The Lifted Veil Quotes

For a moment Anne's heart fluttered queerly and for the first time her eyes faltered under Gilbert's gaze and a rosy flush stained the paleness of her face. It was as if a veil that had hung before her inner consciousness had been lifted, giving to her view a revelation of unsuspected feelings and realities. Perhaps, after all, romance did not come into one's life with pomp and blare, like a gay knight riding down; perhaps it crept to one's side like an old friend through quiet ways; perhaps it revealed itself in seeming prose, until some sudden shaft of illumination flung athwart its pages betrayed the rhythm and the music, perhaps. . . perhaps. . .love unfolded naturally out of a beautiful friendship, as a golden-hearted rose slipping from its green sheath.

To insinuate that I would break an oath that I made to the ALMIGHTY for my own personal gain is an insult. An insult to me and an insult to the Order. An insult, worthy of death.

Veil after veil of thin dusky gauze is lifted, and by degrees the forms and colours of things are restored to them, and we watch the dawn remaking the world in its antique pattern.

Death is the veil which those who live call life; They sleep, and it is lifted.

Mom says each of us has a veil between ourselves and the rest of the world, like a bride wears on her wedding day, except this kind of veil is invisible. We walk around happily with these invisible veils hanging down over our faces. The world is kind of blurry, and we like it that way. But sometimes our veils are pushed away for a few moments, like there's a wind blowing it from our faces. And when the veil lifts, we can see the world as it really is, just for those few seconds before it settles down again. We see all the beauty, and cruelty, and sadness, and love. But mostly we are happy not to. Some people learn to lift the veil themselves. Then they don't have to depend on the wind anymore.

Continue your search for the truth but remember one thing--all things are possible.

I would have hoped you would have learned by now. No matter, a man who refuses to face his destiny offers himself to the GOD of chance—and chance is a wayward bitch.

We learn words by rote, but not their meaning; that must be paid for with our life-blood, and printed in the subtle fibres of our nerves.

You are one, and we are many, We are everywhere and nowhere at the same time. We are the face of justice.

Fear, your fear takes hold of you…I can smell it. You are in my world now, and in my world, darkness is light.

Everyone is so enamored with the puppet; they never notice the man pulling the strings.

The Order? Here inside such a weak soul?” “His spirit is failing, his faith too old." “He cannot be saved." “Few have tried." “He is consumed by the lion." “He is overtaken by pride.

HANG THE LAW AND FUCK THE RULES! Where is your love for others? Where is your compassion? All these warriors want is a chance to serve. Doesn’t their love supersede your rules?

Boy, you are a hothead, Bane. Your rage makes you an exceptional warrior but quite a boring conversationalist. Good thing I did not keep you for your manners and charm, eh? Now calm down, your spittle is getting all over me, my feet do not require a shower." -Michael, The ArchAngel

You heard me. A creature from another world, a dark world, lurks the halls of Hellgate, tormenting victims at will. A grotesque, gnarled, twisted creature, with thick iron stakes impaled into its body, whip marks across its chest and back-- the beast got inside my brain.

A charm invests a face Imperfectly beheld,— The lady dare not lift her veil For fear it be dispelled. But peers beyond her mesh, And wishes, and denies,— Lest interview annul a want That image satisfies.

Monster? Monster, you say?” He scratched his chest, blood dripping from what seemed to be an old wound. “No, my friend. I have SEEN real monsters. I have faced real darkness, heart beating out of your chest with death all around you. The stench of piss and shit as men empty themselves in their final moments. I have experienced real terror. Terror, a simple man like you, could never fathom

Have you ever thought about why GOD did it? Why tempt such fragile beings in the first place? Did GOD give the race of man free will, knowing that they would use that will to defy him, or to take it a step further since GOD knows all, did he know that Adam and Eve would eat the forbidden fruit, allowing him to cast them out of paradise to toil and suffer for a living.

While the heart beats, bruise it--it is your only opportunity

I'd always thought that my awkwardness was a thin veil disguising the real me. The me that was funny and could write songs that touched people. The me that would one day find some beautiful, intelligent boy who'd recognize me as his soul mate. The me who was secretly pretty and stylish if only someone would lift the veil and see. But I was beginning to suspect that underneath the awkwardness there was just more awkwardness and not much else. And that would explain why I stood in a room full of people and felt like the loneliest girl in the world.

A spark is exactly what it means. An igniting of something that spreads, and soon it becomes difficult to contain. The sparks, in this case, represent sin, not just any sin, a major undertaking of evil that spreads and infects life, changing the way humans live forever." " The Everlasting protects man for six of these catastrophes, but once there is a seventh, well… anything goes." "I’m not destroying man; I’m saving man--from themselves.

... He'd been about to turn away when she lifted her face to the moon and sang. It was not in any language that he knew. Not in the common tongue, or in Eyllwe, or in the languages of Fenharrow or Melisande, or anywhere else on the continent This language was ancient, each word full of power and rage and agony. She did not have a beautiful voice. And many of the words sounded like half sobs, the vowels stretched by the pangs of sorrow, the consonants hardened by anger. She beat her breast in time, so full of savage grace, so at odds with the black gown and veil she wore. The hair on the back of his neck stood as the lament poured from her mouth, unearthly and foreign, a song of grief so old that it predated the stone castle itself. And the the song finished, its end as butal and sudden as Nehemia's death had been. She stood there a few moments, silent and unmoving.

We are Knights of the Trinity, Angels of the Third Realm of Heaven Warriors of The Almighty Defenders of Righteousness, Truth. And Justice Protectors of the Weak and Downtrodden Guardians of the realms of men. We pledge our spirits, our swords, and our shields in service, Not for glory, not for pride, but for the honor to serve the Most-High May the forces of Darkness tremble in our wake and die at our hands! We are the Chosen Twelve, the Blessed, the Mighty War-riors of the Everlasting Order Hazah! Hazah! Hazah!

There are few of us who have not sometimes wakened before dawn, either after one of those dreamless nights that make us almost enamoured of death, or one of those nights of horror and misshapen joy, when through the chambers of the brain sweep phantoms more terrible than reality itself, and instinct with that vivid life that lurks in all grotesques, and that lends to Gothic art its enduring vitality, this art being, one might fancy, especially the art of those whose minds have been troubled with the malady of reverie. Gradually white fingers creep through the curtains, and they appear to tremble. In black fantastic shapes, dumb shadows crawl into the corners of the room and crouch there. Outside, there is the stirring of birds among the leaves, or the sound of men going forth to their work, or the sigh and sob of the wind coming down from the hills and wandering round the silent house, as though it feared to wake the sleepers and yet must needs call forth sleep from her purple cave. Veil after veil of thin dusky gauze is lifted, and by degrees the forms and colours of things are restored to them, and we watch the dawn remaking the world in its antique pattern. The wan mirrors get back their mimic life. The flameless tapers stand where we had left them, and beside them lies the half-cut book that we had been studying, or the wired flower that we had worn at the ball, or the letter that we had been afraid to read, or that we had read too often. Nothing seems to us changed. Out of the unreal shadows of the night comes back the real life that we had known. We have to resume it where we had left off, and there steals over us a terrible sense of the necessity for the continuance of energy in the same wearisome round of stereotyped habits, or a wild longing, it may be, that our eyelids might open some morning upon a world that had been refashioned anew in the darkness for our pleasure, a world in which things would have fresh shapes and colours, and be changed, or have other secrets, a world in which the past would have little or no place, or survive, at any rate, in no conscious form of obligation or regret, the remembrance even of joy having its bitterness and the memories of pleasure their pain.

The veil that clouds your eyes shall be lifted by the hands that wove it,

What I really love about them... is the fact that they contain someone's personal history...I find myself wondering about their lives. I can never look at a garment... without thinking about the woman who owned it. How old was she? Did she work? Was she married? Was she happy?... I look at these exquisite shoes, and I imagine the woman who owned them rising out of them or kissing someone...I look at a little hat like this, I lift up the veil, and I try to imagine the face beneath it... When you buy a piece of vintage clothing you're not just buying the fabric and thread - you're buying a piece of someone's past.

Shall any gazer see with mortal eyes, Or any searcher know by mortal mind, Veil after veil will lift--but there must be Veil upon veil behind.

Mystical insight and enlightenment occur when the veil between the worlds is lifted, the worlds are bridged, the gap closes, and we cross over.

A mindset of gratitude lifts the veil of bitterness and allows you to see beauty and possibility.

And when the veil lifts, we can see the world as it really is, just for those few seconds before it settles down again. We see all the beauty, and cruelty, and sadness, and love.

Our sweet illusions are half of them conscious illusions, like effects of colour that we know to be made up of tinsel, broken glass and rags.

You will not lift the veil of my body until you lift the veil over my face.

I magnified, as usual, the impression any word or deed of mine could produce on others.

But music, don't you know, is a dream from which the veils have been lifted. It's not even the expression of a feeling, it's the feeling itself

I thirsted for the unknown: the thirst is gone. O God, let me stay with the known, and be weary of it: I am content.

What! your wisdom thinks I must love the man I'm going to marry? The most unpleasant thing in the world. I should quarrel with him; I should be jealous of him; our menage would be conducted in a very ill-bred manner. A little quiet contempt contributes greatly to the elegance of life. ("The Lifted Veil")

Poetry lifts the veil from the hidden beauty of the world, and makes familiar objects be as if they were not familiar.

I am standing puzzled, unable to decide whether the veil is really being lifted, or lowered more firmly in place; whether I am witnessing a revelation or a more efficient blinding.

This is what differentiates sympathy from empathy. No matter how much I care for you, it's not until I recognize me in you and you in me that the veil of gauze is lifted on the world.

In the twinkling of an eye a veil is lifted; and you see with other eyes and hear with other ears and are given another understanding.

Before marriage she had completely mastered my imagination, for she was a secret to me; and I created the unknown thought before which I trembled as if it were hers.

There is a real world, but it is beyond this glamour and this vision, beyond these 'chases in Arras, dreams in a career,' beyond them all as beyond a veil. I do not know whether any human being has ever lifted that veil; but I do know, Clarke, that you and I shall see it lifted this very night from before another's eyes. You may think this all strange nonsense; it may be strange, but it is true, and the ancients knew what lifting the veil means. They called it seeing the god Pan.

Before I came to New York I lived here, in this mausoleum. I was nothing. I was dead. When I came to New York it was like a veil lifting. For the first time I felt I was alive, breathing.

It was growing dark on this long southern evening, and suddenly, at the exact point her finger had indicated, the moon lifted a forehead of stunning gold above the horizon, lifted straight out of filigreed, light-intoxicated clouds that lay on the skyline in attendant veils. Behind us, the sun was setting in a simultaneous congruent withdrawal and the river turned to flame in a quiet duel of gold....The new gold of moon astonishing and ascendant, he depleted gold of sunset extinguishing itself in the long westward slide, it was the old dance of days in the Carolina marshes, the breathtaking death of days before the eyes of children, until the sun vanished, its final signature a ribbon of bullion strung across the tops of water oaks.

I have lifted my veil and I’m baring my soul to you. Don’t you see my heart crying? How did you become so cruel? Did someone hurt you, too?

Tears rolled down my face. When did this happen? Then I realized, they didn't changed, I changed. It happened when I lifted the veil clouding my mind and saw the truth surrounding me.

I have never fully unbosomed myself to any human being; I have never been encouraged to trust much in the sympathy of my fellow men. But we have all a chance of meeting with some pity, some tenderness, some charity, when we are dead: it is the living only who cannot be forgiven - the living only from whom men's indulgence and reverence are held off, like the rain by the hard east wind. While the heart beats, bruise it - it is your only opportunity; while the eye can still turn towards you with moist, timid entreaty, freeze it with an icy unanswering gaze; while the ear, that delicate messenger to the inmost sanctuary of the soul, can still take in the tones of kindness, put it off with hard civility, or sneering compliment, or envious affectation of indifference; while the creative brain can still throb with the sense of injustice, with the yearning for brotherly recognition - make haste - oppress it with your ill-considered judgements, your trivial comparisons, your careless misrepresentations. The heart will by and by be still - ubi saeoa indignatio ulterius cor lacerate nequit; the eye will cease to entreat; the ear will be deaf; the brain will have ceased from all wants as well as from all work. Then your charitable speeches may find vent; then you may remember and pity the toil and the struggle and the failure; then you may give due honour to the work achieved; then you may find extenuation for errors, and may consent to bury them ("The Lifted Veil")

No matter how unattractive or how dangerous the road ahead may be, it is better than the road back. The road ahead may be veiled from sight—but you must teach yourself to regard the unknown as friendly. Remember that God is always on the road ahead. … cause me to know the way wherein I should walk; for I lift up my soul unto thee (Psalm 143:8).

The world is a glorious place, and filled with so many unexpected moments that I'd get lumps in my throat, as though I were watching a bride walk down the aisle - moments as eternal and full of love as the lifting of veils, the saying of vows and the moment of the first wedded kiss.

Girls...only lift the veil over your body to the spouse who is worthy to see the glory of that unveiled mystery.

I have two ways of loving You: A selfish one And another way that is worthy of You. In my selfish love, I remember You and You alone. In that other love, You lift the veil And let me feast my eyes on Your living face.

I cannot help remembering a remark of De Casseres. It was over the wine in Mouquin's. Said he: "The profoundest instinct in man is to war against the truth; that is, against the Real. He shuns facts from his infancy. His life is a perpetual evasion. Miracle, chimera and to-morrow keep him alive. He lives on fiction and myth. It is the Lie that makes him free. Animals alone are given the privilege of lifting the veil of Isis; men dare not. The animal, awake, has no fictional escape from the Real because he has no imagination. Man, awake, is compelled to seek a perpetual escape into Hope, Belief, Fable, Art, God, Socialism, Immortality, Alcohol, Love. From Medusa-Truth he makes an appeal to Maya-Lie

The veil that clouds your eyes shall be lifted by the hands that wove it, And the clay that fills your ears shall be pierced by those fingers that kneaded it. And you shall see. And you shall hear.

[she used to say that] each of us has a veil between ourselves and the rest of the world – like a bride wears on her wedding day—except this kind of veil is invisible. we walk around happily with these invisible veils hanging down over our faces. the world is kind of blurry. we like it that way. but sometimes our veils are pushed away for a few moments – like there’s a wind blowing it from our faces – and when the veil lifts, we can see the world as it really is, just for those few seconds before it settles down again. we see all the beauty and cruelty and sadness and love, but mostly we are happy not to. some people learn to lift the veils themselves. then they don’t have to depend on the wind anymore. ...it’s just her way of saying that most of the time people get distracted by little stuff, and ignore the big stuff.

What are "I" and "You"? Just lattices In the niches of a lamp Through which the One Light radiates. "I" and "You" are the veil Between heaven and earth; Lift this veil and you will see How all sects and religions are one. Lift this veil and you will ask When "I" and "You" do not exist What is mosque? What is synagogue? What is fire temple?

It's a ridiculous story, of course, but history's full of ridiculous stories. 'You can't make this shit up,' one finds oneself saying, whenever the seemingly prosaic old world lifts the veil on its synchronicities. Meanwhile the seemingly prosaic old world shrugs: Hey, don't ask me. I just work here.

A bride and bridegroom, surrounded by all the appliances of wealth, hurried through the day by the whirl of society, filling their solitary moments with hastily-snatched caresses, are prepared for their future life together as the novice is prepared for the cloister—by experiencing its utmost contrast.

...you lifted the veil when you admitted you had no memory of that day - it was so special and your lack of recall so monstrous...

Without deception, sexual attraction isn’t possible. Men deceive women in many ways, and women deceive men on a whole different, god-like level. It’s not just makeup. It’s something far much greater. Many women try to play dumb, lest the man get scared of their intellectual abilities. Many women fake flexibility when it comes to opinions, as they know many men aren’t accepting of a highly opinionated woman. It’s a multitude of things with women. Whereas with men, things are quite simple. They just have to portray that they are the most sorted out guys, will be good providers, and know what they are doing in their lives. Putting it in a nutshell, both men and women deceive each other. But after a few months of marriage, the veil of deception is lifted. The woman who once seemed timid suddenly begins to voice her concerns. The woman who once seemed flexible suddenly begins to assert her unpopular opinions and impose her will. Men disappoint too. The woman realizes her guy isn’t as sorted out as he pretended to be. All in all, only when people start living together do they come to know of their partners for real. No wonder why so many love marriages end up in divorce within a year.

Jen smiled at them, a wicked gleam in her eyes. "Do you hear that, Desdemona, last of the witches? I have so named you! Hear me now," Jen yelled into the dark forest, the wind and thunder still rolling around her. "Your time is drawing near! We are coming. Throw back your head in your tiny victory, laugh at our short-lived defeat, but we are coming. The night will be filled with our howls, the ground will shake with the stomping of our feet! We are coming. We are coming for you, Desdemona, and death follows!" Jen lifted her head and let out a howl worthy of an Alpha female. The others joined. And as their howls died down, for a brief moment before the silence took over, they heard howls beyond the earthly realm, howls filled with grief and triumph, pain and fear, anger and love-howls from those caught in the jaws of the In Between. They had heard their females' cries and they had answered.

Thou knowest all; I seek in vain What lands to till or sow with seed - The land is black with briar and weed, Nor cares for falling tears or rain. Thou knowest all; I sit and wait With blinded eyes and hands that fail, Till the last lifting of the veil And the first opening of the gate. Thou knowest all; I cannot see. I trust I shall not live in vain, I know that we shall meet again In some divine eternity.

There is no short cut, no patent tram-road, to wisdom: after all the centuries of invention, the soul’s path lies through the thorny wilderness which must be still trodden in solitude, with bleeding feet, with sobs for help, as it was trodden by them of old time.

Here was food for reflection: Kitty had never heard the Chinese spoken of as anything but decadent, dirty, and unspeakable. It was as though the corner of a curtain were lifted for a moment, and she caught a glimpse of a world rich with a color and significance she had not dreamt of.

Aelin lifted her hands, opening her eyes to find her fingers wreathed in flame. Darkness spread over the world. Through the veil of gold and blue and red, she looked at her prince. She raised her burning hands helplessly between them. "She stole me--she took me. And I could feel her--feel her consciousness. It was like she was a spider, waiting in a web for decades, knowing I'd one day be strong and stupid enough to use my magic and the key together. I might as well have rung the dinner bell." Her fire burned hotter, brighter, and she let it build and rise and flicker.

Then in my mind's eye I see the bronze statue of the college Founder, the cold Father symbol, his hands outstretched in the breathtaking gesture of lifting a veil that flutters in hard, metallic folds above the face of a kneeling slave; and I am standing puzzled, unable to decide whether the veil is really being lifted, or lowered more firmly in place; whether I am witnessing a revelation or a more efficient blinding.

All weddings... It never changes, when the groom lifts the veil, when the bride accepts the ring, the possibilities you see in their eyes, it's the same around the world. They truly believe their love and their marriage is going to break all records.

For continual suffering had annihilated religious faith within me: to the utterly miserable –the unloving and the unloved –there is no religion possible, no worship but a worship of devils.

A better-constituted boy would certainly have profited under my intelligent tutors, with their scientific apparatus; and would, doubtless, have found the phenomena of electricity and magnetism as fascinating as I was, every Thursday, assured they were. As it was, I could have paired off, for ignorance of whatever was taught me, with the worst Latin scholar that was ever turned out of a classical academy. I read Plutarch, and Shakespeare, and Don Quixote by the sly, and supplied myself in that way with wandering thoughts, while my tutor was assuring me that "an improved man, as distinguished from an ignorant one, was a man who knew the reason why water ran downhill." I had no desire to be this improved man; I was glad of the running water; I could watch it and listen to it gurgling among the pebbles and bathing the bright green water-plants, by the hour together. I did not want to know why it ran; I had perfect confidence that there were good reasons for what was so very beautiful. ("The Lifted Veil")

Everyone rushes wherever his instincts impel him, the populace swarms like insects over a corpse, poets pass by without having the time to sculpt their thoughts, hardly have they scribbled their ideas down on sheets of paper than the sheets are blown away; everything glitters and everything resounds in this masquerade, beneath its ephemeral royalties and its cardboard scepters, gold flows, wine cascades, cold debauchery lifts her skirts and jigs around…horror! horror! and then there hangs over it all a veil that each one grabs part of to hide himself the best he can. Derision! Horror – horror!

It is an old story, that men sell themselves to the tempter, and sign a bond with their blood, because it is only to take effect at a distant day; then rush on to snatch the cup their souls thirst after with an impulse not the less savage because there is a dark shadow beside them forevermore. There is no short cut, no patent tram-road to wisdom: after all the centuries of invention, the soul's path lies through the thorny wilderness which must be still trodden in solitude, with bleeding feet, with sobs for help, as it was trodden by them of old time.

Women, it is said, possess corresponding power. Through consciousness-raising, women found that women's so-called power was the other side of female powerlessness. A women's supposed power to deny sex is the underside of her actual lack of power to stop it. Women's supposed power to get men to do things for them by nagging or manipulating is the other side of the power they lack to have their every need anticipated, to carry out the task themselves, or to invoke physical fear to gain compliance with their desires without even having to mention it. Once the veil is lifted, once relations between the sexes are seen as power relations, it becomes impossible to see as simply unintented, well-intentioned, or innocent the actions through which women are told every day what is expected and when they have crossed some line.

I have to see that the thought “I” is the greatest obstacle to consciousness of myself. Everything I know through my senses has a name. I am encumbered by names, which become more important than the things themselves. I name myself “I,” and in doing it as if I knew myself, I am accepting a thought that keeps me in ignorance. If I learn to separate myself from names, from thoughts, little by little I will come to know the nature of the mind and lift the veil it casts over me.

She felt her future close upon her but unseen, like the sea behind the blowing veil of snow... She would follow Llyr's advice and face it a little every day...Day by day, step by step life would go forward. Eventually, the veil would lift, the cold would yield to the sun's warmth, and the world would be reborn. This dark time would pass.

In the early days of her pupilage with Maurice, he had told Maisie of his teachers, the wise men who spoke of the veil that was lifted in the early hours, of the all-seeing eye that was open before the day was awake. The hours before dawn were the sacred time, before the intellect rose from slumber. At this time one’s inner voice could be heard.

Conceive the condition of the human mind if all propositions whatsoever were self-evident except one, which was to become self-evident at the close of a summer’s day, but in the meantime might be the subject of question, of hypothesis, of debate. Art and philosophy, literature and science, would fasten like bees on that one proposition which had the honey of probability in it, and be the more eager because their enjoyment would end with sunset. Our impulses, our spiritual activities, no more adjust themselves to the idea of their future nullity, than the beating of our heart, or the irritability of our muscles.

For a long while she lived in the hope that my evident wretchedness would drive me to the commission of suicide; but suicide was not in my nature. I was too completely swayed by the sense that I was in the grasp of unknown forces, to believe in my power of self-release.

It was two weeks after the day she turned eighteen All dressed in white Going to the church that night She had his box of letters in the passenger seat Sixpence in a shoe, something borrowed, something blue And when the church doors opened up wide She put her veil down Trying to hide the tears Oh she just couldn't believe it She heard trumpets from the military band And the flowers fell out of her hand Baby why'd you leave me Why'd you have to go? I was counting on forever, now I'll never know I can't even breathe It's like I'm looking from a distance Standing in the background Everybody's saying, he's not coming home now This can't be happening to me This is just a dream The preacher man said let us bow our heads and pray Lord please lift his soul, and heal this hurt Then the congregation all stood up and sang the saddest song that she ever heard Then they handed her a folded up flag And she held on to all she had left of him Oh, and what could have been And then the guns rang one last shot And it felt like a bullet in her heart Baby why'd you leave me Why'd you have to go? I was counting on forever, now I'll never know I can't even breathe It's like I'm looking from a distance Standing in the background Everybody's saying, he's not coming home now This can't be happening to me This is just a dream Oh, this is just a dream Just a dream

[Jesus] is, at the moment, present with us, but hidden behind that invisible veil which keeps heaven and earth apart, and which we pierce in those moments, such as prayer, the sacraments, the reading of scripture, and our work with the poor, when the veil seems particularly thin. But one day the veil will be lifted; earth and heaven will be one; Jesus will be personally present, and every knee shall bow at his name; creation will be renewed; the dead will be raised; and God's new world will at last be in place, full of new prospects and possibilities.

(visions) of strange cities, of sandy plains, of gigantic ruins, of midnight skies with strange bright constellations, of mountain-passes, of grassy nooks flecked with the afternoon sunshine through the boughs: I was in the midst of such scenes, and in all of them one presence seemed to weigh on me in all these mighty shapes - the presence of something unknown and pitiless. For continual suffering had annihilated religious faith within me: to the utterly miserable - the unloving and the unloved - there is no religion possible, no worship but a worship of devils. And beyond all these, and continually recurring, was the vision of my death - the pangs, the suffocation, the last struggle, when life would be grasped at in vain. ("The Lifted Veil")

Behind all the dark humor, Bill was talking about the same things I’d read in Joseph Campbell. If you look at things, really look, if you lift the veil, you start to recognize that light is love, is infinite, is unconditional. Bill was saying that once you understand the nature of nature, you can let go of difficulties and sign on for the ride—knowing that it’s just a ride. And

Just as I am watching a tongue of blue flame rising in the fire, and my lamp is burning low, the horrible contraction will begin in my chest. I shall only have time to reach the bell, and pull it violently, before the sense of suffocation will come. No one will answer my bell. I know why. My two servants are lovers, and will have quarrelled. My housekeeper will have rushed out of the house in a fury, two hours before, hoping that Perry will believe she has gone to drown herself. Perry is alarmed at last, and is gone out after her. The little scullery-maid is asleep on a bench: she never answers the bell; it does not wake her. The sense of suffocation increases: my lamp goes out with a horrible stench: I make a great effort, and snatch at the bell again. I long for life, and there is no help. I thirsted for the unknown: the thirst is gone. 0 God, let me stay with the known, and be weary of it. I am content. Agony of pain and suffocation - and all the while the earth, the fields, the pebbly brook at the bottom of the rookery, the fresh scent after the rain, the light of the morning through my chamber window, the warmth of the hearth after the frosty air - will darkness close over them for ever? Darkness-darkness-no pain-nothing but darkness: but I am passing on and on through the darkness: my thought stays in the darkness, but always with a sense of moving onward ... ("The Lifted Veil")

He fills my head with tales from the ancient forests, tales so old that the trees themselves call them legends. It is as if a veil has been lifted from my eyes, and the world I have lived in all my sixteen years is revealed to be something else entirely, something so marvelous I could never have imagined it.

On the endive show, she offered a Yogi Berra-style malaprop: "Now don't wash endive-that is, unless it's dirty." And during an episode of forgetfulness: "I did not have my glasses on when I was thinking." Once, she sorted through a jungle of seaweed in search of a twenty-pound lobster lurking in its folds; another time, she lifted the veil over a platter hunting for the "big, bad artichoke" lying furtively underneath.

When you are quite well enough to travel, Latimer, I shall take you home with me. The journey will amuse you and do you good, for I shall go through the Tyrol and Austria, and you will see many new places. Our neighbours, the Filmores, are come; Alfred will join us at Basle, and we shall all go together to Vienna, and back by Prague...' My father was called away before he had finished his sentence, and he left my mind resting on the word Prague with a strange sense that a new and wondrous scene was breaking upon me: a city under the broad sunshine, that seemed to me as if it were summer sunshine of a long-past century arrested in its course-unrefreshed for ages by dews of night, or the rushing rain-cloud; scorching the dusty, weary, time-eaten grandeur of a people doomed to live on in the stale repetition of memories, like deposed and superannuated kings in their regal gold inwoven tatters. The city looked so thirsty that the broad river seemed to me a sheet of metal; and the blackened statues, as I passed under their blank gaze, along the unending bridge, with their ancient garments and their saintly crowns, seemed to me the real inhabitants and owners of this place, while the busy, trivial men and women, hurrying to and fro, were a swarm of ephemeral visitants infesting it for a day. It is such grim, stony beings as these, I thought, who are the fathers of ancient faded children, in those tanned time-fretted dwellings that crowd the steep before me; who pay their court in the worn and crumbling pomp of the palace which stretches its monotonous length on the height; who worship wearily in the stifling air of the churches, urged by no fear or hope, but compelled by their doom to be ever old and undying, to live on in the rigidity of habit, as they live on in perpetual midday, without the repose of night or the new birth of morning. A stunning clang of metal suddenly thrilled through me, and I became conscious of the objects in my room again: one of the fire-irons had fallen as Pierre opened the door to bring me my draught. My heart was palpitating violently, and I begged Pierre to leave my draught beside me; I would take it presently. ("The Lifted Veil")

The profoundest instinct in man is to war against the truth; that is, against the Real. He shuns facts from his infancy. His life is a perpetual evasion. Miracle, chimera and to-morrow keep him alive. He lives on fiction and myth. It is the Lie that makes him free. Animals alone are given the privilege of lifting the veil of Isis; men dare not. The animal, awake, has no fictional escape from the Real because he has no imagination. Man, awake, is compelled to seek a perpetual escape into Hope, Belief, Fable, Art, God, Socialism, Immortality, Alcohol, Love. From Medusa-Truth he makes an appeal to Maya-Lie.

Milton's Eve! Milton's Eve! ... Milton tried to see the first woman; but Cary, he saw her not ... I would beg to remind him that the first men of the earth were Titans, and that Eve was their mother: from her sprang Saturn, Hyperion, Oceanus; she bore Prometheus" -- "Pagan that you are! what does that signify?" "I say, there were giants on the earth in those days: giants that strove to scale heaven. The first woman's breast that heaved with life on this world yielded the daring which could contend with Omnipotence: the stregth which could bear a thousand years of bondage, -- the vitality which could feed that vulture death through uncounted ages, -- the unexhausted life and uncorrupted excellence, sisters to immortality, which after millenniums of crimes, struggles, and woes, could conceive and bring forth a Messiah. The first woman was heaven-born: vast was the heart whence gushed the well-spring of the blood of nations; and grand the undegenerate head where rested the consort-crown of creation. ... I saw -- I now see -- a woman-Titan: her robe of blue air spreads to the outskirts of the heath, where yonder flock is grazing; a veil white as an avalanche sweeps from hear head to her feet, and arabesques of lighting flame on its borders. Under her breast I see her zone, purple like that horizon: through its blush shines the star of evening. Her steady eyes I cannot picture; they are clear -- they are deep as lakes -- they are lifted and full of worship -- they tremble with the softness of love and the lustre of prayer. Her forehead has the expanse of a cloud, and is paler than the early moon, risen long before dark gathers: she reclines her bosom on the ridge of Stilbro' Moor; her mighty hands are joined beneath it. So kneeling, face to face she speaks with God. That Eve is Jehova's daughter, as Adam was His son.

One knew nothing. One lived and walked about on the earth or rode through the forests, and so many things looked at one with such challenge and promise, rousing such longing: an evening star, a bluebell, a lake green with reeds, the eye of a human being or of a cow, and at times it seemed as if the very next moment something never seen but long yearned for must happen, as if a veil must drop from everything. But then it passed, and nothing happened, and the riddle was not solved, nor was the secret spell lifted, and finally one became old... and perhaps one still knew nothing, would still be waiting and listening.

For too brief a moment in the universe the veil was lifted. The mysterious became known. Questions met answers somewhere behind the stars. Furrowed brows were smoothed and eyelids closed over long unblinking stares. Your beloved occupied the cosmos. You awoke to sunrays and nestled down to sleep in moonlight. All life was a gift open to you and burgeoning for you. Choirs sang to harps and your feet moved to ancestral drumbeats. For you were sustaining and being sustained by the arms of your beloved. Now the days stretch before you with the dryness and sameness of desert dunes. And in this season of grief we who love you have become invisible to you. Our words worry the empty air around you and you can sense no meaning in our speech. Yet, we are here. We are still here. Our hearts ache to support you. We are always loving you. You are not alone.

There was a long pause. “you know,” he went on, “I sometimes think mankind is dangerously arrogant. We do a few sums, and then claim we have the universe off pat. we measure the spaces between the stars, and declare them empty. We set a limit on infinity. We are like the occupants of a closed room; having worked out everything within the range of our knowledge, we announce that the room and its contents are all that exists. Nothing beyond. Nothing unseen or unknown, incalculable or neffable. This is it. And then every so often God lifts the veil—twitches the curtain—and gives us a glimpse, just a glimpse, of something more. As if He wishes to show us how narrow is our vision, how meaningless the boundaries we have set for ourselves. I felt that when Fern was talking. Just for a minute I though: This is truth, there’s a world beyond all the jargon of unbelief.

Prehistory isn't like a 'veil' or a 'curtain' that 'lifts’ to reveal the pre-set 'stage' of history. Rather, prehistory is an absence of something: an absence of writing. So a better image of the ‘dawn of history’ might be an AM radio in the pre-dawn hours: you recognize wisps of words or music across the dial, inter blending, and noise obscures even the few clear-channel stations. The first ones we find, when we switch on the radio of history about 3200B.C.E., come from Mesopotamia, and those from Egypt soon emerge. Eventually the neighbouring lands produce records, with the effect that the ancient Near East is probably the best documented civilization before the invention of printing.” (Daniels and Bright, page 19)

There is a secret earth gyrm, a place where the unbelievable, the unthinkable, the terrible, takes place every day. A place hidden by the veils of ignorance and cowardice and fear. On occasions we glimpse it, when its hidden terrors fall through that veil into plain sight, but mostly we just dismiss it as something else, somewhere else, to be dealt with by someone else. Long ago I found the veil and lifted it. And knowing as I do what is behind, what those behind it get away with, with impunity ... I cannot grow old basking on the bank of some safe-haven, no.

When I lifted the first veil and entered the outer court of the temple of initiation, I saw in half darkness the figure of a woman sitting on a high throne between two pillars of the the temple, one white and one black. Mystery emanated from her and was about her. Sacred symbols shone on her, and on her head a golden tiara surmounted by a two-horned Moon. To enter the Temple one must lift the second veil and pass between the two pillars. And to pass one must obtain the keys, read the book, and understand the symbols. Are you able to do this? She whispered to me “ learn to discern the real from the false. Listen only to the voice that is soundless. Look only on that which is invisible and remember that in thee thyself is the Temple and the gate to it, and the mystery, and the initiation.

Lift Not the Painted Veil Lift not the painted veil which those who live Call Life: though unreal shapes be pictured there, And it but mimic all we would believe With colours idly spread,—behind, lurk Fear And Hope, twin Destinies; who ever weave Their shadows, o'er the chasm, sightless and drear. I knew one who had lifted it—he sought, For his lost heart was tender, things to love, But found them not, alas! nor was there aught The world contains, the which he could approve. Through the unheeding many he did move, A splendour among shadows, a bright blot Upon this gloomy scene, a Spirit that strove For truth, and like the Preacher found it not.

I fancy my father thought me an odd child, and had little fondness for me; though he was very careful in fulfilling what he regarded as a parent's duties. But he was already past the middle of life, and I was not his only son. My mother had been his second wife, and he was five-and-forty when he married her. He was a firm, unbending, intensely orderly man, in root and stem a banker, but with a flourishing graft of the active landholder, aspiring to county influence: one of those people who are always like themselves from day to day, who are uninfluenced by the weather, and neither know melancholy nor high spirits. I held him in great awe, and appeared more timid and sensitive in his presence than at other times; a circumstance which, perhaps, helped to confirm him in the intention to educate me on a different plan from the prescriptive one with which he had complied in the case of my elder brother, already a tall youth at Eton. My brother was to be his representative and successor; he must go to Eton and Oxford, for the sake of making connexions, of course: my father was not a man to underrate the bearing of Latin satirists or Greek dramatists on the attainment of an aristocratic position. But intrinsically, he had slight esteem for "those dead but sceptred spirits"; having qualified himself for forming an independent opinion by reading Potter's Aeschylus, and dipping into Francis's Horace. To this negative view he added a positive one, derived from a recent connexion with mining speculations; namely, that scientific education was the really useful training for a younger son. Moreover, it was clear that a shy, sensitive boy like me was not fit to encounter the rough experience of a public school. Mr. Letherall had said so very decidedly. Mr. Letherall was a large man in spectacles, who one day took my small head between his large hands, and pressed it here and there in an exploratory, suspicious manner - then placed each of his great thumbs on my temples, and pushed me a little way from him, and stared at me with glittering spectacles. The contemplation appeared to displease him, for he frowned sternly, and said to my father, drawing his thumbs across my eyebrows - 'The deficiency is there, sir-there; and here,' he added, touching the upper sides of my head, 'here is the excess. That must be brought out, sir, and this must be laid to sleep.' I was in a state of tremor, partly at the vague idea that I was the object of reprobation, partly in the agitation of my first hatred - hatred of this big, spectacled man, who pulled my head about as if he wanted to buy and cheapen it. ("The Lifted Veil")

I still stared at Daemon, completely aware that everyone else except him was watching me. Closely. But why wouldn’t he look at me? A razor-sharp panic clawed at my insides. No. This couldn’t be happening. No way.
 My body was moving before I even knew what I was doing. From the corner of my eye, I saw Dee shake her head and one of the Luxen males step forward, but I was propelled by an inherent need to prove that my worst fears were not coming true. After all, he’d healed me, but then I thought of what Dee had said, of how Dee had behaved with me. What if Daemon was like her? Turned into something so foreign and cold? He would’ve healed me just to make sure he was okay. I still didn’t stop.
 Please, I thought over and over again. Please. Please. Please. On shaky legs, I crossed the long room, and even though Daemon hadn’t seemed to even acknowledge my existence, I walked right up to him, my hands trembling as I placed them on his chest. “Daemon?” I whispered, voice thick. His head whipped around, and he was suddenly staring down at me. Our gazes collided once more, and for a second I saw something so raw, so painful in those beautiful eyes. And then his large hands wrapped around my upper arms. The contact seared through the shirt I wore, branding my skin, and I thought—I expected—that he would pull me against him, that he would embrace me, and even though nothing would be all right, it would be better. Daemon’s hands spasmed around my arms, and I sucked in an unsteady breath. His eyes flashed an intense green as he physically lifted me away from him, setting me back down a good foot back. I stared at him, something deep in my chest cracking. “Daemon?” He said nothing as he let go, one finger at a time, it seemed, and his hands slid off my arms. He stepped back, returning his attention to the man behind the desk. “So . . . awkward,” murmured the redhead, smirking. I was rooted to the spot in which I stood, the sting of rejection burning through my skin, shredding my insides like I was nothing more than papier-mâché. “I think someone was expecting more of a reunion,” the Luxen male behind the desk said, his voice ringing with amusement. “What do you think, Daemon?” One shoulder rose in a negligent shrug. “I don’t think anything.” My mouth opened, but there were no words. His voice, his tone, wasn’t like his sister’s, but like it had been when we first met. He used to speak to me with barely leashed annoyance, where a thin veil of tolerance dripped from every word. The rift in my chest deepened.
For the hundredth time since the Luxen arrived, Sergeant Dasher’s warning came back to me. What side would Daemon and his family stand on? A shudder worked its way down my spine. I wrapped my arms around myself, unable to truly process what had just happened. “And you?" the man asked. When no one answered, he tried again. “Katy?” I was forced to look at him, and I wanted to shrink back from his stare. “What?” I was beyond caring that my voice broke on that one word. The man smiled as he walked around the desk. My gaze flickered over to Daemon as he shifted, drawing the attention of the beautiful redhead. “Were you expecting a more personal greeting?” he asked. “Perhaps something more intimate?” I had no idea how to answer. I felt like I’d fallen into the rabbit hole, and warnings were firing off left and right. Something primal inside me recognized that I was surrounded by predators. Completely.

Great stems rose about me, uplifting a thick multitudinous roof above me of branches, and twigs, and leaves-- the bird and insect world uplifted over mine, with its own landscapes, its own thickets, and paths, and glades, and dwellings; its own bird-ways and insect-delights. Great boughs crossed my path; great roots based the tree-columns, and mightily clasped the earth, strong to lift and strong to uphold. It seemed an old, old forest, perfect in forest ways and pleasure. And when, in the midst of this ectasy, I remembered that under some close canopy of leaves, by some giant stem, or in some mossy cave, or beside some leafy well, sat the lady of marble, whom my songs had called forth into the outer world, waiting (might it not be?) to meet and thank her deliverer in a twilight which would veil her confusion, the whole night became one dream-realm of joy, the central form of which was everywhere present, although unbeheld. Then, remembering how my songs seemed to have called her form the marble, piercing through the pearly shroud of alabaster -- "Why," thought I, "should not my voice reach her now, through the ebon night that inwraps her." My voice burst into song so spontaneously that it seemed involuntarily:

Our life is like a journey…’ – and so the journey seems to me less an adventure and a foray into unusual realms than a concentrated likeness of our existence: residents of a city, citizens of country, beholden to a class or a social circle, member of a family and clan and entangled by professional duties, by the habits of an ‘everyday life’ woven from all these circumstances, we often feel too secure, believing our house built for all the future, easily induced to believe in a constancy that makes ageing a problem for one person and each change in external circumstances a catastrophe for another. We forget that this is a process, that the earth is in constant motion and that we too are affected by ebbs and tides, earthquakes and events far beyond our visible and tangible spheres: beggars, kings, figures in the same great game. We forget it for our would-be peace of mind, which then is built on shifting sand. We forget it so as not to fear. And fear makes us stubborn: we call reality only what we can grasp with our hands and what affects us directly, denying the force of the fire that’s sweeping our neighbour’s house, but not yet ours. War in other countries? Just twelve hours, twelve weeks from our borders? God forbid – the horror that sometimes seizes us, you feel it too when reading history books, time or space, it doesn’t matter what lies between us and it. But the journey ever so slightly lifts the veil over the mystery of space – and a city with a magical, unreal name, Samarkand the Golden, Astrakhan or Isfahan, City of Rose Attar, becomes real the instant we set foot there and touch it with our living breath.

I open the books on Right and on ethics; I listen to the professors and jurists; and, my mind full of their seductive doctrines, I admire the peace and justice established by the civil order; I bless the wisdom of our political institutions and, knowing myself a citizen, cease to lament I am a man. Thoroughly instructed as to my duties and my happiness, I close the book, step out of the lecture room, and look around me. I see wretched nations groaning beneath a yoke of iron. I see mankind ground down by a handful of oppressors, I see a famished mob, worn down by sufferings and famine, while the rich drink the blood and tears of their victims at their ease. I see on every side the strong armed with the terrible powers of the Law against the weak. And all this is done quietly and without resistance. It is the peace of Ulysses and his comrades, imprisoned in the cave of the Cyclops and waiting their turn to be devoured. We must groan and be silent. Let us for ever draw a veil over sights so terrible. I lift my eyes and look to the horizon. I see fire and flame, the fields laid waste, the towns put to sack. Monsters! where are you dragging the hapless wretches? I hear a hideous noise. What a tumult and what cries! I draw near; before me lies a scene of murder, ten thousand slaughtered, the dead piled in heaps, the dying trampled under foot by horses, on every side the image of death and the throes of death. And that is the fruit of your peaceful institutions! Indignation and pity rise from the very bottom of my heart. Yes, heartless philosopher! come and read us your book on a field of battle!

Man wills to make of earth, not one Jerusalem but two; this sacramental blood de- clears the double mind by which he wills to lift both lion and lamb beyond the killing to exchange unaccount- able and vast. Man's priestliness therefore bespeaks his refusal of despair; proclaims acceptance of a world which, by its murderous hand, subscribes the insupportable dilemma of its being—the war of lion and lamb having no other, likely outcome here than two im- possibilities: The one, a pride of victors feeding on the slain; but leaving the lion as he was before, trapped in ancient reciprocities by which at last all power falls to crows; And the other, a hymn to despair no victim will accept; it is not enough, in this paroxysm of two martyrdoms, to stand upon the ship- wrecks of the slain and praise the weak for weakness; the lamb's will, too, was life; he died refusing death. Sacrifice therefore Not written off, but recognized, a sign in blood of the vaster end of blood; a redness turning all things white; an impossibility prefiguring the last exchange of all. The old order, of course, unchanged; the deaths of bulls and goats achieving nothing; Aaron still ineffectual; creation still bloody; But haunted now by bells within the veil where Aaron walks in shadows sprinkling blood and bids a new Jerusalem descend. Endless smoke now rising Lion become priest And lamb victim The world awaits The unimaginable union By which the Lion lifts Himself Lamb slain And, Priest and Victim, Brings The City Home.

I have seen countless people say they want to transform themselves and their lives and tune into the new vibration. But when the challenges have come, which are necessary to make that happen, they want out immediately and go back to life as before. Yet these challenges set us free. The reason we face personal and emotional mayhem when we start this journey is because of the need to clean out our emotional cesspit of suppressed and unprocessed emotional debris that we have pushed deep into our subconscious because we don’t want to deal with it. If we don’t clear the emotional gunge of this and other physical lifetimes, we can’t reconnect with our multidimensional self. We can’t be free of the reptilian manipulation and control from the lower fourth dimension. So when we say we intend to transform, that intent draws to us the people and experiences necessary to bring that suppressed emotion to the surface where we can see it and deal with it. The same is happening collectively as the information presented in this book comes into the light of public attention, so we can see it, address it and heal it. Much of the New Age is in denial of this collective cesspit because it doesn’t want to face its own personal cesspit. It would rather sit around a candle and kid itself it is enlightened while, in fact, it is an emotional wreck with a crystal in its hand. The information in this book is part of the healing of Planet Earth and the human consciousness as the veil lifts on all that has remained hidden and denied. Hey, this is a wonderful time we’re living through here. We are tuning to the cosmic dance, the wind of change, the rhythm of reconnection with all that is, has been, or ever will be. You have come to make a difference, for yourself and for the world. You have the opportunity to do that now, now, now. Grasp it and let’s end this nonsense. A few can only control billions because the billions let it happen. We don’t have to. And we can change it just by being ourselves, allowing other people to be themselves, and enjoying the gift of life. This is not a time to fear and it’s not a time to hide. It is a time to sing and a time to dance.