The Head That Wears The Crown Quotes

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Maybe there were people who lived those lives. Maybe this girl was one of them. But what about the rest of us? What about the nobodies and the nothings, the invisible girls? We learn to hold our heads as if we wear crowns. We learn to wring magic from the ordinary. That was how you survived when you weren’t chosen, when there was no royal blood in your veins. When the world owed you nothing, you demanded something of it anyway.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Uneasy lies the head that wears a crown.
William Shakespeare (Henry IV, Part Two)
Inej almost felt sorry for her. Dunyasha really believed she was the Lantsov heir, and maybe she was. But wasn’t that what every girl dreamed? That she’d wake and find herself a princess? Or blessed with magical powers and a grand destiny? Maybe there were people who lived those lives. Maybe this girl was one of them. But what about the rest of us? What about the nobodies and the nothings, the invisible girls? We learn to hold our heads as if we wear crowns. We learn to wring magic from the ordinary. That was how you survived when you weren’t chosen, when there was no royal blood in your veins. When the world owed you nothing, you demanded something of it anyway.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
My featherbed is deep and soft, and there I’ll lay you down, I’ll dress you all in yellow silk and on your head a crown. For you shall be my lady love, and I shall be your lord. I’ll always keep you warm and safe, and guard you with my sword. And how she smiled and how she laughed, the maiden of the tree. She spun away and said to him, no featherbed for me. I’ll wear a gown of golden leaves, and bind my hair with grass, But you can be my forest love, and me your forest lass.
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
What about the nobodies and the nothings, the invisible girls? We learn to hold our heads as if we wear crowns. We learn to wring magic from the ordinary.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
We learn to hold our heads as if we wear crowns. We learn to wring magic from the ordinary. That was how you survived when you weren’t chosen, when there was no royal blood in your veins. When the world owed you nothing, you demanded something of it anyway.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Heavy is the head that wears the crown
Wiiliam Shakespeare
Your crown has been bought and paid for. Put it on your head and wear it.
Maya Angelou
Uneasy lies the head that wears the crown,
Stephen King (Sleeping Beauties)
He (Leo) forced his fists to unclench. "Look, lady, we're not going all Hunger Games on each other. Isn't going to happen." "But you will win a fabulous honor!" Nike reached into a basket at her side and produced a wreath of thick leaves and laurels. "This crown of leaves could be yours! You can wear it on your head! Think of the glory!
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
We learn to hold our heads as if we wear crowns. We learn to wring magic from the ordinary.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
I reached out my hand, England's rivers turned and flowed the other way... I reached out my hand, my enemies's blood stopt in their veins... I reached out my hand; thought and memory flew out of my enemies' heads like a flock of starlings; My enemies crumpled like empty sacks. I came to them out of mists and rain; I came to them in dreams at midnight; I came to them in a flock of ravens that filled a northern sky at dawn; When they thought themselves safe I came to them in a cry that broke the silence of a winter wood... The rain made a door for me and I went through it; The stones made a throne for me and I sat upon it; Three kingdoms were given to me to be mine forever; England was given to me to be mine forever. The nameless slave wore a silver crown; The nameless slave was a king in a strange country... The weapons that my enemies raised against me are venerated in Hell as holy relics; Plans that my enemies made against me are preserved as holy texts; Blood that I shed upon ancient battlefields is scraped from the stained earth by Hell's sacristans and placed in a vessel of silver and ivory. I gave magic to England, a valuable inheritance But Englishmen have despised my gift Magic shall be written upon the sky by the rain but they shall not be able to read it; Magic shall be written on the faces of the stony hills but their minds shall not be able to contain it; In winter the barren trees shall be a black writing but they shall not understand it... Two magicians shall appear in England... The first shall fear me; the second shall long to behold me; The first shall be governed by thieves and murderers; the second shall conspire at his own destruction; The first shall bury his heart in a dark wood beneath the snow, yet still feel its ache; The second shall see his dearest posession in his enemy's hand... The first shall pass his life alone, he shall be his own gaoler; The second shall tread lonely roads, the storm above his head, seeking a dark tower upon a high hillside... I sit upon a black throne in the shadows but they shall not see me. The rain shall make a door for me and I shall pass through it; The stones shall make a throne for me and I shall sit upon it... The nameless slave shall wear a silver crown The nameless slave shall be a king in a strange country...
Susanna Clarke (Jonathan Strange & Mr Norrell)
We learn to hold our heads as if we wear crowns.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
But her attention was on the prince across from her, who seemed utterly ignored by his father and his own court, shoved down near the end with her and Aedion. He ate so beautifully, she thought, watching him cut into his roast chicken. Not a drop moved out of place, not a scrap fell on the table. She had decent manners, while Aedion was hopeless, his plate littered with bones and crumbs scattered everywhere, even some on her own dress. She’d kicked him for it, but his attention was too focused on the royals down the table. So both she and the Crown Prince were to be ignored, then. She looked at the boy again, who was around her age, she supposed. His skin was from the winter, his blue-black hair neatly trimmed; his sapphire eyes lifted from his plate to meet hers. “You eat like a fine lady,” she told him. His lips thinned and color stained his ivory cheeks. Across from her, Quinn, her uncle’s Captain of the Guard, choked on his water. The prince glanced at his father—still busy with her uncle—before replying. Not for approval, but in fear. “I eat like a prince,” Dorian said quietly. “You do not need to cut your bread with a fork and knife,” she said. A faint pounding started in her head, followed by a flickering warmth, but she ignored it. The hall was hot, as they’d shut all the windows for some reason. “Here in the North,” she went on as the prince’s knife and fork remained where they were on his dinner roll, “you need not be so formal. We don’t put on airs.” Hen, one of Quinn’s men, coughed pointedly from a few seats down. She could almost hear him saying, Says the little lady with her hair pressed into careful curls and wearing her new dress that she threatened to skin us over if we got dirty. She gave Hen an equally pointed look, then returned her attention to the foreign prince. He’d already looked down at his food again, as if he expected to be neglected for the rest of the night. And he looked lonely enough that she said, “If you like, you could be my friend.” Not one of the men around them said anything, or coughed. Dorian lifted his chin. “I have a friend. He is to be Lord of Anielle someday, and the fiercest warrior in the land.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
Lovely Alyssa. What a grand pupil you were,” he mumbles, his mouth on the top of my head. “Yet you taught me more than I taught you. You are far more worthy to wear the crown than any other. Courage, compassion, and wisdom. The triad of majesties. You have something I could see even through the eyes of a child. You have the heart of a queen.
A.G. Howard (Splintered (Splintered, #1))
But what about the rest of us? What about the nobodies and the nothings, the invisible girls? We learn to hold our heads as if we wear crowns. We learn to wring magic from the ordinary.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Then, O King! the God, so saying, Stood, to Pritha's Son displaying All the splendour, wonder, dread Of His vast Almighty-head. Out of countless eyes beholding, Out of countless mouths commanding, Countless mystic forms enfolding In one Form: supremely standing Countless radiant glories wearing, Countless heavenly weapons bearing, Crowned with garlands of star-clusters, Robed in garb of woven lustres, Breathing from His perfect Presence Breaths of every subtle essence Of all heavenly odours; shedding Blinding brilliance; overspreading- Boundless, beautiful- all spaces With His all-regarding faces; So He showed! If there should rise Suddenly within the skies Sunburst of a thousand suns Flooding earth with beams undeemed-of, Then might be that Holy One's Majesty and radiance dreamed of!
Edwin Arnold (The Bhagavad Gita)
But you will win a fabulous honor!" Nike reached into a basket at her side and produced a wreath of thick green laurels. "This crown of leaves could be yours! You can wear it on your head! Think of the glory!
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
«He grins and straightens, wings high and regal behind him. I glare at his costume. It’s so typical him. A mix of medieval and rock star: brown leather forearm guards with studs over a ruffle-cuffed white shirt, and a cavalier doublet in burgundy with a gold lace overlay. The hem hits above his muscled thighs, so the skintight burgundy hose taper smoothly into knee-high brown boots, leaving nothing to the imagination. Worst of all, he has a crown. He dressed as a fairy king. The irony doesn’t escape me. I scowl. “Problem, luv?” He looks down on me from behind a gold lace half mask while adjusting the ruby-jeweled crown over his blue hair with velvet-clad hands. Tiny moth corpses are suspended in the rubies, like stained-glass fossils. I shake my head. “I’m pretty sure you’ll be the only one wearing anything tight enough to need a codpiece. Always have to be the showstopper, don’t you?” “Oh, I assure you, what I chose to show is only the start.»
A.G. Howard (Unhinged (Splintered, #2))
Heavy is the head forced to wear two crowns.
R.P. Falconer (Lilif)
Uneasy lies the head that wears the crown.
Morgan Rice (A Quest of Heroes (The Sorcerer's Ring, #1))
I DECLARE I will live victoriously. I was created in the image of God. I have the DNA of a winner. I am wearing a crown of favor. Royal blood flows through my veins. I am the head, never the tail, above never beneath. I will live with purpose, passion, and praise, knowing that I was destined to live in victory. This is my declaration.
Joel Osteen (I Declare: 31 Promises to Speak Over Your Life)
Do all wizards," he said, "get the kiddie crowns and war them around? Or is that only for special occasions?" "Do all werewolves," I shot back, snatching the crown from my head, "wear glasses and too much Old Spice? Or is taht only for full moons?
Jim Butcher (Fool Moon (The Dresden Files, #2))
But what about the rest of us? What about the nobodies and the nothings, the invisible girls? We learn to hold our heads as if we wear crowns. We learn to wring magic from the ordinary. That was how you survived when you weren’t chosen, when there was no royal blood in your veins. When the world owed you nothing, you demanded something of it anyway.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Canst thou, O partial sleep, give thy repose To the wet sea-boy in an hour so rude; And in the calmest and most stillest night, With all appliances and means to boot, Deny it to a king? Then, happy low, lie down! Uneasy lies the head that wears a crown.
William Shakespeare (Henry IV, Part Two)
But wasn't that what every girl dreamed? That she would wake and find herself a princess? ... But what about the rest of us? What about the nobodies and nothings, the invisible girls? We learn to hold our heads as if we wear crowns. We learn to wring magic from the ordinary.... When the world owed you nothing, you demanded something of it anyway.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
her crown upheld a sparkling veil that gave Dorian the distinct impression she was wearing a tent upon her head.
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
Uneasy lies the head that wears the crown.
William Shakespeare (Henry IV, Part Two)
Heavy is the head that wears the crown William Shakespeare
Charmaine J. Forde
Little brother,' Balekin says without waiting to be acknowledged. He wears his chained cuffs on his wrists as though they are bracelets, as though they add to his status instead of marking him as a prisoner. 'You requested an audience with the crown,' Cardan says. 'No, brother, it was you I wanted to speak with, not the ornament on your head.
Holly Black (The Wicked King (The Folk of the Air, #2))
Maybe there were people that lived those lives. Maybe this girl was one of them. But what about the rest of us? What about the nobodies and the nothings, the invisible girls? We learn to hold our heads as if we wear crowns. We learn to wring magic from the ordinary.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Maybe there were people who lived those lives. Maybe this girl was one of them. But what about the rest of us? What about the nobodies and the nothings, the invisible girls? We learn to hold our heads as if we wear crowns. We learn to wring magic from the ordinary. That was how you survived when you weren’t chosen, when there was no royal blood in your veins. When the world owed you nothing, you demanded something of it anyway.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
The costume is great," I said to Lysander, "but a crown? Really?" He glared at me, his black wings beating. I'd only been in his shop for thirty minutes, but I was pretty sure the guy already hated me. "It was my understanding that you were to go dressed as the goddess of witchcraft, and Hecate wears a crown." "It's not really a crown, Soph," Jenna offered from her spot on a nearby white satin settee. "It's more like a tiara." She had her chin in her hand, and there was practically a little black rain cloud over her head. We had taken Vix to the airport, so Jenna was Sulky McSulkerton.
Rachel Hawkins (Demonglass (Hex Hall, #2))
Well, I’m definitely wearing a flower crown on my head. I don’t care if you say it’s played out.” Flatly she says, “You can’t wear a flower crown.” “Why not?” She spits out toothpaste. “You’re too old. That’s for flower girls.” “No, you aren’t envisioning it correctly. I wasn’t thinking baby’s breath. I was thinking little pink and peach roses, with a lot of greenery. Pale green greenery, you know that kind?” She shakes her head, resolute. “We aren’t fairies in a forest. It’s too cutesy.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
Uneasy lies the head that wears a crown.
Neil MacGregor (Shakespeare's Restless World: Portrait of an Era)
Heavy is the fuckin’ head that wears the crown, even if it’s made of grease, leather, and iron.
Giana Darling (After the Fall (The Fallen Men, #4))
Heavy is the head, forced to wear two crowns.
R. P. Falconer
There's nothing—nothing—more monstrous than that beguiling face Pestilence wears, his golden crown resting proudly on his head.
Laura Thalassa (Pestilence (The Four Horsemen, #1))
And in this torment, comfort find I none But that I feel the crown upon my head. And therefore let me wear it yet awhile.
Christopher Marlowe (Edward II)
I think I am starting to vanish slowly from head to toe. There are ten different ways to say sunset. The bartender says my face is wearing all of them.
Hanif Abdurraqib (The Crown Ain't Worth Much (Button Poetry))
Isn't that what every girl dreamed? That she'd wake and find herself a princess? Or blessed with magical powers and a grand destiny. Maybe there were people who lived those lives, maybe this girl was one of them but what about the rest of us? What about the nobodies and the nothings, the invisible girls? We learn to hold our heads as if we wear crowns, we learn to ring magic from the ordinary, that's how you survived when you weren't chosen, when there was no royal bloods in your veins. When the world owed you nothing, you demanded something of it anyway.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Someone told me I'd find a princess of great worth here. One with the strength to be the hero this realm needs." He stared at me with those unsettling blue eyes. They were cold, like ice water - made me shiver from head to toe. Then his gaze seemed to search even deeper. Finally, he looked through me, like I was nothing. In brisk steps, he strode across the marble to the courtyard. But before crossing the threshold, he turned back to glare at me with his lip curled ever so slightly. "It seems she was mistaken."... I felt my own lip curl in response. How rude! Who the Grimm was this peasant to judge me? I was wearing a Glenda original. Original! Not some fairy-godmother knockoff worn by those servant girls turned royal. I was a crown princess, for the love of fairy, and no one dismissed me.
Betsy Schow (Spelled (The Storymakers, #1))
Compare King William with the philosopher Haeckel. The king is one of the anointed by the most high, as they claim—one upon whose head has been poured the divine petroleum of authority. Compare this king with Haeckel, who towers an intellectual colossus above the crowned mediocrity. Compare George Eliot with Queen Victoria. The Queen is clothed in garments given her by blind fortune and unreasoning chance, while George Eliot wears robes of glory woven in the loom of her own genius. The world is beginning to pay homage to intellect, to genius, to heart. We have advanced. We have reaped the benefit of every sublime and heroic self-sacrifice, of every divine and brave act; and we should endeavor to hand the torch to the next generation, having added a little to the intensity and glory of the flame.
Robert G. Ingersoll (The Liberty Of Man, Woman And Child)
Yes, Ryn, a woman. A soldier who has taken the heads of gods, escaped from countless prisons and dungeons, and decimated an army of mortals by herself. Do not underestimate her simply because she wears a bra.
Bethany K. Lovell (Faetal Distraction (Blood Crown, #1))
You wear a crown of glory and honor. The transcendent King of creation placed it upon your head. When you look into the mirror and see scars and zits and fat and abuse and loneliness and pain, Yahweh sees glory and honor.
Preston Sprinkle (Charis: God's Scandalous Grace for Us)
His hands have begun to tremble, and he stuffs them into his pockets. They have put him in a thick gray coat, but he wears no scarf, and the skin of his neck and chest are exposed at the open collar. The healer in Arsinoe resists the urge to wrap him in a cloak. He is still weak and should be in front of a cozy fire with a hot bowl of soup. "How is it that I have come to be here?" he asks. "I gather that I was stolen from the capital." Emilia shoves him again. "You are here to give information, not get it." "Emilia." Jules shakes her head, then returns her attention to Pietyr. "You were stolen from you sickbed in Greavesdrake Manor. From what we have heard, you had been there for a long time." "You don't remember anything?" asks Arsinoe. "Have you ever been unconscious, Queen Arsinoe?" "Yes." "Then you should know that is a stupid question." She frowns. In her mind, she takes away his bowl of soup.
Kendare Blake (Five ​Dark Fates (Three Dark Crowns, #4))
Welcome, praetor!” he said. “You need any giants’ faces smashed while you’re in town, just let me know.” “Thanks, Terminus,” Percy said. “I’ll keep that in mind.” “Yes, good. Your praetor’s cape is an inch too low on the left. There—that’s better. Where is my assistant? Julia!” The little girl ran out from behind the pedestal. She was wearing a green dress tonight, and her hair was still in pigtails. When she smiled, Percy saw that her front teeth were starting to come in. She held up a box full of party hats. Percy tried to decline, but Julia gave him the big adoring eyes. “Ah, sure,” he said. “I’ll take the blue crown.” She offered Hazel a gold pirate hat. “I’m gonna be Percy Jackson when I grow up,” she told Hazel solemnly. Hazel smiled and ruffled her hair. “That’s a good thing to be, Julia.” “Although,” Frank said, picking out a hat shaped like a polar bear’s head, “Frank Zhang would be good too.” “Frank!” Hazel said.
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
We learn to hold our heads as if we wear crowns. We learn to wring magic from the ordinary. That was how you survived when you weren't chosen, when there was no royal blood in your veins. When the world owed you nothing, you demanded something of it anyway.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
What about the nobodies and the nothings, the invisible girls? We learn to hold our heads as if we wear crowns. We learn to wring magic from the ordinary. That was how you survived when you weren’t chosen, when there was no royal blood in your veins. When the world owed you nothing, you demanded something of it anyway.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Oh, and that crown you are wearing … there are no bobby pins to hold it in place, so you must not let anyone get you to put your head down in shame cuz it’s gonna slide right down the front of your face. And neither can you put your nose up in the air cuz it will slip off the back. Just hold it high and steady and wear it forever.
Helen Gurzeon
The Last Hero The wind blew out from Bergen from the dawning to the day, There was a wreck of trees and fall of towers a score of miles away, And drifted like a livid leaf I go before its tide, Spewed out of house and stable, beggared of flag and bride. The heavens are bowed about my head, shouting like seraph wars, With rains that might put out the sun and clean the sky of stars, Rains like the fall of ruined seas from secret worlds above, The roaring of the rains of God none but the lonely love. Feast in my hall, O foemen, and eat and drink and drain, You never loved the sun in heaven as I have loved the rain. The chance of battle changes -- so may all battle be; I stole my lady bride from them, they stole her back from me. I rent her from her red-roofed hall, I rode and saw arise, More lovely than the living flowers the hatred in her eyes. She never loved me, never bent, never was less divine; The sunset never loved me, the wind was never mine. Was it all nothing that she stood imperial in duresse? Silence itself made softer with the sweeping of her dress. O you who drain the cup of life, O you who wear the crown, You never loved a woman's smile as I have loved her frown. The wind blew out from Bergen to the dawning of the day, They ride and run with fifty spears to break and bar my way, I shall not die alone, alone, but kin to all the powers, As merry as the ancient sun and fighting like the flowers. How white their steel, how bright their eyes! I love each laughing knave, Cry high and bid him welcome to the banquet of the brave. Yea, I will bless them as they bend and love them where they lie, When on their skulls the sword I swing falls shattering from the sky. The hour when death is like a light and blood is like a rose, -- You never loved your friends, my friends, as I shall love my foes. Know you what earth shall lose to-night, what rich uncounted loans, What heavy gold of tales untold you bury with my bones? My loves in deep dim meadows, my ships that rode at ease, Ruffling the purple plumage of strange and secret seas. To see this fair earth as it is to me alone was given, The blow that breaks my brow to-night shall break the dome of heaven. The skies I saw, the trees I saw after no eyes shall see, To-night I die the death of God; the stars shall die with me; One sound shall sunder all the spears and break the trumpet's breath: You never laughed in all your life as I shall laugh in death.
G.K. Chesterton
She wore a dress of white satin, elegant and unusual in its simplicity, with no fussy ruffles and frills to distract from the lovely shape of her figure. Instead of wearing the traditional veil, she had drawn the sides of her hair up to the crown of her head and let the rest cascade down her back in long golden coils. Her only ornamentation was a tiara of graduated diamond stars, which Tom had sent upstairs that morning as a Christmas gift. The wealth of rose-cut gems glittered madly in the candlelight, but they couldn't eclipse her sparkling eyes and radiant face. She looked like a snow queen walking through a winter forest, too beautiful to be entirely human. And there he stood, with his heart in his fist.
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
I would choose you." The words were out before he thought better of them, and there was no way to pull them back. Silence stretched between them. Perhaps the floor will open and I'll plummet to my death, he thought hopefully. "As your general?" Her voice careful. She was offering him a chance to right the ship, to take them back to familiar waters. And a fine general you are. There could be no better leader. You may be prickly, but that what Ravka needs. So many easy replies. Instead he said, "As my queen." He couldn't read her expression. Was she pleased? Embarrassed? Angry? Every cell in his body screamed for him to crack a joke, to free both of them from the peril of the moment. But he wouldn't. He was still a privateer, and he'd come too far. "Because I'm a dependable soldier," she said, but she didn't sound sure. It was the same cautious, tentative voice, the voice of someone waiting for a punch line, or maybe a blow. "Because I know all of your secrets." "I do trust you more than myself sometimes- and I think very highly of myself." Hadn't she said there was no one else she'd choose to have her back in a fight? But that isn't the whole truth, is it, you great cowardly lump. To hell with it. They might all die soon enough. They were safe here in the dark, surrounded by the hum of engines. "I would make you my queen because I want you. I want you all the time." She rolled on to her side, resting her head on her folded arm. A small movement, but he could feel her breath now. His heart was racing. "As your general, I should tell you that would be a terrible decision." He turned on to his side. They were facing each other now. "As your king, I should tell you that no one could dissuade me. No prince and no power could make me stop wanting you." Nikolai felt drunk. Maybe unleashing the demon had loosed something in his brain. She was going to laugh at him. She would knock him senseless and tell him he had no right. But he couldn't seem to stop. "I would give you a crown if I could," he said. "I would show you the world from the prow of a ship. I would choose you, Zoya. As my general, as my friend, as my bride. I would give you a sapphire the size of an acorn." He reached in to his pocket. "And all I would ask in return is that you wear this damnable ribbon in your hair on our wedding day." She reached out, her fingers hovering over the coil of blue velvet ribbon resting in his palm. Then she pulled back her hand, cradling her fingers as if they'd been singed. "You will wed a Taban sister who craves a crown," she said. "Or a wealthy Kerch girl, or maybe a Fjerdan royal. You will have heirs and a future. I'm not the queen Ravka needs." "And if you're the queen I want?" ... She sat up, drew her knees in, wrapped her arms around them as if she would make a shelter of her own body. He wanted to pull her back down beside him and press his mouth to hers. He wanted her to look at him again with possibility in her eyes. "But that's not who I am. Whatever is inside me is sharp and gray as the thorn wood." She rose and dusted off her kefta. "I wasn't born to be a bride. I was made to be a weapon." Nikolai forced himself to smile. It wasn't as if he'd offered her a real proposal. They both knew such a thing was impossible. And yet her refusal smarted just as badly as if he'd gotten on his knee and offered her his hand like some kind of besotted fool. It stung. All saints, it stung. "Well," he said cheerfully, pushing up on his elbows and looking up at her with all the wry humour he could muster. "Weapons are good to have around too. Far more useful than brides and less likely to mope about the palace. But if you won't rule Ravka by my side, what does the future hold, General?" Zoya opened the door to the Cargo hold. Light flooded in gilding her features when she looked back at him. "I'll fight on beside you. As your general. As your friend. Because whatever my failings, I know this. You are the king Ravka needs.
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
Like a bloody cave,” was Lief’s assessment, “and it stinks of magic.” Penthos gave him an arch look. “And you’d have a sensitivity for magic?” “It has floating lights, and that bloke over in the corner is wearing a crown of glowing ice, and his mate’s got the head of a parrot. I don’t think you need to be Grand Archmage Woddleflot to pick up the delicate scent of magic.
Adrian Tchaikovsky (Spiderlight)
Well?” Jules asks when Joseph and Billy are safely out of range. “What do you think of him?” Arsinoe squints. Billy Chatworth wears the clothes of an islander, but he does not wear them well. He is only an inch or two shorter than Joseph, and his sandy hair is short, almost pressed flat against his head. “He’s not nearly as handsome as Joseph is,” Arsinoe teases, and Jules blushes scarlet. “I knew he would grow into that Sandrin jawline. And those eyes.” She prods Jules in the side until she laughs and swats her away. “Anyhow, what do you think of the mainlander?” “I don’t know,” Jules says. “He said he had a cat that looked like me when he was younger. With one blue eye and one green. He said it was born deaf.” “Charming,” says Arsinoe.
Kendare Blake (Three Dark Crowns (Three Dark Crowns, #1))
Gloriana, being royal isn’t about the wealth you possess, the crown on your head, the fine clothes you wear, or the castle you live in. It’s about the loyalty in your heart for your people, the knowledge in your head to aid them in times of trouble, and the depth of your soul to weather any storm.” Kimbra Swain. Fairy Tales Of A Trailer Park Queen: Boxset (Kindle Locations 3327-3329). Crimson Sun Press.
Kimbra Swain (Bless Your Heart (Fairy Tales of a Trailer Park Queen, #1))
We are defined not by what grows from our heads, but what flows from our hearts. That is our greatest testimony. Our hair may be our crown, yet a life of love and service is our real glory. So as we navigate our journey, let us graciously make space for one another. Whether you relax it or coil it, weave it or dread it, cover it with a wig or cut it plumb off, the choice is yours. Good hair is your hair—however you decide to wear it.
Cicely Tyson (Just As I Am)
Can I wear it for a bit?” Dot asked, mouth full of pizza turned to chocolate. “I bet it’ll look nice on me.” “If it can fit around that head,” Hester mumbled. Dot hurled her pizza at her, smacking Hester in the cheek. “Do you know how unfair that is, you contemptuous git! You made me gain weight in order to stay in the coven and now you’re making fun of me for it? Are you that insecure that you needed me to be fat to feel okay about yourself? Well, you picked the wrong piggy tail to pull, honey. I love myself no matter what I look like, so nothing you say to me will ever make me feel ugly again. Because unlike you, Hester, I’ll never be ugly inside.” Hester gaped at Dot like she was a rabid bear. “Agatha. Give the girl the damned crown before she stays this way forever.” Dot snatched the diadem out of Agatha’s hands and admired herself in a brass urn as she jammed it on (upside down and backwards, but no one said a thing).
Soman Chainani (The Last Ever After (The School for Good and Evil, #3))
At the time, I paid no heed to the emblem above the door of a compass crossed with a square; the library had been founded by Masons. There, in the quiet shadows, I read for hours from the books that the kind librarian allowed me to take from the shelves: fairy tales, adventure stories, adaptations of classics for children, and dictionaries of symbols. One day while browsing among the shelves I ran across a yellowed volume: Les Tarots by Eteilla. All my efforts to read it were in vain. The letters looked strange and the words were incomprehensible. I began to worry that I had forgotten how to read. When I communicated my anguish to the librarian, he began to laugh. “But how could you understand it; it’s written in French, my young friend! I can’t understand it either!” Oh, how I felt drawn to those mysterious pages! I flipped through them, seeing many numbers, sums, the frequent occurrence of the word Thot, some geometric shapes . . . but what fascinated me most was a rectangle inside which a princess, wearing a three-pointed crown and seated on a throne, was caressing a lion that was resting its head on her knees. The animal had an expression of profound intelligence combined with an extreme gentleness. Such a placid creature! I liked the image so much that I committed a transgression that I still have not repented: I tore out the page and brought it home to my room. Concealed beneath a floorboard, the card “STRENGTH” became my secret treasure. In the strength of my innocence, I fell in love with the princess.
Alejandro Jodorowsky (The Dance of Reality: A Psychomagical Autobiography)
But wasn't that what every girl dreamed? That she'd wake up and find herself a princess? Maybe there were people who lived those lives. Maybe this girl was one of them. But what about the rest of us? What about the nobodies and the nothings, the invisible girls? We learn to hold our heads as if we wear crowns. We learn to wring magic from the ordinary. That was how you survived when you weren't chosen, when there was no royal blood in your veins. When the world owed you nothing, you demanded something of it anyway.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Speaking of makeovers, anyone notice Hort’s looking even juicier than he did at school?” chirped Dot, biting into the cocoa-pizza she’d swiped off the floor. “Saw him when we came in and he has this swarthy tan from working the moors and mud stains on his cheeks, like he’s Captain Lumberjack or something. But you know how I like woodsy types, with my crush on Robin Hood and all. Anyway, I sneak behind and give him a good sniff and notice he smells like a man now, nothing like that boy who used to wear frog pajamas and reek of baby powder, and all I could think was since there aren’t too many rooms in this place, I wonder if I can get Merlin to put me and him in the same—” “Over my dead body,” bellowed Hort, who stuck his head out from around the corner. Hester glared back, demon twitching. “That can be arranged.” Hort muttered something obscene and vanished behind the wall. Hester saw Dot goggling at her. “What now?” “Did you just defend me?” “Only because you look so stupid in that crown,” Hester grumped. All the girls laughed, even Dot.
Soman Chainani (The Last Ever After (The School for Good and Evil, #3))
But wasn't that what every girl dreamed? That she'd wake and find herself a princess? Or blessed with magical powers and a grand destiny? Maybe there were people out there who lived those lives... But what about the rest of us? What about the nobodies and the nothings, the invisible girls? We learn to hold our heads as if we wear crowns. We learn to wring magic from the ordinary. That was how you survived when you weren't chosen, when there was no royal blood in your veins. When the world owed you nothing, you demanded something of it anyway.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
When we remember we are queens from another kingdom, then the kings in this one will wake up at last and honor our presence and open the gates. We won't storm the castle walls; we will melt the castle walls. Kings will then set a table for us to feast at instead of tossing us bones. They will recognize us when we recognize ourselves. We come bearing gifts from another realm. We bring illumination when our minds are illuminated. We are only visiting here, but our visit is an honor, a mitzvah, and the entire earth kingdom is blessed by our presence. Wake up, damn it, and thank the stars. We have been playing so small and the crown is so huge. We will not wear it until we expand our heads. Don't your get it? Can't you see? As we change our minds, we will change the world. And until we do, we will remain where we are. And all the laws and all the bashing and all the silly, childish, petty political arguments will continue for years, and for more years beyond, until women remember, followed by men, that a woman is a miracle and her heart lies in God. She is here to love God, passionately and truly...
Marianne Williamson (A Woman's Worth)
BRIDE SONG Too late for love, too late for joy, Too late, too late! You loitered on the road too long, You trifled at the gate: The enchanted dove upon her branch Died without a mate; The enchanted princess in her tower Slept, died, behind the grate; Her heart was starving all this while You made it wait. Ten years ago, five years ago, One year ago, Even then you had arrived in time, Though somewhat slow; Then you had known her living face Which now you cannot know: The frozen fountain would have leaped, The buds gone on to blow, The warm south wind would have awaked To melt the snow. Is she fair now as she lies? Once she was fair; Meet queen for any kingly king, With gold-dust on her hair, Now these are poppies in her locks, White poppies she must wear; Must wear a veil to shroud her face And the want graven there: Or is the hunger fed at length, Cast off the care? We never saw her with a smile Or with a frown; Her bed seemed never soft to her, Though tossed of down; She little heeded what she wore, Kirtle, or wreath, or gown; We think her white brows often ached Beneath her crown, Till silvery hairs showed in her locks That used to be so brown. We never heard her speak in haste; Her tones were sweet, And modulated just so much As it was meet: Her heart sat silent through the noise And concourse of the street. There was no hurry in her hands, No hurry in her feet; There was no bliss drew nigh to her, That she might run to greet. You should have wept her yesterday, Wasting upon her bed: But wherefore should you weep today That she is dead? Lo we who love weep not today, But crown her royal head. Let be these poppies that we strew, Your roses are too red: Let be these poppies, not for you Cut down and spread.
Christina Rossetti (Poems of Christina Rossetti)
Wölfe whispered in my ear. —You chose this godsforsaken place over her. It’s your fault she’s frozen in time. You had to take the crown from the little prince, so you could wear it. Now, we both suffer. Now, we both mourn her. You don’t deserve her—not when you don’t put her first. You killed her. No! I have not lost her. She’s still here, and soon she will awaken. And once she was back, she would soothe all this pain away with only a smile. And her mouth and smooth skin would provide refuge. Her touch would be a salve to all this loss. —How selfish are you? Can’t you think of no one else but yourself? No matter. While you cry like a weakling, I will be the one soothing her, protecting her, making sure she’s safe. I shook my head, a growl escaping me.
Ingrid Seymour (A Court So Dark (Healer of Kingdoms, #3))
Little Brother, an aspiring painter, saved up all his money and went to France, to surround himself with beauty and inspiration. He lived on the cheap, painted every day, visited museums, traveled to picturesque locations, bravely spoke to everyone he met, and showed his work to anyone who would look at it. One afternoon, Little Brother struck up a conversation in a café with a group of charming young people, who turned out to be some species of fancy aristocrats. The charming young aristocrats took a liking to Little Brother and invited him to a party that weekend in a castle in the Loire Valley. They promised Little Brother that this was going to be the most fabulous party of the year. It would be attended by the rich, by the famous, and by several crowned heads of Europe. Best of all, it was to be a masquerade ball, where nobody skimped on the costumes. It was not to be missed. Dress up, they said, and join us! Excited, Little Brother worked all week on a costume that he was certain would be a showstopper. He scoured Paris for materials and held back neither on the details nor the audacity of his creation. Then he rented a car and drove to the castle, three hours from Paris. He changed into his costume in the car and ascended the castle steps. He gave his name to the butler, who found him on the guest list and politely welcomed him in. Little Brother entered the ballroom, head held high. Upon which he immediately realized his mistake. This was indeed a costume party—his new friends had not misled him there—but he had missed one detail in translation: This was a themed costume party. The theme was “a medieval court.” And Little Brother was dressed as a lobster. All around him, the wealthiest and most beautiful people of Europe were attired in gilded finery and elaborate period gowns, draped in heirloom jewels, sparkling with elegance as they waltzed to a fine orchestra. Little Brother, on the other hand, was wearing a red leotard, red tights, red ballet slippers, and giant red foam claws. Also, his face was painted red. This is the part of the story where I must tell you that Little Brother was over six feet tall and quite skinny—but with the long waving antennae on his head, he appeared even taller. He was also, of course, the only American in the room. He stood at the top of the steps for one long, ghastly moment. He almost ran away in shame. Running away in shame seemed like the most dignified response to the situation. But he didn’t run. Somehow, he found his resolve. He’d come this far, after all. He’d worked tremendously hard to make this costume, and he was proud of it. He took a deep breath and walked onto the dance floor. He reported later that it was only his experience as an aspiring artist that gave him the courage and the license to be so vulnerable and absurd. Something in life had already taught him to just put it out there, whatever “it” is. That costume was what he had made, after all, so that’s what he was bringing to the party. It was the best he had. It was all he had. So he decided to trust in himself, to trust in his costume, to trust in the circumstances. As he moved into the crowd of aristocrats, a silence fell. The dancing stopped. The orchestra stuttered to a stop. The other guests gathered around Little Brother. Finally, someone asked him what on earth he was. Little Brother bowed deeply and announced, “I am the court lobster.” Then: laughter. Not ridicule—just joy. They loved him. They loved his sweetness, his weirdness, his giant red claws, his skinny ass in his bright spandex tights. He was the trickster among them, and so he made the party. Little Brother even ended up dancing that night with the Queen of Belgium. This is how you must do it, people.
Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)
Griff entered the cave, sword in hand. He had no desire to frighten Astelle, but he had to be prepared for anything. She jumped up from her fireside position with a small stifled scream at his entry, then continued to back fearfully towards the shadowed wall. She was quite alone. Griff could sense no other presence – only hers, and the wonder of it. He sheathed his sword, and gazed upon his long-lost love. Her hair had lost all trace of colour while still retaining the texture of youth, giving the appearance of white silk. There was a pulsating light of a blue-lilac shade which clung to the crown of her head, reflecting in the hair – a soul – a lost spirit – someone who had loved her. She was almost as pale as death, for Torking took far too much blood from her, too frequently. She was also much thinner than she should have been, but for all of this, she was still the most beautiful sight of his life. Her body was ravaged with Torking's bites and claw-marks. She was still wearing his old cloak which Griff instantly recognised, though it was little more than a rag, wrapped around her body and tied on one shoulder. Her beautiful dark eyes, those which had so haunted his dreams, seemed over-large in her pale face, as she stared at him with a mingling of shock, disbelief and joy. Griff took a few hesitant steps towards her, unsure of his reception. ‘Astelle?’ His voice grated with emotion. How often had she yearned to hear him speak her name exactly in that way? ‘Astelle – is it really you?’ He was just as divinely handsome as she remembered, and he looked so fine – he looked magnificent in Gremlen battledress. In the flickering torchlight, the blue krulmesh armour glittered over the black leather tunic. The emerald sheen in his raven hair was vivid as ever. Best of all, his dark forest-green eyes were shining with love, and she suddenly understood that Griff was a hundred times more beautiful than Torking, for his eyes held everything that was good, fine and noble. Astelle's heart almost stopped beating as she gazed at him. Her eyes filled with tears, and her lip trembled as she tried to whisper his name.
Bernie Morris (The Fury of the Fae)
CHASING THE NIGHT Trouble starts when I come around Everything’s painted red when I’m in town Light me up and watch me burn it down If you’re anointing a devil, I’ll take my crown Foot on the gas, add fuel to the fire I’m already high and going higher Charging faster, ready to ignite Headed for disaster, chasing the night You turn wrong when you turn right White light at first sight Oh, you’re chasing the night But it’s a nightmare chasing you Life’s coming to me in flashes Wearing my bruises like badges Don’t know when I learned to play with matches Must want it all to end in ashes Foot on the gas, add fuel to the fire I’m already high and going higher Charging faster, ready to ignite Headed for disaster, chasing the night You turn wrong when you turn right White light at first sight Oh, you’re chasing the night But it’s a nightmare chasing you Foot on the gas, add fuel to the fire I’m already high and going higher Foot on the gas, add fuel to the fire Look me in the eye and flick the lighter Oh, you’re chasing the night But it’s a nightmare, honey, chasing you
Taylor Jenkins Reid (Daisy Jones & The Six)
Father Dominic, a Carthusian, who was deeply devoted to the holy Rosary, had a vision in which he saw heaven opened and the whole heavenly court assembled in magnificent array. He heard them sing the Rosary in an enchanting melody, and each decade was in honour of a mystery of the life, passion, or glory of Jesus Christ and his holy Mother. Fr. Dominic noticed that whenever they pronounced the holy name of Mary they bowed their heads, and at the name of Jesus they genuflected and gave thanks to God for the great good he had wrought in heaven and on earth through the holy Rosary. He also saw our Lady and the Saints present to God the Rosaries which the Confraternity members say here on earth. He noticed too that they were praying for those who practice this devotion. He also saw beautiful crowns without number, which were made of sweet-smelling flowers, for those who say the Rosary devoutly. He learned that by every Rosary that they say they make a crown for themselves which they will be able to wear in heaven. This holy Carthusian's vision is very much like that which the Beloved Disciple had, in which he saw a great multitude of angels and saints, who continually praised and blessed Jesus Christ for all that he had done and suffered on earth for our salvation.
Louis de Montfort (The Secret of the Rosary)
I would choose you." The words were out before he thought better of them, and there was no way to pull them back. Silence stretched between them. Perhaps the floor will open and I'll plummet to my death, he thought hopefully. "As your general?" Her voice careful. She was offering him a chance to right the ship, to take them back to familiar waters. And a fine general you are. There could be no better leader. You may be prickly, but that's what Ravka needs. So many easy replies. Instead he said, "As my queen." He couldn't read her expression. Was she pleased? Embarrassed? Angry? Every cell in his body screamed for him to crack a joke, to free both of them from the peril of the moment. But he wouldn't. He was still a privateer, and he'd come too far. "Because I'm a dependable soldier," she said, but she didn't sound sure. It was the same cautious, tentative voice, the voice of someone waiting for a punch line, or maybe a blow. "Because I know all of your secrets." "I do trust you more than myself sometimes- and I think very highly of myself." Hadn't she said there was no one else she'd choose to have her back in a fight? But that isn't the whole truth, is it, you great cowardly lump. To hell with it. They might all die soon enough. They were safe here in the dark, surrounded by the hum of engines. "I would make you my queen because I want you. I want you all the time." She rolled on to her side, resting her head on her folded arm. A small movement, but he could feel her breath now. His heart was racing. "As your general, I should tell you that would be a terrible decision." He turned on to his side. They were facing each other now. "As your king, I should tell you that no one could dissuade me. No prince and no power could make me stop wanting you." Nikolai felt drunk. Maybe unleashing the demon had loosed something in his brain. She was going to laugh at him. She would knock him senseless and tell him he had no right. But he couldn't seem to stop. "I would give you a crown if I could," he said. "I would show you the world from the prow of a ship. I would choose you, Zoya. As my general, as my friend, as my bride. I would give you a sapphire the size of an acorn." He reached in to his pocket. "And all I would ask in return is that you wear this damnable ribbon in your hair on our wedding day." She reached out, her fingers hovering over the coil of blue velvet ribbon resting in his palm. Then she pulled back her hand, cradling her fingers as if they'd been singed. "You will wed a Taban sister who craves a crown," she said. "Or a wealthy Kerch girl, or maybe a Fjerdan royal. You will have heirs and a future. I'm not the queen Ravka needs." "And if you're the queen I want?"... She sat up, drew her knees in, wrapped her arms around them as if she would make a shelter of her own body. He wanted to pull her back down beside him and press his mouth to hers. He wanted her to look at him again with possibility in her eyes. "But that's not who I am. Whatever is inside me is sharp and gray as the thorn wood." She rose and dusted off her kefta. "I wasn't born to be a bride. I was made to be a weapon." Nikolai forced himself to smile. It wasn't as if he'd offered her a real proposal. They both knew such a thing was impossible. And yet her refusal smarted just as badly as if he'd gotten on his knee and offered her his hand like some kind of besotted fool. It stung. All saints, it stung. "Well," he said cheerfully, pushing up on his elbows and looking up at her with all the wry humour he could muster. "Weapons are good to have around too. Far more useful than brides and less likely to mope about the palace. But if you won't rule Ravka by my side, what does the future hold, General?" Zoya opened the door to the Cargo hold.Light flooded in gilding her features when she looked back at him. "I'll fight on beside you. As your general. As your friend. Because whatever my failings, I know this. You are the king Ravka needs.
Leigh Bardugo
By becoming the aggressor in sharing the good news of Christ with everyone in earshot, I became the one doing the influencing for good rather than the one being influenced for evil. I deduced that my Christianity is not about me but about Christ living through me. Jesus Christ represents everything that is truly good about me. Oddly enough, it started with a prank telephone call when I was seventeen. As I was studying the Bible one night, I had just said a prayer in which I asked God for the strength to be more vocal about my faith. All of a sudden, the phone rang and I answered. “Hello?” I asked. No one answered. “Hello?” I asked again. There was still silence on the other end. I started to hang up the phone, but then it hit me. “I’m glad you called,” I said. “You’re just the person I’m looking for.” Much to my surprise, the person on the other end didn’t hang up. “I want to share something with you that I’m really excited about,” I said. “It’s what I put my faith in. You’re the perfect person to hear it.” So then I started sharing the Gospel, and whoever was on the other end never said a word. Every few minutes, I’d hear a little sound, so I knew the person was still listening. After several minutes, I told the person, “I’m going to ask you a few questions. Why don’t you do one beep for no and two beeps for yes? We can play that game.” The person on the other end didn’t say anything. Undaunted by the person’s silence, I took out my Bible and started reading scripture. After a few minutes, I heard pages rustling on the other end of the phone. I knew the person was reading along with me! After a while, every noise I heard got me more excited! At one point, I heard a baby crying in the background. I guessed that the person on the phone was a mother or perhaps a babysitter. I asked her if she needed to go care for her child. She set the phone down and came back a few minutes later. I figured that once I started preaching, she would hang up the phone. But the fact that she didn’t got my adrenaline flowing. For three consecutive hours, I shared the message of God I’d heard from my little church in Luna, Louisiana, and what I’d learned by studying the Bible and listening to others talk about their faith over the last two years. By the time our telephone call ended, I was out of material! “Hey, will you call back tomorrow night?” I asked her. She didn’t say anything and hung up the phone. I wasn’t sure she would call me back the next night. But I hoped she would, and I prepared for what I was going to share with her next. I came across a medical account of Jesus’ death and decided to use it. It was a very graphic account of Jesus dying on a cross. Around ten o’clock the next night, the phone rang. I answered it and there was silence on the other end. My blood and adrenaline started pumping once again! Our second conversation didn’t last as long because I came out firing bullets! I worried my account of Jesus’ death was too graphic and might offend her. But as I told her the story of Jesus’ crucifixion--how He was sentenced to death by Pontius Pilate, beaten with leather-thonged whips, required to strip naked, forced to wear a crown of thorns on His head, and then crucified with nails staked through His wrists and ankles--I started to hear sobs on the other end of the phone. Then I heard her cry and she hung up the phone. She never called back. Although I never talked to the woman again or learned her identity, my conversations with her empowered me to share the Lord’s message with my friends and even strangers. I came to truly realize it was not about me but about the power in the message of Christ.
Jase Robertson (Good Call: Reflections on Faith, Family, and Fowl)
Many a time when I sat in the balcony, or hanging garden, on which my window opened, I have watched her rising in the air on her radiant wings, and in a few moments groups of infants below, catching sight of her, would soar upward with joyous sounds of greeting; clustering and sporting around her, so that she seemed a very centre of innocent delight. When I have walked with her amidst the rocks and valleys without the city, the elk-deer would scent or see her from afar, come bounding up, eager for the caress of her hand, or follow her footsteps, till dismissed by some musical whisper that the creature had learned to comprehend. It is the fashion among the virgin Gy-ei to wear on their foreheads a circlet, or coronet, with gems resembling opals, arranged in four points or rays like stars. These are lustreless in ordinary use, but if touched by the vril wand they take a clear lambent flame, which illuminates, yet not burns. This serves as an ornament in their festivities, and as a lamp, if, in their wanderings beyond their artificial lights, they have to traverse the dark. There are times, when I have seen Zee’s thoughtful majesty of face lighted up by this crowning halo, that I could scarcely believe her to be a creature of mortal birth, and bent my head before her as the vision of a being among the celestial orders. But never once did my heart feel for this lofty type of the noblest womanhood a sentiment of human love. Is it that, among the race I belong to, man’s pride so far influences his passions that woman loses to him her special charm of woman if he feels her to be in all things eminently superior to himself? But by what strange infatuation could this peerless daughter of a race which, in the supremacy of its powers and the felicity of its conditions, ranked all other races in the category of barbarians, have deigned to honour me with her preference?
Edward Bulwer-Lytton (The Coming Race)
How they pile the poor little craft mast-high with fine clothes and big houses; with useless servants, and a host of swell friends that do not care twopence for them, and that they do not care three ha’pence for; with expensive entertainments that nobody enjoys, with formalities and fashions, with pretence and ostentation, and with—oh, heaviest, maddest lumber of all!—the dread of what will my neighbour think, with luxuries that only cloy, with pleasures that bore, with empty show that, like the criminal’s iron crown of yore, makes to bleed and swoon the aching head that wears it! It is lumber, man—all lumber! Throw it overboard. It makes the boat so heavy to pull, you nearly faint at the oars. It makes it so cumbersome and dangerous to manage, you never know a moment’s freedom from anxiety and care, never gain a moment’s rest for dreamy laziness—no time to watch the windy shadows skimming lightly o’er the shallows, or the glittering sunbeams flitting in and out among the ripples, or the great trees by the margin looking down at their own image, or the woods all green and golden, or the lilies white and yellow, or the sombre-waving rushes, or the sedges, or the orchis, or the blue forget-me-nots. Throw the lumber over, man! Let your boat of life be light, packed with only what you need—a homely home and simple pleasures, one or two friends, worth the name, someone to love and someone to love you, a cat, a dog, and a pipe or two, enough to eat and enough to wear, and a little more than enough to drink; for thirst is a dangerous thing. You will find the boat easier to pull then, and it will not be so liable to upset, and it will not matter so much if it does upset; good, plain merchandise will stand water. You will have time to think as well as to work. Time to drink in life’s sunshine—time to listen to the Æolian music that the wind of God draws from the human heart-strings around us—time to—
Jerome K. Jerome (Three Men in a Boat)
A small figure in crimson stood before the bench, sleeves rolled to the elbow, muttering. Dumai cleared her throat. “Master Kiprun?” The alchemist whipped around. He wore round amber panes over his eyes, clipped to his nose, huge and misty with steam. “I did ask for duck feathers,” he said, in a tone of sincere annoyance. Dumai could only blink. His cheeks were flushed, threads of hair were stuck to his forehead, and he brandished a grey feather. “You brought me goose feathers. Goose,” he barked, making her jump. “You do know the difference between a duck and a goose, don’t you? One quacks and the other honks, not to mention the neck. The neck alone—” “Master Kiprun,” Kanifa interjected, “this is Noziken pa Dumai, Crown Princess of Seiiki.” The alchemist sleeved the fog from his eyeglasses. “Ah. Yes.” He interlocked his fingers. Each bore a ring of a different metal: gold, iron, copper. “Princess Dumai. I am Master Kiprun, who shines—well, flickers really—for the Munificent Empress. And you?” he said to Kanifa. “Who are you, the Prince of Seiiki?” “No.” Kanifa cleared his throat. “I’m just a guard, a friend to Princess Dumai. Not a noble.” “Is it not noble to be a guard?” Master Kiprun wafted a brown hand, webbed with scars from burns, like his arms. “No matter. I never understand these things. Yes, your message caught my interest, Princess Dumai of the Faraway Isle. You don’t look much like a princess,” he said, cocking his head. “Aren’t you suppose to wear a crown, or something?” Dumai reunited with her tongue. “Well,” she said, indicating her headpiece, “this is—” “Madam, that is a fish.” After a moment, Dumai decided not to kick against the current. “It is a fish,” she agreed, taking a step toward him. “My fish and I flew here to seek your help, Master Kiprun.” “Yes, I did fear as much. Last time, it was a king who disturbed my work. He found me in the mountains, just to annoy me.” The alchemist snorted. “Once, it was the poor who sought my services, asking me to turn grass to gold. They were, at least, polite, if wildly optimistic. Now I am summoned hither and thither, disturbed by everyone from Golümtan to Ginura.
Samantha Shannon (A Day of Fallen Night (The Roots of Chaos, #0))
Men traveling alone develop a romantic vertigo. Bech had already fallen in love with a freckled embassy wife in Russia, a buck-toothed chanteuse in Rumania, a stolid Mongolian sculptress in Kazakhstan. In the Tretyakov Gallery he had fallen in love with a recumbent statue, and at the Moscow Ballet School with an entire roomful of girls. Entering the room, he had been struck by the aroma, tenderly acrid, of young female sweat. Sixteen and seventeen, wearing patchy practice suits, the girls were twirling so strenuously their slippers were unraveling. Demure student faces crowned the unconscious insolence of their bodies. The room was doubled in depth by a floor-to-ceiling mirror. Bech was seated on a bench at its base. Staring above his head, each girl watched herself with frowning eyes frozen, for an instant in the turn, by the imperious delay and snap of her head. Bech tried to remember the lines of Rilke that expressed it, this snap and delay: did not the drawing remain/that the dark stroke of your eyebrow/swiftly wrote on the wall of its own turning? At one point the teacher, a shapeless old Ukrainian lady with gold canines, a prima of the thirties, had arisen and cried something translated to Bech as, “No, no, the arms free, free!” And in demonstration she had executed a rapid series of pirouettes with such proud effortlessness that all the girls, standing this way and that like deer along the wall, had applauded. Bech had loved them for that. In all his loves, there was an urge to rescue—to rescue the girls from the slavery of their exertions, the statue from the cold grip of its own marble, the embassy wife from her boring and unctuous husband, the chanteuse from her nightly humiliation (she could not sing), the Mongolian from her stolid race. But the Bulgarian poetess presented herself to him as needing nothing, as being complete, poised, satisfied, achieved. He was aroused and curious and, the next day, inquired about her of the man with the vaguely contemptuous mouth of a hare—a novelist turned playwright and scenarist, who accompanied him to the Rila Monastery. “She lives to write,” the playwright said. “I do not think it is healthy.
John Updike (Bech: A Book)
When I came here, pretending to be Taryn, you said you'd sent me messages,' I say. 'You seemed surprised I hadn't gotten any. What was in them?' Cardan turns to me, hands clasped behind his back. 'Pleading, mostly. Beseeching you to come back. Several indiscreet promises.' He's wearing that mocking smile, the one he says comes from nervousness. I close my eyes against frustration great enough to make me scream. 'Stop playing games,' I say. 'You sent me in to exile.' 'Yes,' he says. 'That. I can't stop thinking about what you said to me, before Madoc took you. About it being a trick. You meant marrying you, making you queen, sending you to the mortal world, all of it, didn't you?' I fold my arms across my chest protectively. 'Of course it was a trick. Wasn't that what you said in return?' ''But that's what you do,' Cardan says. 'You trick people. Nicasia, Madoc, Balekin, Orlagh. Me. I thought you'd admire me a little for it, that I could trick you. I thought you'd be angry, of course, but not quite like this.' I stare at him, openmouthed. 'What?' 'Let me remind you that I didn't know you'd murdered my brother, the ambassador to the Undersea, until that very morning,' he says. 'My plans were made in haste. And perhaps I was a little annoyed. I thought it would pacify Queen Orlagh, at least until all promises were finalised in the treaty. By the time you guessed the answer, the negotiations would be over. Think of it: I exile Jude Duarte to the mortal world. Until and unless she is pardoned by the crown.' He pauses. 'Pardoned by the crown. Meaning by the King of Faerie. Or its queen. You could have returned any time you wanted.' Oh. Oh. It wasn't an accident, his choice of words. It wasn't infelicitous. It was deliberate. A riddle made just for me. Maybe I should feel foolish, but instead, I feel furiously angry. I turn away from him and walk, swiftly and completely directionless through the garden. He runs after me, grabbing my arm. I haul around and slap him. It's a stinging blow, smearing the gold of his cheekbone and causing his skin to redden. We stare at each other for long moments, breathing hard. His eyes are bright with something entirely different from anger. I am in over my head. I am drowning.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
And if someone can lead me to him?” Malaki asks. “Report back to me first. I don’t want to chance losing him. Oh and by the way—” Des’s eyes inadvertently land on Temper, “be discreet.” “Why are you looking at me?” Temper’s voice is several octaves louder than everyone else’s. The Bargainer arches an eyebrow. “I’m as motherfucking discreet as they come,” she says. I’m trying really, really hard not to laugh, but the struggle is real. Malaki manages a sharp nod. “We will be discreet,” he assures Des. The sorceress huffs. “Y’all need to get your heads checked. I am not the problem.” She turns on Malaki. “And you don’t need to go making promises for me. I never even said I was coming along.” “And you don’t need to.” The Bargainer stands. “But if you imagined staying behind so that you could have fun with Callie, then you’ll be sorely disappointed. The future Night Queen has official business that will take her away from the palace.” It takes me a second to realize Des is referring to me. “Wait,” I say, “I haven’t agreed to be queen.” “Yeah,” Temper agrees, “my girl hasn’t agreed—what?” She turns on me. “Bitch, have you lost your mind? Take that crown and wear that shit like it’s your birthright.” Ignoring Temper, Des’s gaze falls on me, his features sharp. “I apologize, the Night King’s consort has official business that will take her away from the palace.” I narrow my eyes at my mate. I might not have jumped onboard with this whole queen business, but I sure as hell don’t want to be known simply as someone else’s consort. “Hoooo!” Temper whoops, falling back into her seat. “You better sleep with one eye open, Desmond. I’ve seen my girl make men pay for less.” He’s still staring intensely at me. “That’s odd. For as long as I’ve known Callie, she’s the one who’s paid for my services. I admit, it’ll be nice to not be the prostitute in our relationship for once.” Temper snickers, appraising Des all over again. “Fuck one eye. Sleep with both eyes open.” I shake my head at Des as I stand, my eyes slitted. “It’s time to go.” We give curt goodbyes to Temper and Malaki, then slip out of the library. “You do realize how close you were to getting glamoured, don’t you?” I say as we head down the hallway. Des’s eyes seem to be laughing at me. “You say that like I’d mind.
Laura Thalassa (Dark Harmony (The Bargainer, #3))
Uneasy lies the head that wears a crown
null
Uneasy lies the head that wears the crown,” Ajay whispered.
Mark Frost (Rogue (Paladin Prophecy #3))
He leaned over and pulled from the bunch a bright red ribbon that had a key attached to it. "This one in particular said that I was to make sure you received her gift or else she would poison me while I eat. So in lieu of hiring a taster for my meals, I wanted to make sure it reached you." Stryder rolled his eyes as Kit took it and broke the seal on the note that was also attached to the ribbon. His brother read aloud. "Milord, 'tis with great honor I give you the key to my chastity belt. Meet me tonight in the rose courtyard. Ever your lady, Charity of York" "A key to a chastity belt?" Christian asked in an amused tone. "Aye," Stryder said, his voice thick with ill humor. "And an invitation to a forced wedding if ever I saw one." Christian laughed again at that. "And you wonder why I prefer to wear the garb of a monk. It's the best shield I have found against conniving would-be brides, and even it isn't foolproof, as you have seen." Stryder handed the key back to Kit. "Tell the lady I am previously engaged." Kit arched a brow at that, then headed for one of Stryder's plate codpieces. He frowned as he watched his brother place the codpiece inside his hose. "What is it you do?" "The last time I told one of your would-be paramours nay on your behalf, she damn near unmanned me. This time I wish protection when I deliver the news." Stryder joined Christian's laughter. "'Tis not amusing," Kit said, his tone offended. "You think what you do is dangerous? I defy you to be in my boots for one moment when I face the great Ovarian Horde in your stead." "And that is why I send you, my brother. I haven't the courage to face them." "What?" Christian said in feigned shock. "Stryder of Blackmoor afraid? I never thought I would live to see the day a mere maid could send you craven." "The day you doff your cleric's robes and don your crown, Your Highness, you may taunt me on that front. Until then, I know you for the coward you are as well." Christian's eyes danced with mischief. "Women do make cowards of us all." Kit opened his mouth to say something, then must have rethought it. Grabbing a shield, he headed for the door. "If I don't return by night's fall, please make sure I am buried on home soil." -Kit, Christian, & Stryder
Kinley MacGregor (A Dark Champion (Brotherhood of the Sword, #5))
I was standing alone with him when she burst impetuously through the door, tall and wearing a rain-cape on top of a queen's costume, a forgotten crown on her head. She directed some rapid words at him. He began to tremble all over and dropped my hand from under his arm. Vera seized me cruelly by the arm and led me off... She led me through murky, dusty expanses, between strange machinery and constructions, through valleys and mountains and past a precarious wood to her dressing-room. And she still held me cruelly by the arm. There she slammed the door shut, rudely chasing away some handsome women with the amorous eyes of worshipers. I do not recall her words. It was as though she were all aflame. She kissed my hands and I realized then that she had seen only me that evening, that she had performed for only me, that she loved me and that this was all such madness. ("Thirty-Three Abominations")
Lydia Zinovieva-Annibal (Silver Age of Russian Culture (An Anthology))
NIAGARA FALLS. Niagara, thou mighty flood. I've seen thee fall, I've heard thee roar, And on the frightful verges stood, That overhang thy rocky shore. I've sailed o'er surging waves below, And view'd the rainbow's colour'd light, And felt the spray, thy waters throw, When leaping, with resistless might. I've seen the rapids in their course, Like madden'd, living things rush on, With wild, unhesitating force, To where thy mighty chasms yawn. And there to take the awful leap, And fall, with hoarse and sullen roar, Into th' unfathomable deep, Which rolleth on, from shore to shore. Niagara, thou'rt mighty, grand, Thou fill'st human souls with awe, For thee, and for that mighty Hand, Which maketh thee, by nature's law. Thou'rt great, thou mighty, foaming mass Of water, plunging, roaring down, But so are we, yea, we surpass Thee, and we wear a nobler crown. Thy mighty head is crowned with foam, And rainbows wreathe thy robes of blue; Our earthly forms—our present home— Are insignificant to you. But look, thou mighty thund'rer, thou, Tho' puny be our forms to thine, These forms possess, yea, even now, A spark, a ray of life divine. Rush on, O waters! proudly hurl Thyself to roaring depths below, And let the mists of ages curl, And generations come and go. But know, stupendous wonder, know, Thy rocks would crumble, at the nod Of Him, who lets thy waters flow; Thy Maker, but our Friend and God. Thy rocks shall crumble, fall they must; Thy waters, then, shall plunge no more, But we shall rise, e'en from the dust, To live upon another shore.
Thomas Frederick Young (Canada and Other Poems)
I was supposed to be the king. Too much work so I turned the job down. If I ever decide I want to wear a tiara, I’ll just remove Manias’ head and take his crown. He’s lucky he's my best friend. - Varian
Bridget Blackwood (Rising Shadows (World in Shadows, #1))
April 22 MORNING “Him hath God exalted.” — Acts 5:31 JESUS, our Lord, once crucified, dead and buried, now sits upon the throne of glory. The highest place that heaven affords is His by undisputed right. It is sweet to remember that the exaltation of Christ in heaven is a representative exaltation. He is exalted at the Father’s right hand, and though as Jehovah He has eminent glories, in which finite creatures cannot share, yet as the Mediator, the honours which Jesus wears in heaven are the heritage of all the saints. It is delightful to reflect how close is Christ’s union with His people. We are actually one with Him; we are members of His body; and His exaltation is our exaltation. He will give us to sit upon His throne, even as He has overcome, and is set down with His Father on His throne; He has a crown, and He gives us crowns too; He has a throne, but He is not content with having a throne to Himself, on His right hand there must be His queen, arrayed in “gold of Ophir.” He cannot be glorified without His bride. Look up, believer, to Jesus now; let the eye of your faith behold Him with many crowns upon His head; and remember that you will one day be like Him, when you shall see Him as He is; you shall not be so great as He is, you shall not be so divine, but still you shall, in a measure, share the same honours, and enjoy the same happiness and the same dignity which He possesses. Be content to live unknown for a little while, and to walk your weary way through the fields of poverty, or up the hills of affliction; for by-and-by you shall reign with Christ, for He has “made us kings and priests unto God, and we shall reign for ever and ever.” Oh!, wonderful thought for the children of God! We have Christ for our glorious representative in heaven’s courts now, and soon He will come and receive us to Himself, to be with Him there, to behold His glory, and to share His joy.
Charles Haddon Spurgeon (Morning and Evening—Classic KJV Edition: A Devotional Classic for Daily Encouragement)
has it that Josephus himself had come into possession of an Augustan aureus when he was summoned to Caesarea by the Judean authorities to amend his historical work-in-progress, The Antiquities of the Jews. When Harel, my graduate student, found the coin on the wine krater, my imagination didn't have to stretch far to conclude it was most likely the very aureus that had belonged to Josephus." Between the two inscriptions she drew a rough sketch of the emperor's head. "Although it was shadowed with age," she said, "I could clearly make out that the head of Augustus was wearing a crown — with twelve spikes." Ryan was puzzled. "Like the rays of the sun?" Emily's grin showed her approval. "Precisely like the rayed crown worn by Apollo the sun god — and reminiscent of the solar disc, reflecting the zodiac, worn by Horus as the re-born sun on the ceiling of the Hathor Temple where I met Monsignor Isaac.
Kenneth Atchity (The Messiah Matrix)
The bishop makes Christ’s headship visible in a particular Church. He is married to his people, which is why he wears a ring. He is shepherd of his people, which is why he carries a staff or crozier. He is head of his people, which is why he wears a miter or crown.
Francis George
Satan has asked to sift you as wheat. But I have prayed for you, Simon, that your faith may not fail. (Luke 22:31–32) Our faith is the center of the target God aims at when He tests us, and if any gift escapes untested, it certainly will not be our faith. There is nothing that pierces faith to its very marrow—to find whether or not it is the faith of those who are immortal—like shooting the arrow of the feeling of being deserted into it. And only genuine faith will escape unharmed from the midst of the battle after having been stripped of its armor of earthly enjoyment and after having endured the circumstances coming against it that the powerful hand of God has allowed. Faith must be tested, and the sense of feeling deserted is “the furnace heated seven times hotter than usual” (Dan. 3:19) into which it may be thrown. Blessed is the person who endures such an ordeal! Charles H. Spurgeon Paul said, “I have kept the faith” (2 Tim. 4:7), but his head was removed! They cut it off, but they could not touch his faith. This great apostle to the Gentiles rejoiced in three things: he had “fought the good fight,” he had “finished the race,” and he had “kept the faith.” So what was the value of everything else? The apostle Paul had won the race and gained the ultimate prize—he had won not only the admiration of those on earth today but also the admiration of heaven. So why do we not live as if it pays to lose “all things . . . that [we] may gain Christ” (Phil. 3:8)? Why are we not as loyal to the truth as Paul was? It is because our math is different—he counted in a different way than we do. What we count as gain, he counted as loss. If we desire to ultimately wear the same crown, we must have his faith and live it.
Lettie B. Cowman (Streams in the Desert: 366 Daily Devotional Readings)
Then happy low, lie down! / Uneasy lies the head that wears a crown
William Shakespeare
Your brother is a dear, and I do love him for the way he never fears to tell the truth. But he really doesn’t understand some things, does he?” “No,” I squeaked. My voice seemed to come from someone else. Nimiar ran her fingers along the harp strings and cocked her head, listening to the sounds they produced. “No one,” she said, “--well, no ordinary person-sits down to a harp and plays perfectly. It takes time and training.” I nodded stupidly. She dropped her hands. “When Branaric came to Athanarel, he knew nothing of etiquette or Court custom. Arrived wearing cast-off war gear belonging to Lord Vidanric, his arm in a dirty sling, his nose red from a juicy cold. There are those at Court who would have chewed him like jackals with a bone, except he freely admitted to being a rustic. Thought it a very good joke. Then he’d been brought by the Marquis, who is a leader of fashion, and Savona took to him instantly. The Duke of Savona is another leader. And…” She hesitated. “And certain women who also lead fashion liked him. Added was the fact that you Astiars have become something of heroes, and it became a fad to teach him. His blunt speech was a refreshing change, and he doesn’t care at all what people think of him. But you do, don’t you?” She peered into my face. “You care--terribly.” I bit my lip. She touched my wrist. “Let us make a pact. If you will come to Athanarel and dance at my wedding, I will undertake to teach you everything you need to know about Court life. And I’ll help you select a wardrobe--and no one need ever know.” I swallowed, then took a deep, unsteady breath. “What is it?” She looked unhappy. “Do you mistrust me?” I shook my head so hard my coronet came loose, and a loop settled over one eye. “They would know,” I whispered, waving a hand. “They? Your servants? Oh. You mean Branaric and Lord Vidanric?” I nodded. “They’ll surely want to know my reasons. Since I didn’t come to Court before.” I thought of that letter hidden in my room and wondered if its arrival and Shevraeth’s on the same day had some sinister political meaning. She smiled. “Don’t worry about Bran. All he wants, you must see, is to show you off at Athanarel. He knew you were refurbishing this castle, and I rather think he assumed you were--somehow--learning everything he was learning and obtaining a fashionable wardrobe as well. And every time he talks of you it’s always to say how much more clever you are than he is. I really think he expected to bring us here and find you waiting as gowned and jeweled as my cousin Tamara.” I winced. “That sounds, in truth, like Branaric.” “And as for Vidanric, well, you’re safe there. I’ve never met anyone as closemouthed, when he wants to be. He won’t ask your reasons. What?” “I said, ‘Hah.
Sherwood Smith (Court Duel (Crown & Court, #2))
we learn to hold our heads as if we wear crowns
Leigh Bardugo
As surely as you are God’s child today, so surely will all your trials soon come to an end, and you shall be rich to an extent that is hard to imagine. Wait awhile, and your weary head will wear the crown of glory, and the worker’s hand shall grasp the palm-branch of victory. Do not bemoan your troubles, but rather rejoice that before long you will be where no longer “shall there be mourning nor crying nor pain anymore.
Charles Haddon Spurgeon (Morning and Evening: A New Edition of the Classic Devotional Based on The Holy Bible, English Standard Version)
I told him to watch out,' the Roach says. .... 'But would he listen? I'd have ordered him, if not for the little matter of him being the High King.' 'Cardan sent you?' I ask. 'Not exactly,' says the Roach, moving the light so that I can see the person with him, the one I elbowed. The High King of Elfhame in plain brown wool, a cloak on his back of a fabric so dark it seems to absorb light, leaf blade in the scabbard on his hip. He wears no crown on his brow, no rings on his fingers, nor gold point limning his cheekbones. He looks every inch a spy from the Court of Shadows, down to the sneaky smile pulling at a corner of his beautiful mouth. Looking at him, I feel a little light-headed from some combination of shock and disbelief. 'You shouldn't be here.' 'I said that, too,' the Roach goes on. 'Really, I miss the days when you were in charge. High Kings shouldn't be gallivanting around like common ruffians.' Cardan laughs. 'What about uncommon ruffians?' I swing my legs over the edge of the bed, and his laugh gutters out. The Roach turns his gaze to the ceiling. I am abruptly aware that I am in a nightgown Oriana lent me, one that is entirely too diaphanous.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
Uneasy is the head that wears a crown.
C.M. Stunich (Victory at Prescott High (The Havoc Boys, #5))
Kings raise their heads up high. They wear their crowns that they earned with their blood, sweat, and tears. If anyone dares try to make you bow to them, you show them where the power lies.
Avery Song (Wolf Endangered (Willow's Forbidden Pack, #2))
I need my conscience to keep watch over me To protect me from myself So I can wear honesty like a crown on my head When I walk into the promised land
Brendan Perry
being royal isn’t about the wealth you possess, the crown on your head, the fine clothes you wear, or the castle you live in. It’s about the loyalty in your heart for your people, the knowledge in your head to aid them in times of trouble, and the depth of your soul to weather any storm.” Until I stood before my subjects, I didn’t fully understand his meaning. As
Kimbra Swain (Bless Your Heart (Fairy Tales of a Trailer Park Queen #1))
I reached up to remove the elastic hair-tie, unwinding my standard bun until my hair fell around my shoulders in dark waves. I scrunched my hands in it at my scalp, shaking it out to try to get it to lose the kinks from being wound up so long. I still had that funny, half-painful feeling around my temples of my hair being pulled back. Maybe I should wear it down more. I might be giving myself headaches with this style. "So it's down to about..." I started to gesture, then realized I was about to point to just below my breasts. "Anyway. The more you know." Sam was still looking at my hair, his gaze traveling to the ends before he, too, seemed to realize that he was basically also now staring at my breasts. He focused instead on some point at the crown of my head, clearing his throat. "It's pretty," he said. "You have very pretty hair." Under my shirt, my nipples were tight and almost painful against the thin fabric of my bra. I'd never been more grateful for the thick screen-printed image of Jim Carrey's Riddler, because it hopefully did a good job of hiding this reaction.
Alicia Thompson (Love in the Time of Serial Killers)
Jesus, always the gentleman, did not look at the woman as she stood before him. Instead, he looked on the ground, busied himself with his thoughts. What a moment, reaching beyond time into eternity! Jesus waited. One by one the men crept away. The woman alone was left. Hearing no outcry, Jesus raised his eyes and beheld the woman. “Where are those thine accusers? hath no man condemned thee?” “No man, Lord.” “Neither do I condemn thee: go, and sin no more.” This is how Jesus demonstrated reverence for personality. He met the woman where she was, and he treated her as if she were already where she now willed to be. In dealing with her he “believed” her into the fulfillment of her possibilities. He stirred her confidence into activity. He placed a crown over her head which for the rest of her life she would keep trying to grow tall enough to wear. Free at last, free at last. Thank God Almighty, I’m free at last.
Howard Thurman (Jesus and the Disinherited)
Heavy is the head, forced to wear two crowns”.
R.P. Falconer
Physiological proof that being the alpha male is not all roses came from baboon droppings collected on the plains of Kenya. Extraction of stress hormones from feces has shown that low-ranking males are much more stressed than high-ranking ones. This sounds logical, because subordinates are chased around and excluded from contact with females. The big surprise, however, is that the top male is just as stressed as the males near the bottom of the hierarchy. This applies only to the highest-ranking male, as he is constantly on the lookout for signs of insubordination and collusion that might unseat him. “Uneasy lies the head that wears a crown,” wrote Shakespeare about King Henry IV, which may apply equally to alpha male baboons and chimpanzees.
Frans de Waal (Mama's Last Hug: Animal Emotions and What They Tell Us about Ourselves)