Tickets Please Quotes

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Vegas?" I asked. His brow furrowed, unsure of where I was headed. "Yeah?" "Have you thought about going back?" His eyebrows shot up. "I don't think that's a good idea for me." "What if we just went for a night?" He looked around the dark room, confused. "A night?" "Marry me," I said without hesitation. I was surprised at how quickly and easily the words came. His mouth spread into a broad smile. "When?" I shrugged. "We can book a flight tomorrow. It's spring break. I dont't have anything going on tomorrow, do you?" "I'm callin' your bluff," he said, watching my reaction closely as he was connected. "I need two tickets to vegas, please. Tomorrow. Hmmmm...," he looked at me, waiting for me to change my mind. "Two days, round trip. Whatever you have.
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
There's a wonderful old Italian joke about a poor man who goes to church every day and prays before the statue of a great saint, begging, "Dear saint-please, please, please...give me the grace to win the lottery." This lament goes on for months. Finally the exasperated staue comes to life, looks down at the begging man and says in weary disgust, "My son-please, please, please...buy a ticket." Prayer is a realtionship; half the job is mine. If I want transformation, but can't even be bothered to articulate what, exactly, I'm ainming for, how will it ever occur? Half the benefit of prayer is in the asking itself, in the offering of a clearly posed and well-considered intention. If you don't have this, all your pleas and desires are boneless, floppy, inert; they swirl at your feet in a cold fog and never lift.
Elizabeth Gilbert
The American system is the most ingenious system of control in world history. With a country so rich in natural resources, talent, and labor power the system can afford to distribute just enough wealth to just enough people to limit discontent to a troublesome minority. It is a country so powerful, so big, so pleasing to so many of its citizens that it can afford to give freedom of dissent to the small number who are not pleased. There is no system of control with more openings, apertures, leeways, flexibilities, rewards for the chosen, winning tickets in lotteries. There is none that disperses its controls more complexly through the voting system, the work situation, the church, the family, the school, the mass media--none more successful in mollifying opposition with reforms, isolating people from one another, creating patriotic loyalty.
Howard Zinn (A People’s History of the United States: 1492 - Present)
Marry me," I said without hesitation. I was surprised at how quickly and easily the words came. His mouth spread into a broad smile. "When?" I shrugged. "We can book a flight tomorrow. It's Spring Break. I don't have anything going on tomorrow, do you?" "I'm callin' your bluff," he said, reaching for his phone. "America Airlines," he said, watching my reaction closely as he was connected. "I need two tickets to Vegas, please. Tomorrow. Hmmmmm...," he looked at me, waiting for me to change my mind. "Two days, round trip. Whatever you have." I rested my chin on his chest, waiting for him to book the tickets. The longer I let him stay on the phone, the wider his smile became.
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
There's a wonderful old Italian joke about a poor man who goes to church every day and prays before the statue of a great saint,'Dear saint-please, please, please...give me the grace to win the lottery.' This lament goes on for months. Finally the exasperated statue come to life, looks down at the begging man and says in weary disgust,'My son-please, please, please...buy a ticket.
Elizabeth Gilbert (Eat, Pray, Love)
I reminded myself that the one thing Jenny Flick couldn't buy, no matter what she used as currency, was a ticket to drive on the high road next to people like me.
A.S. King (Please Ignore Vera Dietz)
Your youth is the most important thing you will ever have. It's when you will connect to music like a primal urge, and the memories attached to the songs will never leave you. Please hold on to everything. Keep every note, mix tape, concert ticket stub, and memory you have of music from your youth. It'll be the one thing that might keep you young, even if you aren't anymore.
Butch Walker (Drinking with Strangers: Music Lessons from a Teenage Bullet Belt)
Please, Mr. Engineer let a man ride the line Please, Mr. Engineer let a man ride the line I ain't got no ticket please let me ride the blinds
August Wilson (Fences (The Century Cycle, #6))
Oh no. Oh, hell no. Merciful God above. Jake looked around for Aileen, his latest conquest and plus one for the engagement party for his brother Travis. "Yes, I need only a one-way ticket," Grandma announced loudly to the Alaska Airlines clerk at the kiosk. Jake watched with a mixture of horror and panic as his grandmother bought a ticket on the same flight as him. please let her credit card be declined; please, please. "Here you go!" The evil lady handed over a boarding pass and smiled at Grandma
Rachel Van Dyken (The Wager (The Bet, #2))
PUBLIC SERVICE ANNOUNCEMENT! Due to the cumulative effect of collective sharing and loving intentionality, the Shame Train has derailed at the junction of Self-Belief and Divine Uniqueness. The engine couldn’t run on self-hatred any longer. All formerly shamed passengers please disembark the train. You are free. A new train—fueled by healthy self-regard and sacred purpose—will be along momentarily to pick you up. No tickets required on this self-love train—just a growing faith in your sacred magnificence. All aboard!
Jeff Brown (Ascending with Both Feet on the Ground: Words to Awaken your Heart)
License and registration, please". The voice was vaguely familiar, but she was too in her own thoughts to care. "Here you go". Silence. Diane saw khaki pants, khaki shirt, a black leather belt, and elbows as he read her documentation, and elbows as he wrote out a ticket. This took several minutes because, by law, police are required to describe the nature of the sunlight at the time of the infraction in verse, although meter and rhyme are optional.
Jeffrey Cranor (Welcome to Night Vale (Welcome to Night Vale, #1))
Racism is when it doesn't count. When they don't count. When one can do anything with them, it doesn't matter what , because they are not people like us. Do you see? Not our kind. When we can make use of them as we please, without losing face, dignity, honor. Without embarrassment, without making a moral judgement - that's it. When we can make them do no matter what degrading work, service, because their opinion of us doesn't count, because it cannot tarnish us. That's what racism is.
Romain Gary (Au-delà de cette limite votre ticket n'est plus valable)
God’s forgiveness doesn’t come cheaply, nor is it a ticket to do what we jolly well please because there’s a get out of jail free card at the end. Instead, it is the life-changing embrace of love that welcomes us when we’ve no reason to expect it. We cannot fail deeply enough for God to give us up.
Peggy Haymes (Strugglers, Stragglers and Seekers: daily devotions for the rest of us)
Please excuse the torn edges of this note. I am writing to you from inside the shack the Baudelaire orphans were forced to live in while at Prufrock Preparatory School, and I am afraid that some of the crabs tried to snatch my stationery away from me. On Sunday night, please purchase a ticket for seat 10-J at the Erratic Opera Company’s performance of the opera Faute de Mieux. During Act Five, use a sharp knife to rip open the cushion of your seat. There you should find
Lemony Snicket (The Miserable Mill (A Series of Unfortunate Events, #4))
In both runs, Curtain Time attempted to play to the same sizable audience that had made The First Nighter Program a radio powerhouse. It had a theater setting, announcements that the curtain was “about to go up,” and the same fare, generally bubbly boy-girl romances. There was an usher in the later run, who called out “Tickets, please, thank you, sir,” and escorted “theatergoers” to their imaginary seats in “seventh row center, seats seven and eight.” The announcer, Myron Wallace, became famous decades later as the tough TV reporter on 60 Minutes.
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)
What is the point in being alive if you are not going to try for something? If you are not going to at least attempt to make your time here remarkable? Stop holding yourself back. Tell the person that makes your stomach ache with hope that every part of your heart is tender for them, even if you think you have no chance. Don’t just fantasize about your dream job—actively pursue it, and if that door is not open, knock it down. Buy the plane ticket, jump the fence, kiss the stranger. Make sure that you don’t allow your fear to hold you back. Instead, look your fear in the face and invite it to dinner, become its best friend. Live alongside it, let it make you feel alive. Please, just choose impossibility. Choose risk. Choose making mistakes and making memories and making it up as you go. Just choose to embrace whatever time you do have here, because life is finite, and fragile, and it vanishes too quickly. Make it worth it. Make it count.
Bianca Sparacino (The Strength In Our Scars)
Almost everything in this inbox is expired. Look.” She handed him a yellowed scrap of paper from the bottom of the pile. Dear God: Please get me tickets to C+C Music Factory. Tania Banks, March 3, 1991
Simon Rich (What in God's Name)
Fine!” He threw his hands up in the air. “Fucking fine. You win.” Turning to the man sitting behind the counter, he said, “Two tickets for The Wedding Date please, and a container for her to store my balls in.
Chloe Walsh (Keeping 13 (Boys of Tommen, #2))
Please, please, you have to, I never ask you for anything, please just do it." "What are you talking about? You always ask me for everything." "Okay, then, but you always do it, so don't change the rules now." He knows its true. That's just the way they work. As much as he grouses and sneers and makes a big show of authority, he can't deny the kid a thing. If he wants a vintage Aston Martin so he can play at being James Bond, he gets one. If he wants to go one top, he can. He says he's never been to Africa and Lindsay goes online and books flights that same day to Morocco because he wants to see the smile when he presents Valentine with tickets. When the kid suggests setting a camcorder up in the bedroom so they can watch the tape back later and laugh at their stupid sex-faces, Lindsay goes along with it, wincing all the way, because he always says no and he never really means it in the end. This is love, he supposes, and it's mental.
Richard Rider (Stockholm Syndrome (Stockholm Syndrome, #1))
And the money came rolling into the pockets of the two greedy aunts. But while all this excitement was going on outside, poor James was forced to stay locked in his bedroom, peeping through the bars of his window at the crowds below. “The disgusting little brute will only get in everyone’s way if we let him wander about,” Aunt Spiker had said early that morning. “Oh, please!” he had begged. “I haven’t met any other children for years and years and there are going to be lots of them down there for me to play with. And perhaps I could help you with the tickets.” “Cut it out!” Aunt Sponge had snapped. “Your Aunt Spiker and I are about to become millionaires, and the last thing we want is the likes of you messing things up and getting in the way.” Later, when the evening of the first day came and the people had all gone home, the aunts unlocked James’s door and ordered him to go outside and pick up all the banana skins and orange peel and bits of paper that the crowd had left behind. “Could I please have something to eat first?” he asked. “I haven’t had a thing all day.” “No!” they shouted, kicking him out the door. “We’re too busy to make food! We are counting our money!
Roald Dahl (James and the Giant Peach)
After graduation I probably won’t see any of these people again.” I throw him a hurt look. “Hey! What about me?” “Not you. You’re coming to visit me in New York.” “Ooh! Yes, please.” “Sarah Lawrence is so close to the city. I’ll be able to go to Broadway shows whenever I want. There’s an app for same-day student tickets.” He gets a faraway look in his eyes. “You’re so lucky,” I say. “I’ll take you. We’ll go to a gay bar, too. It’ll be amazing.” “Thank you!” “But everybody else I can take or leave.” “We still have Beach Week,” I remind him, and he nods. “For the rest of our lives, we’ll always have Beach Week,” he says mockingly, and I throw a hair tie at him.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
Make up your mind as she makes up her face She'll never really know her place You'll lay on her frame and give her a new name And bless her with all you can spare Empty as wire, violent as fire You'll carve her out of thin air She's crashed home and cruised your world But you can't get the Belfast out of the girl This is how you throw her, you think you know her Empty as wire, violent as fire She hasn't left you yet but she will By airplane ticket or kill-me pills Sewn into her dress, she can't refuse (careful what you love, what you abuse) She knows violence, she knows please Her hands for cuffing and she says nothing And hooks her hands behind her knees You fuck her flag and feel it unfurl But you can't get the Belfast out of the girl.
Nicole Blackman
Antidepression medication is temperamental. Somewhere around fifty-nine or sixty I noticed the drug I’d been taking seemed to have stopped working. This is not unusual. The drugs interact with your body chemistry in different ways over time and often need to be tweaked. After the death of Dr. Myers, my therapist of twenty-five years, I’d been seeing a new doctor whom I’d been having great success with. Together we decided to stop the medication I’d been on for five years and see what would happen... DEATH TO MY HOMETOWN!! I nose-dived like the diving horse at the old Atlantic City steel pier into a sloshing tub of grief and tears the likes of which I’d never experienced before. Even when this happens to me, not wanting to look too needy, I can be pretty good at hiding the severity of my feelings from most of the folks around me, even my doctor. I was succeeding well with this for a while except for one strange thing: TEARS! Buckets of ’em, oceans of ’em, cold, black tears pouring down my face like tidewater rushing over Niagara during any and all hours of the day. What was this about? It was like somebody opened the floodgates and ran off with the key. There was NO stopping it. 'Bambi' tears... 'Old Yeller' tears... 'Fried Green Tomatoes' tears... rain... tears... sun... tears... I can’t find my keys... tears. Every mundane daily event, any bump in the sentimental road, became a cause to let it all hang out. It would’ve been funny except it wasn’t. Every meaningless thing became the subject of a world-shattering existential crisis filling me with an awful profound foreboding and sadness. All was lost. All... everything... the future was grim... and the only thing that would lift the burden was one-hundred-plus on two wheels or other distressing things. I would be reckless with myself. Extreme physical exertion was the order of the day and one of the few things that helped. I hit the weights harder than ever and paddleboarded the equivalent of the Atlantic, all for a few moments of respite. I would do anything to get Churchill’s black dog’s teeth out of my ass. Through much of this I wasn’t touring. I’d taken off the last year and a half of my youngest son’s high school years to stay close to family and home. It worked and we became closer than ever. But that meant my trustiest form of self-medication, touring, was not at hand. I remember one September day paddleboarding from Sea Bright to Long Branch and back in choppy Atlantic seas. I called Jon and said, “Mr. Landau, book me anywhere, please.” I then of course broke down in tears. Whaaaaaaaaaa. I’m surprised they didn’t hear me in lower Manhattan. A kindly elderly woman walking her dog along the beach on this beautiful fall day saw my distress and came up to see if there was anything she could do. Whaaaaaaaaaa. How kind. I offered her tickets to the show. I’d seen this symptom before in my father after he had a stroke. He’d often mist up. The old man was usually as cool as Robert Mitchum his whole life, so his crying was something I loved and welcomed. He’d cry when I’d arrive. He’d cry when I left. He’d cry when I mentioned our old dog. I thought, “Now it’s me.” I told my doc I could not live like this. I earned my living doing shows, giving interviews and being closely observed. And as soon as someone said “Clarence,” it was going to be all over. So, wisely, off to the psychopharmacologist he sent me. Patti and I walked in and met a vibrant, white-haired, welcoming but professional gentleman in his sixties or so. I sat down and of course, I broke into tears. I motioned to him with my hand; this is it. This is why I’m here. I can’t stop crying! He looked at me and said, “We can fix this.” Three days and a pill later the waterworks stopped, on a dime. Unbelievable. I returned to myself. I no longer needed to paddle, pump, play or challenge fate. I didn’t need to tour. I felt normal.
Bruce Springsteen (Born to Run)
George Bailey: [on Mary being caught naked in the bushes after her robe slips off] This is a very interesting situation! Mary: Please give me my robe. George Bailey: A man doesn't get in a situation like this every day. Mary: I'd like to have my robe. George Bailey: Not in Bedford Falls anyway. Mary: [after the bushes' thorns starting hurting her] Ouch! Oh! George Bailey: Gezundheit. Mary: George Bailey! George Bailey: Inspires a little thought! Mary: Give me my robe. George Bailey: I've read about things like this. Mary: Shame on you! I'm going to tell your mother on you. George Bailey: Well, my mother is way up on the corner. Mary: I'll call the police! George Bailey: Well, they're all the way downtown. They'd be on my side. Mary: Then I'll scream! George Bailey: Maybe I can sell tickets.
It's a Wonderful Life
As days turned into weeks, I found myself reflecting on Kevin’s role in all of this. He was far from perfect. Over the years, he’d made his share of mistakes, enabling Ruby’s toxic behavior and standing idly by as she steamrolled over everyone. He was her faithful servant, catering to her every whim, no matter how unreasonable. But Kevin was never a selfish man. In fact, his greatest weakness was his selflessness—he gave and gave until there was nothing left. Now, he had gone willingly into exile, cutting off all contact with us, his children, to please his wife and to protect us from the vile monster Jodi led him to believe he was. He’d said it would be temporary, a year to focus on personal growth before returning to his family. But I knew Ruby would never welcome him back, no matter how much time passed. This was a one-way ticket. This was permanent.
Shari Franke (The House of My Mother: A Daughter's Quest for Freedom)
You should be up celebrating." "This is part of it." She ran her hands carefully up the gelding's leg before pinning the wrapping to the line. "Finnegan and I are going to congratulate each other while I clean him up.But you could do me a favor." She pulled her ticket out of her pocket. "Cash in my winnings." Brian shook his head. "At the moment I'm too pleased to be annoyed with you for betting my money." With one hand on the horse he leaned over to kiss her. "But I'm not taking half the horse." Keeley hooked an arm around Finnegan's neck. "You hear that? He doesn't want you." "Don't say things like that to him." She laid her cheek against the gelding's. "You're the one hurting his feelings." As two pairs of eyes studied him, Brian hissed out a breath. "We'll discuss this privately at some other time." "He needs you.We both do." The muscles n his belly twisted. "That's unfair." "That's fact.
Nora Roberts (Irish Rebel (Irish Hearts, #3))
There is a visitor, Countess.” “A visitor?” Mother looks toward the rain-drenched windows. “Who would be out in this mess? Has their car given out?” “No, My Lady. The young woman says her name is Nancy Herald. She apologized for not making an appointment and provided her card. It seems to be a business proposition.” My mother makes a sweeping motion with the back of her hand. “I have no interest or time for business propositions. Send her on her way, please.” Stanhope places a business card on the table, bows, and leaves the room. Penny picks it up as she sips her drink, looks it over—and then spits her brandy all over the carpet. “Penelope!” mother yells. My sister stands up, waving the card over her head like Veruca Salt after she got her hands on the golden ticket to the chocolate factory. “Stanhope!” she screams. “Don’t let her leave! She a television producer!” Penny turns to me and in a quieter but urgent voice says, “She’s a television producer.” As if I didn’t hear her the first time. Then she sprints from the room. Or . . . tries to. Halfway to the door, her heel catches on the carpet and she falls flat on her face with an “Ooof.” “Are you all right, Pen?” She pulls herself up, waving her hands. “I’m fine! Or I will be, as long as she doesn’t leave!” The second try’s the charm, and Penelope scurries out of the room as fast as her four-inch heels will take her. My mother shakes her head at my sister’s retreating form. “Too much sugar, that one.” Then she drains her glass.
Emma Chase (Royally Matched (Royally, #2))
You’re so bright, Trav, and so intuitive about people. And you have … the gift of tenderness. And sympathy. You could be almost anything.” “Of course!” I said, springing to my feet and beginning to pace back and forth through the lounge. “Why didn’t I think of that! Here I am, wasting the golden years on this lousy barge, getting all mixed up with lame-duck women when I could be out there seeking and striving. Who am I to keep from putting my shoulder to the wheel? Why am I not thinking about an estate and how to protect it? Gad, woman, I could be writing a million dollars a year in life insurance. I should be pulling a big oar in the flagship of life. Maybe it isn’t too late yet! Find the little woman, and go for the whole bit. Kiwanis, P.T.A., fund drives, cookouts, a clean desk, and vote the straight ticket, yessiree bob. Then when I become a senior citizen, I can look back upon …” I stopped when I heard the small sound she was making. She sat with her head bowed. I went over and put my fingertips under her chin. I tilted her head up and looked down into her streaming eyes. “Please, don’t,” she whispered. “You’re beginning to bring out the worst in me, woman.” “It was none of my business.” “I will not dispute you.” “But … who did this to you?” “I’ll never know you well enough to try to tell you, Lois.” She tried to smile. “I guess it can’t be any plainer than that.” “And I’m not a tragic figure, no matter how hard you try to make me into one. I’m delighted with myself, woman.” “And you wouldn’t say it that way if you were.” “Spare me the cute insights.
John D. MacDonald (The Deep Blue Good-By)
I had been pleased with how I looked, and had again selected it for myself: my hair unbound and swept off my face with a headband of braided rose gold, my sleeveless, dusky-pink chiffon gown- tight in the chest and waist- the near twin to the purple one I'd worn this morning. Feminine, soft, pretty. I hadn't felt like those things in a long, long while. Hadn't wanted to. But here, being those things wouldn't earn me a ticket to a life of party planning. Here, I could be soft and lovely at sunset, and awaken in the morning to slide into Illyrian fighting leathers.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
The quick ticket to ecstasy is to catch yourself feeling in a very low state of mind--depressed, stupid, hateful--and to love yourself for feeling that way. When you do that you can experience a rocket ride right to the top. Love does not take time; it's possible to transform depression into ecstasy in a flash. But please do not accept my word for it. Try it as an experiment next time you are feeling low. Something else to consider is that we will always be in the process of remembering how to love ourselves, then forgetting, then remembering again. It does not seem to be our destiny to be any one way all the time. So let's get used to being pendulums and enjoy the ride.
Gay Hendricks (Learning to Love Yourself)
Witch Mildred was invited to the wondrous Witches’ Wobble, a Halloween festivity where witches go to gobble. Her snakeskin invitation read: Feasting Starts at Eight! A Grand Buffet (with Skunk Filet!) Hopping on her broomstick, She took off from a thicket. She raced along the back roads to dodge a speeding ticket. A skeleton soon hailed her. (His bones could use some meat!) He pled, “Please! I’m so hungry, I rattle head to feet.” A jack-o’-lantern hollered, “Please take me from this wall, for some, I dread, might use my head as a soccer ball.” Soon the three encountered a ghost who was in tears. “Please take me from this graveyard. It’s much too spooky here.” A shaky, quaky mummy called, “I’m ready to collapse. Please find me a warm hearthside, for I forgot my wraps!” A bat swooped down upon them. He squeaked, “Please wait for me! I’ll go batty when the sexton bongs the bells in my belfry.” A black cat yowled, “Please take me. I need some company, for when I cross their pathways, people run from me!
Elizabeth Spurr (Halloween Sky Ride)
Why can't we sit together? What's the point of seat reservations,anyway? The bored woman calls my section next,and I think terrible thoughts about her as she slides my ticket through her machine. At least I have a window seat. The middle and aisle are occupied with more businessmen. I'm reaching for my book again-it's going to be a long flight-when a polite English accent speaks to the man beside me. "Pardon me,but I wonder if you wouldn't mind switching seats.You see,that's my girlfriend there,and she's pregnant. And since she gets a bit ill on airplanes,I thought she might need someone to hold back her hair when...well..." St. Clair holds up the courtesy barf bag and shakes it around. The paper crinkles dramatically. The man sprints off the seat as my face flames. His pregnant girlfriend? "Thank you.I was in forty-five G." He slides into the vacated chair and waits for the man to disappear before speaking again. The guy onhis other side stares at us in horror,but St. Clair doesn't care. "They had me next to some horrible couple in matching Hawaiian shirts. There's no reason to suffer this flight alone when we can suffer it together." "That's flattering,thanks." But I laugh,and he looks pleased-until takeoff, when he claws the armrest and turns a color disturbingy similar to key lime pie. I distract him with a story about the time I broke my arm playing Peter Pan. It turned out there was more to flying than thinking happy thoughts and jumping out a window. St. Clair relaxes once we're above the clouds. Time passes quickly for an eight-hour flight. We don't talk about what waits on the other side of the ocean. Not his mother. Not Toph.Instead,we browse Skymall. We play the if-you-had-to-buy-one-thing-off-each-page game. He laughs when I choose the hot-dog toaster, and I tease him about the fogless shower mirror and the world's largest crossword puzzle. "At least they're practical," he says. "What are you gonna do with a giant crossword poster? 'Oh,I'm sorry Anna. I can't go to the movies tonight. I'm working on two thousand across, Norwegian Birdcall." "At least I'm not buying a Large Plastic Rock for hiding "unsightly utility posts.' You realize you have no lawn?" "I could hide other stuff.Like...failed French tests.Or illegal moonshining equipment." He doubles over with that wonderful boyish laughter, and I grin. "But what will you do with a motorized swimming-pool snack float?" "Use it in the bathtub." He wipes a tear from his cheek. "Ooo,look! A Mount Rushmore garden statue. Just what you need,Anna.And only forty dollars! A bargain!" We get stumped on the page of golfing accessories, so we switch to drawing rude pictures of the other people on the plane,followed by rude pictures of Euro Disney Guy. St. Clair's eyes glint as he sketches the man falling down the Pantheon's spiral staircase. There's a lot of blood. And Mickey Mouse ears. After a few hours,he grows sleepy.His head sinks against my shoulder. I don't dare move.The sun is coming up,and the sky is pink and orange and makes me think of sherbet.I siff his hair. Not out of weirdness.It's just...there. He must have woken earlier than I thought,because it smells shower-fresh. Clean. Healthy.Mmm.I doze in and out of a peaceful dream,and the next thing I know,the captain's voice is crackling over the airplane.We're here. I'm home.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
However, as legal scholar David Cole has observed, “in practice, the drug-courier profile is a scattershot hodgepodge of traits and characteristics so expansive that it potentially justifies stopping anybody and everybody.”29 The profile can include traveling with luggage, traveling without luggage, driving an expensive car, driving a car that needs repairs, driving with out-of-state license plates, driving a rental car, driving with “mismatched occupants,” acting too calm, acting too nervous, dressing casually, wearing expensive clothing or jewelry, being one of the first to deplane, being one of the last to deplane, deplaning in the middle, paying for a ticket in cash, using large-denomination currency, using small-denomination currency, traveling alone, traveling with a companion, and so on. Even striving to obey the law fits the profile! The Florida Highway Patrol Drug Courier Profile cautioned troopers to be suspicious of “scrupulous obedience to traffic laws.”30 As Cole points out, “such profiles do not so much focus an investigation as provide law enforcement officials a ready-made excuse for stopping whomever they please.”31
Michelle Alexander (The New Jim Crow: Mass Incarceration in the Age of Colorblindness)
Sharply the menacing wind sweeps over The bending poplars, newly bare, And the dark ribbons of the chimneys Veer downward; flicked by whips of air. Torn posters flutter; coldly sound The boom of trams and the rattle of hooves, And the clerks who hurry to the station Look, shuddering, over the eastern rooves, Thinking, each one, "Here comes the winter! "Please God I keep my job this year!" And bleakly, as the cold strikes through Their entrails like an icy spear, They think of rent, rates, season tickets, Insurance, coal, the skivvy's wages, Boots, school-bills and the next installment Upon the two twin beds from Drage's. For if in careless summer days In groves of Ashtaroth we whored, Repentant now, when winds blow cold, We kneel before our rightful lord; The lord of all, the money-god, Who rules us blood and hand and brain, Who gives the roof that stops the wind, And, giving, takes away again; Who spies with jealous, watchful care, Our thoughts, our dreams, our secret ways, Who picks our words and cuts our clothes, And maps the pattern of our days; Who chills our anger, curbs our hope. And buys our lives and pays with toys, Who claims as tribute broken faith, Accepted insults, muted joys; Who binds with chains the poet's wit, The navvy's strength, the soldier's pride, And lays the sleek, estranging shield Between the lover and his bride.
George Orwell
Leave . . . town? Really, Mr. Skukman, that might be taking matters a bit far. Why, the social season has just begun, and ticket sales have been quite brisk. Besides that, everyone knows that Mr. Grimstone, that oh-so-mysterious playwright of The Lady in the Tower, specifically requested that I play the part of the lead heroine. He’s certainly not going to be pleased if I abandon the role before the season gets into full swing. Why, he, as well as the theater, could suffer extensive losses.” “Losses or not, Mr. Grimstone will have no say in this, Miss Plum. Quite honestly, given his obvious esteem for you and your acting abilities, I have to imagine he’d prefer to find out you’ve gone missing over finding out you’ve stopped breathing.” “Silas doesn’t want to kill me, Mr. Skukman. He wants to acquire me.” “You and I both know you’d never allow him to acquire you, and from what I just saw down in the lobby, the man seems to be on the verge of losing his sanity. There’s a look in his eyes I don’t care for at all, which is why we’re going to get you into a hansom cab and on your way to Mrs. Hart’s brownstone. Once you’re there, I need you to pack as quickly as possible. I’ll be around to fetch you just as soon as I’m able.” “You want me to hire a cab instead of traveling to Abigail’s in my own carriage?” “Indeed. It’s not a complete secret that you now live with Mrs. Hart, which means it won’t be too difficult for Silas to discover your direction after he learns you no longer reside in the Lower East Side. I’m going to try and feed him a false trail that will hopefully allow us precious time to get away.” Before Lucetta had an opportunity to voice another protest, she found herself sitting in a musty smelling hansom cab, barreling down Broadway at a high rate of speed, the speed brought about from the extra money she’d seen Mr. Skukman hand the driver. Feeling
Jen Turano (Playing the Part (A Class of Their Own, #3))
Why?” “Why? Blimey, Harry, everyone’d be wantin’ magic solutions to their problems. Nah, we’re best left alone.” At this moment the boat bumped gently into the harbor wall. Hagrid folded up his newspaper, and they clambered up the stone steps onto the street. Passersby stared a lot at Hagrid as they walked through the little town to the station. Harry couldn’t blame them. Not only was Hagrid twice as tall as anyone else, he kept pointing at perfectly ordinary things like parking meters and saying loudly, “See that, Harry? Things these Muggles dream up, eh?” “Hagrid,” said Harry, panting a bit as he ran to keep up, “did you say there are dragons at Gringotts?” “Well, so they say,” said Hagrid. “Crikey, I’d like a dragon.” “You’d like one?” “Wanted one ever since I was a kid — here we go.” They had reached the station. There was a train to London in five minutes’ time. Hagrid, who didn’t understand “Muggle money,” as he called it, gave the bills to Harry so he could buy their tickets. People stared more than ever on the train. Hagrid took up two seats and sat knitting what looked like a canary-yellow circus tent. “Still got yer letter, Harry?” he asked as he counted stitches. Harry took the parchment envelope out of his pocket. “Good,” said Hagrid. “There’s a list there of everything yeh need.” Harry unfolded a second piece of paper he hadn’t noticed the night before, and read: HOGWARTS SCHOOL of WITCHCRAFT and WIZARDRY UNIFORM First-year students will require: 1. Three sets of plain work robes (black) 2. One plain pointed hat (black) for day wear 3. One pair of protective gloves (dragon hide or similar) 4. One winter cloak (black, silver fastenings) Please note that all pupils’ clothes should carry name tags COURSE BOOKS All students should have a copy of each of the following: The Standard Book of Spells (Grade 1) by Miranda Goshawk A History of Magic by Bathilda Bagshot Magical Theory by Adalbert Waffling A
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter #1))
When I had the third breakdown, the mini-breakdown, I was in the late stages of writing this book. Since I could not cope with communication of any kind during that period, I put an auto-response message on my E-mail that said I was temporarily unreachable, and a similar message on my answering machine. Acquaintances who had suffered depression knew what to make of these outgoing messages. They wasted no time. I had dozens and dozens of calls from people offering whatever they could offer and doing it glowingly. “I will come to stay the minute you call,” wrote Laura Anderson, who also sent a wild profusion of orchids, “and I’ll stay as long as it takes you to get better. If you’d prefer, you are of course always welcome here; if you need to move in for a year, I’ll be here for you. I hope you know that I will always be here for you.” Claudia Weaver wrote with questions: “Is it better for you to have someone check in with you every day or are the messages too much of a burden? If they are a burden, you needn’t answer this one, but whatever you need—just call me, anytime, day or night.” Angel Starkey called often from the pay phone at her hospital to see if I was okay. “I don’t know what you need,” she said, “but I’m worrying about you all the time. Please take care of yourself. Come and see me if you’re feeling really bad, anytime. I’d really like to see you. If you need anything, I’ll try to get it for you. Promise me you won’t hurt yourself.” Frank Rusakoff wrote me a remarkable letter and reminded me about the precious quality of hope. “I long for news that you are well and off on another adventure,” he wrote, and signed the letter, “Your friend, Frank.” I had felt committed in many ways to all these people, but the spontaneous outpouring astounded me. Tina Sonego said she’d call in sick for work if I needed her—or that she’d buy me a ticket and take me to someplace relaxing. “I’m a good cook too,” she told me. Janet Benshoof dropped by the house with daffodils and optimistic lines from favorite poems written in her clear hand and a bag so she could come sleep on my sofa, just so I wouldn’t be alone. It was an astonishing responsiveness.
Andrew Solomon (The Noonday Demon: An Atlas of Depression)
If there was any politician in America who reflected the Cold War and what it did to the country, it was Richard Nixon—the man and the era were made for each other. The anger and resentment that were a critical part of his temperament were not unlike the tensions running through the nation as its new anxieties grew. He himself seized on the anti-Communist issue earlier and more tenaciously than any other centrist politician in the country. In fact that was why he had been put on the ticket in the first place. His first congressional race in 1946, against a pleasant liberal incumbent named Jerry Voorhis, was marked by red-baiting so savage that it took Voorhis completely by surprise. Upon getting elected, Nixon wasted no time in asking for membership in the House Un-American Activities Committee. He was the committee member who first spotted the contradictions in Hiss’s seemingly impeccable case; in later years he was inclined to think of the case as one of his greatest victories, in which he had challenged and defeated a man who was not what he seemed, and represented the hated Eastern establishment. His career, though, was riddled with contradictions. Like many of his conservative colleagues, he had few reservations about implying that some fellow Americans, including perhaps the highest officials in the opposition party, were loyal to a hostile foreign power and willing to betray their fellow citizens. Yet by the end of his career, he became the man who opened the door to normalized relations with China (perhaps, thought some critics, he was the only politician in America who could do that without being attacked by Richard Nixon), and he was a pal of both the Soviet and Chinese Communist leadership. If he later surprised many long-standing critics with his trips to Moscow and Peking, he had shown his genuine diplomatic skills much earlier in the way he balanced the demands of the warring factions within his own party. He never asked to be well liked or popular; he asked only to be accepted. There were many Republicans who hated him, particularly in California. Earl Warren feuded with him for years. Even Bill Knowland, the state’s senior senator and an old-fashioned reactionary, despised him. At the 1952 convention, Knowland had remained loyal to Warren despite Nixon’s attempts to help Eisenhower in the California delegation. When Knowland was asked to give a nominating speech for Nixon, he was not pleased: “I have to nominate the dirty son of a bitch,” he told friends. Nixon bridged the gap because his politics were never about ideology: They were the politics of self. Never popular with either wing, he managed to negotiate a delicate position acceptable to both. He did not bring warmth or friendship to the task; when he made attempts at these, he was, more often than not, stilted and artificial. Instead, he offered a stark choice: If you don’t like me, find someone who is closer to your position and who is also likely to win. If he tilted to either side, it was because that side seemed a little stronger at the moment or seemed to present a more formidable candidate with whom he had to deal. A classic example of this came early in 1960, when he told Barry Goldwater, the conservative Republican leader, that he would advocate a right-to-work plank at the convention; a few weeks later in a secret meeting with Nelson Rockefeller, the liberal Republican leader—then a more formidable national figure than Goldwater—Nixon not only reversed himself but agreed to call for its repeal under the Taft-Hartley act. “The man,” Goldwater noted of Nixon in his personal journal at the time, “is a two-fisted four-square liar.
David Halberstam (The Fifties)
Two tickets for The Wedding Date please, and a container for her to store my balls in." Sighing wearily, he gestured over his shoulder to me. "And that poor bastard behind me will have the same.
Chloe Walsh (Keeping 13 (Boys of Tommen #2))