The Witcher Quotes

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People," Geralt turned his head, "like to invent monsters and monstrosities. Then they seem less monstrous themselves. When they get blind-drunk, cheat, steal, beat their wives, starve an old woman, when they kill a trapped fox with an axe or riddle the last existing unicorn with arrows, they like to think that the Bane entering cottages at daybreak is more monstrous than they are. They feel better then. They find it easier to live.
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
Lesser, greater, middling, it's all the same. Proportions are negotiated, boundaries blurred. I'm not a pious hermit, I haven't done only good in my life. But if I'm to choose between one evil and another, then I prefer not to choose at all.
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
Evil is Evil. Lesser, greater, middling… Makes no difference. The degree is arbitary. The definition’s blurred. If I’m to choose between one evil and another… I’d rather not choose at all.
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
Nonsense," said the witcher. "And what's more, it doesn't rhyme. All decent predictions rhyme.
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
There is never a second opportunity to make a first impression.
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
You’ve mistaken the stars reflected on the surface of the lake at night for the heavens.
Andrzej Sapkowski (Blood of Elves (The Witcher, #1))
People”—Geralt turned his head—“like to invent monsters and monstrosities. Then they seem less monstrous themselves.
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
There's a grain of truth in every fairy tale,
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
Evil is evil, Stregobor,” said the witcher seriously as he got up. “Lesser, greater, middling, it's all the same. Proportions are negotiated, boundaries blurred. I’m not a pious hermit. I haven't done only good in my life. But if I’m to choose between one evil and another, then I prefer not to choose at all.
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
Mistakes,’ he said with effort, ‘are also important to me. I don’t cross them out of my life, or memory. And I never blame others for them.
Andrzej Sapkowski (Blood of Elves (The Witcher, #1))
I know you’re almost forty, look almost thirty, think you’re just over twenty and act as though you’re barely ten.
Andrzej Sapkowski (Blood of Elves (The Witcher, #1))
A mother, you son-of-a-bitch, is sacred!
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
What is truth? The negation of lies? Or the statement of a fact? And if the fact is a lie, what then is the truth?
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
It’s better to die than to live in the knowledge that you’ve done something that needs forgiveness.
Andrzej Sapkowski (Blood of Elves (The Witcher, #1))
I manage because I have to. Because I've no other way out. Because I've overcome the vanity and pride of being different, I've understood that they are a pitiful defense against being different. Because I've understood that the sun shines differently when something changes. The sun shines differently, but it will continue to shine, and jumping at it with a hoe isn't going to do anything.
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
They weren't lying. They firmly believed it all. Which doesn't change the facts.
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
Świat się zmienia, słońce zachodzi, a wódka się kończy.
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
I need this conversation. They say silence is golden. Maybe it is, although I'm not sure it's worth that much. It has its price certainly; you have to pay for it.
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
That’s the role of poetry, Ciri. To say what others cannot utter.
Andrzej Sapkowski (Time of Contempt (The Witcher, #4))
Remember,” she repeated, “magic is Chaos, Art and Science. It is a curse, a blessing and progress. It all depends on who uses magic, how they use it, and to what purpose. And magic is everywhere. All around us. Easily accessible.
Andrzej Sapkowski (Blood of Elves (The Witcher, #1))
Only Evil and Greater Evil exist and beyond them, in the shadows, lurks True Evil. True Evil, Geralt, is something you can barely imagine, even if you believe nothing can still surprise you. And sometimes True Evil seizes you by the throat and demands that you choose between it and another, slightly lesser, Evil.
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
As usual, cats and children noticed him first.
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
Because I know that in order to unite two people, destiny is insufficient. Something more is necessary than destiny.
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
Why didn't you become a sorcerer, Geralt? Weren't you ever attracted by the Art? Be honest.' 'I will. I was.' 'Why, then, didn't you follow the voice of that attraction?' 'I decided it would be wiser to follow the voice of good sense.' 'Meaning?' 'Years of practice in the witcher's trade have taught me not to bite off more than I can chew. Do you know, Vilgefortz, I once knew a dwarf, who, as a child, dreamed of being an elf. What do you think; would he have become one had he followed the voice of attraction?
Andrzej Sapkowski (Czas pogardy (Saga o Wiedźminie, #2))
I could never resist the temptation of having a look at something that doesn't exist.
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
No. I’ve no time to waste. Winter’s coming.
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
I don't believe in Melitele, don't believe in the existence of other gods either, but I respect your choice, your sacrifice. Your belief. Because your faith and sacrifice, the price you're paying for your silence, will make you better, a greater being. Or, at least, it could. But my faithlessness can do nothing. It's powerless.
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
All around, everywhere you look, is dullness and uncertainty. Even something born of beauty soon leads to boredom and banality, commonplace, the human ritual, the tedious rhythm of life.
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
Destiny has many faces. Mine is beautiful on the outside and hideous on the inside. She has stretched her bloody talons toward me—
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
Intolerance and superstition has always been the domain of the more stupid amongst the common folk and, I conjecture, will never be uprooted, for they are as eternal as stupidity itself. There, where mountains tower today, one day there will be seas; there where today seas surge, will one day be deserts. But stupidity will remain stupidity. Nicodemus de Boot, Meditations on life, Happiness and Prosperity
Andrzej Sapkowski (Blood of Elves (The Witcher, #1))
always takes action. Wrongly or rightly; that is revealed later. But you should act, be brave, seize life by the scruff of the neck. Believe me, little one, you should only regret inactivity, indecisiveness, hesitation. You shouldn’t regret actions or decisions, even if they occasionally end in sadness and regret.
Andrzej Sapkowski (The Time of Contempt (The Witcher #2))
Make use of the opportunity to have a bath yourself. I can not only guess the age and breed of your horse, but also its color, by the smell.
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
Doubts. Only evil, sir, never has any. But no one can escape his destiny.
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
For I must tell you, gentle reader, that Geralt the Witcher was always a modest, prudent and composed man, with a soul as simple and uncomplicated as the shaft of a halberd.
Andrzej Sapkowski (Wieża Jaskółki (Saga o Wiedźminie, #4))
We know little about love. Love is like a pear. A pear is sweet and has a distinct shape. Try to define the shape of a pear. Dandelion,
Andrzej Sapkowski (The Time of Contempt (The Witcher #2))
But every dream, if dreamed too long, turns into a nightmare. And we awake from such dreams screaming.
Andrzej Sapkowski (The Lady of the Lake (The Witcher, #5))
Well, we’re afeared. And what of it? Do we sit down and weep and tremble? Life must go on. And what will be, will be. What is destined can’t be avoided, in any case.
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
You surround the dead with veneration and memory, you dream of immortality, and in your myths and legends there’s always someone being resurrected, conquering death. But were your esteemed late great-grandfather really to suddenly rise from the grave and order a beer, panic would ensue.
Andrzej Sapkowski (Baptism of Fire (The Witcher, #3))
If the world is to be saved like that-' the Witcher lifted his head '-it would be better for it to perish
Andrzej Sapkowski (Pani Jeziora (Saga o Wiedźminie, #5))
Do you want to break Roach’s back?’ ‘Is it Roach? Roach was a bay, and she’s a chestnut.’ ‘All of my horses are called Roach.
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
You've a right to believe that we're governed by Nature and the hidden Force within her. You can think that the gods, including my Melitele, are merely a personification of this power invented for simpletons so they can understand it better, accept its existence. According to you, that power is blind. But for me, Geralt, faith allows you to expect what my goddess personifies from nature: order, law, goodness. And hope.
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
And why not?' the merchant replied seriously. 'Why not have doubts? It's nothing but a human and good thing'. 'What?' 'Doubt. Only an evil man, master Geralt, is without it. And no one escapes his destiny'.
Andrzej Sapkowski
Women don't have a say in my house. But, just between us, don't do what you did during supper last time in front of her again.” “You mean when I threw my fork at that rat?” “No. I mean when you hit it, even in the dark.
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
Life, it turns out, isn’t poetry! And do you know why? Because it’s so resistant to criticism!
Andrzej Sapkowski (Baptism of Fire (The Witcher, #3))
Since when did you know anything about mimicking bird calls, Zoltan?’ ‘That’s the whole point. If you hear a strange, unrecognisable sound, you’ll know it’s me.
Andrzej Sapkowski (Baptism of Fire (The Witcher, #3))
Our world is in equilibrium. The annihilation, the killing, of any creatures that inhabit this world upsets that equilibrium. And a lack of equilibrium brings closer extinction; extinction and the end of the world as we know it.
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
What a company I ended up with,’ Geralt continued, shaking his head. ‘Brothers in arms! A team of heroes! What have I done to deserve it? A poetaster with a lute. A wild and lippy half-dryad, half-woman. A vampire, who’s about to notch up his fifth century. And a bloody Nilfgaardian who insists he isn’t a Nilfgaardian.
Andrzej Sapkowski (Baptism of Fire (The Witcher, #5))
I thought I was choosing the lesser evil. I chose the lesser evil. Lesser evil! I’m Geralt! Witcher…I’m the Butcher of Blaviken—
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
Well, what can I say, it’s a base world,’ he finally muttered. ‘But that’s no reason for us all to become despicable.
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
Aridea quite often turned to the Mirror—’ ‘With the usual question, I take it,’ interrupted Geralt. ‘“Who is the fairest of them all?” I know; all Nehalenia’s Mirrors are either polite or broken.
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
when they’re about to hang you, ask for a glass of water. You never know what might happen before they bring it.
Andrzej Sapkowski (Lady of the Lake (The Witcher, #7))
We won’t manage to do much more than we’re capable of,’ he said more quietly and more warmly. ‘But we shall all do our best to make sure it won’t be much less.
Andrzej Sapkowski (The Lady of the Lake (The Witcher, #5))
It’s good to feel fear. If you feel fear it means there’s something to be feared, so be vigilant. Fear doesn’t have to be overcome. Just don’t yield to it. And you can learn from it.
Andrzej Sapkowski (Season of Storms (The Witcher, #8))
When there’s hunger you don’t share out your food, you just devour the weakest ones. This practice works among wolves, since it lets the healthiest and strongest individuals survive. But among sentient races selection of that kind usually allows the biggest bastards to survive and dominate the rest.
Andrzej Sapkowski (Baptism of Fire (The Witcher, #3))
Now you’re lying, Dandelion.’ ‘Not lying, just embellishing, and there’s a difference.
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
But you should act, be brave, seize life by the scruff of the neck. Believe me, little one, you should only regret inactivity, indecisiveness, hesitation. You shouldn’t regret actions or decisions, even if they occasionally end in sadness and regret.
Andrzej Sapkowski (The Time of Contempt (The Witcher #2))
Lilit's path was to be prepared by ‘sixty women wearing gold crowns, who would fill the river valleys with blood.’” “Nonsense,” said the witcher. “And what's more, it doesn't rhyme. All decent predictions rhyme.
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
Nature doesn’t know the concept of philosophy, Geralt of Rivia. The pathetic – ridiculous – attempts which people undertake to try to understand nature are typically termed philosophy. The results of such attempts are also considered philosophy.
Andrzej Sapkowski (Time of Contempt (The Witcher, #4))
Dandelion, staring into the dying embers, sat much longer, alone, quietly strumming his lute. It began with a few bars, from which an elegant, soothing melody emerged. The lyric suited the melody, and came into being simultaneously with it, the words bending into the music, becoming set in it like insects in translucent, golden lumps of amber. The ballad told of a certain witcher and a certain poet. About how the witcher and the poet met on the seashore, among the crying of seagulls, and how they fell in love at first sight. About how beautiful and powerful was their love. About how nothing - not even death - was able to destroy that love and part them. Dandelion knew that few would believe the story told by the ballad, but he was not concerned. He knew ballads were not written to be believed, but to move their audience. Several years later, Dandelion could have changed the contents of the ballad and written about what had really occurred. He did not. For the true story would not have move anyone. Who would have wanted to hear that the Witcher and Little Eye parted and never, ever, saw each other again? About how four years later Little Eye died of the smallpox during an epidemic raging in Vizima? About how he, Dandelion, had carried her out in his arms between corpses being cremated on funeral pyres and buried her far from the city, in the forest, alone and peaceful, and, as she had asked, buried two things with her: her lute and her sky blue pearl. The pearl from which she was never parted. No, Dandelion stuck with his first version. And he never sang it. Never. To no one. Right before the dawn, while it was still dark, a hungry, vicious werewolf crept up to their camp, but saw that it was Dandelion, so he listened for a moment and then went on his way.
Andrzej Sapkowski (Miecz przeznaczenia (Saga o Wiedźminie, #0.7))
Become a priest. You wouldn't be bad at it with all your scruples, your morality, your knowledge of people and of everything. The fact that you don't believe in any gods shouldn't be a problem—I don't know many priests who do.
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
The Witcher had a knife to his throat. He was wallowing in a wooden tub, brimfull with soapsuds, his head thrown agains the slippery rim. The bitter taste of soap lingered in his mouth as the knife, blunt as a doorknob, scraped his Adam's apple painfully and moved towards his chin with a grating sound.
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
Evil is evil, Stregobor,’ said the witcher seriously as he got up. ‘Lesser, greater, middling, it’s all the same. Proportions are negotiated, boundaries blurred. I’m not a pious hermit, I haven’t done only good in my life. But if I’m to choose between one evil and another, then I prefer not to choose at all.
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
I shit on justice!” yelled the mayor, not caring if there were any voters under the window.
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
Mylisz niebo z gwiazdami odbitymi nocą na powierzchni stawu.
Andrzej Sapkowski (Blood of Elves (The Witcher, #1))
There's a grain of truth in every fairy tale.. Love and blood. They both posses a mighty power. Wizards and learned men have been racking their brains over this for years, but they haven't arrived at anything except that-" "That what, Geralt?" "It has to be true love
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
You can't stop a soldier from being frightened but you can give him motivation to help him overcome that fear. I have no such motivation. I can't have. I'm a witcher: an artificially created mutant. I kill monsters for money. I defend children when their parents pay me to. If Nilfgaardian parents pay me, I'll defend Nilfgaardian children. And even if the world lies in ruin - which does not seem likely to me - I'll carry on killing monsters in the ruins of this world until some monster kills me. That is my fate, my reason, my life and my attitude to the world. And it is not what I chose. It was chosen for me.
Andrzej Sapkowski (Krew elfów (Saga o Wiedźminie, #1))
A baptism of fire, the Witcher thought, furiously striking and parrying blows. I was meant to pass through fire for Ciri. And I'm passing through fire in a battle which is of no interest to me at all. Which I don't understand in any way. The fire that was meant to purify me is just scorching my hair and face.
Andrzej Sapkowski (Chrzest ognia (Saga o Wiedźminie, #3))
Life is full of hazards, selection also occurs in life, Geralt. Misfortune, sicknesses and wars also select. Defying destiny may be just as hazardous as succumbing to it.
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
We were all just as brave,’ finished Julia Abatemarco. ‘Neither of the sides had the strength to be braver. But we … We managed to be brave for a minute longer.
Andrzej Sapkowski (The Lady of the Lake (The Witcher, #5))
Don’t be embarrassed,’ she said, throwing an armful of clothing on the hook. ‘I don’t faint at the sight of a naked man. Triss Merigold, a friend, says if you’ve seen one, you’ve seen them all.
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
Don't you think”—he smiled—“that my lack of faith makes such a trance pointless?” “No, I don't. And do you know why?” “No.” Nenneke leaned over and looked him in the eyes with a strange smile on her pale lips. “Because it would be the first proof I’ve ever heard of that a lack of faith has any kind of power at all.
Andrzej Sapkowski (The Last Wish (The Witcher 0.5))
Yes, we are corpses. But you are death. Ciri
Andrzej Sapkowski (Time of Contempt (The Witcher, #4))
It’s as though a cabbage tried to investigate the causes and effects of its existence,
Andrzej Sapkowski (Time of Contempt (The Witcher, #4))
We enter the world as a minute part of the life we are given, and from then on we are ever paying off debts. To ourselves. For ourselves. In order for the final reckoning to tally.
Andrzej Sapkowski (Baptism of Fire (The Witcher, #5))
Dandelion! You’re asleep in the saddle!’ ‘I’m not asleep. I’m thinking creatively!
Andrzej Sapkowski (The Tower of Swallows (The Witcher, #4))
Thirdly,’ the Witcher replied in a tired voice, ‘the monthly quota on miracles was used up when the woman from Kernow found her missing husband.
Andrzej Sapkowski (Baptism of Fire (The Witcher, #3))
(...) Ale, między nami, nie rób przy niej tego, co ostatnim razem, podczas kolacji. - Idzie ci o to, że rzuciłem widelcem w szczura? - Nie. Idzie mi o to, że trafiłeś, chociaż było ciemno. - Myślałem, że to będzie zabawne.
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
During his life, the witcher had met thieves who looked like town councilors, councilors who looked like beggars, harlots who looked like princesses, princesses who looked like calving cows and kings who looked like thieves. But Stregobor always looked as, according to every rule and notion, a wizard should look. He was tall, thin and stooping, with enormous bushy gray eyebrows and a long, crooked nose. To top it off, he wore a black, trailing robe with improbably wide sleeves, and wielded a long staff capped with a crystal knob.
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
And now he was glowing with happiness, pride and a sense of importance, like every liar when his lies accidentally turn out to be true.
Andrzej Sapkowski (The Tower of Swallows (The Witcher, #4))
Fifty for a werewolf. That was plenty, for the work had been easy. The werewolf hadn’t even fought back. Driven into a cave from which there was no escape, it had knelt down and waited for the sword to fall. The Witcher had felt sorry for it. But he needed the money.
Andrzej Sapkowski (The Time of Contempt (The Witcher #2))
Ludzie lubią wymyślać potwory i potworności. Sami sobie wydają się wtedy mniej potworni.
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
he who fights with the sword dies by the sword.
Andrzej Sapkowski (Blood of Elves (The Witcher, #1))
it is well known that if there is anything that makes men thirstier than the acquisition of knowledge it is the full or partial prohibition of drinking.
Andrzej Sapkowski (Blood of Elves (The Witcher, #1))
Draw me not without reason; sheath me not without honour”.
Andrzej Sapkowski (The Tower of Swallows (The Witcher, #4))
I lose a great deal of my charm when one gets to know me better.
Andrzej Sapkowski (Blood of Elves (The Witcher, #1))
Doubts. Only evil, sir, never has any.
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
So long, Nenneke." "So long, Geralt. Look after yourself." The witcher's smile was surly. "I prefer to look after others. It turns out better in the long run.
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
Because I’ve overcome the vanity and pride of being different. I’ve understood that they are a pitiful defense against being different. Because I’ve understood that the sun shines differently when something changes, but I’m not the axis of those changes.
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
Men are psychologically unstable, too prone to emotions; not to be relied upon in moments of crisis.
Andrzej Sapkowski (Baptism of Fire (The Witcher, #3))
Let them call me a traitor and a coward. Because I, Yarpen Zigrin, coward, traitor and renegade, state that we should not kill each other. I state that we ought to live. Live in such a way that we don't, later, have to ask anyone for forgiveness.
Andrzej Sapkowski (Blood of Elves (The Witcher, #1))
You catch fear,” Ciri repeated proudly, brushing her ashen fringe from her forehead. “Didn’t you know? Even when something bad happens to you, you have to go straight back to that piece of equipment or you get frightened. And if you’re frightened you’ll be hopeless at the exercise. You mustn’t give up. Geralt said so.
Andrzej Sapkowski (Blood of Elves (The Witcher #1))
You won't do it.' Bonhart's voice resounded in the complete silence. 'You won't do it, witcher girl. In Kaer Morhen you were taught how to kill, so you kill like a machine. Instinctively. To kill yourself you need character, strength, determination and courage. And they couldn't teach you that.
Andrzej Sapkowski (Wieża Jaskółki (Saga o Wiedźminie, #4))
It’s incredible,’ the Witcher smiled hideously, ‘how much my neutrality outrages everybody. How it makes me subject to offers of pacts and agreements, offers of collaboration, lectures about the necessity to make choices and join the right side.
Andrzej Sapkowski (The Time of Contempt (The Witcher #2))
Some have brains, so they get a book! Others are feather-brained, so they get a broom!
Andrzej Sapkowski (Blood of Elves (The Witcher, #1))
In order to become a witcher, you have to be born in the shadow of destiny, and very few are born like that.
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
Mamma, are they demons? Is it the Wild Hunt? Phantoms from hell? Mamma, mamma! Quiet, quiet, children. They are not demons, not devils . . . Worse than that. They are people.
Andrzej Sapkowski (The Tower of the Swallow (The Witcher, #6))
They didn’t teach me how to tend wounds,’ she said bitterly. ‘They taught me how to kill, telling me that’s how I could save people. It was one big lie, Little Horse. They deceived me.
Andrzej Sapkowski (The Time of Contempt (The Witcher #2))
Listen, Geralt—" "No. You won't win me over with your reasons nor convince me that Eltibad wasn't a murdering madman, so let's get back to the monster threatening you. You'd better understand that, after the introduction you've given me, I don't like the story. But I'll hear you out." "Without interrupting with spiteful comments?" "That I can't promise.
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
Then, four years later I received news from Aridea. She’d tracked down the little one, who was living in Mahakam with seven gnomes whom she’d managed to convince it was more profitable to rob merchants on the roads than to pollute their lungs with dust from the mines.
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
Shani smiled even more beautifully and Dandilion was once more filled with the desire to finally compose a ballad about girls like her – not too pretty but nonetheless beautiful, girls of whom one dreams at night when those of classical beauty are forgotten after five minutes.
Andrzej Sapkowski (Blood of Elves (The Witcher, #1))
We be decent thieves, not some politicals.
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
You don’t have to kill your feelings. It’s enough to kill hatred within yourself.
Andrzej Sapkowski (Blood of Elves (The Witcher, #1))
Ignorance is no justification for ill-conceived actions. When one doesn't know or has doubts it's best to seek advice.
Andrzej Sapkowski (Baptism of Fire (The Witcher, #3))
Nothing. I've had a bit to drink and I'm philosophizing. I'm looking for general truths. And I've found one: lesser evils exist, but we can't choose them. Only True Evil can force us to such a choice. Whether we like it or not.
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
And you? Don't you have dreams now?' 'I do,' he said bitterly. 'But seldom since we crossed the Yaruga. And I remember nothing after waking. Something has ended in me, Cahir. Something has burned out. Something has ruptured in me . . .' 'Never mind, Geralt. I shall dream for both of us.
Andrzej Sapkowski (Wieża Jaskółki (Saga o Wiedźminie, #4))
Geralt . . . Listen to me—’ ‘Listen to what?’ shouted the Witcher, before his voice suddenly faltered. ‘I can’t leave— I can’t just leave her to her fate. She’s completely alone . . . She cannot be left alone, Dandelion. You’ll never understand that. No one will ever understand that, but I know. If she remains alone, the same thing will happen to her as once happened to me . . . You’ll never understand that . .
Andrzej Sapkowski (Time of Contempt (The Witcher, #4))
And so it's an eye for an eye, a tooth for a tooth? Blood for blood? And for that blood, more blood? A sea of blood? Do you want to drown the world in blood? O naive, damaged girl! Is that how you mean to fight evil, little witcher?
Andrzej Sapkowski (Wieża Jaskółki (Saga o Wiedźminie, #4))
Dear friend…' The Witcher swore quietly, looking at the sharp, angular, even runes drawn with energetic sweeps of the pen, faultlessly reflecting the author’s mood. He felt once again the desire to try to bite his own backside in fury. When he was writing to the sorceress a month ago he had spent two nights in a row contemplating how best to begin. Finally, he had decided on “Dear friend.” Now he had his just deserts. 'Dear friend, your unexpected letter – which I received not quite three years after we last saw each other – has given me much joy. My joy is all the greater as various rumours have been circulating about your sudden and violent death. It is a good thing that you have decided to disclaim them by writing to me; it is a good thing, too, that you are doing so so soon. From your letter it appears that you have lived a peaceful, wonderfully boring life, devoid of all sensation. These days such a life is a real privilege, dear friend, and I am happy that you have managed to achieve it. I was touched by the sudden concern which you deigned to show as to my health, dear friend. I hasten with the news that, yes, I now feel well; the period of indisposition is behind me, I have dealt with the difficulties, the description of which I shall not bore you with. It worries and troubles me very much that the unexpected present you received from Fate brings you worries. Your supposition that this requires professional help is absolutely correct. Although your description of the difficulty – quite understandably – is enigmatic, I am sure I know the Source of the problem. And I agree with your opinion that the help of yet another magician is absolutely necessary. I feel honoured to be the second to whom you turn. What have I done to deserve to be so high on your list? Rest assured, my dear friend; and if you had the intention of supplicating the help of additional magicians, abandon it because there is no need. I leave without delay, and go to the place which you indicated in an oblique yet, to me, understandable way. It goes without saying that I leave in absolute secrecy and with great caution. I will surmise the nature of the trouble on the spot and will do all that is in my power to calm the gushing source. I shall try, in so doing, not to appear any worse than other ladies to whom you have turned, are turning or usually turn with your supplications. I am, after all, your dear friend. Your valuable friendship is too important to me to disappoint you, dear friend. Should you, in the next few years, wish to write to me, do not hesitate for a moment. Your letters invariably give me boundless pleasure. Your friend Yennefer' The letter smelled of lilac and gooseberries. Geralt cursed.
Andrzej Sapkowski (Krew elfów (Saga o Wiedźminie, #1))
As you correctly observed, this isn’t a fairy tale, it’s life. Lousy and evil. And so, damn it all, let’s live it decently and well. Let’s keep the amount of harm done to others to the absolute minimum.
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
don't try to charm me with your hard and insolent masculinity.
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
- Знаешь, Цири, что даёт человеку университетское образование? - Нет. Что? - Умение пользоваться источниками.
Andrzej Sapkowski (Wieża Jaskółki (Saga o Wiedźminie, #4))
He was calm and cold. And killed calmly and coldly.
Andrzej Sapkowski (The Time of Contempt (The Witcher #2))
In this rotten world, Zoltan Chivay, goodness, honesty and integrity become deeply engraved in the memory.
Andrzej Sapkowski (Baptism of Fire (The Witcher, #3))
A woman accentuates her beauty for her own self-esteem.
Andrzej Sapkowski (Blood of Elves (The Witcher, #1))
To me, Madam Yennefer, wisdom includes the ability to turn a deaf ear to foolish or insincere advice.
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
Anxiety is never irrational, Geralt thought to himself. Aside from psychological disturbances. It was one of the first things novice witchers were taught. It’s good to feel fear. If you feel fear it means there’s something to be feared, so be vigilant. Fear doesn’t have to be overcome. Just don’t yield to it. And you can learn from it.
Andrzej Sapkowski (Season of Storms (The Witcher, #8))
Geralt finished his mug of herb tea, grimacing dreadfully. He valued and liked the settled elves for their intelligence, calm reserve and sense of humour, but he couldn’t understand or share their taste in food or drink.
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
It was a ceremonial supper. For they were going to part in the morning. In the morning each of them was going to go their own way; in search of something they already had. But they did not know they had it, they could not even imagine it. They could not imagine where the roads they were meant to set off on the next morning would lead. Each of them travelling separately.
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
Money," he muttered, "opens all doors.
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
Only in fables survives what cannot survive in nature. Only myths and fables do not know the limits of possibility.’ Three
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
- ბოროტება ბოროტებაა, სტრებოგორ - მხედვარი წამოდგა, - ნაკლები, მეტი, საშუალო - სულერთია. ზომები პირობითია, საზღვრები - არეული.
Andrzej Sapkowski
A heavy smell of sour wine, candles and overripe fruit hung in the air. And something else, that bought to mind a mixture of the scents of lilac and gooseberries.
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
Yo, si algo deseo, no sueño, sino que actúo. Y siempre consigo aquello que deseo
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
If I'm to choose between one evil and another, then I prefer not to choose at all.
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
We know little about love. Love is like a pear. A pear is sweet and has a distinct shape. Try to define the shape of a pear. Dandelion, Half a Century of Poetry
Andrzej Sapkowski (The Time of Contempt (The Witcher #2))
But, Dandelion, I could never resist the temptation of having a look at something that doesn’t exist.
Andrzej Sapkowski (The Last Wish (The Witcher 0.5))
If people pay for something they believe in it: whatever is paid for becomes real and legal. The more expensive, the better.
Andrzej Sapkowski (Season of Storms (The Witcher, #6))
The past, present and future lurk in every moment of time. Eternity is hidden in every moment of time. Do you understand?’ ‘No.’ ‘Never mind.
Andrzej Sapkowski (The Lady of the Lake (The Witcher, #5))
I can’t bear the pointlessness of what we’re doing. Because it is pointless. It’s one great, enormous pointless pit of pointlessness.
Andrzej Sapkowski (The Lady of the Lake (The Witcher, #5))
It may turn out,’ said the white-haired man a moment later, ‘that their comrades or cronies may ask what befell these evil men. Tell them the Wolf bit them. The White Wolf. And add that they should keep glancing over their shoulders. One day they’ll look back and see the Wolf.’ When,
Andrzej Sapkowski (The Time of Contempt (The Witcher #2))
Cahir, wrinkling his brow imperiously, shouted back something menacing about imperial service, backing up his words with the classically military and ever effective ‘for fuck’s sake’.
Andrzej Sapkowski (The Tower of Swallows (The Witcher, #4))
Night and day the streets resounded with music, song, and the clinking of chalices and tankards, for it is well known that nothing is such thirsty work as the acquisition of knowledge.
Andrzej Sapkowski (Blood of Elves (The Witcher, #1))
He interrupted her with a kiss, an embrace, a touch, caresses and then with everything, his whole being, his every thought, his only thought, everything, everything, everything. They broke the silence with sighs and the rustle of clothing strewn on the floor. They broke the silence very gently, lazily, and they were considerate and very thorough. They were caring and tender and, although neither quite knew what caring and tenderness were, they succeeded because they very much wanted to. And they were in no hurry whatsoever. The whole world had ceased to exist for a brief moment, but to them, it seemed like a whole eternity.
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
Anyone,’ Avallac’h wiped his hands on a rag, ‘can foretell the future. And everyone does it, for it is simple. It is no great art to foretell it. The art is in foretelling it accurately.
Andrzej Sapkowski (The Tower of Swallows (The Witcher, #4))
Hmm…’ Ciri bit her lower lip, then leaned over and put her eye closer to the hole. ‘Madam Yennefer is standing by a willow… She’s plucking leaves and playing with her star. She isn’t saying anything and isn’t even looking at Geralt… And Geralt’s standing beside her. He’s looking down and he’s saying something. No, he isn’t. Oh, he’s pulling a face… What a strange expression…’ ‘Childishly simple,’ said Dandelion, finding an apple in the grass, wiping it on his trousers and examining it critically. ‘He’s asking her to forgive him for his various foolish words and deeds. He’s apologising to her for his impatience, for his lack of faith and hope, for his obstinacy, doggedness. For his sulking and posing; which are unworthy of a man. He’s apologising to her for things he didn’t understand and for things he hadn’t wanted to understand—’ ‘That’s the falsest lie!’ said Ciri, straightening up and tossing the fringe away from her forehead with a sudden movement. ‘You’re making it all up!’ ‘He’s apologising for things he’s only now understood,’ said Dandelion, staring at the sky, and he began to speak with the rhythm of a balladeer. ‘For what he’d like to understand, but is afraid he won’t have time for… And for what he will never understand. He’s apologising and asking for forgiveness… Hmm, hmm… Meaning, conscience, destiny? Everything’s so bloody banal…’ ‘That’s not true!’ Ciri stamped. ‘Geralt isn’t saying anything like that! He’s not even speaking. I saw for myself. He’s standing with her and saying nothing…’ ‘That’s the role of poetry, Ciri. To say what others cannot utter.’ ‘It’s a stupid role. And you’re making everything up!’ ‘That is also the role of poetry. Hey, I hear some raised voices coming from the pond. Have a quick look, and see what’s happening there.’ ‘Geralt,’ said Ciri, putting her eye once more to the hole in the wall, ‘is standing with his head bowed. And Yennefer’s yelling at him. She’s screaming and waving her arms. Oh dear… What can it mean?’ ‘It’s childishly simple.’ Dandelion stared at the clouds scudding across the sky. ‘Now she’s saying sorry to him.
Andrzej Sapkowski (The Time of Contempt (The Witcher #2))
I like elven legends, they are so captivating. What a pity humans don’t have any legends like that. Perhaps one day they will? Perhaps they’ll create some? But what would human legends deal with? All around, wherever one looks, there’s greyness and dullness. Even things which begin beautifully lead swiftly to boredom and dreariness, to that human ritual, that wearisome rhythm called life.
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
Last winter Prince Hrobarik, not being so gracious, tried to hire me to find a beauty who, sick of his vulgar advances, had fled the ball, losing a slipper. It was difficult to convince him that he needed a huntsman, and not a witcher.
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
Geralt had discovered, many times, that all mechanisms are unreliable. They only worked when they ought not to work, and vice versa.
Andrzej Sapkowski (The Time of Contempt (The Witcher #2))
Say something.’ ‘I wouldn’t like to lose you, Yen.’ ‘But you have me.’ ‘The night will end.’ ‘Everything ends.’ No
Andrzej Sapkowski (Time of Contempt (The Witcher, #4))
Your goal is a world without monsters, a world which is peaceful and safe. A world where witchers are unnecessary. A paradox, isn't it?' 'True.
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
- Кто это был, Геральт? - Друг. Мне его будет недоставать. - Он был человеком? - Он был воплощением человечности.
Andrzej Sapkowski (Pani Jeziora (Saga o Wiedźminie, #5))
Don’t mistake the stars reflected in a pond at night for those in the sky.
Andrzej Sapkowski
We are the children of Mother Nature. And though we do not respect our mother, though we often worry her and cause her pain, though we break her heart, she loves us.
Andrzej Sapkowski (Blood of Elves (The Witcher, #1))
Guard against disappointments, because appearances can deceive. Things that are really as they seem are rare. And a woman is never as she seems.
Andrzej Sapkowski (Season of Storms (The Witcher, #8))
There are things in heaven and earth that even philosophers have never dreamed about.
Andrzej Sapkowski (Lady of the Lake (The Witcher, #7))
The sunrise, however, represents another victory in the fight for life, a new day, the continuation of existence.
Andrzej Sapkowski (Baptism of Fire (The Witcher, #3))
Verily I say unto you, the era of the sword and axe is nigh, the era of the wolf’s blizzard. The Time of the White Chill and the White Light is nigh, the Time of Madness and the Time of Contempt: Tedd Deireádh, the Time of End. The world will die amidst frost and be reborn with the new sun. It will be reborn of the Elder Blood, of Hen Ichaer, of the seed that has been sown. A seed which will not sprout but will burst into flame. Ess’tuath esse! Thus it shall be! Watch for the signs! What signs these shall be, I say unto you: first the earth will flow with the blood of Aen Seidhe, the Blood of Elves… Aen Ithlinnespeath, Ithlinne Aegli aep Aevenien’s prophecy
Andrzej Sapkowski (Blood of Elves (The Witcher, #1))
Everyone has some kind of debt. Such is life. Debts and liabilities, obligations, gratitude, payments, doing something for someone. Or perhaps for ourselves? For in fact we are always paying ourselves back and not someone else. Each time we are indebted we pay off the debt to ourselves. In each of us lies a creditor and a debtor at once and the art is for the reckoning to tally inside us. We enter the world as a minute part of the life we are given, and from then on we are ever paying off debts, To ourselves. For ourselves. In order for the final reckoning to tally.
Andrzej Sapkowski (Baptism of Fire)
Progress,’ he said finally, ‘is like a herd of pigs. That’s how you should look at progress, that’s how you should judge it. Like a herd of pigs trotting around a farmyard. Numerous benefits derive from the fact of that herd’s existence. There’s pork knuckle. There’s sausage, there’s fatback, there are trotters in aspic. In a word, there are benefits! There’s no point turning your nose up at the shit everywhere.
Andrzej Sapkowski (Lady of the Lake (The Witcher, #7))
I am very tired. I watched the death of my friends who followed me here to the end of the world. They came to rescue your daughter. Not even knowing her. Apart from Cahir, none of them even knew Ciri. But they came here to rescue her. For there was something in her that was decent and noble. And what happened? They found death. I consider that unjust. And if anyone wants to know, I don’t agree with it. Because a story where the decent ones die and the scoundrels live and carry on doing what they want is full of shit. I don’t have any more strength, Emperor.
Andrzej Sapkowski (Pani Jeziora (Saga o Wiedźminie, #5))
Take this and put it to your nose or you’ll be covered in blood! Calmly, calmly, little one, just don’t faint. I’m beside you. I’m beside you… daughter. Hold the handkerchief. I’ll just conjure up some ice…
Andrzej Sapkowski (Blood of Elves (The Witcher #1))
Give me my sword, Geralt.’ He looked at her. Ciri stepped back involuntarily. She had never seen him with an expression like that before. ‘If you had a sword, you might have to kill with it. Can you do it?’ ‘I don’t know. Give me my sword.’ ‘Run. And don’t look back.’ Horses
Andrzej Sapkowski (Time of Contempt (The Witcher, #4))
May I warn you in advance,” said Geralt, “that my swords are protected by powerful spells. Only witchers can touch them; others will have their vitality drained away. It mainly manifests in the loss of male potency. I’m talking about sexual enfeeblement. Absolute and permanent.
Andrzej Sapkowski (Season of Storms (The Witcher, #8))
And so,' smiled the Witcher, 'I have no choice? I have to enter into a pact with you, a pact which should someday become the subject of a painting, and become a sorcerer? Give me a break. I know a little about the theory of heredity. My father, as I discovered with no little difficulty, was a wanderer, a churl, a troublemaker and a swashbuckler. My genes on the spear side may be dominant over the genes on the distaff side. The fact that I can swash a buckler pretty well seems to confirm that.
Andrzej Sapkowski (Czas pogardy (Saga o Wiedźminie, #2))
How do you find cohabiting with neighbors from whom, after all, you do differ somewhat?" "I manage." The witcher looked him straight in the eyes, "I manage because I have to. Because I've no other way out. Because I've overcome the vanity and pride of being different. I've understood that they are a pitiful defense against being different. Because I've understood that the sun shines differently when something changes, but I'm not the axis of those changes. The sun shines differently, but it will continue to shine, and jumping at it with a hoe isn't going to do anything. We've got to accept facts, elf. That's what we've got to learn.
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
It’s fitting to learn things you don’t know. Anyone who doesn’t know other languages is handicapped.
Andrzej Sapkowski (Blood of Elves (The Witcher, #1))
I consider waging war against other races idiocy.
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
Wars aren’t waged to destroy. Wars are waged for two reasons. One is power and the other is money.
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
And the girl?” Yarpen indicated Ciri with his head as she wriggled under the sheepskin. “Yours?” “Mine,” he replied without thinking. “Mine, Zigrin.
Andrzej Sapkowski (Blood of Elves (The Witcher, #1))
We be decent thieves, not some politicals. We didn't try to attack the authorities. We was only stealing.
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
...Maybe one day it will be that you will need help ...Then call, call into the night. And I'll come.” -Geralt of Rivia
Andrzej Sapkowski
You, the Elder Folk, like to say that hatred is alien to you, that it is a feeling known only to humans. But it is not true. You know what hatred is and are capable of hating, you merely evince it a little differently, more wisely and less savagely. But because of that it may be more cruel.
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
Shut up, you brat," interrupted Geralt, smiling nastily "Halt your uncontrolled little tongue. You speak to a lady who deserves respect, especially from a Knight of the White Rose...
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
A most deplorable sight," she said, folding her arms across her chest. "Someone who has lost everything. You know, minstrel, it is interesting. Once, I thought it was impossible to lose everything, that something always remains. Always. Even in times of contempt, when naivety is capable of backfiring in the cruellest way, one cannot lose everything. But he... he lost several pints of blood, the ability to walk properly, partial use of his left hand, his witcher's sword, the woman he loves, the daughter he had gained by a miracle, his faith... Well, I thought, he must have been left with something. But I was wrong. He has nothing now. Not even a razor." Dandelion remained silent. The dryad did not move. "I asked if you had a hand in this," she began a moment later. "But I think there was no need. It's obvious you had a hand in it. It's obvious you are his friend. And if someone has friends, and he loses everything in spite of that, it's obvious the friends are to blame. For what they did, or for what they didn't do.
Andrzej Sapkowski (Czas pogardy (Saga o Wiedźminie, #2))
You know what, Reynart,’ Geralt suddenly said. ‘I also prefer you as you are now. Talking normally. Back in October you were using infuriating, moronic mannerisms.’ ‘’Pon my word, Witcher, I’m a knight errant,’ chortled Reynart de Bois-Fresnes. ‘Have you forgotten? Knights always talk like morons.
Andrzej Sapkowski (The Lady of the Lake (The Witcher, #5))
Duny,” said Geralt seriously, “Calanthe, Pavetta. And you, righteous knight Tuirseach, future king of Cintra. In order to become a witcher, you have to be born in the shadow of destiny, and very few are born like that. That's why there are so few of us. We're growing old, dying, without anyone to pass our knowledge, our gifts, on to. We lack successors. And this world is full of Evil which waits for the day none of us are left.” “Geralt,” whispered Calanthe. “Yes, you're not wrong, queen. Duny! You will give me that which you already have but do not know. I’ll return to Cintra in six years to see if destiny has been kind to me.
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
-[...]-Geralt -dijo Stregobor-, cuando escuchábamos a Eltibaldo muchos de nosotros teníamos dudas. Pero decidimos escoger el mal menor. Ahora soy yo el que te pide una elección similar. -El mal es el mal, Stregobor- afirmó serio el brujo mientras se levantaba-. Menor, mayor, mediano, es igual, las proporciones son convenidas y las fronteras son borrosas. No soy un santo ermitaño, no siempre he obrado bien. Pero si tengo que elegir entre un mal y otro, prefiero no elegir en absoluto.[...]
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
Dandelion spoke first; elaborately, fluently, colourfully and volubly, embellishing his tale with ornaments so beautiful and fanciful they almost obscured the fibs and confabulations. Then the Witcher spoke. He spoke the same truth, and spoke so dryly, boringly and flatly that Dandelion couldn’t bare it and kept butting in, for which the dwarves reprimanded him. And then the story was over and a lengthy silence fell. 'To the archer Milva!' Zoltan Chivay cleared his throat, saluting with his cup. 'To the Nilfgaardian. To Regis the herbalist who entertained the travellers in his cottage with moonshine and mandrake. And to Angoulême, whom I never knew. May the earth lie lightly on them all. May they have in the beyond plenty of whatever they were short of on earth. And may their names live forever in songs and tales. Let’s drink to them.
Andrzej Sapkowski (Pani Jeziora (Saga o Wiedźminie, #5))
Had someone crept up to the cottage with the sunken thatched roof that night, had they peered through the slits in the shutters, they would have seen in the dimly lit interior a grey-bearded old man and an ashen-haired girl sitting by the fireplace. They would have noticed that the two of them were staring silently into the glowing, ruby coals. But no one could have seen it. For the cottage with the sunken, moss-grown thatched roof was well hidden among the fog and the mist, in a boundless swamp in the Pereplut Marshes where no one dared to venture.
Andrzej Sapkowski (The Tower of Swallows (The Witcher, #4))
Jeśli dobrze rozumiem - powiedział - mam stanąć do pojedynku, bo jeżeli odmówię, to mnie powieszą. Jeśli będę walczył, to mam pozwolić, by przeciwnik mnie okaleczył, bo jeśli ja go zranię, to mnie połamią kołem. Same radosne alternatywy. A może zaoszczędzić wam kłopotów? Huknę głową o pień sosny i sam się obezwładnię.
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
The exception, as ever, was the children. Freed from the constraints of silence which had been enforced during the bard’s performance, the children dashed into the woods with wild cries, and enthusiastically immersed themselves in a game whose rules were incomprehensible to all those who had bidden farewell to the happy years of childhood. Children of elves, dwarves, halflings, gnomes, half-elves, quarter-elves and toddlers of mysterious provenance neither knew
Andrzej Sapkowski (Blood of Elves (The Witcher, #1))
is always murder, regardless of motive or circumstance. Thus those who murder or who prepare to murder are malefactors and criminals, regardless of who they may be: kings, princes, marshals or judges. None who contemplates and commits violence has the right to consider himself better than an ordinary criminal. Because it is in the nature of all violence to lead inevitably to crime.
Andrzej Sapkowski (Blood of Elves (The Witcher, #1))
-Zło to zło, Stregoborze - rzekł poważnie Wiedźmin wstając. - Mniejsze, większe, średnie, wszystko jedno, proporcje są umowne, a granice zatarte. Nie jestem świątobliwym pustelnikiem, nie samo dobro czyniłem w życiu. Ale jeżeli mam wybierać pomiędzy jednym złem a drugim, to wolę nie wybierać wcale.
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
For there are some… things… which there is no way of obtaining, even by magic. And there are gifts which may not be accepted, if one is unable to… reciprocate them… with something equally precious. Otherwise such a gift will slip through the fingers, melt like a shard of ice gripped in the hand. Then only regret, the sense of loss and hurt will remain…
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
I predict a bad end for your race, humans,' Zoltan Chivay said grimly. 'Every sentient creature on this earth, when it falls into want , poverty and misfortune, usually cleaves to his own. Because it's easier to survive the bad times in a group, helping one another. But you humans, you just wait for a chance to make money from other people's mishaps. When there's hunger you don't want want to share out your food, you just devour the weakest ones. The practice works among wolves, since it lets the healthiest and strongest individuals survive. But among sentient races selection of that kind usually allows the biggest bastards to survive and dominate the rest.
Andrzej Sapkowski (Baptism of Fire (The Witcher #3))
I am you,’ he repeated. ‘No,’ the Witcher countered, ‘you are not. And do you know why? Because you’re a poor, little, good-natured doppler. A doppler who, after all, could have killed Biberveldt and buried his body in the undergrowth, by so doing gaining total safety and utter certainty that he would not be unmasked, ever, by anybody, including the halfling’s spouse, the famous Gardenia Biberveldt. But you didn’t kill him, Tellico, because you didn’t have the courage. Because you’re a poor, little, good-natured doppler, whose close friends call him Dudu. And whoever you might change into you’ll always be the same. You only know how to copy what is good in us, because you don’t understand the bad in us. That’s what you are, doppler.
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
It's an invention, a fairy tale devoid of any sense, like all the legends in which good spirits and fortune tellers fulfill wishes. Stories like that are made up by poor simpletons, who can't even dream of fulfilling their wishes and desires themselves. I'm pleased you're not one of them, Geralt of Rivia. It makes you closer in spirit to me. If I want something, I don't dream of it—I act. And I always get what I want.
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
What a company I ended up with,’ Geralt continued, shaking his head. ‘Brothers in arms! A team of heroes! What have I done to deserve it? A poetaster with a lute. A wild and lippy half-dryad, half-woman. A vampire, who’s about to notch up his fifth century. And a bloody Nilfgaardian who insists he isn’t a Nilfgaardian.’ ‘And leading the party is the Witcher, who suffers from pangs of conscience, impotence and the inability to take decisions,’ Regis finished calmly. ‘I suggest we travel incognito, to avoid arousing suspicion.’ ‘Or raising a laugh,’ Milva added.
Andrzej Sapkowski (Baptism of Fire (The Witcher, #3))
The young sorceress would become attractive because the prestige of her profession demanded it. The result was pseudo-pretty women with the angry and cold eyes of ugly girls. Girls who couldn’t forget their ugliness had been covered by the mask of magic only for the prestige of their profession.
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
I was deprived of the ability to feel so I wouldn’t be able to feel how dreadfully vile is that vileness, so I wouldn’t retreat from it, wouldn’t run horror-stricken from it. Yes, I was stripped of feelings. But not utterly. Whoever did it made a botch of it, Yen.
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
Coodcoodak, on his knees, was strangling Draig Bon-Dhu's bagpipes with his hands, while, with his head thrown back, he shouted over the monstrous sounds emerging from the bag, wailed and roared, cackled and croaked, bawled and squawked in a cacophony of sounds made by all known, unknown, domestic, wild and mythical animals.
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
Time is like the ancient Ouroboros. Time is fleeting moments, grains of sand passing through an hourglass. Time is the moments and events we so readily try to measure. But the ancient Ouroboros reminds us that in every moment, in every instant, in every event, is hidden the past, the present and the future. Eternity is hidden in every moment. Every departure is at once a return, every farewell is a greeting, every return is a parting. Everything is simultaneously a beginning and an end.
Andrzej Sapkowski (The Lady of the Lake (The Witcher, #5))
I shall tell you. I’ve heard that it has recently become tiresome to negotiate with you witchers. The thing is that, whenever a witcher is shown a monster to be killed, the witcher, rather than take his sword and slaughter it, begins to ponder whether it is right, whether it is transgressing the limits of what is possible, whether it is not contrary to the code and whether the monster really is a monster, as though it wasn’t clear at first glance. It seems to me that you are simply doing too well. In my day, witchers didn’t have two pennies to rub together
Andrzej Sapkowski (Sword of Destiny)
I believe in the sword. As you can see, I carry two. Every witcher does. It's said, spitefully, the silver one is for monsters and the iron for humans. But that's wrong. As there are monsters which can be struck down only with a silver blade, so there are those for whom iron is lethal. And lola, not just any iron, it must come from a meteorite
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
I'm not surprised at Yennefer,' he said as he walked. 'She is a woman and thus an evolutionary inferior creature, governed by hormonal chaos. But you, Geralt, are not only a man who is sensible by nature, but also a mutant, invulnerable to emotions.' He waved a hand. There was a boom and a flash. A lightning bolt bounced off the shield Yennefer had conjured up. 'In spite of your good sense—' Vilgefortz continued to talk, pouring fire from hand to hand '—in one matter you demonstrate astounding and foolish perseverance: you invariably desire to row upstream and piss into the wind. It had to end badly. Know that today, here, in Stygga Castle, you have pissed into a hurricane.
Andrzej Sapkowski (Pani Jeziora (Saga o Wiedźminie, #5))
It’s impossible to repay something that has no price. Some say everything in the world–everything, with no exception–has a price. It’s not true. There are things with no price, things that are priceless. But you realise it belatedly: when you lose them, you lose them forever and nothing can get them back for you. I have lost many such things. Which is why I can’t help you today.
Andrzej Sapkowski (Baptism of Fire (The Witcher, #3))
Then the prophetess said to the witcher: "I shall give you this advice: wear boots made of iron, take in hand a staff of steel. Then walk until the end of the world. Help yourself with your staff to break the land before you and wet it with your tears. Go through fire and water, do not stop along the way, do not look behind you. And when the boots are worn, when your staff is blunt, once the wind and the heat has dried your eyes so that your tears no longer flow, then at the end of the world you may find what you are looking for and what you love... The witcher went through fire and water, he did not look back. He did not take iron boots or a staff of steel. He took only his sword. He did not listen to the words of prophets. And he did well because she was a bad prophet.
Andrzej Sapkowski (Czas pogardy (Saga o Wiedźminie, #2))
Oh, Geralt,’ he heard Ciri’s voice. ‘How delightful it is here… Pity you can’t see. There are so many flowers. And birds. Can you hear them singing? Oh, there’s so many of them. Heaps. Oh, and squirrels. Careful, we’re going to cross a stream, over a stone bridge. Don’t fall in. Oh, so many little fishes! Hundreds. They’re swimming in the water, you know. So many little animals, oh my. There can’t be so many anywhere else.’ ‘There can’t,’ he muttered. ‘Nowhere else. This is Brokilon.’ ‘What?’ ‘Brokilon. The Last Place.’ ‘I don’t understand.’ ‘No one understands. No one wants to understand.
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
Which was why he knew that declarations about their safety could be classified along with such statements as: “my little dog doesn’t bite,” “my son’s a good boy,” “this stew’s fresh,” “I’ll give you the money back the day after tomorrow at the latest,” “he was only getting something out of my eye,” “the good of the fatherland comes before everything,” and “just answer a few questions and you’re free to go.
Andrzej Sapkowski (Season of Storms (The Witcher, #8))
If i understand correctly, he said, I'm to fight the duel because, if I refuse, I'll be hanged. If I fight I'm to allow my opponant to injure me because if i wound him I'll be put to the rack. What charming alternatives. Maybe I should save you the bother? I'll thump my head against the pine tree and render myself helpless. Will that grant you satisfaction? - 273
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
Unbridled altruism is a huge vice of mine,’ he explained. ‘I simply have to do good. I am a sensible dwarf, however, and know that I’m unable to do everyone good. Were I to attempt to be good to everyone, to the entire world and to all the creatures living in it, it would be a drop of fresh water in the salt sea. In other words, a wasted effort. Thus, I decided to do specific good; good which would not go to waste. I’m good to myself and my immediate circle.
Andrzej Sapkowski (Baptism of Fire (The Witcher, #3))
Madam Yennefer, Forgive me. I'm riding to Hirundum because I want to see Geralt. I want to see him before I start school. Forgive my disobedience, but I must. I know you'll punish me, but I don't want to regret my indecision and hesitation. If I'm to have regrets, let them be for deeds and actions. I'm an enchantress. I seize life by the scruff of the neck. I'll return when I can. - Ciri
Andrzej Sapkowski (Czas pogardy (Saga o Wiedźminie, #2))
She leant over him, touched him. He felt her hair, smelling of lilac and gooseberries, brush his face and he suddenly knew that he’d never forget that scent, that soft touch, knew that he’d never be able to compare it to any other scent or touch. Yennefer kissed him and he understood that he’d never desire any lips other than hers, so soft and moist, sweet with lipstick. He knew that, from that moment, only she would exist, her neck, shoulders and breasts freed from her black dress, her delicate, cool skin, which couldn’t be compared to any other he had ever touched. He gazed into her violet eyes, the most beautiful eyes in the world, eyes which he feared would become . . . Everything. He knew.
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
And I... Why, it doesn’t matter, because Essi smells of verbena, not lilac and gooseberry, doesn’t have cool, electrifying skin. Essi’s hair is not a black tornado of gleaming curls, Essi’s eyes are gorgeous, soft, warm and cornflower blue; they don’t blaze with a cold, unemotional, deep violet. Essi will fall asleep afterwards, turn her head away, open her mouth slightly, Essi will not smile in triumph. For Essi... Essi is not Yennefer.
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
Don’t mention it,’ the sorcerer patted the neck of his horse, which had been scared by all the yelling from Yarpen and his dwarves. ‘To me, Witcher, calling killing a vocation is loathsome, low and nonsensical. Our world is in equilibrium. The annihilation, the killing, of any creatures that inhabit this world upsets that equilibrium. And a lack of equilibrium brings closer extinction; extinction and the end of the world as we know it.’ ‘A druidic theory,’ Geralt pronounced. ‘I know it. An old hierophant expounded it to me once, back in Rivia. Two days after our conversation he was torn apart by wererats. It was impossible to prove any upset in equilibrium.
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
A little sacrifice, he thought, just a little sacrifice. For this will calm her, a hug, a kiss, calm caresses. She doesn’t want anything more. And even if she did, what of it? For a little sacrifice, a very little sacrifice, is beautiful and worth… Were she to want more… It would calm her. A quiet, calm, gentle act of love. And I… Why, it doesn’t matter, because Essi smells of verbena, not lilac and gooseberry, doesn’t have cool, electrifying skin. Essi’s hair is not a black tornado of gleaming curls, Essi’s eyes are gorgeous, soft, warm and cornflower blue; they don’t blaze with a cold, unemotional, deep violet. Essi will fall asleep afterwards, turn her head away, open her mouth slightly, Essi will not smile in triumph. For Essi… Essi is not Yennefer.
Andrzej Sapkowski (Sword of Destiny)
Nature doesn’t know the concept of philosophy, Geralt of Rivia. The pathetic–ridiculous–attempts which people undertake to try to understand nature are typically termed philosophy. The results of such attempts are also considered philosophy. It’s as though a cabbage tried to investigate the causes and effects of its existence, called the result of these reflections “an eternal and mysterious conflict between head and root”, and considered rain an unfathomable causative power.
Andrzej Sapkowski (The Time of Contempt (The Witcher #2))
Witcher,’ Three Jackdaws suddenly said, ‘I want to ask you a question.’ ‘Ask it.’ ‘Why don’t you turn back?’ The Witcher looked at him in silence for a moment. ‘Do you really want to know?’ ‘Yes, I do,’ Three Jackdaws said, turning his face towards Geralt. ‘I’m riding with them because I’m a servile golem. Because I’m a wisp of oakum blown by the wind along the highway. Tell me, where should I go? And for what? At least here some people have gathered with whom I have something to talk about. People who don’t break off their conversations when I approach. People who, though they may not like me, say it to my face, and don’t throw stones from behind a fence. I’m riding with them for the same reason I rode with you to the log drivers’ inn. Because it’s all the same to me. I don’t have a goal to head towards. I don’t have a destination at the end of the road.’ Three Jackdaws cleared his throat. ‘There’s a destination at the end of every road. Everybody has one. Even you, although you like to think you’re somehow different.’ ‘Now I’ll ask you a question.’ ‘Ask it.’ ‘Do you have a destination at the end of the road?’ ‘I do.’ ‘Lucky for you.’ ‘It is not a matter of luck, Geralt. It is a matter of what you believe in and what you serve. No one ought to know that better than… than a witcher.’ ‘I keep hearing about goals today,’ Geralt sighed. ‘Niedamir’s aim is to seize Malleore. Eyck of Denesle’s calling is to protect people from dragons. Dorregaray feels obligated to something quite the opposite. Yennefer, by virtue of certain changes which her body was subjected to, cannot fulfil her wishes and is terribly undecided. Dammit, only the Reavers and the dwarves don’t feel a calling, and simply want to line their pockets. Perhaps that’s why I’m so drawn to them?’ ‘You aren’t drawn to them, Geralt of Rivia. I’m neither blind nor deaf. It wasn’t at the sound of their name you pulled out that pouch. But I surmise…’ ‘There’s no need to surmise,’ the Witcher said, without anger. ‘I apologise.’ ‘There’s no need to apologise.
Andrzej Sapkowski (Miecz przeznaczenia (Saga o Wiedźminie, #0.7))
Emotions, whims and lies, fascinations and games. Feelings and their absence. Gifts, which may not be accepted. Lies and truth. What is truth? The negation of lies? Or the statement of a fact? And if the fact is a lie, what then is the truth? Who is full of feelings which torment him, and who is the empty carapace of a cold skull? Who? What is truth, Geralt? What is the essence of truth?’ ‘I don’t know, Yen. Tell me.’ ‘No,’ she said and lowered her eyes. For the first time. He had never seen her do that before. Never. ‘No,’ she repeated. ‘I cannot, Geralt. I cannot tell you that. That bird, begotten from the touch of your hand, will tell you. Bird? What is the essence of truth?’ ‘Truth,’ the kestrel said, ‘is a shard of ice.
Andrzej Sapkowski (Sword of Destiny)
Advice is superfluous to you, allies are superfluous, you’ll get by without any travelling companions. The goal of your expedition is, after all, personal and private. More than that, the nature of the goal demands that you accomplish it alone, in person. The risks, dangers, hardships and constant struggle with doubt must only burden you. For, after all, they are components of the penance, the expiation of guilt you want to earn. A baptism of fire, I’d say. You’ll pass through fire, which burns, but also purges. And you’ll do it alone. For were someone to support you in this, help you, take on even a scrap of that baptism of fire, that pain, that penance, they would, by the same token, impoverish you. They would deprive you of part of the expiation you desire, which would be owed to them for their involvement. After all, it should be your exclusive expiation.
Andrzej Sapkowski (Baptism of Fire (The Witcher, #3))