The Stolen Journals Quotes

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I walked past Malison, up Lower Main to Main and across the road. I didn’t need to look to know he was behind me. I entered Royal Wood, went a short way along a path and waited. It was cool and dim beneath the trees. When Malison entered the Wood, I continued eastward.  I wanted to place his body in hallowed ground. He was born a Mearan. The least I could do was send him to Loric. The distance between us closed until he was on my heels. He chose to come, I told myself, as if that lessened the crime I planned. He chose what I have to offer. We were almost to the cemetery before he asked where we were going. I answered with another question. “Do you like living in the High Lord’s kitchens?” He, of course, replied, “No.” “Well, we’re going to a better place.” When we reached the edge of the Wood, I pushed aside a branch to see the Temple of Loric and Calec’s cottage. No smoke was coming from the chimney, and I assumed the old man was yet abed. His pony was grazing in the field of graves. The sun hid behind a bank of clouds. Malison moved beside me. “It’s a graveyard.” “Are you afraid of ghosts?” I asked. “My father’s a ghost,” he whispered. I asked if he wanted to learn how to throw a knife. He said, “Yes,” as I knew he would.  He untucked his shirt, withdrew the knife he had stolen and gave it to me. It was a thick-bladed, single-edged knife, better suited for dicing celery than slitting a young throat. But it would serve my purpose. That I also knew. I’d spent all night projecting how the morning would unfold and, except for indulging in the tea, it had happened as I had imagined.  Damut kissed her son farewell. Malison followed me of his own free will. Without fear, he placed the instrument of his death into my hand. We were at the appointed place, at the appointed time. The stolen knife was warm from the heat of his body. I had only to use it. Yet I hesitated, and again prayed for Sythene to show me a different path. “Aren’t you going to show me?” Malison prompted, as if to echo my prayer.
K. Ritz (Sheever's Journal, Diary of a Poison Master)
Snake Street is an area I should avoid. Yet that night I was drawn there as surely as if I had an appointment.  The Snake House is shabby on the outside to hide the wealth within. Everyone knows of the wealth, but facades, like the park’s wall, must be maintained. A lantern hung from the porch eaves. A sign, written in Utte, read ‘Kinship of the Serpent’. I stared at that sign, at that porch, at the door with its twisted handle, and wondered what the people inside would do if I entered. Would they remember me? Greet me as Kin? Or drive me out and curse me for faking my death?  Worse, would they expect me to redon the life I’ve shed? Staring at that sign, I pissed in the street like the Mearan savage I’ve become. As I started to leave, I saw a woman sitting in the gutter. Her lamp attracted me. A memsa’s lamp, three tiny flames to signify the Holy Trinity of Faith, Purity, and Knowledge.  The woman wasn’t a memsa. Her young face was bruised and a gash on her throat had bloodied her clothing. Had she not been calmly assessing me, I would have believed the wound to be mortal. I offered her a copper.  She refused, “I take naught for naught,” and began to remove trinkets from a cloth bag, displaying them for sale. Her Utte accent had been enough to earn my coin. But to assuage her pride I commented on each of her worthless treasures, fighting the urge to speak Utte. (I spoke Universal with the accent of an upper class Mearan though I wondered if she had seen me wetting the cobblestones like a shameless commoner.) After she had arranged her wares, she looked up at me. “What do you desire, O Noble Born?” I laughed, certain now that she had seen my act in front of the Snake House and, letting my accent match the coarseness of my dress, I again offered the copper.  “Nay, Noble One. You must choose.” She lifted a strand of red beads. “These to adorn your lady’s bosom?”             I shook my head. I wanted her lamp. But to steal the light from this woman ... I couldn’t ask for it. She reached into her bag once more and withdrew a book, leather-bound, the pages gilded on the edges. “Be this worthy of desire, Noble Born?”  I stood stunned a moment, then touched the crescent stamped into the leather and asked if she’d stolen the book. She denied it. I’ve had the Training; she spoke truth. Yet how could she have come by a book bearing the Royal Seal of the Haesyl Line? I opened it. The pages were blank. “Take it,” she urged. “Record your deeds for study. Lo, the steps of your life mark the journey of your soul.”   I told her I couldn’t afford the book, but she smiled as if poverty were a blessing and said, “The price be one copper. Tis a wee price for salvation, Noble One.”   So I bought this journal. I hide it under my mattress. When I lie awake at night, I feel the journal beneath my back and think of the woman who sold it to me. Damn her. She plagues my soul. I promised to return the next night, but I didn’t. I promised to record my deeds. But I can’t. The price is too high.
K. Ritz (Sheever's Journal, Diary of a Poison Master)
I know the evil of my ancestors because I am those people. The balance is delicate in the extreme. I know that few of you who read my words have ever thought about your ancestors this way. It has not occurred to you that your ancestors were survivors and that the survival itself sometimes involved savage decisions, a kind of wanton brutality which civilized humankind works very hard to suppress. What price will you pay for that suppression? Will you accept your own extinction? -The Stolen Journals
Frank Herbert (God Emperor of Dune (Dune #4))
It is the one great weakness of journalism as a picture of our modern existence, that it must be a picture made up entirely of exceptions. We announce on flaring posters that a man has fallen off a scaffolding. We do not announce on flaring posters that a man has not fallen off a scaffolding. Yet this latter fact is fundamentally more exciting, as indicating that that moving tower of terror and mystery, a man, is still abroad upon the earth. That the man has not fallen off a scaffolding is really more sensational; and it is also some thousand times more common. But journalism cannot reasonably be expected thus to insist upon the permanent miracles. Busy editors cannot be expected to put on their posters, "Mr. Wilkinson Still Safe," or "Mr. Jones, of Worthing, Not Dead Yet." They cannot announce the happiness of mankind at all. They cannot describe all the forks that are not stolen, or all the marriages that are not judiciously dissolved. Hence the complex picture they give of life is of necessity fallacious; they can only represent what is unusual. However democratic they may be, they are only concerned with the minority.
G.K. Chesterton (The Ball and the Cross (Dover Literature: Literary Fiction))
On the streets today gangs of Jews, with jeering storm troopers standing over them and taunting crowds around them, on their hands and knees scrubbing the Schuschnigg signs off the sidewalks. Many Jews killing themselves. All sorts of reports of Nazi sadism, and from the Austrians it surprises me. Jewish men and women made to clean latrines. Hundreds of them just picked at random off the streets to clean the toilets of the Nazi boys. The lucky ones get off with merely cleaning cars—the thousands of automobiles which have been stolen from the Jews
William L. Shirer (Berlin Diary: The Journal of a Foreign Correspondent 1934-41)
There was a muffled tap again, and I heard a familiar voice whisper faintly, “Kelsey, it’s me.” I unlocked the door and peeked out. Ren was standing there dressed in his white clothes, barefoot, with a triumphant grin on his face. I pulled him inside and hissed out thickly, “What are you doing here? It’s dangerous coming into town! You could have been seen, and they’d send hunters out after you!” He shrugged his shoulders and grinned. “I missed you.” My mouth quirked up in a half smile. “I missed you too.” He leaned a shoulder nonchalantly against the doorframe. “Does that mean you’ll let me stay here? I’ll sleep on the floor and leave before daylight. No one will see me. I promise.” I let out a deep breath. “Okay, but promise you’ll leave early. I don’t like you risking yourself like this.” “I promise.” He sat down on the bed, took my hand, and pulled me down to sit beside him. “I don’t like sleeping in the dark jungle by myself.” “I wouldn’t either.” He looked down at our entwined hands. “When I’m with you, I feel like a man again. When I’m out there all alone, I feel like a beast, an animal.” His eyes darted up to mine. I squeezed his hand. “I understand. It’s fine. Really.” He grinned. “You were hard to track, you know. Lucky for me you two decided to walk to dinner, so I could follow your scent right to your door.” Something on the nightstand caught his attention. Leaning around me, he reached over and picked up my open journal. I had drawn a new picture of a tiger-my tiger. My circus drawings were okay, but this latest one was more personal and full of life. Ren stared at it for a moment while a bright crimson flush colored my cheeks. He traced the tiger with his finger, and then whispered gently, "Someday, I'll give you a portrait of the real me." Setting the journal down carefully, he took both of my hands in his, turned to me with an intense expression, and said, "I don't want you to see only a tiger when you look at me. I want you to see me. The man." Reaching out, he almost touched my cheek but he stopped and withdrew his hand. "I've worn the tiger's face for far too many years. He's stolen my humanity." I nodded while he squeezed my hands and whispered quietly, "Kells, I don't want to be him anymore. I want to be me. I want to have a life." "I know," I said softly. I reached up to stroke his cheek. "Ren, I-" I froze in place as he pulled my hand slowly down to his lips and kissed my palm. My hand tingled. His blue eyes searched my face desperately, wanting, needing something from me. I wanted to say something to reassure him. I wanted to offer him comfort. I just couldn't frame the words. His supplication stirred me. I felt a deep bond with him, a strong connection. I wanted to help him, I wanted to be his friend, and I wanted...maybe something more. I tried to identify and categorize my reactions to him. What I felt for him seemed too complicated to define, but it soon became obvious to me that the strongest emotion I felt, the one that was stirring my heart, was...love.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
Better a fallen rocket than never a burst of light. Dante reserved a place in his Inferno for those who wilfully live in sadness - sullen in the sweet air, he says. Your 'honour' is all shame and timidity and compliance. Pure of stain! But the artist is the secret criminal in our midst. He is the agent of progress against authority. you are right to be a scholar. A scholar is all scruple, an artist is none. The artist must lie, cheat, deceive, be untrue to nature and contemptuous of history. I made my life into my art and it was an unqualified success. The blaze of my immolation threw its light into every corner of the land where uncounted young men sat each in his own darkness. What would I have done in Megara!? - think what I would have missed! I awoke the imagination of the century. I banged Ruskin's and Pater's heads together, and from the moral severity of one and the aesthetic soul of the other I made art a philosophy that can look the twentieth century in the eye. I had genius, brilliancy, daring, I took charge of my own myth. I dipped my staff into the comb of wild honey. I tasted forbidden sweetness and drank the stolen waters. I lived at the turning point of the world where everything was waking up new - the New Drama, the New Novel, New Journalism, New Hedonism, New Paganism, even the New Woman. Where were you when all this was happening?
Tom Stoppard (The Invention of Love)
She would hate him even more if she knew all the depraved things he’d done. The fantasies, the stalking, the fucking obsession. That he had used her shampoo to jerk off and stolen her clothes, her lipstick. That when she wasn’t around, he had sometimes lain in her bed and imagined what it would be like to touch her the way she said she’d wanted to be touched in her journal. And of course, he had watched her touch herself. Every catch of her breath, every discreet rustle of fabric, every teasing glimpse of brown skin—he had seen it all, and taken it as a sign that not even Jay was immune to pleasure. And, more importantly, that he could give it to her. He could be the one to make her come.
Nenia Campbell (Sine Qua Non (Nick & Jay, #2))
You want to travel to Greece? You ask for a passport, but you discover you're not a citizen because your father or one of your relatives had fled with you during the Palestine war. You were a child. And you discover that any Arab who had left his country during that period and had stolen back in had lost his right to citizenship. You despair of the passport and ask for a laissez-passer. You find out you're not a resident of Israel because you have no certificate of residence. You think it's a joke and rush to tell it to your lawyer friend: "Here, I'm not a citizen, and I'm not a resident. Then where and who am I?" You're surprised to find the law is on their side, and you must prove you exist. You ask the Ministry of the Interior: "Am I here, or am I absent? Give me an expert in philosophy, so that I can prove to him I exist." Then you realize that philosophically you exist but legally you do not.
Mahmoud Darwish
I accumulate rash acts: getting into stolen cars, walking in front of stores where I have operated, showing obviously fake papers. I have the feeling that in a very short time everything is bound to break wide open. My rash acts are serious matters and I know that airy-winged catastrophe will emerge from a very, very slight mistake. 1 But while I hope for misfortune as an act of grace, it is well for me to plunge fully into the usual ways of the world. I want to fulfill myself in one of the rarest of destinies. I have only a dim notion of what it will be. I want it to have not a graceful curve, slightly bent toward evening, but a hitherto unseen beauty, lovely because of the danger which works away at it, overwhelms it, undermines it. Oh let me be only utter beauty! I shall go quickly or slowly, but I shall dare what must be dared. I shall destroy appearances, the casings will burn away and one evening I shall appear there in the palm of your hand, quiet and pure, like a glass statuette. You will see me. Round about me there will be nothing left.
Jean Genet (The Thief's Journal)
They had forgotten that there exists in the modern world, perhaps for the first time in history, a class of people whose interest is not that things should happen well or happen badly, should happen successfully or happen unsuccessfully, should happen to the advantage of this party or the advantage of that part, but whose interest simply is that things should happen. It is the one great weakness of journalism as a picture of our modern existence, that it must be a picture made up entirely of exceptions. We announce on flaring posters that a man has fallen off a scaffolding. We do not announce on flaring posters that a man has not fallen off a scaffolding. Yet this latter fact is fundamentally more exciting, as indicating that that moving tower of terror and mystery, a man, is still abroad upon the earth. That the man has not fallen off a scaffolding is really more sensational; and it is also some thousand times more common. But journalism cannot reasonably be expected thus to insist upon the permanent miracles. Busy editors cannot be expected to put on their posters, “Mr. Wilkinson Still Safe,” or “Mr. Jones, of Worthing, Not Dead Yet.” They cannot announce the happiness of mankind at all. They cannot describe all the forks that are not stolen, or all the marriages that are not judiciously dissolved. Hence the complete picture they give of life is of necessity fallacious; they can only represent what is unusual. However democratic they may be, they are only concerned with the minority.
G.K. Chesterton (The Ball and the Cross)
When I came to the Middle East, journalists had a kind of immunity that allowed us to travel freely and meet with militants who hated Israel and the United States. In 2000, when I was working for Agence France-Presse, I didn’t feel fearful when I went to Gaza to meet with Hamas leaders or to the West Bank to speak to Palestinian gunmen. These men didn’t much like me. We didn’t have anything in common. But they felt that they had to treat me with common decency and a modicum of respect because I was a journalist and I was writing about them. They wanted to spin me so that I would give the world their version of events. They were never completely happy, of course, because my pieces didn’t make them look as perfect as they looked to themselves. But they needed to talk to me and other reporters because we were the only way they could get their story out. Now jump ahead to 2006. Zarqawi was on his killing spree in Iraq, and suddenly the Internet had become ubiquitous, and uploading videos on YouTube and other platforms was literally child’s play. So Zarqawi and his henchmen said to themselves, “Why should we let reporters interview us and filter what we say? We can go straight to the Internet and say exactly what we want, for as long as we want to say it, and we can post videos that Western journalists would never show.” Journalists became worthless, at least as megaphones. But we became valuable as commodities to be stolen, bought, and sold, traded for prisoners, or ransomed for millions.
Richard Engel (And Then All Hell Broke Loose: Two Decades in the Middle East)
They saw it as a food of the gods, and believed that the cacao tree originally grew only in Paradise, but was stolen and brought to mankind by their god Quetzalcoatl, who descended from heaven on a beam of the morning star, carrying a cacao tree.
Oliver Sacks (Oaxaca Journal)
If you must label the absolute, use its proper name: Temporary. —THE STOLEN JOURNALS
Frank Herbert (God Emperor of Dune (Dune, #4))
After studying all the hidden data - the stuff that Facebook doesn't release to the public - the company's scientists reached a definite conclusion. They wrote: 'Our algorithms exploit the human brain's attraction to divisiveness,' and 'if left unchecked,' the site would continue to pump its users with 'more and more divisive content in an effort to gain user attention and increase time on the platform.' A separate internal Facebook team ...independently reached the same conclusions. They found that 64 percent of all the people joining extremist groups were finding their way to them because Facebook's algorithms were directly recommending them. This meant that across the world, people were seeing in their Facebook feeds racist, fascist and even Nazi groups next to the words: 'Groups You Should Join.' They warned that in Germany one-third of all the political groups on the site were extremist. Facebook's own team was blunt, concluding: 'Our recommendation systems grow the problem.' After carefully analysing all the options, Facebook's scientists concluded there was one solution: they said Facebook would have to abandon its current business model. Because their growth was so tied up with toxic outcomes, the company should abandon attempts at growth. The only way out was for the company to adopt a strategy that was 'anti-growth' - deliberately shrink, and choose to be a less wealthy company that wasn't wrecking the world. Once Facebook was shown - in plain language, by their own people - what they were doing, how did the company's executives respond? According to the Journal's in-depth reporting, they mocked the research, calling it an 'Eat Your Veggies' approach. They introduced some minor tweaks, but dismissed most of the recommendations.
Johann Hari (Stolen Focus: Why You Can't Pay Attention— and How to Think Deeply Again)
Safaris through ancestral memories teach me many things. The patterns, ahhh, the patterns. Liberal bigots are the ones who trouble me most. I distrust the extremes. Scratch a conservative and you find someone who prefers the past over any future. Scratch a liberal and find a closet aristocrat. It’s true! Liberal governments always develop into aristocracies. The bureaucracies betray the true intent of people who form such governments. Right from the first, the little people who formed the governments which promised to equalize the social burdens found themselves suddenly in the hands of bureaucratic aristocracies. Of course, all bureaucracies follow this pattern, but what a hypocrisy to find this even under a communized banner. Ahhh, well, if patterns teach me anything it’s that patterns are repeated. My oppressions, by and large, are no worse than any of the others and, at least, I teach a new lesson. —THE STOLEN JOURNALS
Frank Herbert (God Emperor of Dune (Dune, #4))
But they had forgotten something; they had forgotten journalism. They had forgotten that there exists in the modern world, perhaps for the first time in history, a class of people whose interest is not that things should happen well or happen badly, should happen successfully or happen unsuccessfully, should happen to the advantage of this party or the advantage of that part, but whose interest simply is that things should happen. It is the one great weakness of journalism as a picture of our modern existence, that it must be a picture made up entirely of exceptions. We announce on flaring posters that a man has fallen off a scaffolding. We do not announce on flaring posters that a man has not fallen off a scaffolding. Yet this latter fact is fundamentally more exciting, as indicating that that moving tower of terror and mystery, a man, is still abroad upon the earth. That the man has not fallen off a scaffolding is really more sensational; and it is also some thousand times more common. But journalism cannot reasonably be expected thus to insist upon the permanent miracles. Busy editors cannot be expected to put on their posters, "Mr. Wilkinson Still Safe," or "Mr. Jones, of Worthing, Not Dead Yet." They cannot announce the happiness of mankind at all. They cannot describe all the forks that are not stolen, or all the marriages that are not judiciously dissolved. Hence the complete picture they give of life is of necessity fallacious; they can only represent what is unusual. However democratic they may be, they are only concerned with the minority.
G.K. Chesterton (The Ball and the Cross)
America: I window-peeped four years of our History. It was one long mobile stakeout and kick- the-door-in shakedown. I had a license to steal and a ticket to ride. I followed people. I bugged and tapped and caught big events in ellipses. I remained unknown. My surveillance links the Then to the Now in a never-before-revealed manner. I was there. My reportage is buttressed by credible hearsay and insider tattle. Massive paper trails provide verification. This book derives from stolen public files and usurped private journals. It is the sum of personal adventure and forty years of scholarship. I am a literary executor and an agent provocateur. I did what I did and saw and I saw and learned my way through to the rest of the story. Scripture-pure veracity and and scandal-rag content. That conjunction gives it its sizzle. You carry the seed and of belief within you already. You recall the time this narrative captures and sense conspiracy. I am here to tell you that it is all true and not all what you think. You will read with some reluctance and capitulate in the end. The following pages will force you to succumb. I am going to tell you everything.
James Ellroy
1871.—My property had been sold to Shereef's friends at merely nominal prices. Syed bin Majid, a good man, proposed that they should be returned, and the ivory be taken from Shereef; but they would not restore stolen property, though they knew it to be stolen. Christians would have acted differently, even those of the lowest classes. I felt in my destitution as if I were the man who went down from Jerusalem to Jericho, and fell among thieves; but I could not hope for Priest, Levite, or good Samaritan to come by on either side, but one morning Syed bin Majid said to me, "Now this is the first time we have been alone together; I have no goods, but I have ivory; let me, I pray you, sell some ivory, and give the goods to you." This was encouraging; but
David Livingstone (The Last Journals of David Livingstone, in Central Africa, from 1865 to His Death: 1869-1873)
Of the nearly one hundred reports of rape or attempted rape in twenty-one newspapers in nine American colonies between 1728 and 1776, none reported the rape of a Black woman. Rapes of Black women, by men of all races, were not considered newsworthy. Like raped prostitutes, Black women’s credibility had been stolen by racist beliefs in their hypersexuality. For Black men, the story was similar. There was not a single article in the colonial era announcing the acquittal of a suspected Black male rapist. One-third of White men mentioned in rape articles were acknowledged as being acquitted of at least one charge. Moreover, “newspaper reports of rape constructed white defendants as individual offenders and black defendants as representative of the failings of their racial group,” according to journalism historian Sharon Block.25
Ibram X. Kendi (Stamped from the Beginning: The Definitive History of Racist Ideas in America)
The Duncans always think it odd that I choose women for combat forces, but my Fish Speakers are a temporary army in every sense. While they can be violent and vicious, women are profoundly different from men in their dedication to battle. The cradle of genesis ultimately predisposes them to behavior more protective of life. They have proved to be the best keepers of the Golden Path. I reinforce this in my design for their training. They are set aside for a time from ordinary routines. I give them special sharings which they can look back upon with pleasure for the rest of their lives. They come of age in the company of their sisters in preparation for events more profound. What you share in such companionship always prepares you for greater things. The haze of nostalgia covers their days among their sisters, making those days into something different than they were. That’s the way today changes history. All contemporaries do not inhabit the same time. The past is always changing, but few realize it. —THE STOLEN JOURNALS
Frank Herbert (God Emperor of Dune (Dune, #4))
The female sense of sharing originated as familial sharing—care of the young, the gathering and preparation of food, sharing joys, love and sorrows. Funeral lamentation originated with women. Religion began as a female monopoly, wrested from them only after its social power became too dominant. Women were the first medical researchers and practitioners. There has never been any clear balance between the sexes because power goes with certain roles as it certainly goes with knowledge. —THE STOLEN JOURNALS
Frank Herbert (God Emperor of Dune (Dune, #4))
What price will you pay for that suppression? Will you accept your own extinction? —THE STOLEN JOURNALS
Frank Herbert (God Emperor of Dune (Dune, #4))
one of the eighth-grade cliques had a falling-out, and one of the girls, to get back at the others, had stolen their burn book—a journal where they wrote down all the mean shit about other kids in the school—and made copies and distributed it to everybody in the cafeteria during lunch one day. It had become a huge deal; several of the students didn’t come to school for a week, and Principal Ackerman had eventually made us all sit through an assembly about the dangers of bullying.
Avery Bishop (Girl Gone Mad)
April 21, 1897, by one of the most prominent citizens in Kansas, Alexander Hamilton. In an affidavit quoted in several recent UFO books and journals, Hamilton states that he was awakened by a noise among the cattle and went out with two other men. He then saw an airship descend gently toward the ground and hover within fifty yards of it. It consisted of a great cigar-shaped portion, possibly three hundred feet long, with a carriage underneath. The carriage was made of glass or some other transparent substance alternating with a narrow strip of some material. It was brilliantly lighted within and everything was plainly visible—it was occupied by six of the strangest beings I ever saw. They were jabbering together, but we could not understand a word they said. Upon seeing the witnesses, the pilots of the strange ship turned on some unknown power, and the ship rose about three hundred feet above them: It seemed to pause and hover directly over a two-year-old heifer, which was bawling and jumping, apparently fast in the fence. Going to her, we found a cable about a half-inch in thickness made of some red material, fastened in a slip knot around her neck, one end passing up to the vessel, and the heifer tangled in the wire fence. We tried to get it off but could not, so we cut the wire loose and stood in amazement to see the ship, heifer and all, rise slowly, disappearing in the northwest. Hamilton was so frightened he could not sleep that night: Rising early Tuesday, I started out by horse, hoping to find some trace of my cow. This I failed to do, but coming back in the evening found that Link Thomas, about three or four miles west of Leroy, had found the hide, legs and head in his field that day. He, thinking someone had butchered a stolen beast, had brought the hide to town for identification, but was greatly mystified in not being able to find any tracks in the soft ground. After identifying the hide by my brand, I went home. But every time I would drop to sleep I would see the cursed thing, with its big lights and hideous people. I don’t know whether they are devils or angels, or what; but we all saw them, and my whole family saw the ship, and I don’t want any more to do with them.
Jacques F. Vallée (Passport to Magonia: From Folklore to Flying Saucers)