The Last Bookstore Quotes

A book reads the better which is our own, and has been so long known to us, that we know the topography of its blots, and dog's ears, and can trace the dirt in it to having read it at tea with buttered muffins.

... nothing lasts long. We all come to life and gather allies and build empires and die, all in a single moment - maybe a single pulse of some giant processor somewhere.

People here had redwood trees in their backyards. You were never far from the infinite.

Just So You Know You fall in love with every book you touch. You never break the spine or tear the pages. That would be cruel. You have secret favorites but, when asked, you say that you could never choose. But did you know that books fall in love with you, too? They watch you from the shelf while you sleep. Are you dreaming of them, they wonder, in that wistful mood books are prone to at night when they’re bored and there’s nothing else to do but tease the cat. Remember that pale yellow book you read when you were sixteen? It changed your world, that book. It changed your dreams. You carried it around until it was old and thin and sparkles no longer rose from the pages and filled the air when you opened it, like it did when it was new. You should know that it still thinks of you. It would like to get together sometime, maybe over coffee next month, so you can see how much you’ve both changed. And the book about the donkey your father read to you every night when you were three, it’s still around – older, a little worse for wear. But it still remembers the way your laughter made its pages tremble with joy. Then there was that book, just last week, in the bookstore. It caught your eye. You looked away quickly, but it was too late. You felt the rush. You picked it up and stroked your hand over its glassy cover. It knew you were The One. But, for whatever reason, you put it back and walked away. Maybe you were trying to be practical. Maybe you thought there wasn’t room enough, time enough, energy enough. But you’re thinking about it now, aren’t you? You fall in love so easily. But just so you know, they do, too.

For the last several days I've had the sudden and general urge to buy a new book. I've stopped off at a few bookstores around the city, and while I've looked at hundreds and hundreds of books in that time, I have not found the one book that will satisfy my urge. It's not as if I don't have anything to read; there's a tower of perfectly good unread books next to my bed, not to mention the shelves of books in the living room I've been meaning to reread. I find myself, maddeningly, hungry for the next one, as yet unknown. I no longer try to analyze this hunger; I capitulated long ago to the book lust that's afflicted me most of my life. I know enough about the course of the disease to know I'll discover something soon.

Yes, we know you are a graduate with PhD. But when was the last time you chase after a book shop to buy and read a book at your own volition to obtain an information for your self-development? Knowledge doesn't chase people; people chase knowledge and information.

Anyone getting starry-eyed about owning a bookstore should ask herself a few questions: Can you lift a box weighing fifty pounds? Do you know what cat pee on paper smells like and can you get it out? Will you exude patience while solving puzzles that start "I'm looking for a book..." and peter out somewhere between "it has 'The' in the title" and "It has a red cover and the author was a soldier whose last name started with S. Or was it Z?

You know, old books are a big problem for us. Old knowledge in general. We call it OK. Old knowledge, OK. Did you know that ninety-five percent of the internet was only created in the last five years? But we know that when it comes to all human knowledge, the ratio is just the opposite - in fact, OK accounts for most things that people know, and have ever known.

Imposter syndrome is a psychological pattern in which individuals doubt themselves and have a persistent internalized fear of being exposed as a fraud. Last year my friend Ingrid told me I had it. I had just told her that I didn’t feel like I belonged at my previous bookstore job. I told her that I didn’t really get 1984 and that I hate poetry — so I wasn’t sure if working at a bookstore was right for me. She told me, ‘You have a classic case of impostor syndrome.’ I told her that I’m not sure that’s a real syndrome. I said I wonder if everyone’s an impostor. What if beneath every lawyer’s suit and every stay-at-home-parent’s apron, everyone is just a baby who doesn’t know what they’re doing?

Her strength, she would tell Van much later on, was nothing more nor less than the hope of, at last, attaining that goal which had become so important for her--not to succeed in doing something, but simply to do something good.

You don't want to ride? Go that way." The exit gate, on the far end of the platform, looks like the golden gates of heaven. Or if there's no heaven, then the doorway of a bookstore. I eye it longingly.

When I was on a book tour last year, I saw a sign in a bookstore in a seaside town in Maine that was carefully drawn with popular symbols of coastal living and these words were entwined: Hope anchors the soul. From that childhood that many might call "disadvantaged," I was anchored in the belief that most things are possible.

Stories don’t change much across continents and centuries. Hearts are broken. Pride is wounded. Souls wander too far from home and become lost. The wrong roads are taken. The incorrect choice is made. Stories echo with loneliness. Grief. Longing. Redemption. Forgiveness. Hope. And love.” Now it was her turn to point at the bookstore. “That building is stuffed with books that, once opened, reveal our communal story. And, if you’re lucky, the words in those books will force you to grapple with the hardest truths of your life. After reducing you to a puddle of tears, they’ll raise you to your feet again. The words will pull you up, higher and higher, until you feel the sun on your face again. Until you’re suddenly humming on the way to the mailbox. Or you’re buying bouquets of gerbera daisies because you crave bright colors. And you’ll laugh again—as freely as champagne bubbling in a tall, glass flute. When’s the last time you laughed like that?

If I was going to kill myself,” Plath continued, “I’d leave a note just to get a few last digs in. Insult the guy who took me to prom. Give my parents one last guilt trip. Criticize my ex-husband’s penis. Make it count, you know? It’s not like you’d have anything to lose.

The lady who works in the grocery store at the corner of my block is called Denise, and she's one of America's great unpublished novelists. Over the years she's written forty-two romantic novels, none of which have ever reached the bookstores. I, however, have been fortunate enough to hear the plots of the last twenty-seven of these recounted in installments by the authoress herself every time I drop by the store for a jar of coffee or can of beans, and my respect for Denise's literary prowess knows no bounds. So, naturally enough, when I found myself faced with the daunting task of actually starting the book you now hold in your hands, it was Denise I turned to for advice.

I took her to my favorite bookstore, where I loaded her up with Ian Rankin novels and she bullied me into buying a book on European snails.

He’s a genius with my Prius,” says the co-owner of Left Bank Books, the town’s independent bookstore. The

I want you to remember our last day. I read you a story about two sisters who could find their way through the woods even if it was dark.

Sometimes I’ll just drive around for hours. I won’t have a destination or anything. I used to go to bookstores but I can’t go in them anymore because I buy too many books. Last time I went into Ada books, I spent almost a hundred bucks. More than a hundred probably.

Sublime Books The Known World, by Edward P. Jones The Buried Giant, by Kazuo Ishiguro A Thousand Trails Home, by Seth Kantner House Made of Dawn, by N. Scott Momaday Faithful and Virtuous Night, by Louise Glück The Left Hand of Darkness, by Ursula K. Le Guin My Sentence Was a Thousand Years of Joy, by Robert Bly The World Without Us, by Alan Weisman Unfortunately, It Was Paradise, by Mahmoud Darwish Collected Fictions, by Jorge Luis Borges, trans. Andrew Hurley The Xenogenesis Trilogy, by Octavia E. Butler Map: Collected and Last Poems, by Wisława Szymborska In the Lateness of the World, by Carolyn Forché Angels, by Denis Johnson Postcolonial Love Poem, by Natalie Diaz Hope Against Hope, by Nadezhda Mandelstam Exhalation, by Ted Chaing Strange Empire, by Joseph Kinsey Howard Tookie’s Pandemic Reading Deep Survival, by Laurence Gonzales The Lost City of the Monkey God, by Douglas Preston The House of Broken Angels, by Luis Alberto Urrea The Heartsong of Charging Elk, by James Welch Selected Stories of Anton Chekhov, trans. Richard Pevear and Larissa Volokhonsky The Sound of a Wild Snail Eating, by Elisabeth Tova Bailey Let’s Take the Long Way Home, by Gail Caldwell The Aubrey/Maturin Novels, by Patrick O’Brian The Ibis Trilogy, by Amitav Ghosh The Golden Wolf Saga, by Linnea Hartsuyker Children of Time, by Adrian Tchaikovsky Coyote Warrior, by Paul VanDevelder Incarceration Felon, by Reginald Dwayne Betts Against the Loveless World, by Susan Abulhawa Waiting for an Echo, by Christine Montross, M.D. The Mars Room, by Rachel Kushner The New Jim Crow, by Michelle Alexander This Is Where, by Louise K. Waakaa’igan I Will Never See the World Again, by Ahmet Altan Sorrow Mountain, by Ani Pachen and Adelaide Donnelley American Prison, by Shane Bauer Solitary, by Albert Woodfox Are Prisons Obsolete?, by Angela Y. Davis 1000 Years of Joys and Sorrows, by Ai Weiwei Books contain everything worth knowing except what ultimately matters. —Tookie * * * If you are interested in the books on these lists, please seek them out at your local independent bookstore. Miigwech! Acknowledgments

I took her to my favorite bookstore, where I loaded her up with Ian Rankin novels and she bullied me into buying a book on European snails. I took her to the chip shop on the corner, where she distracted me by giving a detailed-and-probably-bullshit account of her brother's sex life (drones, cameras, his rooftop pool) while she ate all my fried fish and left her own plate untouched. I took her for a walk along the Thames, where I showed her how to skip a stone and she nearly punctured a hole in a passing pontoon boat. We went to my favorite curry place. Twice. In one day. She'd gotten this look on her face when she took her first bite of their pakora, this blissful lids-lowered look, and two hours later I decided that it made up for the embarrassment I felt that night, when I found her instructing my sister, Shelby on the best way to bleach out bloodstains, using the curry dribble on my shirt as a test case. In short, it was both the best three days I'd ever had, my mother notwithstanding, and a fairly standard week with Charlotte Holmes.

I'm a good person. I eat pretty well. I work out. I go to bookstores. I save people. For a living. I have better things to do than get hauled in for a medical checkup every week. Have I complained the last few months? Constantly. Was I a good patient? No. What can I say? When your primary care provider is a shadowy government agency, you have to be your own medical advocate.

That summer, in a small house near the beach, he began to write a book. He knew it would be the last thing he ever did, so he decided to write something advocating a crazy, preposterous idea—one so outlandish that nobody had ever written a book about it before. He was going to propose that gay people should be allowed to get married, just like straight people. He thought this would be the only way to free gay people from the self-hatred and shame that had trapped Andrew himself. It’s too late for me, he thought, but maybe it will help the people who come after me. When the book—Virtually Normal—came out a year later, Patrick died when it had only been in the bookstores for a few days, and Andrew was widely ridiculed for suggesting something so absurd as gay marriage. Andrew was attacked not just by right-wingers, but by many gay left-wingers, who said he was a sellout, a wannabe heterosexual, a freak, for believing in marriage. A group called the Lesbian Avengers turned up to protest at his events with his face in the crosshairs of a gun. Andrew looked out at the crowd and despaired. This mad idea—his last gesture before dying—was clearly going to come to nothing. When I hear people saying that the changes we need to make in order to deal with depression and anxiety can’t happen, I imagine going back in time, to the summer of 1993, to that beach house in Provincetown, and telling Andrew something: Okay, Andrew, you’re not going to believe me, but this is what’s going to happen next. Twenty-five years from now, you’ll be alive. I know; it’s amazing; but wait—that’s not the best part. This book you’ve written—it’s going to spark a movement. And this book—it’s going to be quoted in a key Supreme Court ruling declaring marriage equality for gay people. And I’m going to be with you and your future husband the day after you receive a letter from the president of the United States telling you that this fight for gay marriage that you started has succeeded in part because of you. He’s going to light up the White House like the rainbow flag that day. He’s going to invite you to have dinner there, to thank you for what you’ve done. Oh, and by the way—that president? He’s going to be black.

He couldn’t have known it, but among the original run of The History of Love, at least one copy was destined to change a life. This particular book was one of the last of the two thousand to be printed, and sat for longer than the rest in a warehouse in the outskirts of Santiago, absorbing the humidity. From there it was finally sent to a bookstore in Buenos Aires. The careless owner hardly noticed it, and for some years it languished on the shelves, acquiring a pattern of mildew across the cover. It was a slim volume, and its position on the shelf wasn’t exactly prime: crowded on the left by an overweight biography of a minor actress, and on the right by the once-bestselling novel of an author that everyone had since forgotten, it hardly left its spine visible to even the most rigorous browser. When the store changed owners it fell victim to a massive clearance, and was trucked off to another warehouse, foul, dingy, crawling with daddy longlegs, where it remained in the dark and damp before finally being sent to a small secondhand bookstore not far from the home of the writer Jorge Luis Borges. The owner took her time unpacking the books she’d bought cheaply and in bulk from the warehouse. One morning, going through the boxes, she discovered the mildewed copy of The History of Love. She’d never heard of it, but the title caught her eye. She put it aside, and during a slow hour in the shop she read the opening chapter, called 'The Age of Silence.' The owner of the secondhand bookstore lowered the volume of the radio. She flipped to the back flap of the book to find out more about the author, but all it said was that Zvi Litvinoff had been born in Poland and moved to Chile in 1941, where he still lived today. There was no photograph. That day, in between helping customers, she finished the book. Before locking up the shop that evening, she placed it in the window, a little wistful about having to part with it. The next morning, the first rays of the rising sun fell across the cover of The History of Love. The first of many flies alighted on its jacket. Its mildewed pages began to dry out in the heat as the blue-gray Persian cat who lorded over the shop brushed past it to lay claim to a pool of sunlight. A few hours later, the first of many passersby gave it a cursory glance as they went by the window. The shop owner did not try to push the book on any of her customers. She knew that in the wrong hands such a book could easily be dismissed or, worse, go unread. Instead she let it sit where it was in the hope that the right reader might discover it. And that’s what happened. One afternoon a tall young man saw the book in the window. He came into the shop, picked it up, read a few pages, and brought it to the register. When he spoke to the owner, she couldn’t place his accent. She asked where he was from, curious about the person who was taking the book away. Israel, he told her, explaining that he’d recently finished his time in the army and was traveling around South America for a few months. The owner was about to put the book in a bag, but the young man said he didn’t need one, and slipped it into his backpack. The door chimes were still tinkling as she watched him disappear, his sandals slapping against the hot, bright street. That night, shirtless in his rented room, under a fan lazily pushing around the hot air, the young man opened the book and, in a flourish he had been fine-tuning for years, signed his name: David Singer. Filled with restlessness and longing, he began to read.

gravity didn’t even exist. As if the thought of slipping off that narrow seat and plummeting to the ground never entered any of their minds. Growing up, she’d had a hard enough time riding the chair lift during her family’s annual Christmas vacations to Colorado, but after doing her residency in a hospital emergency room, she had an all-too-vivid image in her head of exactly what the result of such a fall would look like. How had she let Maddy and Amy talk her into this? Of course, sitting in a bookstore coffee shop with her friends last spring, the thought of facing her fear of heights

E-mail memo #34: "Miami Book Fair; writer locked himself in bookstore bathroom repeatedly yelling at concerned employees to 'Go away!' When writer emerged an hour later he started to 'freak out' afain. 'I have a snake on me!' writer screamed. 'It's biting me! It's IN MY MOUTH!' Writer was dragged to a waiting squad car while holding on to a bewildered young yeshiva student attending the reading -- whom writer continuously fondled and groped -- until ambulance arrived. His eyes rolling back into his head, writer's last words -- shouted -- before being driven off were quote 'I am keeping the Jew-boy' unquote.

At first glance this looked just like a smaller reflection of the room Edwin had just left. More books, on more shelves. It had the quiet of an unopened chapel or the stacks of a library. Edwin set briefcase, hat, and coat down near the mirror through which he had stepped, and exhaled. He came here as other men went to gaming-rooms or brothels, orchestral performances or opium dens. Everyone had their own vice of relaxation Edwin’s was just considered duller than most. He browsed for a pleasant half hour, touching the spines of books with a reverent finger, occasionally pulling one from the shelf to check its table of contents

I looked at him and drew him into a poignant silence, traced my fingers over his lips, I watched Dominic’s green-grey eyes with fiery certainty as I swiped my thumb on his plump bottom lip and then pulled down, opening it for a kiss. He surrendered and slid his tongue against mine almost on instinct, which is when I made my move. Grabbing his tongue at first gently between my teeth, I felt him tense and shudder, the movement replaced with a moan and an acquiescence when I sucked it hard to a tingling numbness between my lips. I repeated the movement a couple of times before letting him go, and by the time I did he was close to tearing my t-shirt with the ferocity of his grip. Dominic drew in a sharp, desperate breath when I pulled back, and stared at me, wide-eyed and trying to process this. Every stage of understanding played over a fistful of split-seconds on his face, and at last he whispered: “Do you mean what I think you mean by that?” Excerpt From: Hoffman, Vee. “Acclamation.” Indie Inklings Ltd. iBooks. This material may be protected by copyright. Check out this book on the iBookstore: https://itunes.apple.com/WebObjects/M... Excerpt From: Hoffman, Vee. “Acclamation.” Indie Inklings Ltd. iBooks. This material may be protected by copyright.

Charlie kicked the dresser. It hurt her bare feet more than she hurt the chipboard. She kicked it again. Not only was there something so deeply wrong with her that the guy she’d been sure was a good person turned out to be a murderer who faked his own death and also the grandson of a person she hated, but even that guy left her. She was a poisoned well of a girl. Charlie kicked the dresser a third time for good measure. And yet she wouldn’t unknow any of it. She would have still stolen the receipt. Called the bookstore. Whispered mangled French. Gone through his stuff. That was her problem. Charlie Hall, never satisfied unless every last carcass was turned over and every last maggot revealed.

Bruce Wayne Carmody had been unhappy for so long that it had stopped being a state he paid attention to. Sometimes Wayne felt that the world had been sliding apart beneath his feet for years. He was still waiting for it to pull him down, to bury him at last. His mother had been crazy for a while, had believed that the phone was ringing when it wasn’t, had conversations with dead children who weren’t there. Sometimes he felt she had talked more with dead children than she ever had with him. She had burned down their house. She spent a month in a psychiatric hospital, skipped out on a court appearance, and dropped out of Wayne’s life for almost two years. She spent a while on book tour, visiting bookstores in the morning and local bars at night. She hung out in L.A. for six months, working on a cartoon version of Search Engine that never got off the ground and a cocaine habit that did. She spent a while drawing covered bridges for a gallery show that no one went to. Wayne’s father got sick of Vic’s drinking, Vic’s wandering, and Vic’s crazy, and he took up with the lady who had done most of his tattoos, a girl named Carol who had big hair and dressed like it was still the eighties. Only Carol had another boyfriend, and they stole Lou’s identity and ran off to California, where they racked up a ten-thousand-dollar debt in Lou’s name. Lou was still dealing with creditors. Bruce Wayne Carmody wanted to love and enjoy his parents, and occasionally he did. But they made it hard. Which was why the papers in his back pocket felt like nitroglycerin, a bomb that hadn’t exploded yet.

How Much Do I Love You? I love you more than pancakes, more than ice cream, more than pickles, more than my life. I love you more than dogs or cats or diamonds or gold, more than anyone else in the world. I loved brushing your hair every night and walking you to school. I told you every story you knew. I want you to remember our last day. I read you a story about two sisters who could find their way through the woods even if it was dark. I want you to remember the last evening we had. We drank tea made of roses. We baked a peach pie. We had spaghetti with butter for supper. We looked at the stars with your father, sitting high up on the roof, and then I took you inside. I kissed you both good night. I hope you remember everything. Someday you will find this and you’ll know that to the very end I thought about you. There is no ending to that. You still hold my heart in your hands. I loved you girls more than a fish loves a river, more than a bird loves the sky. Remember that. Remember me.

Near Fort Jackson, South Carolina, the first "GI coffeehouse" was set up, a place where soldiers could get coffee and doughnuts, find antiwar literature, and talk freely with others. It was called the UFO, and lasted for several years before it was declared a "public nuisance" and closed by court action. But other GI coffeehouses sprang up in half a dozen other places across the country. An antiwar "bookstore" was opened near Fort Devens, Massachusetts, and another one at the Newport, Rhode Island, naval base. Underground newspapers sprang up at military bases across the country; by 1970 more than fifty were circulating. Among them: About Face in Los Angeles; Fed Up! in Tacoma, Washington; Short Times at Fort Jackson; Vietnam GI in Chicago; Grafiti in Heidelberg, Germany; Bragg Briefs in North Carolina; Last Harass at Fort Gordon, Georgia; Helping Hand at Mountain Home Air Base, Idaho. These newspapers printed antiwar articles, gave news about the harassment of GIs and practical advice on the legal rights of servicemen, told how to resist military domination.

My grandfather, also named Fraser Robinson, was decidedly less fun to be around, a cigar-puffing patriarch who’d sit in his recliner with a newspaper open on his lap and the evening news blaring on the television nearby. His demeanor was nothing like my father’s. For Dandy, everything was an irritant. He was galled by the day’s headlines, by the state of the world as shown on TV, by the young black men—“boo-boos,” he called them—whom he perceived to be hanging uselessly around the neighborhood, giving black people everywhere a bad name. He shouted at the television. He shouted at my grandmother, a sweet, soft-spoken woman and devout Christian named LaVaughn. (My parents had named me Michelle LaVaughn Robinson, in honor of her.) By day, my grandmother expertly managed a thriving Bible bookstore on the Far South Side, but in her off-hours with Dandy she was reduced to a meekness I found perplexing, even as a young girl. She cooked his meals and absorbed his barrage of complaints and said nothing in her own defense. Even at a young age, there was something about my grandmother’s silence and passivity in her relationship with Dandy that got under my skin. According to my mother, I was the only person in the family to talk back to Dandy when he yelled. I did it regularly, from the time I was very young and over many years, in part because it drove me crazy that my grandmother wouldn’t speak up for herself, in part because everyone else fell silent around him, and lastly because I loved Dandy as much as he confounded me. His stubbornness was something I recognized, something I’d inherited myself, though I hoped in a less abrasive form.

We will riddle him four times to begin with," Roland said. "Easy, not so easy, quite hard, very hard. He'll answer all four, of that I am confident, but we will be listening for how he answers." Eddie was nodding, and Susannah felt a small, almost reluctant glimmer of hope. It sounded like the right approach, all right. "Then we'll send him away again and hold palaver," the gunslinger said. "Mayhap we'll get an idea of what direction to send our horses. These first riddles can come from anywhere, but"-he nodded gravely toward the book-"based on Jake's story of the bookstore, the answer we really need should be in there, not in any memories I have of Fair-Day riddlings. Must be in there." "Question," Susannah said. Roland looked at her, eyebrows raised over his faded, dangerous eyes. "It's a question we're looking for, not an answer," she said. "This time it's the answers that are apt to get us killed." The gunslinger nodded. He looked puzzled-frustrated, even-and this was not an expression Susannah liked seeing on his face. But this time when Jake held out the book, Roland took it. He held it for a moment (its faded but still gay red cover looked very strange in his big sunburned hands ... especially in the right one, with its essential reduction of two fingers), then passed it on to Eddie. "You're easy," Roland said, turning to Susannah. "Perhaps," she replied, with a trace of a smile, "but it's still not a very polite thing to say to a lady, Roland." He turned to Jake. "You'll go second, with one that's a little harder. I'll go third. You'll go last, Eddie. Pick one from the book that looks hard-" "The hard ones are toward the back," Jake supplied. "... but none of your foolishness, mind. This is life and death. The time for foolishness is past.

I stared through the front door at Barrons Books and Baubles, uncertain what surprised me more: that the front seating cozy was intact or that Barrons was sitting there, boots propped on a table, surrounded by piles of books, hand-drawn maps tacked to the walls. I couldn’t count how many nights I’d sat in exactly the same place and position, digging through books for answers, occasionally staring out the windows at the Dublin night, and waiting for him to appear. I liked to think he was waiting for me to show. I leaned closer, staring in through the glass. He’d refurnished the bookstore. How long had I been gone? There was my magazine rack, my cashier’s counter, a new old-fashioned cash register, a small flat-screen TV/DVD player that was actually from this decade, and a sound dock for my iPod. There was a new sleek black iPod Nano in the dock. He’d done more than refurnish the place. He might as well have put a mat out that said WELCOME HOME, MAC. A bell tinkled as I stepped inside. His head whipped around and he half-stood, books sliding to the floor. The last time I’d seen him, he was dead. I stood in the doorway, forgetting to breathe, watching him unfold from the couch in a ripple of animal grace. He crammed the four-story room full, dwarfed it with his presence. For a moment neither of us spoke. Leave it to Barrons—the world melts down and he’s still dressed like a wealthy business tycoon. His suit was exquisite, his shirt crisp, tie intricately patterned and tastefully muted. Silver glinted at his wrist, that familiar wide cuff decorated with ancient Celtic designs he and Ryodan both wore. Even with all my problems, my knees still went weak. I was suddenly back in that basement. My hands were tied to the bed. He was between my legs but wouldn’t give me what I wanted. He used his mouth, then rubbed himself against my clitoris and barely pushed inside me before pulling out, then his mouth, then him, over and over, watching my eyes the whole time, staring down at me. What am I, Mac? he’d say. My world, I’d purr, and mean it. And I was afraid that, even now that I wasn’t Pri-ya, I’d be just as out of control in bed with him as I was then. I’d melt, I’d purr, I’d hand him my heart. And I would have no excuse, nothing to blame it on. And if he got up and walked away from me and never came back to my bed, I would never recover. I’d keeping waiting for a man like him, and there were no other men like him. I’d have to die old and alone, with the greatest sex of my life a painful memory. So, you’re alive, his dark eyes said. Pisses me off, the wondering. Do something about that. Like what? Can’t all be like you, Barrons. His eyes suddenly rushed with shadows and I couldn’t make out a single word. Impatience, anger, something ancient and ruthless. Cold eyes regarded me with calculation, as if weighing things against each other, meditating—a word Daddy used to point out was the larger part of premeditation. He’d say, Baby, once you start thinking about it, you’re working your way toward it. Was there something Barrons was working his way toward doing? I shivered.

Being able at last to see the ‘adult’ Gina Lollobrigida or Marilyn Monroe films did little to calm the raging need males of that age—or of any age—feel for female companionship. Those were the days before prudery became fashionable and much before the moral police had begun flexing their biceps in India. Playboy magazine could be found in bookstores, nestling between copies of the Illustrated Weekly of India and Woman & Home. While

If some computer scientists and engineers succeed in their dreams, the book itself will be such that bookshelves in bookstores, libraries, and homes could be a thing of the past. At the Media Library at the Massachusetts Institute of Technology, a research team has been working on what it terms 'the last book.' This volume, known as 'Overbook,' would be printed in electronic ink known as e-ink, a concept in which page-like displays consist of microscopic spheres embedded within a matrix of extremely thin wires. The ink particles, which have one hemisphere black and one hemisphere white, can be individually flipped by a current in the wire to form a 'printed' page of any book that has been scanned into the system. According to its developers, the last book could ultimately hold the entire Library of Congress, which is of the order of 20 million volumes. The book one wished to read would be selected by pushing some buttons on the spine of the e-book, and the display on its e-inked pages would be rearranged. In time, the developers of this twenty-first century technology claim, such books could also incorporate video clips to give us illuminated books that were also animated.

Mrs. Henderson, Riley’s fifth-grade teacher, surveyed her class appraisingly. “Capital city of Brazil? Johnny?” “Rio de Janeiro,” Johnny answered quickly. Riley nearly shook her head, but stopped at the last minute. It was an easy mistake to have made, and nobody liked a smarty-pants. “No,” Mrs. Henderson replied. “Anybody else?” The class was silent. Riley wondered if any of the other students could name another city in Brazil. “How about you, Riley?” Riley sighed quietly. She briefly considered pretending she didn’t know the answer, but her mother had told her more than once that pretending to be something that you weren’t was the same as lying, and it was a terrible kind of lying, because it was lying to yourself. “Brasilia,” Riley answered. “That’s right,” Mrs. Henderson smiled. “I’m glad someone in this class has been paying attention.” Riley hadn’t been paying attention. She hadn’t even realized the lesson had moved from the geography of Europe to that of South America. She’d read about Brazil in a travel magazine her parents subscribed to. She toyed with her pen as Mrs. Henderson moved on to another South American country. She wanted to start writing, and to do it the way her great-grandfather had. She could put a story down in her notebook. If it was long enough, she might even fill two of them. Maybe someday she would even be published. The thought of seeing her own book on the shelf in a bookstore was just about the best thing she could think of.

You have to be an optimist to believe in the Singularity,” she says, “and that’s harder than it seems. Have you ever played Maximum Happy Imagination?” “Sounds like a Japanese game show.” Kat straightens her shoulders. “Okay, we’re going to play. To start, imagine the future. The good future. No nuclear bombs. Pretend you’re a science fiction writer.” Okay: “World government … no cancer … hover-boards.” “Go further. What’s the good future after that?” “Spaceships. Party on Mars.” “Further.” “Star Trek. Transporters. You can go anywhere.” “Further.” I pause a moment, then realize: “I can’t.” Kat shakes her head. “It’s really hard. And that’s, what, a thousand years? What comes after that? What could possibly come after that? Imagination runs out. But it makes sense, right? We probably just imagine things based on what we already know, and we run out of analogies in the thirty-first century.” I’m trying hard to imagine an average day in the year 3012. I can’t even come up with a half-decent scene. Will people live in buildings? Will they wear clothes? My imagination is almost physically straining. Fingers of thought are raking the space behind the cushions, looking for loose ideas, finding nothing. “Personally, I think the big change is going to be our brains,” Kat says, tapping just above her ear, which is pink and cute. “I think we’re going to find different ways to think, thanks to computers. You expect me to say that”—yes—“but it’s happened before. It’s not like we have the same brains as people a thousand years ago.” Wait: “Yes we do.” “We have the same hardware, but not the same software. Did you know that the concept of privacy is, like, totally recent? And so is the idea of romance, of course.” Yes, as a matter of fact, I think the idea of romance just occurred to me last night. (I don’t say that out loud.) “Each big idea like that is an operating system upgrade,” she says, smiling. Comfortable territory. “Writers are responsible for some of it. They say Shakespeare invented the internal monologue.” Oh, I am very familiar with the internal monologue. “But I think the writers had their turn,” she says, “and now it’s programmers who get to upgrade the human operating system.” I am definitely talking to a girl from Google. “So what’s the next upgrade?” “It’s already happening,” she says. “There are all these things you can do, and it’s like you’re in more than one place at one time, and it’s totally normal. I mean, look around.” I swivel my head, and I see what she wants me to see: dozens of people sitting at tiny tables, all leaning into phones showing them places that don’t exist and yet are somehow more interesting than the Gourmet Grotto. “And it’s not weird, it’s not science fiction at all, it’s…” She slows down a little and her eyes dim. I think she thinks she’s getting too intense. (How do I know that? Does my brain have an app for that?) Her cheeks are flushed and she looks great with all her blood right there at the surface of her skin. “Well,” she says finally, “it’s just that I think the Singularity is totally reasonable to imagine.

If you were going to make a message last, how would you do it? Would you carve it into stone? Etch it into gold? Would you make your message so potent that people couldn’t resist passing it on? Would you build a religion around it, maybe get people’s souls involved? Would you, perhaps, establish a secret society? Or would you do what Gerritszoon did? SLIDE

Third places remain upbeat because of the limited way in which the participants are related. Most of the regulars in a third place have a unique and special status with regard to one another. It is special in that such people have neither the blandness of strangers nor that other kind of blandness, which takes zest out of relationships between even the most favorably matched people when too much time is spent together, when too much is known, too many problems are shared, and too much is taken for granted. Many among the regulars of a third place are like Emerson's "commended stranger" who represents humanity anew, who offers a new mirror in which to view ourselves, and who thus breathes life into our conversation. In the presence of the commended stranger, wrote Emerson, "We talk better than we are wont. We have the nimblest fancy, a richer memory, our dumb devil has taken leave for a time. For long hours, we can continue a series of sincere, graceful, rich communications, drawn from the oldest, secretest experience, so that those who sit by, of our kinsfolk, and acquaintance, shall feel a lively surprise at our unusual power.: The magic of commended strangers fades as one comes to know them better. They are fallible. They have problems and weaknesses like everyone else and, as their luster fades, so does their ability to inspire our wit, memory, and imagination. The third place, however, retards that fading process, and it does so by keeping the lives of most of its regulars disentangled. One individual may enjoy the company of others at a mutual haunt for years without ever having seen their spouses; never having visited their homes or the places where they work; never having seen them against the duller backdrop of their existence on the "outside." Many a third place regular represents conversationally and socially what the mistress represents sexually. Much of the lure and continuing allure of the mistress rests in the fact that only pleasure is involved. There is no rising from bed to face the myriad problems that husband and wife must share and that contaminates their lives and their regard for one another. Third places surely contain many of these "mistresses of conversation," people who meet one another only to share good times and scintillating activities and with whom good times and scintillation thus come to be associated. Out of tacit agreement not to share too much, the excitement attaching the commended stranger is preserved among third place regulars. What, after all, are such incidentals as home and family and job when the nature of life itself, the course of the world in modern times, or the booted ball that cost a victory in last night's game are on the agenda?

[…] Although it’s hard to imagine it now, there was a time when horror was nearly unrivaled in popularity with the general reader. In the 1970s and ’80s, local bookstores had whole shelves devoted to it. You couldn’t miss them: they were the ones stocked between Mystery and Fantasy/Sci-Fi, with all the black and red covers, the raised titles dripping blood, and the leering skeletons. Lots and lots of skeletons. These books had notoriously short shelf lives, but because there was such a demand for them—owing largely to the success of books like The Exorcist and writers like Stephen King, Anne Rice, and Peter Straub—it was possible to hack a living if you could turn them out fast enough. A lot of folks tried their hand, and a lot of bad books were published. So many that the market eventually collapsed under its own weight. Among those bad books, though, were some truly great ones written by great writers—writers like Ramsey Campbell, Robert R. McCammon, and Chelsea Quinn Yarbro, to name just three—who delivered lasting contributions to the genre. While it would be nice to think that all the deserving books were saved from being swept away in the vast tide, that just wasn’t the case. [...] Excerpt from ”Introduction” to Michael McDowell’s ”Blackwater: The Complete Saga” (2017, Kindle edition)

Last year for his birthday he asked for a programming book called C Plus Plus, whatever that means.” “My god, Lydia, that’s the saddest thing you’ve ever said.

The tiny red-hatted gnome held a stack of books, the titles delicately carved onto the spines and painted in gold. Each book represented a different part of her. Outlander for their love across time and because it was one of her favorites. Fairy Tales by Hans Christian Andersen because she had found it in the bookstore. A Christmas Carol because they both loved Christmas. Lily and the Octopus, presumably because of Bernie, and lastly Circle of Friends, which seemed self-explanatory.

Over the last decade, entire neighbourhoods have lost their identity to the ever-growing clothing retail market. Since my first visit to the Marais quarter of Paris in 2003, I have seen the area shift from a charming, off-beat district featuring a mix of up-and-coming designers, traditional ateliers, bookstores and boulangeries to what amounts to an open-air shopping mall dominated by international brands. In the last five years, an antique shop has been replaced by a chic clothing store and the last neighbourhood supermarket transformed into a threestorey flagship of one of the clothing giants. The old quarter is now only faintly visible, like writing on a medieval palimpsest: overhanging the gleaming sign of a sleek clothes shop, on a faded ceramic fascia board, is written ‘BOULANGERIE’. In economically developed countries, people’s motivations for spending money have long since shifted from needs to desires. There’s no denying we need places to live in, food to nourish us and clothes to dress ourselves in, and, while we’re at it, we might as well do these things with a certain degree of refinement to help make life as pleasurable as possible. But when did the clothing industry turn into little more than a cash machine whose main purpose seems to be its own never-ending growth? Just as clothing retail shops are sucking the identity out of entire neighbourhoods, so that the architecture becomes little more than a backdrop for their products, the production of the garments they sell is eating away at the Earth’s resources and the life of the workers who are producing them. Fashion has become the second most polluting industry in the world. And with what result? Our wardrobes are cluttered with so many clothes that the mere sight of them becomes overwhelming, yet at the same time we feel a constant craving for the next purchase that will transform our look.

In the shop window you have promptly identified the cover with the title you were looking for. Following this visual trail, you have forced your way through the shop past the thick barricade of Books You Haven't Read, which were frowning at you from the tables and shelves, trying to cow you. But you know you must never allow yourself to be awed, that among them there extend for acres and acres the Books You Needn't Read, the Books Made For Purposes Other Than Reading, Books Read Even Before You Open Them Since They Belong To The Category Of Books Read Before Being Written. And thus you pass the outer girdle of ramparts, but then you are attacked by the infantry of the Books That If You Had More Than One Life You Would Certainly Also Read But Unfortunately Your Days Are Numbered. With a rapid maneuver you bypass them and move into the phalanxes of the Books You Mean To Read But There Are Others You Must Read First, the Books Too Expensive Now And You'll Wait Till They're Remaindered, the Books ditto When They Come Out In Paperback, Books You Can Borrow From Somebody, Books That Everybody's Read So It's As If You Had Read Them, Too. Eluding these assaults, you come up beneath the towers of the fortress, where other troops are holding out: the Books Dealing With Something You're Working On At The Moment, the Books You Want To Own So They'll Be Handy Just In Case, the Books You Could Put Aside Maybe To Read This Summer, the Books You Need To Go With Other Books On Your Shelves, the Books That Fill You With Sudden, Inexplicable Curiosity, Not Easily Justified. Now you have been able to reduce the countless embattled troops to an array that is, to be sure, very large but still calculable in a finite number; but this relative relief is then undermined by the ambush of the Books Read Long Ago Which It's Now Time To Reread and the Books You've Always Pretended To Have Read And Now It's Time To Sit Down And Really Read Them. With a zigzag and a dash you shake them off and leap straight into the citadel of the New Books Whose Author or Subject Appeals To You. Even inside this stronghold you can make some breaches in the ranks of the defenders, dividing them into New (for you in general) and New Books By Authors Or On Subjects Completely Unknown (at least to you), and defining the attraction they have for you on the basis of your desires and needs for the new and the not new (for the new you seek in the not new and for the not new you seek in the new). All this means that, having rapidly glanced over the titles of the volumes displayed in the bookshop, you turn toward a stack of If on a winter’s night a traveler fresh off the press, you have grasped a copy, and you have carried it to the cashier so that your right to own it can be established. You cast another bewildered look at the books around you (or, rather: it was the books that looked at you, with the bewildered gaze of dogs who, from their cages in the city pound, see a former companion go off on the leash of his master, come to rescue him), and out you went. You derive a special pleasure from a just-published book, and it isn’t only a book you are taking with you but the novelty as well, which could also merely be that of an object fresh from the factory, the youthful bloom of new books, which lasts until the dust jacket begins to yellow, until a veil of smog settles on the top edge, until the bindings become dog-eared, in the rapid autumn of libraries. No, you hope always to encounter true newness, which having been new once, will continue to be so. Having read the freshly published book, you will take possession of this newness at the first moment, without having to pursue, to chase it. Will it happen this time? You can never tell. Let’s see how it begins.

Okay, so I know I’m not the last bookseller. People still sell books. But I’m one of the last of a certain kind of bookseller. The kind that for six hundred years rooted around basements, book bins, and bookstores looking for, sometimes, rare books or, more often, secondhand books. They were the hunter-gatherers of the book business, the travelers and pick-ers, who spent their lives saving books that might otherwise have been lost. They are, now, nearly extinct, driven to ground by the machines—the cell phones, personal computers, and, especially, the internet—that replaced them at the end of the twentieth century.

How Much Do I Love You? I love you more than pancakes, more than ice cream, more than pickles, more than my life. I love you more than dogs or cats or diamonds or gold, more than anyone else in the world. I loved brushing your hair every night and walking you to school. I told you every story you knew. I want you to remember our last day. I read you a story about two sisters who could find their way through the woods even if it was dark. I want you to remember the last evening we had. We drank tea made of roses. We baked a peach pie. We had spaghetti with butter for supper. We looked at the stars with your father, sitting high up on the roof, and then I took you inside. I kissed you both good night. I hope you remember everything. Someday you will find this and you’ll know that to the very end I thought about you. There is no ending to that. You still hold my heart in your hands. I loved you girls more than a fish loves a river, more than a bird loves the sky. Remember that. Remember me. When

Well. Look who it is." I grimace at the irritation in her tone. "Hey, Whitney. I'm sorry to bother you. I know I'm the last person in the world you want to hear from---" "Nah, that would actually be my cheating ex-boyfriend," she says. "But yeah, after him, you're next.

After that we had Math Class. Pencils ready! she yelled. If you’ve got a two thousand-piece puzzle of an Amish farm and you manage to add three pieces to the puzzle per day, how many more days will you need to stay alive to get it done? Math Class was interrupted by the doorbell. Ball Game! yelled Grandma. Who could it be? The doorbell ringer is set to “Take Me Out to the Ball Game,” which Grandma forces me to sing with her during the seventh-inning stretch even if we’re just watching the game in our living room. She makes me stand up for the anthem at the beginning, too. Mom doesn’t stand up for the anthem because Canada is a lie and a crime scene. It was Jay Gatsby. He wants to tear our house down. I went to the door and opened it and told him, It’s yours for twenty million dollars. He said, Listen, can I speak with your mother. You said the last time— Twenty-five million dollars, I said. Sorry, said Jay Gatsby, I’d like to speak with— Thirty million dollars, capitalist, do you understand English? I slammed the door shut. Grandma said that was a bit overkill. He’s afraid of death, said Grandma. She said it like an insult. He’s lost his way! Jay Gatsby wants to tear down our house and build an underground doomsday-proof luxury vault. Jay Gatsby bought a house on a tropical island once and then forced every other person living on the island to sell their house to him so that he had the whole island to himself to do ecstasy and yoga with ex-models. He forced all the models to take pills that made their shit gold and sparkly. Mom said he’s had fake muscles put into his calves. She knows this because one day she saw him on the sidewalk outside the bookstore and his calves were super skinny and three days later they were bulging and had seams on them. Mom said he went to a place in Cleveland, Ohio to get it done where you can also have your vag tightened up if you feel like it. Then you can just sit around with your S.O. vaping all day with your giant fake calves and stitched-up wazoo and be spied on by your modern thermostat which is a weapon of the state they just call “green” because of sales and Alexa and shit and practicing mindfulness hahahaha and just be really, really, really happy that you don’t have half a fucking brain between the two of you.

The old antiquarian bookstore was a sliver amongst the larger pastel-coloured shops on the leafy Parisian street of Rue Cardinet. It was called Librairie d'antiquites de Geroux but was, nonetheless, as much a part of the Batignolles village as the Saturday farmers' market, the square, or the tourists retracing the steps of impressionist painter Alfred Sisley. The only other building that seemed as much a part of the furniture was the abandoned restaurant on the corner, like one of those unfortunate heirloom pieces that tends to clash with everything. Most people believed it to be cursed or haunted as a result of what had happened there during the Occupation, when the former owner had poisoned all of her customers one night. A fact that had turned to legend over the intervening years

There is no way I'm willingly going to run anywhere, unless it's to the bookstore, because it's on fire, and I'm carrying the last two buckets of water.

Before leaving town he might pass up one or two trains just to linger a bit longer in the station. The city, its centers and its sights, didn’t interest him; he’d never really get to know a city, but he knew the stations, he recognized the stations in the most obscure places, even if he’d last roamed them a year or two before. – Once the bookstores had still enticed him, the used book dealers around the station; soon he preferred to stand at the window of a fast-food restaurant on the edge of the station building and watch the world go by, gazing out from inside this refuge that was not entirely part of that world, though it was usually located on a central square around which the city’s activity gathered in an arc. That activity was closely tied to the station, but he himself had already broken away; in the station he didn’t stand out with his particular form of restlessness; on the contrary, here he found composure, here all he had to signify was flight and transience. Perhaps most of the people here, those who’d taken flight into the fortress of the station, were perpetually searching for an alibi to cling to some illusory notion of life. Someday they’d change their ways—they constantly told themselves—but it’s virtually impossible to change your ways in a train station. In the arrival and departure halls change was constantly being projected, yet everything always stayed the same, the minute in which everything would suddenly be different kept receding before your eyes. The plethora of orientation devices, clocks, information from loudspeakers, electronic departure boards, the perpetual semblance of reliability only anchored in the mind the provisional and fragmentary nature of human existence.

Cathy recognized the voice before her last name was spoken. She turned to see her ex-boyfriend Kevin standing behind her in the bookstore. Her stomach sank a little. But, one of the by-products of meeting a man later in life was that he would end up meeting some ex-boyfriends along the way. She didn’t think Ben would mind. It was a part of life. Part of being forty.

In the summer of 2002, I embarked on a mission that had been a goal of mine for many years. That mission was to write about a group of American servicemen who fought for our country. I was naturally drawn to WWII as a subject. I had read numerous accounts of how America led the effort to defeat the twin evils of Hitler’s Germany and Tojo’s Japan. A visit to a local bookstore, however, opened my eyes to two realities: 1) many books have been written about the heroes of WWII; 2) few books have been written about the heroes of the Vietnam War. The reasons for this discrepancy were obvious to me. Conventional wisdom tells us that the men and women of WWII were heroes who won our last great war. The deeds of our heroes should be recorded for posterity. Conventional wisdom is correct. Yet, that same “wisdom” has two faces. The men of WWII were treated as heroes. The men of the Vietnam War were not. Instead of receiving ticker tape parades, many were greeted with shouts of “baby killer” and “war monger”. Thrown tomatoes, rocks, profanities and,in some cases, being spat on by fellow Americans was a common occurrence. That “wisdom” tells us that the men and women who fought in Vietnam were not heroes. They fought an immoral war, a war which they did not “win”. Not only were they immoral, they were losers as well. The conventional wisdom about the men and women who fought in Vietnam could not be more wrong. The heroes of Vietnam fought for the same reasons as every other American in every other war: for freedom, for country, for family and for the buddy holding the line next to him. That visit to the bookstore opened my eyes. My mission was crystal clear: I was to write a book about the heroes of the Vietnam War. That book was to tell a true account of combat, an account that had been ignored by historians up to that point. I wanted to tell a story that might be lost to posterity forever but for my efforts. The book was to set the record of “conventional wisdom” straight for good: that the men and women of Vietnam were and are heroes who won the war they were told to fight. That, as heroes, their deeds should be recorded for posterity. Conventional wisdom should get it right. Lions of Medina is a true account of Marine courage at its best. Courage in the face of overwhelming odds. Courage that defined the generation of men and women who fought in Vietnam. This book is a tribute to those who fought the Vietnam War, a reminder that freedom is never free, and a testament to the valor of the American soul. Doyle D. Glass May, 2007 Acknowledgments Lions of Medina would not have been possible without the contributions of many dedicated individuals.

When the zombie apocalypse arrived, Jack was trapped inside a bookstore, staring at the manager, even though she’d once told him she would only date him if he were the last man on earth. As the undead clawed at the windows from outside, a dark smile formed upon Jack’s lips.

He came into the bookstore the Christmas before last to buy a present for his ex-mother-in-law. The Serenity Bookshop, right here in Wellesley, Mass.—ever heard of it? It’s a nice cozy spot packed with armchairs and atmosphere. We keep some dirty novels in the back for people with real imagination. Susana opened it when she moved up here with me seven and a half years ago. She had to do something, and she didn’t want to start college, like me. So she started a bookstore instead.

n 1997, Van Sant was doing a reading at a bookstore from his no Pink. Dedicated to River, the book starred a thinly disguised version of him.) An audience member asked him who had hoisted River Phoenix body into the car. "I was hoping that viewers would project themselves into the film and decide for themselves who it was," he told her. "Okay, then," she replied. "Who picked him up in your version?" Van Sant paused. "In my version . .. in my version, I pick him up.

In 1997, Van Sant was doing a reading at a bookstore from his no Pink. Dedicated to River, the book starred a thinly disguised version him.) An audience member asked him who had hoisted River Phoen body into the car. "I was hoping that viewers would project themselves into the film and decide for themselves who it was," he told her. "Okay, then," she replied. "Who picked him up in your version?" Van Sant paused. "In my version . .. in my version, I pick him up.

Having lived such an extraordinary life and having run such an extraordinary bookstore, wasn’t he entitled to one last extraordinary love affair?

I'd distanced myself from love for so long, told myself that I didn't need it, didn't want it, that I wasn't so sure I knew what love looked like anymore outside of a book. I'd grown to care about this man, somehow, over the last few days. I'd gotten used to his wry charm, and his sarcasm, and I found myself looking for his shadow at the bar, and the bookstore.

The notion that a story should unfold over the course of two or three hundred pages was as antiquated as the idea that a band’s musical output should consist of four or five songs on one side of a piece of vinyl, and then four or five slightly more experimental and intelligent songs on the other side. Albums used to make sense; they used to hang together as a body of work, and this had something to do with the fact that vinyl records could only hold eight or ten songs. Digital music changed all that. A quote-unquote album could now hold two mp3s or two hundred.

She had forgotten the only trick her mother had taught her about marriage: the more impractical your husband’s ideas are, the more you get behind them.

Don’t bother fighting with your husband over something he’s never actually going to do. He’ll give up on his own eventually, and then you don’t have to be the bad guy.

The twentieth century contributed skyscrapers and typewriters and automobiles and telephones to the world. Solid, workable objects. Every innovation of the twenty-first century could be erased by a power failure.

Everything about a redwood forest was prehistoric: the ancient trees themselves, each growing on the rootstock of some much older specimen, many of them hollowed out by lightning but still rising, stretching hundreds of feet into the sky. Even the ferns were oversized, spanning the width of a small car. You could imagine dinosaurs walking among these trees. They seemed to exist outside of ordinary time, which may explain why all of Humboldt seemed to be one or two steps out of synch with the rest of the world. People here had redwood trees in their backyards. You were never far from the infinite.

After Sy died, a friend of Edith’s who was also a widow gave her this advice about getting through the first year: Get up in the morning. Take a shower, get dressed, have something to eat. After that, you can spend the rest of the day in bed if you want to. It was a trick, of course. Once you’d gotten yourself up and pulled yourself together, there wasn’t much point in going back to bed. But that little lie was what sustained her. Eight magical words: You can go back to bed after breakfast.

I can’t keep doing this,” she said to Sy, “but I can’t do anything else, either. So where does that leave me?

He pulled on a coat and walked down the flight of stairs from the head house into the distribution floor. Then he walked to the far end to the east. This was the top floor of the grain elevator. He passed eighteen of the great bins–six on one side and twelve on the other, closed up with their huge twenty-foot concrete covers. At the end of the building, the ninety-year-old windows faced the coming night. Out there in the gloaming he could see orange needles standing against the dark reflecting the sunset. These spires luminescing in last light were other grain elevators, dotted across Texas down the rail line–all except one. The exception was a cross shrouded in farmer tin. Its owners billed it as the biggest cross in the world, and it anchored a truck stop and religious bookstore to the Interstate Highway.

However, Martoglio, in defense of his poetry, claims that while the academicians have not made a fuss about his work, the people have consistently displayed affection for it, so much so that he can say that “there isn’t any town in Sicily where Centona10 has not brought people cheer Martoglio goes on to say that his poetry is a favorite of the Sicilian people wherever they may be, within Sicily, in war trenches and in foreign lands. The reason for this predilection is that Centona brings people the smells and sounds of Sicily, the passions that are always raging in their unhappy hearts, and the memories of their beloved and tragic land. And he concludes with a beautiful testimony to his poetry that says: as long as you leave on each street you pass of restless Sicily the scent and soul, you’ll always be assured of great success. While some readers may regard this as wishful thinking on the part of the poet, I can testify from personal experience that it is actually true. Sicilians love Martoglio and they love his poetry. One brief story will make the point: I was browsing one day in the Cavallotto bookstore in Catania looking through their Sicilian language poetry section and started a conversation with the store manager, Rosario Romeo. When I told him that I was working on a book about Nino Martoglio, he began to recite the “Lu cummattimentu tra Orlandu e Rinardu” from memory. He went through nearly the last 8 stanzas of the poem without faltering once, showing great appreciation for Martoglio’s cleverness by highlighting with shifts in tone and manner of reciting those parts he deemed most interesting. His wonderful performance, however, is not to be considered all that extraordinary. In fact, on several occasions, on learning of my interests in Sicilian literature, my interlocutors have begun reciting their favorite poems or excerpts of poems. As it happens, the poets most commonly found in such personal repertories are Giovanni Meli11 Micio Tempio12 and Nino Martoglio.

One of Betty’s friends turned and tossed a shot of cayenne and lemon juice in the face of a bookstore supporter, who cried, “My eyes,” and staggered backward. Another ball of ice cream arced overhead and nailed one of the cops, who didn’t take it very well. Nina turned to see who was throwing the frosty artillery just as another scoop glanced off her head and hit Betty, this time in the face. Betty stomped her foot. “I. Am. Lactose. Intolerant!” she cried. “No, you’re just completely intolerable,” replied the Reader, and pushed her. Nina reached up and felt her head, which was sticky. She heard giggling. Lydia was amused. “You’ve got a little . . . something something . . .” Lydia wiped a little drip from Nina’s forehead and tasted it. “Huh,” she said. “Mint chip. Surprising.” She opened her mouth to continue and took a gluten-free cupcake right in the cake hole, which was also surprising. She sputtered. Nina grinned. “Don’t talk with your mouth full, Lydia.” A mini cupcake—or it might have been a brownie; it was moving too fast to tell—whizzed by and knocked off the Reader’s glasses. The cops, who had been well trained (though, admittedly, not for a food fight), started pushing through the crowd, looking for the troublemakers. This made the people on the outside of the crowd, who couldn’t see very well, assume something more serious was going on. They started to run or, at least, move swiftly away. This was Larchmont, after all; no need for unseemly panic. The ice cream bandit sent a last volley over the heads of the thinning crowd, and both Nina and Lydia were in the line of fire. Professional hit, double scoop. Lydia, who had decided to see the funny side of it, clutched her arm, which was covered in sprinkles. “I’m hit,” she cried, and staggered backward. “Cold . . . so cold . . .” said Nina, channeling the heroic death of so many matinee idols. She made it to the bookstore front door and did a creditable death slide down it. Then she remembered why she was there.

We won't command them all for long, but hey: nothing lasts long. We all come to life and gather allies and build empires and die, all in a single moment- maybe a single pulse of some giant processor somewhere.

58% of the US adult population never reads another book after high school. 42% of college students never read another book after college. 80% of US families did not buy or read a book last year. 70% of US adults have not been to a bookstore in the last five years. 57% of new books are not read to completion. Most readers do not get past page 18 in a book they have purchased.