The Sound Of Gravel Quotes

We've searched our database for all the quotes and captions related to The Sound Of Gravel. Here they are! All 100 of them:

Let's take my truck," Jim said as he hit the gravel. "Less noise." And it has a radio, right?" With tragic concentration Adrian started warming up his voice, sounding like a moose being backstroked by a chesse grater. Jim shook his head at Eddie as the doors opened "How can you stand that racket?" Selective deafness" Teach me,master.
J.R. Ward (Covet (Fallen Angels, #1))
Sometimes I sound like gravel and sometimes I sound like coffee and cream.
Nina Simone
When the leaves rustle, they sound very much like the stealthy movement of a woman in evening dress, and when they shiver suddenly, and fall, and scatter away along the ground, they might be the patter of a woman’s hurrying footsteps, and the mark in the gravel the imprint of a high-heeled shoe.
Daphne du Maurier (Rebecca)
Mom couldn’t teach me that because she didn’t know herself. She couldn’t show me how to be happy, only how to barely survive.
Ruth Wariner (The Sound of Gravel)
Her voice, high and clear, moved through the leaves, through the sunlight. It splashed onto the gravel, the grass. He imagined the notes falling into the air like stones into water, rippling the invisible surface of the world. Waves of sound, waves of light: his father had tried to pin everything down, but the world was fluid and could not be contained.
Kim Edwards (The Memory Keeper's Daughter)
As I pulled the covers up and let Micah settle in next to me, I heard Mom’s voice in my ears: Children need to get used to being in the dark. She’d repeated that countless times throughout my childhood. No, I thought, they don’t.
Ruth Wariner (The Sound of Gravel)
There was a time when I experienced architecture without thinking about it. Sometimes I can almost feel a particular door handle in my hand, a piece of metal shaped like the back of a spoon. I used to take hold of it when I went into my aunt's garden. That door handle still seems to me like a special sign of entry into a world of different moods and smells. I remember the sound of the gravel under my feet, the soft gleam of the waxed oak staircase, I can hear the heavy front door closing behind me as I walk along the dark corridor and enter the kitchen, the only really brightly lit room in the house.
Peter Zumthor
That corner in the drive, too, where the trees encroach upon. . . the gravel, is not a place in which to pause, not after the sun has set. When the leaves rustle, they sound very much like the stealthy movement of a woman in evening dress, and when they shiver suddenly, and fall, and scatter away along the ground, they might be the patter, patter, of a woman’s hurrying footstep, and the mark in the gravel the imprint of a high-heeled satin shoe.
Daphne du Maurier (Rebecca)
Roderick Morgenstern, who Magnus thought truly deserved to have a name that sounded like a goat chewing gravel, stood up happily to continue his speech.
Cassandra Clare (The Bane Chronicles)
I remember distinctly the retarded, inexorable grind of the gravel under the iron tires, a sound that seemed to declare some irreversible process in which we were trapped, as though we were coffee beans dropped in a coffee grinder as big as the world.
Robert Penn Warren (A Place to Come To)
Would you - would you like to marry me, Kitty?' Lord Radcliffe - James - asked, voice like gravel. She gave a helpless little laugh at the absurdity of the question - as if he did not know. 'I would,' she said. 'But first, I feel I must inform you that I come with four sisters, a badly leaking roof, and a veritable ocean of debt.' He had started to smile now, and once begun it did not seem to stop, overtaking his whole face. “I thank you for your honesty,’ he said cordially, and she laughed. ‘May I reassure you that I am desperate to meet your other sisters, the roof sounds charmingly rustic, and the debt does not faze me.’ He paused. ‘Of course, I understand that you will need to see my accounts before committing yourself,’ he went on, and she laughed again, loud and bright. ‘I’m sure that won’t be necessary,’ she said. ‘As long as you can promise you’re absurdly rich and you’ll pay off all my family’s debts.’ ‘I am absurdly rich,’ he repeated. ‘And I will pay off all your family’s debts.’ ‘Why then by all means,’ she said, grinning up at him, ‘I would indeed like to marry you.
Sophie Irwin (A Lady's Guide to Fortune-Hunting (A Lady's Guide, #1))
I turned to leave and was exiting the gates when I heard the sound of feet running quickly along the gravel behind me. I turned and saw Alexei, who showed no sign of slowing down, so I opened my arms and he ran into them, embracing me tightly, his arms wrapped around my neck as I lifted him off the ground. "I wanted you to know," he said, his voice choked up as if he was trying to stop himself from crying, "I wanted you to know that you can be my brother if you like. As long as you let me be yours.
John Boyne (The House of Special Purpose)
Life, perhaps less a document than an impression, conveyed through partial glances, stream-of-consciousness juxtapositions, unpredictable rhythms, a collage of sound, a conscientious diarist, a career of blackmail and scandal culminated in murder, a blind man with a will of iron and a nervous system of gossamer.
Brian D'Ambrosio (Fresh Oil and Loose Gravel: Road Poetry by Brian D'Ambrosio 1998-2008)
I wanted nothing more out of life than I did to keep my family together and make sure they were safe. The memory of those days reminds me of how exhausted I had been, but my siblings gave my life purpose, they were my bridge from pain to healing, from past to future. They are as much the authors of my survival as I am of theirs.
Ruth Wariner (The Sound of Gravel)
All the preaching, all the hours in church memorizing scriptures, how could that mean anything when the community supporting it wouldn’t defend the innocence and safety of a child?
Ruth Wariner (The Sound of Gravel)
The gravel made its gravelly sound
Rumaan Alam (Leave the World Behind)
They sounded different from the mouth of a young mother than they did from the mouth of a widow. This was because the words did not come straight off the page. They percolated up through the silt and gravel of real people's lives so that the meaning in them was fluid, not fixed.
Barbara Brown Taylor (Leaving Church: A Memoir of Faith)
Because we knew that grunge was the sound of a screaming saw blade—a spawning salmon flicking gravel. It looked like a clearcut. And if you cracked grunge open you would find a moldy fifth wheel trailer inside.
Melissa Anne Peterson (Jimmy James Blood)
When a husky laugh echoed behind her, Lily's stomach absolutely fell to her feet. She knew how a rattlesnake sounded in the brittlebush on the ranch and the raspy croak of a passing raven. She knew the trickling of water in a spring and the impatient huff of Bonnie when she was done for the day. And Lily knew—even after all this time—the deep, vibrating sound of Leo Grady's voice in the morning, the way it warmed up slowly, from rocks to gravel to a smooth, polished stone.
Christina Lauren (Something Wilder)
I don't actually remember if I was able to get a firebolt off. I have a vague memory of seeing orange light splatter harmlessly against a spiked breastplate, but that might just have been sparks from all the metal rubbing against metal. Then there was a sound rather like a bag of wet laundry being hurled across a gravel driveway, and that was the first time I died.
Yahtzee Croshaw (Mogworld)
Cub had puffed up like a rooster when the article came out, taking it in to show the guys at the gravel company. He was impressed with all the celebrity in equal measure, the type of kid who had cut out pictures of football players, Jesus, and America's Most Wanted to tape on his bedroom wall. He'd confessed to having cried in sixth grade when he learned that superheroes weren't real. Dellarobia was his Wonder Woman. But Hester seemed incensed by the article, which referred to Dellarobia as Our Lady of the Butterflies. Among other complaints, Hester said it made them sound Catholic.
Barbara Kingsolver (Flight Behavior)
When I was a child I had a fishless aquarium. My father set it up for me with gravel and plants and pebbles before he'd got the fish and I asked him to leave it as it was for a while. The pump kept up a charming burble, the green-gold light was wondrous when the room was dark. I put in a china mermaid and a tin horseman who maintained a relationship like that of the figures on Keat's Grecian urn except that the horseman grew rusty. Eventually fish were pressed upon me and they seemed an intrusion, I gave them to a friend. All that aquarium wanted was the sound of the pump, the gently waving plants, the mysterious pebbles and the silent horseman forever galloping to the mermaid smiling in the green-gold light. I used to sit and look at them for hours. The mermaid and the horseman were from my father. I have them in a box somewhere here, I'm not yet ready to take them out and look at them again.
Russell Hoban (Turtle Diary)
The gravel road widened into a large turnaround where three similar looking and designed brothels sat waiting for customers. They were called Sheila's Front Porch, Tawny's High Five Ranch and Miss Delilah's House of Holies. "Nice," Rachel said as we surveyed the scene. "why are these places always named after women -- as if women actually own them?" "You got me. I guess Mister Dave's House of Holies wouldn't go over so well with the guys." Rachel smiled. "You're right. I guess it's a shrewd move. Name a place of female degradation and slavery after a female and it doesn't sound so bad, does it? It's packaging.
Michael Connelly (The Narrows (Harry Bosch, #10; Harry Bosch Universe, #14))
Again I waited - oh, but for a brief interval: I presently distinguished an extraordinary shuffling and stamping of feet on the staircase, on the floors, on the carpets; a sound not only of boots and' human shoes, but tapping of crutches, of crutches of wood, and knocking of iron crutches which clanged like cymbals. And behold, I perceived, all at once, on the door sill, an armchair, my large reading chair, which came waddling out. Right into the garden it went, followed by others, the chairs of my drawing room, then the comfortable settee, crawling like crocodiles on their short legs; next, all my chairs bounding like goats,and the small footstools which followed like rabbits. Oh, what a hideous surprise! I stepped back behind the shrubs, where I stayed, crouched and watching this procession of my furniture; for out they all came, one behind the other, quickly or slowly according to their form and weight. My piano - my large grand piano - passed at a canter like a horse, with a faint murmur of music from within; the smallest objects crawled on the gravel like ants - brushes, glasses and cups glistening in the rays of the moon with phosphorescence like glowworms. The curtains, tablecloths and, draperies wriggled along, with their feelers in the puddles like the cuttle-fish in the sea. Suddenly I beheld my pet bureau, a rare specimen of the last century, and which contained all my correspondence, all my love letters, the whole history of my heart, an old history of how much I have suffered! And within, besides, were, above all, certain photographs! ("Who Knows?")
Guy de Maupassant (Ghostly By Gaslight)
The room was so neat and tidy it made me feel quite depressed...I do not allow myself to repine about what cannot be helped; but I remembered earlier Decembers, under the cloudless blue skies and brilliant sun of Egypt. As I stood morosely contemplating the destruction of our cheerful domestic clutter, and recalling better days, I heard the sound of wheels on the gravel of the drive. The first guest had arrived. Gathering the robes of my martyrdom about me, I made ready to receive her.
Elizabeth Peters (The Curse of the Pharaohs (Amelia Peabody, #2))
He looks up at the sound of the gravel crunch on the driveway, and I catch a flash of impression, a reclusive animal surprised in his lair by the arrival of the hunters.
Ben H. Winters (The Last Policeman (Last Policeman, #1))
I'm close to my mother's heart and know its rhythms and sudden turns. And now! It accelerates at her husband's voice, and there's an added sound, a disturbance in the chambers, like the distant rattling of maracas, or gravel shuffled softly in a tin. From down here I'd say it's a semilunar valve whose cusps are snapping to hard and sticking. Or it could be her teeth.
Ian McEwan (Nutshell)
I'm pulled, pushed and then I find my back against a wall. Eagan's taut frame is bent toward mine, and my body is arched toward his. We create a peculiar sculpture of opposite forces. He cups my face in his palms and makes me look up at him. His lips are so close to mine, that I feel the whisper of his breath against my mouth; I smell mint and a hint of beer. I desire a kiss so desperately, my body is humming with longing. I curl my fingers around his wrists. “I hate fighting with you,” he admits huskily. “I know. Me too.” “I need to hold you.” I nod and let him fold his arms around me. I bury my face against his chest and utter soft sounds of contentment as his warmth leaks into my skin. I glance at our shadows painted on the gravel by darkness and streetlights; we're not opposite forces any longer, we're one single being. ("A Veil of Glass and Rain")
Petra F. Bagnardi (A Veil of Glass and Rain)
Picking oranges in Florida. Pushing a broom in New Orleans. Mucking out horse-stalls in Lufkin, Texas. Handing out real estate brochures on street corners in Phoenix, Arizona. Working jobs that pay cash. ... The faces on the currency don't matter. What matters is the sight of a weathervane against a violent pink sunset, the sound of his heels on an empty road in Utah, the sound of the wind in the New Mexico desert, the sight of a child skipping rope beside a junked-out Chevrolet Caprice in Fossil, Oregon. What matters is the whine of the powerlines beside Highway 50 west of Elko, Nevada, and a dead crow in a ditch outside Rainbarrel Springs. Sometimes he's sober and sometimes he gets drunk. Once he lays up in an abandoned shed-this is just over the California state line from Nevada-and drinks for four days straight. It ends with seven hours of off-and-on vomiting. For the first hour or so, the puking is so constant and so violent he is convinced it will kill him. Later on, he can only wish it would. And when it's over, he swears to himself that he's done, no more booze for him, he’s finally learned his lesson, and a week later lies drunk again and staring up at the strange stars behind the restaurant where he has hired on as a dishwasher. He is an animal in a trap and he doesn't care. ... Sometimes he asks himself what he thinks he's doing, where the hell he's going, and such questions are apt to send him in search of the next bottle in a hurry. Because he's really not going anywhere. He's just following the highways in hiding and dragging his trap along behind him, he's just listening to the call of those roads and going from one to the next. Trapped or not, sometimes he is happy; sometimes he sings in his chains like the sea. He wants to see the next weathervane standing against the next pink sunset. He wants to see the next silo crumbling at the end of some disappeared farmer's long-abandoned north field and see the next droning truck with TONOPAH GRAVEL or ASPLUNDH HEAVY CONSTRUCTION written on the side. He's in hobo heaven, lost in the split personalities of America. He wants to hear the wind in canyons and know that he's the only one who hears it. He wants to scream and hear the echoes run away.
Stephen King
I intended to concentrate throughout the summer on matters of extreme urgency: ocean waves breaking in the sunlight and swirls inside oyster shells and the mystery of the sound of ice hitting the sides of a glass. In the afternoon, the ice makes only this gentle, clicking, almost tinkling sound. Yet at night it sounds like gravel being poured into a barrel. Why is ice louder at night than it is in the daytime? Let me put on my shoes and we'll go out and investigate.
Jimmy Breslin
He turned toward the sound of the voice and here came some sort of a ball, right over the fence and toward him. It struck the gravel and bounced. Eddie stuck out his hand and caught it. In his unthinking reflex the catch was so neat it was almost elegant.
Stephen King (It)
They growled a response and went on digging. For some time there was no noise but the grating sound of the spades discharging their freight of mould and gravel. It was very monotonous. Finally a spade struck upon the coffin with a dull woody accent, and within another minute or two the men had hoisted it out on the ground. They pried off the lid with their shovels, got out the body and dumped it rudely on the ground. The moon drifted from behind the clouds and exposed the pallid face. The barrow was got ready and the corpse placed on it, covered with a blanket, and bound to its place with the rope. Potter took out a large spring-knife and cut off the dangling end of the rope and then said: “Now the cussed thing’s ready, Sawbones, and you’ll just out with another five, or here she stays.
Mark Twain (The Complete Tom Sawyer)
The first time I met Crenshaw was about three years ago, right after first grade ended. It was early evening, and my family and I had parked at a rest stop off a highway. I was lying on the grass near a picnic table, gazing up at the stars blinking to life. I heard a noise, a wheels-on-gravel skateboard sound. I sat up on my elbows. Sure enough, a skater on a board was threading his way through the parking lot. I could see right away that he was an unusual guy. He was a black and white kitten. A big one, taller than me. His eyes were the sparkly color of morning grass. He was wearing a black and orange San Francisco Giants baseball cap. He hopped off his board and headed my way. He was standing on two legs just like a human. “Meow,” he said. “Meow,” I said back, because it seemed polite.
Katherine Applegate (Crenshaw)
At work, they knew me to be capable but fragile. Quiet, clouded up with daydreams. Usually diligent, though sometimes inconsistent, moody. But also something else, something implacable: I was unsavvy in some fundamental, uncomfortable way. The sound of my loud, nervous laugh, like gargling gravel, was a social liability. I skipped too many office parties. They kept me on because my output was prolific and they could task me with more and more production assignments. When I focused a trait I exhibited at the beginning of my time there, I could be detail-oriented to the point of obsession.
Ling Ma (Severance)
Knowing you are naked right now is the most riling madness I’ve felt in a very long time.” I trembled at the low, silvery gravel of his voice, easing over to the water and dipping my toes in first. I couldn’t bite back the soft sighs as more hot water caressed my skin. “And those god-damned sounds you make, Starlight.
C.C. Peñaranda (The Stars Are Dying (Nytefall, #1))
I walked slowly, my eyes focused on the gravel beneath me. I didn’t know where I was going, not that I cared. I just needed to get away. Soon enough, I’d find my way home. I had to believe that. There was a loud crackling noise in the sky as the thunder rolled through the clouds. I threw my head back, admiring the storm above. The sky was dark with flashes of white sparking throughout with each bolt of lightening following behind the thunder. It was beautiful. “After the storm, you will find peace.” I smiled as the sound boomed through the quiet neighborhood. And in that moment I felt at one with the storm as the pain inside of me slowly began to seep out.
Nicole Sobon (No Place Like Home)
The Hunchback in the Park The hunchback in the park A solitary mister Propped between trees and water From the opening of the garden lock That lets the trees and water enter Until the Sunday sombre bell at dark Eating bread from a newspaper Drinking water from the chained cup That the children filled with gravel In the fountain basin where I sailed my ship Slept at night in a dog kennel But nobody chained him up. Like the park birds he came early Like the water he sat down And Mister they called Hey mister The truant boys from the town Running when he had heard them clearly On out of sound Past lake and rockery Laughing when he shook his paper Hunchbacked in mockery Through the loud zoo of the willow groves Dodging the park keeper With his stick that picked up leaves. And the old dog sleeper Alone between nurses and swans While the boys among willows Made the tigers jump out of their eyes To roar on the rockery stones And the groves were blue with sailors Made all day until bell time A woman figure without fault Straight as a young elm Straight and tall from his crooked bones That she might stand in the night After the locks and chains All night in the unmade park After the railings and shrubberies The birds the grass the trees the lake And the wild boys innocent as strawberries Had followed the hunchback To his kennel in the dark.
Dylan Thomas
The witcher's right hand rose, as fast as lightning, above his right shoulder while his left jerked the belt across his chest, making the sword hilt jump into his palm. The blade, leaping from the scabbard with a hiss, traced a short, luminous semi-circle and froze, the point aiming at the charging beast. At the sight of the sword, the monster stopped short, spraying gravel in all directions. The witcher didn't even flinch. The creature was humanoid, and dressed in clothes which, though tattered, were of good quality and not lacking in stylish and useless ornamentation. His human form, however, reached no higher than the soiled collar of his tunic, for above it loomed a gigantic, hairy, bear-like head with enormous ears, a pair of wild eyes and terrifying jaws full of crooked fangs in which a red tongue flickered like flame. “Flee, mortal man!” the monster roared, flapping his paws but not moving from the spot. “I’ll devour you! Tear you to pieces!” The witcher didn't move, didn't lower his sword. “Are you deaf? Away with you!” The creature screamed, then made a sound somewhere
Andrzej Sapkowski (The Last Wish (The Witcher 0.5))
That corner in the drive, too, where the trees encroach upon the gravel, is not a place in which to pause, not after the sun has set. When the leaves rustle, they sound very much like the stealthy movement of a woman in evening dress, and when they shiver suddenly, and fall, and scatter away along the ground, they might be the patter, patter, of a woman’s hurrying footstep, and the mark in the gravel the imprint of a high-heeled satin shoe.
Daphne du Maurier (Rebecca)
Without ever leaving her hide-out in Milledgeville, Georgia, Flannery O’Connor knew all there was to know about the two-lane, dirt and blacktop Southern roads of the 1950s—with their junkyards and tourist courts, gravel pits and pine trees that pressed at the edges of the road. She knew the slogans of the Burma Shave signs, knew the names of barbecue joints and the chicken baskets on their menus. She also knew a backwoods American cadence and vocabulary you’d think was limited to cops, truckers, runaway teens, and patrons of the Teardrop Inn where at midnight somebody could always be counted on to go out to a pickup truck and come back with a shotgun. She was a virtuoso mimic, and she assimilated whole populations of American sounds and voices, and then offered them back to us from time to time in her small fictional detonations, one of which she named, in 1953, “A Good Man Is Hard To Find.
William Caverlee (Amid the Swirling Ghosts: And Other Essays)
Everything had become song. The curve of the road beneath the clouds here, and there the strokes of dark earth, the green and the gray, the torn pink of clay and gravel under fingertips. The consonance was above all that of the muffled shadow and grass to the depths of sky, where a flutter of cheerful feathers quivered. In these dreams there are also black walnut trees, and then a forest that opens in a breeze. Nothing. Nothing more than the obstinate sound of wind.
Deborah Heissler (Comme un morceau de nuit, découpé dans son étoffe)
Maybe there wasn't, after all, a clear motivation for any of the things that people did. Maybe they just did them for no reason at all or because of stupidity or selfishness or cowardice or anger or for reasons that made no rational sense - because the clouds happened to be a particularly gloomy shade of gray that day, because the barking of an old dog chained to a sycamore tree just happened to sound exactly like the crunch of soldiers' boots on gravel or the hum of bees like an engine in the head driving you mad.
John Gregory Brown (A Thousand Miles from Nowhere)
Before she could say anything more, Sabella swung around at the sound of Noah’s Harley purring to life behind the garage. God. He was dressed in snug jeans and riding chaps. A snug dark T-shirt covered his upper body, conformed to it. And he was riding her way. “Is there anything sexier than a man in riding chaps riding a Harley?” Kira asked behind her. “It makes a woman simply want to melt.” And Sabella was melting. She watched as he pulled around the side of the garage then took the gravel road that led to the back of the house. The sound of the Harley purred closer, throbbing, building the excitement inside her. “I think it’s time for me to leave,” Kira said with a light laugh. “Don’t bother to see me out.” Sabella didn’t. She listened as the Harley drew into the graveled lot behind the house and moved to the back door. She opened it, stepping out on the back deck as he swung his legs over the cycle and strode toward her. That long-legged lean walk. It made her mouth water. Made her heart throb in her throat as hunger began to race through her. “The spa treated you well,” he announced as he paused at the bottom of the steps and stared back at her. “Feel like messing your hair up and going out this evening? We could have dinner in town. Ride around a little bit.” She hadn’t ridden on a motorcycle since she was a teenager. She glanced at the cycle, then back to Noah. “I’d need to change clothes.” His gaze flickered over her short jeans skirt, her T-shirt. “That would be a damned shame too,” he stated. “I have to say, Ms. Malone, you have some beautiful legs there.” No one had ever been as charming as Nathan. She remembered when they were dating, how he would just show up, out of the blue, driving that monster pickup of his and grinning like a rogue when he picked her up. He’d been the epitome of a bad boy, and he had been all hers. He was still all hers. “Bare legs and motorcycles don’t exactly go together,” she pointed out. He nodded soberly, though his eyes had a wicked glint to them. “This is a fact, beautiful. And pretty legs like that, we wouldn’t want to risk.” She leaned against the porch post and stared back at him. “I have a pickup, you know.” She propped one hand on her hip and stared back at him. “Really?” Was that avarice she saw glinting in his eyes, or for just the slightest second, pure, unadulterated joy at the mention of that damned pickup? He looked around. “I haven’t seen a pickup.” “It’s in the garage,” she told him carelessly. “A big black monster with bench seats. Four-by-four gas-guzzling alpha-male steel and chrome.” He grinned. He was so proud of that damned pickup. “Where did something so little come up with a truck that big?” he teased her then. She shrugged. “It belonged to my husband. Now, it belongs to me.” That last statement had his gaze sharpening. “You drive it?” “All the time,” she lied, tormenting him. “I don’t have to worry about pinging it now that my husband is gone. He didn’t like pings.” Did he swallow tighter? “It’s pinged then?” She snorted. “Not hardly. Do you want to drive the monster or question me about it? Or I could change into jeans and we could ride your cycle. Which is it?” Which was it? Noah stared back at her, barely able to contain his shock that she had kept the pickup. He knew for a fact there were times the payments on the house and garage had gone unpaid—his “death” benefits hadn’t been nearly enough—almost risking her loss of both during those first months of his “death.” Knowing she had held on to that damned truck filled him with more pleasure than he could express. Knowing she was going to let someone who wasn’t her husband drive it filled him with horror. The contradictor feelings clashed inside him, and he promised himself he was going to spank her for this.
Lora Leigh (Wild Card (Elite Ops, #1))
I did not for a moment pretend to myself that it was possible I could be deceived; there were movements and noises which I understood all about,—cracklings of small branches in the frost, and little rolls of gravel on the path, such as have a very eerie sound sometimes, and perplex you with wonder as to who has done it, when there is no real mystery; but I assure you all these little movements of nature don't affect you one bit when there is something. I understood them. I did not understand the sigh. That was not simple nature; there was meaning in it, feeling, the soul of a creature invisible.
Mrs. Oliphant (The Open Door and the Portrait: Stories of the Seen and the Unseen)
May I give you a ride?” Of all people. “What are you doing here?” AJ shrugged. “Thought you might want to treat me to supper.” “Why would I want to do that?” “It’s your turn.” She almost smiled. Almost. But his expression told her she hadn’t hid her amusement soon enough. “I’m mad at you.” She meant to sound mad, but somehow the words came out pouty, almost flirtatious. “What did I do now?” His tone made it clear he wasn’t taking her supposed anger very seriously. “The gravel.” “Oh.” He drew out the syllable and tapped his fingers on the steering wheel. “I told you not to.” His eyes, dark pools beneath the bill of his cap, looked mischievously into hers. “But I bet you’re glad I did.” He
Johnnie Alexander (Where She Belongs (Misty Willow #1))
Rider's head snapped up at the sound of gravel crunching under Willow's boots. The sight of the girl in boy's garb birthed an oath. Beneath her cotton shirt, her breasts bounced freely with each step. And within the tight mannish pants, her hips swung in an unconscious rhythm, clearly proclaiming her all woman. Hell, she might as well be naked! His body's reaction was immediate. Cursing his lack of control, he turned sideways, facing her horse, and pretended to adjust the saddle straps. Willow took Sugar's reins and waited for Rider to move aside. He didn't budge an inch. Instead, he tipped his hat back on his head, revealing undisguised disapproval. "Is that the way you always dress?" he bit out. Willow stiffened, immediately defensive. Criticizing herself was one thing; putting up with Sinclair's disdain was another! "If you were expecting a dress, you're crazy!" she snapped. "It would be suicide in this country." "Haven't you ever heard of riding skirts?" "Yes. I'm not as dumb as you seem to think. But fancy riding skirts cost money I don't have. 'Sides, pants are a hell of a lot more useful on the ranch than some damn riding skirt! Now, if you're done jawing about my clothes, I'd like to get a move on before dark." "Somebody ought to wash that barnyard mouth of yours,woman." Willow rested her hand on her gun. "You can try, if you dare." As if I'd draw on a woman, Rider cursed silently, stepping out of her way. As she hoisted herself into the saddle, he was perversely captivated by the way the faded demin stretched over her round bottom. He imagined her long slender legs wrapped around him and how her perfect heart-shaped buttocks would fill his hands and...Oh,hell, what was he doing standing here, gaping like some callow youth? Maybe the girl was right.Maybe he was crazy. One moment he was giving the little witch hell for wearing men's pants; the next he was ogling her in them. He started to turn away, then reached out and gave her booted ankle an angry jerk. "Now what?" Icy turquoise eyes met his, dark and searing. "Do you have any idea what you look like in that get-up? No self-respecting lady would dress like that. It's an open invitation to a man. And if you think that gun you're wearing is going to protect you, you're badly mistaken." Willow gritted her teeth in mounting ire. "So what's it to you, Sinclair? You ain't my pa and you ain't my brother. Hell,my clothes cover me just as good as yours cover you!" She slapped his hand from her ankle, jerked Sugar around, and spurred the mare into a brisk gallop. Before the fine red dust settled, Rider was on his horse, racing after her. Dammit, she's right.Why should I care how she dresses? Heaven knows it certainly has no bearing on my mission. No, agreed a little voice in his head, but it sure is distacting as hell! He'd always prided himself on his cool control; it had saved his backside more than once. But staying in any kind of control around Willow Vaughn was like trying to tame a whimsical March wind-impossible!
Charlotte McPherren (Song of the Willow)
The horse looked at him and it looked at the dog. He crossed the room and went out in the rain and walked around the side of the building. When he came back he had in his fist a threefoot length of waterpipe and with it he advanced upon the dog. Go on, he shouted. Git. The dog rose moaning and slouched away down the wall and limped out into the yard. When he turned to go back to his blankets it slank past him into the building again. He turned and ran at it with the pipe and it scrabbled away. He followed it. Outside it had stopped at the edge of the road and it stood in the rain looking back. It had perhaps once been a hunting dog, perhaps left for dead in the mountains or by some highwayside. Repository of ten thousand indignities and the harbinger of God knew what. He bent and clawed up a handful of small rocks from the gravel apron and slung them. The dog raised its misshapen head and howled weirdly. He advanced upon it and it set off up the road. He ran after it and threw more rocks and shouted at it and he slung the length of pipe. It went clanging and skittering up the road behind the dog and the dog howled again and began to run, hobbling brokenly on its twisted legs with the strange head agoggle on its neck. As it went it raised its mouth sideways and howled again with a terrible sound. Something not of this earth. As if some awful composite of grief had broke through from the preterite world. It tottered away up the road in the rain on its stricken legs and as it went it howled again and again in its heart’s despair until it was gone from all sight and all sound in the night’s onset.
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
She was reading Francis Godwin's Man in the Moone--its man was borne into space in a carriage drawn by swans--when she heard the sound of wheels upon the gravel. Two boxes from Martin & Allestyre were set down on the drive. 'My modest closet plays,' she said. She nearly ran down the stairs--for the recovery of her wayward crates that spring and the preparation of her plays for publication had rekindled inside Margaret a flame she'd feared had gone out. ... But now, in turning the pages, she grew concerned and then incensed: 'reins' where she had written 'veins,' 'exterior' when she had clearly meant 'interior.' The sun went down. The room grew dim. ... 'Before the printer ruined it,' she cried, 'my book was good!' 'Could it be,' he asked, soaking his bread in {lamb's} blood, 'that you were yourself the cause of this misfortune?
Danielle Dutton (Margaret the First)
At the moment, however, she had an ever larger problem: what to do now, when two defenseless women were completely lost in the wilds of Scotland, at night, in the rain and cold. Shuffling footsteps sounded on the gravel path, and both women straightened, both suppressing the hope soaring in their breasts and keeping their faces carefully expressionless. “Well, well, well,” Jake boomed. “Glad I caught up with you and-“ He lost his thought as he beheld the utterly comic sight of two stiff-backed women seated on a trunk together, prim and proper as you please, beneath a black umbrella in the middle of nowhere. “Uh-where are your horses?” “We have no horses,” Lucinda informed him in a disdainful voice that implied such beasts would have been an intrusion on their tete-a-tete. “No? How did you get here?” “A wheeled conveyance carried us to this godforsaken place.” “I see.” He lapsed into daunted silence, and Elizabeth started to say something at least slightly pleasant when Lucinda lost her patience. “You have, I collect, come to urge us to return?” “Ah-yes. Yes, I have.” “Then do so. We haven’t all night.” Lucinda’s words struck Elizabeth as a bald lie. When Jake seemed at a loss as to how to go about it, Lucinda stood up and assisted him. “I gather Mr. Thornton is extremely regretful for his unforgivable and inexcusable behavior?” “Well, yes, I guess that’s the way it is. In a way.” “No doubt he intends to tell us that when we return?” Jake hesitated, weighing his certainty that Ian had no intention of saying anything of the kind against the certainty that if the women didn’t return, he’d be eating his own cooking and sleeping with a bad conscience and a bad stomach. “Why don’t we let him make his own apologies?” he prevaricated.
Judith McNaught (Almost Heaven (Sequels, #3))
And, before long, he'd got fat and his stall was decked out with chrome and plate glass, and glittering automats had been installed. Getting hog-fat on pfennigs, getting bossy though only a few months before he'd been forced to obsequiously lower the price of a lemonade by two pfennigs, meanwhile whispering anxiously, 'But don't tell anyone else.' No feelings would come to him as he went rocking on in No. 11 through the old town, the new town, past allotment gardens and gravel pits to Blessenfeld. He had heard the names of the stops four thousand times: Boisserée Street, North Park, Bleisscher Station, Inner Ring. They sounded strange, the names, as if out of dreams which others had dreamed and vainly tried to let him share; they sounded like calls for help in a heavy fog, while the almost empty streetcar went on toward the end of the line in the afternoon summer sun.
Heinrich Böll (Billiards at Half-Past Nine)
The sun had not yet stood out from the orient, but his precedent light shone through the translucent blue. Yet it was not blue, nor is there any word, nor is a word possible to convey the feeling unless one could be built up of signs and symbols like those in the book of the magician, which glowed and burned to and fro the page. For the blue of the precious sapphire is thick to it, the turquoise dull, these hard surfaces are no more to be compared to it than sand and gravel. They are but stones, hard, cold, pitiful, that which gives them their lustre is the light. Through delicate porcelain sometimes the light comes, and it is not the porcelain, it is the light that is lovely. But porcelain is clay, and the light is shorn, checked, and shrunken. Down through the beauteous azure came the Light itself, pure, unreflected Light, untouched, untarnished even by the dew-sweetened petal of a flower, descending, flowing like a wind, a wind of glory sweeping through the blue. A luminous purple glowing as Love glows in the cheek, so glowed the passion of the heavens. Two things only reach the soul. By touch there is indeed emotion. But the light in the eye, the sound of the voice! the soul trembles and like a flame leaps to meet them. So to the luminous purple azure his heart ascended.
Richard Jefferies (Bevis)
My father peed like a horse. His urine lowed in one great sweeping dream that started suddenly and stopped just as suddenly, a single, winking arc of shimmering clarity that endured for a prodigious interval and then disappeared in an instant, as though the outflow were a solid object—and arch of glittering ice or a thick band of silver—and not (as it actually approximated) a parabolic, dynamically averaged graph of the interesting functions of gravity, air resistance, and initial velocity on a non-viscous fluid, produced and exhibited by a man who’d just consumed more than a gallon of midwestern beer. The flow was as clear as water. When it struck the edge of the gravel shoulder, the sound was like a bed-sheet being ripped. Beneath this high reverberation, he let out a protracted appreciative whistle that culminated in a tunneled gasp, his lips flapping at the close like a trumpeters. In the tiny topsoil, a gap appeared, a wisp entirely unashamed. Bernie bumped about in the cargo bay. My father moved up close to peer through the windshield, zipping his trousers and smiling through the glass at my mother. I realized that the yellow that should have been in his urine was unmistakable now in his eyes. ‘’Thank goodness,’’ my mother said when the car door closed again. ‘’I was getting a little bored in here.
Ethan Canin (A Doubter's Almanac)
The warm wool blanket dropped to the floor, and Lydia set her hand in the earl’s firm grip. She stuck her foot outside, but awareness wasn’t with her. That cavernous black doorway claimed her attention, and therein was her problem. Trouble came in mere seconds, as it usually did for her. The step was slick. She slipped. The sole of her leather shoe slid off the step’s edge. “Oww!” she yelped as her foot banged the graveled drive hard. Legs buckling, down she went, like a graceless sack of flour. What’s worse, she slammed into the earl, her shoulder punching his midsection. “Ooomph!” Lord Sanford grunted but moved quickly to save her from falling all the way to the ground. Her face mashed against leather and linen. Strong hands held her arms. At least she didn’t knock the earl down. Grabbing for purchase, her fingers touched warm wool…buttons…skin. Her face pressed into fabric, she murmured, “I’m so very sorry.” Lydia tried to right herself, but relief turned to horror: she was a mortified eye level with the pewter buttons of Lord Sanford’s breeches. Stalwart English mist snapped sense into her. That and seeing his placket bunched low in her fist. Her fingers grazed smooth flesh. Another, more interesting sliver of Lord Sanford’s skin was exposed: pale, intimate skin just below his navel. Lydia yanked back her hand, and a pewter button went flying. “Oh no!” she cried as humiliating heat flared across her face and neck. “Miss Montgomery? Are you injured?” Lord Sanford asked above the wind, slowly lifting her up. He sounded unperturbed at having a woman’s hand on the front of his breeches. hands on the front of his breeches.
Gina Conkle (Meet the Earl at Midnight (Midnight Meetings, #1))
Minutes later, we were back at the sliding glass door that led inside the house--me, leaning against the glass, Marlboro Man anchoring me there with his strong, convincing lips. I was a goner. My right leg hooked slowly around his calf. And then, the sound--the loud ringing of the rotary phone inside. Marlboro Man ignored it through three rings, but it was late, and curiosity took over. “I’d better get that,” he said, each word dripping with heat. He ran inside to answer the phone, leaving me alone in a sultry, smoky cloud. Saved by the bell, I thought. Damn. I was dizzy, unable to steady myself. Was it the wine? Wait…I hadn’t had any wine that night. I was drunk on his muscles. Wasted on his masculinity. Within seconds, Marlboro Man was running back out the door. “There’s a fire,” he said hurriedly. “A big one--I’ve got to go.” Without pausing, he ran toward the pickup. I stood there, still dazed and fizzy, still unable to feel my knees. And then, just as I was beginning to reflect on the utter irony that a prairie fire may have just saved my eternal soul from burning in hell for carnal sin, Marlboro Man’s pickup flew into reverse and screeched abruptly to a halt at the edge of The Porch--our porch. Rolling down his window, he leaned out and yelled, “You comin’?” “Oh…um…sure!” I replied, running toward the pickup and hopping inside. A prairie fire. A real, live prairie fire, I thought as Marlboro Man’s diesel pickup peeled out of his gravel driveway. Cool! This’ll be so neat! Moments later, as the pickup reached the top of the hill by his house, I could see an ominous orange glow in the distance. I shuddered as I felt a chill go through me.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Our bread was given, not earned. We had nowhere else to go and nothing else to do but sit there together, saying sonorous words in unison, listening to language we did not hear anywhere else in our lives. Take heart. Go in peace. Bear fruit. Although we could have sat quietly with Bibles on our laps and read these things to ourselves, we took turns reading them out loud to each other instead. The words sounded different when Kline read them than they did when Kathy read them. They sounded different from the mouth of a young mother than they did from the mouth of a widow. This was because the words did not come straight off the page. They percolated up through the silt and gravel of real people's lives so that the meaning in them was fluid, not fixed. Listening to one another read Holy Scripture, some of us learned what is meant by 'the living word of God.' We also sang things we could more easily have said. The Lord be with you. And also with you. None of us would have dreamed of doing this in the grocery store, but by doing it in church we remembered that there was another way to address one another. Lift up your hearts. We lift them up unto the Lord. Where else did any of us sing anymore, especially with other people? Where else could someone pick up the alto line on the second verse of 'Amazing Grace' and give five other people the courage to sing in harmony? Sometimes, when we were through, we would all just stand there listening until the last note turned entirely to air. We could even be quiet together, which was something else that did not happen many other places in our lives. Silence was so countercultural for most of us that it took a lot of practice before we could do it together.
Barbara Brown Taylor (Leaving Church: A Memoir of Faith)
Taking a rich wife . . . a duke’s daughter . . . there would be strings. Golden chains. It would all have to be her way. Her decision would always be the last.” West tugged irritably at his trapped finger. “I’ll be damned if I dance to her tune, or her father’s.” “We all have to dance to someone’s tune. The best you can hope for is to like the music.” West scowled. “You never sound like more of an idiot than when you try to say something wise and pithy.” “I’m not the one with his finger stuck in a teacup,” Devon pointed out. “Is there any other reason you won’t pursue her, besides the money? Because that one rings hollow.” It wasn’t just the money. But West was too tired and surly to try to make his brother understand. “Just because you’ve given up all masculine pride,” he muttered, “doesn’t mean I have to do the same.” “Do you know what kind of men are able to keep their masculine pride?” Devon asked. “Celibate ones. The rest of us don’t mind doing a little begging and appeasing, if it means not having to sleep alone.” “If you’re finished—” West began, with an irritated gesture of his hand. At that moment, the teacup came unstuck, flung itself off his finger, and went soaring through an open window. Both brothers stared blankly after the path of its flight. A few seconds later, they heard a crash of porcelain on a graveled pathway. In the silence, West shot a narrow-eyed glance at his brother, who was trying so hard not to laugh that his facial muscles were twitching. Finally, Devon managed to regain control of himself. “So glad your right hand is free again,” he said in a conversational tone. “Especially since it seems that for the foreseeable future, you’ll be making frequent use of it.
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
Stick around, though. I’m going to need all the help I can get to figure all this out.” “That’s me! Mister Helpful. Captain Dependable.” “That sounds like a brand of adult diapers.” “This nickname needs some work. Lord Wonderful? The Incredible Hunk?” “Please, for the love, go inside.” He laughed, then clomped up the steps and into the house. “Reth,” I shouted. “Reeeeeeeeth! Reth! Reth, Reth, Reth! If you don’t come in the next thirty seconds, I’m going to do find David’s golf clubs!” “That tone and level of voice does nothing attractive you for, my love.” I jumped, startled, but of course Reth would be behind me, leaning heavily on the porch railing. “You,” I said, glaring. “Fix it. Now.” A look of disdain on his face, he leaned over and trailed his fingers across Lend’s forehead. A single whispered word, and then . . . Nothing. “You liar!” I shouted, standing so abruptly that Lend rolled off my lap and down a step. As he hit the first one, color bloomed through him into his usual glamour and his eyes flew open in panic. “He was asleep, Evelyn.” Reth’s lips were pursed, but I knew he was smiling gleefully on the inside. “Lend!” I lunged forward, knocking into him, and we both rolled down the next two steps, landing in a heap on the gravel at the bottom. “You’re awake!” “Evie! I’m . . . wow, why am I so bruised?” “Shut up,” I said, grabbing his head and pulling him in for a kiss. It was freezing and we were on the ground but I didn’t care, couldn’t care, not when I could touch my Lend and he was awake to touch me, too. I knew I’d missed it, but it wasn’t until now that it hit me just how empty and desperate it felt to be separated from him like that. “Maybe,” he said, between tracing my neck with kisses, “we could go inside?” “Maybe,” I agreed, not getting up. “Or maybe,” Reth said, his voice dripping with disgust, “Evelyn could come with me to determine how best to fulfill her end of the deal.” Lend lifted a hand off me and held it in the air. I couldn’t see what he was doing with it, but I had a good idea, and I heartily approved. “See what I meant about the ability to focus?” Reth snapped. “You two are ridiculous.
Kiersten White (Endlessly (Paranormalcy, #3))
In the meantime, I tried my best to acclimate to my new life in the middle of nowhere. I had to get used to the fact that I lived twenty miles from the nearest grocery store. That I couldn’t just run next door when I ran out of eggs. That there was no such thing as sushi. Not that it would matter, anyway. No cowboy on the ranch would touch it. That’s bait, they’d say, laughing at any city person who would convince themselves that such a food was tasty. And the trash truck: there wasn’t one. In this strange new land, there was no infrastructure for dealing with trash. There were cows in my yard, and they pooped everywhere--on the porch, in the yard, even on my car if they happened to be walking near it when they dropped a load. There wasn’t a yard crew to clean it up. I wanted to hire people, but there were no people. The reality of my situation grew more crystal clear every day. One morning, after I choked down a bowl of cereal, I looked outside the window and saw a mountain lion siting on the hood of my car, licking his paws--likely, I imagined, after tearing a neighboring rancher’s wife from limb to limb and eating her for breakfast. I darted to the phone and called Marlboro Man, telling him there was a mountain lion sitting on my car. My heart beat inside my chest. I had no idea mountain lions were indigenous to the area. “It’s probably just a bobcat,” Marlboro Man reassured me. I didn’t believe him. “No way--it’s huge,” I cried. “It’s seriously got to be a mountain lion!” “I’ve gotta go,” he said. Cows mooed in the background. I hung up the phone, incredulous at Marlboro Man’s lack of concern, and banged on the window with the palm of my hand, hoping to scare the wild cat away. But it only looked up and stared at me through the window, imagining me on a plate with a side of pureed trout. My courtship with Marlboro Man, filled with fizzy romance, hadn’t prepared me for any of this; not the mice I heard scratching in the wall next to my bed, not the flat tires I got from driving my car up and down the jagged gravel roads. Before I got married, I didn’t know how to use a jack or a crowbar…and I didn’t want to have to learn now. I didn’t want to know that the smell in the laundry room was a dead rodent. I’d never smelled a dead rodent in my life: why, when I was supposed to be a young, euphoric newlywed, was I being forced to smell one now? During the day, I was cranky. At night, I was a mess. I hadn’t slept through the night once since we returned from our honeymoon. Besides the nausea, whose second evil wave typically hit right at bedtime, I was downright spooked. As I lay next to Marlboro Man, who slept like a baby every night, I thought of monsters and serial killers: Freddy Krueger and Michael Myers, Ted Bundy and Charles Manson. In the utter silence of the country, every tiny sound was amplified; I was certain if I let myself go to sleep, the murderer outside our window would get me.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
It’s just a kiss,” she says softly. “Why are you all torn up about a kiss?” She’s studying me way too closely. “I’m not torn up,” I protest. “You’ve been moping ever since I told you about the fundraiser, Sean,” she says. “What’s your problem? It’s for charity, for God’s sake.” She lays her free hand on her chest. “My kiss is going to feed victims of domestic violence. I’m doing my part for a better community.” I look down at her mouth. God, I could just slide my fingers into her hair, pull her to me, and kiss her right here and now. But I won’t. Because she doesn’t want me. “I can’t believe you’re going kiss some stranger,” I bite out. “Don’t do it.” “I’ve kissed men before, Sean,” she reminds me. I wish she would keep that shit to herself. “What if it’s some big, goofy guy with really bad breath?” I ask. “What if it’s some big, brawny guy who smells like you and kisses like a god?” she asks. She smiles, the corners of her lips tilting up so prettily. Her fingertips touch my forearm lightly, and she traces the tattoos that decorate my arm from wrist to shoulder. Every hair on my body stands up, and I lift my hand from her knee and thread my fingers with hers so she’ll stop. “If I’m lucky, he’ll be all tatted up, too.” She looks off into the distance, her gaze no longer on me. “Honey, if you want to kiss someone who looks like me and smells like me, I think I can accommodate you so you don’t have to kiss some stranger.” Her eyes shift back to meet mine, and she may as well have just punched me in the gut. She looks into my eyes and stares as if she’s looking into my soul. She can look into it anytime. Shit, I’d give it to her, if she wanted it. But it’s not me she wants. She’s made that abundantly clear. “If I ever kissed you, I would never be able to stop,” I say quietly. My voice sounds like it’s been dragged down a gravel road and back, and I fucking hate that she can affect me this way. “Prove it,” she says, and then she licks her cherry-red lips. She doesn’t break eye contact. I move quickly. This is the first time she’s ever made an offer like this, and my gut tells me that she’s going to take it back. I cup her neck with my palm and pull her toward me. My gentle tug brings her flush against my chest, and the weight of her settles against me and feels so right. Her lips are so close to mine that her inhale is my exhale. My hand quivers as it holds her nape, so I work my fingers into the hair at the back of her head. I hold her still and look into her green eyes. “Tell me you want me to kiss you and you got me, honey,” I whisper. She shivers and inches up my chest ever so slightly, her mouth moving closer to mine. So close. Just a little closer. I can almost taste her. “I want you to kiss me,” she whispers. “Please.” Suddenly, the door opens, and Lacey jumps up, separating us in one final, powerful leap. Fuck. I pull the pillow from behind my head and shove it in my lap, sitting up on the side of the bed. Friday,
Tammy Falkner (Just Jelly Beans and Jealousy (The Reed Brothers, #3.4))
Even on that first, clear afternoon, the dark earth between the gravel paths and the deep green of towering pine, fir, and spruce trees contained the memory of recent snow and rain. The ocean at the far end of the camp was the color of slate. Everything Siobhan was wearing was brand new: a black fleece she’d chosen for its silver heart-shaped zipper pull, her first pair of hiking boots, even her underwear. She felt a thrilling, terrifying dissolution of self. She was far from her parents, her classmates, anyone who had ever known here. She was curious to find out who she would be.
Kim Fu (The Lost Girls of Camp Forevermore)
I drove to the bar Theodosha had called from and parked on the street. The bar was a gray, dismal place, ensconced like a broken matchbox under a dying oak tree, its only indication of gaiety a neon beer sign that flickered in one window. She was at a table in back, the glow of the jukebox lighting her face and the deep blackness of her hair. She tipped a collins glass to her mouth, her eyes locked on mine. “Let me take you home,” I said. “No, thanks,” she replied. “Getting swacked?” “Merchie and I had another fight. He says he can’t take my pretensions anymore. I love the word ‘pretensions.’” “That doesn’t mean you have to get drunk,” I said. “You’re right. I can get drunk for any reason I choose,” she replied, and took another hit from the glass. Then she added incongruously, “You once asked Merchie what he was doing in Afghanistan. The answer is he wasn’t in Afghanistan. He was in one of those other God-forsaken Stone Age countries to the north, helping build American airbases to protect American oil interests. Merchie says they’re going to make a fortune. All for the red, white, and blue.” “Who is they?” But her eyes were empty now, her concentration and anger temporarily spent. I glanced at the surroundings, the dour men sitting at the bar, a black woman sleeping with her head on a table, a parolee putting moves on a twenty-year-old junkie and mother of two children who was waiting for her connection. These were the people we cycled in and out of the system for decades, without beneficial influence or purpose of any kind that was detectable. “Let’s clear up one thing. Your old man came looking for trouble at the club today. I didn’t start it,” I said. “Go to a meeting, Dave. You’re a drag,” she said. “Give your guff to Merchie,” I said, and got up to leave. “I would. Except he’s probably banging his newest flop in the hay. And the saddest thing is I can’t blame him.” “I think I’m going to ease on out of this. Take care of yourself, kiddo,” I said. “Fuck that ‘kiddo’ stuff. I loved you and you were too stupid to know it.” I walked back outside into a misting rain and the clean smell of the night. I walked past a house where people were fighting behind the shades. I heard doors slamming, the sound of either a car backfiring or gunshots on another street, a siren wailing in the distance. On the corner I saw an expensive automobile pull to the curb and a black kid emerge from the darkness, wearing a skintight bandanna on his head. The driver of the car, a white man, exchanged money for something in the black kid’s hand. Welcome to the twenty-first century, I thought. I opened my truck door, then noticed the sag on the frame and glanced at the right rear tire. It was totally flat, the steel rim buried deep in the folds of collapsed rubber. I dropped the tailgate, pulled the jack and lug wrench out of the toolbox that was arc-welded to the bed of the truck, and fitted the jack under the frame. Just as I had pumped the flat tire clear of the puddle it rested in, I heard footsteps crunch on the gravel behind me. Out of the corner of my eye, I saw a short, thick billy club whip through the air. Just before it exploded across the side of my head, my eyes seemed to close like a camera lens on a haystack that smelled of damp-rot and unwashed hair and old shoes. I was sure as I slipped into unconsciousness that I was inside an ephemeral dream from which I would soon awake.
James Lee Burke (Last Car to Elysian Fields (Dave Robicheaux, #13))
HE WOKE WITHOUT A SOUND, his bones knowing it was time. Both eyes scraped open, followed a crack across gray ceiling, seeing a lonely road through wilderness. His bare back registered a rumpled sheet below the left shoulder blade. Gold light glowed behind a green curtain; darkness was finally arriving in Alaska. He had been awake less than ten seconds when his mind began projecting images of roadway slipping under a motorcycle wheel. Like an athlete visualizing ideal form he saw gravel for eight kilometers, asphalt for the next fifteen, mud for three…on and on south to the river. The road held many ways to fail.
Joe Klingler (RATS)
It's something I've repeated to myself a million times already. And even now, after saying it one million and one times, it doesn't make me feel one iota better. Trujillo is a wild card. He's unpredictable and I never know what he's going to do, let alone what he’s thinking. He very well could decide that I’m more trouble than it’s worth. That he'll eat the money I owe him just to wash his hands of me. I just don't know. And it's that uncertainty that has my balls climbing up into my throat. The black SUV pulls into the rest stop, as I’m trying to avoid comparing the sound of gravel crunching beneath the tires with the sound my bones would make beneath those same tires. The SUV pulls to a stop in front of me and the driver cuts the lights. After being nearly blinded by the headlights, it takes my eyes a minute to re-adjust to the darkness.
R.R. Banks (Accidentally Married (Anderson Brothers, #1))
The county would grow used to hearing the wail of sirens in the middle of the night, the sound of engines and tankers crunching over gravel. The county would see landmarks go up in flames and neighbors eye one another with suspicion at the grocery store. At night, the roads would transform into a sea of checkpoints and cop cars; citizens trying to get home while Accomack turned into a police state and the county lit up around them. The county went about its business. The county burned down.
Monica Hesse (American Fire: Love, Arson, and Life in a Vanishing Land)
When he got out of the car to do his business, my mother stared straight ahead. But I turned to watch. There was always something wild and charismatically uncaring about my father’s demeanor in these moments, some mysterious abandonment of his frowning and cogitative state that already meant a lot to me, even though at that age I understood almost nothing about him. Paulie had long ago stopped whispering 'perv' to me for observing him as he relieved himself. She of course, kept her head n her novels. I remember that it was cold that day, and windy but that the sky had been cut from the crackling blue gem field of a late midwestern April. Outside the car, as other families sped past my father stepped to the leeward side of the open door then leaning back from the waist and at the same time forward the ankles. His penis poked out from his zipper for this part, Bernie always stood up at the rear window. My father paused fo a moment rocking slightly while a few indistinct words played on his lips. Then just before his stream stared he tiled back his head as if there were a code written in the sky that allowed the event to begin. This was the moment I waited for, the movement seemed to be a marker of his own private devotion as though despite his unshakable atheism and despite his sour, entirely analytic approach to every affair of life, he nonetheless felt the need to acknowledge the heavens in the regard to this particular function of the body. I don't know perhaps I sensed that he simply enjoyed it in a deep way that I did. It was possible I already recognized that the eye narrowing depth of his physical delight in that moment was relative to that paucity of other delights in his life. But in any case the prayerful uplifting of his cranium always seemed to democratize him for me, to make him for a few minutes at least, a regular man. Bernie let out a bark. ‘’Is he done?’’ asked my mother. I opened my window. ‘’Almost.’’ In fact he was still in the midst. My father peed like a horse. His urine lowed in one great sweeping dream that started suddenly and stopped just as suddenly, a single, winking arc of shimmering clarity that endured for a prodigious interval and then disappeared in an instant, as though the outflow were a solid object—and arch of glittering ice or a thick band of silver—and not (as it actually approximated) a parabolic, dynamically averaged graph of the interesting functions of gravity, air resistance, and initial velocity on a non-viscous fluid, produced and exhibited by a man who’d just consumed more than a gallon of midwestern beer. The flow was as clear as water. When it struck the edge of the gravel shoulder, the sound was like a bed-sheet being ripped. Beneath this high reverberation, he let out a protracted appreciative whistle that culminated in a tunneled gasp, his lips flapping at the close like a trumpeters. In the tiny topsoil, a gap appeared, a wisp entirely unashamed. Bernie bumped about in the cargo bay. My father moved up close to peer through the windshield, zipping his trousers and smiling through the glass at my mother. I realized that the yellow that should have been in his urine was unmistakable now in his eyes. ‘’Thank goodness,’’ my mother said when the car door closed again. ‘’I was getting a little bored in here.
Ethan Canin (A Doubter's Almanac)
Husband?” “I told them we were betrothed.” Cam took her arm in a gentle but adamant grip and guided her around to the other side of the yew, where they could not be observed from the house. “Why?” “Because we are.” “What?” They stopped in the concealment of the hedge. Aghast, Amelia looked up into his warm hazel eyes. “Are you mad?” Taking her hand, Cam lifted it until the ring gleamed in the daylight. “You’re wearing my ring. You slept with me. You made promises. Many in the Rom would say that constitutes full-blown marriage. But just to make certain it’s legal, we’ll do it the way of the gadjos as well.” “We’ll do no such thing!” Amelia snatched her hand from his and backed away. “I’m only wearing this ring because I can’t get the blasted thing off. And what do you mean, I made promises? Were those Romany words you asked me to repeat some kind of vow? You tricked me! I didn’t mean what I said.” “But you did sleep with me.” She flushed in shame and outrage, and dragged a sleeve across her sweating brow. Whirling away from him, she strode rapidly along a graveled path that led deeper into the garden. “That didn’t mean anything, either,” she said over her shoulder. He kept pace with her easily. “It meant something to me. The sexual act is sacred to a Roma.” She made a scornful sound. “What about all the ladies you seduced in London? Was it sacred when you slept with them, too?” “For a while I fell into the impure ways of the gadjo,” he said innocently. “Now I’ve reformed.” Amelia sent him a sideways glare. “You don’t want this. You don’t want me. One night can’t change the entire course of someone’s life.” “Of course it can.” He reached for her, and Amelia skittered away, passing a mermaid fountain surrounded by stone benches. Cam caught her from behind and jerked her back against him. “Stop running from me and listen. I do want you. I want you even knowing if I marry you, I’ve got an instant family, complete with a suicidal brother-in-law and a Gypsy houseboy with the temperament of a poked bear.” “Merripen is not a houseboy.” “Call him what you like. He comes with the Hathaways. I accept that.” “They won’t accept you,” she said desperately. “There’s no place for you in our family.” “Yes there is. Right by your side.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
The Bohane all the while ferried a drag of gravel and stones and the drag swirled drunkenly deep down – it had the sound of chains being swung.
Kevin Barry (City of Bohane)
Ain’t no Yuri here girl,” a vicious growl came from his mouth in an accent that sounded both Asian and country bumpkin hillbilly at once. “Just yo’ daddy girl. Just Quan. An you done stabbed me in the knee. Gonna have’ta go see the doctor in the mo’nin’. We done been through this girl, we done been through this.” He grabbed his belt and began beating her, whooping and hollering at her the whole time. She dropped the scissors quickly, unable to defend against the ferocity of the blows. He beat her for ten minutes straight and she had only the blankets to protect her naked body from his immense strength. She knew this man was not her husband, yet he used Yuri’s body. He tore the blankets off of her and backhanded
Aleister Davidson (Gravel Switch (The Black Goat Chronicles #1))
The black SUV pulls into the rest stop, as I’m trying to avoid comparing the sound of gravel crunching beneath the tires with the sound my bones would make beneath those same tires. The SUV pulls to a stop in front of me and the driver cuts the lights. After being nearly blinded by the headlights, it takes my eyes a minute to re-adjust to the darkness.
R.R. Banks (Accidentally Married (Anderson Brothers, #1))
By the time I’d made it to Get Mugged’s cross street, I was wetter and warmer, which is not as sexy as it sounds. I turned down the street and spotted the roofline of Get Mugged. The neighborhood had gone through some heavy reconstruction. Buildings had been torn down, leaving behind dirt, concrete, and gravel. There were two buildings left standing: Get Mugged and an empty warehouse with boarded-up windows. Get Mugged held down the corner of the block, a coffee-scented old broad wearing too much paint and plaster to cover her age but still turning over clients like a dime-store hooker. The warehouse looked like Get Mugged’s meth-mouthed sister, broken, rotting from the inside out, spongy, and frail. For years, people had wanted to turn this area into boutique shopping. A building would go up, something would move in, and before there was time to hang curtains, the business would bankrupt. Enough of that had left the whole block looking a little like an unmade bed.
Devon Monk (Magic in the Blood (Allie Beckstrom, #2))
I try to ignore the sound of his voice and close my eyes, but I find the raspy melodies to be oddly calming. He’s singing one of my favorite songs—Hey Jude by The Beatles. And somehow, despite the fear and uncertainty, despite the gravel digging into my thighs and the terror digging into my heart, I manage to fall asleep.
Jennifer Hartmann (Still Beating)
Married at First Sight?’ ‘Tell me that’s not as horrific as it sounds.’ ‘It’s worse.’ Ffion turns through an open gateway on to a gravel drive. ‘That’s what makes it so brilliant.
Clare Mackintosh (DC Ffion Morgan Book 2 (DC Morgan))
MacmillanSpecialMarkets@macmillan.com.
Ruth Wariner (The Sound of Gravel)
In the near distance he could hear the trundling sound of carriage wheels starting down the gravel drive.
Eloisa James (A Kiss at Midnight (Fairy Tales, #1))
There was an engine approaching. Sounded like a truck to the boy. And now he thought he could hear the crunching of tires on the gravel access road that skirted the reservoir.
Michael Connelly (The Black Echo (Harry Bosch, #1; Harry Bosch Universe, #1))
Jack and Caleb stood in the driveway, the cars’ engines revving, and talked about their new toys. The lights from the porch spilled down to them. Jenna stood, leaning against the post, watching, enjoying seeing their bond and appreciation of the cars. “Boys with toys.” She smiled from the top step. “You guys look happy.” “What’s not to be happy about? These are the coolest cars ever,” Caleb said with the exuberance of a teen with his very own custom hot rod. “You owe me a ride, Jack.” “Honey, I aim to give you the ride of your life as soon as this one goes home to his wife.” Jack gave her a wicked grin and closed the hood of his car. Jenna laughed and smiled. “You have a one-track mind.” When was the last time she felt this light? “Honey, my mind hasn’t been off you since I saw you in the diner.” “I got the hint. I’m going.” Caleb closed the hood of his car, still purring like a really big kitten. He walked over to Jenna as she came down the porch steps to the gravel drive. He wrapped his arms around her, careful of her healing back, and she wrapped hers around him. So easy to do now that she’d opened herself to him, the whole family. He bent and whispered into her ear, “Thank you. Thank you for what you gave to my wife, my children, and me. I’ll never be able to repay you. If you ever need me, I’ll be there for you, no matter what. You can count on me. You’re an angel, an absolute angel.” “Get your hands off my woman. You have one of your own at home.” Jack watched his brother-in-law with Jenna. They’d created a close bond, the same as with his sister. She didn’t shy away from him when he embraced her; instead she held him and drew on his strength. Caleb would be like a big brother to her. He would protect her. Caleb drew Jenna away just enough to look into her eyes. He put his hand to her cheek, his other arm still wrapped around her. “Thank you.” “You’re welcome, Caleb. You’re a good man.” “You make me want to be a better one.” “I just want you and your family to have a happy life.” “We will, thanks in part to you and Jack. You’re part of that family now, too. Don’t ever forget that.” “Thank you.” “Don’t thank me. You’re a wonderful person. The best I’ve ever met.” He kissed her cheek and released her, turning back toward Jack. “I already punched you for kissing my sister. I guess I have to punch you for kissing her now, too,” Jack teased. Caleb didn’t rise to the bait. “You hurt her, and I’ll be the one throwing the punches.” He smiled back at Jack, then walked over and gave him a big bear hug. “Thanks for what you did for me, Summer, and the kids. It means everything to us. I’ll see you tomorrow.” He smacked Jack on the back before getting into his car. Caleb revved the engine, beamed them an excited smile, and took off like a rocket toward home. “You going to hurt me, Jack?” “Not if I can help it. I’ll spend the rest of my life and yours trying to make you happy. How’s that sound?” “Like heaven. Take me for a ride.” -Jenna, Caleb, & Jack
Jennifer Ryan (Saved by the Rancher (The Hunted, #1))
Dannon was there, thirty feet away, pinned by the dazzling light like a frog on a tenth-grader’s dissection tray. Unlike those frogs . . . Jenkins shouted, “Freeze, freeze or we’ll shoot.” . . . Unlike those frogs, Dannon leaped sideways back into the swamp reeds and then, scrambling on his hands and knees, still clinging to his pistol, began running mindlessly through the brush. The cops all turned on their lights and played them through the brush, and caught flashes of Dannon, the movement of the swamp weeds and brush as he tore through them, and Lucas shouted, “Jenkins, Shrake, Del, go after him, take care, take care . . .” Lucas turned and in the light of his own flash, ran back up the dirt track toward the gravel road, pulled his handset and said, “Sarah, Jane, he’s coming right at you. Watch out, watch out, he’s on foot, I think he’s coming for the road. . . .” •   •   • NOTHING AT ALL WENT through Dannon’s head. He’d had some escape and evasion classes, and one of the basics was simply to put distance between yourself and your pursuer. Distance was always good; distance gave you options. He didn’t think about it, though, he just ran, fast and as hard as he could, and he was in good shape. Good shape or not, he fell three or four times—he wasn’t counting—and the small shrub and grasses tore at him and tried to catch his feet; he went knee-deep into a watery hole, pulled free, and ran on, looking back once. He was out of the light, now, he was gaining on them, he was almost there . . . And he broke free into the road. He couldn’t see it, except as a kind of dark channel in front of him. The lights were now a hundred yards back, but still coming, and he ran down the dark channel. When he got far enough out front, he’d cut across country again, and then maybe turn down toward the river. . . . He ran a hundred yards down the channel, heedless of the sounds of his footfalls, breathing hard. . . . •   •   • LUCAS WAS ON THE ROAD, moving faster than Dannon, but at the wrong angle—Dannon, though in the swamp, was cutting diagonally across the right angle of the gravel road and the dirt track. Lucas could tell more or less where he was because of the brilliant lights of the cops behind him, and the sound of Dannon’s thrashing in the brush. Then the thrashing stopped, and Lucas stopped, trying to figure out where he’d gone.
John Sandford (Silken Prey (Lucas Davenport #23))
an unmistakable sound froze him in place. Tires crunched over the gravel of the long driveway,
Joshua Guess (Dead Will Rise)
was a weed or a legitimate plant. I knew the garden was gorgeous at one time, but it was so out of control now that the life was being choked out of it. The sound of a vehicle door closing caught my attention, and when I glanced over my shoulder I recognized the figure moving up the gravel walkway. Terry Davenport was Hemlock Cove’s top cop. He was beloved by the residents and tight with the Winchesters. This couldn’t be good. For a brief moment I wondered whether Clove accused me of trying to kill her – she appeared serious about that head wound thing – but I dismissed the notion. She was too kind to do anything of the sort. I pushed myself to a standing position, brushing my hands off on my jeans as I waited for Chief Terry to close the distance between us. I pasted what I hoped resembled a pleasant smile on my face. “Welcome to my ongoing nightmare,” I
Amanda M. Lee (Bewitched (Wicked Witches of the Midwest Shorts, #6))
His voice. Never had she heard anything like it, an undulating sound like fine gravel sifted through raw silk.
Mallory Rush (Kiss of the Beast)
A hand touched her shoulder. “Miss Erstwhile,” Martin said. Jane spun around, guilty to have just come from a marriage proposal, ecstatic at her refusal, dispirited by another ending, and surprised to discover Martin was the one person in the world she most wanted to see. “Good evening, Theodore,” she said. “I’m Mr. Bentley now, a man of land and status, hence the fancy garb. They’ll allow me to be gentry tonight because they need the extra bodies, but only so long as I don’t talk too much.” His eyes flicked to a point across the room. Jane followed his glance and saw Mrs. Wattlesbrook wrapped in yards of lace and eyeing them suspiciously. “Let’s not talk, then.” Jane pulled him into the next dance. He stood opposite her, tall and handsome and so real there among all the half-people. They didn’t talk as they paraded and turned and touched hands, wove and skipped and do-si-doed, but they smiled enough to feel silly, their eyes full of a secret joke, their hands reluctant to let go. As the dance finished, Jane noticed Mrs. Wattlesbrook making her determined way toward them. “We should probably…” Martin said. Jane grabbed his hand and ran, fleeing to the rhythm of another dance tune, out the ballroom door and into a side corridor. Behind them, hurried boot heels echoed. They ran through the house and out back, crunching gravel under their feet, making for the dark line of trees around the perimeter of the park. Jane hesitated before the damp grass. “My dress,” she said. Martin threw her over his shoulder, her legs hanging down his front. He ran. Jostled on her stomach, Jane gave out laughter that sounded like hiccups. He weaved his way around hedges and monuments, finally stopping on a dry patch of ground hidden by trees. “Here you are, my lady,” he said, placing her back on her feet. Jane wobbled for a moment before gaining her balance. “So, these are your lands, Mr. Bentley.” “Why, yes. I shape the shrubs myself. Gardeners these days aren’t worth a damn.” “I should be engaged to Mr. Nobley tonight. You know you’ve absolutely ruined this entire experience for me.” “I’m sorry, but I warned you, five minutes with me and you’ll never go back.” “You’re right about that. I’d decided to give up on men entirely, but you made that impossible.” “Listen, I’m not trying to start anything serious. I just--” “Don’t worry.” Jane smiled innocently. “Weird intense Jane gone, new relaxed Jane just happy to see you.” “You do seem different.” He touched her arms, pulled her in closer. “I’m happy to see you too, if you’d know. I think I missed you a bit.” “That’s the nicest thing you’ve ever said to me.
Shannon Hale (Austenland (Austenland, #1))
The night of the theatrical, Jane and Mr. Nobley secreted themselves behind the house for the final brush-up. The mood of late had let a bit of Bohemia into Regency England, the usual strict social observances bending, the rehearsals allowing the couples to slip away alone and enjoy the exhilarating intimacy of the unobserved. Mr. Nobley sat on the gravel path, leaning back on his elbow in a reluctant recline. “Oh, to die here, alone and unloved…” “That was pretty good,” Jane said. “You genuinely sounded in pain as you said it, but I think you could add a groan or two.” Mr. Nobley groaned, though perhaps not as part of the theatrical. “Perfect!” said Jane. Mr. Nobley rested his head on his knee and laughed. “I cannot believe I let you railroad me into this. I have always avoided doing a theatrical.” “Oh, you don’t seem that sorry. I mean, you certainly are sorry, just not regretful…” “Just do your part, please, Miss Erstwhile.” “Oh, yes, of course, forgive me. I can’t imagine why I’m taking so long, it’s just that there’s something so appealing about you there on the ground, at my feet--” He tackled her. He actually leaped up, grabbed her around the waist, and pulled her to the ground. She screeched as she thudded down on top of him. His hands stiffened. “Whoops,” he said. “You did not just do that.” He looked around for witnesses. “You are right, I did not just do that. But if I had, I was driven to it; no jury in the world would convict me. We had better keep rehearsing, someone might come by.” “I would, but you’re still holding me.” His hands were on her waist. They were gorgeous, thick-fingered, large. She liked them there. “So they are,” he said. Then he looked at her. He breathed in. His forehead tensed as if he were trying to think of words for his thoughts, as if he were engaged in some gorgeous inner battle that was provoked by how perfectly beautiful she was. (That last part was purely Jane’s romantic speculation and can’t be taken as literal.) Nevertheless, they were on the ground, touching, frozen, staring at each other, and even the trees were holding their breath. “I--” Jane started to say, but Mr. Nobley shook his head. He apologized and helped her to her feet, then plopped back onto the ground, as his character was still in the throes of death. “Shall we resume?” “Right, okay,” she said, shaking gravel from her skirt, “we were near the end…Oh, Antonio!” She knelt carefully beside him to keep her skirt from wrinkling and patted his chest. “You are gravely wounded. And groaning so impressively! Let me hold you and you can die in my arms, because traditionally, death and unrequited love are a romantic pairing.” “Those aren’t the lines,” he said through his teeth, as though an actual audience might overhear their practice. “They’re better than. It’s hardly Shakespeare.” “Right. So, your love revives my soul, my wounds heal…etcetera, etcetera, and I stand up and we exclaim our love dramatically. I cherish you more than farms love rain, than night loves the moon, and so on…” He pulled her upright and they stood facing each other, her hands in his. Again with the held breaths, the locked gazes. Twice in a row. It was almost too much! And Jane wanted to stay in that moment with him so much, her belly ached with the desire. “Your hands are cold,” he said, looking at her fingers. She waited. They had never practiced this part and the flimsy play gave no directions, such as, Kiss the girl, you fool. She leaned in a tiny bit. He warmed her hands. “So…” she said. “I suppose we know our scene, more or less,” he said. Was he going to kiss her? No, it seemed nobody ever kissed in Regency England. So what was happening? And what did it mean to fall in love in Austenland anyway? Jane stepped back, the weird anxiety of his nearness suddenly making her heart beat so hard it hurt.
Shannon Hale (Austenland (Austenland, #1))
To me, love sounds like the low hum of an engine and an eighties ballad crooning out of a static stereo, gravel crunching beneath the tires. It sounds like murmured words at three am that would usually be left unspoken, brought out by the milky tiredness and gentle giggles. It sounds like soft humming disguised by the pour of the shower and the grunt and the thud when a shampoo bottle slips out of soapy hands.
Tegan Anderson (Beauty in the Breakdown)
More than two dozen kids lined a low railing around the gazebo. They were all tied to it by a rope leash that gave them no more than a few feet of movement. Neck to rail, like tethered horses. Each of the kids was weighed down by a concrete block that encased their hands. Their eyes were hollow, their cheeks caved in. Astrid used a word that Sam had never imagined coming from her. “Nice language,” Drake said with a smirk. “And in front of the Pe-tard, too.” A cafeteria tray had been placed in front of each of the prisoners. It must have been a very recent delivery because some were still licking their trays, hunched over, faces down, tongues out, licking like dogs. “It’s the circle of freaks,” Drake said proudly, waving a hand like a showman. In a crusty old wheelbarrow to one side, three kids were using a short-handled shovel to mix cement. It made a heavy sloshing sound. They dumped a shovelful of gravel into the mix and stirred it like lumpy gravy. “Oh, no,” Lana said, backing away, but one of the Coates kids smashed her behind the knee with his baseball bat, and she crumpled. “Gotta do something with unhelpful freaks,” Drake said. “Can’t have you people running around loose.” He must have seen Sam start to react because he stuck his gun against Astrid’s head. “Your call, Sam. You so much as flinch and we’ll get to see what a genius brain really looks like.” “Hey, I got no powers, man,” Quinn said. “This is sick, Drake. Like you’re sick,” Astrid said. “I can’t even reason with you because you’re just too damaged, too hopelessly messed up.” “Shut up.
Michael Grant
Have you no sense?" he snarled. "I tell you that you are 'in danger' and to stay inside the abbey, and that causes you to go tripping about the countryside?" She tried to step back. "I merely-" "No." He yanked her into his chest, his face within inches of hers, his breath hot on her lips. "No explanations, no excuses. I've had enough of your carelessness, madam." Her eyes widened and for a second she was almost afraid. Something in Raphael's face twisted and changed. "What you do to me-" He slammed his mouth onto hers, forcing her lips apart and thrusting in his tongue. She mewled helplessly as he bent her back over his arm. Her senses were filled with the taste of coffee and the scent of cloves and she couldn't think. He lifted his mouth from hers so abruptly she could only stare up at him, dazed. Then she heard the sounds of wheels on gravel. A carriage jolted down the drive at a fast clip and halted in front of the house. Raphael swung her to the side and partially behind him, his grip on her arm still firm.
Elizabeth Hoyt (Duke of Desire (Maiden Lane, #12))
She was just passing through when a long male arm emerged seemingly from out of nowhere, coiling like steel around her waist. She squealed, the sound reverberating in the air, as she twisted for a moment in Lord Jack's grasp. "Got you!" he exclaimed, triumph plain in his voice. "Oh, you scared me!" she said, breathless as she met his gaze. "You're as silent as a breeze." "And you are as lithe as a gazelle, slipping from row to row as though you were made of fog. For a few moments, I thought I'd lost track of you." "This is a tricky maze. The center is nearby, though. Shall we both dash to find it?" A gleam came into his eyes, along with an expression she'd never seen him wear before. He shook his head, his gaze roaming over her face before lowering to her lips. "No," he murmured in a tone as rough as gravel. "I have what I came to find." She trembled, abruptly aware that he was still holding her against him. Her heart leapt when he reached up and began untying the bow that anchored her bonnet in place. "What are you doing, my lord?" He smiled. "Claiming a forfeit. I caught you. I believe I deserve a reward." "B-but the game isn't finished." "You're right about that," he mused aloud, lifting her hat from her head. "The game has only just begun.
Tracy Anne Warren (Seduced by His Touch (The Byrons of Braebourne, #2))
My courtship with Marlboro Man, filled with fizzy romance, hadn’t prepared me for any of this; not the mice I heard scratching in the wall next to my bed, not the flat tires I got from driving my car up and down the jagged gravel roads. Before I got married, I didn’t know how to use a jack or a crowbar…and I didn’t want to have to learn now. I didn’t want to know that the smell in the laundry room was a dead rodent. I’d never smelled a dead rodent in my life: why, when I was supposed to be a young, euphoric newlywed, was I being forced to smell one now? During the day, I was cranky. At night, I was a mess. I hadn’t slept through the night once since we returned from our honeymoon. Besides the nausea, whose second evil wave typically hit right at bedtime, I was downright spooked. As I lay next to Marlboro Man, who slept like a baby every night, I thought of monsters and serial killers: Freddy Krueger and Michael Myers, Ted Bundy and Charles Manson. In the utter silence of the country, every tiny sound was amplified; I was certain if I let myself go to sleep, the murderer outside our window would get me.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
step: In silence both raised their left arms in a kind of salute and passed straight through, as though the dark metal were smoke. The yew hedges muffled the sound of the men’s footsteps. There was a rustle somewhere to their right: Yaxley drew his wand again, pointing it over his companion’s head, but the source of the noise proved to be nothing more than a pure-white peacock, strutting majestically along the top of the hedge. “He always did himself well, Lucius. Peacocks . . .” Yaxley thrust his wand back under his cloak with a snort. A handsome manor house grew out of the darkness at the end of the straight drive, lights glinting in the diamond-paned downstairs windows. Somewhere in the dark garden beyond the hedge a fountain was playing. Gravel crackled beneath their feet as Snape and Yaxley sped toward the front door, which swung inward at their approach, though nobody had visibly opened it. The hallway was large, dimly lit, and sumptuously decorated, with a magnificent carpet covering most of the stone floor. The eyes of the pale-faced portraits on the walls followed Snape and Yaxley as they strode past. The two men halted at a heavy wooden door leading into the next room, hesitated for the space of a heartbeat, then Snape turned the bronze handle. The drawing room was full of silent people, sitting at a long and ornate table. The room’s usual furniture had been pushed carelessly up against the walls. Illumination came from a roaring fire beneath a handsome marble mantelpiece surmounted by a gilded mirror. Snape and Yaxley lingered for a moment on the threshold. As their eyes grew accustomed to the lack of light, they were drawn upward to the strangest feature of the scene: an apparently unconscious human figure hanging upside down over the table, revolving slowly as if suspended by an invisible rope, and reflected in the mirror and in the bare, polished surface of the table below. None of the people seated underneath this singular sight was looking at it except for a
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
I am completely stunned by the beauty of it. The villa, which will be our home for the next ten days, is nestled on the side of a hill, down a short gravel drive flanked by poplars, grapefruit trees, apricot trees, and a huge cherry tree, already showing plump black fruit. We stand for a moment taking it in, the sounds of a warm breeze rustling the leaves, the chirp of crickets, the cooing of a pair of turtledoves.
Lizzy Dent (Just One Taste)
But she was still conscious. She had no concept of time or motion, but she could hear the sound of his boots scraping gravel outside the car. And she could feel the sharp prick of a needle through the fabric of her jeans into her inner thigh.
C.J. Box (The Highway (Highway Quartet #2))
She didn’t like Indiana, so she pushed on through into Wisconsin, and when she was too tired to drive, she pulled into a gravel lot shaded by trees in Devil’s Lake State Park, south of Baraboo. Whose word was Baraboo? Maybe it came from Barabbas, but why would you name a town after that guy? Strange settlers, slapping names on things because they sounded cool, or because they’d heard someone indigenous once say that word in the vicinity.
Max Gladstone (Last Exit)
At work, they knew me to be capable but fragile. Quiet, clouded up with daydreams. Usually diligent, though sometimes inconsistent, moody. But also something else, something implacable: I was unsavvy in some fundamental, uncomfortable way. The sound of my loud, nervous laugh, like gargling gravel, was a social liability. I skipped too many office parties. They kept me on because my output was prolific and they could task me with more and more production assignments. When I focused, a trait I exhibited at the beginning of my time there, I could be detail-oriented to the point of obsession.
Ling Ma (Severance)
A short time later Frank swung up the graveled driveway leading to the Mortons’ farmhouse. Chet’s pretty, dark-haired sister Iola was seated on the front porch with her blond, brown-eyed friend Callie Shaw. Iola bounced up from the porch swing as the boys stepped from the car. “Hi!” she exclaimed. “Wait’ll you see the surprise Callie and I have to show you!” The girls’ eyes sparkled with excitement. Joe grinned at Iola, whom he considered very attractive. “Sounds pretty important.
Franklin W. Dixon (The Disappearing Floor (Hardy Boys, #19))
She wasn't some monster, she was just another human being who'd gone looking for her life and somehow ended up on the wrong path.
Ruth Wariner (The Sound of Gravel)
I'd brought along something that I wanted [Micah] to have: my most treasured stuffed animal, a Rainbow Brite Care Bear. Just as it had once done for me, I hoped the bear would help Micah get used to the dark.
Ruth Wariner (The Sound of Gravel)
The second you think you’re as good as or better than your woman is the second it all starts goin’ to hell,” Knox said. I swiped my bleeding mouth across my sleeve and took another drag. “So you’re just supposed to what? Drag them down to your level?” Knox threw a pea-sized piece of gravel at me. “No, you fucking moron. You’re supposed to spend the rest of your lucky-ass life trying to live up to them.” “That sounds exhausting.” “It sure ain’t for the faint of heart,” Jeremiah said.
Lucy Score (Things We Left Behind (Knockemout, #3))
In the morning, he is woken up by the rays of the sun that peep into his bedroom through the curtains and make orange patches on the wall. To begin with, it is almost nothing, the crunch of tyres on the gravel, the sound of an engine growing fainter, and you need a little more time to realise that there is no-one left in the house apart from you.
Patrick Modiano (So You Don't Get Lost in the Neighborhood)
Donna touched Jenny’s face with one finger. She kissed her again, harder, but on the cheek. Then she grabbed the jar from Jenny’s arms and ran to the edge of the playground and threw it down into the gravel pit, where it shattered, making a sound even louder than Jenny’s surprised scream, and the hearts were all punctured and slashed on the broken glass and the sharp rocks, and then all the other children gathered around and cheered and lifted Donna into the air. They threw her once, and then again, and then once more, although they were tired, because even they knew that some things just had to be done three times. From the air, Donna watched Jenny cry, and then watched her run, and then missed her, as she would for a long time. As for the hearts, they just lay around, a pile of bleeding, empty sacks, until night fell and the other animals came out and, stepping carefully around the glass, dragged them all away.
Emily Temple
Well, I never!” muttered the professor as he stepped through the doorway. “If I were the owner of this place, I would fire the people who are in charge of locking up at night. Lets just have a brief little stroll around and then go back to the hotel for the night. Okay?” Fergie nodded, and he followed the professor down the gravel drive toward the mansion. It was twilight now, and they could not see much without their flashlights. Slowly they moved forward, and the only sound was the crunching of their shoes on the gravel. As Fergie walked along, an odd thought popped into his head: Somebody left the door open on purpose. Somebody wanted us to come in. This was a silly thought, and normally it would have made Fergie laugh. But he didn’t laugh. Instead, he glanced nervously at the vast, shadowy church. What if a figure stepped out of the dark and moved toward them? What would they do? It was not a pleasant thought, and Fergie tried hard to put it out of his mind.
John Bellairs (The Revenge of the Wizard's Ghost (Johnny Dixon, #4))
Suddenly, I hear a sound, out in the gardens. How it thrills through me. It is approaching. Pad, pad, pad. A prickly sensation traverses my spine, and seems to creep across my scalp. The dog moves in his kennel, and whimpers, frightenedly. He must have turned round; for, now, I can no longer see the outline of his shining wound. “Outside, the gardens are silent, once more, and I listen, fearfully. A minute passes, and another; then I hear the padding sound, again. It is quite close, and appears to be coming down the gravelled path. The noise is curiously measured and deliberate. It ceases outside the door; and I rise to my feet, and stand motionless. From the door, comes a slight sound—the latch is being slowly raised. A singing noise is in my ears, and I have a sense of pressure about the head— “The latch drops, with a sharp click, into the catch. The noise startles me afresh; jarring, horribly, on my tense nerves. After that, I stand, for a long while, amid an ever growing quietness. All at once, my knees begin to tremble, and I have to sit, quickly. “An uncertain period of time passes, and, gradually, I begin to shake off the feeling of terror, that has possessed me. Yet, still I sit. I seem to have lost the power of movement. I am strangely tired, and inclined to doze. My eyes open and close, and, presently, I find myself falling asleep, and waking, in fits and starts.
William Hope Hodgson (The Collected Fiction of William Hope Hodgson: House on Borderland & Other Mysteriou)