The Wanderings Of Oisin Quotes

One learns most when one wanders the world.

POEMS “Song of the Open Road”—Walt Whitman “The Tyger”—William Blake “I Thought of You”—Sara Teasdale “Sonnet 140”—William Shakespeare “A Clear Midnight”—Walt Whitman “Something Left Undone”—Henry Wadsworth Longfellow “A Prayer for My Daughter”—William Butler Yeats “My Little March Girl”—Paul Laurence Dunbar “The Mountain Sat Upon the Plain”—Emily Dickinson “The Song of Wandering Aengus”—William Butler Yeats “Jabberwocky”—Lewis Carroll “Stopping by Woods on a Snowy Evening”—Robert Frost “Continent’s End”—Robinson Jeffers “Forgiveness”—George MacDonald “O Me! O Life!”—Walt Whitman “To the Virgins, to Make Much of Time”—Robert Herrick “In Memoriam A.H.H.”—Alfred Lord Tennyson “i like my body when it is with your”—E. E. Cummings “A Psalm of Life”—Henry Wadsworth Longfellow “The Lake Isle of Innisfree”—William Butler Yeats “Three Marching Songs”—William Butler Yeats “Song of Myself”—Walt Whitman “in the rain”—E. E. Cummings “When All Is Done”—Paul Laurence Dunbar “The Wanderings of Oisin”—William Butler Yeats “The Cloud-Islands”—Clark Ashton Smith “love is more thicker than forget”—E. E. Cummings “Hymn to the North Star”—William Cullen Bryant “Give Me the Splendid Silent Sun”—Walt Whitman “The Young Man’s Song”—William Butler Yeats “If”—Rudyard Kipling “Character of the Happy Warrior”—William Wordsworth

When All Is Done”—Paul Laurence Dunbar “The Wanderings of Oisin”—William Butler Yeats “The Cloud-Islands”—Clark Ashton Smith “love is more thicker than forget”—E. E. Cummings “Hymn to the North Star”—William Cullen Bryant “Give Me the Splendid Silent Sun”—Walt Whitman “The Young Man’s Song”—William Butler Yeats “If”—Rudyard Kipling “Character of the Happy Warrior”—William Wordsworth

But it was Ireland’s mercurial folklore that supplied Bax with the dominant voice in his compositions. Beginning with Cathaleen-na-Hoolihan (1905), written three years after encountering Yeats, the list of his tone poems (spanning the years 1909–31) reads like the contents of an Arts and Crafts compendium of decadent fairy tales: In the Faery Hills, Rosc-catha, Spring Fire, Nympholept, The Garden of Fand, November Woods, Tintagel, The Happy Forest, The Tale the Pine Trees Knew. A sensualist and erotic adventurer (in 1910 he pursued a ukrainian girl he was infatuated with from St Petersburg to Kiev), Bax created lush, richly foliated sound-forests that attempted to conjure up a sense of narcotic abandon and the intoxicating conjunction of myth and landscape. In the Faery Hills (1909) takes its cue from a section in Yeats’s Wanderings of Oisin in which the Sídhe force a troubadour to sing them a song. Aware of their reputation as festive types, Oisin launches into his most joyous ditty. To the Sídhe, it still sounds like the most depressing dirge they’ve ever heard, so they toss his harp into a pool and whisk him away to show him how to party like it’s AD 99. Bax claimed to have been ‘possessed by Kerry’s self’5 while writing it.