The Residents Band Quotes

Phyllida's hair was where her power resided. It was expensively set into a smooth dome, like a band shell for the presentation of that long-running act, her face.

Because this painting has never been restored there is a heightened poignance to it somehow; it doesn’t have the feeling of unassailable permanence that paintings in museums do. There is a small crack in the lower left, and a little of the priming between the wooden panel and the oil emulsions of paint has been bared. A bit of abrasion shows, at the rim of a bowl of berries, evidence of time’s power even over this—which, paradoxically, only seems to increase its poetry, its deep resonance. If you could see the notes of a cello, when the bow draws slowly and deeply across its strings, and those resonant reverberations which of all instruments’ are nearest to the sound of the human voice emerge—no, the wrong verb, they seem to come into being all at once, to surround us, suddenly, with presence—if that were made visible, that would be the poetry of Osias Beert. But the still life resides in absolute silence. Portraits often seem pregnant with speech, or as if their subjects have just finished saying something, or will soon speak the thoughts that inform their faces, the thoughts we’re invited to read. Landscapes are full of presences, visible or unseen; soon nymphs or a stag or a band of hikers will make themselves heard. But no word will ever be spoken here, among the flowers and snails, the solid and dependable apples, this heap of rumpled books, this pewter plate on which a few opened oysters lie, giving up their silver. These are resolutely still, immutable, poised for a forward movement that will never occur. The brink upon which still life rests is the brink of time, the edge of something about to happen. Everything that we know crosses this lip, over and over, like water over the edge of a fall, as what might happen does, as any of the endless variations of what might come true does so, and things fall into being, tumble through the progression of existing in time. Painting creates silence. You could examine the objects themselves, the actors in a Dutch still life—this knobbed beaker, this pewter salver, this knife—and, lovely as all antique utilitarian objects are, they are not, would not be, poised on the edge these same things inhabit when they are represented. These things exist—if indeed they are still around at all—in time. It is the act of painting them that makes them perennially poised, an emergent truth about to be articulated, a word waiting to be spoken. Single word that has been forming all these years in the light on the knife’s pearl handle, in the drops of moisture on nearly translucent grapes: At the end of time, will that word be said?

Our genus, Homo, arose two and a half million years ago, and for more than ninety-nine percent of human existence, we all lived like Onwas, in small bands of nomadic hunter-gatherers. Though the groups may have been tight-knit and communal, nearly everyone, anthropologists conjecture, spent significant parts of their lives surrounded by quiet, either alone or with a few others, foraging for edible plants and stalking prey in the wild. This is who we truly are. The agricultural revolution began twelve thousand years ago, in the Fertile Crescent of the Middle East, and the planet was swiftly reorganized into villages and cities and nations, and soon the average person spent virtually no time alone at all. To a thin but steady stream of people, this was unacceptable, so they escaped. Recorded history extends back five thousand years, and for as long as humans have been writing, we have been writing about hermits. It’s a primal fascination. Chinese texts etched on animal bones, as well as the clay tablets containing the Epic of Gilgamesh, a poem from Mesopotamia dating to around 2000 B.C., refer to shamans or wild men residing alone in the woods. People

Comparing marriage to football is no insult. I come from the South where football is sacred. I would never belittle marriage by saying it is like soccer, bowling, or playing bridge, never. Those images would never work, only football is passionate enough to be compared to marriage. In other sports, players walk onto the field, in football they run onto the field, in high school ripping through some paper, in college (for those who are fortunate enough) they touch the rock and run down the hill onto the field in the middle of the band. In other sports, fans cheer, in football they scream. In other sports, players ‘high five’, in football they chest, smash shoulder pads, and pat your rear. Football is a passionate sport, and marriage is about passion. In football, two teams send players onto the field to determine which athletes will win and which will lose, in marriage two families send their representatives forward to see which family will survive and which family will be lost into oblivion with their traditions, patterns, and values lost and forgotten. Preparing for this struggle for survival, the bride and groom are each set up. Each has been led to believe that their family’s patterns are all ‘normal,’ and anyone who differs is dense, naïve, or stupid because, no matter what the issue, the way their family has always done it is the ‘right’ way. For the premarital bride and groom in their twenties, as soon as they say, “I do,” these ‘right’ ways of doing things are about to collide like two three hundred and fifty pound linemen at the hiking of the ball. From “I do” forward, if not before, every decision, every action, every goal will be like the line of scrimmage. Where will the family patterns collide? In the kitchen. Here the new couple will be faced with the difficult decision of “Where do the cereal bowls go?” Likely, one family’s is high, and the others is low. Where will they go now? In the bathroom. The bathroom is a battleground unmatched in the potential conflicts. Will the toilet paper roll over the top or underneath? Will the acceptable residing position for the lid be up or down? And, of course, what about the toothpaste? Squeeze it from the middle or the end? But the skirmishes don’t stop in the rooms of the house, they are not only locational they are seasonal. The classic battles come home for the holidays. Thanksgiving. Which family will they spend the noon meal with and which family, if close enough, will have to wait until the nighttime meal, or just dessert if at all? Christmas. Whose home will they visit first, if at all? How much money will they spend on gifts for his family? for hers? Then comes for many couples an even bigger challenge – children of their own! At the wedding, many couples take two candles and light just one often extinguishing their candle as a sign of devotion. The image is Biblical. The Bible is quoted a man shall leave his father and mother and be joined to his wife, and the two shall become one. What few prepare them for is the upcoming struggle, the conflict over the unanswered question: the two shall become one, but which one? Two families, two patterns, two ways of doing things, which family’s patterns will survive to play another day, in another generation, and which will be lost forever? Let the games begin.

threatened at first to overwhelm the lighter soprano instrument of Michelle. Elliot learned to control the instrument in the ensemble, but never relinquished what has been described as her “let it all hang out vitality.”[70] The particular gifts of her voice were in no danger of being stifled, and throughout her career with earlier bands through the post-Mamas and Papas years, her “distinctive voice always emerged from the group in which she sang.”[71] Interested in a variety of genres, Elliot often mentioned her love for classical music, and had appeared regularly as a jazz singer before being drawn into the hippie folk revolution. A Broadway devotee as well, she sang several prominent roles in residence and on tour, and even dueled Barbra Streisand to a near draw for an important role in I Can Get It for You Wholesale on Broadway, before being

What is life? It is a series of arrangements that each of us makes in order to slow down the deterioration process as much as possible. Everybody faces the same decisions as they advance in age—behavior that was fun when you were younger (excessive drug and alcohol intake, indiscriminate sexual encounters with the powerfully magnetic and questionably sane, residing in shitholes with hygiene-averse scumbags) can’t continue when you get older or else the death march gets accelerated. Mature people learn over time how to structure their lives in such a way that the likelihood of dying is minimized. Eventually the menu of fun items that won’t instantly kill you is reduced to a small selection of spicy entrees, then a zesty appetizer or two, then a glass of water and a spoon (because forks and knives could cut your terrifyingly translucent skin, you decrepit old coot). I

One story sums up their magical quality. On June 30th 1968, at the height of Apple optimism, Paul McCartney and Derek Taylor were driving back to London from Saltaire, Yorkshire, where they had been recording the Black Dyke Mills Band on a song of Paul’s called ‘Thingummybob’. They were in Bedfordshire. Let’s pick a village on the map and pay it a visit, said Beatle Paul. He found a village called Harrold, which they found quite hilarious, and turned off the A5. Harrold turned out to be a picture-perfect village, with a picture-perfect pub at its heart. The pub was closed, but when the villagers saw there was a Beatle at the door they opened it up. Soon the whole village was in the pub, listening to Paul McCartney on the pub piano playing the as-yet-unreleased ‘Hey Jude’. Every Harrold resident danced and sang along, and the revelry went on until 3 a.m. It was beautiful, perfect, spontaneous and full of love. Harrold. You couldn’t make it up.

The Netherlands capital of Amsterdam amsterdam cruise is a thriving metropolis and one from the world's popular cities. If you are planning a trip to the metropolis, but are unclear about what you should do presently there, why not possess a little fun and spend time learning about how it's stereotypically known for? How come they put on clogs? When was the wind mill first utilised there? In addition, be sure to include all your feels on your journey and taste the phenomenal cheeses along with smell the stunning tulips. It's really recommended that you stay in a city motel, Amsterdam is quite spread out and residing in hotels close to the city-centre allows for the easiest access to public transportation. Beyond the clichés So that you can know precisely why a stereotype exists it usually is important to discover its source. Clogs: The Dutch have already been wearing solid wood shoes, as well as "Klompen" as they are referred to, for approximately 700 years. They were originally made out of a timber sole along with a leather top or band tacked for the wood. Nevertheless, the shoes had been eventually created completely from wood to safeguard the whole base. Wooden shoe wearers state the shoes are usually warm during the cold months and cool during the warm months. The first guild associated with clog designers dates back to a number exceeding 1570 in Holland. When making blockages, both shoes of a set must be created from the same kind of timber, even the same side of a tree, in order that the wood will certainly shrink in the same charge. While most blocks today are produced by equipment, a few shoemakers are left and they normally set up store in vacationer areas near any city hotel. Amsterdam also offers a clog-making museum, Klompenmakerij De Zaanse Schans, that highlights your shoe's history and significance. Windmills: The first windmills have been demonstrated to have existed in Netherlands from about the year 1200. Today, there are eight leftover windmills in the capital. The most effective to visit is De Gooyer, which has been built in 1725 over the Nieuwevaart Canal. Their location in the east involving city's downtown area signifies it is readily available from any metropolis hotel. Amsterdam enjoys its beer and it actually has a brewery right on the doorstep to the wind generator. So if you are enjoying a historic site it's also possible to enjoy a scrumptious ice-cold beer - what more would you ask for? Mozerella: It's impossible to vacation to Amsterdam without sampling several of its wonderful cheeses. In accordance with the locals, probably the most flavourful cheeses are available at the Wegewijs Emporium. With over 50 international cheese and A hundred domestic parmesan cheesse, you will surely have a wide-variety to pick from.

The clear transmission of facts and evidence becomes irrelevant in the hyperemotional space of social media. Facts come from a world external to ourselves—namely, reality. Actually, that’s the whole point. But in the social media world, they are either meaningless or threatening to the self we’re constructing and protecting. The world can’t help but degrade into “It’s all about me.” Deluged with information filtered through the lens of popular self, our internal monitoring causes the world to shrink: Did the news make me feel bad? Turn it off. Did that comment upset me? Blast the messenger. Did that criticism hurt me? Get depressed or strike back. This is the tragedy of self-reference where, instead of responding to information from the external environment to create an orderly system of relationships, the narrow band of information obsessively processed creates isolation, stress, and self-defense.6 Focused internally, the outside world where facts reside doesn’t have meaning. Our communication with one another via the Web generates extreme reactions. Think about how small events take over the Internet because people get upset from a photo and minimal information. There doesn’t have to be any basis in fact or any understanding of more complex reasons for why this event happened. People see the visual, comment on it, and viral hysteria takes over. Even when more context is given later that could help people understand the event, it doesn’t change their minds. People go back to scanning and posting, and soon there is another misperceived event to get hysterical about. One commentator calls this “infectious insanity.”7

BUZZ OSBORNE: I thought that Primus—the first time I heard them—was like a combination of the Residents mixed with Captain Beefheart, and Larry Graham thrown in there. That was my impression of it. Unfortunately for them, they’re lumped into that Red Hot Chili Peppers kind of thing a little bit more than they probably deserve. That is not my thing. That’s not my world. That kind of music is like the soundtrack to a date rape at a frat party. I’ve never been interested in the beer-bong set. And when I lived in San Francisco, when I first moved there in the mid-’80s, it was funk metal bands and bands that sounded like Metallica. And that was it. And the funk metal bands I thought was some of the worst crap that I’d ever heard—even worse than the metal bands. Actually, I once saw one of those bands play a barely ironic version of “Brick House” by the Commodores. I was like, I’m done.

This is why it is so fundamental for us right now to grab hold of this idea of power and to democratize it. One of the things that is so profoundly exciting and challenging about this moment is that as a result of this power illiteracy that is so pervasive, there is a concentration of knowledge, of understanding, of clout. I mean, think about it: How does a friendship become a subsidy? Seamlessly, when a senior government official decides to leave government and become a lobbyist for a private interest and convert his or her relationships into capital for their new masters. How does a bias become a policy? Insidiously, just the way that stop-and-frisk, for instance, became over time a bureaucratic numbers game. How does a slogan become a movement? Virally, in the way that the Tea Party, for instance, was able to take the "Don't Tread on Me" flag from the American Revolution, or how, on the other side, a band of activists could take a magazine headline, "Occupy Wall Street," and turn that into a global meme and movement. The thing is, though, most people aren't looking for and don't want to see these realities. So much of this ignorance, this civic illiteracy, is willful. There are some millennials, for instance, who think the whole business is just sordid. They don't want to have anything to do with politics. They'd rather just opt out and engage in volunteerism. There are some techies out there who believe that the cure-all for any power imbalance or power abuse is simply more data, more transparency. There are some on the left who think power resides only with corporations, and some on the right who think power resides only with government, each side blinded by their selective outrage. There are the naive who believe that good things just happen and the cynical who believe that bad things just happen, the fortunate and unfortunate unlike who think that their lot is simply what they deserve rather than the eminently alterable result of a prior arrangement, an inherited allocation, of power.

The archangels were well acquainted with the Mother Earth Goddess and her protective parasites. Her evil was ancient. Before the Flood, she had resided in the land now called Arabia. It had been a vast fertile continent in antediluvian days. But Gaia sucked the soul out of the environment and turned it into a lifeless desert. She had the ability to manifest herself between heaven and earth, unseen by mortal eyes from a distance behind a veil of illusion. The area around her was like being in a world between worlds. It was there, but not there. Before the Flood, Enoch and his band of giant killers had encountered her within a Shaitan, a supernatural sandstorm. After the Flood, the great King Gilgamesh and his companion Enkidu had cut down the great tree with their mighty axes. But Gaia’s seed always finds new earth and she had planted herself in these foothills of the sacred mountain of Baal-Hermon. Protected in the shadow of the assembly of gods, by the cult of Pan and the idol worship of the tribe of Dan nearby, Gaia flourished.

Richey James, the band’s resident depressive and ropey rhythm guitarist, is less enthusiastic, despite appearing quite content. “I never find it exciting to go anywhere,” he shrugs. “You get much more true information from literature than from travelling. Like, if I want to know about France, I’ll buy the book.

Copenhagen: Finding a gift from Carlsberg at the side of my bed in my hotel room. It was a large Carlsberg bottle top, in a presentation box, that doubled as a bottle opener that now resides in my kitchen drawer and is still used today.

In the village where I was born, most people were quite simple folk, as were my parents. There were only a few prominent residents: the mayor, the doctor, the notary and some members of the aristocracy who lived in manor houses on the edge of the village. the children of these prominent citizens were different. They didn’t run; they walked upright and bashed their knees in falls a lot less frequently. They had different toys as well. We had spinning tops, balls and elastic. They had a diabolo, walked with books on their heads and later they were given a horse. Our kind of children played from the age of ten in the brass band; they were given piano lessons at home and on Sundays they would listen to Peter and the Wolf. There were differences: you could see that instantly. But ours was the majority and from belonging to the majority we derived our pride and strength. Looking back, this strikes me as odd. At university, all the prominent children of the country had come together and now they formed the majority. They had walked about with books on their heads and they all knew Peter and the Wolf backwards. Theirs were tales about the decline of the aristocracy – some of these were quite hilarious. It’s the way you tell ‘em.

In the village where I was born, most people were quite simple folk, as were my parents. There were only a few prominent residents: the mayor, the doctor, the notary and some members of the aristocracy who lived in manor houses on the edge of the village. The children of these prominent citizens were different. They didn’t run; they walked upright and bashed their knees in falls a lot less frequently. They had different toys as well. We had spinning tops, balls and elastic. They had a diabolo, walked with books on their heads and later they were given a horse. Our kind of children played from the age of ten in the brass band; they were given piano lessons at home and on Sundays they would listen to Peter and the Wolf. There were differences: you could see that instantly. But ours was the majority and from belonging to the majority we derived our pride and strength. Looking back, this strikes me as odd. At university, all the prominent children of the country had come together and now they formed the majority. They had walked about with books on their heads and they all knew >Peter and the Wolf backwards. Theirs were tales about the decline of the aristocracy – some of these were quite hilarious. It’s the way you tell ‘em.

He claimed to employ different tactics for different ships, but the basic strategy was crude in its simplicity. In attack groups spread amongst several small and speedy skiffs, Boyah and his men approached their target on all sides, swarming like a water-borne wolf pack. They brandished their weapons in an attempt to frighten the ship's crew into stopping, and even fired into the air. If these scare tactics did not work, and if the target ship was capable of outperforming their outboard motors, the chase ended there. But if they managed to pull even with their target, they tossed hooked rope ladders onto the decks and boarded the ship. Instances of the crew fighting back were rare, and rarely effective, and the whole process, from spotting to capturing, took at most thirty minutes. Boyah guessed that only 20 per cent to 30 per cent of attempted hijackings met with success, for which he blamed speedy prey, technical problems, and foreign naval or domestic intervention. The captured ship was then steered to a friendly port – in Boyah's case, Eyl – where guards and interpreters were brought from the shore to look after the hostages during the ransom negotiation. Once the ransom was secured – often routed through banks in London and Dubai and parachuted like a special-delivery care package directly onto the deck of the ship – it was split amongst all the concerned parties. Half the money went to the attackers, the men who actually captured the ship. A third went to the operation’s investors: those who fronted the money for the ships, fuel, tracking equipment, and weapons. The remaining sixth went to everyone else: the guards ferried from shore to watch over the hostage crew, the suppliers of food and water, the translators (occasionally high school students on their summer break), and even the poor and disabled in the local community, who received some as charity. Such largesse, Boyah told me, had made his merry band into Robin Hood figures amongst the residents of Eyl.

CITAS AGREGADAS La diferencia entre las personas "buenas" y "malas" no reside en los actos que están dispuestos a cometer, si no en el nombre de lo que estén dispuestas a cometerlos.

the summer wore on, Nanette’s pessimistic views were born out by events. Prices were again rising steeply, the coinage had been devalued again, foreign traders were becoming wary of accepting English gold for anything, and the number of the unemployed was rising to a level where they began to roam the countryside in bands, getting a living by robbery. The poor laws provided for indigents who came within the towns to be provided with work, food and lodgings, to pay for which a rate was levied from the town residents, but out in the country there was no control, and workmen who had been turned off because their masters could no longer afford to pay their wages might wander without ever coming within the scope of the law. In September, at the same time as Elizabeth, who had conceived again immediately, gave birth to her third child, a daughter they named Jane, a rebellion broke out in Norfolk. Like the Pilgrimage

Talking of lists, we’re here.” “What? Where?” I turn to look out the window as the car comes to a stop. “Cam’s—my friend’s bar. We’re eating here, and then you’re going to cross another thing off your list.” “I am?” I turn back to him, my brow raised in question. “Yeah—sing in public. Cam has a resident band. Tonight is open mic night, so it’s the perfect opportunity for you to cross it off your list.” “Oh…I don’t know. I was thinking that I’d maybe do one thing a day. And the hair constitutes as one thing.” Liam laughs. “Stop being a chicken.” “I’m not being a chicken. I was the one who put it on my list, wasn’t I?” “So then, what’s the point in waiting? Do it now.” He’s right. What’s the point in stalling? It’s not like I have the luxury of time. “Okay, let’s do it.” He smiles wide. “This is going to be epic.” “It’s going to be terrible. I’m a really awful singer.” “And that’s why it’s going to be epic.” He flashes a grin at me.

They walked off together into the night. There was something ghostly about the misery that pushed its way into districts where some remnants of well-being still remained and where night life was provided for foreigners. Between the exhibition of neediness in the streets and the routine of the night clubs there was no bridge. The music of the entertainment business drowned out the whistles of the rescue cars, picking up people collapsing from starvation in front of doors behind which bands played for pleasure-seeking foreigners and for native Viennese who wrung a profit out of misery. Martha Monica was frightened. But the Italian reassured her. “Don't think of bad people today. Rather think of me,” he said in his amusing accent. Why were these people bad? the girl wanted to know. Santa Madonna! They were just people who made capital out of their infirmities, so she learned. Besides, some of these infirmities were not even real, but simulated. Would she bet him that that fellow over there in a tattered infantry uniform was artificially producing that chronic trembling in his limbs? With the unfathomable readiness of human nature to insult the misery of others in order to lull its own conscience, the smooth-speaking Italian piled proof on proof. In its abundance it sounded plausible, and besides, Martha Monica had no possible way of checking it. Foreigners always knew better than the residents.

He moved behind her then and encircled her in his arms, taking her hand and placing the handle of the baton properly in her palm and adjusting her small delicate fingers into the correct position. She was acutely aware of his chest pressed against her back and realized she had never been in such close proximity to him before. As he guided her hand though the motions of the proper movement of the baton, she could feel his warm breath on her neck and realized she had been holding her own for what felt like minutes. Her heart was hammering so hard that she felt as though the entire drum section of a marching band had taken up residence in her chest, and she was amazed Charles couldn't feel her pulse racing as he continued to hold her hand in place on the baton. His touch sent chills down her spine. Charles could feel the same electric current surge through his body that Tori had. His lips gently brushed her hair as he spoke to her from behind, and he caught the smell of vanilla emanating from her soft curls. He would have liked nothing better in that moment than to bury his face in her luxurious mane of hair and lose himself in her scent. Instead, he moved away and demonstrated the balance of the baton. That's How You Know by Julie Simmons (Chapter 4)