The Woman In Suite 11 Quotes

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1. His back is full of knives. Notes are brittle around the blades. 2. He sleeps face down every night in a chalk outline of himself. 3. He has difficulties with metal detectors. 4. At birthday parties, someone might politely ask, may I borrow one of those knives to slice this chocolate cake? 5. He likes to stand with his back to walls. At restaurants, he likes the corner tables. 6. There is a detective who calls to ask him about the brittle notes. Also: a biographer, a woman who'd like to film a documentary, a curator of a museum, his mother. I can't read them, he says. They're on my back. 7. It would be a mistake for anyone to assume he wants the knives removed. 8. Most of the brittle notes are illegible. One of them, even, is written in French. 9. Every Halloween, he goes as a victim of a brutal stabbing. Once he tried going as a whale, but it was a hassle explaining away the knives. 10. He always wears the same bloody suit. 11. When he walks, he sounds like a tree still full of dead leaves holding on. 12. It is ok for children to count on his knives, but not to climb on them. 13. He saw his own shadow in a park. He moved his body to make the knives reach other people's shadows. He did it all evening. In the shadows, his knives looked like soft outstretched arms. 14. His back is running out of space. 15. On a trip to Paris, he fell in love and ended up staying for a few years. He got a job performing on the street with the country's best mimes. 16. The knives are what hold him together. It is the notes that are slowly killing him. 17. He is difficult to hold when he cries. 18. He will be very old when he dies and the Doctor will say, he was obviously stabbed, brutally and repeatedly. I'm sorry, the Doctor will say to a person in the room, but he's not going to make it.
Zachary Schomburg (The Man Suit)
For the next two hours, he would toy with her, giving her a chance to repent. Whether she did or not made no difference. He fingered the knife in his pocket. The blade was sharp and tonight she would feel it. Her time would run out an hour before sunrise. As with the others, he would weigh down her body with a cement block. Barely alive, she would struggle against death as they all had. The water would fill her lungs. The last thing she would see on this earth would be his eyes, the eyes of her murderer. How long would it take before her family, her friends reported her missing? A day, possibly two? Surely no longer. Then the search would begin. He would watch the news reports, recording them all on his DVR. In a week or two, some tourist or jogger would spot a floater in the Potomac. All evidence washed away, she would be just another woman executed by the D.C. Killer. He would add her disc to his collection. He whiled away the time thinking about his first kill. She had lounged in her bath, thinking she was alone. When he entered the bathroom, she smiled. The expression on his face made her smile falter. He came at her, grasping her by the shoulders. He pushed her down, holding her struggling body under. Her eyes wide with terror, she tried to plead with her murderer, to ask her husband “Why?” He sank her body in the Potomac, the first victim of the D.C. Killer. The door opened. Shannon Miller stood in the breach, surveying the parking lot. Nervous, she started to go back inside, then changed her mind. She peered toward him, her eyes straining to penetrate the mist and gloom. He was a shadow, invisible to her. Seeing no threat, she stepped out, locked the door and hurried across the deserted lot to her car, a red Toyota with more rust than red. The tap-tap of her high heels pulsated on the cracked asphalt. The beat of her shoes matched the throb of his heart. He could hear her heavy, fearful breathing. He smiled. The moon scurried behind the clouds as if hiding its face in horror. He was an avenger, a messenger of God. His mission was to rid the nation's capital of immoral women. Fearing him, prostitutes now walked the streets in pairs. Even in their terror, they still pursued their wicked trade. At times he saw them huddled in groups of three or four. They reminded him of children in a thunderstorm. Like a spirit, he crept in her direction. The only light was cast by the Miller Lite sign and a distant street lamp. The light in the parking lot had burned out weeks ago, throwing it into darkness. He stalked her as a lion does its prey. He moved slowly, silently, low to the ground, keeping the car between them. His dark running suit blended with the night. He was the Dark Angel, the Angel of Death. In another life, he had passed over Egypt, killing the firstborn of those condemned by God. Her eyes darted in every direction, still she didn't see him. He was invisible. Her hands shook as she tried to get the key in the door. The 11 o'clock news reported that another one had been found. If he stuck with his pattern, the D.C. Killer would strike again tonight. By morning a woman would be dead. She prayed it wouldn’t be her. She fumbled, dropping the key ring. She stooped to pick it up, her head turning in every direction, her ears alert to every sound. Now, without seeing him, she sensed him. She lowered her eyes, trying again, successfully this time. She turned the key. There was a click. She sighed, unaware that she had been holding her breath. The dome light flashed as she opened the door. He was on her in an instant. Their bodies slammed against the door. The light blinked out. He held her in an iron grip with one hand over her mouth and the blade poking into her
Darrell Case
But I heard business at Merlotte’s has fallen off?” Victor tried a look of faux concern on for size, discarded it. “If you need a job, Sookie, I’ll put in a good word with my manager at the Redneck Roadhouse . . . unless you’d prefer to work here? Wouldn’t that be fun!” I had to take a deep breath. There was a long moment’s silence. For that moment, everything hung in the balance. With an amazing control, Eric spackled his rage away behind a wall, at least temporarily. He said, “Sookie is well suited where she works now, Victor. If she were not, she would come to live with me and perhaps work at Fangtasia. She is a modern American woman and used to supporting herself.” Eric said this as if he were proud of my independence, though I knew that wasn’t the case. He really couldn’t understand why I persisted in keeping my job.
Charlaine Harris (Dead Reckoning (Sookie Stackhouse, #11))
One of the things I had dreamed about obsessively, sweaty nightmares, back in the dark days of postnatal anxiety, had been my green card expiring and ICE coming to batter down the door.
Ruth Ware (The Woman in Suite 11 (Lo Blacklock, #2))
But even with that precious US passport, I was still aware that if anything happened to Judah, I would be pretty screwed. Our life here, our health insurance, our mortgage payments, they all rested on his job. And I didn’t want that. And not just for me—I didn’t want it for Judah either. I didn’t want the whole burden of keeping our little family afloat to rest on his shoulders.
Ruth Ware (The Woman in Suite 11 (Lo Blacklock, #2))
You’re like Tigger, you are, no matter how hard you fall, you always bounce back.
Ruth Ware (The Woman in Suite 11 (Lo Blacklock, #2))
no matter how often he tried to persuade me that month, day, year was the logical sequence, I would never get used to it. Who the hell went middle, small, large? It made no sense.
Ruth Ware (The Woman in Suite 11 (Lo Blacklock, #2))
again. I didn’t want to be one of those women who nitpicked every time their husbands did something slightly differently to the way they would have done it.
Ruth Ware (The Woman in Suite 11 (Lo Blacklock, #2))
let out a shaky breath—yes, that one, the one I didn’t know I’d been holding
Ruth Ware (The Woman in Suite 11 (Lo Blacklock, #2))
One of the things I had dreamed about obsessively, sweaty nightmares, back in the dark days of postnatal anxiety, had been my green card expiring and ICE coming to batter down the door. The idea had haunted me no matter how many times Judah told me it wasn’t going to happen – that as the wife of a US citizen and the mother of two, I wasn’t going to get deported.
Ruth Ware (The Woman in Suite 11 (Lo Blacklock, #2))
the world had changed a lot since Bruce Chatwin’s day. No one wanted to hear middle-aged white men wanging on about their spiritual voyages in developing nations,
Ruth Ware (The Woman in Suite 11 (Lo Blacklock, #2))
me
Ruth Ware (The Woman in Suite 11 (Lo Blacklock, #2))
For travel is a magic like no other. It brings us together. It creates memories.
Ruth Ware (The Woman in Suite 11 (Lo Blacklock, #2))
The castle itself was supposed to date back to the twelfth century, but very little of the original structure remained. Perhaps a turret or two in the far corner, if that. In the eighteenth century it had been heavily remodeled in the classical style and now it was a white stucco U-shaped building with a tall central section and two symmetrical side wings enclosing the cobbled courtyard where my chauffeur-driven car was sweeping to a halt.
Ruth Ware (The Woman in Suite 11 (Lo Blacklock, #2))
putting
Ruth Ware (The Woman in Suite 11 (Lo Blacklock, #2))
Power is the only thing worth having. It is the reason I have kept the Leidmann Group private all these years. I have never been a drug user, but the exercise of power… that is a very heady drug indeed, and one that is very hard to give up.
Ruth Ware (The Woman in Suite 11 (Lo Blacklock, #2))
LuXury Dubai Call Girls 0501780622 Thirty Floors Above the Desert The Burj Al Arab suite was all gold and glass and impossible height. Outside the floor-to-ceiling windows, Dubai glittered like someone had spilled a trillion dollars across black sand and lit it on fire. Zara stepped off the private elevator at exactly 11:07 p.m. Black abaya left in the Rolls downstairs; now just a backless emerald dress that cost more than most people’s rent and heels sharp enough to commit murder. Her hair fell in dark waves to her waist, still smelling of oud from the spa. He was waiting by the bar, jacket gone, white shirt open at the collar, cufflinks glinting like liquid mercury under the chandelier. Khalid Al-Mansour. Thirty-three. Old Emirati money mixed with new oil money. The kind of man who could buy a woman’s silence in seven figures and still make her thank him. “You’re late,” he said, voice low, amused. “Traffic on Sheikh Zayed,” she lied smoothly, letting her clutch drop onto the marble. “You said midnight.” “I said be ready when I want you.” He poured champagne, two flutes, didn’t offer her one yet. “Take the dress off.” No hello. No small talk. She liked that. Zara reached behind for the zipper, let the silk slide down her body like liquid sin. Nothing underneath except skin the color of warm caramel and a thin gold chain around her hips that caught the light every time she breathed. Khalid’s eyes went almost black. He crossed the room in three strides, backed her against the cold glass. Thirty floors up, the city sprawled beneath them like a toy no one else was allowed to play with. His mouth found her throat first, teeth scraping, tongue soothing. One hand pinned both her wrists above her head; the other slid between her thighs without asking permission. “Already soaked,” he murmured against her pulse. “Tell me, habibti, did you start touching yourself in the car thinking about this?” “Maybe,” she breathed, arching into his fingers. “Or maybe I just know what twenty-five thousand dollars an hour feels like inside me.” He laughed, dark and dangerous, and rich, and pushed two fingers deep, curling until her knees shook against the glass. “Look down,” he ordered, turning her face to the window. “Whole city watching you fall apart for me.” Dubai blinked and shimmered below, indifferent and dazzling. She came with his name in Arabic on her tongue and his thumb on her clit, forehead pressed to the cool glass, legs trembling so hard he had to hold her up. When the aftershocks faded, he spun her, lifted her onto the grand piano no one ever played, and dropped to his knees like a man about to pray to something far less holy. By the time the sun bled gold across the desert, the sheets were ruined, her lipstick was on his thigh, and there was a new diamond bracelet locked around her wrist that hadn’t been there at midnight. She left at 6:00 a.m. sharp, dress back on, heels in hand, city waking up beneath her feet. He stayed in bed, smoking, watching the door close. Same time next week, the bracelet said. She smiled in the elevator all the way down. Some cities don’t need love stories. They just need transactions that feel like sin and pay like heaven.
simran virak