Forged In Fire Sayings And Quotes

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Dusk had fallen. Outside the lanterns in the garden were being lit, a string of stars strewn across the grounds. She had missed this room, who Nikolai became in this room, the man who for a moment might let the mantle of king fall away, who trusted her enough to close his eyes and fall in to dreams as she stood watch. She needed to get back to the Little Palace, check on Princess Ehri, talk to Tamar, forge a plan. But this might be the last time she saw him this way. At last she rose and turned down the lights. "Don't go," he said, still half asleep. "I have to bathe. I smell like a forest fire." "You smell like wildflowers. You always do. What can I say to make you stay?" His words trailed off in to a drowsy mumble as he fell back asleep. Tell me it's more than war and worry that makes you speak those words. Tell me what they would mean if you weren't a king and I weren't a soldier. But she didn't want to hear any of that, not really. Sweet words and grand declarations were for other people, other lives. She brushed the hair back from his face, planted a kiss on his forehead. "I would stay forever if I could," she whispered. He wouldn't remember anyway.
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
when couples are tested by the greatest obstacles, don’t give up, and make it past them, they become stronger for it. Strength isn’t something that you’re born with, it’s something you build through a series of difficult experiences in your life that break you down and build you back up a little sturdier each time (if you let them). What’s the saying…forged by fire?
Susan Illene (Chained by Darkness (The Sensor, #2.5))
Would it last until they were senile? Hard to say. They had been through trial by fire, and it would either forge them like iron or break them apart like untempered glass. But there was this: They both desired the same thing. They wanted to be loved for who they were. They just had to discover who they were beneath the habits of foray and retreat.
Amy Tan (Saving Fish from Drowning)
Arin watched the fire flare crimson. Then he went outside and surveyed the grounds, saw through leafless trees that no one was near. He could steal a few minutes. When he stepped back inside the forge, he leaned against the anvil. With one hand he pulled a book from its hiding place behind the kindling box, and in the other he held a hammer so that, if in danger of being caught, he could more quickly pretend to have been working. He began to read. It was a book he had seen in Kestrel’s possession, one on the history of the Valorian empire. He had taken it from the library after she had returned it, weeks ago. What would she say, if she saw him reading a book about his enemy, in his enemy’s tongue? What would she do? Arin knew this: her gaze would measure him, and he would sense a shift of perception within her. Her opinion of him would change as daylight changed, growing or losing shadow. Subtle. Almost indiscernible. She would see him differently, though he wouldn’t know in what way. He wouldn’t know what it meant. This had happened, again and again, since he had come here. Sometimes he wished he had never come here. Well. Kestrel couldn’t see him in the forge, or know what he read, because she couldn’t leave her rooms. She couldn’t even walk. Arin shut the book, gripped it between rigid fingers. He nearly threw it into the fire. I will have you torn limb from limb, the general had said. That wasn’t why Arin stayed away from her. Not really. He forced his thoughts from his head. He hid the book where it had been. He busied himself with quiet work, heating iron and charcoal in a crucible to produce steel. It took some time before Arin realized he was humming a dark tune. For once, he didn’t stop himself. The pressure of song was too strong, the need for distraction too great. Then he found that the music caged behind his closed teeth was the melody Kestrel had played for him months ago. He felt the sensation of it, low and alive, on his mouth. For a moment, he imagined it wasn’t the melody that touched his lips, but Kestrel. The thought stopped his breath, and the music, too.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
She thought that she had been seeking a light distraction. But when she heard the clang of metal on metal and saw Arin scraping a shaft of steel across the anvil with one set of tools and beating at it with another, Kestrel knew she had come to the wrong place. “Yes?” he said, keeping his back to her. His workshirt was soaked through with sweat. His hands were sooty. He left the blade of the sword to cool on the anvil and moved to place another, shorter length of metal on the fire, which lined his profile with unsteady light. She willed her voice to be her own. “I thought we could play a game.” His dark brows drew together. “Of Bite and Sting,” Kestrel said. More firmly, she added, “You implied you know how to play.” He used tongs to stoke the fire. “I did.” “You implied that you could beat me.” “I implied that there was no reason a Valorian would want to play with a Herrani.” “No, you worded things carefully so that what you said could be interpreted that way. But that isn’t what you meant.” He faced her then, arms folded across his chest. “I have no time for games.” The tips of his fingers had black rings of charcoal dust buried under the nail and into the cuticle. “I have work to do.” “Not if I say you don’t.” He turned away. “I like to finish what I start.” She meant to leave. She meant to leave him to the noise and heat. She meant to say nothing more. Instead, Kestrel found herself issuing a challenge. “You are no match for me anyway.” He gave her the look she recognized well, the one of measured disdain. But this time, he also laughed. “Where do you propose we play?” He swept a hand around the forge. “Here?” “My rooms.” “Your rooms.” Arin shook his head disbelievingly. “My sitting room,” she said. “Or the parlor,” she added, though it bothered her to think of playing Bite and Sting with him in a place so public to the household. He leaned against the anvil, considering. “Your sitting room will do. I’ll come when I’ve finished this sword. After all, I have house privileges now. Might as well use them.” Arin started to say something else, then stopped, his gaze roving over her face. She grew uneasy. He was staring, she realized. He was staring at her. “You have dirt on your face,” he said shortly. He returned to his work. Later, in her bathing room, Kestrel saw it. The moment she tilted the mirror to catch the low, amber light of late afternoon, she saw what he had seen, as had Lirah, who had tried to tell her. A faint smudge traced the slope of her high cheekbone, darkened her cheek, and skimmed the line of her jaw. It was a handprint. It was the shadow left from her father’s gritty hand, from when he had touched her face to seal the bargain between them.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Is power like the vis viva and the quantite d’avancement? That is, is it conserved by the universe, or is it like shares of a stock, which may have great value one day, and be worthless the next? If power is like stock shares, then it follows that the immense sum thereof lately lost by B[olingbroke] has vanished like shadows in sunlight. For no matter how much wealth is lost in stock crashes, it never seems to turn up, but if power is conserved, then B’s must have gone somewhere. Where is it? Some say ‘twas scooped up by my Lord R, who hid it under a rock, lest my Lord M come from across the sea and snatch it away. My friends among the Whigs say that any power lost by a Tory is infallibly and insensibly distributed among all the people, but no matter how assiduously I search the lower rooms of the clink for B’s lost power, I cannot seem to find any there, which explodes that argument, for there are assuredly very many people in those dark salons. I propose a novel theory of power, which is inspired by . . . the engine for raising water by fire. As a mill makes flour, a loom makes cloth and a forge makes steel, so we are assured this engine shall make power. If the backers of this device speak truly, and I have no reason to deprecate their honesty, it proves that power is not a conserved quantity, for of such quantities, it is never possible to make more. The amount of power in the world, it follows, is ever increasing, and the rate of increase grows ever faster as more of these engines are built. A man who hordes power is therefore like a miser who sits on a heap of coins in a realm where the currency is being continually debased by the production of more coins than the market can bear. So that what was a great fortune, when first he raked it together, insensibly becomes a slag heap, and is found to be devoid of value. When at last he takes it to the marketplace to be spent. Thus my Lord B and his vaunted power hoard what is true of him is likely to be true of his lackeys, particularly his most base and slavish followers such as Mr. Charles White. This varmint has asserted that he owns me. He fancies that to own a man is to have power, yet he has got nothing by claiming to own me, while I who was supposed to be rendered powerless, am now writing for a Grub Street newspaper that is being perused by you, esteemed reader.
Neal Stephenson (The System of the World (The Baroque Cycle, #3))
Islam tells us that on the unappealable Day of Judgment, all who have perpetrated images of living things will reawaken with their works, and will be ordered to blow life into them, and they will fail, and they and their works will be cast into the fires of punishment. As a child, I knew that horror of the spectral duplication or multiplication of reality, but mine would come as I stood before large mirrors. As soon as it began to grow dark outside, the constant, infallible functioning of mirrors, the way they followed my every movement, their cosmic pantomime, would seem eerie to me. One of my insistent pleas to God and my guardian angel was that I not dream of mirrors; I recall clearly that I would keep one eye on them uneasily. I feared sometimes that they would begin to veer off from reality; other times, that I would see my face in them disfigured by strange misfortunes. I have learned that this horror is monstrously abroad in the world again. The story is quite simple, and terribly unpleasant. In 1927, I met a grave young woman, first by telephone (because Julia began as a voice without a name or face) and then on a corner at nightfall. Her eyes were alarmingly large, her hair jet black and straight, her figure severe. She was the granddaughter and greatgranddaughter of Federalists, as I was the grandson and great-grandson of Unitarians,* but that ancient discord between our lineages was, for us, a bond, a fuller possession of our homeland. She lived with her family in a big run-down high-ceiling'd house, in the resentment and savorlessness of genteel poverty. In the afternoons— only very rarely at night—we would go out walking through her neighbor-hood, which was Balvanera.* We would stroll along beside the high blank wall of the railway yard; once we walked down Sarmien to all the way to the cleared grounds of the Parque Centenario.*Between us there was neither love itself nor the fiction of love; I sensed in her an intensity that was utterly unlike the intensity of eroticism, and I feared it. In order to forge an intimacy with women, one often tells them about true or apocryphal things that happened in one's youth; I must have told her at some point about my horror of mirrors, and so in 1928 I must have planted the hallucination that was to flower in 1931. Now I have just learned that she has gone insane, and that in her room all the mirrors are covered, because she sees my reflection in them— usurping her own—and she trembles and cannot speak, and says that I am magically following her, watching her, stalking her. What dreadful bondage, the bondage of my face—or one of my former faces. Its odious fate makes me odious as well, but I don't care anymore.
Jorge Luis Borges
Later on, Orpheus stood beside the hearth fire in the center of the hall and sang about the day’s adventure. On his lips, the northern raiders were transformed from swift, deadly riders to winged and taloned monsters, part hawk, part woman. Because they could fly so high that spears and arrows couldn’t reach them, only men with the blood of the gods in their veins could end the havoc they caused. Luckily, a ship of heroes came ashore to rid the land of the hideous creatures. Zetes and Kalais, the sons of Boreas, had inherited the North Wind’s ability to fly and soon defeated the Harpies. They would trouble good Lord Phineas no more. Orpheus finished his song, and the men cheered and banged their fists on the tables so loudly that it seemed like they’d bring the roof down in pieces. As for me, I kept my mouth shut and my arms folded. Orpheus noticed my frosty look when he sat back down. “You didn’t like it,” he murmured. “They deserved better,” I replied stiffly. “They were brave fighters.” “I thought I made that clear. Just look at Zetes over there, grinning ear to ear in spite of a nasty arrow wound that probably still burns like Hephaestus’s own forge-fires. It might leave him half lame for life, but he won’t mind, because in my song, he owns the sky.” “You didn’t see the way he fought today,” I shot back. “He’s not worthy to own a mud puddle. They fought well, those women. They were as skilled and courageous as any man, so you turned them into monsters!” Orpheus was silent for a little while. Then he took a sip of wine and said, “They attacked without warning, they destroyed good ships for the sake of destruction, they violated the sanctity of a sacrifice to the gods, and they would have cut down a blind old man, king or not, if we hadn’t come ashore when we did. I won’t argue with you about their valor or their mastery of weapons and horses, but see them for what they are, lad. You say I’ve made them monsters, yet you’d make them gods. They’re women, human women, as praiseworthy and as flawed as any fighting men I’ve ever known, but plain truth makes a poor song.
Esther M. Friesner (Nobody's Prize (Nobody's Princess, #2))
Then say it was me. I got drunk. Came out here and was messing around. Started the fire on accident. Consider this my official confession.” “Hell, Emmett,” Luke muttered. Maybe I wasn’t going to ask him to ignore this, but I was still going to ask for a favor. And if I had to play all my chips as his friend, then so be it. “Is she worth it?” “Yes.” To save Nova this trouble, I’d take the fall.
Devney Perry (Tin Queen (Clifton Forge, #6))
Do you ever wonder if we are unknowing participants in a spirit’s game? If they move us like pawns on a board and glean pleasure from provoking our heartaches?” Sidra hesitated. She looked deep within herself and knew that the answer was yes. She had thought as much. But her devout nature had instantly stamped out those dangerous wonderings; she worried that the earth would sense that disbelief in her when she worked the kail yard, when she crushed the herbs to make healing salves. “It’s a troubling thought,” Sidra said. “To think they gain pleasure from tormenting us.” “Sometimes, when I watch the fire burn in the forge,” Una continued, “I imagine what it would be like to be immortal, to hold no fear of death. To dance and burn for an endless era. And I think how dull such an existence would be. That one would do anything to feel the sharp edge of life again.” “Yes,” Sidra whispered. She was too paranoid to say anything more.
Rebecca Ross (A River Enchanted (Elements of Cadence, #1))
When I speak with former Christians who have become atheists, I often ask them to describe the God they don’t believe in, and almost always I’m able to say, “I don’t believe in that God either.” If they say, “I can’t believe in a God who would eternally torture the vast majority of humanity just because they didn’t believe the right things,” I say, “I can’t believe in that God either, and I don’t believe that God exists.
Brian Zahnd (When Everything's on Fire: Faith Forged from the Ashes)
You have to be forged through fire in order to earn the right to say that you can do hard things.
UNK, D'Leene DeBoer
Don’t worry,” I say. “You’re more than worth the trouble.
Erica Hollis (Hearts Forged in Dragon Fire)
But like a shadow, shame follows wherever you go. Until you make peace with it. Over time I’ve learned to accept and even appreciate this part of my story. What I discovered is that my dad is beautifully flawed just like the rest of us, and his struggles played an important role in making me who I am. And I’ve learned to love who I am. Even if certain parts were forged by fire. Sometimes the things that hurt the most propel you the farthest.
Elaine Welteroth (More Than Enough: Claiming Space for Who You Are (No Matter What They Say))
Obviously, this is a system that has default atheism built into it from the beginning! When a person says, “I refuse to believe in the existence of invisible realities unless I see them,” they have, by definition, ended the game before it begins. If from the outset you insist that if God doesn’t show up in the telescope like Alpha Centauri or in the microscope like a DNA molecule, then God doesn’t exist, well, guess what, you’re going to “prove” that God doesn’t exist. Arguing that the self-sustaining Creator God doesn’t exist because God doesn’t appear in the category of contingent phenomenon is not a good-faith argument; it’s a trick.
Brian Zahnd (When Everything's on Fire: Faith Forged from the Ashes)
In the name of biblicism, you can wind up defending sin. I’ve encountered fundamentalists backed into a biblicist corner attempting to defend the Bible by saying, “Sometimes slavery is a good thing” and “There were good masters.” And this was said in reference to American slavery! This is not defending the Bible; this is abusing the Bible! Regarding “good” slavery and “good” masters, James Cone writes, From the black perspective, the phrase “good” master is like speaking of “good” racists and “good” murderers. Who in their right minds could make such nonsensical distinctions, except those who deal in historical abstractions? Certainly not the victims! Indeed, it may be argued that the so-called good masters were in fact the worst, if we consider the dehumanizing effect of mental servitude. At least those who were blatant in their physical abuse did not camouflage their savagery with Christian doctrine, and it may have been easier for black slaves to make the necessary value-distinctions so that they could regulate their lives according to black definitions. But “good” Christian masters could cover up their brutality by rationalizing it with Christian theology, making it difficult for slaves to recognize the demonic. . . . The “good” master convinced them that slavery was their lot ordained by God, and it was his will for blacks to be obedient to white people. After all, Ham was cursed, and St. Paul did admonish slaves to be obedient to their masters. 6 When your biblical foundation requires you to defend the sin of slavery, it’s time to get a new foundation!
Brian Zahnd (When Everything's on Fire: Faith Forged from the Ashes)
The reason I cannot be a cynic, the reason I refuse to despair, the reason I hold on to hope despite everything being on fire is that, along with the apostle Paul, I too am “convinced that neither death, nor life, nor angels, nor rulers, nor things present, nor things to come, nor powers, nor height, nor depth, nor anything else in all creation, will be able to separate us from the love of God in Christ Jesus our Lord” (Rom 8: 38-39). And so I say it without embarrassment: everything is going to be all right.
Brian Zahnd (When Everything's on Fire: Faith Forged from the Ashes)
Unlike the zealous new atheists, Nietzsche didn’t say “Hooray! We’ve got rid of God! Now everything will get better!” Nietzsche was much more sober and feared that life in a world that had abandoned God would become petty and pointless. Nevertheless, Nietzsche was ready for the world to take the bold step and move on without God.
Brian Zahnd (When Everything's on Fire: Faith Forged from the Ashes)
Marx says our motives are mostly about money; Freud says our motives are mostly about sex; Nietzsche says our motives are mostly about power.
Brian Zahnd (When Everything's on Fire: Faith Forged from the Ashes)
But I say if Jesus Christ did not exist, we would never have imagined him. Who would have imagined that billions of people would eventually come to worship God as a crucified Jew? The gospel exists not because it was invented but because it happened. The most astounding thing I know about the gospel is that being disguised under the disfigurement of an ugly crucifixion and death, Christ on the cross is paradoxically the clearest revelation of who God is. And I can’t imagine any news that is better than the good news that God is like Jesus. Some things in the universe are too good not to be true.
Brian Zahnd (When Everything's on Fire: Faith Forged from the Ashes)
Peace. Warm yourself, warrior, while I tell you of peace. History is unerring, and even the least observant mortal can be made to understand, through innumerable repetition. Do you see peace as little more than the absence of war? Perhaps, on a surface level, it is just that. But let me describe the characteristics of peace, my young friend. A pervasive dulling of the senses, a decadence afflicting the culture, evinced by a growing obsession with low entertainment. The virtues of extremity — honour, loyalty, sacrifice — are lifted high as shoddy icons, currency for the cheapest of labours. The longer peace lasts, the more those words are used, and the weaker they become. Sentimentality pervades daily life. All becomes a mockery of itself, and the spirit grows… restless. Is this a singular pessimism? Allow me to continue with a description of what follows a period of peace. Old warriors sit in taverns, telling tales of vigorous youth, their pasts when all things were simpler, clearer cut. They are not blind to the decay all around them, are not immune to the loss of respect for themselves, for all that they gave for their king, their land, their fellow citizens. The young must not be abandoned to forgetfulness. There are always enemies beyond the borders, and if none exist in truth, then one must be fashioned. Old crimes dug out of the indifferent earth. Slights and open insults, or the rumours thereof. A suddenly perceived threat where none existed before. The reasons matter not — what matters is that war is fashioned from peace, and once the journey is begun, an irresistible momentum is born. The old warriors are satisfied. The young are on fire with zeal. The king fears yet is relieved of domestic pressures. the army draws its oil and whetstone. Forges blast with molten iron, the anvils ring like temple bells. Grain-sellers and armourers and clothiers and horse-sellers and countless other suppliers smile with the pleasure of impending wealth. A new energy has gripped the kingdom, and those few voices raised in objection are quickly silenced. Charges of treason and summary execution soon persuade the doubters. Peace, my young warrior, is born of relief, endured in exhaustion, and dies with false remembrance. False? Ah, perhaps I am too cynical. Too old, witness to far too much. Do honour, loyalty and sacrifice truly exist? Are such virtues born only from extremity? What transforms them into empty words, words devalued by their overuse? What are the rules of the economy of the spirit, that civilization repeatedly twists and mocks? Withal of the Third City. You have fought wars. You have forged weapons. You have seen loyalty, and honour. You have seen courage and sacrifice. What say you to all this?" "Nothing," Hacking laughter. "You fear angering me, yes? No need. I give you leave to speak your mind." "I have sat in my share of taverns, in the company of fellow veterans. A select company, perhaps, not grown so blind with sentimentality as to fashion nostalgia from times of horror and terror. Did we spin out those days of our youth? No. Did we speak of war? Not if we could avoid it, and we worked hard at avoiding it." "Why?" "Why? Because the faces come back. So young, one after another. A flash of life, an eternity of death, there in our minds. Because loyalty is not to be spoken of, and honour is to be endured. Whilst courage is to be survived. Those virtues, Chained One, belong to silence." "Indeed. Yet how they proliferate in peace! Crowed again and again, as if solemn pronouncement bestows those very qualities upon the speaker. Do they not make you wince, every time you hear them? Do they not twist in your gut, grip hard your throat? Do you not feel a building rage—" "Aye. When I hear them used to raise a people once more to war.
Steven Erikson (Midnight Tides (Malazan Book of the Fallen, #5))
Kari?” Hailey said like she was surprised to see her. Or better yet, surprised to see her in such a state. She stopped a couple of feet ahead of us, looking like she was still in motion. “There’s a fire at the forge.” It took my brain longer than it should have to figure out what she was saying because my mind replied with, “There’s always a fire in the forge.
Simon Archer (Forge of the Gods (Forge of the Gods, #1))
My needs aren’t more important than yours. Not physically, and not when it comes to what we do with our free time. I love that you’re so considerate of my feelings, but you have feelings too. And I want to hear them. I want to know where your boundaries are. When you need me to back off, and when you need to make new choices. I don’t want you to go along with whatever I say.
Jax Meyer (Rising from Ash (Forged by Fire, #1))
Poem of the Phalanx (Perception as Visual Personal Art) Memories, shard, intersect and twitch, Create images anew as they inter and switch. Amid blackness eternal, the ground breaks the day And the shape which cuts the ground— Phalanx in time—reapers way. 5 Thoughts as geometric planes galley the night mind, Images thoughted, float raging ever by. Comets to the mind–bolt outta the black they mortise and fly– Disappear they do–into their midnighted cry. (Yea, evil is wrought from the want of the want of Love’s lost ought. 10 Goodness wrights of the abundance of Love in blood ’twas bought. —Live the moment within God’s Mind too, For once missed she will pass by you. But He alone shall remember thy days, For in His Heart He will hold thy ways. 15 (. . . Surmount untold; reproaching its summits hidden self face, Can’t make for a daydrop of lost opportunity and regret’s disgrace. Yes, eternities of regrets can never create The day’s bested instance that was forsaked). Fleets of illusion harbor and snag, 20 Bristled spears impale with emotive jags. Willish anvil beaten and enhammored in bers red embs, Guards the hellgates unhinged in forged remembered contems. (Aye, the anvil of will beaten and wrought Sentinels the gate ripped in forged oughts). 25 Phalanx of dreams penetrate they deep, Guard thy soul they do lest the enemy storms thy keep. They rancor and barb thyself under penalty of arms, And kill the dragons that would do thee most harm. Yea, in the Belly of the Beast thy wounds do feel pierced, 30 For Love Eternal must cut darkness as the Spirit is so fierce. The hour of shadows exalt—! ’Gainst the Christ in His plain splin‴try array– Yet curshed in a moment on that ill-fated day. The way of caution doth forbear to tread beyond the mire In those bleak hours when the ‘Powers that Be’ seek to solace thee in thy soulish desires. 35 Mercy travails deep upon the Fires of His Winds To heal by His cut; His own everlasting His– Is to die to Love Eternal with He, –as He now does and is . . . Hell for others, heaven for some, His work ’tis finished all given and in all thrust done. 40 As Love rejoices His shed blood run red for thee—, —Things Divined and precioius for you and for me forever in He (The spear that killed Him gave Him life –the enemy’s travesty). Phalanx comes, phalanx goes, Wither are thou—dost thousest know? 45 Are ye pierced through and through out within? Seek his face so life may begin Sharp keys to hell the warriors doth say, Yet unlock they the gate to heaven’s pathway. End
Douglas M. Laurent
They’re, like, radioactive green. And you can forge metal with his cheekbones. Seriously, he could destroy my life, and I would literally say thank you.
L.J. Shen (Playing with Fire)