The Shorter The Better Hair Quotes

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But as soon as we touched, I felt magic crackle over and through me, so strong that I tried to jerk my hand back. But he held tight until, finally, the crackling sensation stopped. My hand slid out of his, and I leaped up from the fountain."What the hell was-" Then I looked down and realized I was completely dry. Not only that, but my demure black dress had been replaced with...well, another black dress, but this one was a lot shorter, sparklier, and also rocking a very low neckline. Even my hair was different, transformed from a soggy braid to silky brown waves. Nick winked at me. "That's better. Now you look more like the Demon Who Would be Queen." He heaved himself out of the water and grabbed Jenna's hand. Within seconds, she went from drowned rat to hottie, her soaked clothes replaced with-what else?-a pink sundress. Of course it showed a lot more skin than anything Jenna would have picked out for herself. "Oh,lovely,Nick," Daisy said, rolling her eyes as he wrapped an arm around her waist. "What?" he asked once he laid a smacking kiss on her cheek. "They look better like that." Without thinking,I reached out and grabbed Nick's free arm. His wet white T-shirt and jeans rippled, and suddenly he was wearing a Day-Glo yellow tank top and acid-washed jeans. "And you look better like this." I wasn't sure if it was the ridiculous sight of Nick in those clothes, or the fact that I'd done a spell so easily-with absolutely no explosions-but I could feel my lips curving upward in a smile. As Daisy hooted with laughter, Nick narrowed his eyes at me. "Okay, now you're in for it." He waved his hand, and suddenly I was sweltering. When I glanced down, I saw that it was because I was now dressed like the Easter Bunny.But with the flick of one fuzzy paw,I'd transformed Nick's jeans and tank top into a snowsuit. Then I was in a bikini. So Nick was wearing a particularly poofy purple prom dress. By the time he'd turned my clothes into a showgirl's costume, complete with a feathery headdress, and I'd put him in a scuba suit, we were both completely magic drunk and giggling.
Rachel Hawkins (Demonglass (Hex Hall, #2))
Her eyebrows furrowed. "What are you doing?" "What do you mean?" "Are you being a dick about my hair? Because I know you're not complimenting me." "Lizzie," I said, pouring on the tease, even though I fucking loved her new hair. It was shorter and cute as hell, but no way could I give her a genuine compliment. We didn't do that. So I said, "Your hair is the stuff of cheerleader fantasy. Of main character daydreams. Your hair runs so that young gingers' hair can walk." She bit down on the inside of her cheek and-holy shit-looked like she wanted to laugh. "Are you high, Wes Bennett?
Lynn Painter (Better Than Before (Betting on You, #0.5; Better than the Movies, #0.5))
Edward Lasco was on the screened porch of his rented house in a comfortable but not elegant older section of the town where he'd lived for the past fifteen years when his wife, Elise, who six months before had left him and moved to a nearby city to work in a psychiatric hospital, came around the side of the house and stood beside the screen looking in. She had on a business outfit—natural linen suit, knee-high boots, dark glasses with at least three distinguishable colors tiered top to bottom in the lenses—and she carried a slick briefcase, thin and shiny. Her hair was shorter than he'd seen it, styled in a peculiar way so that it seemed it spots to jerk away from her head, to say, "I'm hair, boy, and you'd better believe it." Edward had come outside with a one-pint carton of skim milk and a ninety-nine-cookie package of Oreos and a just-received issue of InfoWorld, and he was entirely content with the prospect of eating his cookies and drinking his milk and reading his magazine, but when he saw Elise he was filled with a sudden, very unpleasant sense that he didn't want to see her. It'd been a good two and a half months since he'd talked to her, and there she was looking like an earnest TV art director's version of the modern businesswoman; it made him feel that his life was fucked, and this was before she'd said a word.
Frederick Barthelme (Two Against One)
Well, well, do we have a new girl?’ I looked up to see three girls standing behind Tak. The one in the middle was tall and slim with bronzed skin and long shiny black hair and she had that air about her that the popular girls at school back home did. I was instantly wary. Those girls had never been nice to me. ‘Don’t be shy, what’s your name?’ the girl on her left said. Curly red hair framed her perfect face and she put her hands on her ample, curvy hips, waiting for me to answer. ‘Pandora,’ I said quietly. ‘I’m Arketa,’ said the slim girl. ‘And this is Filis and Kiko.’ The red-head, Kiko, cocked her head and gave me an over-the-top smile. ‘We’re Aphrodite descendants.’ That explained why they were so attractive, I thought. ‘You know, you’re not pretty enough to hang out with us but you’re better than these losers,’ Filis said. She was shorter than the other two, with rich brown hair and an exotic looking face with full pouty lips.
Eliza Raine (Olympus Academy: The Complete Collection)
This was my first rebirth into a body of the same species. I found the transfer much more difficult than changing planets because I had so many expectations about being human already in place. Also, I’d inherited a lot of things from Petals Open to the Moon, and not all of them were pleasant. I’d inherited a great deal of grief for Cloud Spinner. I missed the mother I’d never known and mourned for her suffering now. Perhaps there could be no joy on this planet without an equal weight of pain to balance it out on some unknown scale. I’d inherited unexpected limitations. I was used to a body that was strong and fast and tall—a body that could run for miles, go without food and water, lift heavy weights, and reach high shelves. This body was weak—and not just physically. This body seized up with crippling shyness every time I was unsure of myself, which seemed to be often these days. I’d inherited a different role in the human community. People carried things for me now and let me pass first into a room. They gave me the easiest chores and then, half the time, took the work right out of my hands anyway. Worse than that, I needed the help. My muscles were soft and not used to labor. I tired easily, and my attempts to hide that fooled no one. I probably couldn’t have run a mile without stopping. There was more to this easy treatment than just my physical weakness, though. I was used to a pretty face, but one that people were able to look at with fear, mistrust, even hatred. My new face defied such emotions. People touched my cheeks often, or put their fingers under my chin, holding my face up to see it better. I was frequently patted on my head (which was in easy reach, since I was shorter than everyone but the children), and my hair was stroked so regularly that I stopped noticing when it happened. Those who had never accepted me before did this as often as my friends.
Stephenie Meyer (The Host (The Host, #1))
Christine's heart is thumping wildly. She lets herself be led (her aunt means her nothing but good) into a tiled and mirrored room full of warmth and sweetly scented with mild floral soap and sprayed perfumes; an electrical apparatus roars like a mountain storm in the adjoining room. The hairdresser, a brisk, snub-nosed Frenchwoman, is given all sorts of instructions, little of which Christine understands or cares to. A new desire has come over her to give herself up, to submit and let herself be surprised. She allows herself to be seated in the comfortable barber's chair and her aunt disappears. She leans back gently, and, eyes closed in a luxurious stupor, senses a mechanical clattering, cold steel on her neck, and the easy incomprehensible chatter of the cheerful hairdresser; she breathes in clouds of fragrance and lets aromatic balms and clever fingers run over her hair and neck. Just don't open your eyes, she thinks. If you do, it might go away. Don't question anything, just savor this Sundayish feeling of sitting back for once, of being waited on instead of waiting on other people. Just let our hands fall into your lap, let good things happen to you, let it come, savor it, this rare swoon of lying back and being ministered to, this strange voluptuous feeling you haven't experienced in years, in decades. Eyes closed, feeling the fragrant warmth enveloping her, she remembers the last time: she's a child, in bed, she had a fever for days, but now it's over and her mother brings some sweet white almond milk, her father and her brother are sitting by her bed, everyone's taking care of her, everyone's doing things for her, they're all gentle and nice. In the next room the canary is singing mischievously, the bed is soft and warm, there's no need to go to school, everything's being done for her, there are toys on the bed, though she's too pleasantly lulled to play with them; no, it's better to close her eyes and really feel, deep down, the idleness, the being waited on. It's been decades since she thought of this lovely languor from her childhood, but suddenly it's back: her skin, her temples bathed in warmth are doing the remembering. A few times the brisk salonist asks some question like, 'Would you like it shorter?' But she answers only, 'Whatever you think,' and deliberately avoids the mirror held up to her. Best not to disturb the wonderful irresponsibility of letting things happen to you, this detachment from doing or wanting anything. Though it would be tempting to give someone an order just once, for the first time in your life, to make some imperious demand, to call for such and such. Now fragrance from a shiny bottle streams over her hair, a razor blade tickles her gently and delicately, her head feels suddenly strangely light and the skin of her neck cool and bare. She wants to look in the mirror, but keeping her eyes closed in prolonging the numb dreamy feeling so pleasantly. Meanwhile a second young woman has slipped beside her like a sylph to do her nails while the other is waving her hair. She submits to it all without resistance, almost without surprise, and makes no protest when, after an introductory 'Vous etes un peu pale, Mademoiselle,' the busy salonist, employing all manner of pencils and crayons, reddens her lips, reinforces the arches of her eyebrows, and touches up the color of her cheeks. She's aware of it all and, in her pleasant detached stupor, unaware of it too: drugged by the humid, fragrance-laden air, she hardly knows if all this happening to her or to some other, brand-new self. It's all dreamily disjointed, not quite real, and she's a little afraid of suddenly falling out of the dream.
Stefan Zweig (The Post-Office Girl)
Inside, the tent was sectioned off by cloth walls. In the main area where they entered, there was a table with four chairs and an arming stand that held the knight’s chain mail, helm, and sword. “Ioan?” Christian called. No one answered. As they turned to leave, they were confronted by what appeared to be a young archer who was surely no older than the boy who had led them here. Several inches shorter than Adara, he was gangly and thin, with raven-black hair and brown eyes that watched them warily. He held his bow at the ready with an arrow already nocked. “Who are you and what business have you with Lord Ioan?” he asked in a gruff, low tone. “We are old friends,” Christian said calmly. Phantom moved toward him. The archer turned quickly and let fly the arrow. Phantom caught it midflight, but before he could take another step, the archer swung the bow and caught him upside his head with it. Phantom staggered back from the force of the blow. The archer struck again and knocked him to the ground. Christian moved toward them. Before Adara could blink, the archer had another arrow nocked and ready to fly into Christian’s chest. “Corryn, cease!” The Welsh-accented voice rang through the room like thunder. Adara looked at the entrance to see a tall, well-muscled man there who bore a striking resemblance to the archer. His wavy black hair fell to his shoulders and a full beard covered his cheeks. He looked wild and untamed as he put himself between the archer and Christian. “What has gotten into your head, Spider?” he asked the archer in his thick, rolling accent. “They came here looking for you,” the archer said brashly, as if the larger man’s anger didn’t concern him at all. He finally unnocked the arrow. “After the message from Stryder saying there were assassins out to kill you, I thought I was protecting you, brawd.” The man she assumed must be Ioan made a disgusted noise at him. “God save me from your protection. Did it never occur to you that an assassin wouldn’t bother to come into my tent and announce himself?” He said something in a language Adara didn’t understand, but by Corryn’s reaction, it must have been a curse or reprimand of some kind. “Now apologize. You almost took the head off the Abbot, and it’s the Phantom who you’ve knocked to the ground.” The archer’s face went pale at that. Ioan stepped away from the boy to offer his hand to Phantom, who took it. He helped him back up to his feet. “You’ll have to forgive my brother, Phantom. He’s a damned fool.” “Are you the Abbot?” Corryn asked Christian. “Aye.” The boy’s lips quivered before he threw himself into Christian’s arms. “May the saints guard your blessed soul throughout all eternity!” Christian looked awkward as he frowned at Ioan. “Brother?” Ioan’s gaze turned dark, dangerous as he pulled Corryn back. Still Corryn stared at Christian with hero worship. “Thank you, Abbot, for bringing my brother back to me.” “Get out of here, scamp,” Ioan said gruffly, “before I skin you.” Corryn curled his lip at Ioan. “I spoke too soon, Abbott. Curses to you, that you brought his surly hide home. Methinks you should have left him there to rot.” He turned to Phantom. “My apologies to you, sir. I hope you’ll forgive me.” Phantom shook the boy’s arm. “I admire anyone who can get the better of me. It doesn’t happen often.” “Corryn!” “I’m leaving,” he snapped. “To the devil with your hoary hide.” -Christian, Corryn, Ioan, & Phantom
Kinley MacGregor (Return of the Warrior (Brotherhood of the Sword, #6))
Some of these kids are just plain trouble.” Grant glanced over at the boys sitting in the glass-walled box. Mac had been like that, all anger and confusion. He’d been in juvie too, arrested for possession after falling into a gang. Grant was gone. Mom was sick. Dad was a mess. Looking back, Grant wondered if dementia was beginning to take hold back then and no one recognized the symptoms. Lee had been the one who’d coped with Mac’s drug and delinquency problems, and Mom’s deathbed talk had snapped her youngest out of it. A program like this might have helped his brother. “Who knows what those boys have had to deal with in their lives.” Corey’s eyes turned somber. “We’re all sorry about Kate.” Reminded of Kate’s death, Grant’s chest deflated. “And thanks for the help,” Corey said. “These boys can be a handful.” “Is your son on the team?” “No.” Corey nodded toward the rink. A pretty blond teenager executed a spinning jump on the ice. Corey beamed. “That’s my daughter, Regan. She’s on the junior figure skating team with Josh’s daughter, the one in black. The hockey team has the next slot of ice time.” “The girls look very talented.” Even with an ex-skater for a sister-in-law, Grant knew next to nothing about figure skating. He should have paid attention. He should have known Kate better. Josh stood taller. “They are. The team went to the sectional championships last fall. Next year, they’ll make nationals, right, Victor?” Josh gestured toward the coach in the black parka, who had deposited the offenders in the penalty box and was walking back to them. “Victor coaches our daughters.” Joining them, Victor offered a hand. He was a head shorter than Grant, maybe fifty years old or so, with a fit body and salt-and-pepper hair cut as short and sharp as his black eyes. “Victor Church.
Melinda Leigh (Hour of Need (Scarlet Falls, #1))
These things were almost my height, standing upright on skinny legs with bony, L-shaped knees—if they were knees at all—and up on their toes like spastic ballerinas. Their torsos were too long for their legs and emaciated as if they had never eaten. They had these round protruding bellies, almost like the kind you see on those starving kids in Africa, and the chest was angular as if looking down on a pointed roof, the skin—patchy with thin hair and scaled with mange—sucked in between the rib bones. Their arms weren’t much different than the legs, elbows bony like the knees, only sticking out to the sides like chicken wings so that the forearms and paws—they definitely looked more paw than hand—were forced in towards the body and outward like kangaroo arms. There was no neck to speak of, as if their heads had been nestled haphazardly between the tapering shoulders, except they were jutting forward as if the things were craning to get a better look. Their muzzles were much shorter and weirder looking than you’d expect from canines, as if
Erick Rhetts (Lost on Skinwalker Ranch)
Snip. Snip. Snip. I stand perfectly still while he works (chin tucked down so the ends will blend better), then braid my much shorter hair and weapon up.
Karen Marie Moning (Kingdom of Shadow and Light (Fever, #11))
Though they were twins, it was easy to tell the brothers apart. Twin Kindred always came in diametrically opposing pairs of light and dark. The light twin, Lock, had sandy blond hair and eyes the color of melted chocolate. He also had a more optimistic view of life in general than his brother. Of the two of them, Kat found him much easier to tolerate. He was nicer than Deep, for one thing, and she could actually have a conversation with him that didn’t turn into an argument. His feelings were easier to deal with, too. Though Lock’s desire for her was loud inside her head, it was nothing like the deafening blast of lust she felt from his brother whenever he got too close. Deep, the dark twin, had hair so black it almost had blue highlights and eyes the color of a night without stars. They seemed to burn when they looked at her, making Kat feel naked and vulnerable—feelings she didn’t care for a bit. She had enough body issues from having been plus-sized her entire life without an irritating alien male adding to them, thank-you-very-much. The big warrior had rubbed her the wrong way from the moment she’d met him—both literally and figuratively, since he couldn’t seem to keep his hands to himself when the three of them did a joining. Of the brothers, Lock was shorter by about an inch. But since both of them were over six foot six and extremely muscular, it didn’t make much difference. They were both huge as far as Kat was concerned—physically, and emotionally. She should know—she’d had the two of them tramping around inside her head for the better part of a month. The
Evangeline Anderson (Sought (Brides of the Kindred, #3))
Doing as many makeovers as I do, I’ve learned a few things about what makes women feel better about themselves. The starting point is usually getting a new haircut. I don’t want to generalize, because every case is different, but I think it’s best to err on the side of styling your hair shorter the older you get. In my opinion, it’s generally not a good look for women over thirty to have hair way below their shoulders.
Tim Gunn (Gunn's Golden Rules: Life's Little Lessons for Making It Work)
We pulled up behind a huge red barn where we were met by two young women. They greeted us with friendly smiles. I noticed the taller of the two had her blond hair braided perfectly over her shoulders. Dale waved as he walked past them into the barn. “Morning, ladies.” “Morning, Dale,” they said in unison. “I’m Nate.” I put my hand out as I approached, but they started laughing. The shorter, dark-haired girl looked away shyly. “We know,” the girl with braids said. “You’re the doctor.” “Yes, I’m a doctor.” “I’m a doctor, too,” my father interrupted wryly, but the girls didn’t seem to care. They followed us into the barn where we found Dale in one of the stalls looking over a mare. “Get in here, Nate, and put on one of those gloves.” He pointed to a long plastic glove hanging out of his case. My father leaned over the stall door and watched the show. “Go on, Nate. Get the glove on, son.” I moved into the stall, took the glove in hand, and proceeded to pull it all the way up to my shoulder. The girls watched and tried to suppress their laughter. “What’s going on?” “Come on, Nate. You can’t be that clueless,” my dad said. Dale turned to him. “See how smart that fancy college made your boy?” I looked to the girls for a clue. The short one laughed into her hands before the one in braids said, “You’re gonna have to stick your hand up the horse’s ass and pull out the poo.” She burst into laughter and then they scurried away. “What? No. No. I can’t. Do you know how much these hands are worth?” “Come on, Nate, give me a break. Nothing is going to happen to your hand, just be gentle with her. You don’t want to get kicked in the balls. I can’t imagine it feels very good to have a bony arm like yours up her ass.” My father was really enjoying himself. “Why do I have to do this?” “Because we’ve both paid our dues.” “Dear god.” I moved toward the rear of the mare and looked up to Dale. “Pet her real nice, right there on her behind. Let her know you come in peace.” “Jesus Christ.” “And a horse’s ass.” “Stop it, Dad!” Dale came over with a large milk jug full of clear gel. “Hand out, son. Got to lube her up first.” “You’ve got to be kidding me. You two are enjoying this.” “Immensely,” my father said. Uncle Dale continued petting the mare’s head and trying to calm her. “Nate, I’ve done this a million times. Dolly here is constipated. She needs us to help her out. Now work your way in there and see if you can’t find the blockage.” I hesitated, staring at Dolly’s hindquarters as she whipped her tail around. “She seems pissed,” I said. “She’s just really uncomfortable. You’ll see once you grow a set and get this procedure under way.” “I don’t know if I should be doing this. This horse isn’t familiar with me.” “What do you want to do, take her out on a date? You’re a doctor, kid. Buck up.” With no expression on my face, I looked back toward the stall door and my father’s smug grin. “No more talking, Dad.” I pushed my hand into poor Dolly’s backside and immediately discovered the culprit. The odor alone could have killed a small animal. Gagging, I pulled handful after handful of . . . well . . . poo, out of the horse’s enormous anal cavity. About ten minutes into the procedure, Dolly seemed to relax and feel better. “She likes you, Nate,” my uncle said. I’d had too many encounters with shit since I’d been on the ranch to find humor in anything my father or uncle said. “That’s it. She’s good,” I mumbled as I pulled the disgusting glove off my hand. I walked out into the main part of the barn to a sink where I attempted to wash the skin off my hands.
Renee Carlino (After the Rain)