Thighs Short Quotes

We've searched our database for all the quotes and captions related to Thighs Short. Here they are! All 100 of them:

Ô, Wanderess, Wanderess When did you feel your most euphoric kiss? Was I the source of your greatest bliss?
Roman Payne
When she comes She pulls you close She breathes in short bursts Her eyes close Her head tilts back Her mouth opens slightly Her thighs turn to steel, and then melt She is perfect And you feel like you are everything.
Henry Rollins (The Portable Henry Rollins)
Your thighs are appletrees. Your knees are a southern breeze.
William Carlos Williams (The Farmer's Daughters: Collected Short Stories)
Our lips were for each other and our eyes were full of dreams. We knew nothing of travel and we knew nothing of loss. Ours was a world of eternal spring, until the summer came.
Roman Payne (Hope and Despair)
Well,' I said. 'I could strip off my clothes and reveal to you that under my jeans and sweatshirt I'm actually wearing a tank top and short-shorts, much like Lara Croft from Tomb Raider...only mine are flame-retardant and covered in glow-in-the-dark dinosaur stickers.' No one stirred. Not even Christopher, who actually has a thing for Lara Croft. 'I know what you're thinking,' I went on. 'Glow-in-the-dark dinosaur stickers are so last year. But I think they add a certain je ne sais quoi to the whole ensemble. It's true, short-shorts are uncomfortable under jeans and hard to get off in the ladies' room, but they make the twin thigh-holsters in which I hold my high-caliber pistols so easy to get to....' The oven timer dinged. 'Thank you, Em,' Mr. Greer said, yawning. 'That was very persuasive.
Meg Cabot (Airhead (Airhead, #1))
Tell your daughters how you love your body. Tell them how they must love theirs. Tell them to be proud of every bit of themselves— from their tiger stripes to the soft flesh of their thighs, whether there is a little of them or a lot, whether freckles cover their face or not, whether their curves are plentiful or slim, whether their hair is thick, curly, straight, long or short. Tell them how they inherited their ancestors, souls in their smiles, that their eyes carry countries that breathed life into history, that the swing of their hips does not determine their destiny. Tell them never to listen when bodies are critiqued. Tell them every woman’s body is beautiful because every woman’s soul is unique.
Nikita Gill (The Girl and the Goddess: Stories and Poems of Divine Wisdom)
What does it feel like to be alive? Living, you stand under a waterfall. You leave the sleeping shore deliberately; you shed your dusty clothes, pick your barefoot way over the high, slippery rocks, hold your breath, choose your footing, and step into the waterfall. The hard water pelts your skull, bangs in bits on your shoulders and arms. The strong water dashes down beside you and you feel it along your calves and thighs rising roughly backup, up to the roiling surface, full of bubbles that slide up your skin or break on you at full speed. Can you breathe here? Here where the force is the greatest and only the strength of your neck holds the river out of your face. Yes, you can breathe even here. You could learn to live like this. And you can, if you concentrate, even look out at the peaceful far bank where you try to raise your arms. What a racket in your ears, what a scattershot pummeling! It is time pounding at you, time. Knowing you are alive is watching on every side your generation's short time falling away as fast as rivers drop through air, and feeling it hit.
Annie Dillard (An American Childhood)
Ô, Muse of the Heart’s Passion, let me relive my Love’s memory, to remember her body, so brave and so free, and the sound of my Dreameress singing to me, and the scent of my Dreameress sleeping by me, Ô, sing, sweet Muse, my soliloquy!
Roman Payne
If I can’t be your love, then let me be a simple brooch so I may rest a while against your chest. If I can’t be your love, then let me be a forgotten coin so I may rest a while against your thigh. If I can’t be your love, then let me be an unlit cigarette so I may rest a while in between your lips. If I can’t be your love, then let me at least remain in these words so I may rest a while in your thoughts.
Kamand Kojouri
Did you learn the rotation of the border patrols?’ said Laurent. ‘Yes, our scouts found—’ Laurent was standing in the doorway wearing a chiton of unadorned white cotton. Damen dropped the pitcher. It shattered, shards flying outward as it slipped from his fingers and hit the stone floor. Laurent’s arms were bare. His throat was bare. His collarbone was bare, and most of his thighs, his long legs, and all of his left shoulder. Damen stared at him. ‘You’re wearing Akielon clothing,’ said Damen. ‘Everyone’s wearing Akielon clothing,’ said Laurent. Damen thought that the pitcher had shattered and he could not now take a deep draught of the wine. Laurent came forward, navigating the broken ceramic in his short cotton and sandalled feet, until he reached the seat beside Damen, where the map was laid out on the wooden table. ‘Once we know the rotation of the patrols, we’ll know when to approach,’ said Laurent. Laurent sat down. ‘We need to approach at the beginning of their rotation in order to give us the most time before they report back to the fort.’ It was even shorter sitting down. ‘Damen.’ ‘Yes. Sorry,’ said Damen. And then: ‘What were you saying?
C.S. Pacat (Kings Rising (Captive Prince, #3))
...that left Francesca to slink into the chair opposite us. My feeling of superiority was short-lived, however, when she settled herself down and then crossed her legs. I didn't need a mirror to know my whole face had just turned red. With a hemline up to her thighs that gesture didn't leave anything to the imagination. Bones curled his fingers around mine and squeezed. His hand was still warmed from our contact moments ago. That's how fast he had to grab me again to keep me sitting where I was instead of yanking off my jacket to make her a pair of panties.
Jeaniene Frost (Halfway to the Grave (Night Huntress, #1))
He grabs the swing by the seat and it grinds to a halt. Oz’s fingers brush along the skin of my thigh. My heart stutters. Stupid heart. Stupid short skirt. Stupid deep blue eyes and wild charcoal hair. Stupid, stupid, stupid me for licking my suddenly dry lips.
Katie McGarry (Nowhere But Here (Thunder Road, #1))
Would you rather I tug your ridiculous shorts down and suck your pretty cock?" The alpha nudged Noah's thighs wider and heart pounding, Noah spread. A moan locked in his throat when Wade brushed his fingertips over Noah's balls. "Or bend you over right here and now?
Kari Gregg (Pretty Poison)
Mary Lou wore the ring faithfully. She studied the coy girls the ones who pretended not to get the dirty joke that made Mary Lou stifle a laugh. The ones who practiced the shy downward glance who pretended giggly outrage when a boy made a suggestive remark who waited to be seen and never made the first move. The ones who called other girls sluts and judged with ease. The good girls. Occasionally from the school bus windows she would see other wild girls on the edges of cornfields running without shoes hair unkempt. Their short skirts rode up flashing warning lights of flesh: backs of knees the curve of a calf a smooth plain of thigh. Sometimes it was just a girl waiting for a bus but in her eyes Mary Lou recognized the feral quality. That was a girl who wanted to race trains under a full moon a girl who liked the feel of silk stockings against her skin the whisper promise of a boy's neck under her lips who did not wait for life to choose her but wished to do the choosing herself. It made Mary Lou ache with everything she held back.
Libba Bray (Beauty Queens)
The Arboretum’s overgrown grass rustled. The branches of an apple tree shook as though an animal had jumped from one to the next. A wind slid up my thighs, in the night, under my short nightgown. Crickets and cicadas made a sound like distant laughing children, the laugh track to a sitcom that didn’t end. It was like the grass was full of tiny giggling babies. So beautiful, and creepy.
Monica Drake (The Folly of Loving Life)
No,” I hear myself say. “You’re not supposed to be here.” She’s sitting on my bed. She’s leaning back on her elbows, legs outstretched in front of her, crossed at the ankles. And while some part of me understands I must be dreaming, there’s another, overwhelmingly dominant part of me that refuses to accept this. Part of me wants to believe she’s really here, inches away from me, wearing this short, tight black dress that keeps slipping up her thighs. But everything about her looks different, oddly vibrant; the colors are all wrong. Her lips are a richer, deeper shade of pink; her eyes seem wider, darker. She’s wearing shoes I know she’d never wear. And strangest of all: she’s smiling at me. “Hi,” she whispers. It’s just one word, but my heart is already racing. I’m inching away from her, stumbling back and nearly slamming my skull against the headboard, when I realize my shoulder is no longer wounded. I look down at myself. My arms are both fully functional. I’m wearing nothing but a white T-shirt and my underwear. She shifts positions in an instant, propping herself up on her knees before crawling over to me. She climbs onto my lap. She’s now straddling my waist. I’m suddenly breathing too fast. Her lips are at my ear. Her words are so soft. “Kiss me,” she says. “Juliette—” “I came all the way here.” She’s still smiling at me. It’s a rare smile, the kind she’s never honored me with. But somehow, right now, she’s mine. She’s mine and she’s perfect and she wants me, and I’m not going to fight it. I don’t want to. Her hands are tugging at my shirt, pulling it up over my head. Tossing it to the floor. She leans forward and kisses my neck, just once, so slowly. My eyes fall closed. There aren’t enough words in this world to describe what I’m feeling. I feel her hands move down my chest, my stomach; her fingers run along the edge of my underwear. Her hair falls forward, grazing my skin, and I have to clench my fists to keep from pinning her to my bed. Every nerve ending in my body is awake. I’ve never felt so alive or so desperate in my life, and I’m sure if she could hear what I’m thinking right now, she’d run out the door and never come back. Because I want her. Now. Here. Everywhere. I want nothing between us. I want her clothes off and the lights on and I want to study her. I want to unzip her out of this dress and take my time with every inch of her. I can’t help my need to just stare; to know her and her features: the slope of her nose, the curve of her lips, the line of her jaw. I want to run my fingertips across the soft skin of her neck and trace it all the way down. I want to feel the weight of her pressed against me, wrapped around me. I can’t remember a reason why this can’t be right or real. I can’t focus on anything but the fact that she’s sitting on my lap, touching my chest, staring into my eyes like she might really love me. I wonder if I’ve actually died. But just as I lean in, she leans back, grinning before reaching behind her, never once breaking eye contact with me. “Don’t worry,” she whispers. “It’s almost over now.” Her words seem so strange, so familiar. “What do you mean?” “Just a little longer and I’ll leave.” “No.” I’m blinking fast, reaching for her. “No, don’t go—where are you going—” “You’ll be all right,” she says. “I promise.” “No—” But now she’s holding a gun. And pointing it at my heart.
Tahereh Mafi (Destroy Me (Shatter Me, #1.5))
the control-top hose felt like two boa constrictors were getting cozy with my upper thighs. In short, I felt about as sexy as Mrs. Potato Head.
Karen MacInerney (Mother's Day Out (A Margie Peterson Mystery, #1))
The tyranny of Venus is felt whenever a woman thinks—or whenever a man thinks and tells a woman—that her hips are too wide, her thighs are too large, her breasts are too small, her waist is too high, her legs are too short to meet the current erotic standard.
Susan Brownmiller (Femininity)
We spent the rest of the short ride in silence. His hand rested on his thigh, and I’d never been more aware of a man’s hands in my life. I bet they would touch a woman with assurance, with confidence
Danielle Lori (The Darkest Temptation (Made, #3))
Seth and Jenny after they've escaped Alexander in Mexico. Seth: "Here's what we need to do. Find a flat area, like a farm, a little bit out of the way where we can spend a little time." Seth unbuttoned his black fatigues. Jenny: "Seth, I think we have more urgent things to think about..." Seth: "I know." He pushed his pants down to his knees. "I want to show you something. Jenny: "I've seen it before." Seth: "Ha ha." Seth tugged back the leg of his boxer shorts to reveal a black band around one thigh with a circular device mounted on it.
J.L. Bryan (Alexander Death (The Paranormals, #3))
When someone is up there and he deserves to be up there, try to learn from what he has achieved. If you think he doesn’t deserve it, still try to learn from what he has achieved and add your own capability to it, as it might result in you climbing higher than him. But you should not sit on the ground, gazing at him with hatred and waiting for him to fall, because his descent won’t help you reach the top. And also you might often miss the point that people whom you look down upon may actually be far more capable than you. Anyway, to cut a long story short, I feel it’s truly wasteful to expend your energy in hating someone.
Ram Gopal Varma (Guns & Thighs: The Story of My Life)
Nothing draws attention to thunder thighs more than shorts riding up your crotch.
K.A. Barson (45 Pounds (More or Less))
Some women wear a miniskirt to reveal their thighs; some wear one to conceal their age.
Mokokoma Mokhonoana
Here’s to a tasty lunch,” she says, winking at me. It’s the strangest thing, but I actually feel my body respond to her. Beneath their lace prison, my nipples harden and send a jolt of arousal across my midriff and down to my thighs. I take a long sip of champagne and eye Rachel hungrily. I can’t be sure if it’s the alcohol or the company but I already feel giddy.
Felicity Brandon (Customer Service)
His jean shorts started at his thighs and ended at his ankles. She had no idea why thugs liked this style of clothing, but it worked for her. It was hard to run with your pants falling down.
Kathleen Brooks (Bluegrass Undercover (Bluegrass Brothers, #1))
So in short, the success of a film is due to the contribution of the actors and technicians in excess of my expectations, which is why it belongs to them, while failure belongs to me alone, as it means that I failed in channelizing their equally great contributions to their intended destination.
Ram Gopal Varma (Guns & Thighs: The Story of My Life)
...the bus is full of German tourists in shorts so short that they required a Brazilian wax for the men as well as the women. There had been thighs as bountiful as baking bread, as wobbly as Jello, and as pitted as the surface of the moon.
Rob Thurman (Trick of the Light (Trickster, #1))
He turned her into his arms as they stepped into the studio, ran his hands over her hips. "I missed you. I miss spending large quantities of time with you." She felt the heat kindle between her thighs, hotter, lustier than the moment called for. Her breasts tingled with it. "I missed you, too. Why don't we figure out how to cut the evening short, go home, and fuck like rabbits?" He was hard as iron. As he leaned down to nip at her ear, he found himself struggling not to tug at her clothes. "Good thought. Christ, I want you.
J.D. Robb (Rapture in Death (In Death, #4))
I spent the summer cloaked in shame, seething with jealousy. I envied other women's bodies. i envied fat women who draped their luscious curves without any embarrassment, thighs quaking as they walked. I envied thin women lounging effortlessly in T-shirts and shorts, nothing pinching or pudging, just smooth skin over smooth muscle over delicate bones. I envied anyone who didn't hate their body. People who ate without hesitation or pre-emptive shame at how all those calories would stretch over their flesh. It was about beauty, yes, but it was also just about belonging. People treat you with kindness and an invitation to belong if they like the way you look.
Francesca Ekwuyasi (Butter Honey Pig Bread)
I've been thinking about this mouth all day" he said before covering my lips with his. I licked at his bottom lip and he opened for me, letting me leisurely taste him. The gentle pressure of his mouth was perfect and made me a little dizzy. His fingers slip up my thigh until both hands were gripping my butt. One of his fingers traced the edge of my panties. "I really like this skirt," he murmured against my lips. I really liked it too at the moment. My breath was coming in short gasps as he slid one hand inside the edge of my panties. He gripped my bare butt with one hand while he slid his other slowly back down my thigh and shifted closer to my inner thigh. I liked what his next move would be. What I didn't know was if I was going to let it go that far. Then he moaned into my mouth as his fingers touched the inside of my thigh and my leg fell open of its own accord. The slow, easy kiss became frenzied as we both fought to calm our breathing. His hand inched higher and higher up my exposed thigh. The second his finger grazed the outside of my panties, I jerked in his hold, and something very close to pleading squeaked in my throat. Sawyer pulled back, and his accelerated breathing made me tingle with pleasure. I loved knowing I did that to him. He kissed down my neck until he met the curve of my shoulder. He went very still. His warm breath bathed my chest and neck. His hand slowly moved again. One lone finger slipped inside the edge of my panties and made direct contact. He murmured something against my neck, but I couldn't focus enough to understand. My brain was in a foggy haze, and my heart was about to pound out of my chest. The urge to move against the hand, which now cupped the crotch of my panties, was strong. But I waited while he eased his finger farther inside and gently ran it along the folds. "oh, oh, oh my god," I managed to get out in a breathless chant. "God, you're so warm," he whispered in a strained voice as he began kissing the spot where he had buried his head in my neck. When he slipped his other hand over my leg and pulled it farther open then reached down and pulled my panties to the side as he gently stroked me, I started to come apart in his arms. "That's it, baby," he encouraged me as I clung to him, calling his name and wanting it to never end.
Abbi Glines (The Vincent Brothers (The Vincent Boys, #2))
The aroma of chicken broth and beef pie wafted into the parlor. She set down the tray of food on the low table next to him. “Are you all right?” He grunted. “You don’t want to eat anything?” “No.” He did not want to tax his stomach for the next twelve hours. “So what now? Are we going on the run?” He removed his arm from his face and opened his eyes. She was sitting on the carpet before the low table, wearing his gray, hooded tunic, but not his trousers. Her legs were bare below mid-thigh. The sight jolted him out of his lethargy. “Where are your trousers?” “They had no braces and won’t stay up. Besides, it’s warm enough in here.” He was feeling quite hot. It was not unusual to see girls in short robes come summertime in Delamer. But in England skirts always skimmed the ground and men went mad for a glimpse of feminine ankles. So much skin—boys at school would faint from overexcitement. He might have been a bit unsteady too, if he were not already lying down. “You never answered my question,” she said, as if the view of long, shapely legs should not scramble his thoughts at all.
Sherry Thomas (The Burning Sky (The Elemental Trilogy, #1))
During this journey I realized that my robe had fallen open and he could see my nightie. Pale lavender satin, short, hitting me at the upper thighs but there was a three-inch hem of smoky gray lace below that. The same lace was at the bodice over the cups of material covering my breasts. The nightie fit close at my chest and midriff but there was room to move around my hips and thighs. It was nowhere near as risqué as Kenzie’s teddy. It left something to the imagination and that was good, unless you had an imagination. Carefully, I pulled the edges of my robe together and his eyes speeded up to hit mine and I knew the instant they did, without any doubt, he had an imagination.
Kristen Ashley
Walking around today, I wondered if the problem wasn’t that the market had changed as the fact Gabriel had changed. It’s still populated by sixteen-year-olds, embracing the sunshine, sprawled on either side of the canal, a jumble of bodies—boys in rolled-up shorts with bare chests, girls in bikinis or bras—skin everywhere, burning, reddening flesh. The sexual energy was palpable—their hungry, impatient thirst for life. I felt a sudden desire for Gabriel—for his body and his strong legs, his thick thighs lain over mine. When we have sex, I always feel an insatiable hunger for him—for a kind of union between us—something that’s bigger than me, bigger than us, beyond words—something holy.
Alex Michaelides (The Silent Patient)
She was a bathing beauty—short, the usual breasts, hips, and smooth thighs.
Saul Bellow (Seize the Day)
If you show me your knees, i'll imagine your thighs but if you show me your thighs, i won't imagine your knees.
Alain Bremond-Torrent ("Darling, it's not only about sex")
Calvin sits up, jerking his guitar to stand on one thigh. “Mr. Okai.” He swallows. “I didn’t realize you were standing there.” “My niece tells me your name is Calvin.” Calvin looks between the two of us, working this out. Robert, with his smooth dark skin and meticulously short hair. Me: pale and freckled with a chaotic, weedy bun on top of my head. Robert reaches out a hand, and Calvin immediately takes it, standing. “Yes. Calvin McLoughlin.” This makes my uncle laugh, and the boom of it eases the line of Calvin’s shoulders. “That’s a pretty Irish name for someone with such a good tan.” “My mam is Greek,” he explains, and then looks back and forth between me and Robert again, as if asking a question of his own. Robert tilts his head to me, releasing Calvin’s hand and saying in turn, “I married her uncle.” Calvin smiles, quietly saying, “Ah.
Christina Lauren (Roomies)
Cole was the one to slip a phantom hand into the car to the soul that waited. His hand passed through broken glass, twisted metal, and solid flesh. The male’s head hung at an odd angle, and the car’s engine pressed into his legs and thighs, while blood covered his broken face. Jessica couldn’t tell what he’d looked like before, and then the icy grip tugged her away from the car. She followed, heart in her throat. Fate had decided.
Francesca Vance (Miracle After Death : A Reaper Society Short)
Running is a deeply unpleasant sport at the best of times, but it is particularly awful when you’re bad at it. There is so much unpleasantness at once. First, there is the shortness of breath, then the ache in the legs, then the sharp pain of the stitch, the soreness of the feet, the discomfort of the joints, and the lactic acid burn in the thighs. Eventually, some of this subsides with the increase of dizziness, delirium and sweating. Then there are the added difficulties of cross-country running – scraping through prickly bushes, standing on sharp rocks, getting jabbed by sticks and wading through icy cold streams. Altogether, it was Friday’s idea of hell.
R.A. Spratt (No Rules (Friday Barnes, #4))
He was a little shorter than Joe, not quite six feet, and his body was a work of art, lithe and slender. He wore black mid-thigh shorts that showed off his sculpted legs and a baggy red T-shirt that hung off one shoulder. His elegant feet were bare, and as he stooped to pick up a pair of black dance shoes, Joe didn’t think he’d ever seen anyone quite like him before. To say he was shocked at his reaction to this man would be an understatement.
Alex J. Adams (Dance With Me (Nava Dance Studios, #1))
Fanchon, 69 years of age, has been hanged 6 times in effigy, and has committed all imaginable crimes; she has a squint, and is pug-nosed, short, fat, with no forehead and only 2 teeth; an erysipelas covers her arse, a bunch of haemorrhoids hangs from her arsehole, a canker devours her vagina, she has a burnt thigh and a cancer eating away at her breast; she is always drunk, vomits, farts and shits all over the place and at any time without even noticing.
Marquis de Sade (The 120 Days of Sodom)
A 5’5”, 182-pound, 43-year-old man wearing khaki shorts and a UCLA sweatshirt runs to Nicolas Cage in a manner he will spend the rest of the night describing to his slightly bored but equally boring date as “ambushing.” No one else is on the street and Nicolas Cage is unable to avoid the man, who wants a picture with his “brand new Droid.” As the man, who actually seems to be vibrating and hovering in an almost hummingbird-like way, adjusts his stance for the third attempt at a picture his crotch lightly brushes Nicolas Cage’s upper thigh, causing his face to shift from “bemused resignation” to, strangely, “serene bliss,” for what will become the man’s inaugural Facebook profile picture.
Megan Boyle
I said we’re cool,” I repeat, but I misjudged the distance between my lips and Summer’s ear. The two collide, and I feel a shiver run up her frame. I shiver too, because my mouth is way too close to hers. She smells like heaven, some fascinating combo of flowers and jasmine and vanilla and—sandalwood, maybe? A man could get high on that fragrance. And don’t get me started on her dress. White, strapless, short. So short it barely grazes her lower thighs. God fucking help me. I quickly straighten up before I do something stupid, like kiss her. Instead, I take a huge gulp of my beer. Only it goes down the wrong pipe, and I start coughing like it’s the eighteenth century and I’m a tuberculosis patient. Smooth move.
Elle Kennedy (The Chase (Briar U, #1))
The only dilemma now is whether I should wear my shorts or not. Yes, shorts. Not just for unexpected breezes but to protect against chub rub. My thighs are gapless and if there’s a lot of walking, they can create enough friction to start a fire.
Karina Halle (After All)
The Peacemaker Colt has now been in production, without change in design, for a century. Buy one to-day and it would be indistinguishable from the one Wyatt Earp wore when he was the Marshal of Dodge City. It is the oldest hand-gun in the world, without question the most famous and, if efficiency in its designated task of maiming and killing be taken as criterion of its worth, then it is also probably the best hand-gun ever made. It is no light thing, it is true, to be wounded by some of the Peacemaker’s more highly esteemed competitors, such as the Luger or Mauser: but the high-velocity, narrow-calibre, steel-cased shell from either of those just goes straight through you, leaving a small neat hole in its wake and spending the bulk of its energy on the distant landscape whereas the large and unjacketed soft-nosed lead bullet from the Colt mushrooms on impact, tearing and smashing bone and muscle and tissue as it goes and expending all its energy on you. In short when a Peacemaker’s bullet hits you in, say, the leg, you don’t curse, step into shelter, roll and light a cigarette one-handed then smartly shoot your assailant between the eyes. When a Peacemaker bullet hits your leg you fall to the ground unconscious, and if it hits the thigh-bone and you are lucky enough to survive the torn arteries and shock, then you will never walk again without crutches because a totally disintegrated femur leaves the surgeon with no option but to cut your leg off. And so I stood absolutely motionless, not breathing, for the Peacemaker Colt that had prompted this unpleasant train of thought was pointed directly at my right thigh. Another thing about the Peacemaker: because of the very heavy and varying trigger pressure required to operate the semi-automatic mechanism, it can be wildly inaccurate unless held in a strong and steady hand. There was no such hope here. The hand that held the Colt, the hand that lay so lightly yet purposefully on the radio-operator’s table, was the steadiest hand I’ve ever seen. It was literally motionless. I could see the hand very clearly. The light in the radio cabin was very dim, the rheostat of the angled table lamp had been turned down until only a faint pool of yellow fell on the scratched metal of the table, cutting the arm off at the cuff, but the hand was very clear. Rock-steady, the gun could have lain no quieter in the marbled hand of a statue. Beyond the pool of light I could half sense, half see the dark outline of a figure leaning back against the bulkhead, head slightly tilted to one side, the white gleam of unwinking eyes under the peak of a hat. My eyes went back to the hand. The angle of the Colt hadn’t varied by a fraction of a degree. Unconsciously, almost, I braced my right leg to meet the impending shock. Defensively, this was a very good move, about as useful as holding up a sheet of newspaper in front of me. I wished to God that Colonel Sam Colt had gone in for inventing something else, something useful, like safety-pins.
Alistair MacLean (When Eight Bells Toll)
Where are we?” she asked when I pulled into a parking lot. “The park.” “Isn’t it dangerous at night?” “Not here. Come on.” I pulled her out of her seat and grabbed a blanket from the trunk before trekking through the soft grass. “You always keep a blanket in your car?” “Yeah, for emergencies. Never know when you might need it. Food, water, first-aid kit, too.” “Oh!” she grunted and caught my arm as one of her heels pierced the soft dirt and sank. “You should take those off.” “And walk around barefoot? Hello? Ever heard of hookworms and tetanus?” “Ever heard of snapping your ankles as you fall flat on your face in the dark?” I asked as I squatted in front of her and slipped her foot out of the high heels. “What are you doing?” she gasped, tumbling forward and grabbing onto my shoulders for support. “Removing your obstacles.” She landed a bare foot on the grass as I undid the other shoe. “So now I get tetanus?” I looked up at her, my hands lightly stroking her ankles up to her calves. “You worry too much.” “It’s a real risk. Ask Preeti.” I stood slowly, moving up her body, and hovered above her. “How…how far are we walking?” she asked. “To the river.” “In the dark?” I nodded and handed her the shoes. “Took these off and you won’t even carry them?” “I’ll carry them,” I replied, swooped down, and threw her over the blanket on my shoulder. Liya yelped. “Put me down!” “So you can get tetanus?” I asked and walked toward the river. She laughed. “I hate you!” “You love it.” She slapped my butt and then poked her pointy elbows into my shoulder as she arched her back. “Enjoying the view of my backside from over there?” I slid my hand up the back of her thighs and tugged her dress down to keep her covered. “This isn’t so bad,” she said. “Oh, yeah?” “Yeah.” She slapped my butt again. “Giddyap!” “All right. You asked for it.” Her next words were swallowed up in a scream as I took off at a full sprint. She gripped my shirt, clutching for my waist, as the breeze broke around us. I ran the short distance to the riverside in no time, slowing only when the moonlit gleam on the water’s surface appeared. I placed Liya on the grass, but she swayed away. I grabbed her by the waist to steady her and chuckled. “Are you okay?” “You try doing that upside down.
Sajni Patel (The Trouble with Hating You (The Trouble with Hating You, #1))
He didn’t try to hide it. He had discarded his wrist gauntlets. He wore the Akielon breastplate, the short leather skirt, the high Akielon sandals strapped to his knee. His arms were bare, as were his legs from knee to mid-thigh. The short red cape was pinned to his shoulder by the golden lion. Armoured
C.S. Pacat (Kings Rising (Captive Prince, #3))
They lost their sense of reality, the notion of time, the rhythm of daily habits. They closed the doors and windows again so as not to waste time getting undressed and they walked about the house as Remedios the Beauty had wanted to do and they would roll around naked in the mud of the courtyard, and one afternoon they almost drowned as they made love in the cistern. In a short time they did more damage than the red ants: they destroyed the furniture in the parlor, in their madness they tore to shreds the hammock that had resisted the sad bivouac loves of Colonel Aureliano Buendía and they disemboweled the mattresses and emptied them on the floor as they suffocated in storms of cotton. Although Aureliano was just as ferocious a lover as his rival, it was Amaranta ?rsula who ruled in that paradise of disaster with her mad genius and her lyrical voracity, as if she had concentrated in her love the unconquerable energy that her great-great-grandmother had given to the making of little candy animals. And yet, while she was singing with pleasure and dying with laughter over her own inventions, Aureliano was becoming more and more absorbed and silent, for his passion was self-centered and burning. Nevertheless, they both reached such extremes of virtuosity that when they became exhausted from excitement, they would take advantage of their fatigue. They would give themselves over to the worship of their bodies, discovering that the rest periods of love had unexplored possibilities, much richer than those of desire. While he would rub Amaranta ?rsula’s erect breasts with egg whites or smooth her elastic thighs and peach-like stomach with cocoa butter, she would play with Aureliano’s portentous creature as if it were a doll and would paint clown’s eyes on it with her lipstick and give it a Turk’s mustache with her eyebrow pencil, and would put on organza bow ties and little tinfoil hats. One night they daubed themselves from head to toe with peach jam and licked each other like dogs and made mad love on the floor of the porch, and they were awakened by a torrent of carnivorous ants who were ready to eat them alive.
Gabriel García Márquez (One Hundred Years of Solitude)
Funnel The family story tells, and it was told true, of my great-grandfather who begat eight genius children and bought twelve almost-new grand pianos. He left a considerable estate when he died. The children honored their separate arts; two became moderately famous, three married and fattened their delicate share of wealth and brilliance. The sixth one was a concert pianist. She had a notable career and wore cropped hair and walked like a man, or so I heard when prying a childhood car into the hushed talk of the straight Maine clan. One died a pinafore child, she stays her five years forever. And here is one that wrote- I sort his odd books and wonder his once alive words and scratch out my short marginal notes and finger my accounts. back from that great-grandfather I have come to tidy a country graveyard for his sake, to chat with the custodian under a yearly sun and touch a ghost sound where it lies awake. I like best to think of that Bunyan man slapping his thighs and trading the yankee sale for one dozen grand pianos. it fit his plan of culture to do it big. On this same scale he built seven arking houses and they still stand. One, five stories up, straight up like a square box, still dominates its coastal edge of land. It is rented cheap in the summer musted air to sneaker-footed families who pad through its rooms and sometimes finger the yellow keys of an old piano that wheezes bells of mildew. Like a shoe factory amid the spruce trees it squats; flat roof and rows of windows spying through the mist. Where those eight children danced their starfished summers, the thirty-six pines sighing, that bearded man walked giant steps and chanced his gifts in numbers. Back from that great-grandfather I have come to puzzle a bending gravestone for his sake, to question this diminishing and feed a minimum of children their careful slice of suburban cake.
Anne Sexton
Dropping to his knees before her, he loved her, worshiped her with his mouth, kissing her stomach, her hips, her thighs, and finally reaching her moist, intimate center. She cried out his name and he knew she was shocked at his behavior, but he didn't care. He devoured her, holding her tightly against his mouth as he drank her. Alternating between swirls of his tongue and long, languid licks, he let her moans and sighs be his guide to pleasuring her. Her body shook and he knew she was close. He quickened his movements. He slid his hands from her bottom around to her waist, and to her rib cage. Reaching her breasts, he plucked at her nipples while he suckled the tiny nubbin of flesh hidden in her folds. She screamed. And he continued his sweet torture until her knees buckled. He caught her to him. Holding her close he carried her to his bed, his cock so fiendishly hard he thought he'd go mad if he didn't take her at that moment. In a stunningly short amount of time, he rid himself of his clothes and joined her on the bed. Her legs spread for him and he sank himself between her thighs. Her limbs shaking, Charlotte wrapped her legs around his waist and eagerly met her husband's lips for a kiss. His body was simply magnificent, she thought, running her hands down his muscled back, over the hard muscles of his arms and chest.
Olivia Parker (To Wed a Wicked Earl (Devine & Friends, #2))
There was still something soft in her face. It gave him hope—hope that he had not lost his soul in the act of killing, hope that humanity could still be found, and honor could be regained … She had come out of Endovier and could still laugh. She twirled her hair around a finger. She was still wearing that absurdly short nightgown, which slid up her thighs as she propped her feet on the edge of the table. He focused on her face. “Would you like to join me?” she asked, gesturing with one hand to the table. “It’s a shame for me to celebrate alone.” He looked at her, at that half grin on her face. Whatever had happened with Cain, whatever had happened at the duel … that would haunt him. But right now … He pulled out the chair in front of him and sat down. She filled a goblet with wine and handed it to him. “To four years until freedom,” she said, lifting her glass. He raised his in salute. “To you, Celaena.” Their eyes met, and Chaol didn’t hide his smile as she grinned at him. Perhaps four years with her might not be enough.
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
She begins to strip like a roommate and climb into bed. They have fallen asleep. Dean wakes first, in the early afternoon. He unfastens her stockings and slowly rolls them off. Her skirt is next and then her underpants. She opens her eyes. The garter belt he leaves on, to confirm her nakedness. He rests his head there. Her hand touches his chest and begins to fall in excruciating slow designs. He lies still as a dog beneath it, still as an idiot. The next morning she is recovered. His prick is hard. She takes it in her hand. They always sleep naked. Their flesh is innocent and warm. In the end she is arranged across the pillows, a ritual she accepts without a word. It is half an hour before they fall apart, spent, and call for breakfast. She eats both her rolls and one of his. “There was a lot,” she says. She glistens with it. The inside of her thighs is wet. “How long does it take to make again?” she asks. Dean tries to think. He is remembering biology. “Two or three days,” he guesses. “Non, non!” she cries. That is not what she meant. She begins to make him hard again. In a few minutes he rolls her over and puts it in as if the intermission were ended. This time she is wild. The great bed begins creaking. Her breath becomes short. Dean has to brace his hands on the wall. He hooks his knees outside her legs and drives himself deeper. “Oh,” she breathes, “that’s the best.
James Salter (A Sport and a Pastime)
That day in Chartres they had passed through town and watched women kneeling at the edge of the water, pounding clothes against a flat, wooden board. Yves had watched them for a long time. They had wandered up and down the old crooked streets, in the hot sun; Eric remembered a lizard darting across a wall; and everywhere the cathedral pursued them. It is impossible to be in that town and not be in the shadow of those great towers; impossible to find oneself on those plains and not be troubled by that cruel and elegant, dogmatic and pagan presence. The town was full of tourists, with their cameras, their three-quarter coats, bright flowered dresses and shirts, their children, college insignia, Panama hats, sharp, nasal cries, and automobiles crawling like monstrous gleaming bugs over the laming, cobblestoned streets. Tourist buses, from Holland, from Denmark, from Germany, stood in the square before the cathedral. Tow-haired boys and girls, earnest, carrying knapsacks, wearing khaki-colored shorts, with heavy buttocks and thighs, wandered dully through the town. American soldiers, some in uniform, some in civilian clothes, leaned over bridges, entered bistros in strident, uneasy, smiling packs, circled displays of colored post cards, and picked up meretricious mementos, of a sacred character. All of the beauty of the town, all the energy of the plains, and all the power and dignity of the people seemed to have been sucked out of them by the cathedral. It was as though the cathedral demanded, and received, a perpetual, living sacrifice. It towered over the town, more like an affliction than a blessing, and made everything seem, by comparison with itself, wretched and makeshift indeed. The houses in which the people lived did not suggest shelter, or safety. The great shadow which lay over them revealed them as mere doomed bits of wood and mineral, set down in the path of a hurricane which, presently, would blow them into eternity. And this shadow lay heavy on the people, too. They seemed stunted and misshapen; the only color in their faces suggested too much bad wine and too little sun; even the children seemed to have been hatched in a cellar. It was a town like some towns in the American South, frozen in its history as Lot's wife was trapped in salt, and doomed, therefore, as its history, that overwhelming, omnipresent gift of God, could not be questioned, to be the property of the gray, unquestioning mediocre.
James Baldwin (Another Country)
If you got junk in the trunk, clap your hands. If your thighs rub together, clap your hands. If your bra’s always too tight, and it never fits you right… If you thicc and you know it clap your hands! Embrace yourself and your body the way it is now. Love who you are now. Go live your life now! Life is too short to wait. Life is too short not to eat that fifth taco or another helping of lasagna! Viva la carbs!
M. Bonnet (In the Devil's Shadow (Dangerous Lovers #2))
A Little Love from Karena I have a confession: I have cellulite. Yup. Dimples on the derriere, lumps and bumps on the back of my thighs. A lot of women have this, whether they’re in killer shape or not. Ever since I met Kat, who has the best booty EVER, I’ve worked hard to get it to look like hers. But no matter how many deadlifts or lunges I do, it still doesn’t. Does it look better? Absolutely. Is it perfect? No way (who’s defining “perfect,” anyway?). But I’ve learned to work with what I have. I dry brush and use self-tanner to make my rear view look the best it possibly can, and then I just go with what I’ve got. Up until 7 years ago, I would never wear short shorts because I was afraid of what people would think. Now I rock them because I have the confidence that comes from taking care of myself . . . plus a healthy dose of fierce self-acceptance. Sometimes you’ve just gotta say, “So what?” So take it from me: Flaunt it, no matter what. If someone is judging you, that’s their problem, not yours! You’re healthy, you’re in shape, and you’re taking fantastic care of yourself, inside and out. You’re Fit, Fierce, and Fabulous, and anyone who has a thing to say about a dimple on the back of your thigh clearly just doesn’t get it!
Karena Dawn (Tone It Up: 28 Days to Fit, Fierce, and Fabulous)
I’m going to puncture the femoral sheath.” Camilla passed him a little pair of scissors, and he cut a short slit in the thigh of the corpse’s soft leather trousers. Then Palamedes prodded around with his fingers—he placed the needle to the dead skin—and the corpse’s hand shot out and ringed around his wrist before anyone could stop it. Nona noticed that one of the corpse prince’s sleeves had worked up, and that on her wrist was a funny fat bracelet: a braided cord of many colours, none of which was matched. “One, that’s not going to work. Two, I fucking hate needles,” said the corpse. “Three—Sex Pal, if that’s how you get a lady’s pants off, holy shit, no wonder I stole your girl.” Palamedes rocked back on his heels. “Not my girl. Unlike some of us, I’ve never much seen the allure of an evil cougar,” he said crisply. “Good morning, Gideon.
Tamsyn Muir (Nona the Ninth (The Locked Tomb, #3))
Helen is scrutinizing her eyes in a lacquered hand-mirror. She plucks a stray hair from her brow-line with the ruthlessness she always applies to her own body. Even thirty feet away, hovering in the air like an invisible angel, I find this violence unnerving. I realize that I have only been fully at ease with my wife while watching her through the viewfinder of a camera – even within the private space of our various hotel rooms I prefer her seen through a lens, emblematic of my own needs and fantasies rather than existing in her own right. At one time this rightly outraged her, but recently she has begun to play along with my obsession. For hours I watch her, picking her nose and arguing with me about something as I lie on the bed with a camera to my eye, fascinated by the shifting geometries of her thighs and shoulders, the diagrams of her face.
J.G. Ballard (The Complete Short Stories: Volume 2)
Were men's knees supposed to be sexy? Their calves? One sight of Lucian's bony knee, delineated muscled thigh, and hard calf, lightly dusted with dark curling hair, made me want to reach out and stroke his leg, creep my hand under those shorts to cup what I knew would be firm and meaty and... damn. Keeping my hands to myself and my mind out of his pants was going to be difficult. Which was weird; I loved men and sex, but I'd never been preoccupied by either. Until him.
Kristen Callihan (Make It Sweet)
I’m going to use you.” He unbuttons my shorts and pulls them off, taking my panties with them. “And abuse you.” “Do it.” “I’m going to split you in half.” He kneels between my legs and spreads my thighs wide, taking full advantage of my flexibility. “Any time now would be great.” I writhe beneath him, wanting, aching, throbbing with wet arousal. “When I pull your hair, you’ll scream for it, begging me to fuck you harder, deeper.” “Because I love your dick. Now stop teasing me and serve it up, you dirty bastard.
Pam Godwin (One is a Promise (Tangled Lies, #1))
Don’t mention it, Darling. After the way your pussy treated me last night, it’s the least I can do.” For some reason, it’s not the act that made me blush but the reminder of it in the daylight. Will we ever do that again? All of us? I want to. I want to very badly and just the thought of it happening again has my nipples pebbling beneath my borrowed clothes and a thrill sinking between my thighs. I haven’t had sex like that in, well, ever, and I’ve had a lot of sex in a very short amount of time, all things considered.
Nikki St. Crowe (The Never King (Vicious Lost Boys, #1))
The elevator opened up to the apartment’s lobby—the apartment had its own lobby—and Todd was there to meet him in a polo shirt and mid-thigh shorts. He was probably five-ten. Yes, Todd, Toby thought, but when was the last time you were blown in a stairwell? “How is the good doctor?” he said, putting his hand out and grabbing Toby’s and pumping it so that his body moved like a tide he was fighting against. “I’m doing okay.” This was the kind of soft, pampered bro that Rachel wished he were. This was what Rachel would have preferred.
Taffy Brodesser-Akner (Fleishman Is in Trouble)
Her name was Pilar Ternera. She had been part of the exodus that ended with the founding of Macondo, dragged along by her family in order to separate her from the man who had raped her at fourteen and had continued to love her until she was twenty-two, but who never made up his mind to make the situation public because he was a man apart. He promised to follow her to the ends of the earth, but only later on, when he put his affairs in order, and she had become tired of waiting for him, always identifying  him with the tall and short, blond and brunet men that her cards promised from land and sea within three days, three months, or three years. With her waiting she had lost the strength of her thighs, the firmness of her breasts, her habit of tenderness, but she kept the madness of her heart intact. Maddened by that prodigious plaything, José Arcadio followed her path every night through the labyrinth of the room. On a certain occasion he found the door barred, and he knocked several times, knowing that if he had the boldness to knock the first time he would have had to knock until the last, and after an interminable wait she opened the door for him. During the day, lying down to dream, he would secretly enjoy the memories of the night before. But when she came into the house, merry, indifferent, chatty, he did not have to make any effort to hide his tension, because that woman, whose explosive laugh frightened off the doves, had nothing to do with the invisible power that taught him how to breathe from within  and control his heartbeats, and that had permitted him to understand why man are afraid of death.
Gabriel García Márquez (One Hundred Years of Solitude)
the sweat and bloodstained wood of the cross he died on. He kicks in the frosted-glass door of a coffee franchise off Wall Street and beats seven shades of damnation out of the money changers gathered there. Painted, black-stockinged lady brokers twisting prostrate at his feet, red licked lips parted in horror and abandonment, thighs exposed under short, whorish skirts. Fat, big-nosed men in suits braying and panicking, trying to get away from the scything club. Blood and waxed coffee cups flying, screams. The capitalized crunch of broken bones.
Richard K. Morgan (Thirteen)
Arin nearly got his throat cut. “The god of life preserve you,” Cheat gasped. He staggered back, his knife glinting in the shadows of his small bedroom. “What the hell are you doing here? Breaking into my home like a thief in the night. Climbing through the window. You’re lucky I saw your face in time.” “There’s something I have to tell you.” “Start with why you couldn’t come by the auction house at a decent hour. I thought you had a free pass. What about the girl’s seal ring?” “Unavailable.” Cheat squinted up at Arin, tapping the flat of the short blade against his thigh. In the dim light of a streetlamp, a slow grin spread across his face. “Had a falling-out with your lady, did you? A lovers’ quarrel?” Arin felt his face go dark and tight. “Easy, lad. Just tell me: are the rumors true?” “No.” “All right.” Cheat held up his hands as if in surrender, the knife held loosely. “If you say they’re not, they’re not.” “Cheat. I broke curfew, scaled the general’s wall, and stole through a guarded city to speak with you. Don’t you think we have more important things to discuss than Valorian gossip?
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
The black-haired man she had seen in the courtyard was indeed McKenna. He was even larger and more imposing than he had seemed at a distance. His features were blunt and strong, his bold, wide-bridged nose set with perfect symmetry between the distinct planes of his cheekbones. He was too masculine to be considered truly handsome- a sculptor would have tried to soften those uncompromising features. But somehow his hard face was the perfect setting for those lavish eyes, the clear blue-green brilliance shadowed by thick black lashes. No one else on earth had eyes like that. "McKenna," she said huskily, searching for any resemblance he might bear to the lanky, love-struck boy she had known. There was none. McKenna was a stranger now, a man with no trace of boyishness. He was sleek and elegant in well-tailored clothes, his glossy black hair cut in short layers that tamed its inherent tendency to curl. As he drew closer, she gathered more details... the shadow of bristle beneath his close-shaven skin, the glitter of a gold watch chain in his waistcoat, the brutal swell of muscle in his shoulders and thighs as he sat on a rock nearby.
Lisa Kleypas (Again the Magic (Wallflowers, #0))
A torn aorta is almost always fatal He sets his stop watch; if his aorta is torn he only has a short time to live. Five minutes tick by, and he’s still alive. He shifts his attention to his leg which is painful and tingling and begins to check his lower body for injuries. Something about his leg looks weird. It takes him a few seconds to figure out what he’s looking at. Somehow he is sitting on his own leg, impossible even for a circus contortionist. The thigh bone, or femur, is the strongest bone in the body, and it takes a tremendous amount of force to break it. The PJ finally figures out his femur is snapped in half, and his leg is folded back underneath him.
William F. Sine (Guardian Angel: Life and Death Adventures with Pararescue, the World's Most Powerful Commando Rescue Force)
You’ve encountered it, I’m sure: friends who are obsessed by the need to get their children’s (or their own) teeth straightened, their thighs sculpted, their breasts or their backyards professionally redesigned … They want the perfect career trajectory, the perfect holiday, the perfect pesto, the perfect latte, the perfect eyebrow, the perfect orgasm … They yearn for perfect politicians (ha!), perfect banks, perfect cars, perfect shoes, perfect kitchens … our new angst springs from the discovery that our lives are falling short of some crazy ideal of perfection clogging our minds like a cancer … Nothing is perfect. Life is messy. Relationships are complex. Outcomes are uncertain. People are irrational.12
John Smith (Beyond the Myth of Self-Esteem: Finding Fulfilment)
Another thing: at night you will have only your lips with which to honor us—and your widespread thighs—for your hands will be tied behind your back and you will be naked, as you were a short while ago. You will be blindfolded only to be maltreated and, now that you have seen how you are whipped, to be flogged. And yes, by the way: while it is perfectly all right for you to grow accustomed to being whipped—since you are going to be every day throughout your stay—this is less for our pleasure than for your enlightenment. How true this is may be shown by the fact that on those nights when no one desires you, you will wait until the valet whose job it is comes to your solitary cell and administers what you are due to receive but we are not in the mood to mete out.
Pauline Réage (Story of O)
You were wearing shorts at Trick and Nona’s barbeque the first time I noticed your legs, how goddamn long and smooth they were. I wondered what it would feel like to have them wrapped around my waist while I was inside you, or my head when I had my face buried between your thighs. So yeah, babe, the other night just solidified everything I was feeling, but that wasn’t when my interest started. I don’t want to fuck a stripper, Gypsy. I want to fuck you. I want to look into those eyes when I’m buried deep inside you and see that shield fall. I want that smile pointed at me. I want all that hair spread out across my pillow. I’ve wanted all that for months, and I intend to work my ass off to get it. And I promise you, when you finally give all of that to me, I’ll make sure you know it was worth it.
Jessica Prince (Wrong Side of the Tracks (Hope Valley, #4))
Because there’s a silent, shrugging, stoical acceptance of all the things in the world we can never be part of: shorts, swimming pools, strappy dresses, country walks, roller-skating, ra-ra skirts, vest tops, high heels, rope climbing, sitting on a high stool, walking past building sites, flirting, being kissed, feeling confident. And ever losing weight, ever. The idea of suggesting we don’t have to be fat –that things could change –is the most distant and alien prospect of all. We’re fat now and we’ll be fat forever and we must never, ever mention it, and that is the end of it. It’s like Harry Potter’s Sorting Hat. We were pulled from the hat marked ‘Fat’ and that is what we must now remain, until we die. Fat is our race. Our species. Our mode. As a result, there is very little of the outside world –and very little of the year –we can enjoy. Summer is sweaty under self-conscious layers. On stormy days, wind flattens skirts against thighs, and alarms both us and, we think, onlookers and passers-by. Winter is the only time we feel truly comfortable: covered head to toe in jumpers, coats, boots and hat. I develop a crush on Father Christmas. If I married him, not only would I be expected to stay fat, but I’d look thin standing next to him, in comparison. Perspective would be my friend. We all dream of moving to Norway, or Alaska, where we could wear massive padded coats all the time, and never reveal an inch of flesh. When it rains, we’re happiest of all. Then we can just stay in, away from everyone, in our pyjamas, and not worry about anything. The brains in jars can stay inside, nice and dry.
Caitlin Moran (How to Be a Woman)
From the woods that surrounded the burgh came a mass of men. Some rode, others ran. All carried weapons, mainly axes or spears. A few wore mail shirts and cloaks, but most just leather aketons. Among them were a handful of men clad in the short tunics favoured by Highlanders. These men were bare from thigh to foot, an alarming sight to Ormesby, who had only heard rumour of these wild men of the north. As they came, they roared a multitude of battle cries. Ormesby caught one name in the din, issuing from a group of mailed riders who followed a burly man on a finely caparisoned horse. ‘For Douglas!’ they howled. ‘For Douglas!’ Below, the townsfolk were scattering. The English soldiers had formed a tight knot outside the hall, blades drawn, but even as Ormesby watched, the forlorn group of beggars he had seen threw off their ragged skins and furs, revealing thickly muscled warriors. They fell upon the soldiers with savage cries, daggers thrusting. Footsteps sounded on the hall stairs. The door burst open and two soldiers appeared. ‘We must go, sir!’ The clerks and officials were already hastening across the chamber. Donald was running with them. Ormesby remained rooted. ‘Who are they?’ he demanded, his voice high as he turned back to the window, seeing the horde rushing into the town. His eyes fixed on a giant of a man running, almost loping in the front lines. Taller than all those around him, agile in the stride, he wore a simple dark blue tunic and wide-brimmed kettle hat. The other men seemed to be running in unruly formation around him. But it was the blade in the man’s hands that Ormesby’s eyes were drawn to. He had never seen such a sword, so broad and long the giant had to grasp it in both hands as he came. Another name now became audible in the roar of the mob. ‘Wallace! Wallace!
Robyn Young (Insurrection (The Insurrection Trilogy, #1))
...but it does involve a woman. A beautiful, lying, conniving, voluptuous, sexy as hell, witch of a woman, one who has in an inconceivably short amount of time wormed her way so deeply into my very soul—yes, soul, try though you do to convince yourselves that I have none—and not all the dog-desperate clawing can wrench my being free of her. All night long I dominated her body, only to find myself conquered by her. I battled and battered at her, bathed my seed upon her thighs, drew my breaths from between her breasts and yet I drowned. I bound her, only to find myself thoroughly ensnared. My life is gone! Everything I have worked for…everything that I am has, for the sake of pride, boredom, a fine pair of tits and an ass unparalleled by any other known to man—indeed, on the face of this whole miserable planet!—has been utterly destroyed.” “Women,” Jackson commiserated. “You have no idea. I’m doomed.
Penny Alley (Demon Seduction (Seductive Shorts #1))
Janitorial" All morning he drifts the spacious lawns like a gleaner, picking up this and that, the summer clouds immense and building toward afternoon, when the heat drives him under the shade of the oak trees in the quad and then along cool corridors inside to pull down last term's flyers For the chamber recital, the poetry reading, the lecture on the ethics of cloning, the dinner with some ambassador, the debate between Kant and Heidegger, the frat party, the sorority party, the kegger, the weekend Bergman festival, the Wednesday screening of Dumb and Dumber. He says hello to fine young ladies, and tries not to dwell on their halter tops, their tanned thighs, shorts up to here. At five he climbs into an old, dumpster-colored olds, lights up and heads home across the barge-ridden river in its servitude to East St. Louis, where you know this poem—glib, well-meaning, trivial-- grows tongue-tied, and cannot follow.
George Bilgere
And then, Jane looks August straight on, folds her arms across her chest, and says, “What the fuck, August?” August mentally flips through the plan for tonight—nope, definitely not part of it. “What?” “I can’t do this anymore,” Jane says. She paces toward August, sneakers thumping hard on the floor of the car. She’s pissed off. Brow furrowed, eyes vivid and angry. August scrambles to figure out how she screwed this up so fast. “You—you can’t do what?” “August,” she says, and she’s right in front of her. “Is this a date? Am I on a date right now?” Fuck. August leans against the door, equivocating. “Do you want it to be a date?” “No,” Jane says, “you tell me, because I have been putting every move I know on you for months and I can’t figure you out, and you kept saying you were only kissing me for research, and then you stopped kissing me, but then you kissed me again, and you’re standing there looking like that in fucking thigh highs and bringing me wine and making me feel things I didn’t even know I could remember how to feel, and I’m going out of my goddamn mind—” “Wait.” August holds both hands up. Jane’s breaths are coming high and short, and August suddenly feels close to hysterical. “You like me?” Jane’s hands clench into fists. “Are you kidding me?” “But I asked you on a date!” “When?” “That time I asked you out to drinks!” “That was a date?” “I—but—and you—all those other girls you told me about, you were always—you just went for it, I thought if you wanted me like that, you would have gone for it by now—” “Yeah,” Jane says flatly, “but none of those girls were you.” August stares. “What do you mean?” “Jesus, August, what do you think I mean?” Jane says, voice cracking, arms thrown out at her sides. “None of them were you. Not a single one of them was this girl who dropped out of the fucking future to save me with her ridiculous hair and her pretty hands and her big, sexy brain, okay, is that what you want me to say? Because it’s the truth. Everything else about my life is fucked, so, can you—can you please just tell me, am I on a fucking date right now?” She makes a helpless gesture, and August is breathless at the pure frustration in it, the way it looks so broken in, like Jane’s been living with it for months. And her hands are shaking. She’s nervous. August makes her nervous. It sinks in and rearranges in August’s brain—the borrowed kisses, the times Jane’s bit her lip or slid her hand across August’s waist or asked her to dance, all the ways she’s tried to say it without saying it. They’re both hopeless at saying it, August realizes. So August opens her mouth and says, “It was never just research.” “Of course it fucking wasn’t,” Jane says, and she hauls August in by the sway of her waist and finally, finally kisses her.
Casey McQuiston (One Last Stop)
Mystery is good." He drummed his fingertips on my thigh. "Maybe.Maybe not. But I'll let it go. How about this: If I were to open the top drawer of your dresser, what would I find?" "Are we back to discussing my underwear again?" "Only in graphic detail..." He flicked my sore knee, but not where the bruise was. "I keep loose change and my oldest comic books in mine. Some people have journals or photographs or awards..." "Okay,okay." I sighed. "Underwear," I said. "Two ancient swimsuits, and a magazine file." "Of...?" "Pictures I've pulled out of magazines." "Yes,thank you. I gathered that. What's in it?" I squirmed a little and contemplated lying. Travel pix, shoes, hints on getting glue off of Ultrasuede... "Mostly pictures of models with short hair," I confessed finally. "It's sort of a goal of mine." Alex reached up and wrapped a strand around his finger. "I like your hair," he said quietly, "but I think you'd look great whatever you did with it.
Melissa Jensen (The Fine Art of Truth or Dare)
Fragment of the Elegy on the Death of Adonis Prom the Greek of Bion Published by Forman, "Poetical Works of P. B. S.", 1876. I mourn Adonis dead—loveliest Adonis— Dead, dead Adonis—and the Loves lament. Sleep no more, Venus, wrapped in purple woof— Wake violet-stoled queen, and weave the crown Of Death,—'tis Misery calls,—for he is dead. The lovely one lies wounded in the mountains, His white thigh struck with the white tooth; he scarce Yet breathes; and Venus hangs in agony there. The dark blood wanders o'er his snowy limbs, His eyes beneath their lids are lustreless, The rose has fled from his wan lips, and there That kiss is dead, which Venus gathers yet. A deep, deep wound Adonis... A deeper Venus bears upon her heart. See, his beloved dogs are gathering round— The Oread nymphs are weeping—Aphrodite With hair unbound is wandering through the woods, 'Wildered, ungirt, unsandalled—the thorns pierce Her hastening feet and drink her sacred blood. Bitterly screaming out, she is driven on Through the long vales; and her Assyrian boy, Her love, her husband, calls—the purple blood From his struck thigh stains her white navel now, Her bosom, and her neck before like snow. Alas for Cytherea—the Loves mourn— The lovely, the beloved is gone!—and now Her sacred beauty vanishes away. For Venus whilst Adonis lived was fair— Alas! her loveliness is dead with him. The oaks and mountains cry, Ai! ai! Adonis! The springs their waters change to tears and weep— The flowers are withered up with grief... Ai! ai! ... Adonis is dead Echo resounds ... Adonis dead. Who will weep not thy dreadful woe. O Venus? Soon as she saw and knew the mortal wound Of her Adonis—saw the life-blood flow From his fair thigh, now wasting,—wailing loud She clasped him, and cried ... 'Stay, Adonis! Stay, dearest one,... and mix my lips with thine— Wake yet a while, Adonis—oh, but once, That I may kiss thee now for the last time— But for as long as one short kiss may live— Oh, let thy breath flow from thy dying soul Even to my mouth and heart, that I may suck That...' NOTE: _23 his Rossetti, Dowden, Woodberry; her Boscombe manuscript, Forman
Percy Bysshe Shelley (The Complete Poetical Works of Percy Bysshe Shelley)
In front of the mound: a mile of naked strangers. In groups of twenty, like smokes, they are directed to the other side by a man with a truncheon and a whip. It will not help to ink in his face. Several men with barrows collect clothes. There are young women still with attractive breasts. There are family groups, many small children crying quietly, tears oozing from their eyes like sweat. In whispers people comfort one another. Soon, they say. Soon. No one wails and no one begs. Arms mingle with other arms like fallen limbs, lie like shawls across bony shoulders. A loose gray calm descends. It will be soon . . . soon. A grandmother coos at the infant she cuddles, her gray hair hiding all but the feet. The baby giggles when it’s chucked. A father speaks earnestly to his son and points at the heavens where surely there is an explanation; it is doubtless their true destination. The color of the sky cannot be colored in. So the son is lied to right up to the last. Father does not cup his boy’s wet cheeks in his hands and say, You shall die, my son, and never be remembered. The little salamander you were frightened of at first, and grew to love and buried in the garden, the long walk to school your legs learned, what shape our daily life, our short love, gave you, the meaning of your noisy harmless games, every small sensation that went to make your eager and persistent gazing will be gone; not simply the butterflies you fancied, or the bodies you yearned to see uncovered—look, there they are: the inner thighs, the nipples, pubes—or what we all might have finally gained from the toys you treasured, the dreams you peopled, but especially your scarcely budded eyes, and that rich and gentle quality of consciousness which I hoped one day would have been uniquely yours like the most subtle of flavors—the skin, the juice, the sweet pulp of a fine fruit—well, son, your possibilities, as unrealized as the erections of your penis—in a moment—soon—will be ground out like a burnt wet butt beneath a callous boot and disappear in the dirt. Only our numbers will be remembered—not that you or I died, but that there were so many of us. And that we were.
William H. Gass (The Tunnel)
Memories whirled in the back of her head. Not frightening this time. The owner of that voice made her smile. He protected her, and he loved her. When she was with him, the world felt right. As long as she was with him, she was safe. He entered the room, crossing at an angle to her so that she saw just his shoulders and a glimpse of flat stomach. Not a stitch of clothing covered him. Not one. She could see the backs of his thighs and his bare behind. Round and strong and firm. Dark hair cut short gave his profile greater sternness. She knew beyond certainty she had every right to be here, with him perfectly naked. Her heart swelled with joy, a feeling so intense she wanted to cry out to the world. He stopped at the window and stood there, one arm resting atop the sash, staring at the hills rising toward Scotland. His arm came forward on the sash, and he shifted so that he faced her. "Well," he said in a soft voice that made her breath catch. His voice was velvet, liquid velvet, and she was drowning in it, filled all the way to her soul. That voice, a woman could love. "Good afternoon." Bluer eyes she'd never seen. Nor more piercing ones. She drowned in eyes of an incredible, piercing blue. The light shimmered as a cloud crossed the sun. But this man, this man with eyes like frost on a window, whose eyes made battle-hardened men quail and who seemed so foreign to tenderness, made her complete...
Carolyn Jewel (The Spare)
Stopping just short of her mouth, he rasped, “Are you still engaged to Blakeborough?” Her gorgeous eyes narrowed. “My engagement didn’t stop you last night.” “It would now.” A coy smile broke over her lips, and she tightened her grip on his neck. “Then I suppose it’s a good thing I am not.” With a growl of triumph, he kissed her once more. She was here. She was his. Nothing else mattered. Still kissing her, he jerked both sets of curtains closed. Then he tugged her onto his lap and began to tear at the fastenings of her pelisse-dress. He wanted to touch her, taste her…be inside her. He could think of naught else. “I take it that you mean to seduce me,” she murmured between kisses. “Yes.” Seduce her and marry her. And then seduce her again, as often as he could. “Well then, carry on.” So he did. He unfastened her clothes just enough to bare her breasts, then seized one in his mouth. God, she was perfect. His perfect jewel. She buried her hands in his hair to pull her into him, sighing and moaning as if she would die if he didn’t make love to her. Which was exactly how he felt. Working his hand up beneath her skirts and into the slit in her drawers, he found her so wet and hot that he nearly came right there. He slipped a finger inside her silky sweetness, and she gasped, then began to tug at his trouser buttons. “You’re all I want, Jane.” As he stroked her, he used his other hand to brush hers away so he could unfasten his own trouser buttons. “The only woman I ever cared about.” “You’re the only man Iever cared about.” She undulated against his fingers, begging for him with her body. “Why do you think…I waited for you so long?” “Not long enough, apparently,” he muttered, “or you wouldn’t have gotten yourself engaged to Blakeborough.” He tugged at her nipple with his teeth, then relished her cry of pleasure. “I only…did it because I was…tired of waiting.” She arched against his mouth. “Because you clearly weren’t…coming back for me.” “I was sure you hated me.” At last he got his trousers open. “You acted like you hated me still.” “I did.” Her breath was unsteady. “But only because…you tore us apart.” He shifted her to sit astride him. “And now?” Flashing him a provocative smile he would never have dreamed she had in her repertoire, she unbuttoned his drawers. “Do I look like I hate you?” His cock, so hard he thought it might erupt right there and embarrass him, sprang free. “You look like…like…” He paused to take in her lovely face with its flushed cheeks, sparkling eyes, and lush lips. Then he swept his gaze down to her breasts with their brazen tips, displayed so enticingly above the boned corset and her undone shift. He then dropped his eyes to the smooth thighs emerging from beneath her bunched-up skirts. Shoving the fabric higher, he exposed her dewy thatch of curls, and a shudder of anticipation shook him. “You look like an angel.” She uttered a breathy laugh. “A wanton, more like.” Taking his cock in her hand, she stroked it so wonderfully that he groaned. “Would an angel do this?
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
Mindy runs to the DVD player and delicately places the disk in the holder and presses play. “Will you sit in this chair, please, Princess Mindy?” I ask, bowing deeply at the waist. Mindy giggles as she replies, ”I guess so.” After Mindy sits down, I take a wide-tooth comb and start gently combing out her tangles. Mindy starts vibrating with excitement as she blurts, “Mr. Jeff, you’re gonna fix my hair fancy, ain’t you?” “We’ll see if a certain Princess can hold still long enough for me to finish,” I tease. Immediately, Mindy becomes as still as a stone statue. After a couple of minutes, I have to say, “Mindy, sweetheart, it’s okay to breathe. I just can’t have you bouncing, because I’m afraid it will cause me to pull your hair.” Mindy slumps down in her chair just slightly. “Okay Mr. Jeff, I was ascared you was gonna stop,” she whispers, her chin quivering. I adopt a very fake, very over-the-top French accent and say, “Oh no, Monsieur Jeff must complete Princess Mindy’s look to make the Kingdom happy. Mindy erupts with the first belly laugh I’ve heard all day as she responds, “Okay, I’ll try to be still, but it’s hard ‘cause I have the wiggles real bad.” I pat her on the shoulder and chuckle as I say, “Just try your best, sweetheart. That’s all anyone can ask.” Kiera comes screeching around the corner in a blur, plunks her purse on the table, and says breathlessly, “Geez-O-Pete, I can’t believe I’m late for the makeover. I love makeovers.” Kiera digs through her purse and produces two bottles of nail polish and nail kit. “It’s time for your mani/pedi ma’am. Would you prefer Pink Pearl or Frosted Creamsicle? Mindy raises her hand like a schoolchild and Kiera calls on her like a pupil, “I want Frosted Cream toes please,” Mindy answers. “Your wish is my command, my dear,” Kiera responds with a grin. For the next few minutes, Mindy gets the spa treatment of her life as I carefully French braid her hair into pigtails. As a special treat, I purchased some ribbons from the gift shop and I’m weaving them into her hair. I tuck a yellow rose behind her ear. I don my French accent as I declare, “Monsieur Jeffery pronounces Princess Mindy finished and fit to rule the kingdom.” Kiera hands Mindy a new tube of grape ChapStick from her purse, “Hold on, a true princess never reigns with chapped lips,” she says. Mindy giggles as she responds, “You’re silly, Miss Kiera. Nobody in my kingdom is going to care if my lips are shiny.” Kiera’s laugh sounds like wind chimes as she covers her face with her hands as she confesses, “Okay, you busted me. I just like to use it because it tastes yummy.” “Okay, I want some, please,” Mindy decides. Kiera is putting the last minute touches on her as Mindy is scrambling to stand on Kiera’s thighs so she can get a better look in the mirror. When I reach out to steady her, she grabs my hand in a death grip. I glance down at her. Her eyes are wide and her mouth is opening and closing like a fish. I shoot Kiera a worried glance, but she merely shrugs. “Holy Sh — !” Mindy stops short when she sees Kiera’s expression. “Mr. Jeff is an angel for reals because he turned me into one. Look at my hair Miss Kiera, there are magic ribbons in it! I’m perfect. I can be anything I want to be.” Spontaneously, we all join together in a group hug. I kiss the top of her head as I agree, “Yes, Mindy, you are amazing and the sky is the limit for you.
Mary Crawford (Until the Stars Fall from the Sky (Hidden Beauty #1))
I owe you nothing.” “You’ve given me less than that, all my life, but you’ll give me this. What did you do with Tysha?” “Tysha?” He does not even remember her name. “The girl I married.” “Oh, yes. Your first whore.” Tyrion took aim at his father’s chest. “The next time you say that word, I’ll kill you.” “You do not have the courage.” “Shall we find out? It’s a short word, and it seems to come so easily to your lips.” Tyrion gestured impatiently with the bow. “Tysha. What did you do with her, after my little lesson?” “I don’t recall.” “Try harder. Did you have her killed?” His father pursed his lips. “There was no reason for that, she’d learned her place… and had been well paid for her day’s work, I seem to recall. I suppose the steward sent her on her way. I never thought to inquire.” “On her way where?” “Wherever whores go.” Tyrion’s finger clenched. The crossbow whanged just as Lord Tywin started to rise. The bolt slammed into him above the groin and he sat back down with a grunt. The quarrel had sunk deep, right to the fletching. Blood seeped out around the shaft, dripping down into his pubic hair and over his bare thighs. “You shot me,” he said incredulously, his eyes glassy with shock. “You always were quick to grasp a situation, my lord,” Tyrion said. “That must be why you’re the Hand of the King.” “You… you are no… no son of mine.” “Now that’s where you’re wrong, Father. Why, I believe I’m you writ small. Do me a kindness now, and die quickly. I have a ship to catch.” For once, his father did what Tyrion asked him. The proof was the sudden stench, as his bowels loosened in the moment of death. Well, he was in the right place for it, Tyrion thought. But the stink that filled the privy gave ample evidence that the oft-repeated jape about his father was just another lie. Lord Tywin Lannister did not, in the end, shit gold.
Anonymous
It is a well known fact that warriors and wizards do not get along, because one side considers the other side to be a collection of bloodthirsty idiots who can't walk and think at the same time, while the other side is naturally suspicious of a body of men who mumble a lot and wear long dresses. Oh, say the wizards, if we're going to be like that, then, what about all those studded collars and oiled muscles down at the Young Men's Pagan Association? To which the heroes reply, that's a pretty good allegation coming from a bunch of wimpsoes who won't go near a woman on account, can you believe it, of their mystical power being sort of drained out. Right, say the wizards, that just about does it, you and your leather posing pouches. Oh yeah, say the heroes, why don't you... And so on. This sort of thing has been going on for centuries, and caused a number of major battles which have left large tracts of land uninhabitable because of magical harmonics. In fact, the hero even at this moment galloping towards the Vortex Plains didn't get involved in this kind of argument, because they didn't take it seriously, mainly because this particular hero was a heroine. A redheaded one. Now, there is a tendency at a point like this to look over one's shoulder at the cover artist and start going on at length about leather, thigh-boots and naked blades. Words like "full", "round" and even "pert" creep into the narrative, until the writer has to go and have a cold shower and lie down. Which is all rather silly, because any woman setting out to make a living by the sword isn't about to go around looking like something off the cover of the more advanced kind of lingerie catalogue for the specialised buyer. Oh well, all right. The point that must be made is that although Herrena the Henna-Haired Harridan would look quite stunning after a good bath, a heavy-duty manicure, and the pick of the leather racks in Woo Hun Ling's Oriental Exotica and Martial Aids on Heroes Street, she was currently quite sensibly dressed in light chain mail, soft boots, and a short sword.
Terry Pratchett (The Light Fantastic (Discworld, #2; Rincewind, #2))
In groups of twenty, like smokes, they are directed to the other side by a man with a truncheon and a whip. It will not help to ink in his face. Several men with barrows collect clothes. There are young women still with attractive breasts. There are family groups, many small children crying quietly, tears oozing from their eyes like sweat. In whispers people comfort one another. Soon, they say. Soon. No one wails and no one begs. Arms mingle with other arms like fallen limbs, lie like shawls across bony shoulders. A loose gray calm descends. It will be soon… soon. A grandmother coos at the infant she cuddles, her gray hair hiding all but the feet. The baby giggles when it’s chucked. A father speaks earnestly to his son and points at the heavens where surely there is an explanation; it is doubtless their true destination. The color of the sky cannot be colored in. So the son is lied to right up to the last. Father does not cup his boy’s wet cheeks in his hands and say, You shall die, my son, and never be remembered. The little salamander you were frightened of at first, and grew to love and buried in the garden, the long walk to school your legs learned, what shape our daily life, our short love, gave you, the meaning of your noisy harmless games, every small sensation that went to make your eager and persistent gazing will be gone; not simply the butterflies you fancied, or the bodies you yearned to see uncovered - look, there they are: the inner thighs, the nipples, pubes - or what we all might have finally gained from the toys you treasured, the dreams you peopled, but especially your scarcely budded eyes, and that rich and gentle quality of consciousness which I hoped one day would have been uniquely yours like the most subtle of flavors - the skin, the juice, the sweet pulp of a fine fruit - well, son, your possibilities, as unrealised as the erections of your penis - in a moment - soon - will be ground out like a burnt wet butt beneath a callous boot and disappear in the dirt. Only our numbers will be remembered - not that you or I died, but that there were so many of us.
William H. Gass
The archaeologist attached to the Bayard Dominick’s Marquesan team had reported in 1925 that the Marquesas offered “few opportunities for archaeological research.” But in 1956, a new expedition set out to reexamine the possibilities in these islands at the eastern edge of the Polynesian Triangle. An energetic Columbia University graduate student named Robert Suggs was sent ahead to reconnoiter, and he quickly discovered that the previous generation had gotten it all wrong. Everywhere he looked, he saw archaeological potential. “We were seldom out of sight of some relic of the ancient Marquesan culture,” he writes. “Through all the valleys were scattered clusters of ruined house platforms. . . . Overgrown with weeds, half tumbled down beneath the weight of toppled trees and the pressure of the inexorable palm roots, these ancient village sites were sources of stone axes, carved stone pestles, skulls, and other sundry curios.” There were ceremonial plazas “hundreds of feet long” and, high on the cliffs above the deep valleys, “burial caves containing the remains of the population of centuries past.” The coup de grâce came when Suggs and his guide followed up on a report of a large number of “pig bones” in the dunes at a place called Ha‘atuatua. This windswept expanse of scrub and sand lies on the exposed eastern corner of Nuku Hiva. A decade earlier, in 1946, a tidal wave had cut away part of the beach, and since then bones and other artifacts had been washing out of the dunes. Not knowing quite what to expect, Suggs and his guide rode over on horseback. When they came out of the “hibiscus tangle” at the back of the beach and “caught sight of the debris washing down the slope,” he writes, “I nearly fell out of the saddle.” The bones that were scattered all along the slope and on the beach below were not pig bones but human bones! Ribs, vertebrae, thigh bones, bits of skull vault, and innumerable hand and foot bones were everywhere. At the edge of the bank a bleached female skull rested upside down, almost entirely exposed. Where the bank had been cut away, a dark horizontal band about two feet thick could be seen between layers of clean white sand. Embedded in this band were bits of charcoal and saucers of ash, fragments of pearl shell, stone and coral tools, and large fitted stones that appeared to be part of a buried pavement. They had discovered the remains of an entire village, complete with postholes, cooking pits, courtyards, and burials. The time was too short to explore the site fully, but the very next year, Suggs and his wife returned to examine it. There
Christina Thompson (Sea People: The Puzzle of Polynesia)
Did you just take something off?” I ask the darkness. “Sam,” she scolds. I roll onto my side to face her. “What was it?” I whisper. “Nothing,” she hisses back. But I can hear laughter in her voice and I love it. “You took your shorts off, didn’t you?” I say quietly. “Maybe.” “You did.” I wait a beat. Just long enough for silence to settle around the room. “Do you know what that means?” “It means you should shut up and go to sleep.” She giggles. God, that’s a pretty sound. She’s quiet for a second. “What does it mean?” she suddenly asks. “It means your naked thighs are pressed against my sheets.” I groan. I’m turning myself on. Or she’s turning me on. “Sam,” she warns. But she’s laughing, too. She’s so far away from me that I imagine she’s going to roll right off the bed. “You’re awfully far away.” “There’s a reason for that,” she whispers. “What is it?” I whisper back. “Because I have this awful feeling that you’re going to break my heart,” she says. No stutter, so she must have found something to tap on. But I kind of would prefer to think she didn’t. “I don’t plan to hurt you.” God, she might as well have stabbed me in the gut. “No one plans to hurt anyone else. It just happens. Even to good people. So I’m trying not to let myself like you.” “You like me?” “I like you a lot. Too much.” “You like me,” I sing-song in a playful voice. “Sam,” she says on a heavy breath. “What?” “Don’t hurt me, okay?” I can hear the quiver in her voice and tension radiates off of her even from across the bed. It’s like a wire pulled taut. I reach out a hand and feel for her stomach. When I find it, I lift the edge of her shirt and lay my palm on her hip. She squeals when I roll her over and pull her to me. “Sam!” she cries. I adjust her until her bottom is cradled by my thighs. The scent of her hair tickles my nose, so I brush it out of my face, pushing it down between us. It’s silky smooth and she smells so damn good. “Um, Sam…” I nuzzle my face into the nape of her neck and press a kiss to her shoulder. “What?” “You promised to stay on your side of the bed.” “I am on my side of the bed.” She chuckles. “Go to sleep.” She wiggles her bottom in my lap, and I have to pull back a little and adjust my junk. “Um…” “That’s just my dick. I told you he likes you. He’ll give up in a minute. Go to sleep.” My head is lying on my bicep and I feel her turn her head ever so slightly and press a kiss against the tender skin of my inner arm. Damn, that feels good. My hand creeps up a little. This is the first time I’ve touched her naked stomach, and my fingertips are a little greedy. Her hand covers mine and holds it flat against her belly. “Sorry,” I whisper. She doesn’t say anything. She just holds my hand there against her skin, wrapped in hers. After a couple of minutes, she goes soft in my arms. I realize in that moment that I am in serious trouble. Like the awful, terrible, no good, very bad kind. Because I think I’m in love with her. No. I don’t think it. I know it. What I don’t know is whether or not she’s capable of loving me back.
Tammy Falkner (Zip, Zero, Zilch (The Reed Brothers, #6))
ESTABLISH STABLE ANCHORS OF ATTENTION Mindfulness meditation typically involves something known as an anchor of attention—a neutral reference point that helps support mental stability. An anchor might be the sensation of our breath coming in and out of the nostrils, or the rising and falling of our abdomen. When we become lost in thought during practice, we can return to our anchor, fixing our attention on the stimuli we’ve chosen. But anchors can also intensify trauma. The breath, for instance, is far from neutral for many survivors. It’s an area of the body that can hold tension related to a trauma and connect to overwhelming, life-threatening events. When Dylan paid attention to the rising and falling of his abdomen, he would be swamped with memories of mocking faces while walking down the hallway. Other times, feeling a constriction of his breath in the chest echoed a feeling of immobility, which was a traumatic reminder. For Dylan, the breath simply wasn’t a neutral anchor. As a remedy, we can encourage survivors to establish stabilizing anchors of attention. This means finding a focus of attention that supports one’s window of tolerance—creating stability in the nervous system as opposed to dysregulation. Each person’s anchor will vary: for some, it could be the sensations of their hands resting on their thighs, or their buttocks on the cushion. Other stabilizing anchors might include another sense altogether, such as hearing or sight. When Dylan and I worked together, it took a while until he could find a part of his body that didn’t make him more agitated. He eventually found that the sense of hearing was a neutral anchor of attention. At my office, he’d listen for the sound of the birds or the traffic outside, which he found to be stabilizing. “It’s subtle,” he said to me, opening his eyes and rubbing the back of his neck with his hand. “But it is a lot less charged. I’m not getting riled up the same way, which is a huge relief.” In sessions together, Dylan’s anchor was a spot he’d rest his attention on at the beginning of a session or a place to return to if he felt overwhelmed. If he practiced meditation at home—I’d recommended short periods if he could stay in his window of tolerance—he used hearing as an anchor, or “home base” as he called it. “I finally feel like I can access a kind of refuge,” he said quietly, placing his hand on his belly. “My body hasn’t felt safe in so long. It’s a relief to finally feel like I’m learning how to be in here.” Anchors of attention you can offer students and clients practicing mindfulness—besides the sensation of the breath in the abdomen or nostrils—include different physical sensations (feet, buttocks, back, hands) and other senses (seeing, smelling, hearing). One client of mine had a soft blanket that she would touch slowly as an anchor. Another used a candle. For some, walking meditation is a great way to develop more stable anchors of attention, such as the feeling of one’s feet on the ground—whatever supports stability and one’s window of tolerance. Experimentation is key. Using subtler anchors does come with benefits and drawbacks. One advantage to working with the breath is that it is dynamic and tends to hold our attention more easily. When we work with a sense that’s less tactile—hearing, for instance—we may be more prone to drifting off into distraction. The more tangible the anchor, the easier it is to return to it when attention wanders.
David A. Treleaven (Trauma-Sensitive Mindfulness: Practices for Safe and Transformative Healing)
Truth or dare,” I ask, my voice edgy with anticipation and yearning. I know he’ll answer dare – and it will be the last one I give him. “Dare.” “Fuck me,” I beg. He immediately rolls over, gently resting his body on top of mine. I spread my legs, positioning his trim waist and hips in between my thighs. The hard outline of his cock grazes the front of my panties, sending my eyes rolling into the back of my head. He slides his hands under the covers. His fingers sneak under the waistband of my panties. He sits up to slowly glide them down my legs, revealing body in the moonlight. He tosses them, dripping wet, by the side of the bed and the then slides off his tight briefs. His erect cock stands at attention once removed from its fabric confines, pulsing up and down in rhythm with Cole’s racing heartbeat. With the covers now cast to the side, Cole leans over me, devouring my lips. My lips open and I yield him my tongue, which he handles adroitly, flicking it with his own and sucking it with his lips. He leans over to the side of the bed and bends down, picking up his shorts. The movement of his body over mine sends the peaks of his deeply sculpted abs gliding across my soft skin, generating a shiver that trembles through my body. He pulls out his wallet from his shorts pocket and extracts a condom. He kneels on the bed and works the condom down the expansive length of his solid shaft. He imposes his body back over mine, covering me with his huge torso. The length of his cock rests against my warm pussy, throbbing against it. I wrap my legs around his waist and lock my ankles together, pulling him closer toward me. His rough, masculine scent fills my nostrils. He kisses my neck, the light stubble on the side of his check rubbing against my skin. I buck my hips toward him, pressing his cock against me. The bottom of his shaft rests on my warm opening, the tip extends up to my belly button. A delicious anxiousness overtakes me. Will I really be able to fit all of him inside me? “Fuck, Emma, you’re so sexy,” he moans while raking his lips and tongue up and down my neck. He nibbles lightly on my earlobe, his hot, staggered breath brushing against the side of my face. “I want you inside me,” I pant to him. He lifts his hips up and steadies his cock at the precipice of my slick center. He looks me in the eye, and I nod, imploring him to plunge inside me. He does. I shut my eyes as a brief wave of pain washes over me, the shock of accommodating his massive size inside. It soon subsides and my body comfortably accustomed itself to his presence. He slowly pumps in and out of me. I bite down on my bottom lip, waves of pleasure erupting from my center and traversing every inch of my body. My stomach is in knots and my breath is quick and sharp. Every time he lifts his hips to thrust out, my wet cavern craves for him to come back – and he immediately does, pushing himself back in, the length of his shaft rubbing against my insides, the friction driving me wild with ecstasy. I lose track of time as he continues to thrust in and out. I buck my hips against him, hungry for his full length. I tighten my grip with my legs around his waist, greedy for his body to press against mine. “Fuck, Emma, shit,” he moans. I can only respond with unarticulated moans of pleasure and gasps for breath. “Oh, fuck, Cole, I’m gonna come,” I announce. I shut my eyes tight and wrap my arms around his neck, pulling him into me. He thrusts one more time, strongly, and my orgasm erupts. Pulses of pleasure shoot up and down my spine and turn my insides, my chest beats and my heartrate booms against my eardrums. The outside world disappears as I feel my body melting into Cole’s. Cole collapses next to me, a sheen of sweat glistening over his body in the moonlight, highlighting the twists and turns of his musculature. Slowly the world comes back into focus and a blissful
Zoey Shores (Touch Back (Playing for Keeps #1))
I could feel the tension leaving her as she gave in, her kisses rich and consuming as I explored her mouth with mine. I moved my hand that final inch, my thumb dragging its way up the centre of her panties until I found her clit and pressed down, making her gasp in pleasure. I began circling my thumb against her through her panties and she arched her back, her thighs widening further to give me all the access I wanted to destroy her. I kissed harder as I began to unhook her shirt buttons with my free hand, wanting to see those fucking tits I'd been jerking off over in the flesh. Her hands continued to move across my bare skin as I kept working her clit and I gave up trying to take my time with her as she started panting with need. I shifted my hand, pushing her panties aside and growling with desire as I found her pussy soaked and ready for me and I immediately sank a finger deep inside her. Tory moaned, her voice rough and breathy and so fucking sexy that I had to fight the urge to drop my pants and drive my cock into her here and now so that I could hear what it sounded like when I really made her scream. But thanks to fucking Teddy, I knew I didn't have time to fuck her the way I ached to and I didn't want to rush through something I'd been daydreaming about for so long. So I was going to feel her coming for me like this, take control of her pleasure and leave her wanting more so that she was aching for me as much as possible the next time we found ourselves alone like this and I could really show her what I was made of. My other hand found her tit and I squeezed it through her bra, groaning at the fullness in my palm and breaking our kiss as I worked my way down her body to better service her hardened nipple. Tory leaned back, giving me a perfect fucking view of her with her shirt swinging wide and her skirt hitched up around her waist as I drove my finger in and out of her tight pussy. I yanked her bra down, my dick jerking at the sight of her pink nipple before my mouth descended on it and I sucked it between my lips, coupling the move with the addition of a second finger driving inside her. She moaned even louder, her pussy tightening like a vice around my fingers while I sucked on her nipple and felt her body surging towards its climax like I was playing the most exquisite instrument in the world. The moment I felt her coming for me, I reared up and kissed her hard, swallowing her cries of pleasure and tasting her lust as I dragged my tongue over hers. My dick was fucking aching and I growled with a desperate, needy plea of my flesh which I knew I didn't have time to answer as the heat of our kisses softened and I slowly drew my fingers back out of her, fixing her panties into place again. I broke off our kiss with a surge of effort, mentally planning to give Teddy the lesson from hell for forcing me to cut this shit short after I'd waited so long to claim it. Tory blinked up at me in surprise and I had to fight the urge to pout like a bitch as I read the desire in her body and knew she'd been hoping to come all over my cock again after that stunning first round. “I have a student coming in a minute to learn the art of Vampirism from an expert,” I explained, wishing I could just cancel the damn thing, but my mom had already been calling me out on not attending a bunch of these sessions and as our family name was linked to them, it was a bad look for me to miss any more of them. “So that was purely for my benefit?” Tory asked in surprise as she began to re-button her shirt. My jaw ticked with frustration, though I couldn't claim she was the only one of us who had gotten something out of that. “Oh no, I got plenty from that too,” I promised her, my gaze sweeping over her body appreciatively as I began to mentally plan all the things I wanted to do to every inch of her if I was lucky enough to get to do this with her again. (Caleb POV)
Caroline Peckham (The Awakening as Told by the Boys (Zodiac Academy, #1.5))
She hopped off the counter, ducked her head under me to catch my gaze, and palmed my face. “No, he was angry and provoked. You took a bullet for me, Romeo.” I scowled. “Don’t be dramatic.” “Thank you.” Since I’d made no progress finding the starting point to stitch myself, I cleared my throat, stepping back. “You’re welcome. Now leave.” “I want you.” Her hand ran the length of my chest up to my shoulder. I want you, too, which is why I need you to get the hell away from here.I no longer recognize myself or my actions where you’re concerned. You’ve become a liability I cannot afford. Rather than kick her out, I set the needle and thread down. “You can ride my thigh.” “I want to ride your cock.” She teased up the short hem of her olive satin dress. “When you forced me to tag along to Le Bleu, didn’t you say you’ll fuck me if I behave? I behaved.” “I said I’ll fuck you when you’re on your period.” “I interpreted that differently.” “It’s not a Benedict de Spinoza book. It was not open to different interpretations.” “Whatever. That last time wasn’t so great anyway.” Contrary to her words, her dress inched up, flirting with the border of her lace panties. “It happened so long ago that I don’t even remember much. Was I even there? Were you?” Egging me on wouldn’t work. Sadly for her, I was more sophisticated than that. She continued, undeterred. “Oliver told me you’re a born-again virgin. You know your pee pee has other functions, right?” “Leave, Dallas.” (Chapter 55)
Parker S. Huntington (My Dark Romeo (Dark Prince Road, #1))
During the Decolonizing Mars event, as we sat in a smaller group discussion circle, I learned that short women with larger thighs do better at not passing out when they pull high numbers of g’s as fighter pilots; their brains are closer to their hearts, so the additional blood flow helps them remain conscious, and their larger butts/ thighs seem to absorb some impact.
Ashley Shew (Against Technoableism: Rethinking Who Needs Improvement)
I’m so happy, Jack.” Molly rose from the divan and stepped around to her husband. Even after all this time, he seemed utterly unchanged from the man she’d married in 1883—short blond hair, boxy jaw, ice-blue eyes, even that same spruce tailcoat he’d worn the night of their first encounter. “Let me show you what I want for Christmas,” she said, reaching back to untie her filthy corset, letting it fall to her feet. She pulled her chemise over her head, tossed it at the wardrobe, and climbed into bed. “Jaaaaack.” She whispered his name like a prayer, fingers already fast at work in that swampy heat between her thighs.
Blake Crouch (Abandon)
There it was: the bloody bandage wrapped around his thigh. Right where, say, a short human girl might have plunged a dagger when trying to break out of his grasp. Fuck.
Carissa Broadbent (The Serpent and the Wings of Night (Crowns of Nyaxia, #1))
First of all, there’s nothing I can’t have. If I see something I want, even if it’s not actually in my possession yet, it’s already mine. Secondly…” I let my voice trail off as I move the hand that’s not anchoring her against me, running it down from her hip to the bare expanse of thigh exposed by the short hem of her dress. Skimming my palm up, my hand makes its way underneath her skirt until it comes into contact with the scrap of silk covering the juncture of her thighs. Cupping her, I whisper, “...mine.
Candice Clark (The Thief and the Painter (Thick As Thieves #1))
Her heart throbbed wildly as he plunged passionately between her clenched thighs. Moist heat setting their bodies on fire. He moved deeply inside her... into the pits of her wanton world. Fighting her demons. Burning everything down except that place where only they exist, where he possess, consumes, devours her -- entirely. It's pain - insane. It's pleasure - intense. Another darkness. Another madness. Black Hearts
Mystqx Skye
Listen to me, Brooklyn West. You are the most infuriating woman I’ve ever met. You’re fucking crazy, you drink far too much, swear worse than Nix’s batshit Nana, and resort to violence far too quickly.” Her lips part, almost reaching a smile. “I have zero clue how we’re going to straighten out the shit in your head.” I stroke her cheek with my thumb. “You’re fucked up, unstable, and sometimes, you scare the hell out of me. That’s the truth nobody wants to tell you.” Tears shine in her eyes. “I told you to let me go. You still can.” “Shut the fuck up. I’m not done.” Unable to help myself, I let my palm slide up her bare leg. She’s wearing a short black dress, which exposes her creamy thighs as it rides up. Despite the funeral taking place across the road, my cock hardens beneath her. “My life hasn’t been the same since you walked into it.” I graze my lips against hers. “You insisted on trying to kill yourself rather than be saved. I’ve been terrified of losing you since. Every single one of us is wrapped around your finger. We love the bones of you.
J. Rose (Desecrated Saints (Blackwood Institute, #3))
Our bodies are lock and key, and we’re transfixed on each other. Inseparable. Insoluble. I seize her tongue, pulling her in, sucking her, wringing every drop of sweetness from the kiss. She whimpers, her hands clawing at my shoulders, my neck, scraping over my scalp. “I love you." Her words drop hot in my ear with her breasts flattened to my chest and her thighs clenching at my hips. She tightens her pussy around my cock, a deliberate, hungry grasp and release. "Bris.” My eyes roll back. I'm at the mercy of those muscles. "I love you, too." She tucks her head into the curve of my neck, her breaths short and sharp as she recites from “Sonnet LXXXI”, telling me I’m already hers, to rest with my dream inside her dream, that we are joined by forever itself, and that we’ll travel the shadows together. She pants, sitting up straighter, leveraging herself with one arm behind her on the bed, changing the angle, deepening the penetration. In the lamp's light, I see her head flung back in abandon, her muscles straining with the unrelenting ferocity, the rigor of our bodies. “You alone are my dream,” she says, adapting the quote, tears in the eyes she refuses to pull away from me. “And I alone am yours.” It is a pledge of persistence, hidden in the poems I sent her. It’s a vow that she won’t ever give up on us. Knowing she held the poetry in her heart when she wouldn't even consider me, when I wasn’t even sure there was any hope, undoes me. “Bristol, oh God." I touch my forehead to hers, twisting my fingers into the damp hair at her neck. Pressed together, our heartbeats ricocheting, the universe tips, a dazzling lurching. A spectacular axis spinning beyond my restraint, just beyond my control. I once threatened to make her come with my words, but as the stars go blindingly bright and then dark behind my eyes, I realize she’s the one who did it.
Kennedy Ryan (Grip Trilogy Box Set (Grip, #0.5-2))
The factory girls were all about the same age, level of education, family background and so on. The young labourers worked without adequate sleep, rest or food, thinking that was what working entailed for everyone. The heat from the textile machines was enough to drive a person insane, and rolling up their uniform skirts, which were short to begin with, didn’t help – sweat dripped from their elbows and down their thighs. Many had respiratory problems from the plumes of dust that sometimes obscured their vision. The unbelievably meagre wages from working day and night, popping caffeine pills and turning jaundiced, went towards sending male siblings to school. This was a time when people believed it was up to the sons to bring honour and prosperity to the family, and that the family’s wealth and happiness hinged upon male success. The daughters gladly supported the male siblings.
Cho Nam-Joo (Kim Jiyoung, Born 1982)
You can think of the snatch as a clean to the point above your head. Do not even think about taking it on until you have mastered one arm swings and cleans! Stand over a kettlebell, your feet about shoulder width apart, your weight on your heels. Inhale, arch your back, push your butt back, and bend your knees. Reach for the bell with one hand, the arm straight, while keeping the other arm away from your body (initially you may help yourself by pushing with the free hand against your thigh but it is considered ‘no class’ by most gireviks). Swing the bell back and whip it straight overhead in one clean movement. Note that the pulling arm will bend and your body will shift to the side opposite to the weight. But you do not need to worry about trying to do it that way; just pull straight up and your body will find an efficient path in a short while. Do not lift with your arm, but rather with your hips. Project the force straight up, rather than back—as in a jump. You may end up airborne or at least on your toes. It is OK as long as you roll back on your heels by the time the bell comes down. Dip under the K-bell as it is flipping over the wrist. Absorb the shock the same way you did for cleans. Fix the weight overhead, in the press behind the neck position for a second, then let it free fall between your legs as you are dropping into a half squat. Keep the girya near your body when it comes down. As an option, lower the bell to your shoulder before dropping it between the legs. Ease into the one arm power snatch because even a hardcore deadlifter’s hamstrings and palms are guaranteed to take a beating. Especially if your kettlebells are rusty like the ones I trained with at the ‘courage corner’. It was a long time after my discharge before my palms finally lost their rust speckled calluses. Unlike the deadlift, the kettlebell snatch does not impose prohibitively strict requirements on spinal alignment and hamstring flexibility. If you are deadlifting with a humped over back you are generally asking for trouble; KB snatches let you get away with a slightly flexed spine. It is probably due to the fact that your connective tissues absorb shock more effectively when loaded rapidly. Your ligaments have wavy structures. A ballistic shock—as long as it is of a reasonable magnitude—is absorbed by these ‘waves’, which straighten out like springs.
Pavel Tsatsouline (The Russian Kettlebell Challenge: Xtreme Fitness for Hard Living Comrades)
There are a hundred thousand species of love, separately invented, each more ingenious than the last, and every one of them keeps making things. OLIVIA VANDERGRIFF SNOW IS THIGH-HIGH and the going slow. She plunges through drifts like a pack animal, Olivia Vandergriff, back to the boardinghouse on the edge of campus. Her last session ever of Linear Regression and Time Series Models has finally ended. The carillon on the quad peals five, but this close to the solstice, blackness closes around Olivia like midnight. Breath crusts her upper lip. She sucks it back in, and ice crystals coat her pharynx. The cold drives a metal filament up her nose. She could die out here, for real, five blocks from home. The novelty thrills her. December of senior year. The semester so close to over. She might stumble now, fall face-first, and still roll across the finish line. What’s left? A short-answer exam on survival analysis. Final paper in Intermediate Macroeconomics. Hundred and ten slide IDs in Masterpieces of World Art, her blow-off elective. Ten
Richard Powers (The Overstory)
This book asks quite a lot of you in your quest to be fit and fierce. Twelve minutes of exercise, though astoundingly short in terms of the benefits they provide, is still not trivial. You are swinging a heavy weight for dozens, even hundreds of times a day. There had better be a pretty good reason why. There is! The kettlebell swing, with its mix of cardiovascular effort and fat-burning, muscle-building, strength-training may well be the best single exercise! Your kettlebell swings reward you, per swing, and per minute: • You look better! Fat loss, muscle tuning, body shaping, booty toning and posture improvement benefit your appearance, just as they improve your endurance, strength and health. • Your body is reshaped rapidly and muscles strengthened by your swings. Flab on your arms is replaced by functional muscle. Flabby thighs become sleek. • Your training makes you smarter. Well, at least helps you think better. Your swings flood your brain with fresh, oxygenated blood and top it off with a dose of testosterone. • Your general physical abilities improve markedly. You are better able to move, to carry things, to pick up kids, to play sports, to make love, to respond to emergencies with strength and endurance. • Your swings help your posture, allowing you to stand tall. The posterior chain, so well worked with kettlebell swings, includes the key posture muscles. • Your training makes your butt look smaller! Actually your butt becomes shapelier, as the gluteal muscles in the buttocks are key lifters of the kettlebell. You strengthen and shape you entire posterior chain. This focused exercise lifts, firms, tightens and highlights these assets. Each swing makes your butt look better! • The kettlebell swing may be the most effective single exercise for your heart. Swinging the weight rapidly brings your heart into the training zone.
Don Fitch (Get Fit, Get Fierce with Kettlebell Swings: Just 12 Minutes a Day to Lose Weight, Prevent Sitting Disease, Hone Your Body and Tone Your Booty!)
She looked over her shoulder at the ship’s bow. The smallest and highest section of the deck at the front of the vessel, the forecastle, had but one lone figure standing atop it. The flying jib front sail billowed above and ahead of him, stretching out into the endless blue of the sea and sky. Gavin stood with his hands braced on the railing, his tall figure displaying his broad shoulders and narrow waist while showing off his powerful thighs. The glint of a short sword shimmered at his hip. Excitement flared within her again.
Lauren Smith (Devil of the High Seas (Pirates of King's Landing #3))