The Oval Series Quotes

one of the cutesy Neko series ones that had an oval shaped body with two triangular projections on one side that gave the entire device the outline of a cat’s head. The

The car drives through, stops while the man closes and fastens the prickly gate behind it. The bell shuts off; the stillness is deafening by contrast. The car goes on until the outline of a house suddenly uptilts the searching headlight-beams, log-built, sprawling, resembling a hunting-lodge. But there's no friendliness to it. There is something ominous and forbidding about its look, so dark, so forgotten, so secretive-looking. The kind of a house that has a maw to swallow with - a one-way house, that you feel will never disgorge any living thing that enters it. Leprous in the moonlight festering on its roof. And the two round sworls of light played by the heads of the car against its side, intersecting, form a pear-shaped oval that resembles a gleaming skull. ("Jane Brown's Body")

E' una piccola compressa bianca, ovale, divisibile.. Non crea né trasforma; interpreta. Ciò che era definitivo, lo rende passeggero; ciò che era ineluttabile, lo rende contingente. Fornisce una nuova interpretazione della vita - meno ricca, più artificiale, e improntata a una certa rigidità. Non dà alcuna forma di felicità, e neppure di vero sollievo, la sua azione è di tipo diverso: trasformando la vita in una serie di formalità, permette di raggirare. Pertanto aiuta gli uomini a vivere, o almeno a non morire - per qualche tempo.

ROOSEVELT’S SUDDEN INTEREST in modern art, on a day when he could have stayed home and read accounts of Woodrow Wilson’s inauguration, caused much editorial hilarity. A cartoon by Kemble90 in the Baltimore Evening Sun showed the new President contemplating a portrait of his toothy predecessor in the Oval Office and musing, “I wonder if that’s a futurist? It can’t be a cubist.” The New York World argued that the “Square Deal”91 of 1903 had been a proto-Cubist conceit, doing to the Constitution what Braque and Picasso would do to color and form ten years later.

With the news that he would soon be a daddy again, Steve seemed inspired to work even harder. Our zoo continued to get busier, and we had trouble coping with the large numbers. The biggest draw was the crocodiles. Crowds poured in for the croc shows, filling up all the grandstands. The place was packed. Steve came up with a monumental plan. He was a big fan of the Colosseum-type arenas of the Roman gladiator days. He sketched out his idea for me on a piece of paper. “Have a go at this, it’s a coliseum,” he declared, his eyes wide with excitement. He drew an oval, then a series of smaller ovals in back of it. “Then we have crocodile ponds where the crocs could live. Every day a different croc could come out for the show and swim through a canal system”--he sketched rapidly--“then come out in the main area.” “Canals,” I said. “Could you get them to come in on cue?” “Piece of cake!” he said. “And get this! We call it…the Crocoseum!” His enthusiasm was contagious. Never mind that nothing like this had ever been done before. Steve was determined to take the excitement and hype of the ancient Roman gladiators and combine it with the need to show people just how awesome crocs really were. But it was a huge project. There was nothing to compare it to, because nothing even remotely similar had ever been attempted anywhere in the world. I priced it out: The budget to build the arena would have to be somewhere north of eight million dollars, a huge expense. Wes, John, Frank, and I all knew we’d have to rely on Steve’s knowledge of crocodiles to make this work. Steve’s enthusiasm never waned. He was determined. This would become the biggest structure at the zoo. The arena would seat five thousand and have space beneath it for museums, shops, and a food court. The center of the arena would have land areas large enough for people to work around crocodiles safely and water areas large enough for crocs to be able to access them easily. “How is this going to work, Steve?” I asked, after soberly assessing the cost. What if we laid out more than eight million dollars and the crocodiles decided not to cooperate? “How are you going to convince a crocodile to come out exactly at showtime, try to kill and eat the keeper, and then go back home again?” I bit my tongue when I realized what was coming out of my mouth: advice on crocodiles directed at the world’s expert on croc behavior. Steve was right with his philosophy: Build it, and they will come. These were heady times. As the Crocoseum rose into the sky, my tummy got bigger and bigger with our new baby. It felt like I was expanding as rapidly as the new project. The Crocoseum debuted during an Animal Planet live feed, its premiere beamed all over the world. The design was a smashing success. Once again, Steve had confounded the doubters.

Cohn assembled the best statistics that could be compiled. Trump would not read, so Cohn brought charts to the Oval Office. The numbers showed that the American auto industry was fine. One big chart showed Detroit’s Big Three were producing 3.6 million fewer cars and light trucks since 1994, but the rest of the U.S., mostly in the Southeast, was up the same 3.6 million. The entire BMW 3 series in the world were made in South Carolina, Cohn said. The Mercedes SUVs were all made in the United States. The millions of auto jobs lost in Detroit had moved to South Carolina and North Carolina because of right-to-work laws.

I’M TIRED OF SWATTING FLIES,” President Bush told Condoleezza Rice in the Oval Office that spring after another in a series of briefings about al Qaeda threats. “I want to play offense.”13

The Sporting Arena Rome’s Colosseum, which opened in A.D. 80, was built specifically for sporting competitions. About fifty thousand spectators sat on terraced marble benches that formed an oval. Below the arena were dressing rooms and holding chambers where animals were kept. Most of the competitions held in the Colosseum involved deadly combat. Sometimes, fighters called gladiators would battle each other, and sometimes they would battle animals. In both cases, the participants fought to the death. Today, visitors to the ruins of the Colosseum can look down on the arena and imagine the cheers of the audience, the snarls of the angry lions, and the moans of the anguished losers.

Brazil’s president, Luiz Inácio Lula da Silva, for example, had visited the Oval Office in March, and I’d found him impressive. A grizzled, engaging former labor leader who’d been jailed for protesting the previous military government and then elected in 2002, he had initiated a series of pragmatic reforms that sent Brazil’s growth rate soaring, expanded its middle class, and provided housing and education to millions of its poorest citizens. He also reportedly had the scruples of a Tammany Hall boss, and rumors swirled about government cronyism, sweetheart deals, and kickbacks that ran into the billions.

...an unlikely group pieced together these past few weeks from parties and family references, friend-of-friend happenstance, and (in one case, just now being introduced) sheer, scarcely tolerable intrusiveness-five people who, in normal life back home, would have been satisfied never to have known one another. Five young expatriates hunch around an undersized cafe table: a moment of total insignificance, and not without a powerful whiff of cliche. Unless you were one of them. Then this meaningless, overdrawn moment may (then or later) seem to be somehow the summation of both an era and your own youth, your undeniably defining afternoon (though you can hardly say that aloud without making a joke of it). Somehow this one game of Sincerity becomes the distilled recollection of a much longer series of events. It persistantly rises to the surface of your memory-that afternoon when you fell in love with a person or a place or a mood, when you savored the power of fooling everyone, when you discovered some great truth about the world, when (like a baby duck glimpsing your quacking mother's waddling rear for the first time) an indelible brand was seared into your heart, which is, of course, a finate space with limited room for searing. Despite its insignificance, there was this moment, this hour or two, this spring afternoon blurring into evening on a cafe patio in a Central European capital in the opening weeks of its post-Communist era. The glasses of liqueur. The diamond dapples of light between oval, leaf-shaped shadows, like optical illusions. The trellised curve of the cast-iron fence seperating the patio from its surrounding city square. The uncomfortable chair. Someday this too will represent someone's receding, cruelly unattainable golden age. (4-5)

Even single cells have astonishing regenerative abilities. Acetabularia, the mermaid’s wineglass, is a single-celled green alga about five centimeters long, with three main parts: root-like structures called rhizoids that attach it to a rock, a stem and a cap about a centimeter wide (Figure 5.2). This very large cell has a single nucleus in one of the rhizoids. As the plant grows, its stem lengthens, it forms a series of whorls of hairs that later drop off, and finally forms the cap. If the cap is cut off by snipping the stem in two, after the cut has healed, a new tip grows and the stem forms a series of whorls of hairs and then a new cap, in a similar way to the normal pattern of growth. This can happen over and over again if the cap is cut off repeatedly.2 As discussed in the following chapter, the usual assumption is that genes somehow control or “program” the development of form, as if the nucleus, containing the genes, is a kind of brain controlling the cell. But Acetabularia shows that morphogenesis can take place without genes. If the rhizoid containing the nucleus is cut off, the alga can stay alive for months, and if the cap is cut off, it can regenerate a new one. Even more remarkable, if a piece is cut out of the stem, after the cuts have healed, a new tip grows from the end where the cap used to be and makes a new cap (Figure 5.2).3 Morphogenesis is goal-directed, and moves toward a morphic attractor even in the absence of genes. FIGURE 5.2. Regeneration of the alga Acetabularia mediterranea, an unusually large single-celled organism, up to 5cm tall, containing a green cap at the top of a long stalk, anchored at the base by root-like rhizoids. There is a large nucleus (shown as a black oval) in the basal part of the cell. When the stalk is cut off near the bottom, the basal part of the cell regenerates a new stalk and cap (shown on the right). When a part of the upper stalk is cut out, it grows a new cap and more stalk, even though it contains no nucleus.

His eyes hold mine, and then without a word, he drops to his knee, and his shaking hands pull out a black velvet box. My lips part as my world stops. His breathing quivers and he looks up at me, filled with hope. "Brielle Johnston, will you marry me?" He opens the box to reveal a huge, oval, diamond ring.

Dubya was their public face, and may not have even known it. He’s a Texas jokester who couldn’t manage a Wal-Mart and the Inner Circle put him in the Oval Office for two terms while they moved behind the scenes.” “What about the current administration?” asked Gault. “The Inner Circle doesn’t have the same kind of control over this president, which is why they are trying to weaken him and discredit his accomplishments.

Many more details confirm my work: For example, Sokar (who is located in the 5th hour domain) is a chthonic deity of canals and underground tombs. He is the god of the Mysterious Region which could be identified as the Grand Gallery. This passageway could possibly be recognized as the oval island of Sokar which were guarded by large granite blocks from Afu-Ra's path. The granite slabs were probably securing the pathway to the Grand Gallery from the King's Chamber rather than from the pyramid's entrance against tomb robbers as Mark Lehner's hypothesized.