but who were focused primarily on building their careers and providing for their families. Barack was just different. He was dialed into the day-to-day demands of his life, but at the same time, especially at night, his thoughts seemed to roam a much wider plane.
Michelle Obama (Becoming)
Mr. J.L.B Matekoni," she asked, "do you think that our souls grow as we get older?" He did not answer immediately, but when he did, she thought his answer quite perfect. "Yes," he said. "Our souls get wider. They grow like the branches of a tree--growing outwards. And more birds come and make their homes in these branches. And sing a bit more." He stopped and looked a little awkward. "I'm talking nonsense, Mma." "You're not," she said.
Alexander McCall Smith (Precious and Grace (No. 1 Ladies' Detective Agency, #17))
Resistance makes a man think new thoughts he never considered before. It makes a man ask questions he never asked before. It makes a man seek answers he never sought before. It makes a man beg God for help that he never before realized he needed. These quests, quests of the heart and soul, eventually make a man deeper, wider, taller.
Randall Arthur (Wisdom Hunter)
Fill. The third phase of dominion is to “fill” or “replenish” the earth. Bearing fruit, refining our gift, and mastering the use of our resources create demand and lead naturally to wider “distribution.” To “fill the earth” means to expand our gift, our influence, our resources, just as a growing business would by continually improving its product, opening new outlets, and hiring more employees. Another way to look at it is to think once again of an apple tree. A single apple seed grows into an apple tree, which then produces apples, each of which contains seeds for producing more trees. Planting those seeds soon turns a single apple tree into a whole orchard. This expansion to “fill the earth” is a joint effort between the Lord and us. Our part is to be faithful with the resources He has given. He is the one who brings the expansion. The more faithful we are with our stewardship, the more resources God will entrust to us. That is a biblical principle.
Myles Munroe (The Purpose and Power of Love & Marriage)
It is the inextricable masculinity in our idea of government which so revolts at the idea of women as voters. 'To govern:' that means to boss, to control, to have authority; and that only, to most minds. They cannot bear to think of the woman as having control over even their own affairs; to control is masculine, they assume. Seeing only self-interest as a natural impulse, and the ruling powers of the state as a sort of umpire, an authority to preserve the rules of the game while men fight it out forever; they see in a democracy merely a wider range of self interest, a wider, freer field to fight in.
Charlotte Perkins Gilman (The Man-Made World)
Starting from the primary schools, there must be compulsory ‘Cosmos’ classes throughout the education period. If a man thinks about and understands the universe, he will have wider horizons; he will be much less conceited and much more realistic.
Mehmet Murat ildan
Nietzsche's subtle, poetic, and entirely unsystemic attacks on academic style and thinking were predestined to be quoted out of context, and his pithy and often sarcastic observations could be put in the service of a wider assault on rationality itself.
Philipp Blom (Fracture: Life and Culture in the West, 1918-1938)
It is time for writers to admit that nothing in this world makes sense. Only fools and charlatans think they know and understand everything. The stupider they are, the wider they conceive their horizons to be. And if an artist decides to declare that he understands nothing of what he sees—this in itself constitutes a considerable clarity in the realm of thought, and a great step forward.
Francine Prose (Reading Like a Writer: A Guide for People Who Love Books and for Those Who Want to Write Them)
This may appear to be a marginal matter, but I believe it to be peculiarly significant in representing a profoundly mistaken emphasis accepted – perhaps of necessity – by the courts, and also by the public and by the individuals involved: a concept whereby responsibility has been limited to momentary and often isolated actions, and to a few individuals. It is, I think, because of this universal acceptance of a false concept of responsibility that Stangl himself (until just before he died), his family and – in a wider but equally, if not even more, important sense – countless other people in Germany and outside it, have felt for years that what is decisive in law, and therefore in the whole conduct of human affairs, is what a man does on isolated occasions rather than what he is.
Gitta Sereny (Into That Darkness: An Examination of Conscience)
People in Japan and the Faeroe Islands kill dolphins and pilot whales by running steel rods into their spinal columns while they squeal in pain and terror and thrash in agony. (In Japan, it’s illegal to kill cows and pigs as painfully and inhumanely as they kill dolphins.) The lack of compassion for dolphins and whales indicates that humans’ “theory of mind” is incomplete. We have an empathy shortfall, a compassion deficit. And human-on-human violence, abuse, and ethnic and religious genocide are all too pervasive in our world. No elephant will ever pilot a jetliner. And no elephant will ever pilot a jetliner into the World Trade Center. We have the capacity for wider compassion, but we don’t fully live up to ourselves. Why do human egos seem so threatened by the thought that other animals think and feel? Is it because acknowledging the mind of another makes it harder to abuse them? We seem so unfinished and so defensive. Maybe incompleteness is one of the things that “makes us human.
Carl Safina (Beyond Words: What Animals Think and Feel)
After dinner, I went upstairs and found Ren standing on the veranda again, looking at the sunset. I approached him shyly and stood behind him. “Hello, Ren.” He turned and openly studied my appearance. His gaze drifted ever so slowly down my body. The longer he looked, the wider his smile got. Eventually, his eyes worked their way back up to my bright red face. He sighed and bowed deeply. “Sundari. I was standing here thinking nothing could be more beautiful than this sunset tonight, but I was mistaken. You standing here in the setting sun with your hair and skin aglow is almost more than a man can…fully appreciate.” I tried to change the subject. “What does sundari mean?” “It means ‘most beautiful.’” I blushed again, which made him laugh. He took my hand, tucked it under his arm, and led me to the patio chairs. Just then, the sun dipped below the trees leaving its tangerine glow in the sky for just a few more moments. We sat again, but this time he sat next to me on the swinging patio seat and kept my hand in his. I ventured shyly, “I hope you don’t mind, but I explored your house today, including your room.” “I don’t mind. I’m sure you found my room the least interesting.” “Actually, I was curious about the note I found. Did you write it?” “A note? Ah, yes. I just scribbled a few notes to help me remember what Phet had said. It just says seek Durga’s prophecy, the Cave of Kanheri, Kelsey is Durga’s favored one, that sort of thing.” “Oh. I…also noticed a ribbon. Is it mine?” “Yes. If you’d like it back, you can take it.” “Why would you want it?” He shrugged, looking embarrassed. “I wanted a memento, a token from the girl who saved my life.” “A token? Like a fair maiden giving her handkerchief to a knight in shining armor?” He grinned. “Exactly.” I jested wryly, “Too bad you didn’t wait for Cathleen to get a little older. She’s going to be very pretty.” He frowned. “Cathleen from the circus?” He shook his head. “You were the chosen one, Kelsey. And if I had the option of choosing the girl to save me, I still would have picked you.” “Why?” “A number of reasons. I liked you. You are interesting. I enjoyed listening to your voice. I felt like you saw through the tiger skin to the person underneath. When you spoke, it felt like you were saying exactly the things I needed to hear. You’re smart. You like poetry, and you’re very pretty.” I laughed at his statement. Me, pretty? He can’t be serious. I was average in so many ways. I didn’t really concern myself with current makeup, hairstyles, or fashionable, but uncomfortable, clothes like other teenagers. My complexion was pale, and my eyes were so brown that they were almost black. By far, my best feature was my smile, which my parents paid dearly for and so did I-with three years of metal braces. Still, I was flattered. “Okay, Prince Charming, you can keep your memento.” I hesitated, and then said softly, “I wear those ribbons in memory of my mom. She used to brush out my hair and braid ribbons through it while we talked.” Ren smiled understandingly. “Then it means even more to me.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
we think that if rail-fences are pulled down, and stone-walls piled up on our farms, bounds are henceforth set to our lives and our fates decided. If you are chosen town-clerk, forsooth, you cannot go to Tierra del Fuego this summer: but you may go to the land of infernal fire nevertheless. The universe is wider than our views of it.
Henry David Thoreau (Walden)
I think,” I say after a while, waiting for the right words to come, “that if a man could be said to be loved by his son, then I think that man could be considered great.” For this is the only power I have, to bestow upon my father the mantle of greatness, a thing he sought in the wider world, but one that, in a surprise turn of events, was here at home all along.
Daniel Wallace (Big Fish)
What are the true reasons why the purchaser is planning to spend his money on a new car instead of a piano? Because he has decided that he wants the commodity called locomotion more than he wants the commodity called music? Not altogether. He buys a car, because it is at the moment the group custom to buy cars. The modern propagandist therefore sets to work to create circumstances which will modify that custom . . . He will endeavor to develop public acceptance of the idea of a music room in the home. This he may do, for example, by organizing an exhibition of period music rooms designed by well-known decorators who themselves exert an influence on the buying groups . . . Then, in order to create dramatic interest in the exhibit, he stages an event or ceremony. To this ceremony key people, persons known to influence the buying habits of the public, such as a famous violinist, a popular artist, and a society leader, are invited. These key persons affect other groups, lifting the idea of the music room to a place in the public consciousness which it did not have before. The juxtaposition of these leaders, and the idea which they are dramatizing, are then projected to the wider public through various publicity channels . . . The music room will be accepted because it has been made the thing. And the man or woman who has a music room, or has arranged a corner of the parlor as a musical corner, will naturally think of buying a piano. It will come to him as his own idea.
Edward L. Bernays (Propaganda)
Allow me to say that if you view highwaymen as legendary and romantic figures, then I’m with you. But let me make it absolutely clear that if you’re a low life thief, beating up old ladies, or you’re stealing from your parents to fund your drug addiction, or you’re some kind of serial mugger, and you’re thinking, “Yeah, Dat’s bangin' mate!! Highwaymen is ol me bledrins, innit! Yo Yo Yo, I have no beef with highwaymen! Innit?” then the difference between a despicable and reprehensible low life like yourself and a gentleman highwayman who was well-dressed, well-mannered, an excellent horseman and who used threats rather than actual violence is wider than the gap between your ears, which trust me is pretty wide. I’ll give you that as a caveat
Karl Wiggins (Wrong Planet - Searching for your Tribe)
Part of me thinks that your very vulnerability brings you closer to the meaning of life, just as for others, the quest to believe oneself white divides them from it. The fact is that despite their dreams, their lives are also not inviolable. When their own vulnerability becomes real--when the police decide that tactics intended for the ghetto should enjoy wider usage, when their armed society shoots down their children, when nature sends hurricanes against their cities--they are shocked in a way that those of us who were born and bred to understand cause and effect can never be.
Ta-Nehisi Coates (Between the World and Me)
I wiped my eyes on my sleeve and jumped when I turned and found Ren’s brother standing behind me as a man. Ren got up, alert, and watched him carefully, suspicious of Kishan’s every move. Ren’s tail twitched back and forth, and a deep grumble issued from his chest. Kishan look down at Ren, who had crept even closer to keep an eye on him, and then looked back at me. He reached out his hand, and when I placed mine in it, he lifted it to his lips and kissed it, then bowed deeply with great aplomb. “May I ask your name?” “My name is Kelsey. Kelsey hayes.” “Kelsey. Well, I, for one, appreciate all the efforts you have made on our behalf. I apologize if I frightened you earlier. I am,” he smiled, “out of practice in conversing with young ladies. These gifts you will be offering to Durga. Would you kindly tell me more about them?” Ren growled unhappily. I nodded. “Is Kishan your given name?” “My full name is actually Sohan Kishan Rajaram, but you can call me Kishan if you like.” He smiled a dazzling white smile, which was even more brilliant due to the contrast with his dark skin. He offered an arm. “Would you please sit and talk with me, Kelsey?” There was something very charming about Kishan. I surprised myself by finding I immediately trusted and liked him. He had a quality similar to his brother. Like Ren, he had the ability to set a person completely at ease. Maybe it was their diplomatic training. Maybe it was how their mother raised them. Whatever it was made me respond positively. I smiled at him. “I’d love to.” He tucked my arm under his and walked with me over to the fire. Ren growled again, and Kishan shot a smirk in his direction. I noticed him wince when he sat, so I offered him some aspirin. “Shouldn’t we be getting you two to a doctor? I really think you might need stitches and Ren-“ “Thank you, but no. You don’t need to worry about our minor pains.” “I wouldn’t exactly call your wounds minor, Kishan.” “The curse helps us to heal quickly. You’ll see. We’ll both recover swiftly enough on our own. Still, it was nice to have such a lovely young woman tending to my injuries.” Ren stood in front of us and looked like he was a tiger suffering from apoplexy. I admonished, “Ren, be civil.” Kishan smiled widely and waited for me to get comfortable. Then he scooted closer to me and rested his arm on the log behind my shoulders. Ren stepped right between us, nudged his brother roughly aside with his furry head, creating a wider space, and maneuvered his body into the middle. He dropped heavily to the ground and rested his head in my lap. Kishan frowned, but I started talking, sharing the story of what Ren and I had been through. I told him about meeting Ren at the circus and about how he tricked me to get me to India. I talked about Phet, the Cave of Kanheri, and finding the prophecy, and I told him that we were on our way to Hampi. As I lost myself in our story, I stroked Ren’s head. He shut his eyes and purred, and then he fell asleep. I talked for almost an hour, barely registering Kishan’s raised eyebrow and thoughtful expression as he watched the two of us together. I didn’t even notice when he’d changed back into a tiger.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
I was just thinking … I was thinking that the difference between the Tibetan language and English might possibly suggest a basic difference of perspectives. In Tibetan, the word we use for ‘I’ and ‘me’ is ‘nga’ and the word we use for ‘us’ and ‘we’ is ‘ngatso.’ So on the basic level of the words themselves there is, in the Tibetan language, an intimate connection between ‘I’ as an individual and ‘we’ as the collective. ‘Ngatso,’ the word for ‘we,’ literally means something like ‘a collection of “I”s’ or ‘many “I”s.’ So it’s like multiple selves, this kind of idea. So when you are identifying with a wider group, becoming part of that group, it’s like extending the individual sense of self, rather than losing it. Whereas the English terms ‘we’ and ‘I’ seem to be completely unrelated, the roots of the words are different, they are not related….
Dalai Lama XIV (The Art of Happiness in a Troubled World)
For the Orthodox tradition, then, Adam's original sin affects the human race in its entirety, and it has consequences both on the physical and the moral level: it, results not only in sickness and physical death, but in moral weakness and paralysis. But does it also imply an inherited guilt? Here Orthodoxy is more guarded. Original sin is not to be interpreted in juridical or quasi-biological terms, as if it were some physical 'taint' of guilt, transmitted through sexual intercourse. This picture, which normally passes for the Augustinian view, is unacceptable to Orthodoxy. The doctrine of original sin means rather that we are born into an environment where it is easy to do evil and hard to do good; easy to hurt others, and hard to heal their wounds; easy to arouse men's suspicions, and hard to win their trust. It means that we are each of us conditioned by the solidarity of the human race in its accumulated wrong-doing and wrong-thinking, and hence wrong-being. And to this accumulation of wrong we have ourselves added by our own deliberate acts of sin. The gulf grows wider and wider. It is here, in the solidarity of the human race, that we find an explanation for the apparent unjustness of the doctrine of original sin. Why, we ask, should the entire human race suffer because of Adam's fall? Why should all be punished because of one man's sin? The answer is that human beings, made in the image of the Trinitarian God, are interdependent and coinherent. No man is an island. We are 'members one of another'(Eph. 4:25), and so any action, performed by any member of the human race, inevitably affects all the other members. Even though we are not, in the strict sense, guilty of the sins of others, yet we are somehow always involved.
Kallistos Ware (The Orthodox Way)
I mean it,' he said. 'I love your nose.' Love. He'd said it. Though only for her nose ... Her eyes grew larger, wider behind her eyeglasses. She looked afraid, yet full of hope. She was dying to believe him about something she couldn't see in herself. 'I don't like my nose,' she said. 'You're so hard on yourself. I think your nose is the best nose I've ever met.' She gave a little snort. 'You see? The best nose. Honestly. You aren't supposed to notice a woman's nose.' 'Why not?' 'It's supposed to blend in, be part of the overall beauty of her well-proportioned face.' 'Yours is part of your overall beauty.' She made a face at him, complete with tongue stuck out.
Judith Ivory (The Proposition)
His day is done. Is done. The news came on the wings of a wind, reluctant to carry its burden. Nelson Mandela’s day is done. The news, expected and still unwelcome, reached us in the United States, and suddenly our world became somber. Our skies were leadened. His day is done. We see you, South African people standing speechless at the slamming of that final door through which no traveller returns. Our spirits reach out to you Bantu, Zulu, Xhosa, Boer. We think of you and your son of Africa, your father, your one more wonder of the world. We send our souls to you as you reflect upon your David armed with a mere stone, facing down the mighty Goliath. Your man of strength, Gideon, emerging triumphant. Although born into the brutal embrace of Apartheid, scarred by the savage atmosphere of racism, unjustly imprisoned in the bloody maws of South African dungeons. Would the man survive? Could the man survive? His answer strengthened men and women around the world. In the Alamo, in San Antonio, Texas, on the Golden Gate Bridge in San Francisco, in Chicago’s Loop, in New Orleans Mardi Gras, in New York City’s Times Square, we watched as the hope of Africa sprang through the prison’s doors. His stupendous heart intact, his gargantuan will hale and hearty. He had not been crippled by brutes, nor was his passion for the rights of human beings diminished by twenty-seven years of imprisonment. Even here in America, we felt the cool, refreshing breeze of freedom. When Nelson Mandela took the seat of Presidency in his country where formerly he was not even allowed to vote we were enlarged by tears of pride, as we saw Nelson Mandela’s former prison guards invited, courteously, by him to watch from the front rows his inauguration. We saw him accept the world’s award in Norway with the grace and gratitude of the Solon in Ancient Roman Courts, and the confidence of African Chiefs from ancient royal stools. No sun outlasts its sunset, but it will rise again and bring the dawn. Yes, Mandela’s day is done, yet we, his inheritors, will open the gates wider for reconciliation, and we will respond generously to the cries of Blacks and Whites, Asians, Hispanics, the poor who live piteously on the floor of our planet. He has offered us understanding. We will not withhold forgiveness even from those who do not ask. Nelson Mandela’s day is done, we confess it in tearful voices, yet we lift our own to say thank you. Thank you our Gideon, thank you our David, our great courageous man. We will not forget you, we will not dishonor you, we will remember and be glad that you lived among us, that you taught us, and that you loved us all.
Maya Angelou (His Day Is Done: A Nelson Mandela Tribute)
When I’m sitting by my gay friends in church, I hear everything through their ears. When I’m with my recently divorced friend, I hear it through hers. This is good practice. It helps uncenter us (which is, you know, the whole counsel of the New Testament) and sharpens our eye for our sisters and brothers. It trains us to think critically about community, language, felt needs, and inclusion, shaking off autopilot and setting a wider table. We must examine who is invited, who is asked to teach, who is asked to contribute, who is called into leadership. It is one thing to “feel nice feelings” toward the minority voice; it is something else entirely to challenge existing power structures to include the whole variety of God’s people. This is not hard or fancy work. It looks like diversifying small groups and leadership, not defaulting to homogeny as the standard operating procedure. Closer in, it looks like coffee dates, dinner invites, the warm hand of friendship extended to women or families outside your demographic. It means considering the stories around the table before launching into an assumed shared narrative. It includes the old biblical wisdom on being slow to speak and quick to listen, because as much as we love to talk, share, and talk-share some more, there is a special holiness reserved for the practice of listening and deferring.
Jen Hatmaker (Of Mess and Moxie: Wrangling Delight Out of This Wild and Glorious Life)
Dear Baba Yaga, I feel like I'm forever missing something inside myself. With people, without people, wonderful job, jobless. I always feel like there's a gaping hole. What is missing? BABA YAGA: By rooting in the hole you make the hole wider; you scrape , its walls you open fresh soil--the earth of it smells blacker & blacker, you see the hole & the hole only, you live within it always; if you find yrself eating fruits in the good forest you remember the hole & go to look if it is still there dropping yr fruit-meat all the whiles. & if you think think think only of the hole it will become the great work & mystery of yr life, & you will die in the hole as you lived in it.
Taisia Kitaiskaia (Ask Baba Yaga: Otherworldly Advice for Everyday Troubles)
Manifestation and magnetic desire are useful for raising your awareness of what you want and focusing your attention on it, guiding your actions to make it happen. Patience and harmony will help ensure you stick with your goals and that they align with your deepest self. Finally, becoming aware of abundance and universal connection encourages you to think about your goals in the context of other people and the wider world; to consider your place in it and provide you with a powerful sense of purpose that will guide The Source, making you more resilient, compassionate and integrated in your thinking. This shift leads to an exponential increase in the consciousness of your own power.
Tara Swart (The Source: A Transformative Guide to Unlocking Your Mind, Harnessing Neuroplasticity, and Manifesting Success Through the Power of the Law of Attraction)
I vowed to myself to read one hundred books a year, and I did. I read to fill my mind and to block out the bad memories. But I found that as I read more, my thoughts were getting deeper, my vision wider, and my emotions less shallow. The vocabulary in South Korea was so much richer than the one I had known, and when you have more words to describe the world, you increase your ability to think complex thoughts. In North Korea, the regime doesn’t want you to think, and they hate subtlety. Everything is either black or white, with no shades of gray. For instance, in North Korea, the only kind of “love” you can describe is for the Leader. We had heard the “love” word used in different ways in smuggled TV shows and movies, but there was no way to apply it in daily life in North Korea—not with your family, friends, husband, or wife. But in South Korea there were so many different ways of expressing love—for your parents, friends, nature, God, animals, and, of course, your lover.
Yeonmi Park (In Order to Live: A North Korean Girl's Journey to Freedom)
To think nothing of symmetry and much of convenience; never to remove an anomaly merely because it is an anomaly; never to innovate except when some grievance is felt; never to innovate except so far as to get rid of the grievance; never to lay down any proposition of wider extent than the particular case for which it is necessary to provide; these are the rules which have, from the age of John to the age of Victoria, generally guided the deliberations of our two hundred and fifty Parliaments
John M. Marincola
In all of these areas, the human brain is asked to do and handle more than ever before. We are dealing with several fields of knowledge constantly intersecting with our own, and all of this chaos is exponentially increased by the information available through technology. What this means is that all of us must possess different forms of knowledge and an array of skills in different fields, and have minds that are capable of organizing large amounts of information. The future belongs to those who learn more skills and combine them in creative ways. And the process of learning skills, no matter how virtual, remains the same. In the future, the great division will be between those who have trained themselves to handle these complexities and those who are overwhelmed by them—those who can acquire skills and discipline their minds and those who are irrevocably distracted by all the media around them and can never focus enough to learn. The Apprenticeship Phase is more relevant and important than ever, and those who discount this notion will almost certainly be left behind. Finally, we live in a culture that generally values intellect and reasoning with words. We tend to think of working with the hands, of building something physical, as degraded skills for those who are less intelligent. This is an extremely counterproductive cultural value. The human brain evolved in intimate conjunction with the hand. Many of our earliest survival skills depended on elaborate hand-eye coordination. To this day, a large portion of our brain is devoted to this relationship. When we work with our hands and build something, we learn how to sequence our actions and how to organize our thoughts. In taking anything apart in order to fix it, we learn problem-solving skills that have wider applications. Even if it is only as a side activity, you should find a way to work with your hands, or to learn more about the inner workings of the machines and pieces of technology around you. Many Masters
Robert Greene (Mastery)
As the neuroscientist Lisa Feldman Barrett writes in her book How Emotions Are Made, “You may think that in everyday life, the things you see and hear influence what you feel, but it’s mostly the other way around: What you feel alters your sight and hearing.” People who are scared take in a scene differently. Our ears, for example, immediately adjust to focus on high and low frequencies—a scream or a growl—rather than midrange frequencies, which include normal human speech. Anxiety narrows our attention and diminishes our peripheral vision. A feeling of happiness, by contrast, widens our peripheral vision. A person who feels safe because of the reliable and empathetic presence of others will see the world as a wider, more open, and happier place.
David Brooks (How to Know a Person: The Art of Seeing Others Deeply and Being Deeply Seen)
It's as if I've never seen Jane before, never known her. With just an undervest on, she looks unbelievably thin. Arms no wider than the sticks of a bower. A collarbone protuding from the skin in all its detail. And with that one gesture, I learn the fundamental truth of her. When she takes off her sweater and, without thinking, hands it over to David to use as wool, I can see how Jane loves. And I know -with all my heart I know- that there is no protection in the world for someone who loves like that.
Helen Humphreys (The Lost Garden)
It's like Romeo & Juliet,' I say. 'You can't separate them. Otherwise, there would be no Shakespeare.' Silence. I decide to be more straightforward. I tell him, 'Nothing frightens me anymore. I am not even afraid to die.' Bussey's eyes, already wide open, grow even wider. My death is the last thing he needs. I have the strange feeling that there are two of me. One observes the conversation while the other does the talking. Everything is abnormal, especially this extreme calm that has taken me over. I try to explain to Bussey that if I decide to die, it will be without bitterness. I know I did everything I possibly could, so it will be respectful farewell. I will bow to life like an actor, who, having delivered his lines, bends deeply to his audience & retires. I tell Bussey that this decision has nothing to do with him, that it is entirely mine. I will choose either to live or to die, but I cannot allow myself to live in the in-between. I do not want to go through life like a ghost. 'Do you think you'll find Danny this way?' Bussey asks. My mind sifts through all available theories on the afterlife. It is as if this metaphysical question has become as real as the air we breathe. Buddhism teaches that life is an eternal cycle without beginning or end. I recall the metaphor: "Our individual lives are like waves produced from the great ocean that is the universe. The emergence of a wave is life, and its abatement is death. This rhythm repeats eternally." Finally I answer Bussey, 'No, I don't think so.' Bussey seems relieved, but I'm more panicky, because I had never thought that I could wind up alone. In my mind, whatever the odds, Danny & I were & would be together forever.
Mariane Pearl (A Mighty Heart: The Brave Life and Death of My Husband Danny Pearl)
The church the future needs is one of people gathering to share and recommit themselves to loving relationships with themselves, their families, the wider community, and the planet. Such a church need not fear the discoveries of science, history, archaeology, psychology, or literature; it will only be enhanced by such discoveries. Such a church need not avoid the implications of critical thinking for its message; it will only become more effective. Such a church need not cling to and justify a particular source for its authority; it will draw on the wisdom of the ages and challenge divisive and destructive barriers.
Gretta Vosper (With Or Without God: Why the Way We Live is More Important Than What We Believe)
The Germans have another kind of parenthesis, which they make by splitting a verb in two and putting half of it at the beginning of an exciting chapter and the other half at the end of it. Can any one conceive of anything more confusing than that? These things are called “separable verbs.” The German grammar is blistered all over with separable verbs; and the wider the two portions of one of them are spread apart, the better the author of the crime is pleased with his performance. A favorite one is reiste ab—which means departed. Here is an example which I culled from a novel and reduced to English: “The trunks being now ready, he de- after kissing his mother and sisters, and once more pressing to his bosom his adored Gretchen, who, dressed in simple white muslin, with a single tuberose in the ample folds of her rich brown hair, had tottered feebly down the stairs, still pale from the terror and excitement of the past evening, but longing to lay her poor aching head yet once again upon the breast of him whom she loved more dearly than life itself, parted.” However, it is not well to dwell too much on the separable verbs. One is sure to lose his temper early; and if he sticks to the subject, and will not be warned, it will at last either soften his brain or petrify it. Personal pronouns and adjectives are a fruitful nuisance in this language, and should have been left out. For instance, the same sound, sie, means you, and it means she, and it means her, and it means it, and it means they, and it means them. Think of the ragged poverty of a language which has to make one word do the work of six—and a poor little weak thing of only three letters at that. But mainly, think of the exasperation of never knowing which of these meanings the speaker is trying to convey. This explains why, whenever a person says sie to me, I generally try to kill him, if a stranger.
Mark Twain (A Tramp Abroad)
Psychedelic experience seems to temporarily crack open a kind of new critical window; a window of opportunity with with great neuroplastic potential, with an enriched interpretation of the world in terms of personal relevance, amplified analogical thinking, and a wider web of semantic association; one that not only reveals the elemental foundations of thought and perception to the conscious mind, but invites it to participate, orient toward significance, integrate a variety of personally relevant information, and produce insightful experiences and emotional breakthroughs that can mark the beginning of a process of re-orienting priorities, attention, attitudes, and behavior. A change in the mobilization, distribution, and utilization of limited energetic resources by the serotonin system, in other words; an opportunity for the master homeostatic regulator to integrate all the various pertinent variables, re-orient and re-align the self, body, and outside world.
Eric M Fortier
Academics place much more importance on rigorous logic. There is also admiration in the profession for subtle reasoning. And mastery of the craft shows itself in the elegance of the intellectual super-structure…. The practitioner, on the other hand, uses economic theory only to the extent that he finds it useful in comprehending the problem at hand, so that practical courses of action will emerge which can be evaluated not merely in narrow economic cost-benefit terms, but by taking into account a wider range of considerations…. A practitioner is not judged by the rigour of his logic or by the elegance of his presentation. He is judged by results.
Goh Keng Swee
I am sorry that I cannot make it okay. I am sorry that I cannot save you - but not that sorry. Part of me thinks that your very vulnerability brings you closer to the meaning of life, just as for others, the quest to believe oneself white divides them from it. The fact is that despite their dreams, their lives are also not inviolable. When their own vulnerability becomes real - when the police decide that tactics intended for the ghetto should enjoy wider usage, when their armed society shoots down their children, when nature sends hurricanes against their cities - they are shocked in a way that those of us who were born and bred to understand cause and effect can never be. And I would not have you live like them. You have been cast into a race in which the wind is always at your face and the hounds are always at your heels. And to varying degrees this is true of all life. The difference is that you do not have the privilege of living in ignorance of this essential fact.
Ta-Nehisi Coates (Between the World and Me)
I exhausted myself trying to take it all in, noting every little variation and departure from how things were supposed to be. My notion of home and everything in it as ideal, archetypal, was being overthrown. It was as though the definitions of all the words in my vocabulary were expanding at once. Cape Breton was much like Newfoundland, yet everything seemed slightly off. Light, colours, surface textures, dimensions – objects like telegraph poles, fence posts, mail boxes, which you would think would be the same everywhere, were bigger or smaller or wider by a hair than they were back home. That I was able to detect such subtle differences made me realize how circumscribed my life had been, how little of the world I had seen.
Wayne Johnston (The Colony of Unrequited Dreams)
I beg your pardon, Mrs. Graham - but you get on too fast. I have not yet said that a boy should be taught to rush into the snares of life, - or even wilfully to seek temptation for the sake of exercising his virtue by overcoming it; - I only say that it is better to arm and strengthen your hero, than to disarm and enfeeble the foe; - and if you were to rear an oak sapling in a hothouse, tending it carefully night and day, and shielding it from every breath of wind, you could not expect it to become a hardy tree, like that which has grown up on the mountain-side, exposed to all the action of the elements, and not even sheltered from the shock of the tempest.' 'Granted; - but would you use the same argument with regard to a girl?' 'Certainly not.' 'No; you would have her to be tenderly and delicately nurtured, like a hot-house plant - taught to cling to others for direction and support, and guarded, as much as possible, from the very knowledge of evil. But will you be so good as to inform me why you make this distinction? Is it that you think she has no virtue?' 'Assuredly not.' 'Well, but you affirm that virtue is only elicited by temptation; - and you think that a woman cannot be too little exposed to temptation, or too little acquainted with vice, or anything connected therewith. It must be either that you think she is essentially so vicious, or so feeble-minded, that she cannot withstand temptation, - and though she may be pure and innocent as long as she is kept in ignorance and restraint, yet, being destitute of real virtue, to teach her how to sin is at once to make her a sinner, and the greater her knowledge, the wider her liberty, the deeper will be her depravity, - whereas, in the nobler sex, there is a natural tendency to goodness, guarded by a superior fortitude, which, the more it is exercised by trials and dangers, is only the further developed - ' 'Heaven forbid that I should think so!' I interrupted her at last." 'Well, then, it must be that you think they are both weak and prone to err, and the slightest error, the merest shadow of pollution, will ruin the one, while the character of the other will be strengthened and embellished - his education properly finished by a little practical acquaintance with forbidden things. Such experience, to him (to use a trite simile), will be like the storm to the oak, which, though it may scatter the leaves, and snap the smaller branches, serves but to rivet the roots, and to harden and condense the fibres of the tree. You would have us encourage our sons to prove all things by their own experience, while our daughters must not even profit by the experience of others. Now I would have both so to benefit by the experience of others, and the precepts of a higher authority, that they should know beforehand to refuse the evil and choose the good, and require no experimental proofs to teach them the evil of transgression. I would not send a poor girl into the world, unarmed against her foes, and ignorant of the snares that beset her path; nor would I watch and guard her, till, deprived of self-respect and self-reliance, she lost the power or the will to watch and guard herself; - and as for my son - if I thought he would grow up to be what you call a man of the world - one that has "seen life," and glories in his experience, even though he should so far profit by it as to sober down, at length, into a useful and respected member of society - I would rather that he died to-morrow! - rather a thousand times!' she earnestly repeated, pressing her darling to her side and kissing his forehead with intense affection. He had already left his new companion, and been standing for some time beside his mother's knee, looking up into her face, and listening in silent wonder to her incomprehensible discourse. Anne Bronte, "The Tenant of Wildfell Hall" (24,25)
Anne Brontë
But now I speculate re the ants' invisible organ of aggregate thought... if, in a city park of broad reaches, winding paths, roadways, and lakes, you can imagine seeing on a warm and sunny Sunday afternoon the random and unpredictable movement of great numbers of human beings in the same way... if you watch one person, one couple, one family, a child, you can assure yourself of the integrity of the individual will and not be able to divine what the next moment will bring. But when the masses are celebrating a beautiful day in the park in a prescribed circulation of activities, the wider lens of thought reveals nothing errant, nothing inconstant or unnatural to the occasion. And if someone acts in a mutant un-park manner, alarms go off, the unpredictable element, a purse snatcher, a gun wielder, is isolated, surrounded, ejected, carried off as waste. So that while we are individually and privately dyssynchronous, moving in different ways, for different purposes, in different directions, we may at the same time comprise, however blindly, the pulsing communicating cells of an urban over-brain. The intent of this organ is to enjoy an afternoon in the park, as each of us street-grimy urbanites loves to do. In the backs of our minds when we gather for such days, do we know this? How much of our desire to use the park depends on the desires of others to do the same? How much of the idea of a park is in the genetic invitation on nice days to reflect our massive neuromorphology? There is no central control mechanism telling us when and how to use the park. That is up to us. But when we do, our behavior there is reflective, we can see more of who we are because of the open space accorded to us, and it is possible that it takes such open space to realize in simple form the ordinary identity we have as one multicellular culture of thought that is always there, even when, in the comparative blindness of our personal selfhood, we are flowing through the streets at night or riding under them, simultaneously, as synaptic impulses in the metropolitan brain. Is this a stretch? But think of the contingent human mind, how fast it snaps onto the given subject, how easily it is introduced to an idea, an image that it had not dreamt of thinking of a millisecond before... Think of how the first line of a story yokes the mind into a place, a time, in the time it takes to read it. How you can turn on the radio and suddenly be in the news, and hear it and know it as your own mind's possession in the moment's firing of a neuron. How when you hear a familiar song your mind adopts its attitudinal response to life before the end of the first bar. How the opening credits of a movie provide the parameters of your emotional life for its ensuing two hours... How all experience is instantaneous and instantaneously felt, in the nature of ordinary mind-filling revelation. The permeable mind, contingently disposed for invasion, can be totally overrun and occupied by all the characteristics of the world, by everything that is the case, and by the thoughts and propositions of all other minds considering everything that is the case... as instantly and involuntarily as the eye fills with the objects that pass into its line of vision.
E.L. Doctorow (City of God)
What are the true reasons why the purchaser is planning to spend his money on a new car instead of a piano? Because he has decided that he wants the commodity called locomotion more than he wants the commodity called music? Not altogether. He buys a car, because it is at the moment the group custom to buy cars. The modern propagandist therefore sets to work to create circumstances which will modify that custom. He appeals perhaps to the home instinct which is fundamental. He will endeavor to develop public acceptance of the idea of a music room in the home. This he may do, for example, by organizing an exhibition . . . key people, persons known to influence the buying habits of the public, such as a famous violinist, a popular artist, and a society leader, are invited. These key persons affect other groups, lifting the idea of the music room to a place in the public consciousness which it did not have before. The juxtaposition of these leaders, and the idea which they are dramatizing, are then projected to the wider public through various publicity channels . . . The music room will be accepted because it has been made the thing. And the man or woman who has a music room, or has arranged a corner of the parlor as a musical corner, will naturally think of buying a piano. It will come to him as his own idea.
Edward L. Bernays (Propaganda)
I’m done being polite about this bullshit. My list of professional insecurities entirely stems from being a young woman. Big plot twist there! As much as I like to execute equality instead of discussing the blaring inequality, the latter is still necessary. Everything, everywhere, is still necessary. The more women who take on leadership positions, the more representation of women in power will affect and shift the deep-rooted misogyny of our culture—perhaps erasing a lot of these inherent and inward concerns. But whether a woman is a boss or not isn’t even what I’m talking about—I’m talking about when she is, because even when she manages to climb up to the top, there’s much more to do, much more to change. When a woman is in charge, there are still unspoken ideas, presumptions, and judgments being thrown up into the invisible, terribly lit air in any office or workplace. And I’m a white woman in a leadership position—I can only speak from my point of view. The challenges that women of color face in the workforce are even greater, the hurdles even higher, the pay gap even wider. The ingrained, unconscious bias is even stronger against them. It’s overwhelming to think about the amount of restructuring and realigning we have to do, mentally and physically, to create equality, but it starts with acknowledging the difference, the problem, over and over.
Abbi Jacobson (I Might Regret This: Essays, Drawings, Vulnerabilities, and Other Stuff)
By December 1975, a year had passed since Mr. Harvey had packed his bags, but there was still no sign of him. For a while, until the tape dirtied or the paper tore, store owners kept a scratchy sketch of him taped to their windows. Lindsey and Samuel walked in the neighboorhood or hung out at Hal's bike shop. She wouldn't go to the diner where the other kids went. The owner of the diner was a law and order man. He had blown up the sketch of George Harvey to twice its size and taped it to the front door. He willingly gave the grisly details to any customer who asked- young girl, cornfield, found only an elbow. Finallly Lindsey asked Hal to give her a ride to the police station. She wanted to know what exactly they were doing. They bid farewell to Samuel at the bike shop and Hal gave Lindsey a ride through a wet December snow. From the start, Lindsey's youth and purpose had caught the police off guard. As more and more of them realized who she was, they gave her a wider and wider berth. Here was this girl, focused, mad, fifteen... When Lindsey and Hal waited outside the captain's office on a wooden bench, she thought she saw something across the room that she recognized. It was on Detective Fenerman's desk and it stood out in the room because of its color. What her mother had always distinguished as Chinese red, a harsher red than rose red, it was the red of classic red lipsticks, rarely found in nature. Our mother was proud of her ability fo wear Chinese red, noting each time she tied a particular scarf around her neck that it was a color even Grandma Lynn dared not wear. Hal,' she said, every muscle tense as she stared at the increasingly familiar object on Fenerman's desk. Yes.' Do you see that red cloth?' Yes.' Can you go and get it for me?' When Hal looked at her, she said: 'I think it's my mother's.' As Hal stood to retrieve it, Len entered the squad room from behind where Lindsey sat. He tapped her on the shoulder just as he realized what Hal was doing. Lindsey and Detective Ferman stared at each other. Why do you have my mother's scarf?' He stumbled. 'She might have left it in my car one day.' Lindsey stood and faced him. She was clear-eyed and driving fast towards the worst news yet. 'What was she doing in your car?' Hello, Hal,' Len said. Hal held the scarf in his head. Lindsey grabbed it away, her voice growing angry. 'Why do you have m mother's scarf?' And though Len was the detective, Hal saw it first- it arched over her like a rainbow- Prismacolor understanding. The way it happened in algebra class or English when my sister was the first person to figure out the sum of x or point out the double entendres to her peers. Hal put his hand on Lindsey's shoulder to guide her. 'We should go,' he said. And later she cried out her disbelief to Samuel in the backroom of the bike shop.
Alice Sebold
Jacks-' Evangeline tried not to sound as if her heart was racing. 'Don't you want to hurt me anymore, Little Fox?' His finger reached out and lightly traced her exposed collarbone, setting every inch of her skin on fire. 'You can pick up the dagger any time now.' But Evangeline couldn't pick up the dagger. She could barely manage to keep breathing. His hand was now at the hollow of her throat, careful and caressing. Jacks had touched her before- last night he'd held her while she'd slept, but he'd acted if that had been torture. His touch hadn't been warm, or curious. Or maybe she was the one who was curious. She knew she shouldn't be. But hadn't she wondered what it would be like to be wanted with the intensity that Jacks seemed to want things? His mouth curved wider as his hands moved from her throat to her shoulders and slowly slid the cape away, leaving more of her skin exposed. 'You should go back on the other side of the gate.' Her voice was hoarse. 'You're the one who said I needed a distraction.' HIs fingers drifted lower, trailing down her chest to the sensitive stretch of skin right above the lacy line of her corset. 'Isn't this better than talking?' One finger dipped all the way in to the corset. Her breathing hitched. 'I don't think this is a good idea.' 'That's what makes it interesting.' His other hand found her jaw, while the finger in her corset gently stroked just above her heart, coaxing it to beat even faster. 'You can always pick up the blade,' he taunted. 'You wouldn't like me as a vampire, Little Fox.
Stephanie Garber (Once Upon a Broken Heart (Once Upon a Broken Heart, #1))
Others may not notice it, because an angry Toraf is truly a rare thing to behold, but Galen can practically feel the animosity emanating from his friend. Which is why he casually bumps into him, taking care to be overly apologetic. “Oh, sorry about that, minnow. I didn’t even see you there.” Galen mimics Toraf’s demeanor, crossing his arms and staring ahead of them. What they’re supposed to be staring at, he’s not sure. His effort is rewarded with a slight upward curve of his friend’s mouth. “Oh, don’t think twice about it, tadpole. I know it must be difficult to swim straight with a whale’s tail.” Galen scowls, taking care not to glance down at his fin. Ever since they went to retrieve Grom, he’s been sore all below the waist, but he’d just attributed it to tension from finding Nalia, and then the whole tribunal mess-not to mention, hovering in place for hours at a time. Still, he did examine his fin the evening before, hoping to massage out any knots he found, but was a bit shocked to see that his fin span seemed to have widened. He decided that he was letting his imagination get the better of him. Now he’s not so sure. “What do you mean?” he says lightly. Toraf nods down toward the sand. “You know what I mean. Looks like you have the red fever.” “The red fever bloats you all over, idiot. Right before it kills you. It doesn’t make your fin grow wider. Besides, the red tide hasn’t been bad for years now.” But Toraf already knows what the red fever looks like. Not long after he first became a Tracker, Toraf was commissioned to find an older Syrena who had gone off on his own to die after he’d been caught in what the humans call the red tide. Toraf was forced to tie seaweed around the old one’s fin and pull his body to the Cave of Memories. No, he doesn’t think I have the red fever. Toraf allows himself a long look at Galen’s fin. If it were anyone else, Galen would consider it rude. “Does it hurt?” “It’s sore.” “Have you asked anyone about it?” “I’ve had other things on my mind.” Which is the truth. Galen really hadn’t given it much thought until right now. Now that it has been noticed by someone else. Toraf pulls his own fin around and after a few seconds of twisting and bending, he’s able to measure it against his torso. It spans from his neck to where his waist turns into velvety tail. He nods to Galen to do the same. Galen is horrified to find that his fin now spans from the top of his head to well below his waist. It really does look like a whale tail. “I don’t know how I feel about that,” Toraf says, thoughtful. “I’ve gotten used to having the most impressive fin out of the two of us.” Galen grins, letting his tail fall. “For a minute there I thought you really cared.” Toraf shrugs. “Being self-conscious doesn’t suit you.” Galen follows his gaze back out into the sea ahead of them. “So what do you think about yesterday’s tribunal?” “I think I know where Nalia and Emma get their temper.” Galen laughs. “I thought Jagen was going to pass out when Antonis grabbed him.” “He’s not very good at interacting with others anymore, is he?” “I wonder if he ever was. I told you how crazy Nalia always acted. Could be a family trait.” It looks like Toraf might actually smile but instead his gaze jerks back out to sea, a new scowl on his face. “Oh, no,” Galen groans. “What is it?” Please don’t say Emma. Please don’t say Emma. “Rayna,” Toraf says through clenched teeth. “She’s heading straight for us.” That’s almost as bad.
Anna Banks (Of Triton (The Syrena Legacy, #2))
different subject. The story of the serotonin hypothesis for depression, and its enthusiastic promotion by drug companies, is part of a wider process that has been called ‘disease-mongering’ or ‘medicalisation’, where diagnostic categories are widened, whole new diagnoses are invented, and normal variants of human experience are pathologised, so they can be treated with pills. One simple illustration of this is the recent spread of ‘checklists’ enabling the public to diagnose, or help diagnose, various medical conditions. In 2010, for example, the popular website WebMD launched a new test: ‘Rate your risk for depression: could you be depressed?’ It was funded by Eli Lilly, manufacturers of the antidepressant duloxetine, and this was duly declared on the page, though that doesn’t reduce the absurdity of what followed. The test consisted of ten questions, such as: ‘I feel sad or down most of the time’; ‘I feel tired almost every day’; ‘I have trouble concentrating’; ‘I feel worthless or hopeless’; ‘I find myself thinking a lot about dying’; and so on. If you answered ‘no’ to every single one of these questions – every single one – and then pressed ‘Submit’, the response was clear: ‘You may be at risk for major depression’.
Ben Goldacre (Bad Pharma: How Drug Companies Mislead Doctors and Harm Patients)
Christ, I’m tired. I need sleep. I need peace. I need for my balls to not be so blue they’re practically purple. As purple as Sarah Von Titebottum’s— My mind comes to a screeching halt with the unexpected thought. And the image that accompanies it—the odd, blushing lass with her glasses and her books and very tight bottom. Sarah’s not a contestant on the show, so I’m willing to bet both my indigo balls that there’s not a camera in her room. And, I can’t believe I’m fucking thinking this, but, even better—none of the other girls will know where to find me—including Elizabeth. I let the cameras noisily track me to the lavatory, but then, like an elite operative of the Secret Intelligence Service, I plaster myself to the wall beneath their range and slide my way out the door. Less than five minutes later, I’m in my sleeping pants and a white T-shirt, barefoot with my guitar in hand, knocking on Sarah’s bedroom door. I checked the map Vanessa gave me earlier. Her room is on the third floor, in the corner of the east wing, removed from the main part of the castle. The door opens just a crack and dark brown eyes peer out. “Sanctuary,” I plead. Her brow crinkles and the door opens just a bit wider. “I beg your pardon?” “I haven’t slept in almost forty-eight hours. My best friend’s girlfriend is trying to praying-mantis me and the sound of the cameras following me around my room is literally driving me mad. I’m asking you to take me in.” And she blushes. Great. “You want to sleep in here? With me?” I scoff. “No, not with you—just in your room, love.” I don’t think about how callous the words sound—insulting—until they’re out of my mouth. Could I be any more of a dick? Thankfully, Sarah doesn’t look offended. “Why here?” she asks. “Back in the day, the religious orders used to give sanctuary to anyone who asked. And since you dress like a nun, it seemed like the logical choice.” I don’t know why I said that. I don’t know what’s wrong with me. Somebody just fucking shoot me and be done with it. Sarah’s lips tighten, her head tilts, and her eyes take on a dangerous glint. I think Scooby-Doo put it best when he said, Ruh-roh. “Let me make sure I’ve got this right—you need my help?” “Correct.” “You need shelter, protection, sanctuary that only I can give?” “Yes.” “And you think teasing me about my clothes is a wise strategy?” I hold up my palms. “I never said I was wise. Exhausted, defenseless, and desperate.” I pout . . . but in a manly kind of way. “Pity me.” A smile tugs at her lips. And that’s when I know she’s done for. With a sigh, she opens the door wide. “Well, it is your castle. Come in.” Huh. She’s right—it is my castle. I really need to start remembering that
Emma Chase (Royally Matched (Royally, #2))
Everyone tensed as he leaned in, head dipping, and kissed her. Nesta's lips were chips of ice. But he let their coldness sting his own, and brushed his mouth against hers. Nipped at her bottom lip until he felt it drop a fraction. He slid his tongue into that opening, and found the inside of her mouth, usually so soft and warm, crusted with hoarfrost. Nesta didn't kiss him back, but didn't shove him away. So Cassian sent his heat into it, fusing their mouths together, his free hand bracing her hip as his Siphons nipped at her hand once more. Her mouth opened wider, and he slid his tongue over every inch- over her frozen teeth, over the roof of her mouth. Warming, softening, freeing. Her tongue lifted to meet his in a single stroke that cracked the ice in her mouth. He slanted his mouth over hers, tugging her against his chest, and tasted her as he'd wanted to taste her the other night, deep and thorough and claiming. Her tongue again brushed against his, and then her body was warming, and Cassian pulled back enough to say against her lips, 'Let go, Nesta.' He drove his mouth into hers again, daring her to unleash that cold fire upon him. Something thunked and clinked beside them. And when Nesta's other hand gripped her shoulder, fingers now free of stones and bones, when she arched her neck, granting him better, deeper access, he nearly shuddered with relief. She broke the kiss first, as if sliding into her body and remembering who kissed her, where they were, who watched. Cassian opened his eyes to find her so close that they shared breath. Normal, unclouded breath. Her eyes had returned to the blue-grey he knew so well. Stunned surprise and a little fear lit her face. As if she'd never seen him before. 'Interesting,' Amren observed, and he found the female studying the map. Feyre gaped, though, Rhys's hand gripped tight in her own. Caution blazed on Rhys's face. On Azriel's, too. What the hell did you do to pull her out of that? Rhys asked. Cassian didn't really know. The only thing I could think of. You warmed the entire room. I didn't mean to.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
We're all so happy you're feeling better, Miss McIntosh. Looks like you still have a good bump on your noggin, though," she says in her childlike voice. Since there is no bump on my noggin, I take a little offense but decide to drop it. "Thanks, Mrs. Poindexter. It looks worse than it feels. Just a little tender." "Yeah, I'd say the door got the worst of it," he says beside me. Galen signs himself in on the unexcused tardy sheet below my name. When his arm brushes against mine, it feels like my blood's turned into boiling water. I turn to face him. My dreams really do not do him justice. Long black lashes, flawless olive skin, cut jaw like an Italian model, lips like-for the love of God, have some dignity, nitwit. He just made fun of you. I cross my arms and lift my chin. "You would know," I say. He grins, yanks my backpack from me, and walks out. Trying to ignore the waft of his scent as the door shuts, I look to Mrs. Poindexter, who giggles, shrugs, and pretends to sort some papers. The message is clear: He's your problem, but what a great problem to have. Has he charmed he sense out of the staff here, too? If he started stealing kids' lunch money, would they also giggle at that? I growl through clenched teeth and stomp out of the office. Galen is waiting for me right outside the door, and I almost barrel into him. He chuckles and catches my arm. "This is becoming a habit for you, I think." After I'm steady-after Galen steadies me, that is-I poke my finger into his chest and back him against the wall, which only makes him grin wider. "You...are...irritating...me," I tell him. "I noticed. I'll work on it." "You can start by giving me my backpack." "Nope." "Nope?" "Right-nope. I'm carrying it for you. It's the least I can do." "Well, can't argue with that, can I?" I reach around for it, but he moves to block me. "Galen, I don't want you to carry it. Now knock it off. I'm late for class." "I'm late for it too, remember?" Oh, that's right. I've let him distract me from my agenda. "Actually, I need to go back to the office." "No problem. I'll wait for you here, then I'll walk you to class." I pinch the bridge of my nose. "That's the thing. I'm changing my schedule. I won't be in your class anymore, so you really should just go. You're seriously violating Rule Numero Uno." He crosses his arms. "Why are you changing your schedule? Is it because of me?" "No." "Liar." "Sort of." "Emma-" "Look, I don't want you to take this personally. It's just that...well, something bad happens every time I'm around you." He raises a brow. "Are you sure it's me? I mean, from where I stood, it looked like your flip-flops-" "What were we arguing about anyway? We were arguing, right?" "You...you don't remember?" I shake my head. "Dr. Morton said I might have some short-term memory loss. I do remember being mad at you, though." He looks at me like I'm a criminal. "You're saying you don't remember anything I said. Anything you said." The way I cross my arms reminds me of my mother. "That's what I'm saying, yes." "You swear?" "If you're not going to tell me, then give me my backpack. I have a concussion, not broken arms. I'm not helpless." His smile could land him a cover shoot for any magazine in the country. "We were arguing about which beach you wanted me to take you to. We were going swimming after school." "Liar." With a capital L. Swimming-drowning-falls on my to-do list somewhere below giving birth to porcupines. "Oh, wait. You're right. We were arguing about when the Titanic actually sank. We had already agreed to go to my house to swim.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Sean started the engine and putted through the marina waters, and Adam had the nerve to plop onto the seat across the aisle from me. Sean reached the edge of the idle zone and cranked the boat into top speed. Adam called to me so softly I could barely catch his words over the motor, “Close your legs.” “What for? I waxed!” I looked down to make sure. This was okay now, because Sean was facing the other way and couldn’t hear me in the din. Indeed, I was clean. I spread my legs even wider, put my arms on the back of the seat, and generally took up as much room as possible, like a boy. I glanced back over at Adam. “Does it make you uncomfortable for me to sit this way?” He watched me warily. “Yes.” “May I suggest that this is your problem and not mine?” He licked his lips and bent toward me. “If it keeps Sean from asking you out, it’s going to be your problem, and you’re going to make it my problem.” “Speaking of which,” I said, crossing my legs like a girl. “Thanks for staying out of my way. How the hell am I supposed to get Sean to ask me out when he’s all pissy?” “You wanted me to lose to him at team calisthenics? That was too sweet to miss.” “You didn’t have to win by quite so much, Adam. You knew I needed him in a good mood. You didn’t have to rub it in.” Adam grinned. “And you wanted me to stop growing?” “Do not make a joke about your size. If you can’t think of anything to talk about except your large size, please say nothing at all.
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
The politics of identity is nothing new, certainly on the American right. What was astonishing during the Reagan Dispensation was the development of a left-wing version of it that became the de facto creed of two generations of liberal politicians, professors, schoolteachers, journalists, movement activists, and officials of the Democratic Party. This was not a historical accident. For the fascination, and then obsession, with identity did not challenge the fundamental principle of Reaganism. It reinforced that principle: individualism. Identity politics on the left was at first about large classes of people -- African-Americans, women -- seeking to redress major historical wrongs by mobilizing and then working through our political institutions to secure their rights. But by the 1980s it had given way to a pseudo-politics of self-regard and increasingly narrow and exclusionary self-definition that is now cultivated in our colleges and universities. The main result has been to turn young people back onto themselves, rather than turning them toward the wider world. It has left them unprepared to think about the common good and what must be done practically to secure it -- especially the hard and unglamorous task of persuading people very different from themselves to join a common effort. Every advance of liberal identity consciousness has marked a retreat of liberal political consciousness. Without which no vision of America's future can be imagined.
Mark Lilla (The Once and Future Liberal: After Identity Politics)
A man on his deathbed left instructions For dividing up his goods among his three sons. He had devoted his entire spirit to those sons. They stood like cypress trees around him, Quiet and strong. He told the town judge, 'Whichever of my sons is laziest, Give him all the inheritance.' Then he died, and the judge turned to the three, 'Each of you must give some account of your laziness, so I can understand just how you are lazy.' Mystics are experts in laziness. They rely on it, Because they continuously see God working all around them. The harvest keeps coming in, yet they Never even did the plowing! 'Come on. Say something about the ways you are lazy.' Every spoken word is a covering for the inner self. A little curtain-flick no wider than a slice Of roast meat can reveal hundreds of exploding suns. Even if what is being said is trivial and wrong, The listener hears the source. One breeze comes From across a garden. Another from across the ash-heap. Think how different the voices of the fox And the lion, and what they tell you! Hearing someone is lifting the lid off the cooking pot. You learn what's for supper. Though some people Can know just by the smell, a sweet stew From a sour soup cooked with vinegar. A man taps a clay pot before he buys it To know by the sound if it has a crack. The eldest of the three brothers told the judge, 'I can know a man by his voice, and if he won't speak, I wait three days, and then I know him intuitively.' The second brother, 'I know him when he speaks, And if he won't talk, I strike up a conversation.' 'But what if he knows that trick?' asked the judge. Which reminds me of the mother who tells her child 'When you're walking through the graveyard at night and you see a boogeyman, run at it, and it will go away.' 'But what,' replies the child, 'if the boogeyman's Mother has told it to do the same thing? Boogeymen have mothers too.' The second brother had no answer. 'I sit in front of him in silence, And set up a ladder made of patience, And if in his presence a language from beyond joy And beyond grief begins to pour from my chest, I know that his soul is as deep and bright As the star Canopus rising over Yemen. And so when I start speaking a powerful right arm Of words sweeping down, I know him from what I say, And how I say it, because there's a window open Between us, mixing the night air of our beings.' The youngest was, obviously, The laziest. He won.
Jalal ad-Din Muhammad ar-Rumi
The Coach’s head was oblong with tiny slits that served as eyes, which drifted in tides slowly inward, as though the face itself were the sea or, in fact, a soup of macromolecules through which objects might drift, leaving in their wake, ripples of nothingness. The eyes—they floated adrift like land masses before locking in symmetrically at seemingly prescribed positions off-center, while managing to be so closely drawn into the very middle of the face section that it might have seemed unnecessary for there to have been two eyes when, quite likely, one would easily have sufficed. These aimless, floating eyes were not the Coach’s only distinctive feature—for, in fact, connected to the interior of each eyelid by a web-like layer of rubbery pink tissue was a kind of snout which, unlike the eyes, remained fixed in its position among the tides of the face, arcing narrowly inward at the edges of its sharp extremities into a serrated beak-like projection that hooked downward at its tip, in a fashion similar to that of a falcon’s beak. This snout—or beak, rather—was, in fact, so long and came to such a fine point that as the eyes swirled through the soup of macromolecules that comprised the man’s face, it almost appeared—due to the seeming thinness of the pink tissue—that the eyes functioned as kinds of optical tether balls that moved synchronously across the face like mirror images of one another. 'I wore my lizard mask as I entered the tram, last evening, and people found me fearless,' the Coach remarked, enunciating each word carefully through the hollow clack-clacking sound of his beak, as its edges clapped together. 'I might have exchanged it for that of an ox and then thought better. A lizard goes best with scales, don’t you think?' Bunnu nodded as he quietly wondered how the Coach could manage to fit that phallic monstrosity of a beak into any kind of mask, unless, in fact, this disguise of which he spoke, had been specially designed for his face and divided into sections in such a way that they could be readily attached to different areas—as though one were assembling a new face—in overlapping layers, so as to veil, or perhaps even amplify certain distinguishable features. All the same, in doing so, one could only imagine this lizard mask to be enormous to the extent that it would be disproportionate with the rest of the Coach’s body. But then, there were ways to mask space, as well—to bend light, perhaps, to create the illusion that something was perceptibly larger or smaller, wider or narrower, rounder or more linear than it was in actuality. That is to say, any form of prosthesis designed for the purposes of affecting remedial space might, for example, have had the capability of creating the appearance of a gap of void in occupied space. An ornament hangs from the chin, let’s say, as an accessory meant to contour smoothly inward what might otherwise appear to be hanging jowls. This surely wouldn’t be the exact use that the Coach would have for such a device—as he had no jowls to speak of—though he could certainly see the benefit of the accessory’s ingenuity. This being said, the lizard mask might have appeared natural rather than disproportionate given the right set of circumstances. Whatever the case, there was no way of even knowing if the Coach wasn’t, in fact, already wearing a mask, at this very moment, rendering Bunnu’s initial appraisal of his character—as determined by a rudimentary physiognomic analysis of his features—a matter now subject to doubt. And thus, any conjecture that could be made with respect to the dimensions or components of a lizard mask—not to speak of the motives of its wearer—seemed not only impractical, but also irrelevant at this point in time.
Ashim Shanker (Don't Forget to Breathe (Migrations, Volume I))