The Red Sleeve Quotes

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It hurts so much, she thought. Our children, Ned, all our sweet babes. Rickon, Bran, Arya, Sansa, Robb… Robb… please, Ned, please, make it stop, make it stop hurting… The white tears and the red ones ran together until her face was torn and tattered, the face that Ned had loved. Catelyn Stark raised her hands and watched the blood run down her long fingers, over her wrists, beneath the sleeves of her gown. Slow red worms crawled along her arms and under her clothes. It tickles. That made her laugh until she screamed. “Mad,” someone said, “she’s lost her wits,” and someone else said, “Make an end,” and a hand grabbed her scalp just as she’d done with Jinglebell, and she thought, No, don’t, don’t cut my hair, Ned loves my hair. Then the steel was at her throat, and its bite was red and cold.— Catelyn Stark
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
...her hand closes on smooth metal. Her fingers test the sharpness of the edge. Perfect. It's a fresh blade. The girls' voices rustle in her head. Their clamoring pushes out all rational thought. She rolls up her sleeve. The bite of the blade kills the noise. It wipes out the memory of those staring faces. Willow looks at her arm, at the life springing from her. Tiny pinpricks of red that blossom into giant peonies.
Julia Hoban (Willow)
People always want to know what it feels like, so I’ll tell you: there’s a sting when you first slice, and then your heart speeds up when you see the blood, because you know you’ve done something you shouldn’t have, and yet you’ve gotten away with it. Then you sort of go into a trance, because it’s truly dazzling—that bright red line, like a highway route on a map that you want to follow to see where it leads. And—God—the sweet release, that’s the best way I can describe it, kind of like a balloon that’s tied to a little kid’s hand, which somehow breaks free and floats into the sky. You just know that balloon is thinking, Ha, I don’t belong to you after all; and at the same time, Do they have any idea how beautiful the view is from up here? And then the balloon remembers, after the fact, that it has a wicked fear of heights. When reality kicks in, you grab some toilet paper or a paper towel (better than a washcloth, because the stains don’t ever come out 100 percent) and you press hard against the cut. You can feel your embarrassment; it’s a backbeat underneath your pulse. Whatever relief there was a minute ago congeals, like cold gravy, into a fist in the pit of your stomach. You literally make yourself sick, because you promised yourself last time would be the last time, and once again, you’ve let yourself down. So you hide the evidence of your weakness under layers of clothes long enough to cover the cuts, even if it’s summertime and no one is wearing jeans or long sleeves. You throw the bloody tissues into the toilet and watch the water go pink before you flush them into oblivion, and you wish it were really that easy.
Jodi Picoult (Handle with Care)
Typical!” he said to Sophie. “ I break my neck to get here, and I find you peacefully tidying up!” Sophie looked up at him. As she had feared, the hard black-and white light coming through the broken wall showed her that Howl had not bothered to shave or tidy his hair. His eyes were still red-rimmed and his black sleeves were torn in several place. There was not much to choose between Howl and the scarecrow. Oh, dear! Sophie thought. He must love Miss Angorian very much. “I came for Miss Angorian,” she explained. “And I thought if I arranged for your family to visit you, it would keep you quiet for once!” Howl said disgustedly. “But no---“.
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
WESTMORELAND. O that we now had here But one ten thousand of those men in England That do no work to-day! KING. What's he that wishes so? My cousin Westmoreland? No, my fair cousin; If we are mark'd to die, we are enow To do our country loss; and if to live, The fewer men, the greater share of honour. God's will! I pray thee, wish not one man more. By Jove, I am not covetous for gold, Nor care I who doth feed upon my cost; It yearns me not if men my garments wear; Such outward things dwell not in my desires. But if it be a sin to covet honour, I am the most offending soul alive. No, faith, my coz, wish not a man from England. God's peace! I would not lose so great an honour As one man more methinks would share from me For the best hope I have. O, do not wish one more! Rather proclaim it, Westmoreland, through my host, That he which hath no stomach to this fight, Let him depart; his passport shall be made, And crowns for convoy put into his purse; We would not die in that man's company That fears his fellowship to die with us. This day is call'd the feast of Crispian. He that outlives this day, and comes safe home, Will stand a tip-toe when this day is nam'd, And rouse him at the name of Crispian. He that shall live this day, and see old age, Will yearly on the vigil feast his neighbours, And say 'To-morrow is Saint Crispian.' Then will he strip his sleeve and show his scars, And say 'These wounds I had on Crispian's day.' Old men forget; yet all shall be forgot, But he'll remember, with advantages, What feats he did that day. Then shall our names, Familiar in his mouth as household words- Harry the King, Bedford and Exeter, Warwick and Talbot, Salisbury and Gloucester- Be in their flowing cups freshly rememb'red. This story shall the good man teach his son; And Crispin Crispian shall ne'er go by, From this day to the ending of the world, But we in it shall be remembered- We few, we happy few, we band of brothers; For he to-day that sheds his blood with me Shall be my brother; be he ne'er so vile, This day shall gentle his condition; And gentlemen in England now-a-bed Shall think themselves accurs'd they were not here, And hold their manhoods cheap whiles any speaks That fought with us upon Saint Crispin's day.
William Shakespeare (Henry V)
In a way he made me think of a child doll, with briliant faintly red-brown glass eyes - a doll that had been found in an attic. I wanted to polish him with kisses, clean him up, make him evevn more radiant than he was. "That's what you always want," he said softly... "When you found me under Les Innocents," he said, "you wanted to bathe me with perfume and dress me in velvevt with great embroidered sleeves." "Yes," I said, "and comb your hair, your beautiful russet hair." My tone was angry. "You look good to me, you damnable little devil, good to embrace and good to love.
Anne Rice
He’s waiting on a bricked street with a rickety staircase that leads to the museum. His hair mussed, his posture slightly hunched. Why did I ever tease him about those freckles? I love them. I love every single one of them. I love his freckles and and his red hair and the too-short legs of his suit pants and the too-long sleeves, the way he laughs, the way he pushes up his glasses to rub his eyes.
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
Winter’s head snapped around, away from Scarlet. Scarlet’s pace slowed, dread pulsing through her as she, too, heard the footsteps. Pounding footsteps, like someone was running at full speed toward them. She reached for the knife Jacin had given her. A man barrelled around the corner, heading straight for the princess. Winter tensed half a second before he reached her. Grabbing Winter’s elbow, he yanked back the red hood. Scarlet gasped. Her knees weakened. The man stared at Winter with a mixture of confusion and disappointment and maybe even anger, all locked up in eyes so vividly green that Scarlet could see them glowing from here. She was the one hallucinating now. She took a stumbling, uncertain step forward. Wanting to run toward him, but terrified it was a trick. Her hand tightened around the knife handle as Wolf, ignoring how Winter was trying to pull away, grabbed her arm and smelled the filthy red sleeve of Scarlet’s hoodie, streaked with dirt and blood. He growled, ready to tear the princess apart. “Where did you get this?” So desperate, so determined, so him. The knife slipped out of Scarlet’s hand. Wolf’s attention snapped to her. “Wolf?” she whispered. His eyes brightened, wild and hopeful. Releasing Winter, he strode forward. His tumultuous eyes scooped over her. Devoured her. When he was in arm’s reach, Scarlet almost collapsed into him, but at the last moment she had the presence of mind to step back. She planted a hand on his chest. Wolf froze, hurt flickering across his face. “I’m sorry,” said Scarlet, her voice teetering with exhaustion. “It’s just…I smell so awful, I can hardly stand to be around myself right now, so I can’t even imagine what it’s like for you with your sense of sm-“ Batting her hand away, Wolf dug his fingers into Scarlet’s hair and crushed his mouth against hers. Her protests died with a muffled gasp. This time, she did collapse, her legs unable to hold her a second longer. Wolf fell with her, dropping his knees to break Scarlet’s fall and cradling her body against his. He was here. He was here.
Marissa Meyer (Winter (The Lunar Chronicles, #4))
I need to make a playlist of acoustic covers from tonight and carry it in my pocket. Songs that will remind me of winding up in a coffee shop in lace sleeves and red lipstick
Marisa Kanter (What I Like About You)
WORRY NOT, PRINCESS,” Ironhorse said, and I gaped at him, not believing my eyes. Where a horse had been, now a man stood before me, dark and massive, with a square jaw and fists the size of hams. He wore jeans and a black shirt that bulged with all the muscles underneath, the skin stretched tight over steely tendons. Dreadlocks spilled from his scalp like a mane, and his eyes still burned with that intense red glow. “YOU ARE NOT THE ONLY ONE WITH A FEW TRICKS UP YOUR SLEEVE, GOODFELLOW,” he said, a faint smirk beneath his voice. “NOW, GO. I WILL BE RIGHT BEHIND YOU.
Julie Kagawa (The Iron Daughter (The Iron Fey, #2))
Amazing the power you have when you’re bloody up to the sleeves and none of it is your own.
Pierce Brown (Golden Son (Red Rising Saga, #2))
But you want me to die. You think I’m somehow wrong. Broken.” “I think we’re all broken,” said Serena, tossing her the red coat. “Put that on.” “I don’t feel broken,” Sydney said quietly as she tugged on the too-big sleeves. “And even if I am, I can fix other people.
V.E. Schwab (Vicious (Villains, #1))
Who told you that?" I say. "Davy Prentiss?" He blinks. "What?" "What do you mean what?" My voice is harder now. "Your new best friend. The man who shot me, Todd, and who you ride to work with laughing every morning." He clenches his hands into fists. "You've been spying on me?" he says. "Three months I don't see you, three months I don't hear nothing from you and you been spying? Is that what yer doing in your spare time when yer not blowing people up?" "Yeah," I yell, my voice getting louder to match his. "Three months of defending you to people who'd only be too happy to call you enemy, Todd. Three months of wondering why the hell you're working so hard for the Mayor and how he knew to go right for the ocean the day after we spoke." He winces, but I keep going, thrusting out my arm and pulling up on the sleeve. "Three months wondering why you put these on women!" His face changes in an instant. He actually calls out as if he felt the pain himself. He puts a hand to his mouth to stifle it but his Noise is suddenly washed with blackness. He moves his fingertips of his other hand within reach of the band, hovering over my skin, over the band that'll never be removed unless I lose my arm. The skin is still red, and band 1391 still trobs, despite the healing of three mistresses. "Oh, no," he says. "Oh, no." The side door opens and the man who let me in leans out. "Everything all right out there, Lieutenant?" "Lieutenant?" I say. "We're fine," Todd chokes a little. "We're fine." The man waits for a second, then goes back inside. "Lieutenant?" I say again, lowering my voice. Todd's leant down, his hands on his knees, staring at the floor. "It wasn't me, was it?" he says, his voice quiet, too. "I didn't-" He gestures again at the band without looking up. "I didn't do it without knowing it was you, did I?
Patrick Ness (The Ask and the Answer (Chaos Walking, #2))
And now, for your marking,' the red Coach said. The blue coach stepped forward and faced Keefe. 'Your immediate, impulsive action--despite being foolish--made it clear that you belong in the Right Hemisphere.' He dipped his hand in the paint and smacked Keefe's arm, leaving a blue handprint on his sleeve. 'You enjoyed that, didn't you?' Keefe asked. 'Very much.
Shannon Messenger (Neverseen (Keeper of the Lost Cities, #4))
He felt something on his neck. Warmth. He hesitated, then turned weary eyes toward the sky. Sunlight bathed his face. He gaped; it seemed so long since he’d seen pure sunlight. It shone down through a large break in the clouds, comforting, like the warmth of an oven baking a loaf of Adrinne’s thick sourdough bread. Almen stood, raising a hand to shade his eyes. He took a deep, long breath, and smelled… apple blossoms? He spun with a start. The apple trees were flowering. That was plain ridiculous. He rubbed his eyes, but that didn’t dispel the image. They were blooming, all of them, white flowers breaking out between the leaves. [...] What was happening? Apple trees didn’t blossom twice. Was he going mad? Footsteps sounded softly on the path that ran past the orchard. Almen spun to find a tall young man walking down out of the foothills. He had deep red hair and he wore ragged clothing: a brown cloak with loose sleeves and a simple white linen shirt beneath. The trousers were finer, black with a delicate embroidery of gold at the cuff. “Ho, stranger,” Almen said, raising a hand, not knowing what else to say, not even sure if he’d seen what he thought he’d seen. “Did you… did you get lost up in the foothills?” The man stopped, turning sharply. He seemed surprised to find Almen there. With a start, Almen realized the man’s left arm ended in a stump. The stranger looked about, then breathed in deeply. “No. I’m not lost. Finally. It feels like a great long time since I’ve understood the path before me.
Robert Jordan (Towers of Midnight (The Wheel of Time, #13))
he which hath no stomach to this fight, Let him depart; his passport shall be made, And crowns for convoy put into his purse; We would not die in that man's company That fears his fellowship to die with us. This day is call'd the feast of Crispian. He that outlives this day, and comes safe home, Will stand a tip-toe when this day is nam'd, And rouse him at the name of Crispian. He that shall live this day, and see old age, Will yearly on the vigil feast his neighbours, And say 'To-morrow is Saint Crispian.' Then will he strip his sleeve and show his scars, And say 'These wounds I had on Crispian's day.' Old men forget; yet all shall be forgot, But he'll remember, with advantages, What feats he did that day. Then shall our names, Familiar in his mouth as household words- Harry the King, Bedford and Exeter, Warwick and Talbot, Salisbury and Gloucester- Be in their flowing cups freshly rememb'red. This story shall the good man teach his son; And Crispin Crispian shall ne'er go by, From this day to the ending of the world, But we in it shall be remembered- We few, we happy few, we band of brothers; For he to-day that sheds his blood with me Shall be my brother; be he ne'er so vile, This day shall gentle his condition; And gentlemen in England now-a-bed Shall think themselves accurs'd they were not here, And hold their manhoods cheap whiles any speaks That fought with us upon Saint Crispin's day.
William Shakespeare (Henry V)
But I had my wand hidden up my sleeve," he assured Padma Patil,... [Ron revising the story in the 2nd task, of how he escaped the merpeople] ... "I could've taken those mer-idiots any time I wanted." "What were you going to do, snore at them?" said Hermoine waspishly. ... Ron's ears went red, and thereafter, he reverted to the bewitched sleep version of events.
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
It was a pretty sight, and a seasonable one, that met their eyes when they flung the door open. In the fore-court, lit by the dim rays of a horn lantern, some eight or ten little field-mice stood in a semicircle, red worsted comforters round their throats, their fore-paws thrust deep into their pockets, their feet jigging for warmth. With bright beady eyes they glanced shyly at each other, sniggering a little, sniffing and applying coat-sleeves a good deal. As the door opened, one of the elder ones that carried the lantern was just saying, "Now then, one, two, three!" and forthwith their shrill little voices uprose on the air, singing one of the old-time carols that their forefathers composed in fields that were fallow and held by frost, or when snow-bound in chimney corners, and handed down to be sung in the miry street to lamp-lit windows at Yule-time.
Kenneth Grahame (The Wind in the Willows)
We asked our Welsh teacher, Mr Llewellyn – who is young, to tell us the Welsh sex words. The Welsh word for sex is ‘rhyw’. It sounds like coughing. He said that, in general, Welsh-speakers use English words. When pressed, he gave us a couple of examples to show us why this might be. ‘Llawes goch’ means ‘red sleeve’. ‘Coes fach’ means ‘small leg’. The phrase would be: ‘Put your small leg in my red sleeve’.
Joe Dunthorne (Submarine)
My father is standing at the sink wearing a too-tight long-sleeved red T-Shirt, a pair of too-high jeans and sporting the type of orange glow that belongs only on Chernobyl victims. Plus his hair looks like an oil spill. 'Hey you,' he says, washing what looks to be some carrots under the sink. Are they carrots or are they parsnips reflecting the sheen of my father's tangerine skin? Hard to tell. 'You've fake tanned yourself again,' I say - it's a statement, not a question. 'Too much?' he says, innocently. 'I just didn't want to be one of those pasty office workers and I thought it wouldn't hurt to back up last week's application with another hit.' 'Dad, you look-' 'Sun kissed?' 'Radioactive. And what the hell happened to your hands?' - Cat
Rebecca Sparrow (Joel and Cat Set the Story Straight)
You’re different than you used to be. A few months ago you wouldn’t have followed me onto this porch.” The compliment, if it was that, brought tears to her eyes. “I—I’m sorry for treating you so badly. I’m ashamed now of how I snubbed you—acted afraid of you—” “It’s common enough.” The admission startled her—made her feel grieved and defensive and tender toward him all at once. She longed to lay a reassuring hand on his sleeve but checked herself. There was no self-pity in his manner, only truth telling, and she sensed he didn’t want her sympathy, just her friendship. And her forgiveness. “A half blood belongs to no one, red or white,” he said. “You belong to God,” she said softly.
Laura Frantz (Courting Morrow Little)
My heart quickened when I caught a flash of red entering the lunchroom. At the corner door farthest from me, Echo paused and performed a quick scan. She held her books tight to her chest, sleeves clutched in her hands. Our eyes met. Her green eyes melted and she gave me that beautiful siren smile
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
What the hell just happened?” Jesper asked. He was leaning against the railing, his rifle beside him. His hair was mussed, his pupils dilated. He seemed almost drunk, or like he’d just rolled out of someone’s bed. He always had that look after a fight. Helvar was bent over the railing, vomiting. Not a sailor, apparently. At some point they’d need to shackle his legs again. “We were ambushed,” Wylan said from his perch on the forecastle deck. He had his sleeve pushed up and was running his fingers over the red spot where Nina had seen to his wound. Jesper shot Wylan a withering glare. “Private tutors from the university, and that’s what this kid comes up with? ‘We were ambushed?’” Wylan reddened. “Stop calling me kid. We’re practically the same age.” “You’re not going to like the other names I come up with for you. I know we were ambushed.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
No, it was the livid red lines scoring Will's wrists, the long, jagged scars that couldn't be disguised, no matter how swiftly Nathan pulled down Will's sleeves.
Jojo Moyes (Me Before You (Me Before You, #1))
He looks up. Our eyes lock,and he breaks into a slow smile. My heart beats faster and faster. Almost there.He sets down his book and stands.And then this-the moment he calls my name-is the real moment everything changes. He is no longer St. Clair, everyone's pal, everyone's friend. He is Etienne. Etienne,like the night we met. He is Etienne,he is my friend. He is so much more. Etienne.My feet trip in three syllables. E-ti-enne. E-ti-enne, E-ti-enne. His name coats my tongue like melting chocolate. He is so beautiful, so perfect. My throat catches as he opens his arms and wraps me in a hug.My heart pounds furiously,and I'm embarrassed,because I know he feels it. We break apart, and I stagger backward. He catches me before I fall down the stairs. "Whoa," he says. But I don't think he means me falling. I blush and blame it on clumsiness. "Yeesh,that could've been bad." Phew.A steady voice. He looks dazed. "Are you all right?" I realize his hands are still on my shoulders,and my entire body stiffens underneath his touch. "Yeah.Great. Super!" "Hey,Anna. How was your break?" John.I forget he was here.Etienne lets go of me carefully as I acknowledge Josh,but the whole time we're chatting, I wish he'd return to drawing and leave us alone. After a minute, he glances behind me-to where Etienne is standing-and gets a funny expression on hs face. His speech trails off,and he buries his nose in his sketchbook. I look back, but Etienne's own face has been wiped blank. We sit on the steps together. I haven't been this nervous around him since the first week of school. My mind is tangled, my tongue tied,my stomach in knots. "Well," he says, after an excruciating minute. "Did we use up all our conversation over the holiday?" The pressure inside me eases enough to speak. "Guess I'll go back to the dorm." I pretend to stand, and he laughs. "I have something for you." He pulls me back down by my sleeve. "A late Christmas present." "For me? But I didn't get you anything!" He reaches into a coat pocket and brings out his hand in a fist, closed around something very small. "It's not much,so don't get excited." "Ooo,what is it?" "I saw it when I was out with Mum, and it made me think of you-" "Etienne! Come on!" He blinks at hearing his first name. My face turns red, and I'm filled with the overwhelming sensation that he knows exactly what I'm thinking. His expression turns to amazement as he says, "Close your eyes and hold out your hand." Still blushing,I hold one out. His fingers brush against my palm, and my hand jerks back as if he were electrified. Something goes flying and lands with a faith dink behind us. I open my eyes. He's staring at me, equally stunned. "Whoops," I say. He tilts his head at me. "I think...I think it landed back here." I scramble to my feet, but I don't even know what I'm looking for. I never felt what he placed in my hands. I only felt him. "I don't see anything! Just pebbles and pigeon droppings," I add,trying to act normal. Where is it? What is it? "Here." He plucks something tiny and yellow from the steps above him. I fumble back and hold out my hand again, bracing myself for the contact. Etienne pauses and then drops it from a few inches above my hand.As if he's avoiding me,too. It's a glass bead.A banana. He clears his throat. "I know you said Bridgette was the only one who could call you "Banana," but Mum was feeling better last weekend,so I took her to her favorite bead shop. I saw that and thought of you.I hope you don't mind someone else adding to your collection. Especially since you and Bridgette...you know..." I close my hand around the bead. "Thank you." "Mum wondered why I wanted it." "What did you tell her?" "That it was for you,of course." He says this like, duh. I beam.The bead is so lightweight I hardly feel it, except for the teeny cold patch it leaves in my palm.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Please, I know you understand heartbreak. Stop Luc from marrying Marisol. Save my heart from breaking again.” “Now, that was a pathetic speech.” Two slow claps followed the indolent voice, which sounded just a few feet away. Evangeline spun around, all the blood draining from her face. She didn’t expect to see him—the young man who’d been tearing his clothes in the back of the church. Although it was difficult to believe this was the same person. She had thought that boy was in agony, but he must have ripped away his pain along with the sleeves of his jacket, which now hung in tatters over a striped black-and-white shirt that was only halfway tucked into his breeches. He sat on the dais steps, lazily leaning against one of the pillars with his long, lean legs stretched out before him. His hair was golden and messy, his too-bright blue eyes were bloodshot, and his mouth twitched at the corner as if he didn’t enjoy much, but he found pleasure in the brief bit of pain he’d just inflicted upon her. He looked bored and rich and cruel. “Would you like me to stand up and turn around so that you can take in the rest of me?” he taunted. The color instantly returned to Evangeline’s cheeks. “We’re in a church.” “What does that have to do with anything?” In one elegant move, the young man reached into the inner pocket of his ripped burgundy coat, pulled out a pure white apple, and took one bite. Dark red juice dripped from the fruit to his long, pale fingers and then onto the pristine marble steps. “Don’t do that!” Evangeline hadn’t meant to yell. Although she wasn’t shy with strangers, she generally avoided quarrelling with them. But she couldn’t seem to help it with this crass young man. “You’re being disrespectful.” “And you’re praying to an immortal who kills every girl he kisses. You really think he deserves any reverence?” The awful young man punctuated his words with another wide bite of his apple.
Stephanie Garber (Once Upon a Broken Heart (Once Upon a Broken Heart, #1))
Picnic, Lightning It is possible to be struck by a meteor or a single-engine plane while reading in a chair at home. Safes drop from rooftops and flatten the odd pedestrian mostly within the panels of the comics, but still, we know it is possible, as well as the flash of summer lightning, the thermos toppling over, spilling out on the grass. And we know the message can be delivered from within. The heart, no valentine, decides to quit after lunch, the power shut off like a switch, or a tiny dark ship is unmoored into the flow of the body’s rivers, the brain a monastery, defenseless on the shore. This is what I think about when I shovel compost into a wheelbarrow, and when I fill the long flower boxes, then press into rows the limp roots of red impatiens— the instant hand of Death always ready to burst forth from the sleeve of his voluminous cloak. Then the soil is full of marvels, bits of leaf like flakes off a fresco, red-brown pine needles, a beetle quick to burrow back under the loam. Then the wheelbarrow is a wilder blue, the clouds a brighter white, and all I hear is the rasp of the steel edge against a round stone, the small plants singing with lifted faces, and the click of the sundial as one hour sweeps into the next.
Billy Collins (Picnic, Lightning)
The wedding ended, hurriedly, on a surge of masculine bonhomie and relief. Five minutes later, followed by the red-eyed glares of their womenfolk, Buccleuch and his friends and his new-married son had plunged off to join Lord Culter, head of the Crawfords, and Francis Crawford his brother, to fight the English once more. * Sentimentally, Will Scott thought, it made his wedding-day perfect. Cantering, easy and big-limbed, through the bracken of Ettrick-side, with leaves stuck, lime-green and scarlet on his wet sleeves, blue eyes narrowed and fair, red-blooded Scott face misted with rain, he was borne on a vast, angry joy.
Dorothy Dunnett (The Disorderly Knights (The Lymond Chronicles, #3))
This is what I think about when I shovel compost into a wheelbarrow, and when I fill the long flower boxes, then press into rows the limp roots of red impatiens— the instant hand of Death always ready to burst forth from the sleeve of his voluminous cloak. Then the soil is full of marvels, bits of leaf like flakes off a fresco, red-brown pine needles, a beetle quick to burrow back under the loam. Then the wheelbarrow is a wilder blue, the clouds a brighter white, and all I hear is the rasp of the steel edge against a round stone, the small plants singing with lifted faces, and the click of the sundial as one hour sweeps into the next.
Billy Collins (Picnic, Lightning)
It was a gringo; in the remote corners of the world the short-sleeved flowered tourist shirt, the steel-rimmed glasses, khaki pants and bulldog shoes had become the uniform of earnest American enterprise. Moon recognized the man as the new missionary. His head was cropped too close, so that his white skull gleamed, and the red skin of his neck and jaw was riddled with old acne; his face was bald with anxiety and tiresome small agonies.
Peter Matthiessen (At Play in the Fields of the Lord)
Temple grimaced, and twitched, and fidgeted with a frayed sleeve. ‘What can we do, though?’ ‘Only follow our consciences.’ Temple rounded on him angrily. ‘For a mercenary you talk a lot about conscience!’ ‘Why concern yourself unless yours bothers you?’ ‘As far as I can tell, you’re still taking Cosca’s money!’ ‘If I stopped, would you?’ Temple opened his mouth, then soundlessly shut it and scowled off at the horizon, picking at his sleeve, and picking, and picking.
Joe Abercrombie (Red Country)
Susannah Buxton, costume designer: This dress (above) was made of original beading so delicate that it couldn't be worn again. The red dress (right) is made from a turn-of-the-century Spanish evening dress. We sourced beautiful silk chiffon and had it pleated for the cap sleeves and bands across the front. We built layers for the final effect, with embroidered lace laid over the deep-red satin under-dress. We used evening gloves from the costume house selection, which are "dipped down" - that is, run through with dyes to take the brightness out of the fabric.
Jessica Fellowes (The World of Downton Abbey)
Everything except the wings around my face is red: the color of blood, which defines us. The skirt is ankle-length, full, gathered to a flat yoke that extends over the breasts, the sleeves are full. The white wings too are prescribed issue; they are to keep us from seeing, but also from being seen.
Margaret Atwood (The Handmaid's Tale (The Handmaid's Tale, #1))
He was a mere child in the world, but he didn't cry for the moon. He said to the world, 'Go your several ways in peace! Wear red coats, blue coats, lawn-sleeves, put pens behind your ears, wear aprons; go after glory, holiness, commerce, trade, any object you prefer; only - let Harold Skimpole live!
Charles Dickens (Bleak House)
There was a time with his wife on this river or a river just like it, it can't be this river, but in his memory it is this one. A time on a wash just like this where he lay shirtless with her shivering in the August night, jeans pasted dark and wet to his knocking legs, his torso white to glowing in the moonlight. Her hair tendriled and framed about her face like an outlandish black tattoo. Her wet dress like a sleeve of molting skin, which of a sort it had been that whole night in their dancing. Her heart in its red and white cage knocking just inches from his own, like two young prisoners tapping out simpleton Morse I am here I am here I am here. Here I am for your pleasure for you forever. On a river like this where he impregnated her. A river promise too, he said I love you I love you. Seventeen years old. A pleasure so total that even then he knew he had mortgaged years to her and he did not care.
Smith Henderson (Fourth of July Creek)
Joffrey lurched to his feet. “I’m king! Kill him! Kill him now! I command it.” He chopped down with his hand, a furious, angry gesture … and screeched in pain when his arm brushed against one of the sharp metal fangs that surrounded him. The bright crimson samite of his sleeve turned a darker shade of red as his blood soaked through it. “Mother!” he wailed.
George R.R. Martin (A Song of Ice and Fire, 5-Book Boxed Set: A Game of Thrones, A Clash of Kings, A Storm of Swords, A Feast for Crows, A Dance with Dragons (Song of Ice & Fire 1-5))
A flaming red flapper dress, a sleek black dress with full, satin purple sleeves and a matching flounce, a summery cotton frock with a cheerful red poppy print, and a musketeer's gold-trimmed jacket tumbled out of the pile of clothing. A mound of scarves fluttered onto the bed. Marge fingered the frayed, tasseled edge of a silk jacquard scarf in shades of amethyst and emerald green.
Jan Moran (The Chocolatier)
Mila held out a dress so lovely that Snow gasped. She lovingly touched the blue bodice with the cap sleeves that had red accents woven throughout and the shining yellow satin. She hadn't had anything new to wear in a very long time. She almost hesitated to put the dress on- what if she ruined it in the woods? But when else would she have a chance to wear such a fine gown? She slipped into it with glee.
Jen Calonita (Mirror, Mirror)
He was decked in a pea-green doublet with paned sleeves, silk breeches in darker green and trimmed with knotted ribbons. His massive belt sported three silver buckles and his boots showed crimson heels. The glory was a low-crowned hat with six red-dyed ostrich plumes wreathed around the brim. He smelled of a cloying perfume that made Elphège sneeze out a gob of snot onto the scalloped cuff of the doublet.
Annie Proulx (Barkskins)
She narrowed her eyes at him. She wanted to tell him that it was his fault, that she would never have tripped if he’d just stayed the same old Jay he’d always been, gangly and childlike. But she knew that she was being irrational. He was bound to grow up eventually; she’d just never imagined that he’d grow up so well. Instead she accused him: “Well, maybe if you hadn’t pushed me I wouldn’t have fallen.” She made the outlandish accusation with a completely straight face. He shook his head. “You’ll never be able to prove it. There were no witnesses—it’s just your word against mine.” She giggled and hopped down. “Yeah, well, who’s gonna believe you over me? Weren’t you the one who shoplifted a candy bar from the Safeway?” She limped over to the sink while she taunted him with her words, and she washed the dirt from the minor scrapes on her palms. “Whatever! I was seven. And I believe you were the one who handed it to me and told me to hide it in my sleeve. Technically that makes you the mastermind of that little operation, doesn’t it?” He came up behind her, and reaching around her, he poured some of the antibacterial wash onto her hands. She was taken completely off guard by the intimate gesture. She froze as she felt his chest pressing against her back until that was all she could think about for the moment and the temporarily forgot how to speak. She watched as the red scrapes fizzed with white bubbles from the disinfectant. He leaned over her shoulder, setting the bottle down and pulling her hands up toward him. He blew on them too. Violet didn’t even notice the sting this time. And then it was over. He released her hands, and as she stood there, dazed, he handed her a clean towel to dry them on. When she turned around to face him, she realized that she had been the only one affected by the moment, that his touch had been completely innocent. He was looking at her like he was waiting for her to say something, and she was suddenly aware that her mouth was still open. She finally gathered her wits enough to speak again. “Yeah, well, maybe if you hadn’t done it right in front of the cashier, we might have gotten away with it. Instead, you got both of us grounded for stealing.” He didn’t miss a beat, and he seemed unaware of her temporary lapse. “And some might say that our grounding saved us from a life of crime.” She hung the towel over the oven’s door handle. “Maybe it saved me, but the jury’s still out on you. I always thought you were kind of a bad seed.” He gave her a questioning look. “Seriously, a ‘bad seed’, Vi? When did you turn ninety and start saying things like ‘bad seed’?” She pushed him as she walked by, even though he really wasn’t in her way. He gave her a playful shove from behind and teased her, “Don’t make me trip you again.” Now more than ever, Violet hoped that this crush of hers passed soon, so she could get back to the business of being just friends. Otherwise, this was going to be a long—and painful—year.
Kimberly Derting (The Body Finder (The Body Finder, #1))
The monstrous versions of himself and Hermione were gone: There was only Ron, standing there with the sword held slackly in his hand, looking down at the shattered remains of the locket on the flat rock. Slowly, Harry walked back to him, hardly knowing what to say or do. Ron was breathing heavily: His eyes were no longer red at all, but their normal blue; they were also wet. Harry stooped, pretending he had not seen, and picked up the broken Horcrux. Ron had pierced the glass in both windows: Riddle’s eyes were gone, and the stained silk lining of the locket was smoking slightly. The thing that had lived in the Horcrux had vanished; torturing Ron had been its final act. The sword clanged as Ron dropped it. He had sunk to his knees, his head in his arms. He was shaking, but not, Harry realized, from cold. Harry crammed the broken locket into his pocket, knelt down beside Ron, and placed a hand cautiously on his shoulder. He took it as a good sign that Ron did not throw it off. “After you left,” he said in a low voice, grateful for the fact that Ron’s face was hidden, “she cried for a week. Probably longer, only she didn’t want me to see. There were loads of nights when we never even spoke to each other. With you gone…” He could not finish; it was only now that Ron was here again that Harry fully realized how much his absence had cost them. “She’s like my sister,” he went on. “I love her like a sister and I reckon she feels the same way about me. It’s always been like that. I thought you knew.” Ron did not respond, but turned his face away from Harry and wiped his nose noisily on his sleeve. Harry got to his feet again and walked to where Ron’s enormous rucksack lay yards away, discarded as Ron had run toward the pool to save Harry from drowning. He hoisted it onto his own back and walked back to Ron, who clambered to his feet as Harry approached, eyes bloodshot but otherwise composed. “I’m sorry,” he said in a thick voice. “I’m sorry I left. I know I was a--a--” He looked around at the darkness, as if hoping a bad enough word would swoop down upon him and claim him. “You’ve sort of made up for it tonight,” said Harry. “Getting the sword. Finishing off the Horcrux. Saving my life.” “That makes me sound a lot cooler than I was,” Ron mumbled. “Stuff like that always sounds cooler than it really was,” said Harry. “I’ve been trying to tell you that for years.” Simultaneously they walked forward and hugged, Harry gripping the still-sopping back of Ron’s jacket. “And now,” said Harry as they broke apart, “all we’ve got to do is find the tent again.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
The plane banked, and he pressed his face against the cold window. The ocean tilted up to meet him, its dark surface studded with points of light that looked like constellations, fallen stars. The tourist sitting next to him asked him what they were. Nathan explained that the bright lights marked the boundaries of the ocean cemeteries. The lights that were fainter were memory buoys. They were the equivalent of tombstones on land: they marked the actual graves. While he was talking he noticed scratch-marks on the water, hundreds of white gashes, and suddenly the captain's voice, crackling over the intercom, interrupted him. The ships they could see on the right side of the aircraft were returning from a rehearsal for the service of remembrance that was held on the ocean every year. Towards the end of the week, in case they hadn't realised, a unique festival was due to take place in Moon Beach. It was known as the Day of the Dead... ...When he was young, it had been one of the days he most looked forward to. Yvonne would come and stay, and she'd always bring a fish with her, a huge fish freshly caught on the ocean, and she'd gut it on the kitchen table. Fish should be eaten, she'd said, because fish were the guardians of the soul, and she was so powerful in her belief that nobody dared to disagree. He remembered how the fish lay gaping on its bed of newspaper, the flesh dark-red and subtly ribbed where it was split in half, and Yvonne with her sleeves rolled back and her wrists dipped in blood that smelt of tin. It was a day that abounded in peculiar traditions. Pass any candy store in the city and there'd be marzipan skulls and sugar fish and little white chocolate bones for 5 cents each. Pass any bakery and you'd see cakes slathered in blue icing, cakes sprinkled with sea-salt.If you made a Day of the Dead cake at home you always hid a coin in it, and the person who found it was supposed to live forever. Once, when she was four, Georgia had swallowed the coin and almost choked. It was still one of her favourite stories about herself. In the afternoon, there'd be costume parties. You dressed up as Lazarus or Frankenstein, or you went as one of your dead relations. Or, if you couldn't think of anything else, you just wore something blue because that was the colour you went when you were buried at the bottom of the ocean. And everywhere there were bowls of candy and slices of special home-made Day of the Dead cake. Nobody's mother ever got it right. You always had to spit it out and shove it down the back of some chair. Later, when it grew dark, a fleet of ships would set sail for the ocean cemeteries, and the remembrance service would be held. Lying awake in his room, he'd imagine the boats rocking the the priest's voice pushed and pulled by the wind. And then, later still, after the boats had gone, the dead would rise from the ocean bed and walk on the water. They gathered the flowers that had been left as offerings, they blew the floating candles out. Smoke that smelt of churches poured from the wicks, drifted over the slowly heaving ocean, hid their feet. It was a night of strange occurrences. It was the night that everyone was Jesus... ...Thousands drove in for the celebrations. All Friday night the streets would be packed with people dressed head to toe in blue. Sometimes they painted their hands and faces too. Sometimes they dyed their hair. That was what you did in Moon Beach. Turned blue once a year. And then, sooner or later, you turned blue forever.
Rupert Thomson (The Five Gates of Hell)
Mary.” Turning at the soft sound of her name, she glanced behind herself. Then frowned. “Lassiter?” “I’m over here.” “Where?” She looked all around. “Why is your voice echoing?” “Chimney.” “What?” “I’m stuck in the fucking chimney.” She raced over to the fireplace and got on her hands and knees. Looking up into the dark flue, she shook her head. “Lass? What the hell are you doing up there?” His voice emanated from somewhere above her. “Don’t tell anyone, okay?” “What are you—” An arm came down. A very sooty arm that was encased in a red sleeve that had white trim. Or what had been white trim and which was now smudged with ash. “You’re stuck!” she exclaimed. “And thank God no one lit this fire!” “You’re telling me,” he muttered in his disembodied voice. “I had to blow out Fritz’s match like a hundred times before he gave up. Fuck, that sounds dirty. Anyway, just remind me never to try to be Santa for your kid, okay? I’m not doing this again, even for her.” Mary stretched a little farther in, but the logs on the hearth stopped her. “Lassiter. Why can’t you free yourself by dematerializing—” “I’m impaled on a hook that’s iron. I can’t go ghost. And will you just take this?” “What?” “This.” He turned his hand toward her and there was…a box…in it? A small navy blue box. “Open it. And before you ask, I already cleared it with your pinheaded hellren. He’s not jel or anything.” Mary sat back and shook her head. “I’m more worried about you—” “Justopenthefuckingthingalready.” Taking off the top, she found a slightly smaller box inside. That was velvet. “What is this?” As she lifted the lid, she…gasped. It was a pair of diamond earrings. A pair of perfectly matched, sparkly, diamond… “A mother’s tears,” Lassiter’s slightly echo-y voice said softly. “So hard, so beautiful. I told you everything was going to be all right. And those are to remind you of how strong you are, how strong your love for your daughter is…how, even in the worst of times, things have a way of working out as they should.” Blinking away tears, she thought of her crying in the foyer in front of the angel, crying because all had been lost. “They’re just beautiful,” she said hoarsely. -Lassiter & Mary
J.R. Ward (Blood Vow (Black Dagger Legacy, #2))
Today I saw the most beautiful girl in the world... She is the most beautiful girl in the world, Bartolomeo Scappi thought. Never have I seen a woman so perfect, so angelic, so impossible for me to attain. "Bella," he breathed when air filled his lungs once again. Even Ippolito d'Este's presence at the dining table could not mar his giddiness. The girl was so beautiful she glowed like a painting of the Madonna, making everyone around her seem colorless in comparison. She was clearly a principessa of a grand house, sitting between Ippolito's father, the Duke of Ferrara, on one side, and a woman most likely to be her mother on the right. Bartolomeo sought to memorize every feature of this goddess with golden hair that shone with glints of red in the last rays of the day's sunlight. Her eyes were dark chestnut, rich and deep, while her lips were pink, like the inside of a seashell. Her hair was braided, but much of it flowed loose over shoulders, teasing her pale skin. She wore a dress of red, with sleeves billowing white. Rubies and pearls spilled across her delicate collarbone toward her beautiful breasts. Scappi painted her picture in his mind and stored it deep within the frame of his heart. That evening, while staring at the sky, his thoughts lost in the memory of the signorina, a shooting star passed across his vision. "Stella," he said under his breath. I will call her Stella. My shining star.
Crystal King (The Chef's Secret)
One of my favorite album covers is On the Beach. Of course that was the name of a movie and I stole it for my record, but that doesn't matter. The idea for that cover came like a bolt from the blue. Gary and I traveled around getting all the pieces to put it together. We went to a junkyard in Santa Ana to get the tail fin and fender from a 1959 Cadillac, complete with taillights, and watched them cut it off a Cadillac for us, then we went to a patio supply place to get the umbrella and table. We picke up the bad polyester yellow jacket and white pants at a sleazy men's shop, where we watched a shoplifter getting caught red-handed and busted. Gary and I were stoned on some dynamite weed and stood there dumbfounded watching the bust unfold. This girl was screaming and kicking! Finally we grabbed a local LA paper to use as a prop. It had this amazing headline: Sen. Buckley Calls For Nixon to Resign. Next we took the palm tree I had taken around the world on the Tonight's the Night tour. We then placed all of these pieces carefully in the sand at Santa Monica beach. Then we shot it. Bob Seidemann was the photographer, the same one who took the famous Blind Faith cover shot of the naked young girl holding the airplane. We used the crazy pattern from the umbrella insides for the inside of the sleeve that held the vinyl recording. That was the creative process at work. We lived for that, Gary and I, and we still do.
Neil Young (Waging Heavy Peace: A Hippie Dream)
I headed to the church at five-thirty, wearing jeans, flip-flops, and brick red lipstick. My mom, calm and cool as a mountain lake, carried my white dress--plain and romantic, with a bodice that laced up corset-style in the back and delicate sheer sleeves. I carted in my shoes…my earrings…my makeup…and my exfoliating scrub, in case my face decided to pull a last-minute sloughing. I wasn’t about to roll over and take a last-minute sloughing without a fight. Not on my wedding day.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
difference in their ages. The elder was bareheaded. A loose tunic, dropping to the knees, was his attire complete, except sandals and a light-blue mantle spread under him on the seat. The costume left his arms and legs exposed, and they were brown as the face; nevertheless, a certain grace of manner, refinement of features, and culture of voice decided his rank. The tunic, of softest woollen, gray-tinted, at the neck, sleeves, and edge of the skirt bordered with red, and bound to the waist by a
Ben-Hur: A Tale of the Christ
Standing out on purpose is one thing, but doing so by default takes a lot of energy and confidence. I’m proud of the things that set me apart, and I know why they are good; but that doesn’t mean it isn’t difficult. Every now and then I wish I wasn’t the only one-piece swimsuit at the pool, the only sleeved dress on the red carpet, the only sober performer in the room, or the only pirate at the party. Not because I don’t see the value in these things, but because sometimes being different feels a lot like being alone, and being alone is exhausting.
Lindsey Stirling (The Only Pirate at the Party)
The day before our final exercise had begun, the DS had made the briefing crystal clear. “Don’t give them anything or they will exploit it. Be smart. Stay focused despite the pain and fatigue. Slip up for a second and you fail. And no one is your friend, until you see me walk in wearing a white cross on my sleeve. Only then is the exercise over.” “The Red CROSS is not my white cross; a vicar’s CROSS is not my white cross…the offer of a hot-CROSS bun and a sip of tea is not my white cross. Do you understand?” He reiterated. “Don’t get caught out--not at this stage of Selection.
Bear Grylls (Mud, Sweat and Tears)
Goodness, what crazy purchases were prompted by the poignant predilection Humbert had in those days for check weaves, bright cottons, frills, puffed-out short sleeves, soft pleats, snug-fitting bodices and generously full skirts! Oh Lolita, you are my girl, as Vee was Poe’s and Bea Dante’s, and what little girl would not like to whirl in a circular skirt and scanties? Did I have something special in mind? coaxing voices asked me. Swimming suits? We have them in all shades. Dream pink, frosted aqua, glans mauve, tulip red, oolala black. What about paysuits? Slips? No slips. Lo and I loathed slips.
Vladimir Nabokov (Lolita)
I cannot hope to make you understand how the world is truly made,' he told her. 'Metaphor, then: the world is a weave, like threads woven into cloth.' His hand came out of his sleeve with a strip of his red ribbon. 'If you say so.' 'Everything, stone, trees, beasts, the sky, the waters, all are a weave of fabric,' he said patiently. 'But when you think, it is different. Your thinking snarls the fabric, knots it. If you were a magician, you could use the knot of your mind to pull on other threads. That is magic, and now you see how every simple it is. I wonder everyone does not become an enchanter.
Adrian Tchaikovsky (Salute the Dark (Shadows of the Apt, #4))
They went on in this way for nine years. And then, one autumn day, it ended. Freddy had changed, of course, from a twenty-five-year-old to a man in his midthirties: a high school teacher in blue short-sleeved button-ups and black ties, whom Less jokingly called Mr. Pelu (often raising his hand as if to be called on in class). Mr. Pelu had kept his curls, but his glasses were now red plastic. He could no longer fit his slim clothes; he had filled out from that skinny youngster into a grown man, with shoulders and a chest and a softness just beginning on in his belly. He no longer stumbled drunk up Less's stairs and recited bad poetry every weekend.
Andrew Sean Greer (Less (Arthur Less, #1))
A gentle breeze rustled through the leaves, bringing with it the scent of fresh-turned earth and lavender blossoms. Amanda drew to the side of the balcony, where she was completely concealed from view. As she leaned against the wall of the house, the rough texture of the red brick gently abraded her bare shoulders. She had worn a pale blue, corded-silk gown with a low-cut back, and draperies of gauze that crossed over the bodice in an X pattern. The long sleeves of the gown were made of more transparent gauze, while her hands were encased in white gloves. The flash of her bare arms beneath the filmy blue silk made Amanda feel sophisticated and daring.
Lisa Kleypas (Suddenly You)
You can wear a variety of clothing. But you should have one designer you favor. I suggest Amano." "Ooh," Noriko hums. "I love him." Ichiko taps out something on her tablet and hands me photographs of his latest runway show. "I see it now. You are a small-town girl who supports the local artist. An up-and-comer like you. That's your brand." She winks at me. "Amano's pieces are flattering with a nod to classical elements, but with a certain modern flair." Women strut down a white runway. One wears a black silk furisode with flowing kimono sleeves and a lotus flower motif. Another sports a red evening gown with a matching capelet. Another, a turquoise fitted dress with a square neckline and beaded belt. All so pretty. I like.
Emiko Jean (Tokyo Dreaming (Tokyo Ever After, #2))
At which point, the study door suddenly swings open and Daisy, wearing a red and gold dress, barges in and begins tugging on her father's sleeve. "Come play with me, Daddy." Navidson lifts his daughter onto his lap. "Okay. What do you want to play?" "I don't know," she shrugs. "Always." "What's always?' But before she can answer, he starts tickling her around the neck and Daisy dissolves into bursts of delight. Despite the tremendous amount of material generated by Exploration A, no one has ever commented on the game Daisy wants to play with her father, perhaps because everyone assumes it is either a request "to play always" or just a childish neologism. Then again "always" slightly mispronounces "hallways." It also echoes it.
Mark Z. Danielewski (House of Leaves)
In the store the old men gathered, occupying for endless hours the creaking milkcases, speaking slowly and with conviction upon matters of profound inconsequence, eying the dull red bulb of the stove with their watery vision. Shrouded in their dark coats they had a vulturuous look about them, their faces wasted and thin, their skin dry and papery as a lizard's. John Shell, looking like nothing so much as an ill-assembled manikin of bones on which clothes were hung in sagging dusty folds, his wrists protruding like weathered sticks from his flapping prelate sleeves, John Shell unhinged his toothless jaw with effort, a slight audible creaking sound, to speak his one pronouncement: It ain't so much that as it is one thing'n another.
Cormac McCarthy (The Orchard Keeper)
He seemed normal again, or as normal as Myrnin ever got, anyway. He'd begged, borrowed, or outright stolen a long, black velvet coat, and under it he was still wearing the poofy white Pierrot pants from his costume, dark boots, and no shirt. Long, black, glossy hair and decadently shining eyes. Oliver took in the outfit, and raised a brow. "You look like you escaped from a Victorian brothel," he said. "One that . . . specialized." In answer, Myrnin skinned up the sleeves of the coat. The wound in his back might have healed--or might be healing, anyway--but the burns on his wrists and hands were still livid red, with an unhealthy silver tint to them. "Not the sort of brothel I'd normally frequent, by choice," he said, "though of course you might be more adventurous, Oliver.
Rachel Caine (Lord of Misrule (The Morganville Vampires, #5))
Her long blue sleeve was hiked past her elbow and I followed her gaze to the exposed skin. She attempted to yank her hand away, but I tightened my grip and swallowed my disgust. In all the horror-show homes I’d lived in, I never once saw mutilation like that. White and pale red, raised scars zigzagged up her arm. “What the f*ck is that?” I tore my eyes away from the scars and searched her face for answers. She sucked in several shallow gasps before yanking a second time and successfully jerking out of my grasp. “Nothing.” “That ain’t nothing.” And that something had to hurt like hell when it happened. Echo stretched her sleeve past her wrist to her fingertips. She resembled a corpse. The blood rushed out of her cheeks and her body quaked with silent tremors. “Leave me alone.” She turned away and stumbled back to the library.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
Maybe it’s not a coincidence that I’ve always been interested in heroes, starting with my dad, Phil Robertson, and my mom, Miss Kay. My other heroes are my pa and my granny, who taught me how to play cards and dominoes and everything about fishing (which was a lot), and my three older brothers, who teased me, beat me up, and sometimes let me follow them around. Not much has changed in that department. I’ve always loved movies, and when I was about seven or eight years old, I watched Rocky, Sylvester Stallone’s movie about an underdog boxer who used his fists, along with sheer will, determination, and the ability to endure pain, to make a way for himself. He fought hard but played fair and had a soft spot for his friends. I fell in love with Rocky. He was my hero, and I became obsessed. When I decide to do something, I’m all in; so I found a pair of red shorts that looked like Rocky’s boxing trunks and a navy blue bathrobe with two white stripes on the sleeve and no belt. I took off my shirt and ran around bare-chested in my robe and shorts. Most kids I knew went through a superhero phase, but they picked DC Comics guys, like Batman or Superman. Not me. I was Rocky Balboa, the Italian Stallion, and proud of it. Mom let me run around like that for a couple of years, even when we went in to town. Rocky had a girlfriend, Adrian, who was always there, always by his side. When he was beaten and blinded in a bad fight, he called out for her before anybody else. “Yo, Adrian!” he shouted in his Philly-Italian accent. He needed her. Eventually, I grew up, and the red shorts and blue bathrobe didn’t fit anymore, but I always remembered Rocky’s kindness and his courage. And that every Rocky needs an Adrian.
Jep Robertson (The Good, the Bad, and the Grace of God: What Honesty and Pain Taught Us About Faith, Family, and Forgiveness)
At the sound of his voice, down went the arm, and Mrs. Podgers saw a boy of nine or ten, arrayed in a flannel garment that evidently belonged to Mr. ’Rusalem; for though none too long, it was immensely broad, and the voluminous sleeves were pinned up, showing a pair of wasted arms, chapped with cold and mottled with bruises. A large blue sock still covered one foot. The other was bound up as if hurt. A tall cotton nightcap, garnished with a red tassel, looked like a big extinguisher on a small candle; and from under it, a pair of dark, hollow eyes glanced sharply with a shrewd, suspicious look that made the little face more pathetic than the marks of suffering, neglect, and abuse, which told the child’s story without words. As if quite reassured by ’Rusalem’s presence, the boy shuffled out of his corner, saying coolly, as he prepared to climb into his nest again:
Louisa May Alcott (A Merry Christmas: And Other Christmas Stories)
In the back of my closet, I saw a pink wrap dress that was hopelessly Southern. Pale pink, with little flutter sleeves all in a Swiss-dot fabric that you could see through if you held it up to the light. I would need nude undergarments, which I was sure I had. My mom always told me never to wear wild undies, you never knew who'd see them! What if I got in a car wreck? I pulled my hair up and allowed a few red curls to fall out of a messy bun at the nape of my neck. I slipped the dress on and gave my lips a quick swipe of gloss. I chose small gold hoop earrings that had belonged to Gran at one time and stepped into a pair of gold flip-flops. I looked at myself in the mirror and reminded myself I was going to a farm. Jim walked in. "Ready for the big... Oh, my God, Magnolia!" "What? Too much?" I said, grimacing. "Good God, no! You look absolutely perfect! You look like a mouthwatering pink confection! A true Southern Magnolia!
Victoria Benton Frank (My Magnolia Summer)
The impulse here is to add “again,” but making New York “work” had not always, and maybe not ever, been a goal for those who welcomed disorder as the way to overtime or a palmed twenty. City government had never been run for maximum efficiency; the point of patronage was jobs, with results a distant second. Management was the province of reformers and the public agencies, foundations, and advocacy groups who’d erected a virtuous scaffolding around City politics, assuring things actually got done while City Hall focused on giving special interests their taste. Everyone else got pinched, especially the middle class and small businessmen who paid for their independence by having to slash through thickets of red tape, following absurd union rules and paying inflated prices. Koch liked to tell about the time an old woman tugged his sleeve and said, “Mr. Koch, Mr. Koch, make the city what it once was.” To which he said, “Lady, it was never that good.
Thomas Dyja (New York, New York, New York: Four Decades of Success, Excess, and Transformation)
He shoved up his sleeves, displaying several thin leather bracelets and the red-and-black tip of a dragon tail just above his right elbow. I've never actually seen the head. It's on Daniel's back, Frankie told us once, between his shoulder blades. "So,my children, what is up?" "We're trying to figure out how to get a soul-sucking, male lower life-form out of Ella's head," Frankie explained. "Kill him," Daniel said casually. "Unless there's a symbiotic thing going on and Ella would have to die, too. That would be a shame." Here's the thing about Daniel. He has always scared me a little. I don't bother going through the scar-hiding motions; I'm convined he can see right through clothing. Not that he leers. He's not a leerer. He has two facial expressions: cold and amused. He also has a second tattoo, on the inside of his left wrist, that looks exactly like how I would expect a gang mark to look. Frankie has never said a word about that tat. Or much about his brother's friends.Who have names like Ax and spend time in police custody.
Melissa Jensen (The Fine Art of Truth or Dare)
Nykyrian stepped out of the shadows so that the dim light highlighted the white blond hair that was braided down his back—an assassin’s mark of honor. His solid, flat black battle suit hugged every sharp curve of his well-muscled body. The outline of daggers were embroidered in dark blood red down the sleeves—the only external designation an assassin bore. Nykyrian’s daggers held a crown above each hilt, letting the universe know he was the most lethal of his kind. A command assassin of the first rank. As always, Nykyrian was calm and watchful of the shadows as if expecting someone like him to come for him at any moment. Somber. Cold. Lethal. Traits that had been drilled into him as a child. In all the years Sheridan had known him, Nykyrian had never once smiled. Never once broken that staunch military training that had left him emotionally bankrupt. The most disturbing thing of all was the fact that his eyes were hidden behind a pair of opaque shades, a safeguard used by military assassins to keep those around them on edge, since there was no way of telling where they were looking or what they were thinking.
Sherrilyn Kenyon (Born of Night (The League, #1))
You’re the only person who doesn’t see the advantage in such a match.” “That’s because I don’t believe in marriages of convenience. Given your family’s history, I’d think that you wouldn’t either.” She colored. “And why do assume it would be such a thing? Is it so hard to believe that a man might genuinely care for me? That he might actually want to marry me for myself?” “Why would anyone wish to marry the reckless Lady Celia, after all,” she went on in a choked voice, “if not for her fortune or to shore up his reputation?” “I didn’t mean any such thing,” he said sharply. But she’d worked herself up into a fine temper. “Of course you did. You kissed me last night only to make a point, and you couldn’t even bear to kiss me properly again today-“ “Now see here,” he said, grabbing her shoulders. “I didn’t kiss you ‘properly’ today because I was afraid if I did I might not stop.” That seemed to draw her up short. “Wh-What?” Sweet God, he shouldn’t have said that, but he couldn’t let her go on thinking she was some sort of pariah around men. “I knew that if I got his close, and I put my mouth on yours…” But now he was this close. And she was staring up at him with that mix of bewilderment and hurt pride, and he couldn’t help himself. Not anymore. He kissed her, to show her what she seemed blind to. That he wanted her. That even knowing it was wrong and could never work, he wanted to have her. She tore her lips from his. “Mr. Pinter-“ she began in a whisper. “Jackson,” he growled. “Let me hear you say my name.” Backing away from him, she cast him a wounded expression. “Y-you don’t have to pretend-“ “I’m not pretending anything, damn it!” Grabbing her by the sleeves, he dragged her close and kissed her again, with even more heat. How could she not see that he ached to take her? How could she not know what a temptation she was? Her lips intoxicated him, made him light-headed. Made him reckless enough to kiss her so impudently that any other woman of her rank would be insulted. When she pulled away a second time, he expected her to slap him. But all she did was utter a feeble protest. “Please, Mr. Pinter-“ “Jackson,” he ordered in a low, unsteady voice, emboldened by the melting look in her eyes. “Say my Christian name.” Her lush dark lashes lowered as a blush stained her cheeks. “Jackson…” His breath caught in his throat at the intimacy of it, and fire exploded in his brain. She wasn’t pushing him away, so to hell with trying to be a gentleman. He took her mouth savagely this time, plundering every part of its silky warmth as his blood pulsed high in his veins. She tasted of red wine and lemon cake, both tart and sweet at once. He wanted to eat her up. He wanted to take her, right here in this room. So when she pulled out of his arms to back away, he walked after her. She didn’t stop backing away, but neither did she turn tail and run. “Last night you claimed this wouldn’t happen again.” “I know. And yet it has.” Like someone in an opium den, he’d been craving her for months. And how that he’d suddenly had a taste of the very thing he craved, he had to have more. When she came up against the writing table, he caught her about the waist. She turned her head away before he could kiss her, so he settled for burying his face in her neck to nuzzle the tender throat he’d been coveting. With a shiver, she slid her hands up his chest. “Why are you doing this?” “Because I want you,” he admitted, damning himself. “Because I’ve always wanted you.” Then he covered her mouth with his once more.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
Mesmerized by the gilt ghastliness of it all, Elizabeth slowly turned in a full circle. Above the fireplace there was a gilt-framed painting of a lady attired in nothing whatsoever but a scrap of nearly-transparent red silk that had been draped across her hips. Elizabeth jerked her eyes away from that shocking display of nudity and found herself confronted by a veritable army of cavorting cupids. They reposed in chubby, gilt splendor atop the mantel and the bed tables; a cluster of them formed the tall candelabra beside the bed, which held twelve candles-one of which the footman had lit-and more cupids surrounded an enormous mirror. “It’s…” Berta uttered as she gazed through eyes the size of saucers, “it’s…I can’t find words,” she breathed, but Elizabeth had passed through her own state of shock and was perilously close to hilarity. “Unspeakable?” Elizabeth suggested helpfully, and a giggle bubbled up from her throat. “U-Unbelievable?” she volunteered, her shoulders beginning to shake with mirth. Berta made a nervous, strangled sound, and suddenly it was too much for both of them. Days of relentless tension erupted into gales of hilarity, and they gave in to it with shared abandon. Great gusty shouts of laughter erupted from them, sending tears trickling down their cheeks. Berta snatched for her missing apron, then remembered her new, elevated station in life and instead withdrew a handkerchief from her sleeve, dabbing at the corners of her eyes; Elizabeth simply clutched the forgotten bust to her chest, perched her chin upon its smooth head, and laughed until she ached. So complete was their absorption that neither of them realized their host was entering the bedchamber until Sir Francis boomed enthusiastically, “Lady Elizabeth and Lady Berta!” Berta let out a muffled scream of surprised alarm and quickly shifted her handkerchief from the corners of her eyes to her mouth. Elizabeth took one look at the satin-clad figure who rather resembled the cupids he obviously admired, and the dire reality of her predicament hit her like a bucket of icy water, banishing all thoughts of laughter. She dropped her gaze to the floor, trying wildly to remember her plan and to believe she could make it work. She had to make it work, for if she failed, this aging roué with the penchant for gilded cupids could very likely become her husband.
Judith McNaught (Almost Heaven (Sequels, #3))
The speaker standing on an upturned barrel at the intersection of 135th Street and Seventh Avenue was shouting monotonously: “BLACK POWER! BLACK POWER! Is you is? Or is you ain’t? We gonna march this night! March! March! March! Oh, when the saints — yeah, baby! We gonna march this night!” Spit flew from his looselipped mouth. His flabby jowls flopped up and down. His rough brown skin was greasy with sweat. His dull red eyes looked tired. “Mistah Charley been scared of BLACK POWER since the day one. That’s why Noah shuffled us off to Africa the time of the flood. And all this time we been laughing to keep from whaling.” He mopped his sweating face with a red bandanna handkerchief. He belched and swallowed. His eyes looked vacant. His mouth hung open as though searching for words. “Can’t keep this up,” he said under his breath. No one heard him. No one noticed his behavior. No one cared. He swallowed loudly and screamed. “TONIGHT’S THE NIGHT! We launch our whale boats. Iss the night of the great white whale. You dig me, baby?” He was a big man and flabby all over like his jowls. Night had fallen but the black night air was as hot as the bright day air, only there was less of it. His white short-sleeved shirt was sopping wet. A ring of sweat had formed about the waist of his black alpaca pants as though the top of his potbelly had begun to melt. “You want a good house? You got to whale! You want a good car? You got to whale! You want a good job? You got to whale! You dig me?” His conked hair was dripping sweat. For a big flabby middle-aged man who would have looked more at home in a stud poker game, he was unbelievably hysterical. He waved his arms like an erratic windmill. He cut a dance step. He shuffled like a prizefighter. He shadowed with clenched fists. He shouted. Spit flew. “Whale! Whale! WHALE, WHITEY! WE GOT THE POWER! WE IS BLACK! WE IS PURE!” A crowd of Harlem citizens dressed in holiday garb had assembled to listen. They crowded across the sidewalks, into the street, blocking traffic. They were clad in the chaotic colors of a South American jungle. They could have been flowers growing on the banks of the Amazon, wild orchids of all colors. Except for their voices. “What’s he talking ’bout?” a high-yellow chick with bright red hair wearing a bright green dress that came down just below her buttocks asked the tall slim black man with smooth carved features and etched hair. “Hush yo’ mouth an’ lissen,” he replied harshly, giving her a furious look from the corners of muddy, almond-shaped eyes. “He tellin’ us what black power mean!
Chester Himes (Blind Man with a Pistol (Harlem Cycle, #8))
A chair down the row from mine shifted and my mouth watered from the aroma of hot cinnamon rolls. I snuck a peek and noticed red, silky, curly hair. I knew her. Echo Emerson. Not a cinnamon roll in sight, but damn if she didn’t smell like one. We had several of our main courses together and last semester one of our free periods. I didn’t know much about her other than she kept to herself, she was smart, a redhead and she had big tits. She wore large, long-sleeved shirts that hung off her shoulders and tank tops underneath that revealed just enough to get the fantasies flowing. Like always, she stared straight ahead as if I didn’t exist. Hell, I probably didn’t exist in her mind. People like Echo Emerson irritated the crap out of me. “You’ve got a f*cked-up name,” I mumbled. I didn’t know why I wanted to rattle her, I just did. “Shouldn’t you be getting high in the bathroom?” So she did know me. “They installed security cameras. We do it in the parking lot now.” “My bad.” Her foot rocked frantically back and forth. Good, I’d succeeded in getting under that perfect facade. “Echo … echo … echo …” Her foot stopped rocking and red curls bounced furiously as she turned to face me. “How original. I’ve never heard that before.” She swept up her backpack and left the office. Her tight ass swayed side to side as she marched down the hallway.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
Is it Randall?” Oscar sounded out the name with care, as if testing dangerous waters. Camille closed her eyes and turned her face away from him, not wanting to have to see him when she said what she needed to say. “I have a duty, Oscar, just like my mother did. She failed at hers and look what happened; she destroyed so much. My father asked me not to say anything, but if I don’t marry Randall…I’m sorry, Oscar, I just have to.” Camille tried to edge by him, but Oscar held her back with his arm. “Do you think I’m a fool, Camille? Don’t try to blame marrying Randall on some duty you think you have.” She parted her lips to insist he was wrong. He cut her off. “If this is how you really feel, then you had no right to ask me to stay with you that night. You gave me a taste of what being with you might be like, and now you’re asking me to walk away. Who do you think you are?” Camille shook her head. He wasn’t listening. He had no idea how difficult it was for her, too, to have that one taste, that single moment of pure bliss to feed off of for the rest of her life. “I don’t have a choice-“ He slammed his fist against the pantry shelf behind her. “I don’t have a bank vault filled with money, or ten suits hanging in my closet to choose from each morning. I know I couldn’t give you all the things he could, but I can give you something he’ll never be able to. I love you, Camille,” he said, his mouth so close to hers his breath moistened her lips. “I love you. Not your last name or your pretty face or all the business opportunities you could bring me.” He laid his palm just beneath her neck, his thumb caressing the skin above where her heart lay. “Just you.” She stared at him, unblinking, unable to breathe, let alone speak. Oscar’s arm fell away. “You do have a choice, Camille. Or should I already be calling you Mrs. Jackson?” He stormed from the pantry, Camille on his heels. Promise or no promise to her father, she had to tell Oscar everything. “Please, Oscar, wait, if you’ll just listen-“ The companionway steps rattled, and Ira bounded into the galley. Oscar scooped up his shirt and shoved his arms inside the sleeves as Ira kicked out a bench at the table and sat down. “I’ve never been so friggin’ tried in my life,” Ira said, grabbing a mug for coffee. “And I once played a game of poker that lasted two days. Camille ignored him, Oscar’s anger still stinging. She’d created a massive mass. Ira peered at her, then at Oscar. “Why’re you two all red in the face?” he asked. Then his cheeks drew up and his teeth glistened. Oscar caught him before he could speak. “Save it, Ira,” he said, quickly glancing at Camille. She couldn’t plead with him to listen to her explain with Ira there. Oscar buttoned his shirt and left the galley. Ira directed his wily grin toward her. “Save it, Ira,” she echoed, and resumed scrubbing the floor.
Angie Frazier (Everlasting (Everlasting, #1))
She froze, bracing one hand against the wall. Gild stared up at her, clutching a bundle of fabric in his arms. His sleeves were pushed up past his elbows, and she could see lines of red welts where the gold chains had wrapped around him. There was tension in his shoulders. His expression was too careful, too wary. She wanted to rush into his arms, but they did not open to her. Her mouth opened and closed a few times before she found words. “I was coming to free you.” His jaw tensed, but a second later, his gaze softened. “I was starting to make a bit of a ruckus. Moaning. Chain-rattling. Typical poltergeist stuff. They finally got tired of listening to me and brought me down around sunset.” She eased down the steps. A finger reached for one of the marks on his forearm, but he flinched away. She pulled back. “How did they do it?” “Cornered me outside the tower,” he said. “They had the chains around me before I knew what was happening. I’ve never had to worry about that before. Being…trapped like that.” “I’m so sorry, Gild. If it wasn’t for me—” “You didn’t do this to me,” he interrupted sharply. “But the gold—” “I made the gold. I designed my own prison. How’s that for torture?” He looked briefly like he wanted to smile but couldn’t quite figure out how. “But if I’d told the truth…at anytime, if I’d just told the truth, rather than asking you to spin the gold, too keep coming back, to keep helping me—” “Then you would be dead.
Marissa Meyer (Gilded (Gilded, #1))
Lillian’s lashes lowered as she let him ease her closer, his hand sliding over the length of her spine. Her breasts and waist felt swollen within the insulating grip of her corset, and she suddenly longed to be rid of it. Taking as deep a breath as the stays would allow, she became aware of a sweetly spicy scent in the air. “What is that?” she murmured, drawing in the fragrance. “Cinnamon and wine…” Turning in the circle of his arms, she looked around the spacious bedroom, past the poster bed to the small table that had been set near the window. There was a covered silver dish on the table, from which a few traces of sweet-scented steam were still visible. Perplexed, she twisted back to look at Marcus. “Go and find out,” he said. Curiously Lillian went to investigate. Taking hold of the cover’s handle, which had been wrapped with a linen napkin, she lifted the lid, letting a soft burst of intoxicating fragrance into the air. Momentarily puzzled, Lillian stared at the dish, and then burst out laughing. The white porcelain dish was filled with five perfect pears, all standing on end, their skin gleaming and ruby-red from having been poached in wine. They sat in a pool of clear amber sauce that was redolent of cinnamon and honey. “Since I couldn’t obtain a pear from a bottle for you,” came Marcus’s voice from behind her, “this was the next best alternative.” Lillian picked up a spoon and dug into one of the melting-soft pears, lifting it to her lips with relish. The bite of warm, wine-soaked fruit seemed to dissolve in her mouth, the spiced honey sauce causing a tingle in the back of her throat. “Mmmm…” She closed her eyes in ecstasy. Looking amused, Marcus turned her to face him. His gaze fell to the corner of her lips, where a stray drop of honey sauce glittered. Ducking his head, he kissed and licked away the sticky drop, the caress of his mouth causing a new pleasurable ache deep inside her. “Delicious,” he whispered, his lips settling more firmly, until she felt as if her blood were flowing in streams of white-hot sparks. She dared to share the taste of wine and cinnamon with him, tentatively exploring his mouth with her tongue, and his response was so encouraging that she wrapped her arms around his neck and pressed herself closer. He was delicious, the taste of his mouth clean and sweet, the feel of his lean, solid body immeasurably exciting. Her lungs expanded with shaky-hot breaths, restrained by the clench of her corset stays, and she broke the kiss with a gasp. “I can’t breathe.” Wordlessly Marcus turned her around and unfastened the gown. Reaching her corset, he untied the laces and loosened them with a series of expert tugs, until the stays expanded and Lillian gulped in relief. “Why did you lace so tightly?” she heard him ask. “Because the dress wouldn’t fasten otherwise. And because, according to my mother, Englishmen prefer their women to be narrow-waisted.” Marcus snorted as he eased her back to face him. “Englishmen prefer women to have larger waists in lieu of fainting from lack of oxygen. We’re rather practical that way.” Noticing that the sleeve of her unfastened gown had slipped over her white shoulder, he lowered his mouth to the smooth curve.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
There," he said, admiring his own handiwork. "Good as new." Violet glanced at the ridiculously huge Band-Aids on her knees and looked at him doubtfully. "You really think so? 'Good as new'?" He smiled. "I think I did pretty good. It's not my fault you can't walk." She narrowed her eyes at him. She wanted to tell him that it was his fault, that she would never have tripped if he'd just stayed the same old Jay he'd always been, gangly and childlike. But she knew that she was being irrational. He was bound to grow up eventually; she'd just never imagined that he'd grow up so well. Instead she accused him: "Well, maybe if you hadn't pushed me I wouldn't have fallen." She made the outlandish accusation with a completely straight face. He shook his head. "You'll never be able to prove it. There were no witnesses-it's just your word against mine." She giggled and hopped down. "Yeah, well, who's gonna believe you over me? Weren't you the one who shoplifted a candy bar from the Safeway?" She limped over to the sink while she taunted him with her words, and she washed the dirt from the minor scrapes on her palms. "Whatever! I was seven. And I believe you were the one who handed it to me and told me to hide it in my sleeve. Technically that makes you the mastermind of that little operation, doesn't it?" He came up behind her, and reaching around her, he poured some of the antibacterial wash onto her hands. She was taken completely off guard by the intimate gesture. She froze as she felt his chest pressing against her back until that was all she could think about for the moment and she temporarily forgot how to speak. She watched as the red scrapes fizzed with white bubble from the disinfectant. He leaned over her shoulder, setting the bottle down and pulling her hands up toward him. He blew on them too. Violet didn't even notice the sting this time. And then it was over. He released her hands, and as she stood there, dazed, he handed her a clean towel to dry them on. When she turned around to face him, she realized that she had been the only one affected by the moment, that his touch had been completely innocent. He was looking at her like he was waiting for her to say something, and she was suddenly aware that her mouth was still open. She finally gathered her wits enough to speak again. "Yeah, well, maybe if you hadn't done it right in front of the cashier, we might have gotten away with it. Instead, you go both of us grounded for stealing." He didn't miss a beat, and he seemed unaware of her temporary lapse. "And some might say that our grounding saved us from a life of crime." She hung the towel over the oven's door handle. "Maybe it saved me, but the jury's still out on you. I always though you were kind of a bad seed." He gave her a questioning look. "Seriously, a 'bad seed,' Vi? When did you turn ninety and start saying things like 'bad seed'?" She pushed him as she walked by, even though he really wasn't in her way. He gave her a playful shove from behind and teased her, "Don't make me trip you again." Now more than ever, Violet hoped that this crush of hers passed soon, so she could get back to the business of being just fiends. Otherwise, this was going to be a long-and painful-year.
Kimberly Derting (The Body Finder (The Body Finder, #1))
Ship Protected From Storm The students of the great Ghawth (r.a) state that once he was delivering his lessons as usual to them when suddenly his blessed face turned red and beads of perspiration covered his blessed forehead. He then placed his hand into his cloak and remained silent for a short time. The students state that after he removed his hand from inside his cloak, drops of water began to drip from his sleeves. Due to his spiritual state, the students say that they did not ask him any questions but rather, they recorded the date, day and time of this astonishing event. The students say that two months after this incident, a group of traders, who had come by sea to Baghdad, arrived and presented various gifts to al-Ghawth al-A’zam (r.a) The students were very confused by this as they had never seen these traders in Baghdad before. They asked the traders the reason for them bringing the gifts. The traders said that two months previously, whilst they were sailing to Baghdad, their ship was caught in a fierce storm. When they realised that there was a real danger of sinking, they called out the name of “Sheikh Abdul Qadir Jilani” (r.a). When they called out his name, they found that from the Unseen a hand lifted their ship to safety. When the students compared this narration to the incident in the Madrassa, it was confirmed that it was the same date, day and time in which the great Saint (r.a) had put his hand into his cloak. Suhban-Allah! This incident shows that although Sheikh Abdul Qadir Jilani (r.a) seemed to be placing his hand into his cloak, but in reality, he was stretching his hand into the sea to assist those who called for his assistance!
Hazrat Shaykh Sayyid Abdul Kadir Jilani
It takes some getting used to,' Mr. Forkle said. 'But what you're seeing is a visual representation of each other's moods.' 'So that means if I do this...' Keefe tickled Sophie's neck. 'GAH--everything just went supersonic!' Fitz said. Sophie snatched Keefe's wrist as he reached to tickle her again. 'Don't. You. Dare.' 'Whoa, now everything's red and ripply,' Fitz said. 'Is that because she's angry?' 'Precisely, Mr. Vacker. Every time her emotions shift, the patterns and colors will change. And with practice, you'll learn to interpret what you see.' 'Okay, but...can't they just say, "Hey, I'm feeling this?"' Keefe asked. 'People aren't always honest about their feelings--even with themselves,' Mr. Forkle told him. 'Plus, many telepathic missions involve stealth and secrecy. So for this exercise I'm going to need both of you to forget everything around you. Let the world drop away, leaving only you two.' Keefe sighed. 'Just tell them to stare into each other's eyes and they'll be good.' 'None of that, Mr. Sencen. From this moment on, you have one job and one job only: to judge their translations of the various emotions I'll be triggering.' 'Triggering how?' Sophie asked. 'You'll see soon enough. And you'll go first, Miss Foster. For this to work, Mr. Vacker, it's crucial that you not react externally. No yelling or thrashing or screaming or--' 'Uhhh, what are you going to do to me?' Fitz asked. 'Nothing you won't survive. Consider it an exercise in self-control. And try not to listen to his thoughts, Miss Foster. Study only the changes in his emotional center and make your deduction. We begin now.' Sophie closed her eyes and focus on the colors weaving around Fitz's mind. She was about to ask if she was missing something when the pattern exploded into a swirl of pale blue tendrils. The color felt to bright to be sad, but also too wild to be peaceful. 'Tension?' she guessed. 'Kinda close,' Keefe told her. The laughter in his voice made her wonder what had happened to poor Fitz. She tried to think of other emotions as his mind turned electric blue. 'Shock?' she guessed. 'That counts,' Keefe said. 'Though the best answer would've been "surprise."' 'Is that an emotion?' she asked. 'Indeed it is,' Mr. Forkle said. 'One of the most common emotions you'll experience as you navigate someone's mind--hence why I chose it as our starting point.' 'Can I talk now?' Fitz asked. 'Because that was seriously disgusting!' Sophie opened her eyes and tried not to laugh when she saw red fruit smashed all over Fitz's face. He wiped his cheeks on his sleeves, but that only smeared the pulp. 'I think I'm going to like this assignment,' Keefe said. 'What else can we fling at Fitz?' 'Nothing for the moment,' Mr. Forkle told him. 'It's his turn to interpret. Everyone close your eyes. And remember, no cues of any kind, Miss Foster.' Sophie counted the seconds, bracing for the worst--and when nothing chaned, she opened her eyes and found Mr. Forkle with his finger over his lips in a 'shhh' sign. 'Um...confusion,' Fitz guessed. 'That works,' Keefe said. 'It started as anticipation, but then it shifted.' 'Very good,' Mr. Forkle said. 'And well done, Mr. Sencen. I wasn't sure you'd recognize confusion. It's one of the more challenging emotions for Empaths.' 'Maybe on other people,' Keefe said. 'But on Foster it's easy. Why are her emotions so much stronger?' 'Honestly, I'm not sure,' Mr. Forkle admitted. 'I suspect it stems from the combination of her inflicting ability and her human upbringing. But it was one of the surprises of her development. Much like her teleporting. Okay, Miss Foster, it's your turn to guess again.' She closed her eyes and watched as the lines of color in Fitz's mind blossomed to a snowflake of purple. 'Pride?' she guessed. Keefe laughed. 'Wow, add more fail points to Sophitz.' 'Quiet,' Mr. Forkle told him.
Shannon Messenger (Neverseen (Keeper of the Lost Cities, #4))
Mostly Gaylord deals with insurance scamming. He takes a car off a lot and the insurance company pays.” “That’s still stealing.” “I guess, but it’s an insurance company, and everyone hates those people.” “I don’t hate them.” “Well, you’re weird,” Lula said. “Do you like the car?” “I love the car.” “There you go. And by the way, you might want to put a dab of concealer on your nose.” Kranski’s Bar was on the corner of Mayberry Street and Ash. This was a neighborhood very similar to the Burg, but the houses were a little larger, the cars were newer, the kitchen appliances were probably stainless. I parked in the small lot beside the tavern, and Lula and I sashayed into the dim interior. Bertie was working behind the bar that stretched across the back of the room. A bunch of high-top tables were scattered around the front of the room. Two women sat at one of the tables, eating nachos and drinking martinis. At one end of the bar four men were drinking beer and watching the overhead television. I spotted Kenny Morris at the other end. He was alone, nursing what looked like whiskey. Bertie caught my eye, tilted his head toward Kenny, and I nodded back. “I guess that’s the guy you’re looking for,” Lula said. “You want to tag-team him?” “No. I just want to talk to him. I’ll go it alone.” Lula hoisted herself onto a barstool by the four men, and I approached Kenny. “Anyone sitting here?” I asked him. “No,” he said. “No one ever sits there.” “Why not?” “The television is at the other end.” “But you’re here.” “Yeah, I’m not into the team television thing.” He looked a lot like his yearbook photograph. His hair was a little longer. He was slim. Medium height. Pleasant looking. Wearing jeans and a blue dress shirt with the top button open and the sleeves rolled. He was staring at my nose with an intensity usually displayed by dermatologists during a skin cancer exam. I couldn’t blame him. I’d smeared some makeup on it, but even in the dark bar it was emitting a red glow. “It’s a condition,” I said. “It comes and goes. It’s not contagious or anything. Do you come in here often?” “Couple times a week.
Janet Evanovich (Turbo Twenty-Three (Stephanie Plum, #23))
Wormtail was speaking. His voice shook; he seemed frightened beyond his wits. He raised his wand, closed his eyes, and spoke to the night. “Bone of the father, unknowingly given, you will renew your son!” The surface of the grave at Harry’s feet cracked. Horrified, Harry watched as a fine trickle of dust rose into the air at Wormtail’s command and fell softly into the cauldron. The diamond surface of the water broke and hissed; it sent sparks in all directions and turned a vivid, poisonous-looking blue. And now Wormtail was whimpering. He pulled a long, thin, shining silver dagger from inside his cloak. His voice broke into petrified sobs. “Flesh — of the servant — w-willingly given — you will — revive — your master.” He stretched his right hand out in front of him — the hand with the missing finger. He gripped the dagger very tightly in his left hand and swung it upward. Harry realized what Wormtail was about to do a second before it happened — he closed his eyes as tightly as he could, but he could not block the scream that pierced the night, that went through Harry as though he had been stabbed with the dagger too. He heard something fall to the ground, heard Wormtail’s anguished panting, then a sickening splash, as something was dropped into the cauldron. Harry couldn’t stand to look . . . but the potion had turned a burning red; the light of it shone through Harry’s closed eyelids. . . . Wormtail was gasping and moaning with agony. Not until Harry felt Wormtail’s anguished breath on his face did he realize that Wormtail was right in front of him. “B-blood of the enemy . . . forcibly taken . . . you will . . . resurrect your foe.” Harry could do nothing to prevent it, he was tied too tightly. . . . Squinting down, struggling hopelessly at the ropes binding him, he saw the shining silver dagger shaking in Wormtail’s remaining hand. He felt its point penetrate the crook of his right arm and blood seeping down the sleeve of his torn robes. Wormtail, still panting with pain, fumbled in his pocket for a glass vial and held it to Harry’s cut, so that a dribble of blood fell into it. He staggered back to the cauldron with Harry’s blood. He poured it inside. The liquid within turned, instantly, a blinding white. Wormtail, his job done, dropped to his knees beside the cauldron, then slumped sideways and lay on the ground, cradling the bleeding stump of his arm, gasping and sobbing.
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
China during the Mao era was a poor country, but it had a strong public health network that provided free immunizations to its citizens. That was where I came in. In those days there were no disposable needles and syringes; we had to reuse ours again and again. Sterilization too was primitive: The needles and syringes would be washed, wrapped separately in gauze, and placed in aluminum lunch boxes laid in a huge wok on top of a briquette stove. Water was added to the wok, and the needles and syringes were then steamed for two hours, as you would steam buns. On my first day of giving injections I went to a factory. The workers rolled up their sleeves and waited in line, baring their arms to me one after another – and offering up a tiny piece of red flesh, too. Because the needles had been used multiple times, almost every one of them had a barbed tip. You could stick a needle into someone’s arm easily enough, but when you extracted it, you would pull out a tiny piece of flesh along with it. For the workers the pain was bearable, although they would grit their teeth or perhaps let out a groan or two. I paid them no mind, for the workers had had to put up with barbed needles year after year and should be used to it by now, I thought. But the next day, when I went to a kindergarten to give shot to children from the ages of three through six, it was a difference story. Every last one of them burst out weeping and wailing. Because their skin was so tender, the needles would snag bigger shreds of flesh than they had from the workers, and the children’s wounds bled more profusely. I still remember how the children were all sobbing uncontrollably; the ones who had yet to be inoculated were crying even louder than those who had already had their shots. The pain the children saw others suffering, it seemed to me, affected them even more intensely than the pain they themselves experienced, because it made their fear all the more acute. That scene left me shocked and shaken. When I got back to the hospital, I did not clean the instruments right away. Instead, I got hold of a grindstone and ground all the needles until they were completely straight and the points were sharp. But these old needles were so prone to metal fatigue that after two or three more uses they would acquire barbs again, so grinding the needles became a regular part of my routine, and the more I sharpened, the shorter they got. That summer it was always dark by the time I left the hospital, with fingers blistered by my labors at the grindstone. Later, whenever I recalled this episode, I was guilt-stricken that I’d had to see the children’s reaction to realize how much the factory workers must have suffered. If, before I had given shots to others, I had pricked my own arm with a barbed needle and pulled out a blood-stained shred of my own flesh, then I would have known how painful it was long before I heard the children’s wails. This remorse left a profound mark, and it has stayed with me through all my years as an author. It is when the suffering of others becomes part of my own experience that I truly know what it is to live and what it is to write. Nothing in the world, perhaps, is so likely to forge a connection between people as pain, because the connection that comes from that source comes from deep in the heart. So when in this book I write of China’s pain, I am registering my pain too, because China’s pain is mine.
Yu Hua (十個詞彙裡的中國)
Then he was striding toward me. His mesmerizing gaze pinned me in place as he cupped my face. When his lips covered mine, I gasped. He took the opportunity to deepen the kiss, groaning into the contact. His hands tightened on my face. His sexy groans made my toes curl, muddling my thoughts. Block that out! I was Aric’s wife. I’d wronged him in the past, had consigned him to misery for hundreds—no, thousands—of years. I needed to make this right. Like penance. There was something vaguely threatening about his words. Misgivings about this arose. Too fast. “If you have feelings for him, fight them,” Aric commanded me. “By going to him, you’d be stoking them once more. Don’t you understand? He can find another woman—I cannot. If you choose him, you’ll be consigning me to a hellish fate. As you’ve done again and again. No, this will be even worse, because I’ve had a greater glimpse of what I’ll be missing.” “I just want to talk to him. I’m leaving this weekend,” I said in an unwavering voice. “No, you will not.” His arrogant demeanor back in place, he said, “Understand me, I’m not surrendering the one woman who was born for me alone. Not to a human, not to anyone.” “You can’t keep me here against my will any longer. What are you going to do? Put that cuff back on me?” I held up my hand to stop him. “I understand why you did it. But I won’t be a prisoner anymore.” He snatched up his shirt, threading his arms into the sleeves. “You say you keep your promises now? You made a vow before gods to be my wife. In this life, you will keep your promises to me—before you ever honor one to him!” “You can’t stop me from leaving. I have my powers back. I earned my powers back.” With a cruel curve of his lips, he said, “You promised never to harm me, Empress. Know that you’ll have to kill me before I would ever let you go.” As he strode out the door, I said, “And know that you’ll have to put that cilice on me to keep me prisoner again.” He whirled around, fury in his expression. “You refused—twice—to beg me for your own life, but you’d beg for his?” I whispered, “Yes.” With a calculating gleam in his eyes, he said, “This isn’t an impossible task you ask of me. I could call in ancient favors, contact old allies. They could be here in mere hours. We’d ride out as one.” “T-truly?” “On one condition: you’ll become my wife in truth, mine in every way. Beginning tonight. Comply, and I’ll take on an army for you.” My lips parted with shock. “How can you do this to me?” “Deveaux is lost to you in one way or another. He’ll either be slaughtered by the Lovers—or saved by my female, by her sacrifice.” He offered his hand. “Come with me, and begin this.” “Don’t, Aric! Don’t destroy what I do feel for you.” “I’ll take”—he seized my hand, yanking me close—“what I can get.” Despite myself, I shivered from the contact, from his husky voice. His hold on me was firm, proprietary. Because he believed I was about to become his. The red witch in me whispered, Death thinks he has you at his mercy. But the Empress doesn’t get collared or caged—or controlled. Take his head and pay the Tower. Shut up! “Please, Aric. I’ll grow to hate you for this. I don’t want to feel that way about you. Never again. Don’t force me to do this.” “Force?” Unmoved, he led me toward his bedroom. “I’m not forcing you to do anything. Just as you can’t force me to save your lover’s life. We each make sacrifices to get what we want.” With my heart pounding, I crossed the threshold into his dark world. Black walls, black ceiling, black night beyond his windows. Yet outside I thought I saw . . . a single fluttering snowflake. Like a sign.
Kresley Cole (Arcana Rising (The Arcana Chronicles, #4))
You’re going to do great,” Lizzy said as they reached the mini Tiki bar. The air was cool in the high fifties and the scent of various meats on the grill filled the air. Even though they’d had the party catered, apparently Grant had insisted on grilling some things himself. “I wouldn’t have recommended you apply for it otherwise.” Athena ducked behind the bar and grinned at the array of bottles and other garnishes. She’d been friends with Lizzy the past couple months and knew her friend’s tastes by now. As she started mixing up their drinks she said, “If I fail, hopefully they won’t blame you.” Lizzy just snorted but eyed the drink mix curiously. “Purple?” “Just wait. You’ll like it.” She rolled the rims of the martini glasses in sugar as she spoke. “Where’d you learn to do this?” “I bartended a little in college and there were a few occasions on the job where I had to assist because staff called out sick for an event.” There’d been a huge festival in Madrid she’d helped out with a year ago where three of the staff had gotten food poisoning, so in addition to everything else she’d been in charge of, she’d had to help with drinks on and off. That had been such a chaotic, ridiculous job. “At least you’ll have something to fall back on if you do fail,” Lizzy teased. “I seriously hope not.” She set the two glasses on the bar and strained the purple concoction into them. With the twinkle lights strung up around the lanai and the ones glittering in the pool, the sugar seemed to sparkle around the rim. “This is called a wildcat.” “You have to make me one of those too!” The unfamiliar female voice made Athena look up. Her eyes widened as her gaze locked with Quinn freaking Brody, the too-sexy-man with an aversion to virgins. He was with the tall woman who’d just asked Athena to make a drink. But she had eyes only for Quinn. Her heart about jumped out of her chest. What was he doing here of all places? At least he looked just as surprised to see her. She ignored him because she knew if she stared into those dark eyes she’d lose the ability to speak and then she’d inevitably embarrass herself. The tall, built-like-a-goddess woman with pale blonde hair he was with smiled widely at Athena. “Only if you don’t mind,” she continued, nodding at the drinks. “They look so good.” “Ah, you can have this one. I made an extra for the lush here.” She tilted her head at Lizzy with a half-smile. Athena had planned to drink the second one herself but didn’t trust her hands not to shake if she made another. She couldn’t believe Quinn was standing right in front of her, looking all casual and annoyingly sexy in dark jeans and a long-sleeved sweater shoved up to his elbows. Why did his forearms have to look so good? “Ha, ha.” Lizzy snagged her drink as Athena stepped out from behind the bar. “Athena, this is Quinn Brody and Dominique Castle. They both work for Red Stone but Dominique is almost as new as you.” Forcing a smile on her face, Athena nodded politely at both of them—and tried to ignore the way Quinn was staring at her. She’d had no freaking idea he worked for Red Stone. He looked a bit like a hungry wolf. Just like on their last date—two months ago. When he’d decided she was too much trouble, being a virgin and all. Jackass. “It’s so nice to meet you both.” She did a mental fist pump when her voice sounded normal. “I promised Belle I’d help out inside but I hope to see you both around tonight.” Liar, liar. “Me too. Thanks again for the drink,” Dominique said cheerfully while Lizzy just gave Athena a strange look. Athena wasn’t sure what Quinn’s expression was because she’d decided to do the mature thing—and studiously ignore him.
Katie Reus (Sworn to Protect (Red Stone Security, #11))
The Spirit of Christmas The Boys finished their cider and handed the vendor the cups, smacking their lips and wiping their mouths on their sleeves. The towering Vendor smiled down on them. “And a Very Merry Christmas to you two young Gents.” Jonas scowled up at him, “Christmas is a bunch of bunk, just meant for the rich. Come on Jamey.” Little James Nicholas tipped his hat to the Vendor and his eyes shined angelically when he replied, “And a Merry Christmas to you too Sir!” Jonas led the way as they raced the snowy sidewalks of New York. In his heart Jonas knew that they were late but the cider warmed him inside and he didn’t mind the risk. Mr. Angel watched them run, knowing his work was cut out for him. “Christmas a bunk, hm-mmm! I’ve some work to do with these lads and not much time to do it in.” He glanced up at the heavens calculating the time before Christmas. He then tipped his hat to the vendor as he munched the delicious cheese. The Cheese Vendor watched the kindly man depart, knowing there was indeed goodness abound in the world tonight. “Thank ye kind Sir!” The tall Toymaker waved back at him over his shoulder, while keeping the two young dashing lads in sight. “And may the Spirit of Christmas haunt your home with joy.” The Cheese Vendor chuckled to himself. “A joyful haunting? Be there such a thing?” Mr. Angel followed along after the boys. He passed a poor couple and thrust the bag of cheese into their hands. The Poor Man’s face shined with pleasure, “Thank you and bless you sir.” He nodded back at them with a smile. Ahead of him, Jonas and James rushed towards the corner. They raced past a fruit vendor and each of them snatched a piece of fruit from the boxes on display. The Fruit Vendor screamed after them, “Hey, you! Stop thieves!” A New York Policeman witnessing the theft and blew his whistle. Then he shouted after them. “Stop thieves!” He immediately took up the chase, through the down pouring snow. Mr. Angel could be seen in the background keeping pace behind the policeman. The two young boys raced along the sidewalk, twisting their way between passers-by, their eyes frantically glancing behind them at the large pursuing policeman. Suddenly Mr. Thorn, a large, burley man dressed in black blocked their way and took them both by the collars. “So there you are!” He snatched the apple quickly from James’ hand. “What have we here?” He was about to take a bite of it, when he saw the officer racing towards them. “It’s all right officer. I have the young scoundrels and I’ll make full restitutions for their thievery.” He quickly fished coins from his pocket and with a conning smile, put them in the hand of the frowning Policeman. “And a little extra for your trouble, my good man. It’s such a small crime and the criminals so . . . minor.” The burly policeman rocked back and forth considering and then grunted, after all it was Christmas. “Very well sir. I’ll give these to the Vendor but I catch either of you snatching again, it’s behind bars with you and a good strong workhouse. You got me!” Jonas glanced down at his worn out boots, his face red with shame. “Oh yes sir.” James followed suit and then glanced up into the gruff face of the law. “Sorry, we were just hungry!
John Edgerton (The Spirit of Christmas)
He said sternly, “What’s going on here, Cassie Dawson?” There was a long silence as he stood behind her and she faced the fire. Finally, with tortuous slowness, she turned around. “What happened to your face?” Red reached to touch her then pulled back. She had a scrape across the whole side of her cheek and down her neck. He thought about the pain he’d caused her when he took her arm. “Let me see the rest of it.” Cassie started shaking her head. “Red, it’s not as bad as it looks. It’s just a scrape!” “I want to see your arm. Right now!” Red stepped so he was behind her and started unbuttoning her dress. As he did he noticed a dozen slits in her sleeve that had been carefully mended. “Red, please! You’re overreacting!” Cassie turned to look over her shoulder at him in alarm as he clumsily undid the buttons down the back of her dress. “What happened to you? How did you...” Red quit talking and gasped as he pulled her sleeve down. The scrape went down her neck, over her shoulder, and the length of her arm. “Cassie,” Red whispered in dismay. “Was it Wade? Did he hurt you?” Cassie clutched the dress to her front. “No, I haven’t seen Wade at all. I ... I just fell.” “Fell where?” Red said in alarm. “I was around the place all afternoon. I never saw you fall.
Mary Connealy (Montana Rose (Montana Marriages #1))
Freethinking, Lady Frederick?” She hated that name. It was like a shackle around her neck, engraved with the name of her master. She took a step back, her face openly mutinous in the light of the single lamp. “I don’t like being told what to do.” Captain Reid quirked an eyebrow. “I shall remember that.” Unexpectedly, Penelope grinned. “No, I don’t expect you will. But I shall keep reminding you.” Turning her back on him quite deliberately, she scanned the books scattered across the shelves. “Do you have that Hindustani grammar for me?” “This one.” He reached from behind her to tip a book out of the row. His sleeve brushed her shoulder in passing. It was a coarser weave than Freddy favored, which must have been why it seemed to leave such a trail across her bare skin. She could smell the clean scent of shaving soap on his jaw and port on his breath, almost overwhelming the small space, as though not being able to see him somehow made him larger than he was, blowing his presence out of proportion in the brush of fabric against her back, the whisper of breath against her hair. Penelope twisted around, so that the bookshelf pressed into her back, pinning her between the writing desk on one side and Captain Reid’s extended arm on the other. She tipped her head back to look him in the eye, the ribbons in her hair snagging against the shelf. Captain Reid made no move to remove his arm. They were face-to-face, chest-to-chest, close enough to kiss. But for the fact that they weren’t on a balcony, and there was no champagne in evidence, it might have been a dozen other encounters in Penelope’s existence, a dozen dangerous preludes to a kiss. But this wasn’t a ballroom, and this man wasn’t any of the spoiled society boys she had known in London. He studied her face in the strange, shifting light, as the ship rocked back and forth and they rocked with it, pinned in place, frozen in tableau, his own face dark and unreadable in the half-light. One might, thought Penelope hazily, her eyes dropping to his lips, attempt to seduce information out of him. From what she had heard, it was a far-from-uncommon technique. One needn’t go too far, after all. A sultry glance, a subtle caress . . . a kiss. It was all for a good cause—and it could be so easy. Or maybe not. Captain Reid was no Freddy. Stepping abruptly back, he favored her with a stiff, social smile, the sort one would give a maiden aunt who was being tedious at a party, but to whom one was bound to be polite. With a brusque motion, he thrust the red-bound book into her hands, gesturing her, with unmistakable finality, towards the door. “Here is your grammar, Lady Frederick. I wish you . . . an instructive time with it.” “Oh, yes,” said Penelope, with more bravado than she felt. “It has certainly been most instructive.
Lauren Willig (The Betrayal of the Blood Lily (Pink Carnation, #6))
Tossing aside her buckskin gloves, she pulled her red handkerchief out of her hip pocket—no lace kerchief tucked up her sleeve for Maizy—and wiped her eyes again, then blew her nose in a completely unladylike way. How had she let herself get this upset? And over a man, of all things.
Mary Connealy (Spitfire Sweetheart (Four Weddings and a Kiss))
One moment,” Haung said, and drew the small knife from his belt. He rolled up his sleeve and drew the sharp edge over his skin, drawing a thin line of blood, black against his skin in the dark. Collecting the first, fresh well of blood from the cut he drew a smeared symbol on each eyelid. A deep breath and he opened the locked door in his mind, the place where he had contained the cold power of the void. He let a tiny bit leak out and then slammed the door shut again. He pushed the power along the meridian pathways of his body, focusing their energy in his eyes and locking it in place with blood symbols. There was a feeling of sickness in his stomach that passed quickly. “Done.
G.R. Matthews (The Red Plains (The Forbidden List, #3))
Look." Kitty pushed her own sleeve high and with her fingernail made on her own arm a deep red scratch. "That hurt my flesh but not me-me, inside. I'm no different now, am I, with that scratch on my arm? The mark will go away. That is what happened to you, my dear, only much, much worse. But the body will heal. You are clean, you are clean now and free again.
Mildred Masterson McNeilly (Each Bright River)
The warden’s office was all cheap paneling and institutional green furnishings. As Ben would’ve said, “Think Cool Hand Luke.” Every surface was either metal or fake wood. The warden was fat with a buzz cut and rolls of flesh almost obscuring his collar. His white shirt was short-sleeved and outfitted with a red and black clip-on tie. He smoked a cigarette as he studied me across his desk. I sat in front of him holding a worn copy of Dr. Seuss’s You’re Only Old Once! A gift from Ben sent via the warden. The last communication Carver the Cannibal would have with me. He had revoked my visitation rights. I wasn’t allowed in the prison anymore.
Karin Slaughter (Pretty Girls)
Realizing I ought to be circulating as well, I turned--and found myself confronted by the Marquis of Shevraeth. “My dear Countess,” he said with a grand bow. “Please bolster my declining prestige by joining me in this dance.” Declining prestige? I thought, then out loud I said, “It’s a tartelande. From back then.” “Which I studied up on all last week,” he said, offering his arm. I took it and flushed right up to my pearl-lined headdress. Though we had spoken often, of late, at various parties, this was the first time we had danced together since Savona’s ball, my second night at Athanarel. As we joined the circle I sneaked a glance at Elenet. She was dancing with one of the ambassadors. A snap of drums and a lilting tweet caused everyone to take position, hands high, right foot pointed. The musicians reeled out a merry tune to which we dipped and turned and stepped in patterns round one another and those behind and beside us. In between measures I stole looks at my partner, bracing for some annihilating comment about my red face, but he seemed preoccupied as we paced our way through the dance. The Renselaeuses, completely separate from Remalna five hundred years before, had dressed differently, just as they had spoken a different language. In keeping, Shevraeth wore a long tunic that was more like a robe, colored a sky blue, with black and white embroidery down the front and along the wide sleeves. It was flattering to his tall, slender form. His hair was tied back with a diamond-and-nightstar clasp, and a bluefire gem glittered in his ear. We turned and touched hands, and I realized he had broken his reverie and was looking at me somewhat quizzically. I had been caught staring. I said with as careless a smile as I could muster, “I’ll wager you’re the most comfortable of the men here tonight.” “Those tight waistcoats do look uncomfortable, but I rather like the baldrics,” he said, surveying my brother, whom the movement of the dance had placed just across from us. At that moment Bran made a wrong turn in the dance, paused to laugh at himself, then hopped back into position and went on. Perhaps emboldened by his heedless example, or inspired by the unusual yet pleasing music, more of the people on the periphery who had obviously not had the time, or the money, or the notion of learning the dances that went along with the personas and the clothes, were moving out to join. At first tentative, with nervously gripped fans and tense shoulders here and there betraying how little accustomed to making public mistakes they were, the courtiers slowly relaxed. After six or seven dances, when faces were flushed and fans plied in earnest, the first of my mime groups came out to enact an old folktale. The guests willingly became an audience, dropping onto waiting cushions. And so the evening went. There was an atmosphere of expectation, of pleasure, of relaxed rules as the past joined the present, rendering both slightly unreal. I did not dance again but once, and that with Savona, who insisted that I join Shevraeth and Elenet in a set. Despite his joking remarks from time to time, the Marquis seemed more absent than merry, and Elenet moved, as always, with impervious serenity and reserve. Afterward the four of us went our ways, for Shevraeth did not dance again with Elenet. I know, because I watched.
Sherwood Smith (Court Duel (Crown & Court, #2))
Realizing I ought to be circulating as well, I turned--and found myself confronted by the Marquis of Shevraeth. “My dear Countess,” he said with a grand bow. “Please bolster my declining prestige by joining me in this dance.” Declining prestige? I thought, then out loud I said, “It’s a tartelande. From back then.” “Which I studied up on all last week,” he said, offering his arm. I took it and flushed right up to my pearl-lined headdress. Though we had spoken often, of late, at various parties, this was the first time we had danced together since Savona’s ball, my second night at Athanarel. As we joined the circle I sneaked a glance at Elenet. She was dancing with one of the ambassadors. A snap of drums and a lilting tweet caused everyone to take position, hands high, right foot pointed. The musicians reeled out a merry tune to which we dipped and turned and stepped in patterns round one another and those behind and beside us. In between measures I stole looks at my partner, bracing for some annihilating comment about my red face, but he seemed preoccupied as we paced our way through the dance. The Renselaeuses, completely separate from Remalna five hundred years before, had dressed differently, just as they had spoken a different language. In keeping, Shevraeth wore a long tunic that was more like a robe, colored a sky blue, with black and white embroidery down the front and along the wide sleeves. It was flattering to his tall, slender form. His hair was tied back with a diamond-and-nightstar clasp, and a bluefire gem glittered in his ear. We turned and touched hands, and I realized he had broken his reverie and was looking at me somewhat quizzically. I had been caught staring. I said with as careless a smile as I could muster, “I’ll wager you’re the most comfortable of the men here tonight.” “Those tight waistcoats do look uncomfortable, but I rather like the baldrics,” he said, surveying my brother, whom the movement of the dance had placed just across from us.
Sherwood Smith (Court Duel (Crown & Court, #2))
Well, well, my dear, I’m sure I find your, ah, offer most tempting. I mean, you’re quite a lovely female for an alien but I am a mated male,” said a low voice in her ear. Sophie’s eyes flew open and she saw that Magistrate Licklow was frowning at her. “I’m sorry, what?” She looked at him uncertainly as she felt the sleeves of her tharp twitch again. “I’m just saying that while I appreciate your offer of, ah, intimate relations, I must politely decline.” He cleared his throat. “So please stop touching me.” “But I’m not!” Sophie was appalled. “What would make you think I was doing…doing something like that?” “Because you are.” He was beginning to look red in the face—clearly something was happening beneath the table but Sophie had no idea what. Her hands were still fisted in her lap with the long sleeves of her tharp hanging down almost to the ground. They still seemed to be twitching a little but it was hard to tell when she was itching so abominably. Her knees were together and her feet were up on the bottom rung of her chair, so it wasn’t like she was playing footsie with the Magistrate. What was he talking about? “I’m not,” she said earnestly. “I promise you. I would never—” “Oh, shocking!” Unfortunately Lady Whitethorn had picked up on what was going on—or what the Magistrate thought was going on, anyway—and she was glaring at Sophie. “No, really,” Sophie protested. “I don’t know what’s happening but I promise I have nothing to do with it. I’m not touching anybody, see?
Evangeline Anderson (Hunted (Brides of the Kindred, #2))
Here’s the scene: The three of us are by the Olympic-sized pool. The Latina with the thick waist is hovering in the shade of the veranda up by the house, her eyes on Frank in case he might want something, but so far he doesn’t and he hasn’t offered anything to me. If he did, I would ask for sunblock because standing here next to his pool is like standing on the sun side of Mercury. Gotta be ninety-six and climbing. Behind us is a pool house larger than my home, and through the sliding glass doors I can see a pool table, wet bar, and paintings of vaqueros in the Mexican highlands. It is air-conditioned in there, but apparently Frank would rather sit out here in the nuclear heat. Statues of lions dot the landscape, as motionless as Joe Pike, who has not moved once in the three minutes that I have been there. Pike is wearing a gray sweatshirt with the sleeves cut off, faded Levi’s, and flat black pilot’s glasses, which is the way he dresses every day of his life. His dark brown hair is cut short, and bright red arrows were tattooed on the outside of his deltoids long before tattoos were au courant. Watching Joe stand there, he reminds me of the world’s largest two-legged pit bull.
Robert Crais (L.A. Requiem (Elvis Cole, #8))
Before she realized what he meant to do, Cade was on his horse, towing the mule while riding at right angles away from the road and the army on the move. The rain had let up and the air was warm, and Cade wore only the white full-sleeved shirt and tight trousers he had worn every day since they had left. The shirt was open halfway down his copper chest and accented by a bright-red sash at his waist that held his knife. Lily thought he looked a pirate or worse, but the soldiers striking out after him weren't reaching for their weapons. "He looks like a damned Spaniard," Travis whispered at Lily's side. "How does he do that?" With years of practice and an Indian talent for deception—but Lily didn't say that out loud. She was gradually learning that Cade was like a chameleon, able to blend in with his surroundings for safety. She didn't like to think of the child he must have been to grow up that way, but it certainly helped to survive in this chaos that was Texas. Lily
Patricia Rice (Texas Lily (Too Hard to Handle, #1))
Oooh,’ gushed Coco. ‘Love your jacket. So cute. And such a nice cut.’ I looked again. It was just a jacket, even though it was red and black. Could a jacket have a nice cut? What did that even mean? For me, a jacket was a back, two sleeves and two flaps at the front. Oh, and a collar. Bam. Done. Easy. I had no idea how Coco could say one jacket was cuter than another. And ‘cuter’? Puppies are cute. Foals are cute. Baby bunnies are cute. Jackets are not cute. ‘Thanks,’ I heard Baylor say. ‘I love your shorts. Adorable.’ I coughed and rubbed my eyes again. Honestly.
Cecily Anne Paterson (Charlie Franks is A-OK (Coco and Charlie Franks, #2))
Meng Po raised her arms. At once, the gashes on Mulan's skin healed. Her wounds closed, and the dull pain in her ankle vanished. The rips and tears on her sleeves mended themselves, and her soldier's uniform, which had seen battle on Earth as well as in the Underworld, began to shimmer- until the simple muslin and linen cloth became a rich, forest-green silk. Her tunic lengthened, stretching until it flared behind her calves. Fitted over her chest was the finest armor, emblazoned with pink lotus blossoms and a red dragon.
Elizabeth Lim (Reflection)
After standing in front of the closet for so long that Vanessa made a pig face at me while she chose her clothes, I finally decided on my red jumper that said Mallory across the front, a short-sleeved white blouse, and white tights with little hearts all over them. "You look like a valentine," Vanessa told me, but I didn't care.
Ann M. Martin (Hello, Mallory (The Baby-Sitters Club, #14))
Justin then turned to Eric. “… Jabidaya…” Indeed, Eric had dressed up as his favorite anime character, the perverted teacher of Natsumo Uzukami: Jabidaya. Waist-length white hair ran down his back like a lion’s mane. A headband with metal plate that had a dildo etched onto the center wrapped around his forehead, allowing two spiky locks from his wig to descend on either side of his face like a pair of testicles. A red jacket worn over a green long-sleeved shirt went down to his knees. Green pants and wooden geta sandals made up the rest of his ensemble. Judging from the quality of the outfit, it was one of those cheap ones that people bought online.
Brandon Varnell (A Fox's Vacation (American Kitsune, #5))
choose each footfall—a twisted ankle was certain death now—and I saw the tread marks before Kolya. I grabbed his sleeve to stop him. We were at the edge of a vast clearing in the woods. The glare of sunlight off the hectares of snow was bright enough that I had to shield my eyes with my hand. The snow had been corrugated by dozens of tank treads, as if an entire Panzer brigade had passed through. I didn’t know treads the way I knew airplane engines, couldn’t tell a German Sturmtiger’s from a Russian T-34’s, but I knew these weren’t our tanks. We would have already broken the blockade if we had this much armor in the woods. Gray and brown heaps lay scattered across the snow. At first I thought they were discarded coats, but I saw a tail on one, an outstretched paw on another, and I realized they were dead dogs, at least a dozen of them. We heard another howl and finally we saw the howler, a black-and-white sheepdog dragging itself off the field, its front legs doing the work its hind legs could not. Behind the wounded animal was a blood-smeared trail more than a hundred meters long, a red brushstroke slapped across a white canvas.
David Benioff (City of Thieves)
Up ahead, a shadowy building loomed. It looked more like a gothic cathedral than a school, with grossly elongated black spires jutting into the night sky. They unnerved Tony. Somehow, they resembled horns silhouetted against the moon. He counted ten of these protuberances, each with an arrowhead as its tip. Tony found the structure difficult to make his mind up about. It was beautiful, that was for sure, but its beauty was intermingled with an ill-masked sense of horror. The black exterior had a pair of peculiar projections on either side of the building resembling a bat's wings. His feet on concrete now, he pulled up to a webbed gate— also reminiscent of a bats with the hind, bone-like array supporting an oily black, translucent texture. He saw some girls a few dozen feet from the gate at the entrance of the building. They were garbed in black sailor fuku skirts too high above the knees to facilitate concentration upon anything academic. The males were also dressed in black corduroy pants and black dress shirt. A throng by the massive doors stared holes through them as they approached. Up close, he noted some of the girls were quite pale, sporting piercings and tattoos on their necks and hands. He even saw one with a spider web inked on the side of her face. When he followed Silver Man into the building— his toes squeaking in his soaked shoes—he was awed by the aesthetics. There was a rather large gathering in the hall that looked more like large shadows with all the children in black. Tony felt out of place in his brown pants and long sleeved white shirt. The hall was bleak; the only source of illumination was a pair of horizontal cylindrical lamps set upon wooden rafters near the ceiling. Silver Man proceeded toward the platform where Tony could just make out the form of a thin man donning a monocle. He looked like an old scientist. He was sitting cross-legged, stroking his chest-length pearl white beard. The man appeared to be watching them as they progressed through the hall. Then he stood as they neared the stage, now caressing his bald head. He had a monkish appearance. His black robe— quite similar to the one Silver Man wore— was tied at the waist by a red cloth. The bald, monocled man extended a spindly hand which Silver Man gave a firm tug before leaning in and whispering something. The man nodded, turning to Tony. Tony flinched as he regarded him through his peculiar eyewear: a single gold-rimmed, circular lens. He now folded himself into an accentuated bow. "Listen up folks!" he shouted. Tony saw the students rushing inside the castle pell-mell, summoned by the voice of the bespectacled man. “We have a late recruit ladies and gentlemen,” the man said. His voice was much stronger than his thin frame suggested. “Join me as I induct him into the hallowed spirit of Imajinaereum.
Asher Sharol (Binds of Silver Magic (Blood Quintet #2))
If a small green caterpillar drops from a tree on the sleeve of an Irishman he will two days later assure you that he was attacked by a dragon of four heads, one blue, one red, one black and one invisible, that the dragon was a furlong in length and that he escaped from it only after a battle in which he was left with but a pint of blood in his veins.” “They are an engaging race, without a doubt,” said Abbot Almin. “Yes,” said Sir Roger, “but as I say, they don’t know the real from the fanciful. That is why it is so important for us to rule their country. You can’t have a collection of poets, mystics and outright liars running an island next door to your own nation. Much too dangerous and disorderly.
Leonard Wibberley (The Mouse That Roared Boxed Set)
What’s this?” he asks, sitting forward. I remove the top off the box and take out a pile of pictures. I hand him one. “This is Jacob,” I say. My eyes fill with tears, and I don’t even try to blink them back. I let them fall over my lashes and onto my cheeks. Paul brushes them away, but I really don’t want him to. I want to feel all of this because I have forced myself not to feel it for so very long. “This is when he was born.” I point to the squirmy little ball of red skin and dark hair. Paul looks from me to it. “He looks like you,” he says. I shake my head. “He looks more like his dad, I think.” These fucking tears keep falling. I’m not crying. It’s like someone opened an emotional dam in me and I can’t get it to close. I don’t want it to. “What happened to his dad?” Paul asks. “He died,” I say. I have to stop and clear my throat. “Drug overdose a few years after Jacob was born. I read about it in the paper.” “I’m so sorry.” I sniff. “I am, too.” I feel like I need to explain, and for the first time ever, I want to. “We were young, and we played around with marijuana and stuff. But I cut it all out when I found out I was pregnant with Jacob. He didn’t. He wasn’t able. It was really sad when I couldn’t be with him anymore. I didn’t have anyone else. But I didn’t really have him, either. The drugs had him, you know?” He nods. I hand him more pictures, and he flips through them. I have looked at them so much that they’re dog-eared in places. He holds one up from when Jacob was about three. “You can’t tell me he doesn’t look like you. Look at those eyes! He’s so handsome.” My eyes fill with tears again, but I smile through them. He is perfect. And I should be able to hear someone say so. “Look at that smirk!” Paul cries when he sees the most recent one. “That is so you!” I grin. I guess he’s right. “Where is your family, Friday?” he asks. “I don’t know,” I tell him. I lay my head on his shoulder and watch as he takes in the photos over and over, poring through the stack so he can point out ways that Jacob looks like me. “They kicked me out when I got pregnant. Terminated their rights.” Paul presses his lips to my forehead and doesn’t say anything. “I thought I knew everything back then.” I laugh and wipe my eyes with the hem of my dress. “Turns out I didn’t know shit.” “Do you ever think about looking for them?” I shake my head. “No. Never.” I point to special pictures of my son. “His mom—her name is Jill—she sometimes sends me special milestone pictures. This is his first tooth he got and the first tooth he lost. And this one is from his first step. That wasn’t even part of the agreement. She just does it because she wants me to know how he’s doing.” I try to grin through the tears. “He’s doing so great. He’s smart. And they can send him to college and to special schools. He takes piano, and he plays sports. And Jill says he likes to paint.” My voice cracks, and I don’t hate that it does. I just let it. “Of course, he does. You’re his mother.” “I just wanted to do what was best for him, you know?” This time, I use Paul’s sleeve to wipe my eyes. I blink hard trying to clear my vision. “That’s what parents do. We do what’s in the best interest of our children.” He kisses me softly. “Thank you for showing me these.
Tammy Falkner (Proving Paul's Promise (The Reed Brothers, #5))
The other arm, Wormtail.” “Master, please . . . please . . .” Voldemort bent down and pulled out Wormtail’s left arm; he forced the sleeve of Wormtail’s robes up past his elbow, and Harry saw something upon the skin there, something like a vivid red tattoo — a skull with a snake protruding from its mouth — the image that had appeared in the sky at the Quidditch World Cup: the Dark Mark. Voldemort examined it carefully, ignoring Wormtail’s uncontrollable weeping. “It is back,” he said softly, “they will all have noticed it . . . and now, we shall see . . . now we shall know . . .” He pressed his long white forefinger to the brand on Wormtail’s arm. The
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))