Think Outside The Box Quotes

I'll be more enthusiastic about encouraging thinking outside the box when there's evidence of any thinking going on inside it.

Think outside the box, collapse the box, and take a fucking sharp knife to it.

There is strange comfort in knowing that no matter what happens today, the Sun will rise again tomorrow.

The struggles we endure today will be the ‘good old days’ we laugh about tomorrow.

It's in those quiet little towns, at the edge of the world, that you will find the salt of the earth people who make you feel right at home.

Life's trials will test you, and shape you, but don’t let them change who you are.” ~ Aaron Lauritsen, ‘100 Days Drive

True friends don't come with conditions.

Without struggle, success has no value.

She was always daydreaming. She never wanted to live in the real world; she always seemed to be separated from other children her age. They couldn’t understand her or her imagination. She was always thinking outside of the box, breaking rules, and only following what her heart told her was right.

From this point forward, you don’t even know how to quit in life.” ~ Aaron Lauritsen, ‘100 Days Drive

Great leaders have to think outside the box sometimes.

Those who achieve the extraordinary are usually the most ordinary because they have nothing to prove to anybody. Be Humble.

At some point, you just gotta forgive the past, your happiness hinges on it.

Explore, Experience, Then Push Beyond.

If you're reading this, I hope God opens incredible doors for your life this year. Greatness is upon you. You must believe it though.

Your mission statement says Galer Street is based on global "connectitude." (You people don't just think outside the box, you think outside the dictionary!)

The freedom of the open road is seductive, serendipitous and absolutely liberating.

The more things change, the more they stay the same. I'm not sure who the first person was who said that. Probably Shakespeare. Or maybe Sting. But at the moment, it's the sentence that best explains my tragic flaw, my inability to change. I don't think I'm alone in this. The more I get to know other people, the more I realize it's kind of everyone's flaw. Staying exactly the same for as long as possible, standing perfectly still... It feels safer somehow. And if you are suffering, at least the pain is familiar. Because if you took that leap of faith, went outside the box, did something unexpected... Who knows what other pain might be out there, waiting for you. Chances are it could be even worse. So you maintain the status quo. Choose the road already traveled and it doesn't seem that bad. Not as far as flaws go. You're not a drug addict. You're not killing anyone... Except maybe yourself a little. When we finally do change, I don't think it happens like an earthquake or an explosion, where all of a sudden we're like this different person. I think it's smaller than that. The kind of thing most people wouldn't even notice unless they looked at us really close. Which, thank God, they never do. But you notice it. Inside you that change feels like a world of difference. And you hope this is it. This is the person you get to be forever... that you'll never have to change again.

There's more to a person than flesh. Judge others by the sum of their soul and you'll see that beauty is a force of light that radiates from the inside out.

If you didn't earn something, it's not worth flaunting.

You have to change your thinking if you desire to have a future different from your present.

Its Better to Destroy the BOX than to Think outside the BOX.

It’s the ‘everyday’ experiences we encounter along the journey to who we wanna be that will define who we are when we get there.

Thinking incomplete knowledge of the industry presents a fuller picture.

Don't think outside the box. Think like there is no box.

Building bridges is the best defence against ignorance.

You can't force creatives into a box. If you try, they'll no longer be creative. And no one will want your box.

Being different will always threaten the institution of understanding of a closed mind. However, evolution is built on difference, changing and the concept of thinking outside the box. Live to be your own unique brand, without apology.

The high road of grace will get you somewhere a whole lot faster then the freeway of spite.

The 7 Steps to Transformation: 1. Dream it. 2. Envision it. 3. Think it. 4. Grow it. 5. Become it. 6. Live it. 7. OWN it.

Dance to the beat of your own drum; whether the world likes your rhythmic movements or not.

We love our partners for who they are, not for who they are not.

I have never understood the saying 'To think outside the box.' Why would anyone sit inside of a box and then think outside of it. Rather just get out of the box.

7 keys to getting more things done: 1 start 2 dont make excuses 3 celebrate small steps 4 ignore critics 5 be consistent 6 be open 7 stay positive

Don't think outside the box. Go box shopping. Keep trying on one after another until you find the one that catalyzes your thinking. A good box is like a lane marker on the highway. It's a constraint that liberates.

Jedi are always assessing situations, actions and possibilities. Jedi don’t just think outside of the box with the help from the Force, they also adapt to situations outside of the box!

Or powerful objects, such as statues, amulets, monuments, certain models of cars. But they prefer human form. You see gods have great power, but only humans have creativity, the power to change history rather than simply repeat it. Humans can...how do you moderns say it...think outside the cup.” “The box,” I suggested.

Think outside the box? Indeed. But to add balance to that, one should not in the process forget what the inside of the box looks like as well. Those who are best at thinking outside the box do it not to puff themselves up, but to see how small they really are. As a contented fish in its fish tank appears to have a small, boring existence to us, imagine a larger, more perceptive kingdom (even by scientific taxonomy) to whom our contented existences may appear to be small and boring. This is where true creativity and massive perceptive abilities spawn a sense of intellectual humility; the kind which God adores.

Break every chain of mediocrity that confines you. You may have begun at a level below average, but dare to leave that side and paddle your steps to cross the river with honours.

What the average call excellent, the excellent call average.

Think different does not mean to think out of the box. It means to question what the significance of a box is?

The irony of sensory deprivation tanks is that in order to think outside the box, you must first go inside one.

What Foundling does isn’t thinking outside the box so much as stealing the box and hitting her opponents with it until they stop moving.” – Extract from “A Commentary on the Uncivil Wars”, by Juniper of the Red Moon Clan

[M]an is not permitted without censure to follow his own thoughts in the search of truth, when they lead him ever so little out of the common road.

Intelligence is just one dimension of ability. Don't limit yourself to it. Open up to instinct, intuition, creativity and thus possibility

Travel is costly yes, but it pays dividends too.

They say to think within the box, but it's funny how those in the box never go anywhere, where those outside it, get to see the world.

Rebels revel in rewriting reality's restrictions.

I'd ask you to think outside the box on this, but it's obvious your box is broken. And has schizophrenia.

It's easier to think outside the box if you don't have one to begin with....

​ I don’t think outside the box. I never got in it.

The best way to get girls is actually not to play the game or to think outside the box; it is to avoid playing games and to step outside the box completely. It involves changing your mindset from being indirect with women to being direct, from being feminine to being masculine.

Big ideas come from forward thinking people who challenge the norm, think outside the box, and invent the world they see inside rather than submitting to the limitations of current dilemmas

Well, it just goes to show you,” the inventor said as he flipped through the pages of notes and ideas, “It is easy to think outside the box when you aren’t smart enough to know where the box is.

Instead of thinking outside the box, get rid of the box.

Tokyo is bigger than Kumamoto. And Japan is bigger than Tokyo. And even bigger than Japan... Even bigger than Japan is the inside of your head. Don't ever surrender yourself ― not to Japan, not to anything. You may think that what you're doing is for the sake of the nation, but let something take possession of you like that, and all you do is bring it down.

He is never going to be here, I thought. He is never coming back. Was I okay with it? No. But missing him every day for the rest of my life was still easier than the fight Sebastian had: to stuff himself inside a box every morning and tuck that box inside his heart and pray that his heart kept beating around the obstacle. Every day I could go to class as exactly the person I am, and meet new people, and come outside later for some fresh air and Frisbee. Every day I would be grateful that no one who matters to me questions whether I am too masculine, too feminine, too open, too closed. Every day I would be grateful for what I have, and that I can be who I am without judgment. So every day I would fight for Sebastian, and people in the same boat, who don’t have what I do, who struggle to find themselves in a world that tells them white and straight and narrow gets first pick in the schoolyard game of life. My chest was congested with regret, and relief, and resolve. Give me more of those, I thought to whoever was listening—whether it was God, or Oz, or the three sisters of Fate. Give me those moments where I think he’s coming back. I can take the hurt. The reminder that he’s not coming back—and why—will keep me fighting.

Once upon a time there was a king who had three beautiful daughters. No, no, wait. Once upon a time there were three bears who lived in a wee house in the woods. Once upon a time there were three soldiers, tramping together down the road after the war. Once upon a time there were three little pigs. Once upon a time there were three brothers. No, this is it. This is the variation I want. Once upon a time there were three Beautiful children, two boys and a girl. When each baby was born, the parents rejoiced, the heavens rejoiced, even the fairies rejoiced. The fairies came to christening parties and gave the babies magical gifts. Bounce, effort, and snark. Contemplation and enthusiasm. Ambition and strong coffee. Sugar, curiosity, and rain. And yet, there was a witch. There's always a witch. This which was the same age as the beautiful children, and as she and they grew, she was jealous of the girl, and jealous of the boys, too. They were blessed with all these fairy gifts, gifts the witch had been denied at her own christening. The eldest boy was strong and fast, capable and handsome. Though it's true, he was exceptionally short. The next boy was studious and open hearted. Though it's true, he was an outsider. And the girl was witty, Generous, and ethical. Though it's true, she felt powerless. The witch, she was none of these things, for her parents had angered the fairies. No gifts were ever bestowed upon her. She was lonely. Her only strength was her dark and ugly magic. She confuse being spartan with being charitable, and gave away her possessions without truly doing good with them. She confuse being sick with being brave, and suffered agonies while imagining she merited praise for it. She confused wit with intelligence, and made people laugh rather than lightening their hearts are making them think. Hey magic was all she had, and she used it to destroy what she most admired. She visited each young person in turn in their tenth birthday, but did not harm them out right. The protection of some kind fairy - the lilac fairy, perhaps - prevented her from doing so. What she did instead was cursed them. "When you are sixteen," proclaimed the witch in a rage of jealousy, "you shall prick your finger on a spindle - no, you shall strike a match - yes, you will strike a match and did in its flame." The parents of the beautiful children were frightened of the curse, and tried, as people will do, to avoid it. They moved themselves and the children far away, to a castle on a windswept Island. A castle where there were no matches. There, surely, they would be safe. There, Surely, the witch would never find them. But find them she did. And when they were fifteen, these beautiful children, just before their sixteenth birthdays and when they're nervous parents not yet expecting it, the jealous which toxic, hateful self into their lives in the shape of a blonde meeting. The maiden befriended the beautiful children. She kissed him and took them on the boat rides and brought them fudge and told them stories. Then she gave them a box of matches. The children were entranced, for nearly sixteen they have never seen fire. Go on, strike, said the witch, smiling. Fire is beautiful. Nothing bad will happen. Go on, she said, the flames will cleanse your souls. Go on, she said, for you are independent thinkers. Go on, she said. What is this life we lead, if you did not take action? And they listened. They took the matches from her and they struck them. The witch watched their beauty burn, Their bounce, Their intelligence, Their wit, Their open hearts, Their charm, Their dreams for the future. She watched it all disappear in smoke.

Be a team player, not a bandwagon jumper.

Living the gospel, then, is less about “thinking outside the box” than about choosing to live in this ever-widening circle of inclusion.

Later that day when I walked down this dried-out riverbed, enjoying the last rays of sunshine on my bare skin, I felt a deep inner peace coming up straight from my heart.

My alphabet hates itself. Like ... imagine someone says, ‘Think outside the box.’ My hyperactive mind creates a sphere and laughs at the box and researches for hours on end how much better spheres are. Then my Autism freaks out that I broke the rules without realising there were any, and wonders why we are supposed to think inside cardboard boxes in the first place. Surely being inside cardboard boxes isn’t comfortable.

Colour outside the lines, live outside the box. Don’t let anyone tell you what to do, or not. Don’t be afraid, listen to your heart. Heaven is a state of being – of one-ness, and Hell is a state of being – lost. We simply need to live as we best define ourselves, find our own ways of being who we are in our world. There is no requirement - only freedom of choice. We should not be judged if we are doing what we think best according to our perceptions at any given time. Guilt should be discarded, moved beyond - what matters is who we choose to be in the next moment, given what we might have learned. We continually create ourselves anew. Forgiving someone is a great way to show love, and forgive yourself too for the hurt you held onto far too long. Take back the energy you have wasted on these things and reclaim your power to be your next best self. Honour the past but refresh, expand, renew, fulfill. Heaven is within us, always reachable.

Don't just focus on seeing things from your own perspective. It can give you blind spots.

Think outside of the box. Work outside of the box. Dream outside of the box. Succeed outside of the box. The ordinary think inside of the box, the extraordinary think outside of the box, but genius thinks inside, outside, below and above the box.

I just like the idea of looking back at my life and feeling like I made different choices than everyone else, you know? Most people are inherently boring if you really dig deep. They don't want much, they don't veer from their chosen path, and they're generally scared of change. I don't know, at least that's how my grandfather tells it. I don't want to be like fifty and realize that I was one of those people who didn't bother to think outside the box.

The bearded man lit his cigarette. “I’m a leprechaun,” he said. Shadow did not smile. “Really?” he said. “Shouldn’t you be drinking Guinness?” “Stereotypes. You have to learn to think outside the box,” said the bearded man. “There’s a lot more to Ireland than Guinness.” “You don’t have an Irish accent.” “I’ve been over here too fucken long.” “So you are originally from Ireland?” “I told you. I’m a leprechaun. We don’t come from fucken Moscow.

Don't just think out of the box, stand on the box to see new possibilities and opportunities in becoming distinguished.

It cost nothing to think bigger than you are, BUT cost a fortune to think less of yourself.

With Nectar in your Mind instead of Thinking, you have Understanding band Wisdom

Many a times, for thinking outside the box We need to look within.

Breaking through writer's block is like thinking out of the box: Both require an ability to imagine a world outside your four walls or rearranging them to get a better view.

The gambler who adheres to the rules of the Casino in their gambling endeavors will always succumb to defeat at the hands of the Casino.

A fundamental approach to life transformation is using social media for therapy; it forces you to have an opinion, provides intellectual stimulation, increases awareness, boosts self-confidence, and offers the possibility of hope.

People, places and experiences aren’t meant to be labeled and judged, they are meant to be loved and appreciated, since deep down inside, the nature we all share is love, light and happiness.

And the poser has a girlfriend. Ten years younger. The Blond Weed, Ove calls her. Tottering around the streets like an inebriated panda on heels as long as box wrenches, with clown paint all over her face and sunglasses so big that one can’t tell whether they’re a pair of glasses or some kind of helmet. She also has one of those handbag animals, running about off the leash and pissing on the paving stones outside Ove’s house. She thinks Ove doesn’t notice, but Ove always notices.

Opportunities pop up for everybody all of the time. It's the way that we progress. It's whether or not you're in the right frame of mind or in the right stage of your life or if you're even looking for them [that determines] whether or not you see them. [...] As you take more risks you see opportunities more easily. [Risks are] never the safe option, but for me the safe option is the worst option. [...] The riskiest life I can think of is letting yourself to be molded into this comfortable, same-as-everybody-else routine. For me, that is risking my whole life.

What is love? Is it a lightning bolt that instantaneously unites two souls in utter infatuation and admiration through the meeting of a simple innocent stare? Or is it a lustful seed that is sown in a dark dingy bar one sweaty summer's night only to be nurtured with romantic rendezvous as it matures into a beautiful flower? Is it a river springing forth, creating lifelong bonds through experiences, heartaches, and missed opportunities? Or is it a thunderstorm that slowly rolls in, climaxing with an awesome display of unbridled passion, only to succumb to its inevitable fade into the distance? I define love as education.... It teaches us to learn from our opportunities, and made the stupidest of decisions for the rightest of reasons. It gives us a hint of what "it" should be and feel like, but then encourages us to think outside the box and develop our own understanding of what "it" could be. Those that choose to embrace and learn from love's educational peaks and valleys are the ones that will eventually find true love, that one in a million. Those that don't are destined to be consumed with the inevitable ring around the rosy of fake I love you's and failed relationships. I have been lucky enough to have some of the most amazing teachers throughout my romantic evolution and it is to them that I dedicate this book. The lessons in life, passion and love they taught me have helped shape who I am today and who I will be tomorrow. To the love that stains my heart, but defines my soul....I thank you.....

Here’s what I’ve got, the reasons why our marriage might work: Because you wear pink but write poems about bullets and gravestones. Because you yell at your keys when you lose them, and laugh, loudly, at your own jokes. Because you can hold a pistol, gut a pig. Because you memorize songs, even commercials from thirty years back and sing them when vacuuming. You have soft hands. Because when we moved, the contents of what you packed were written inside the boxes. Because you think swans are overrated. Because you drove me to the train station. You drove me to Minneapolis. You drove me to Providence. Because you underline everything you read, and circle the things you think are important, and put stars next to the things you think I should think are important, and write notes in the margins about all the people you’re mad at and my name almost never appears there. Because you make that pork recipe you found in the Frida Khalo Cookbook. Because when you read that essay about Rilke, you underlined the whole thing except the part where Rilke says love means to deny the self and to be consumed in flames. Because when the lights are off, the curtains drawn, and an additional sheet is nailed over the windows, you still believe someone outside can see you. And one day five summers ago, when you couldn’t put gas in your car, when your fridge was so empty—not even leftovers or condiments— there was a single twenty-ounce bottle of Mountain Dew, which you paid for with your last damn dime because you once overheard me say that I liked it.

So we teach them how to sit still, how to obey bells, how to make insipid clichés pass for thought, how to be “subversive” in trivial and uniform ways, how to think “outside the box” of tradition and wisdom and into the stainless steel cage of the politically “correct,” how to extend the political pinky while sipping the political tea.

Gopnik has tested this hypothesis on children in her lab and has found that there are learning problems that four-year-olds are better at solving than adults. These are precisely the kinds of problems that require thinking outside the box, those times when experience hobbles rather than greases the gears of problem solving, often because the problem is so novel. In one experiment, she presented children with a toy box that lights up and plays music when a certain kind of block is placed on top of it. Normally, this “blicket detector” is set to respond to a single block of a certain color or shape, but when the experimenter reprograms the machine so that it responds only when two blocks are placed on it, four-year-olds figure it out much faster than adults do.

What is art? Art is tar, rearranged. Art is tar on canvas or tar on tarp or tar on a naked body. Art is a bird chirping changed into something visual. Art is an image of a thousand beaks breaking into the office of a quack doctor. I know that doctor, and I've personally spoken to ten of those beaks. Art is rhythm, two hands clapping at a urinal while a third shakes off pee to the beat. Good art stays with you your whole life, especially if that good art is a tattoo. Good art is my name, written backwards, inked on your upper lip in a furry font. Art imitates life, just as life imitates Orafoura. Art can be anything from a Manet to a Monet to a painting of money to a missile. Art can save the world, or devastate it. (We could drop another big bomb on Japan, though I'm not advocating dumping Basquiat paintings on Hiroshima). Art rhymes with a bodily function, and everybody should let their creativity rip everywhere from the privacy of their bathrooms to small heated boxes with four of their closest friends. Art is thinking outside that box, and desperately trying to escape.

Doctors know nothing. Well. That's kind of unfair. Let's just say the world is unpredictable. Science is unreliable. It can't tell you who you are or what you'll want or how you'll feel. All these researchers are going crazy in their labs, trying to fit us into these little boxes so they can justify their jobs, or their government funding, or their life's work. They can theorize and they can give you a mean, median and mode but it's all standardized guesswork, made official by arrogance. You have to be pretty into yourself to think you can play a part in defining the identity of a bunch of people you don't know, of human beings with complicated shit going on in their bodies. They still don't know what certain parts of our brains do, they still don't know how to cure a common cold, and they say they know about sexuality, about gender. Well, you're not a man because you like football and you're not a woman because you're attracted to men and you're not a chick because you like to be the one who gives and you're not a dude because you like to receive or because sometimes you cry at dumb movies.

When I met you — somehow you healed me. From the inside out, the outside in. We conquered fears together, we learned, we laughed, and we loved. I swear, you caused my heart to soar more in the past few months than it has in my entire existence. My heart is whole because you chose to share yours with me, and it’s for that reason that I get down on not one, but both knees…” I knelt in front of her and gripped her hand. “And say thank you. Thank you for saving my life, thank you for loving me enough to treasure your own, and thank you for being my strength when I had none. I’d like to think our hearts are joined — forever entwined — but considering that’s not technically a legal joining, I have a question for you Marry me? Make me the happiest man alive.” I opened the box revealing my mom’s ring.

I hate you,’ I begin. ‘I hate the way your lip curls up when you’re confused. It’s sickeningly adorable. I hate the way your arms are so fucking strong. It kind of scares me.’ He smiles and I take a deep breath, trying to keep from crying, but it’s so hard. ‘I hate that your smile makes me want to cry and I don’t know why. I hate that you know how to look so together on the outside when you’re screaming inside. I hate that you always know the right thing to say. I hate the way that I already know what you’re thinking just by the way you’re looking at me.’ He wipes the tears from my jaw and I close my eyes. ‘I hate that you saved me. But, most of all, I hate that you love me because now I love you and I don’t know how to make it stop.

Thinking outside the box' is ridiculous nonsense, since whatever you can do in a 'box' or closed environment is not 'thinking'. If I 'think' about a problem but limit my thoughts to certain dimensions - then i am not thinking at all, because thinking implies that one at least tries to take all relevant factors into consideration, and as there's usually no way to tell which factors are and which are not relevant restricted thought is not 'thinking' and so 'thinking outside the box' is simply a eufemism for 'let's start to think', but the metafor implies a hidden desire to return to conformity immediately.

Sebastian: I have to say something to you. You don't have to respond. You don't have to tell me anything. All you need to do is listen while I clear something up. When did we meet? At six? Seven? Lena: Eight. We moved into this house when I was eight, and you were outside, in the backyard throwing a football with your dad. Sebastian: Yeah, that's right. You were out on this balcony watching me. Lena: You saw that? Sebastian: I saw you. I also heard your dad telling you to get your butt back in the house and start unpacking. I think you responded by telling him unpacking boxes violated child labor laws. That's when I fell in love with you.

I feel completely embarrassed and remember the lock on the door and think: He knows, he knows, it shows, shows completely. “He’s out back,” Mr. Garret tells me mildly, “unpacking shipments.” Then he returns to the papers. I feel compelled to explain myself. “I just thought I’d come by. Before babysitting. You, know, at your house. Just to say hi. So . . . I’m going to do that now. Jase’s in back, then? I’ll just say hi.” I’m so suave. I can hear the ripping sound of the box cutter before I even open the rear door to find Jase with a huge stack of cardboard boxes. His back’s to me and suddenly I’m as shy with him as I was with his father. This is silly. Brushing through my embarrassment, I walk up, put my hand on his shoulder. He straightens up with a wide grin. “Am I glad to see you!” “Oh, really?” “Really. I thought you were Dad telling me I was messing up again. I’ve been a disaster all day. Kept knocking things over. Paint cans, our garden display. He finally sent me out here when I knocked over a ladder. I think I’m a little preoccupied.” “Maybe you should have gotten more sleep,” I offer. “No way,” he says. Then we just gaze at each other for a long moment. For some reason, I expect him to look different, the way I expected I would myself in the mirror this morning . . . I thought I would come across richer, fuller, as happy outside as I was inside, but the only thing that showed was my lips puffy from kisses. Jase is the same as ever also. “That was the best study session I ever had,” I tell him. “Locked in my memory too,” he says, then glances away as though embarrassed, bending to tear open another box. “Even though thinking about it made me hit my thumb with a hammer putting up a wall display.” “This thumb?” I reach for one of his callused hands, kiss the thumb. “It was the left one.” Jase’s face creases into a smile as I pick up his other hand. “I broke my collarbone once,” he tells me, indicating which side. I kiss that. “Also some ribs during a scrimmage freshman year.” I do not pull his shirt up to where his finger points now. I am not that bold. But I do lean in to kiss him through the soft material of his shirt. “Feeling better?” His eyes twinkle. “In eighth grade, I got into a fight with this kid who was picking on Duff and he gave me a black eye.” My mouth moves to his right eye, then the left. He cups the back of my neck in his warm hands, settling me into the V of his legs, whispering into my ear, “I think there was a split lip involved too.” Then we are just kissing and everything else drops away. Mr. Garret could come out at any moment, a truck full of supplies could drive right on up, a fleet of alien spaceships could darken the sky, I’m not sure I’d notice.

Stop thinking “Outside the box” and look what is actually in the box first. You jump around from marketing gimmick to marketing gimmick without a clear plan or goal, hoping to reproduce someone else’s success without understanding all of the nuances and factors that went into that success. Further, people are so busy recreating the wheel that they have forgotten what the wheel looks like.

I hate you. I hate the way your lip curls up when you're confused. It's sickeningly adorable. I hate the way your arms are so fucking strong. It kind of scares me. I hate that your smile makes me want to cry and I don't know why. I hate that you know how to look so together on the outside when you're screaming Inside. I hate that you always know the right thing to say. I hate the way that I already know what you're thinking just by the way you're looking at me. I hate that you saved me. But, most of all, I hate that you love me because now I love you and I don't know how to make it stop.

From the outside, Cory’s life looked perfect—money, fame, beautiful girlfriend, millions of adoring fans—but I guess his same old demons were still there, raising as much mental and emotional hell as they always had. Maybe even more, now that everything was supposed to be okay. I think this is a common misconception about fame, or any kind of marker of “success” in life, be it landing your dream job, getting married, or having a kid: people think that you achieve these goals, you check off certain boxes, and all of a sudden life’s perfect and you don’t have any problems. That’s not true. You’re still going to wake up every morning, and your problems will still be there unless you figure out a way to make them go away. And more often than not, new ones will show up in their place. I

..."let's think about each of these matches as a human life."... "each of these matches should burn for exactly the same amount of time, right?"..."but sometimes, you strike a match and it goes out almost immediately. Other times, it stops burning halfway." "And sometimes it breaks when you try to light it." "Exactly!... So even though they're technically the same, each match is actually very unique. Sometimes it's not as strong structurally, for reasons we can't see just by looking at it. And there are outside factors that contribute - like how hard we strike it against the box, or the dampness in the air, or how much breeze there is when we try to light it. All those things can affect how long a match burns for."... "But what's that got to do with dying?"... "Well, my dear, just as we don't know how long a match will last until we light it, we never know how long a life will last until we live it. And often there are factors that we have no control over.

Almondine To her, the scent and the memory of him were one. Where it lay strongest, the distant past came to her as if that morning: Taking a dead sparrow from her jaws, before she knew to hide such things. Guiding her to the floor, bending her knee until the arthritis made it stick, his palm hotsided on her ribs to measure her breaths and know where the pain began. And to comfort her. That had been the week before he went away. He was gone, she knew this, but something of him clung to the baseboards. At times the floor quivered under his footstep. She stood then and nosed into the kitchen and the bathroom and the bedroom-especially the closet-her intention to press her ruff against his hand, run it along his thigh, feel the heat of his body through the fabric. Places, times, weather-all these drew him up inside her. Rain, especially, falling past the double doors of the kennel, where he’d waited through so many storms, each drop throwing a dozen replicas into the air as it struck the waterlogged earth. And where the rising and falling water met, something like an expectation formed, a place where he might appear and pass in long strides, silent and gestureless. For she was not without her own selfish desires: to hold things motionless, to measure herself against them and find herself present, to know that she was alive precisely because he needn’t acknowledge her in casual passing; that utter constancy might prevail if she attended the world so carefully. And if not constancy, then only those changes she desired, not those that sapped her, undefined her. And so she searched. She’d watched his casket lowered into the ground, a box, man-made, no more like him than the trees that swayed under the winter wind. To assign him an identity outside the world was not in her thinking. The fence line where he walked and the bed where he slept-that was where he lived, and they remembered him. Yet he was gone. She knew it most keenly in the diminishment of her own self. In her life, she’d been nourished and sustained by certain things, him being one of them, Trudy another, and Edgar, the third and most important, but it was really the three of them together, intersecting in her, for each of them powered her heart a different way. Each of them bore different responsibilities to her and with her and required different things from her, and her day was the fulfillment of those responsibilities. She could not imagine that portion of her would never return. With her it was not hope, or wistful thoughts-it was her sense of being alive that thinned by the proportion of her spirit devoted to him. "ory of Edgar Sawtelle" As spring came on, his scent about the place began to fade. She stopped looking for him. Whole days she slept beside his chair, as the sunlight drifted from eastern-slant to western-slant, moving only to ease the weight of her bones against the floor. And Trudy and Edgar, encapsulated in mourning, somehow forgot to care for one another, let alone her. Or if they knew, their grief and heartache overwhelmed them. Anyway, there was so little they might have done, save to bring out a shirt of his to lie on, perhaps walk with her along the fence line, where fragments of time had snagged and hung. But if they noticed her grief, they hardly knew to do those things. And she without the language to ask.

Hello,' he said, almost shyly, as he approached the table. He was barefoot and shirtless, and adorably tousled, with golden hair falling over sparkly eyes that looked as if they were still waking up. 'Hi.' Her voice came out oddly shy as well, which only seemed to make Jacks smile. 'You didn't have to sneak out of bed,' he said. 'I didn't sneak.' 'Then why didn't you stay?' He casually slid in to the seat beside her and turned to her with a wolfish grin. It was a smile like a fairytale, part villain, part hero, part impossible ever after. She couldn't bear how much she loved it. But then she remembered the stone. She imagined she'd feel differently if it was in an iron box, and she feared that Jacks would, too. That he wouldn't be looking at her as if he wanted to devour her instead of the breakfast. 'Tomorrow, I won't let you leave so easily.' His eyes flashed with mischief, and he stole a bite of her toast. The gesture was so simple and so comfortable, and all she could think was that it would be so easy to stay here. 'I thought you said it was just one night.' 'I thought you never believed what I said.' He shook his head reproachfully and tugged her on to his lap. 'Jacks-' Evangeline put a hand against his chest. She could feel his heart was pounding, which surprised her. On the outside, he looked so casual and careless, but now she imagined he felt as nervous as she did. It made her want to pull him closer, to press her head in to his shoulder and tell him all the things that she was trying not to feel. She wrapped her arms around his neck , and for a second she held tight. She held him as if he was hers and she was his, and there was nothing else between them. No curses. No lies. No past wounds or mistakes. She held him as if there was only now, as if nothing else mattered but this moment. Then she let him go. She shoved off his laps with clumsy arms and even clumsier legs that stumbled as she tried to step back. 'Evangeline... what's wrong?' A line creased between his brows. 'This isn't real, Jacks. You and I, we're under the influence of the mirth stone.' 'You think you would only feel this way about me because of a rock?' Jacks' mouth clamped shut. For a moment he looked angry, but she looked in his eyes, all she could see was hurt.

Until one morning, one of the coldest mornings of the year, when I came in with the book cart and found Jean Hollis Clark, a fellow librarian, standing dead still in the middle of the staff room. "I heard a noise from the drop box," Jean said. "What kind of noise?" "I think it's an animal." "A what?" "An animal," Jean said. "I think there's an animal in the drop box." That was when I heard it, a low rumble from under the metal cover. It didn't sound like an animal. It sounded like an old man clearing his throat. Gurr-gug-gug. Gurr-gug-gug. But the opening at the top of the chute was only a few inches wide, so that would be quite a squeeze for an old man. It had to be an animal. But what kind? I got down on my knees, reached over the lid, and hoped for a chipmunk. What I got instead was a blast of freezing air. The night before, the temperature had reached minus fifteen degrees, and that didn't take into account the wind, which cut under your coat and squeezed your bones. And on that night, of all nights, someone had jammed a book into return slot, wedging it open. It was as cold in the box as it was outside, maybe colder, since the box was lined with metal. It was the kind of cold that made it almost painful to breathe. I was still catching my breath, in fact, when I saw the kitten huddled in the front left corner of the box. It was tucked up in a little space underneath a book, so all I could see at first was its head. It looked grey in the shadows, almost like a little rock, and I could tell its fur was dirty and tangled. Carefully, I lifted the book. The kitten looked up at me, slowly and sadly, and for a second I looked straight into its huge golden eyes. The it lowered its head and sank back down into its hole. At that moment, I lost every bone in my body and just melted.

He cannot do anything deliberate now. The strain of his whole weight on his outstretched arms hurts too much. The pain fills him up, displaces thought, as much for him as it has for everyone else who has ever been stuck to one of these horrible contrivances, or for anyone else who dies in pain from any of the world’s grim arsenal of possibilities. And yet he goes on taking in. It is not what he does, it is what he is. He is all open door: to sorrow, suffering, guilt, despair, horror, everything that cannot be escaped, and he does not even try to escape it, he turns to meet it, and claims it all as his own. This is mine now, he is saying; and he embraces it with all that is left in him, each dark act, each dripping memory, as if it were something precious, as if it were itself the loved child tottering homeward on the road. But there is so much of it. So many injured children; so many locked rooms; so much lonely anger; so many bombs in public places; so much vicious zeal; so many bored teenagers at roadblocks; so many drunk girls at parties someone thought they could have a little fun with; so many jokes that go too far; so much ruining greed; so much sick ingenuity; so much burned skin. The world he claims, claims him. It burns and stings, it splinters and gouges, it locks him round and drags him down… All day long, the next day, the city is quiet. The air above the city lacks the usual thousand little trails of smoke from cookfires. Hymns rise from the temple. Families are indoors. The soldiers are back in barracks. The Chief Priest grows hoarse with singing. The governor plays chess with his secretary and dictates letters. The free bread the temple distributed to the poor has gone stale by midday, but tastes all right dipped in water or broth. Death has interrupted life only as much as it ever does. We die one at a time and disappear, but the life of the living continues. The earth turns. The sun makes its way towards the western horizon no slower or faster than it usually does. Early Sunday morning, one of the friends comes back with rags and a jug of water and a box of the grave spices that are supposed to cut down on the smell. She’s braced for the task. But when she comes to the grave she finds that the linen’s been thrown into the corner and the body is gone. Evidently anonymous burial isn’t quite anonymous enough, after all. She sits outside in the sun. The insects have woken up, here at the edge of the desert, and a bee is nosing about in a lily like silk thinly tucked over itself, but much more perishable. It won’t last long. She takes no notice of the feet that appear at the edge of her vision. That’s enough now, she thinks. That’s more than enough. Don’t be afraid, says Yeshua. Far more can be mended than you know. She is weeping. The executee helps her to stand up.

was at playtime. Big Joe came up to school to see Charlie and me. He just stood and watched us from outside the school gate. He did that often when Charlie and I first went off to school together — I think he was finding it lonely at home without us. I ran over to him. He was breathless, bright-eyed with excitement. He had something to show me. He opened his cupped hands just enough for me to be able to see. There was a slowworm curled up inside. I knew where he’d got it from — the churchyard, his favorite hunting ground. Whenever we went up to put flowers on Father’s grave, Big Joe would go off on his own, hunting for more creatures to add to his collection; that’s when he wasn’t just standing there gazing up at the tower and singing Oranges and Lemons at the top of his voice and watching the swifts screaming around the church tower. Nothing seemed to make him happier than that. I knew Big Joe would put his slowworm in with all his other creatures. He kept them in boxes at the back of the woodshed at home — lizards, hedgehogs, all sorts. I stroked his slowworm with my finger, and said it was lovely, which it was. Then he wandered off, walking down the lane humming his Oranges and Lemons

I imagine a man coming out of an alley and stabbing me a number of times until I die. Face-down, mouth-open in the snow. What would that change about me. Would I love it. Would I think that the stabbing was painful and that I didn’t like it. Does it actually hurt or is it great. I see my killer being given a wreath and a box of candy by the mayor of Chicago at some kind of ceremony (a ceremony for killing me, you see). And people are cheering for him. I see myself stab-holed and crawling out of an alley to join the periphery of the celebration. Then I hold one hand over the stab wounds and with the other hand I give the thumbs-up sign to my killer as he accepts the wreath from the mayor. I pass more people who are out walking. I’m on Ashland Avenue. A lot of times when I encounter someone else out walking or running past me, it feels like we should be more united than we end up acting. We’re both outside at the same time together. Why doesn’t that mean anything to anyone. Goddamn. No, I don’t think I actually care about that. I thought I cared about it just now.

4. Or else: Rough draft of a letter I think of you, often sometimes I go back into a cafe, I ist near the door, I order a coffee I arrange my packet of cigarettes, a box of matches, a writing pad, my felt-pen on the fake marble table I Spend a long time stirring my cup of coffee with the teasspoon (yet I don't put any sugar in my coffee, I drink it allowing the sugar to melt in my mouth, like the people of North, like the Russians and Poles when they drink tea) I pretend to be precoccupied, to be reflecting, as if I had a decision to make At the top and to the right of the sheet of paaper, I inscribe the date, sometimes the place, sometimes the time, I pretend to be writing a letter I write slowly, very slowly, as slowly as I can, I trace, I draw each letter, each accent, I check the punctuation marks I stare attentively at a small notice, the price-list for ice-creams, at a piece of ironwork, a blind, the hexagonal yellow ashtray (in actual fact, it's an equilaterial triangle, in the cutoff corners of which semi-circular dents have been made where cigarettes can be rested) (...) Outside there's a bit of sunlight the cafe is nearly empty two renovatior's men are having a rum at the bar, the owner is dozing behind his till, the waitress is cleaning the coffee machine I am thinking of you you are walking in your street, it's wintertime, you've turned up your foxfur collar, you're smiling, and remote (...)

I've read every letter that you've sent me these past two years. In return, I've sent you many form letters, with the hope of one day being able to give you the proper response you deserve. But the more letters you wrote to me, and the more of yourself you gave, the more daunting my task became. I'm sitting beneath a pear tree as I dictate this to you, overlooking the orchards of a friend's estate. I've spent the past few days here, recovering from some medical treatment that has left me physically and emotionally depleted. As I moped about this morning, feeling sorry for myself, it occurred to me, like a simple solution to an impossible problem: today is the day I've been waiting for. You asked me in your first letter if you could be my protege. I don't know about that, but I would be happy to have you join me in Cambridge for a few days. I could introduce you to my colleagues, treat you to the best curry outside India, and show you just how boring the life of an astrophysicist can be. You can have a bright future in the sciences, Oskar. I would be happy to do anything possible to facilitate such a path. It's wonderful to think what would happen if you put your imagination toward scientific ends. But Oskar, intelligent people write to me all the time. In your fifth letter you asked, "What if I never stop inventing?" That question has stuck with me. I wish I were a poet. I've never confessed that to anyone, and I'm confessing it to you, because you've given me reason to feel that I can trust you. I've spent my life observing the universe, mostly in my mind's eye. It's been a tremendously rewarding life, a wonderful life. I've been able to explore the origins of time and space with some of the great living thinkers.But I wish I were a poet. Albert Einstein, a hero of mine, once wrote, "Our situation is the following. We are standing in front of a closed box which we cannot open." I'm sure I don't have to tell you that the vast majority of the universe is composed of dark matter. The fragile balance depends on things we'll never be able to see, hear, smell, taste, or touch. Life itself depends on them. What's real? What isn't real? Maybe those aren't the right questions to be asking. What does life depend on? I wish I had made things for life to depend on. What if you never stop inventing? Maybe you're not inventing at all. I'm being called in for breakfast, so I'll have to end this letter here. There's more I want to tell you, and more I want to hear from you. It's a shame we live on different continents. One shame of many. It's so beautiful at this hour. The sun is low, the shadows are long, the air is cold and clean. You won't be awake for another five hours, but I can't help feeling that we're sharing this clear and beautiful morning. Your friend, Stephen Hawking