Festival Love Quotes

We've searched our database for all the quotes and captions related to Festival Love. Here they are! All 100 of them:

Just because something comes easily to you, does not mean it has no value. You find it effortless because you love it, and that is why it is your gift.
Kay O'Neill (The Tea Dragon Festival (Tea Dragon, #2))
Sybil tells me your little festival is an annual occurrence," she said, the cadence of her voice swooning like a lullaby. "Yes," Kai said, lifting a shrimp wonton between his chopsticks. "It falls on the ninth full moon if each year." "Ah, how lovely for you to base your holidays on the cycles of my planet." Kai wanted to scoff at the word planet but sucked it back down his throat.
Marissa Meyer (Cinder (The Lunar Chronicles, #1))
Is that . . . has it all been for that? The tea party, the letters, what you said at the festival . . . all of it, no more than an attempt to steal my heart so you could take it back to your queen?’ ‘The easiest way to steal something,’ Jest murmured, ‘is for it to be given willingly.
Marissa Meyer (Heartless)
... But sad people aren't objects to fix. Give them space and show them you'll still love them whenever they are ready to loved.
Kay O'Neill (The Tea Dragon Festival (Tea Dragon, #2))
When you have two people who love each other, are happy and gay and really good work is being done by one or both of them, people are drawn to them as surely as migrating birds are drawn at night to a powerful beacon. If the two people were as solidly constructed as the beacon there would be little damage except to the birds. Those who attract people by their happiness and their performance are usually inexperienced. They do not know how not to be overrun and how to go away. They do not always learn about the good, the attractive, the charming, the soon-beloved, the generous, the understanding rich who have no bad qualities and who give each day the quality of a festival and who, when they have passed and taken the nourishment they needed, leave everything deader than the roots of any grass Attila's horses' hooves have ever scoured.
Ernest Hemingway (A Moveable Feast)
If you desire to find the true spirit of Christmas and partake of the sweetness of it, let me make this suggestion to you. During the hurry of the festive occasion of this Christmas season, find time to turn your heart to God. Perhaps in the quiet hours, and in a quiet place, and on your knees—alone or with loved ones—give thanks for the good things that have come to you, and ask that His Spirit might dwell in you as you earnestly strive to serve Him and keep His commandments. He will take you by the hand and His promises will be kept.
Howard W. Hunter
The festival of the summer solstice speaks of love and light, of freedom and generosity of spirit. It is a beautiful time of year where vibrant flowers whisper to us with scented breath, forests and woodlands hang heavy in the summer’s heat and our souls become enchanted with midsummer magic.
Carole Carlton (Mrs Darley's Pagan Whispers: A Celebration of Pagan Festivals, Sacred Days, Spirituality and Traditions of the Year)
From space, astronauts can see people making love as a tiny speck of light. Not light, exactly, but a glow that could be mistaken for light--a coital radiance that takes generations to pour like honey through the darkness to the astronaut's eyes. In about one and a half centuries--after the lovers who made the glow will have long been laid permanently on their backs--metropolises will be seen from space. They will glow all year. Smaller cities will also be seen, but with great difficulty. Shtetls will be virtually impossible to spot. Individual couples, invisible. The glow is born from the sum of thousands of loves: newlyweds and teenagers who spark like lighters out of butane, pairs of men who burn fast and bright, pairs of women who illuminate for hours with soft multiple glows, orgies like rock and flint toys sold at festivals, couples trying unsuccessfully to have children who burn their frustrated image on the continent like the bloom a bright light leaves on the eye after you turn away from it. Some nights, some places are a little brighter. It's difficult to stare at New York City on Valentine's Day, or Dublin on St. Patrick's. The old walled city of Jerusalem lights up like a candle on each of Chanukah's eight nights...We're here, the glow...will say in one and a half centuries. We're here, and we're alive.
Jonathan Safran Foer (Everything is Illuminated)
Love, Eve thought, came in all colors, shapes, and sizes.
J.D. Robb (Festive in Death (In Death, #39))
You, you only, exist. We pass away, till at last, our passing is so immense that you arise: beautiful moment, in all your suddenness, arising in love, or enchanted in the contraction of work. To you I belong, however time may wear me away. From you to you I go commanded. In between the garland is hanging in chance; but if you take it up and up and up: look: all becomes festival!
Rainer Maria Rilke
If you live consciously, if you try to bring consciousness to every act that you go through, you will be living in a silent, blissful state, in serenity, in joy, in love. Your life will have the flavour of a festival. That is the meaning of heaven: your life will have many flowers in it, much fragrance will be released through you. You will have an aura of delight. Your life will be a song of life-affirmation, it will be a sacred yes to all that existence is. You will be in communion with existence — in communion with stars, with the trees, with the rivers, with the mountains, with people, with animals. This whole life and this whole existence will have a totally different meaning for you. From every nook and corner, rivers of bliss will be flowing towards you. Heaven is just a name for that state of mind. Hell means you are living so unconsciously, so absurdly, in such contradiction, that you go on creating more and more misery for yourself.
Osho
Line of control should be a garden, a place of art and cultural festival.
Amit Ray (Nuclear Weapons Free World - Peace on the Earth)
There must be a glowing light above such houses. The joy they contain must escape in light through the stones of the walls and shine dimly into the darkness. It is impossible that this sacred festival of destiny should not send a celestial radiation to the infinite. Love is the sublime crucible in which is consummated the fusion of man and woman; the one being, the triple being, the final being-- the human trinity springs from it. This birth of two souls into one space must be an emotion for space. The lover is priest; the apprehensive maiden submits. Something of this joy goes to God. Where there really is marriage, that is to say, where there is love, the ideal is mingled with it. A nuptial bed makes a halo in the darkness. Were it given to the eye of the flesh to perceive the fearful and enchanting sights of the superior life, it is likely that we should see the forms of night, the winged stranger, the blue travelers of the invisible, bending, a throng of shadowy heads, over the luminous house, pleased, blessing, showing to one another the sweetly startled maiden bride and wearing the reflection of the human felicity on their divine countenances. If at that supreme hour, the wedded pair, bewildered with pleasure, and believing themselves alone, were to listen, they would hear in their room a rustling of confused wings. Perfect happiness implies the solidarity of the angels. That obscure little alcove has for its ceiling the whole heavens. When two mouths, made sacred by love, draw near to each other to create, it is impossible, that above that ineffable kiss there should not be a thrill in the immense mystery of the stars.
Victor Hugo (Les Misérables)
We too can begin a new life, one that brings satisfaction and enrichment, whether this is by singing, dancing, running through the waves, walking barefoot on the grass or making love under the stars. Perhaps your dreams are greater than this, or perhaps more conservative, but whatever they are, Beltane is a wonderful time for expressing who you truly are.
Carole Carlton (Mrs Darley's Pagan Whispers: A Celebration of Pagan Festivals, Sacred Days, Spirituality and Traditions of the Year)
Maybe all the creatures in this forest used to live for thousands of years, and it didn't realise how quickly time passes for humans. It was just proud of something it loved.
Kay O'Neill (The Tea Dragon Festival (Tea Dragon, #2))
A snow globe,” I say slowly, waiting for her to look up, which she doesn’t do. “You made a severed finger into a feckin’ snow globe.” “It was almost Christmas,” she says with a shrug. “It felt … festive.
Brynne Weaver (Leather & Lark (The Ruinous Love Trilogy, #2))
We come to a corner where there are a few people protesting the festivities. I don't understand this at all. It's like protesting the fact that some people are red-haired. In my experience, desire is desire, love is love. I have never fallen in love with a gender. I have fallen for individuals. I know this is hard for people to do, but I don't understand why it's so hard, when it's so obvious.
David Levithan (Every Day (Every Day, #1))
This is a day of celebration! Today, we are divorcing the past and marrying the present. Dance, and you will find God in every room. Today, we are divorcing resentment and marrying forgiveness. Sing, and God will find you in every tune. Today, we are divorcing indifference and marrying love. Drink, and play that tambourine against your thighs. We have so much celebrating to do!
Kamand Kojouri
Bullshit is as common as lame poetry and more unavoidable than those armed men who are there to protect you from Bullshit like this is straight from the lab and god loves you and the government doesn't want war and it's the best movie since Repo Man and if i stopped drinking the world might end anyway and breathanarianism and immortality for anything besides Bullshit that's as common as murder and jailhouse tattoos selling bunk drugs in paint chip hotels where a cigarette burn on the mattress tells you more about death than a splatter movie festival.
Sparrow 13 Laughingwand (Hell Soup: The Collected Writings of)
We owned a garden on a hill, We planted rose and daffodil, Flowers that English poets sing, And hoped for glory in the Spring. We planted yellow hollyhocks, And humble sweetly-smelling stocks, And columbine for carnival, And dreamt of Summer's festival. And Autumn not to be outdone As heiress of the summer sun, Should doubly wreathe her tawny head With poppies and with creepers red. We waited then for all to grow, We planted wallflowers in a row. And lavender and borage blue, - Alas! we waited, I and you, But love was all that ever grew.
Vita Sackville-West (Poems of West & East)
The future says: Dear mortals; I know you are busy with your colourful lives; I have no wish to waste the little time that remains On arguments and heated debates; But before I can appear Please, close your eyes, sit still And listen carefully To what I am about to say; I haven't happened yet, but I will. I can't pretend it's going to be Business as usual. Things are going to change. I'm going to be unrecognisable. Please, don't open your eyes, not yet. I'm not trying to frighten you. All I ask is that you think of me Not as a wish or a nightmare, but as a story You have to tell yourselves - Not with an ending In which everyone lives happily ever after, Or a B-movie apocalypse, But maybe starting with the line 'To be continued...' And see what happens next. Remember this; I am not Written in stone But in time - So please don't shrug and say What can we do? It's too late, etc, etc, etc. Dear mortals, You are such strange creatures With your greed and your kindness, And your hearts like broken toys; You carry fear with you everywhere Like a tiny god In its box of shadows. You love festivals and music And good food. You lie to yourselves Because you're afraid of the dark. But the truth is: you are in my hands And I am in yours. We are in this together, Face to face and eye to eye; We're made for each other. Now those of you who are still here; Open your eyes and tell me what you see.
Nick Drake
The 10 ever greatest misplacements in life: 1. Leadership without character. 2. Followership without servant-being. 3. Brotherhood without integrity. 4. Affluence without wisdom. 5. Authority without conscience. 6. Relationship without faithfullness. 7. Festivals without peace. 8. Repeated failure without change. 9. Good wealth without good health. 10. Love without a lover.
Israelmore Ayivor
Just because something comes easily to you, does not mean it has no value. You find it effortless because you love it, and that is why it is your gift.
Kay O'Neill (The Tea Dragon Festival (Tea Dragon, #2))
The stratagems by which briefly you ameliorated, even seemingly untwisted what still twists within you — you loved their taste and lay there on your side nursing like a puppy.
Frank Bidart (Watching the Spring Festival: Poems)
We come to a corner where there are a few people protesting the festivities. I don't understand this at all. It's like protesting the fact that some people are red-haired. In my experience, desire is desire, love is love.
David Levithan (Every Day (Every Day, #1))
...love is only a kind of festival of solitude
Henri Barbusse (Hell)
I know when a festival comes, I'm just searching for a beautiful birthday quote for her.
Balakoteswara Panchakshari
Then I guess we cannot miss the famous festival in New Orleans," he found himself saying, just to take the shadows from her eyes. She was silent a moment, her fingers twisting in the blanket. "Do you mean it, Gregori? We can go?" "You know how much I love crowds of humans," he said, straight-faced. She laughed at him. "They don't bite." "I do," he said, the words low and soft, his silver gaze at once possessive.
Christine Feehan (Dark Magic (Dark, #4))
To: Anna Oliphant From: Etienne St. Clair Subject: HAPPY CHRISTMAS Have you gotten used to the time difference? Bloody hell,I can't sleep. I'd call,but I don't know if you're awake or doing the family thing or what. The bay fog is so thick that I can't see out my window.But if I could, I am quite certain I'd discover that I'm the only person alive in San Francisco. To: Anna Oliphant From: Etienne St. Clair Subject: I forgot to tell you. Yesterday I saw a guy wearing an Atlanta Film Festival shirt at the hospital.I asked if he knew you,but he didn't.I also met an enormous,hair man in a cheeky Mrs. Claus getup. he was handing out gifts to the cancer patients.Mum took the attached picture. Do I always look so startled? To: Anna Oliphant From: Etienne St. Clair Subject: Are you awake yet? Wake up.Wake up wake up wake up. To: Etienne St. Clair From: Anna Oliphant Subject: re: Are you awake yet? I'm awake! Seany started jumping on my bed,like,three hours ago. We've been opening presents and eating sugar cookies for breakfast. Dad gave me a gold ring shaped like a heart. "For Daddy's sweetheart," he said. As if I'm the type of girl who'd wear a heart-shaped ring. FROM HER FATHER. He gave Seany tons of Star Wars stuff and a rock polishing kit,and I'd much rather have those.I can't beleive Mom invited him here for Christmas. She says it's because their divorce is amicable (um,no) and Seany and I need a father figure in our lives,but all they ever do is fight.This morning it was about my hair.Dad wants me to dye it back, because he thinks I look like a "common prostitute," and Mom wants to re-bleach it.Like either of them has a say. Oops,gotta run.My grandparents just arrived,and Granddad is bellowing for his bonnie lass.That would be me. P.S. Love the picture.Mrs. Claus is totally checking out your butt. And it's Merry Christmas, weirdo. To: Anna Oliphant From: Etienne St. Clair Subject: HAHAHA@ Was it a PROMISE RING? Did your father give you a PROMISE RING? To: Etienne St. Clair From: Anna Oliphant Subject: Re: HAHAHA! I am so not responding to that.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Like the Maccabees, most people want the right to pray to God in their own way. This right is called freedom of religion. The spirit of Hanukkah, the Festival of Lights, is shared by all people who love freedom.
Norma Simon (The Story of Hanukkah)
There,' said Wednesday, 'is one who "does not have the faith and will not have the fun". Chesterton. Pagan indeed. So. Shall we go out onto the street, Easter my dear, and repeat the exercise? Find out how many passers-by know that their Easter festival takes its name from Eostre of the Dawn? Let's see - I have it. We shall ask a hundred people. For every one that knows the truth, you may cut off one of my fingers, and when I run out of them, toes; for every twenty who don't know you spend a night making love to me. And the odds are certainly in your favour here - this is San Francisco, after all. There are heathens and pagans and Wiccans aplenty on these precipitous streets.
Neil Gaiman (American Gods (American Gods, #1))
Is there anything else you haven't told me?" My head spun. So much had happened and we still needed to stop a powerful magician. Death was a real possibility. I needed Valek to know how I felt. "I love you" Valek wrapped me in his arms. "My love has been yours since the fire festival. If those goons had killed you, I knew then that I would never be the same. I didn't want or expect this. But I couldn't resist you.
Maria V. Snyder
They wish the church could be more diverse, but then leave to meet in a coffee shop with other well-educated thirtysomethings who are into film festivals, NPR, and carbon offsets.
Kevin DeYoung (Why We Love the Church: In Praise of Institutions and Organized Religion)
Wish you a wonderful & colourful Happy Holi. Holi = Happy on Love and colourful Imaginations. Wish you must Spread amazing COLOUR of LOVE to everyone & Colour their mood in your style.
krvishal
Festivals and fasts are unhinged, traveling backward at a rate of ten days per year, attached to no season. Even Laylat ul Qadr, the holiest night in Ramadan, drifts--its precise date is unknown. The iconclasm laid down by Muhammed was absolute: you must resist attachment not only to painted images, but to natural ones. Ramadan, Muharram, the Eids; you associate no religious event with the tang of snow in the air, or spring thaw, or the advent of summer. God permeates these things--as the saying goes, Allah is beautiful, and He loves beauty--but they are transient. Forced to concentrate on the eternal, you begin to see, or think you see, the bones and sinews of the world beneath its seasonal flesh. The sun and moon become formidable clockwork. They are transient also, but hint at the dark planes that stretch beyond the earth in every direction, full of stars and dust, toward a retreating, incomprehensible edge
G. Willow Wilson (The Butterfly Mosque: A Young American Woman's Journey to Love and Islam)
An endless gossamer-like sentence embroidered with jewel-like metaphors, far too many clauses, and a meaning so obscure it had to be profound wrapped itself around Frances’s neck, but it really didn’t suit her, so she wrenched it off and flung it into space, where it floated free until at last a shy author on his way to a festival to accept a prize grabbed it from the sky and used it to gag one of his beautiful corpses. It looked lovely on her. Gray-bearded critics applauded with relief, grateful it hadn’t ended up in a beach read.
Liane Moriarty (Nine Perfect Strangers)
My parents aren't hippies. I'm North as in the North Pole. Unfortunately. My brother is Nicholas, and my sister is Noelle. Wow. God. That's About a hundred times worse than your name. I was going to say devoted. Festively devoted.
Stephanie Perkins (My True Love Gave to Me: Twelve Holiday Stories)
My time in camp with Kaden had become awkward several times, or perhaps I was just more self-conscious now. I had known he cared about me. It was hardly a secret. It was the reason I was still alive, but I hadn’t quite grasped how much he cared. And in spite of myself, I knew in my own way, I cared about him too. Not Kaden the assassin, but the Kaden I had known back in Terravin, the one who had caught my attention the minute he walked through the tavern door. The one who was calm and had mysterious, but kind, eyes. I remembered dancing with him at the festival, his arms pulling me closer, and the way he struggled with his thoughts, holding them back. He didn’t hold back the night he was drunk. The fireshine had loosened his lips and he laid it all out quite blatantly. Slurred and sloshy but clear. He loved me. This from a barbarian who was sent to kill me. I lay back, staring into the cloudless sky, a shade bluer and brighter than yesterday. Did he even know what love was? For that matter, did I? Even my parents didn’t seem to know. I crossed my arms behind my head as a pillow. Maybe there was no one way to define it. Maybe there were as many shades of love as the blues of the sky. I wondered if his interest had begun when I tended his shoulder. I remembered his odd look of surprise when I touched him, as if no one had ever shown him a kindness before. If Griz, Finch, and Malich were any indication of his past, maybe no one had. They showed a certain steely devotion to one another, but it in no way resembled kindness. And then there were those scars on his chest and back. Only cruel savage could have delivered those. Yet somewhere along the way, Kaden had learned kindness. Tenderness, even. It surfaced in small actions. He seemed like he was two separate people, the intensely loyal Vendan assassin and someone else far different, someone he had locked away, a prisoner just like me.
Mary E. Pearson (The Kiss of Deception (The Remnant Chronicles, #1))
Legend has it that during the festival of Eostre, all fires had to be extinguished in the Goddess’ honour and could only be relit from a sacred flame in the centre of the village. The new fire was seen as a symbol of sacredness and purity, something which everyone wanted to bring into their homes at such a lovely time of year when everything was fresh and new.
Carole Carlton (Mrs Darley's Pagan Whispers: A Celebration of Pagan Festivals, Sacred Days, Spirituality and Traditions of the Year)
Every year when i travel around the world, i wonder if it’ll be diferent, maybe one year won’t come to the show or you’ll be less festival, but what i realized during ARTPOP is that we belong together and some stories have no end. I will follow you around the world as long as you’ll have me because i love making music, i love making art and i love, love meeting all you beautiful, creative people“.
Lady Gaga
Among Christians, only Protestants have ever believed that work smacks of salvation; the work and prayer of medieval Christendom were interspersed with festivals. The ancient Greeks sought salvation in philosophy, the Indians in meditation, the Chinese in poetry and the love of nature. The pygmies of the African rainforests – now nearly extinct – work only to meet the needs of the day, and spend most of their lives idling.
John Gray (Straw Dogs: Thoughts on Humans and Other Animals)
Gallop apace, you fiery-footed steeds, Towards Phoebus' lodging: such a wagoner As Phaethon would whip you to the west, And bring in cloudy night immediately. Spread thy close curtain, love-performing night, That runaway's eyes may wink and Romeo Leap to these arms, untalk'd of and unseen. Lovers can see to do their amorous rites By their own beauties; or, if love be blind, It best agrees with night. Come, civil night, Thou sober-suited matron, all in black, And learn me how to lose a winning match, Play'd for a pair of stainless maidenhoods: Hood my unmann'd blood, bating in my cheeks, With thy black mantle; till strange love, grown bold, Think true love acted simple modesty. Come, night; come, Romeo; come, thou day in night; For thou wilt lie upon the wings of night Whiter than new snow on a raven's back. Come, gentle night, come, loving, black-brow'd night, Give me my Romeo; and, when he shall die, Take him and cut him out in little stars, And he will make the face of heaven so fine That all the world will be in love with night And pay no worship to the garish sun. O, I have bought the mansion of a love, But not possess'd it, and, though I am sold, Not yet enjoy'd: so tedious is this day As is the night before some festival To an impatient child that hath new robes And may not wear them. O, here comes my nurse, And she brings news; and every tongue that speaks But Romeo's name speaks heavenly eloquence.
William Shakespeare (Romeo and Juliet)
ONCE UPON A time there was a king who had three beautiful daughters. As he grew old, he began to wonder which should inherit the kingdom, since none had married and he had no heir. The king decided to ask his daughters to demonstrate their love for him. To the eldest princess he said, “Tell me how you love me.” She loved him as much as all the treasure in the kingdom. To the middle princess he said, “Tell me how you love me.” She loved him with the strength of iron. To the youngest princess he said, “Tell me how you love me.” This youngest princess thought for a long time before answering. Finally she said she loved him as meat loves salt. “Then you do not love me at all,” the king said. He threw his daughter from the castle and had the bridge drawn up behind her so that she could not return. Now, this youngest princess goes into the forest with not so much as a coat or a loaf of bread. She wanders through a hard winter, taking shelter beneath trees. She arrives at an inn and gets hired as assistant to the cook. As the days and weeks go by, the princess learns the ways of the kitchen. Eventually she surpasses her employer in skill and her food is known throughout the land. Years pass, and the eldest princess comes to be married. For the festivities, the cook from the inn makes the wedding meal. Finally a large roast pig is served. It is the king’s favorite dish, but this time it has been cooked with no salt. The king tastes it. Tastes it again. “Who would dare to serve
E. Lockhart (We Were Liars)
How can someone who's stood by you your whole life – who helped you empty the contents of the kitchen bin onto the floor when you were seventeen because you accidentally threw away a piece of hash the size of a cocoa nib, or who accompanied you, when she was eighty years old, to the Southbank Cinema on Mother's Day to watch hardcore gay and lesbian sex films because no one else would go with you (ditto a Sparks concert at the Royal Festival Hall) – how can that person, who you've been through so much with and who is now lying in front of you with snow-white hair, pale-grey eyes, soft pink skin and worry lines, not be beautiful?
Viv Albertine (To Throw Away Unopened)
The people are hungry,” Mihali said. He lifted his hands, spreading them to encompass the city. “The people need to be fed. They need bread and wine and soup and meat. But not just that. They need friendship.” He pointed to a minor noble, some viscount decked out in his finest foppish frills, who poured a bottle of St. Adom’s Festival wine into the cups of a half-dozen street urchins. “They need companionship,” Mihali said. “They need love and brotherhood.” He turned to Tamas. He reached out with one hand, putting a palm to Tamas’s cheek. Instinct told Tamas to step back. He found that he couldn’t. “You gorged them on the blood of the nobility,” Mihali said gently. “They drank, but were not filled. They ate of hatred and grew hungrier.” He took a deep breath. “Your intentions were… well, not pure, but just. Justice is never enough.” He let go of Tamas and turned to the square. “I will put things right,” he said. He puffed out his chest and spread his arms. “I will feed all of Adro. It is what they need.
Brian McClellan (Promise of Blood (Powder Mage, #1))
ONCE UPON A time there was a king who had three beautiful daughters. As he grew old, he began to wonder which should inherit the kingdom, since none had married and he had no heir. The king decided to ask his daughters to demonstrate their love for him. To the eldest princess he said, “Tell me how you love me.” She loved him as much as all the treasure in the kingdom. To the middle princess he said, “Tell me how you love me.” She loved him with the strength of iron. To the youngest princess he said, “Tell me how you love me.” This youngest princess thought for a long time before answering. Finally she said she loved him as meat loves salt. “Then you do not love me at all,” the king said. He threw his daughter from the castle and had the bridge drawn up behind her so that she could not return. Now, this youngest princess goes into the forest with not so much as a coat or a loaf of bread. She wanders through a hard winter, taking shelter beneath trees. She arrives at an inn and gets hired as assistant to the cook. As the days and weeks go by, the princess learns the ways of the kitchen. Eventually she surpasses her employer in skill and her food is known throughout the land. Years pass, and the eldest princess comes to be married. For the festivities, the cook from the inn makes the wedding meal. Finally a large roast pig is served. It is the king’s favorite dish, but this time it has been cooked with no salt. The king tastes it. Tastes it again. “Who would dare to serve such an ill-cooked roast at the future queen’s wedding?” he cries. The princess-cook appears before her father, but she is so changed he does not recognize her. “I would not serve you salt, Your Majesty,” she explains. “For did you not exile your youngest daughter for saying that it was of value?” At her words, the king realizes that not only is she his daughter—she is, in fact, the daughter who loves him best. And what then? The eldest daughter and the middle sister have been living with the king all this time. One has been in favor one week, the other the next. They have been driven apart by their father’s constant comparisons. Now the youngest has returned, the king yanks the kingdom from his eldest, who has just been married. She is not to be queen after all. The elder sisters rage. At first, the youngest basks in fatherly love. Before long, however, she realizes the king is demented and power-mad. She is to be queen, but she is also stuck tending to a crazy old tyrant for the rest of her days. She will not leave him, no matter how sick he becomes. Does she stay because she loves him as meat loves salt? Or does she stay because he has now promised her the kingdom? It is hard for her to tell the difference.
E. Lockhart (We Were Liars)
Annwyl: dear Iesu Mawr: great Jesus Hwyl fawr am nawr: good-bye for now Diolch i Dduw: Thank God Dw i’n dy garu di: I love you Owain Glyndŵr: a Welsh ruler, a figure of Welsh nationalism, and the last native Welshman to hold the title Prince of Wales. He lived from 1349–1416 Eistedfodd: a festival of Welsh literature, music, dancing, and acting
Lisa Kleypas (Marrying Winterborne (The Ravenels, #2))
He says nothing, vehemently. I falter away and we sit, mutually staring into the fouled water. ... With time to kill, I ponder dismally the possible derivation of the zombie myth from people like my boyfriend. I picture Ralph blackened, semi-fingered, with bright bone peeking through his flesh. The odd small worm clings, festively wiggling. In my image, Ralph's really upset about decaying, and I feel for him sorrowfully. I want to tell him I would still love him, if he were decomposed. Of course in practice there is no predicting what I'd feel, and besides which, it's a wild associative leap. I ponder dismally how I've alienated people, all my life, with my bizarre associative leaps.
Sandra Newman (The Only Good Thing Anyone Has Ever Done: A Novel)
Christmas is a sacred festival. It is celebration of Christ love for Humankind. And the love that bind us together.
Lailah Gifty Akita (Pearls of Wisdom: Great mind)
I know that love can be loud and jubilant. It can be dancing in the swampy mud and the pouring rain at a festival and shouting “YOU ARE FUCKING AMAZING
Dolly Alderton (Everything I Know About Love: A Memoir)
Don't you love fall?" Stacey asked. "All the little festivals, the changing leaves, kids in Halloween costumes, the dead spewing up out of their graves to haunt the living...
J.L. Bryan (Maze of Souls (Ellie Jordan, Ghost Trapper #6))
Phish might’ve already given it away, but inside the white man rages a music festival for lumberjacks.
Christian Rudder (Dataclysm: Love, Sex, Race, and Identity--What Our Online Lives Tell Us about Our Offline Selves)
We stare down at the festival below us. I can hear the low pulse of a local band playing cover songs, the rustle of in the lake nearby, and the carrying laughter of kids our age eating cotton candy and flirting with summer loves. The sun has melted down to the horizon line, leaving trails of orange and pink in it's wake. In the distance, our hotel's roof peeks over the tree line.
Emery Lord (Open Road Summer)
Our first youth is of no value; for we are never conscious of it until after it is gone. But sometimes-always, I suspect, unless one is exceedingly unfortunate-there comes a sense of second youth, gushing out of the heart's joy at being in love; or, possibly, it may come to crown some other grand festival in life, if any other such there be. This bemoaning of one's self (as you do now) over the first, careless, shallow gayety of youth departed, and this profound happiness atyouth regained,-so much deeper and richer than that we lost,-are essential to the soul's development
Nathaniel Hawthorne (The House of the Seven Gables)
Real eating restores a sense of of the festivity of being. Food does not exist merely for the sake of its nutritional value. To see it so is to knuckle under still further to the desubstantialization of man, to regard not what things are, but what they mean to us - to become in short solemn idolaters spiritualizing what should be loved as matter. A man's daily meal ought to be an exultation over the smack of desirability which lies at the root of creation. To break real bread is to break the loveless hold of hell upon the world, and, by just that much, to set the secular free.
Robert Farrar Capon (The Supper of the Lamb: A Culinary Reflection (Modern Library Food))
Do I need to check up on you guys later? You know the rules.No sleeping in opposite-sex rooms." My face flames,and St. Clair's cheeks grow blotchy. It's true.It's a rule. One that my brain-my rule-loving, rule-abiding brain-conveniently blocked last night. It's also one notoriously ignored by the staff. "No,Nate," we say. He shakes his shaved head and goes back in his apartment. But the door opens quickly again,and a handful of something is thrown at us before it's slammed back shut. Condoms.Oh my God, how humiliating. St. Clair's entire face is now bright red as he picks the tiny silver squares off the floor and stuffs them into his coat pockets. We don't speak,don't even look at each other,as we climb the stairs to my floor. My pulse quickens with each step.Will he follow me to my room,or has Nate ruined any chance of that? We reach the landing,and St. Clair scratches his head. "Er..." "So..." "I'm going to get dressed for bed. Is that all right?" His voice is serious,and he watches my reaction carefully. "Yeah.Me too.I'm going to...get ready for bed,too." "See you in a minute?" I swell with relief. "Up there or down here?" "Trust me,you don't want to sleep in my bed." He laughs,and I have to turn my face away,because I do,holy crap do I ever. But I know what he means.It's true my bed is cleaner. I hurry to my room and throw on the strawberry pajamas and an Atlanta Film Festival shirt. It's not like I plan on seducing him. Like I'd even know how. St. Clair knocks a few minutes later, and he's wearing his white bottoms with the blue stripes again and a black T-shirt with a logo I recognize as the French band he was listening to earlier. I'm having trouble breathing. "Room service," he says. My mind goes...blank. "Ha ha," I say weakly. He smiles and turns off the light. We climb into bed,and it's absolutely positively completely awkward. As usual. I roll over to my edge of the bed. Both of us are stiff and straight, careful not to touch the other person. I must be a masochist to keep putting myself in these situations. I need help. I need to see a shrink or be locked in a padded cell or straitjacketed or something. After what feels like an eternity,St. Clair exhales loudly and shifts. His leg bumps into mine, and I flinch. "Sorry," he says. "It's okay." "..." "..." "Anna?" "Yeah?" "Thanks for letting me sleep here again. Last night..." The pressure inside my chest is torturous. What? What what what? "I haven't slept that well in ages." The room is silent.After a moment, I roll back over. I slowly, slowly stretch out my leg until my foot brushes his ankle. His intake of breath is sharp. And then I smile,because I know he can't see my expression through the darkness.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
The Frenchman showed her a great deal of Paris that day, saying over lunch at a café that it was impossible to see everything of interest in so short a time. "And of course the sights are only one aspect; there's also the theatre, the markets, clubs, festivals, gardens and much more." Delta smiled dreamily; it sounded wonderful. Enjoying her smile, Valois gave her cheek a playful caress. "If I try hard enough, you may never want to leave.
Brooke Templar (The Frenchman)
Ultimately, the roast turkey must be regarded as a monument to Boomer's love. Look at it now, plump and glossy, floating across Idaho as if it were a mammoth, mutated seed pod. Hear how it backfires as it passes the silver mines, perhaps in tribute to the origin of the knives and forks of splendid sterling that a roast turkey and a roast turkey alone possesses the charisma to draw forth into festivity from dark cupboards. See how it glides through the potato fields, familiarly at home among potatoes but with an air of expectation, as if waiting for the flood of gravy. The roast turkey carries with it, in its chubby hold, a sizable portion of our primitive and pagan luggage. Primitive and pagan? Us? We of the laser, we of the microchip, we of the Union Theological Seminary and Time magazine? Of course. At least twice a year, do not millions upon millions of us cybernetic Christians and fax machine Jews participate in a ritual, a highly stylized ceremony that takes place around a large dead bird? And is not this animal sacrificed, as in days of yore, to catch the attention of a divine spirit, to show gratitude for blessings bestowed, and to petition for blessings coveted? The turkey, slain, slowly cooked over our gas or electric fires, is the central figure at our holy feast. It is the totem animal that brings our tribe together. And because it is an awkward, intractable creature, the serving of it establishes and reinforces the tribal hierarchy. There are but two legs, two wings, a certain amount of white meat, a given quantity of dark. Who gets which piece; who, in fact, slices the bird and distributes its limbs and organs, underscores quite emphatically the rank of each member in the gathering. Consider that the legs of this bird are called 'drumsticks,' after the ritual objects employed to extract the music from the most aboriginal and sacred of instruments. Our ancestors, kept their drums in public, but the sticks, being more actively magical, usually were stored in places known only to the shaman, the medicine man, the high priest, of the Wise Old Woman. The wing of the fowl gives symbolic flight to the soul, but with the drumstick is evoked the best of the pulse of the heart of the universe. Few of us nowadays participate in the actual hunting and killing of the turkey, but almost all of us watch, frequently with deep emotion, the reenactment of those events. We watch it on TV sets immediately before the communal meal. For what are footballs if not metaphorical turkeys, flying up and down a meadow? And what is a touchdown if not a kill, achieved by one or the other of two opposing tribes? To our applause, great young hungers from Alabama or Notre Dame slay the bird. Then, the Wise Old Woman, in the guise of Grandma, calls us to the table, where we, pretending to be no longer primitive, systematically rip the bird asunder. Was Boomer Petaway aware of the totemic implications when, to impress his beloved, he fabricated an outsize Thanksgiving centerpiece? No, not consciously. If and when the last veil dropped, he might comprehend what he had wrought. For the present, however, he was as ignorant as Can o' Beans, Spoon, and Dirty Sock were, before Painted Stick and Conch Shell drew their attention to similar affairs. Nevertheless, it was Boomer who piloted the gobble-stilled butterball across Idaho, who negotiated it through the natural carving knives of the Sawtooth Mountains, who once or twice parked it in wilderness rest stops, causing adjacent flora to assume the appearance of parsley.
Tom Robbins (Skinny Legs and All)
-Well, that’s actually quite understandable, Deepak gently returned, -there are a lot of things people fear, yet really the only thing people have any reason to fear is uncertainty. Of course, the biggest uncertainty is what happens to us after this life, which is why we fear death so much. But even death is rather pointless to worry about, it will happen to each and every one of us, whether we care for it or not, all we can do is try to accept it as gracefully as possible. -This is why, living day to day, my greatest uncertainty hasn’t been about death, but whether you will love me by returning all of my affection. I can’t think of anything I would find more fearful or disturbing than if you were to refuse my feelings or worse if you were to fall in love with someone else before you had a chance to love me.
Andrew James Pritchard (Festival of Lights)
I like the structure of the crime story, but most of all I like the ecosystem in which the genre flourishes: the festivals, the websites, the fans, the fact that you have your own special section of the bookshop. And crime is cool, too. It’s dark and edgy and funny and intelligent. I love it.
Harry Bingham
This was his cure for low spirits. When you pour your first cup of coffee of the day, if you’re feeling crummy, put a dab of ice cream into it. It’s festive. Then you gotta trudge off like everybody else, like I said, but you got the ice cream with you. Forget art. Put your trust in ice cream.
Charles Baxter (The Feast of Love (Vintage Contemporaries))
Diwali was the Festival of Lights. The celebration of the goodness in this world over darkness. A holiday that could be whatever anyone wanted it to be. And for Sam and me, having first fallen for each other on Diwali, I knew it would always be the day we celebrated our love for each other, too.
Sonya Lalli (A Holly Jolly Diwali)
Upon moving to Cornwall in 1991, I became bewitched by its enchanting timeless beauty, which captured my heart and holds me still. Brooding and mysterious, the south-eastern edge of Bodmin Moor provided the wild backdrop against which the introduction to my magical training and love of nature began.
Carole Carlton (Mrs Darley's Pagan Whispers: A Celebration of Pagan Festivals, Sacred Days, Spirituality and Traditions of the Year)
If you can concentrate always on the present, you'll be a happy man. You'll see that there is life in the desert, that there are stars in the heavens, and that tribesmen fight because they are part of the human race. Life will be a party for you, a grand festival, because life is the moment we're living right now. If you pay attention to the present, you can improve upon it. And if you improve on the present, what comes later will also be better. Forget about the future, and live each day according to the teachings, confident that God loves his children. Each day, in itself, brings with it an eternity.
Paulo Coelho (The Alchemist)
Ugh. Would that Christmas could just be, without presents. It is just so stupid, everyone exhausting themselves, miserably haemorrhaging money on pointless items nobody wants: no longer tokens of love but angst-ridden solutions to problems. [...] What is the point of entire nation rushing round for six weeks in a bad mood preparing for utterly pointless Taste-of-Others exam which entire nation then fails and gets stuck with hideous unwanted merchandise as fallout? If gifts and cards were completely eradicated, then Christmas as pagan-style twinkly festival to distract from lengthy winter gloom would be lovely. But if government, religious bodies, parents, tradition, etc. insist on Christmas Gift Tax to ruin everything why not make it that everyone must go out and spend £500 on themselves then distribute the items among their relatives and friends to wrap up and give to them instead of this psychic-failure torment?
Helen Fielding (Bridget Jones’s Diary (Bridget Jones, #1))
continually amazed at just how many skills and crafts could go into making “a lovely home”—the patchwork quilts you could sew, the curtains you could ruffle, the cucumbers you could pickle, the rhubarb you could make into jam, the icing-sugar decorations you could create for your Christmas cake—which you were supposed to make in September at the latest (for heaven’s sake)—and at the same time remember to plant your indoor bulbs so they would also be ready for “the festive season,” and it just went on and on, every month a list of tasks that would have defeated Hercules and that was without the everyday preparation of meals,
Kate Atkinson (Case Histories (Jackson Brodie #1))
Whenever five or six English-speaking people meet around a fire on Christmas Eve, they start telling each other ghost stories. Nothing satisfies us on Christmas Eve but to hear each other tell authentic anecdotes about spectres. It is a genial, festive season, and we love to muse upon graves, and dead bodies, and murders and blood.
Jerome K. Jerome
Then many strange people will be philosophers, for the lovers of sights seem to be included, since they take pleasure in learning things. And the lovers of sounds are very strange people to include as philosophers, for they would never willingly attend a serious discussion or spend their time that way, yet they run around to all the Dionysiac festivals, omitting none, whether in cities or villages, as if their ears were under contract to listen to every chorus. Are we to say that these people— and those who learn similar things or petty crafts— are philosophers? No, but they are like philosophers. And who are the true philosophers? Those who love the sight of truth.
Plato (The Republic)
A marriage is a private bond between two people. But a wedding is a party for everyone, a celebration of life and love, a gathering of friends and relatives to rejoice in life’s good food, champagne, dancing, laughter, and a golden moment in the passage of life. A marriage lasts years, through the good times and bad, and all the banal, boring everyday goings-on of living. A wedding is a brief flash, a unique, exceptional festivity with singing and flowers and good will among men—and women. A marriage is real life. A wedding is a fairy tale. But a wedding is also a promise that we will hold dear the joys of the fairy tale close to our hearts as we go through the years of our marriage.
Nancy Thayer (A Nantucket Wedding)
Our first youth is of no value; for we are never conscious of it, until after it is gone. But sometimes--always, I suspect, unless one is exceedingly unfortunate--there comes a sense of second youth, gushing out of the heart's joy at being in love; or possibly, it may come to crown some other grand festival in life, if any other such there be. This bemoaning of one's self. . . over the first, careless, shallow gayety of youth departed, and this profound happiness at youth regained,--so much deeper and richer than that we lost,--are essential to the soul's development. In some cases, the two states come almost simultaneously, and mingle the sadness and the rapture in one mysterious emotion.
Nathaniel Hawthorne (The House of the Seven Gables)
On 23 August 1572, French Catholics who stressed the importance of good deeds attacked communities of French Protestants who highlighted God’s love for humankind. In this attack, the St Bartholomew’s Day Massacre, between 5,000 and 10,000 Protestants were slaughtered in less than twenty-four hours. When the pope in Rome heard the news from France, he was so overcome by joy that he organised festive prayers to celebrate the occasion and commissioned Giorgio Vasari to decorate one of the Vatican’s rooms with a fresco of the massacre (the room is currently off-limits to visitors).2 More Christians were killed by fellow Christians in those twenty-four hours than by the polytheistic Roman Empire throughout its entire existence.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
We come to a corner where there are a few people protesting the festivities. I don't understand this at all. It's like a protesting the fact that some people are red-haired. In my experience, desire is desire, love is love. I have never fallen in love with a gender. I have fallen for individuals. I know this is hard for people to do, but I don't understand why it's so hard, when it's so obvious.
David Levithan (Every Day (Every Day, #1))
If the early English and LA punk bands shared a common sound, the New York bands just shared the same clubs. As such, while the English scene never became known as the '100 Club' sound, CBGBs was the solitary common component in the New York bands' development, transcended once they had outgrown the need to play the club. Even their supposed musical heritage was not exactly common -- the Ramones preferring the Dolls/Stooges to Television's Velvets/Coltrane to Blondie's Stones/Brit-Rock. Though the scene had been built up as a single movement, when commercial implications began to sink in, the differences that separated the bands became far more important than the similarities which had previously bound them together. In the two years following the summer 1975 festival, CBGBs had become something of an ideological battleground, if not between the bands then between their critical proponents. The divisions between a dozen bands, all playing the same club, all suffering the same hardships, all sharing the same love of certain central bands in the history of rock & roll, should not have been that great. But the small scene very quickly partitioned into art-rockers and exponents of a pure let's-rock aesthetic.
Clinton Heylin (From the Velvets to the Voidoids: A Pre-Punk History for a Post-Punk World)
[23] Our situation is like that at a festival.* Sheep and cattle are driven to it to be sold, and most people come either to buy or to sell, while only a few come to look at the spectacle of the festival, to see how it is proceeding and why, and who is organizing it, and for what purpose. [24] So also in this festival of the world. Some people are like sheep and cattle and are interested in nothing but their fodder; for in the case of those of you who are interested in nothing but your property, and land, and slaves, and public posts, all of that is nothing more than fodder. [25] Few indeed are those who attend the fair for love of the spectacle, asking, ‘What is the universe, then, and who governs it? No one at all? [26] And yet when a city or household cannot survive for even a very short time without someone to govern it and watch over it, how could it be that such a vast and beautiful structure could be kept so well ordered by mere chance and good luck? [27] So there must be someone governing it. What sort of being is he, and how does he govern it? And we who have been created by him, who are we, and what were we created for? Are we bound together with him in some kind of union and interrelationship, or is that not the case?’ [28] Such are the thoughts that are aroused in this small collection of people; and from then on, they devote their leisure to this one thing alone, to finding out about the festival before they have to take their leave. [29] What comes about, then? They become an object of mockery for the crowd, just as the spectators at an ordinary festival are mocked by the traders; and even the sheep and cattle, if they had sufficient intelligence, would laugh at those who attach value to anything other than fodder!
Epictetus (Discourses, Fragments, Handbook)
I draw myself up next to her and look at her profile, making no effort to disguise my attention, here, where there is only Puck to see me. The evening sun loves her throat and her cheekbones. Her hair the color of cliff grass rises and falls over her face in the breeze. Her expression is less ferocious than usual, less guarded. I say, “Are you afraid?” Her eyes are far away on the horizon line, out to the west where the sun has gone but the glow remains. Somewhere out there are my capaill uisce, George Holly’s America, every gallon of water that every ship rides on. Puck doesn’t look away from the orange glow at the end of the world. “Tell me what it’s like. The race.” What it’s like is a battle. A mess of horses and men and blood. The fastest and strongest of what is left from two weeks of preparation on the sand. It’s the surf in your face, the deadly magic of November on your skin, the Scorpio drums in the place of your heartbeat. It’s speed, if you’re lucky. It’s life and it’s death or it’s both and there’s nothing like it. Once upon a time, this moment — this last light of evening the day before the race — was the best moment of the year for me. The anticipation of the game to come. But that was when all I had to lose was my life. “There’s no one braver than you on that beach.” Her voice is dismissive. “That doesn’t matter.” “It does. I meant what I said at the festival. This island cares nothing for love but it favors the brave.” Now she looks at me. She’s fierce and red, indestructible and changeable, everything that makes Thisby what it is. She asks, “Do you feel brave?” The mare goddess had told me to make another wish. It feels thin as a thread to me now, that gift of a wish. I remember the years when it felt like a promise. “I don’t know what I feel, Puck.” Puck unfolds her arms just enough to keep her balance as she leans to me, and when we kiss, she closes her eyes. She draws back and looks into my face. I have not moved, and she barely has, but the world feels strange beneath me. “Tell me what to wish for,” I say. “Tell me what to ask the sea for.” “To be happy. Happiness.” I close my eyes. My mind is full of Corr, of the ocean, of Puck Connolly’s lips on mine. “I don’t think such a thing is had on Thisby. And if it is, I don’t know how you would keep it.” The breeze blows across my closed eyelids, scented with brine and rain and winter. I can hear the ocean rocking against the island, a constant lullaby. Puck’s voice is in my ear; her breath warms my neck inside my jacket collar. “You whisper to it. What it needs to hear. Isn’t that what you said?” I tilt my head so that her mouth is on my skin. The kiss is cold where the wind blows across my cheek. Her forehead rests against my hair. I open my eyes, and the sun has gone. I feel as if the ocean is inside me, wild and uncertain. “That’s what I said. What do I need to hear?” Puck whispers, “That tomorrow we’ll rule the Scorpio Races as king and queen of Skarmouth and I’ll save the house and you’ll have your stallion. Dove will eat golden oats for the rest of her days and you will terrorize the races each year and people will come from every island in the world to find out how it is you get horses to listen to you. The piebald will carry Mutt Malvern into the sea and Gabriel will decide to stay on the island. I will have a farm and you will bring me bread for dinner.” I say, “That is what I needed to hear.” “Do you know what to wish for now?” I swallow. I have no wishing-shell to throw into the sea when I say it, but I know that the ocean hears me nonetheless. “To get what I need.
Maggie Stiefvater (The Scorpio Races)
At Christmastime, the whole Christian world stands still to celebrate the birth of our Savior, Jesus Christ. Christmas cannot be cut out of the calendar nor out of the heart of the world — it is the supreme festive season of mirth and gladness. Love for God and one another should be the Christmas theme. Such was the divine announcement by the heavenly host that first heralded the good tidings of great joy, ‘Glory to God in the highest and on earth peace, good will toward men.
Franklin D. Richards
Moreover that which is called, far too harshly in certain cases, the ingratitude of children, is not always a thing so deserving of reproach as it is supposed. It is the ingratitude of nature. Nature, as we have elsewhere said, “looks before her.” Nature divides living beings into those who are arriving and those who are departing. Those who are departing are turned towards the shadows, those who are arriving towards the light. Hence a gulf which is fatal on the part of the old, and involuntary on the part of the young. This breach, at first insensible, increases slowly, like all separations of branches. The boughs, without becoming detached from the trunk, grow away from it. It is no fault of theirs. Youth goes where there is joy, festivals, vivid lights, love. Old age goes towards the end. They do not lose sight of each other, but there is no longer a close connection. Young people feel the cooling off of life; old people, that of the tomb. Let us not blame these poor children.
Victor Hugo (Les Misérables)
Moreover that which is called, far too harshly in certain cases, the ingratitude of children, is not always a thing so deserving of reproach as it is supposed. It is the ingratitude Free eBooks at Planet eBook.com 2395 of nature. Nature, as we have elsewhere said, ‘looks before her.’ Nature divides living beings into those who are arriving and those who are departing. Those who are departing are turned towards the shadows, those who are arriving towards the light. Hence a gulf which is fatal on the part of the old, and involuntary on the part of the young. This breach, at first insensible, increases slowly, like all separations of branches. The boughs, without becoming detached from the trunk, grow away from it. It is no fault of theirs. Youth goes where there is joy, festivals, vivid lights, love. Old age goes towards the end. They do not lose sight of each other, but there is no longer a close connection. Young people feel the cooling off of life; old people, that of the tomb. Let us not blame these poor children.
Victor Hugo
It began as a meal. And became a feast, a festival – they hardly know how. The high flames flare, the voices whirr, wild songs stir from glitter and glance, and at last from the ripened rhythms in the air: arises the dance. And it sweeps them all up. You feel the wavebeats pounding through the room, you touch somebody, breathe-in her perfume, you part from her and find her once again, and then, through all the light-filled melodies, dazzled, you sway upon the summer breeze which fills the dresses that warm women wear.
Rainer Maria Rilke (The Lay of the Love and Death of Cornet Christopher Rilke)
If you cared about the thousands of children suffering today in Gaza, as much you care about the birth of one middle eastern child two thousand years ago, perhaps then, you could've understood the true meaning of Christmas. As of now, Christmas is just a festival of hypocrisy - and that too, in the name of a man who gave his life to lift up the fallen. My question is, if you cannot be Christlike in your deeds, what's the point of all these festivities, which are supposed to be rooted in goodwill towards all, not mindless self-obsession!
Abhijit Naskar (Visvavatan: 100 Demilitarization Sonnets)
There is a great ladder of religious cruelty with many rungs; but three of them are the most important. At one time one sacrificed human beings to one's god, perhaps precisely those human beings one loved best–the sacrifice of the first-born present in all prehistoric religions belongs here, as does the sacrifice of the Emperor Tiberius in the Mithras grotto on the isle of Capri, that most horrible of all Roman anachronisms. Then, in the moral epoch of mankind, one sacrificed to one's god the strongest instincts one possessed, one's ‘nature’; the joy of this festival glitters in the cruel glance of the ascetic, the inspired ‘anti-naturist’. Finally: what was left to be sacrificed? Did one not finally have to sacrifice everything comforting, holy, healing, all hope, all faith in a concealed harmony, in a future bliss and justice? Did one not have to sacrifice God himself and out of cruelty against oneself worship stone, stupidity, gravity, fate, nothingness? To sacrifice God for nothingness–this paradoxical mystery of the ultimate act of cruelty was reserved for the generation which is even now arising: we all know something of it already.
Friedrich Nietzsche (Beyond Good and Evil)
Hugh Anthony, in his new nautical overcoat with brass buttons, neither knew nor cared what he looked like, but was comforted in his heated state by a whistle on a white cord. For years he had been telling his grandparents that a whistle should always accompany marine attire and now at last, just in time for the festival, this remark had sunk in. With his lovely eyes fixed on the altar and an expression of great spiritual beauty on his face he was wondering just when to blow the whistle. Should he accompany the last hymn on it or should he blow one shrill blast in the middle of the Dean's sermon? It was difficult to decide. He must, as Grandfather said one should, wait and be guided.
Elizabeth Goudge (A City of Bells (Torminster, #1))
The time he spent could have been more usefully applied, it might seem, to finishing the Adoration of the Magi or Saint Jerome. But just as today we love halftime shows and Broadway extravaganzas, fireworks displays and choreographed performances, the events staged by the Sforza court were considered vital, and their producers, including Leonardo, were highly valued. The entertainments were even educational at times, like an ideas festival; there were demonstrations of science, debates over the relative merits of various art forms, and displays of ingenious devices, all of which were a precursor to the public science and edifying discourse that later became popular during the Enlightenment.
Walter Isaacson (Leonardo da Vinci)
Learn to win a lady's faith Nobly, as the thing is high; Bravely, as for life and death— With a loyal gravity. Lead her from the festive boards, Point her to the starry skies, Guard her, by your truthful words, Pure from courtship's flatteries.' MRS. BROWNING. “my own case it is no good luck, nor merit, nor talent,—but simply the habits of life which taught me to despise indulgences not thoroughly earned...” 'There's iron, they say, in all our blood, And a grain or two perhaps is good; But his, he makes me harshly feel, Has got a little too much of steel.' ANON. ‘I ask Thee for a thoughtful love, Through constant watching wise, To meet the glad with joyful smiles, And to wipe the weeping eyes; And a heart at leisure from itself To soothe and sympathise.' ANON.
Elizabeth Gaskell (North and South)
This sound, which like all music--indeed, like all pleasure--I had been numbly unresponsive to for months, pierced my heart like a dagger, and in a flood of swift recollection I thought of all the joys the house had known: the children who had rushed through its rooms, the festivals, the love and work, the honestly earned slumber, the voices and the nimble commotion, the perennial tribe of cats and dogs and birds, "laughter and ability and Sighing, And Frocks and Curls." All this I realized was more than I could ever abandon, even as what I had set out so deliberately to do was more than I could inflict on those memories, and upon those, so close to me, with whom the memories were bound. And just as powerfully I realized I could not commit this desecration on myself.
William Styron (Darkness Visible: A Memoir of Madness)
My children, it is not enough to love passionately; you must also love well. A passionate love is good doubtless, but a beautiful love is better. May you have as much strength as gentleness; may it lack nothing, not even forbearance, and let even a little compassion be mingled with it. You are young, fair and good; but you are human, and because of this capable of much suffering. If then something of compassion does not enter into the feelings you have one for the other, these feelings will not always befit all the circumstances of your life together; they will be like festive robes that will not shield you from wind and rain. We love truly only those we love even in their weakness and their poverty. To forbear, to forgive, to console, that alone is the science of love.
Anatole France (Bee: The Princess of the Dwarfs)
bombs poured down from the sky exploding across trachimbrod in bursts of light and heat those watching the festivities hollered ran frantically they jumped into the bubbling splashing frantically dynamic water not after the sack of gold buy to save themselves they stayed under as long as they could they surfaced to seize air and look for loved ones my safran picked up his wife and carried her like a newlywed into the water which seemed amid the falling trees and hackling crackling explosions the safest place hundreds of bodies poured into the brod that river with my name I embraced them with open arms come to me come I wanted to save them all to save everybody from everybody the bombs rained from the sky and it was not the explosions or scattering shrapnel that would be our death not the heckling cinders not the laughing debris but all of the bodies bodies flailing and grabbing hold of one another bodies looking something to hold on to my safran lost sight of his wife who was carried deeper into me by the pull of the bodies the silent shrieks were carried in bubbles to the surface where they popped PLEASE PLEASE PLEASE PLEASE the kicking in zosha’s belly became more and more PLEASE PLEASE the baby refused to die like this PLEASE the bombs came down cackling smoldering and my safran was able to break free from the human mass and float downstream over the small falls to clearer waters zosha was pulled down PLEASE and the baby refusing to die like this was pulled up and out of her body turning the waters around her red she surfaced like a bubble to the light to oxygen to life to life WAWAWAWAWAWA she cried she was perfectly healthy and she would have lived except for the umbilical cord that pulled her back under toward her mother who was barely conscious but conscious of the cord and tried to break it with her hands and then bite it with her teeth but could not it would not be broken and she died with her perfectly healthy nameless baby in her arms she held it to her chest the crowd pulled itself into itself long after the bombing ceased the confused the frightened the desperate mass of babies children teenagers adults elderly all pulled at each other to survive but pulled each other into me drowning each other killing each other the bodies began to rise one at a time until I couldn’t be seen through all of the bodies blue skin open white eyes I was invisible under them I was the carcass they were the butterflies white eyes blue skin this is what we’ve done we’ve killed our own babies to save them
Jonathan Safran Foer (Everything is Illuminated)
It was the uniform of a time and place, of a nearly extinct species—the belligerent middle-American redneck who had fought in Korea, come back with his faith unshaken, and then watched the 1960s unfold the way he might watch his house burn down. There had never been any Summer of Love for Arthur Schuler. He had no interest in Civil Rights, hippies or liberals—or Democrats for that matter. I heard him say once that it might have worked out very well if we had indeed brought all the planes back from Vietnam, just in time to napalm the Woodstock festival.      But the man had lived. He had been an orphan of the Great Depression and seen the country and the world. He had made his way, been a barroom fighter and—he hinted—a womanizer at some distant point in the twentieth century, and had come away with an instinct for life, for the things that people do and their base and predictable motivations.  We
Matthew Louis (The Wrong Man)
Lalla Ruk Dearest dream, my soul's enchantment Lovely guest from heav'n above, Most benevolent attender To the earthly realm below, You gave me blissful satisfaction Momentary but complete: Bringing with you happy tidings - Like a herald from the skies. I dreamed dreams of life eternal In that Promised Land of peace; I dreamed dreams of fragrant regions, Of a tranquil, sweet Kashmir; I could witness celebrations, Festivals of roses vernal Honoring that lovely maiden From lands strange and far away. And, with glistening enchantment Like an angel from above, - This untainted, youthful vision Came before my dreaming eyes; Like a veil, a shining shroud Screened her lovely face from view, Tenderly she did incline Her shy gazes toward the earth. All her traits - her timid shyness Underneath her shining crown, Childlike her animation, And her face's noble beauty - Glowing with a depth of feeling, Sweet serenity and peace - All of these completely artless Indescribably sublime! As I watched, the apparition (Captivating me in passing) Never to return, flew by; I pursued - but it had gone! T'was a vision merely fleeting, Transient illumination Leaving nothing but a legend Of its passing through my life! T'is not ours to harbor Beauty's spirit - Ah, so pure! It comes nigh but for a moment From its heavenly abode; Like a dream, it slips away, Like an airy dream of morning: But in sacred reminiscence It is married with the heart! Only in the purest instants Of our life does it appear Bringing with it revelations Beneficial to our hearts; That our hearts may know of heaven In this earthly shadow realm, It allows us momentary Glimpses through the earthly veil. And through all that here is lovely, All that animates our lives, To our souls it speaks a language Reassuring and distinct; When it quits our earthly region It bestows a gift of love Glowing in our evening heaven: "Tis a farewell star for all to see.
Vasily Zhukovsky
There was a loud din, a drunken gaiety. Young people, adults, children were dancing. But I could feel the reality behind the appearance of festivity. The distorted faces of the bride’s relatives signaled a quarrelsome discontent. Especially the women. They had spent their last cent for the gift, for what they were wearing, had gone into debt, and now they were treated like poor relations, with bad wine, intolerable delays in service? Why didn’t Lila intervene, why didn’t she protest to Stefano? I knew them. They would restrain their rage for love of Lila but at the end of the reception, when she went to change, when she came back, dressed in her beautiful traveling clothes, when she handed out the wedding favors, when she had left, with her husband, then a huge fight would erupt, and it would be the start of hatreds lasting months, years, and offenses and insults that would involve husbands, sons, all with an obligation to prove to mothers and sisters and grandmothers that they knew how to be men.
Elena Ferrante (My Brilliant Friend (L'amica geniale #1))
I love this room, said Moctezuma, you can't imagine how I miss being a priest. Where there were splotches of blood, he saw sprays of flowers. The withered fingers of the hands of great warriors sacrificed during the year's festivals swayed pleasingly like the branches of a small tree to the beat of some music he couldn't place, though in a possible future we would have recognized it. It was T. Rex's "Monolith." The priest was also up to his ears in whatever he had taken to carry out his temple duties, so he bent his magic powers of hearing to the music and caught the sexy crooning of Marc Bolan. He smiled. That's good stuff, he said. Moctezuma swung his hips to the beat. It's nothing I've ever heard before, he replied, but I like it. He pulled his elbows in tight and shimmied, moving his head gravely from side to side, transfixed by pleasure. The priest, swaying his own ass to the beat—he was nearly eighty, but on mushrooms he was a jaguar-said, I was thinking about you, believe it or not; look at this.
Álvaro Enrigue (You Dreamed of Empires)
tuff. Almost all of us have it in abundance. What can we do with it? One of my favorite hideaways is an old faithful: the cardboard box. Cover it with festive Contact paper and stuff away. Or hang a shelf about a foot from the ceiling, and use it to store items you don't want sitting around. It's also great in a child's room for toys that aren't played with often. Get old school lockers or trunks, paint them, and use them for storage. Clutter around your house can cause clutter in your emotional and spiritual life too, so clean up and spend your best time enjoying life. re you reluctant to share your home with others? Maybe it's not your dream house or you don't have the money right now to decorate the way you'd like to. But you know what? It's not about having a perfect home. It's about your spirit of hospitality, your willingness to share your home and your life with others. Don't wait until everything is perfect because that will never happen. Focus on making your home cozy and comfortable. Your place will always be at its most beautiful when you use it to warm hearts. aking time for your husband doesn't have to be difficult or a hassle. With a little imagination and the desire to make him happy, you can make him feel loved. Are you thinking, Oh great, now Emilie 's telling me what I'm doing wrong with my husband. Not at all! I just want to give you a few ideas to help you let your
Emilie Barnes (365 Things Every Woman Should Know)
April. It teaches us everything. The coldest and nastiest days of the year can happen in April. It won’t matter. It’s April. The English word for the month comes from the Roman Aprilis, the Latin aperire: to open, to uncover, to make accessible, or to remove whatever stops something from being accessible. It maybe also partly comes from the name of Aphrodite, Greek goddess of love, whose happy fickleness with various gods mirrors the month’s own showery-sunny fickleness. Month of sacrifice and month of playfulness. Month of restoration, of fertility-festivity. Month when the earth and the buds are already open, the creatures asleep for the winter have woken and are already breeding, the birds have already built their nests, birds that this time last year didn’t exist, busy bringing to life the birds that’ll replace them this time next year. Spring-cuckoo month, grass-month. In Gaelic its name means the month that fools mistake for May. April Fool’s Day also probably marks what was the old end of the new year celebrations. Winter has Epiphany. Spring’s gifts are different. Month of dead deities coming back to life. In the French revolutionary calendar, along with the last days of March, it becomes Germinal, the month of return to the source, to the seed, to the germ of things, which is maybe why Zola gave the novel he wrote about hopeless hope this revolutionary title. April the anarchic, the final month, of spring the great connective.
Ali Smith (Spring (Seasonal, #3))
Pauline Trio One could sing October rain, and one had a gift for plain chant and prayer, a domain unsettled by love or its intimate other. What fits with this theology no one dares to say. These twins so perfectly in tune must know "the modesty of nature," the perfect art and texture that sustains the other name. Paris could not be the frame for loyal Romans, their shame worn upon their bodies light as air, and nothing is quite as endurable as death. Those who have taken this path move with an abiding breath. Such a common dance this dense intention of love's expense. Keep this for that special hour when the Roman drops his sour gift for abandoned splendour; et c'est la nuit, the footfall that troubles that other Paul. I have learned the felicity of fire, how in its wake something picks at buried seed. Think this a most festive deed, nature's mistake, borrowed flare of a village dance, satire of the sun's course, light you read through waste, repair. Death had freed that first opaque habitation (what a widening gyre), an aspen ache, a lustrous scar that might lead to a hidden grove, or breed astonishment in its loss; all entire, a shaping breath proposes its own pyre. Solitude guides me through this minor occasion; moon is my mentor, one on a spree. This notion, night's philanthropy, courts my favor. Devotion, love's predecessor, sings its tidy discretion. Such gentility reins all vigor, all caution.
Jay Wright
Great are the works of the Lord; they are pondered by all who delight in them. —Psalm 111:2 (NIV) The church I attend recently celebrated its 150th anniversary. It’s been a festive year, replete with special dinners, panel discussions, and a book on the church’s history. But what amazed me even more were all the little stories that formed the big story—those quiet, individual witnesses of faith who, taken together, made up this grand sweep of 150 years. One woman has been a member for nearly half the church’s life. Fifty-two Sundays times seven decades is how many church services? “You’ve heard thousands of sermons!” I said. “What do you remember about the best ones?” She smiled. “The best sermons are the ones I think about all week. Because then I know God is working in me.” That simple lesson of faith was the start of a new practice for me. When I hear a phrase or sentence in a sermon that especially strikes me, I’ll write it down on the bulletin or on whatever I have handy. (Once it was the palm of my hand!) Then I pin that phrase to the bulletin board behind my computer. This week’s was: May God give me the grace to understand that the world is too small for anything but Love. I see it every day, reminding me to ponder how I might live that message. Like my friend at church, I’ve been able to see in a new way how God is working in my life—all week long. Guide my life, God, by Your Words; that in hearing them, I may live according to Your wishes. —Jeff Japinga Digging Deeper: Pss 105, 111, 119:18; 1 Pt 2:2
Guideposts (Daily Guideposts 2014)
Many a time when I sat in the balcony, or hanging garden, on which my window opened, I have watched her rising in the air on her radiant wings, and in a few moments groups of infants below, catching sight of her, would soar upward with joyous sounds of greeting; clustering and sporting around her, so that she seemed a very centre of innocent delight. When I have walked with her amidst the rocks and valleys without the city, the elk-deer would scent or see her from afar, come bounding up, eager for the caress of her hand, or follow her footsteps, till dismissed by some musical whisper that the creature had learned to comprehend. It is the fashion among the virgin Gy-ei to wear on their foreheads a circlet, or coronet, with gems resembling opals, arranged in four points or rays like stars. These are lustreless in ordinary use, but if touched by the vril wand they take a clear lambent flame, which illuminates, yet not burns. This serves as an ornament in their festivities, and as a lamp, if, in their wanderings beyond their artificial lights, they have to traverse the dark. There are times, when I have seen Zee’s thoughtful majesty of face lighted up by this crowning halo, that I could scarcely believe her to be a creature of mortal birth, and bent my head before her as the vision of a being among the celestial orders. But never once did my heart feel for this lofty type of the noblest womanhood a sentiment of human love. Is it that, among the race I belong to, man’s pride so far influences his passions that woman loses to him her special charm of woman if he feels her to be in all things eminently superior to himself? But by what strange infatuation could this peerless daughter of a race which, in the supremacy of its powers and the felicity of its conditions, ranked all other races in the category of barbarians, have deigned to honour me with her preference?
Edward Bulwer-Lytton (The Coming Race)
That night, Marjan dreamt of Mehregan. The original day of thanksgiving, the holiday is celebrated during the autumn equinox in Iran. A fabulous excuse for a dinner party, something that Persians the world over have a penchant for, Mehregan is also a challenge to the forces of darkness, which if left unheeded will encroach even on the brightest of flames. Bonfires and sparklers glitter in the evening skies on this night, and in homes across the country, everyone is reminded of their blessings by the smell of roasting 'ajil', a mixture of dried fruit, salty pumpkin seeds, and roasted nuts. Handfuls are showered on the poor and needy on Mehregan, with a prayer that the coming year will find them fed and showered with the love of friends and family. In Iran, it was Marjan's favorite holiday. She even preferred it to the bigger and brasher New Year's celebrations in March, anticipating the festivities months in advance. The preparations would begin as early as July, when she and the family gardener, Baba Pirooz, gathered fruit from the plum, apricot, and pear trees behind their house. Along with the green pomegranate bush, the fruit trees ran the length of the half-acre garden. Four trees deep and rustling with green and burgundy canopies, the fattened orchard always reminded Marjan of the bejeweled bushes in the story of Aladdin, the boy with the magic lamp. It was sometimes hard to believe that their home was in the middle of a teeming city and not closer to the Alborz mountains, which looked down on Tehran from loftier heights. After the fruit had been plucked and washed, it would be laid out to dry in the sun. Over the years, Marjan had paid close attention to her mother's drying technique, noting how the fruit was sliced in perfect halves and dipped in a light sugar water to help speed up the wrinkling. Once dried, it would be stored in terra-cotta canisters so vast that they could easily have hidden both both young Marjan and Bahar. And indeed, when empty the canisters had served this purpose during their hide-and-seek games.
Marsha Mehran (Rosewater and Soda Bread (Babylon Café #2))
Still, if we combine all the victims of all these persecutions, it turns out that in these three centuries, the polytheistic Romans killed no more than a few thousand Christians.1 In contrast, over the course of the next 1,500 years, Christians slaughtered Christians by the millions to defend slightly different interpretations of the religion of love and compassion. The religious wars between Catholics and Protestants that swept Europe in the sixteenth and seventeenth centuries are particularly notorious. All those involved accepted Christ’s divinity and His gospel of compassion and love. However, they disagreed about the nature of this love. Protestants believed that the divine love is so great that God was incarnated in flesh and allowed Himself to be tortured and crucified, thereby redeeming the original sin and opening the gates of heaven to all those who professed faith in Him. Catholics maintained that faith, while essential, was not enough. To enter heaven, believers had to participate in church rituals and do good deeds. Protestants refused to accept this, arguing that this quid pro quo belittles God’s greatness and love. Whoever thinks that entry to heaven depends upon his or her own good deeds magnifies his own importance, and implies that Christ’s suffering on the cross and God’s love for humankind are not enough. These theological disputes turned so violent that during the sixteenth and seventeenth centuries, Catholics and Protestants killed each other by the hundreds of thousands. On 23 August 1572, French Catholics who stressed the importance of good deeds attacked communities of French Protestants who highlighted God’s love for humankind. In this attack, the St Bartholomew’s Day Massacre, between 5,000 and 10,000 Protestants were slaughtered in less than twenty-four hours. When the pope in Rome heard the news from France, he was so overcome by joy that he organised festive prayers to celebrate the occasion and commissioned Giorgio Vasari to decorate one of the Vatican’s rooms with a fresco of the massacre (the room is currently off-limits to visitors).2 More Christians were killed by fellow Christians in those twenty-four hours than by the polytheistic Roman Empire throughout its entire existence. God
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
A few years ago, a couple of young men from my church came to our home for dinner. During the course of the dinner, the conversation turned from religion to various world mythologies and we began to play the game of ‘Name That Character.” To play this game, you pick a category such as famous actors, superheroes or historical characters. In turn, each person describes events in a famous character’s life while everyone else tries to guess who the character is. Strategically you try to describe the deeds of a character in such a way that it might fit any number of characters in that category. After three guesses, if no one knows who your character is, then you win. Choosing the category of Bible Characters, we played a couple of fairly easy rounds with the typical figures, then it was my turn. Now, knowing these well meaning young men had very little religious experience or understanding outside of their own religion, I posed a trick question. I said, “Now my character may seem obvious, but please wait until the end of my description to answer.” I took a long breath for dramatic effect, and began, “My character was the son of the King of Heaven and a mortal woman.” Immediately both young men smiled knowingly, but I raised a finger asking them to wait to give their responses. I continued, “While he was just a baby, a jealous rival attempted to kill him and he was forced into hiding for several years. As he grew older, he developed amazing powers. Among these were the ability to turn water into wine and to control the mental health of other people. He became a great leader and inspired an entire religious movement. Eventually he ascended into heaven and sat with his father as a ruler in heaven.” Certain they knew who I was describing, my two guests were eager to give the winning answer. However, I held them off and continued, “Now I know adding these last parts will seem like overkill, but I simply cannot describe this character without mentioning them. This person’s birthday is celebrated on December 25th and he is worshipped in a spring festival. He defied death, journeyed to the underworld to raise his loved ones from the dead and was resurrected. He was granted immortality by his Father, the king of the gods, and was worshipped as a savior god by entire cultures.” The two young men were practically climbing out of their seats, their faces beaming with the kind of smile only supreme confidence can produce. Deciding to end the charade I said, “I think we all know the answer, but to make it fair, on the count of three just yell out the answer. One. Two. Three.” “Jesus Christ” they both exclaimed in unison – was that your answer as well? Both young men sat back completely satisfied with their answer, confident it was the right one…, but I remained silent. Five seconds ticked away without a response, then ten. The confidence of my two young friends clearly began to drain away. It was about this time that my wife began to shake her head and smile to herself. Finally, one of them asked, “It is Jesus Christ, right? It has to be!” Shaking my head, I said, “Actually, I was describing the Greek god Dionysus.
Jedediah McClure (Myths of Christianity: A Five Thousand Year Journey to Find the Son of God)
If marriage is the great mystery of the City, the image of the Coinherence - if we do indeed become members one of another in it - then there is obviously going to be a fundamental need in marriage for two people to be able to get along with each other and with themselves. And that is precisely what the rules of human behavior are about. They are concerned with the mortaring of the joints of the City, with the strengthening of the ligatures of the Body. The moral laws are not just a collection of arbitrary parking regulations invented by God to make life complicated; they are the only way for human nature to be natural. For example, I am told not to lie because in the long run lying destroys my own, and my neighbor's nature. And the same goes for murder and envy, obviously; for gluttony and sloth, not quite so obviously; and for lust and pride not very obviously at all, but just as truly. Marriage is natural, and it demands the fullness of nature if it is to be itself. But human nature. And human nature in one piece, not in twenty-three self-frustrating fragments. A man and a woman schooled in pride cannot simply sit down together and start caring. It takes humility to look wide-eyed at somebody else, to praise, to cherish, to honor. They will have to acquire some before they can succeed. For as long as it lasts, of course, the first throes of romantic love will usually exhort it from them, but when the initial wonder fades and familiarity begins to hobble biology, it's going to take virtue to bring it off. Again, a husband and a wife cannot long exist as one flesh, if they are habitually unkind, rude, or untruthful. Every sin breaks down the body of the Mystery, puts asunder what God and nature have joined. The marriage rite is aware of this; it binds us to loving, to honoring, to cherishing, for just that reason. This is all obvious in the extreme, but it needs saying loudly and often. The only available candidates for matrimony are, every last one of them, sinners. As sinners, they are in a fair way to wreck themselves and anyone else who gets within arm's length of them. Without virtue, therefore, no marriage will make it. The first of all vocations, the ground line of the walls of the New Jerusalem is made of stuff like truthfulness, patience, love and liberality; of prudence, justice, temperance and courage; and of all their adjuncts and circumstances: manners, consideration, fair speech and the ability to keep one's mouth shut and one's heart open, as needed. And since this is all so utterly necessary and so highly likely to be in short supply at the crucial moments, it isn't going to be enough to deliver earnest exhortations to uprightness and stalwartness. The parties to matrimony should be prepared for its being, on numerous occasions, no party at all; they should be instructed that they will need both forgiveness and forgivingness if they are to survive the festivities. Neither virtue, nor the ability to forgive the absence of virtue are about to force their presence on us, and therefore we ought to be loudly and frequently forewarned that only the grace of God is sufficient to keep nature from coming unstuck. Fallen man does not rise by his own efforts; there is no balm in Gilead. Our domestic ills demand an imported remedy.
Robert Farrar Capon (Bed and Board: Plain Talk About Marriage)