β
All parents damage their children. It cannot be helped. Youth, like pristine glass, absorbs the prints of its handlers. Some parents smudge, others crack, a few shatter childhoods completely into jagged little pieces, beyond repair.
β
β
Mitch Albom (The Five People You Meet in Heaven)
β
Laugh loudly, laugh often, and most important, laugh at yourself.
β
β
Chelsea Handler (Lies That Chelsea Handler Told Me)
β
There are two kinds of people I don't trust: people who don't drink and people who collect stickers.
β
β
Chelsea Handler (My Horizontal Life: A Collection of One-Night Stands)
β
Stop saying no offense,β I said, βwhen you say offensive things. Itβs not a free pass.
β
β
Daniel Handler (Why We Broke Up)
β
I went out with a guy who once told me I didnβt need to drink to make myself more fun to be around. I told him, Iβm drinking so that youβre more fun to be around.
β
β
Chelsea Handler (Are You There, Vodka? It's Me, Chelsea)
β
I was stupid, the official descriptive phrase for happy.
β
β
Daniel Handler (Why We Broke Up)
β
The thing with your heart's desire is that your heart doesn't even know what it desires until it turns up.
β
β
Daniel Handler (Why We Broke Up)
β
Either you have the feeling or you don't. Hawk Davies
β
β
Daniel Handler (Why We Broke Up)
β
A library is like an island in the middle of a vast sea of ignorance, particularly if the library is very tall and the surrounding area has been flooded.
β
β
Daniel Handler
β
I started making plans, thinking we would get that far.
β
β
Daniel Handler (Why We Broke Up)
β
Obviously, if I was serious about having a relationship with someone long-term, the last people I would introduce him to would be my family.
β
β
Chelsea Handler (Are You There, Vodka? It's Me, Chelsea)
β
Iβd ruin any day, all my days, for those long nights with you, and I did.
β
β
Daniel Handler (Why We Broke Up)
β
I'm telling you why we broke up, Ed. I'm writing this letter, the whole truth of why it happened. And the truth is that I goddamn loved you so much.
β
β
Daniel Handler (Why We Broke Up)
β
At some point during almost every romantic comedy, the female lead suddenly trips and falls, stumbling helplessly over something ridiculous like a leaf, and then some Matthew McConaughey type either whips around the corner just in the nick of time to save her or is clumsily pulled down along with her. That event predictably leads to the magical moment of their first kiss. Please. I fall ALL the time. You know who comes and gets me? The bouncer.
β
β
Chelsea Handler (My Horizontal Life: A Collection of One-Night Stands)
β
My mother told me that life isn't always about pleasing yourself and that sometimes you have to do things for the sole benefit of another human being. I completely agreed with her, but reminded her that that was what blow jobs were for.
β
β
Chelsea Handler (My Horizontal Life: A Collection of One-Night Stands)
β
I think we can all agree that sleeping around is a great way to meet people.
β
β
Chelsea Handler
β
Are you there vodka? It's me, Chelsea. Please get me out of jail and I promise I will never drink again. Drink and drive. I will never drink and drive again. I may even start my own group fashioned after MADD, Mothers Against Drunk Driving, but I'll call it AWLTDASH, Alcoholics Who Like to Drink and Stay Home.
β
β
Chelsea Handler
β
You know you're a hot mess when the only person buying you drinks all night is yourself.
β
β
Chelsea Handler
β
...the moron who thought love was forever.
β
β
Daniel Handler (Why We Broke Up)
β
You either have the feeling or you donβt.
β
β
Daniel Handler (Why We Broke Up)
β
Men donβt realize that if weβre sleeping with them on the first date, weβre probably not interested in seeing them again either.
β
β
Chelsea Handler
β
Someone can break your heart, leave you dead on the lawn, and still you never learn what to say to stop it all over again.
β
β
Daniel Handler (Adverbs)
β
This is love, to sit with someone you've known forever in a place you've been meaning to go, and watching as their life happens to them until you stand up and it's time to go.
β
β
Daniel Handler (Adverbs)
β
It's been my experience that people who make proclamations about themselves are usually the opposite of what they claim to be.
β
β
Chelsea Handler (Are You There, Vodka? It's Me, Chelsea)
β
This is like a cookie, it tastes like a cookie having sex with a doughnut.
β
β
Daniel Handler (Why We Broke Up)
β
Along with the 97 percent of women who can see, I have never been a fan of redheaded men.
β
β
Chelsea Handler
β
They looked at each other like a pair of parentheses.
β
β
Daniel Handler (Adverbs)
β
Iβm not a romantic, Iβm a half-wit. Only stupid people would think Iβm smart. Iβm not something anyone should know. Iβm a lunatic wandering around for scraps, Iβm like every single miserable moron Iβve scorned and pretended I didnβt recognize. Iβm all of them, every last ugly thing in a bad last-minute costume. Iβm not different, not at all, not different from any other speck of a thing. Iβm a blemished blemish, a ruined ruin, a stained wreck so failed I canβt see what I used to be.
β
β
Daniel Handler (Why We Broke Up)
β
My tendency to make up stories and lie compulsively for the sake of my own amusement takes up a good portion of my day and provides me with a peace of mind not easily attainable in this economic climate.
β
β
Chelsea Handler (Chelsea Chelsea Bang Bang)
β
There are so many movies like this, where you thought you were smarter than the screen but the director was smarter than you, of course he's the one, of course it was a dream, of course she's dead, of course, it's hidden right there, of course it's the truth and you in your seat have failed to notice in the dark.
β
β
Daniel Handler (Why We Broke Up)
β
I hadn't even been looking, not for you, and now you were my heart's desire.
β
β
Daniel Handler (Why We Broke Up)
β
Undeveloped, the whole thing,tossed into a box before we really had a chance to know what we had, and that's why we broke up.
β
β
Daniel Handler (Why We Broke Up)
β
Take back the smile and the night, take it all back, I wish I could.
β
β
Daniel Handler (Why We Broke Up)
β
A girl meets a boy, Ed, and everything changes, or so she says.
β
β
Daniel Handler (Why We Broke Up)
β
My relationship with my father had been on the proverbial fritz since the time I was fifteen and called the police to report him for child molesting. He had never molested me, but I wanted to have a party that weekend and needed him out of the house.
β
β
Chelsea Handler (My Horizontal Life: A Collection of One-Night Stands)
β
It is not the diamonds or the birds, the people or the potatoes; it is not any of the nouns. The miracle is the adverbs, the way things are done. It is the way love gets done despite every catastrophe.
β
β
Daniel Handler (Adverbs)
β
How do you forget something? You just walk away from it, those who are still alive. There are so few clearings in our hearts and minds, so few places where something can't grow on top of whatever happened to us before, and this is love too.
β
β
Daniel Handler (Adverbs)
β
How wrong to think I was anyone else, like thinking grass stains make you a beautiful view, like getting kissed makes you kissable, like feeling warm makes you coffee, like liking movies makes you a director. How utterly incorrect to think it any other way, a box of crap is treasures, a boy smiling means it, a gentle moment is a life improved.
β
β
Daniel Handler (Why We Broke Up)
β
I had to feign interest in all this nonsense until I could ask when I could come over and sit on his face. I didn't say that out loud, of course. I never say the things I really want to. If I did, I'd have no friends.
β
β
Chelsea Handler (My Horizontal Life: A Collection of One-Night Stands)
β
...there's not enough ink and paper to say all I wanted.
β
β
Daniel Handler (Why We Broke Up)
β
Have you ever experienced a pain so sharp in your heart that it's all you can do to take a breath? It's a pain you wouldn't wish on your worst enemy; you wouldn't want to pass it on to anyone else for fear he or she might not be able to bear it. It's the pain of being betrayed by a person with whom you've fallen in love. It's not as serious as death, but it feels a whole lot like it, and as I've come to learn, pain is pain any way you slice it.
β
β
Chelsea Handler (My Horizontal Life: A Collection of One-Night Stands)
β
The thing with your heart's desire is that your heart doesn't even know what it desires until it turns up. Like a tie at a tag sale, some perfect thing in a crate of nothing, you were just there, uninvited, and now suddenly the party was over and you were all I wanted. I hadn't even been looking, not for you, and now you were my heart's desire.
β
β
Daniel Handler (Why We Broke Up)
β
Take it back, Ed. Take it all back.
β
β
Daniel Handler (Why We Broke Up)
β
I don't like the word 'alcoholic'. I like to think of myself as an advanced drinker.
β
β
Chelsea Handler (My Horizontal Life: A Collection of One-Night Stands)
β
...some of the best sex I can barely remember.
β
β
Chelsea Handler
β
Ed, it was everything, those nights on the phone, everything we said until late became later and then later and very late and finally to go to bed with my ear warm and worn and red from holding the phone close close close so as not to miss a word of what it was, because who cared how tired I was in the humdrum slave drive of our days without each other. Iβd ruin any day, all my days, for those long nights with you, and I did. But thatβs why right there it was doomed. We couldnβt only have the magic nights buzzing through the wires. We had to have the days, too, the bright impatient days spoiling everything with their unavoidable schedules, their mandatory times that donβt overlap, their loyal friends who donβt get along, the unforgiven travesties torn from the wall no matter what promises are uttered past midnight, and that's why we broke up.
β
β
Daniel Handler (Why We Broke Up)
β
My father has a high opinion of his opinion
β
β
Chelsea Handler (Are You There, Vodka? It's Me, Chelsea)
β
who would dare think that, forever? Some idiot girl who wouldnβt know how things played out.
β
β
Daniel Handler (Why We Broke Up)
β
I have a dream of what would have happened if what happened instead hadn't.
β
β
Daniel Handler (Adverbs)
β
If heβs not gay and he hung out with you the whole time, he wanted to be. Itβs boyfriend or want to be boyfriend or I guess gay. Those are the choices.
β
β
Daniel Handler (Why We Broke Up)
β
So she loved him. She just did immediately and again often and clearly naturally and soundly and obviously and many others.
β
β
Daniel Handler (Adverbs)
β
Ivory's the kind of girl who gets drunk and immediately starts slurring. I have a lot of friends like that, and I think it's because it makes me look 'more together.
β
β
Chelsea Handler (My Horizontal Life: A Collection of One-Night Stands)
β
Why he would agree to install an eight-by-eight-foot fish tank and then not fill it with a single dolphin made me want to burn his eyebrows off.
β
β
Chelsea Handler (Chelsea Chelsea Bang Bang)
β
But itβs December now, and the sky is bright, and itβs clear to me. Iβm telling you why we broke up, Ed. Iβm writing it in this letter, the whole truth of why it happened. And the truth is that I goddamn loved you so much.
β
β
Daniel Handler (Why We Broke Up)
β
Twenty-six,β you said. βOne for each day weβve been together, Min.βSomebody oohed. Somebody shushed them.
βAnd I hope that someday Iβll do another something stupid and Iβll have to say it a million times because thatβs how long itβll be, together with you, Min. With you.
β
β
Daniel Handler (Why We Broke Up)
β
I don't know what it is about accents that makes me want to get undressed and high-five myself.
β
β
Chelsea Handler (My Horizontal Life: A Collection of One-Night Stands)
β
You meet people who are in pain in life and love and you forgive them for behaving the way they do.
β
β
Daniel Handler (Adverbs)
β
I'm not a believer in predetermined fates, being rewarded for one's efforts. I'm not a believer in karma. The reason why I try to be a good person is because I think it's the right thing to do. If I commit fewer bad acts there will be fewer bad acts, maybe other people will join in committing fewer bad acts, and in time there will be fewer and fewer of them.
β
β
Daniel Handler
β
They say love's like a bus, and if you wait long enough another one will come along, but not in this place where the buses are slow and most of the cute ones are gay.
β
β
Daniel Handler (Adverbs)
β
I want to love you and take you pretty places. Yes, I have things wrong, but also I can walk through walls if you'll let me show you.
β
β
Daniel Handler (Adverbs)
β
And then like a song we'd forgotten was even on the mix, you stepped into the house and my whole life.
β
β
Daniel Handler (Why We Broke Up)
β
Love is candy from a stranger, but it's candy you've had before and it probably won't kill you.
β
β
Daniel Handler (Adverbs)
β
I can remember my first one-night stand like it was yesterday. Well, maybe not the first. Or the second... or the fifth. I'll just begin with what I can remember and not concern myself with order.
β
β
Chelsea Handler
β
And the truth is that I'm not, Ed, is what I wanted to tell you. I'm not arty like everyone says who doesn't know me, I don't paint, I can't draw, I play no instrument, I can't sing. I'm not in plays, I wanted to say, I don't write poems. I can't dance except tipsy at dances. I'm not athletic, I'm not a goth or a cheerleader, I'm not treasurer or co-captain. I'm not gay and out and proud, I'm not that kid from Sri Lanka, not a triplet, a prep, a drunk, a genius, a hippie, a Christian, a slut, not even one of those super-Jewish girls with a yarmulke gang wishing everyone a happy Sukkoth. I'm not anything, this is what I realized ... I like movies, everyone knows I do -- I love them -- but I will never be in charge of one because my ideas are stupid and wrong in my head. There's nothing different about that, nothing fascinating, interesting, worth looking at.
β
β
Daniel Handler (Why We Broke Up)
β
I never say the things I really want to. If I did, I'd have no friends.
β
β
Chelsea Handler (My Horizontal Life: A Collection of One-Night Stands)
β
And this note was a jittery time bomb, ticking beneath my normal life, in my pocket all day firecely reread, in my purse all week until I was afraid it would get crushed or snooped, in my drawer between two dull books to escape my mother and then in the box and now thunked back to you. A note, who writes a note like that? Who were you to write one to me? It boomed inside me the whole time, an explosion over and over, the joy of what you wrote to me jumpy shrapnel in my bloodstream. I can't have it near me anymore, I'm grenading it back to you, as soon as I unfold it and read it and cry one more time. Because me too, and fuck you. Even now.
I canβt stop thinking about you.
β
β
Daniel Handler (Why We Broke Up)
β
Most men would never tell a girl her Pikachu smells like a crab cake. It's just not done. But they would have no qualms about telling their guy friends. Similarly, if you're a guy and you pull your pants down, and the girl you're with immediately stats text messaging her friends, you have a small penis.
Are You There Vodka? It's Me, Chelsea
β
β
Chelsea Handler
β
Shit, I guess I already loved you then. Doomed like a wineglass knowing itβll get dropped someday, shoes thatβll be scuffed in no time, the new shirt youβll soon enough muck up filthy.
β
β
Daniel Handler (Why We Broke Up)
β
She had the look in her eye when you kick and kick at the door and it doesn't open, when you write a boy letters and letters and he never loves you, not βtil the day he dies. Not even then.
β
β
Daniel Handler (The Basic Eight)
β
I stand entwined in fire on the inextinguishable bonfire of inconceivable love.
β
β
Daniel Handler (Why We Broke Up)
β
I liked, I admit, that we didnβt pretend there hadnβt been other girls. There was always a girl on you in the halls at school, like they came free with a backpack.
β
β
Daniel Handler (Why We Broke Up)
β
Why not rise from the grave and terrorize a little instead of staying buried and dead in the cemetery?
β
β
Daniel Handler (Why We Broke Up)
β
Our relationship finally ended when he took to waking me up in the wee hours of the morning when he would go surfing. He thought it might be fun to have me come watch. "Fun for who?" I wanted to ask. I had never asked him to come to Happy Hour and watch me drink.
β
β
Chelsea Handler (My Horizontal Life: A Collection of One-Night Stands)
β
Friends can make you feel that the world is smaller and less sneaky than it really is.
β
β
Daniel Handler
β
The whole thing of what Iβve been trying,β you said, βis that youβre different, and you keep asking about the other girls, but what I mean is that I donβt think about them, because of the way you are.
β
β
Daniel Handler (Why We Broke Up)
β
My feeling is, if a dog is that hard up to break free, let it go. It's like a boyfriend who wants to break up. We all know the old adage "If you set someone free, and he never comes back, then he was never yours." I understand the main fear with setting dogs loose is they could get hit by a car, but so could an ex boyfriend. That's just a chance you have to take.
β
β
Chelsea Handler (Are You There, Vodka? It's Me, Chelsea)
β
I rolled over and picked up Us Weekly magazine off the floor. The cover had a picture of Angelina, Brad, and their little Eskimo son, Maddox. I saw staring at the photo, wondering why this little boy looks so pissed off in every picture.
At first I thought he was just pissed about his Mohawk, but then I realized heβs probably furious. Maddox must have thought he hit the jackpot when some A-list celebrity rescued him from third-world Cambodia, only to discover that she was going to shuffle him back and for the to EVERY other third-world country in the universe. Heβs probably like, 'When the fuck are we gonna get to Malibu, bitch?
β
β
Chelsea Handler (Are You There, Vodka? It's Me, Chelsea)
β
No matter how much crap you gotta plow through to stay alive as a photographer, no matter how many bad assignments, bad days, bad clients, snotty subjects, obnoxious handlers, wigged-out art directors, technical disasters, failures of the mind, body, and will, all the shouldas, couldas, and wouldas that befuddle our brains and creep into our dreams, always remember to make room to shoot what you love. Itβs the only way to keep your heart beating as a photographer.
β
β
Joe McNally (The Moment It Clicks: Photography Secrets from One of the World's Top Shooters)
β
After a certain age, you couldn't even say where you were from. You went someplace, and lived there. And then you went someplace else.
β
β
Daniel Handler (Adverbs)
β
Don't choose the better guy, choose the guy that's gonna make you the better girl
β
β
Chelsea Handler
β
...that's not why we broke up. I love it, I miss it, I hate to give it back to you, this complicated thing, it's why we stayed together
β
β
Daniel Handler (Why We Broke Up)
β
Love was in the air, so both of us walked through love on our way to the corner.
β
β
Daniel Handler (Adverbs)
β
-Most people would say that she's beautiful.
-That's because she's been with most people.
β
β
Daniel Handler (Why We Broke Up)
β
Numbersign questionmark you" and "Asterisk exclamation point the world.
β
β
Daniel Handler (Why We Broke Up)
β
Lydia was the kind of friend whom people referred to as a 'party favor' -- always fun to be around but she doesn't have any patience for suffering unless it's her own.
β
β
Chelsea Handler (My Horizontal Life: A Collection of One-Night Stands)
β
Letβs go, letβs go together toward something extraordinary and I started making plans, thinking we would get that far.
β
β
Daniel Handler (Why We Broke Up)
β
Everything else has vanished, so you take them now. Maybe if you're the one keeping them, I'll be the one feeling better.
β
β
Daniel Handler (Why We Broke Up)
β
Love can smack you like a seagull, and pour all over your feet like junk mail.
β
β
Daniel Handler (Adverbs)
β
...everyone was right about you- prove them wrong.
β
β
Daniel Handler (Why We Broke Up)
β
I was in a tailspin of confusion I hadn't experienced since the first time I heard George W. Bush speak.
β
β
Chelsea Handler (My Horizontal Life: A Collection of One-Night Stands)
β
...I looked for a scrape in my reflection and then, meeting my own eyes, stood for a sec and tried to figure, like all girls in all mirrors everywhere, the difference between lover and slut.
β
β
Daniel Handler (Why We Broke Up)
β
I waved but couldnβt answer, because I was finally letting myself grin as wide as Iβd wanted all afternoon, all evening, every sec of every minute with you, Ed. Shit, I guess I already loved you then. Doomed like a wineglass knowing itβll get dropped someday, shoes thatβll be scuffed in no time, the new shirt youβll soon enough muck up filthy.
β
β
Daniel Handler (Why We Broke Up)
β
May we generally be happy, generally be witty, generally be honest, but above all always be interesting.
β
β
Daniel Handler (The Basic Eight)
β
Everybody has a theory.
β
β
Daniel Handler (Adverbs)
β
I wore it, this careless thing you don't even remember giving to me from your bag. It wasn't a gift, this thing I'm returning. It was barely a gesture, almost forgotten already, this thing I wore like it was dear to me. And it was. No wonder we broke up.
β
β
Daniel Handler (Why We Broke Up)
β
Then a homeless man with a dog approached us and put his hand out. This happens to be something that I have a real problem with: homeless people with pets who approach you for food when they have a perfectly delicious dog standing right there?
β
β
Chelsea Handler (Are You There, Vodka? It's Me, Chelsea)
β
He laid into me with the same gusto as a right-wing political pundit on the O'Reilly Factor defending President's Bush right to vacation six days out of the week.
β
β
Chelsea Handler (Are You There, Vodka? It's Me, Chelsea)
β
I look hot and, most of all, skinny. I love the day after throwing up. I felt like a feather.
β
β
Chelsea Handler (My Horizontal Life: A Collection of One-Night Stands)
β
Why haven't we fixed sick yet? You scientists there-- put down those starfish and HELP us. I hereby demand that all the people who are good at math make the world free of illness. The rest of us will write you epic poems and staple them together into a booklet.
β
β
Daniel Handler
β
Every last souvenir of the love we had, the prizes & the debris of this relationship, like the glitter in the gutter when the parade has passed, all the everything & whatnot kicked to the curb.
β
β
Daniel Handler (Why We Broke Up)
β
I opened my mouth and kissed you then, the first time all night, attacked you and surrendered completely, and letβs get out of here. Iβm ready, Iβm finished, letβs not break up, no, no. Take me home, my boyfriend, my love.
β
β
Daniel Handler (Why We Broke Up)
β
I know you can't see it, not you, Ed, but maybe if I tell you the whole plot you'll understand it this once, because even now I want you to see it. I don't love you anymore, of course I don't, but there's still something I can show you. You know I want to be a director, but you never truly see the movies in my head and that, Ed, is why we broke up.
β
β
Daniel Handler (Why We Broke Up)
β
My negotiation skills are are on par with George Bush's reading ability. And just like Dubya, every time I've tried to put forth an effort, I am reminded that my only true strength lies in drinking.
β
β
Chelsea Handler (Are You There, Vodka? It's Me, Chelsea)
β
Vomit and feces are two reason I have decided not to procreate.
β
β
Chelsea Handler (Chelsea Chelsea Bang Bang)
β
Here we are at the bottom, almost empty. It's like confetti, these dried remnants you find in the street for a party no one invited you to. But they used to be, I can admit, part of something beautiful.
β
β
Daniel Handler (Why We Broke Up)
β
You were all I wanted, the best gift. I hadnβt even been looking, not for you, and now you were my heartβs desire.
β
β
Daniel Handler (Why We Broke Up)
β
Put your hair up, Min. The secret ingredient is not your hair.
β
β
Daniel Handler (Why We Broke Up)
β
Paris Hilton is going on a goodwill mission to Rwanda. Itβs the first time an entire Third World country will have to get immunizations for a visitor.
β
β
Chelsea Handler
β
I gasped and pointed the way. I gave you an adventure, Ed, right in front of you but you never saw it until I showed you, and that's why we broke up.
β
β
Daniel Handler (Why We Broke Up)
β
But there was more, as there always is when the love goes. She was haunted, naturally. Otherwise what is the point, why leave your rickety house, and why this yo-yo world giving us things and yanking them back?
β
β
Daniel Handler (Adverbs)
β
By his very profession, a serious fiction writer is a vendor of the sensuous particulars of life, a perceiver and handler of things. His most valuable tools are his sense and his memory; what happens in his mind is primarily pictures.
β
β
Wallace Stegner (On Teaching and Writing Fiction)
β
It's different," you said. "You've made, Min, everything different for me. Everything's like coffee you made me try, better than I ever - or the places I didn't even know were right on the street, you know? I'm like this thing I saw when I was little, where a kid hears a noise under his bed and there's a ladder there that's never been there before, and he climbs down and, it's for kids I know, but this song starts playing ..." Your eyes were traveling in the treey light.
β
β
Daniel Handler (Why We Broke Up)
β
I'd ruin any day, all my days, for those long nights with you. And I did. But that right there was why it was doomed.
β
β
Daniel Handler (Why We Broke Up)
β
There were a million things, everything, I didn't know I was stupid- the official descriptive phrase for happy.
β
β
Daniel Handler (Why We Broke Up)
β
I love people who have such passion for complete nonsense.
β
β
Chelsea Handler (Are You There, Vodka? It's Me, Chelsea)
β
But just suddenly I really, really needed to see you again right that minute, that night.
β
β
Daniel Handler (Why We Broke Up)
β
This is love if it's not with you, a terrible fiery something that makes people look away, and it feels like a punch in the throat.
β
β
Daniel Handler (Adverbs)
β
We need things, and the opposite of them, and we are so rarely completely comfortable.
β
β
Daniel Handler (Adverbs)
β
I'm writing it in a letter, the whole truth of why it happened. And the truth is that I goddamn loved you so much.
β
β
Daniel Handler (Why We Broke Up)
β
One of my girlfriends was getting married. This was becoming an annoying pattern.
β
β
Chelsea Handler (My Horizontal Life: A Collection of One-Night Stands)
β
Once more, this is love: it rings and you open up unless it looks like an ax murderer.
β
β
Daniel Handler (Adverbs)
β
when I think about sex, you know, I want it to feel good. Not feel good, shut up, but right. Happy, not just banging away somewhere. You know, you should not just do it to do it. You should love the guy.
β
β
Daniel Handler (Why We Broke Up)
β
Whenever I have trouble standing up for myself (itβs happened), I think about whether I would tolerate the situation if it were happening to one of my sisters, mother, daughter, or niece. If itβs not acceptable for them, itβs not acceptable for me.
β
β
Chelsea Handler (Life Will Be the Death of Me: . . . and You Too!)
β
Once she was certain, she didn't waiver. I had to make her stop for water or a bite to eat. She obeyed, but she was restless. As clear as if she spoke to me, she was saying, "Very well, I know you want to keep my strength up, but scent fades, you know!"
And I'd say, "I know, girl, but you're what I have and I'm going to take care of you.
β
β
Tamora Pierce (Bloodhound (Beka Cooper, #2))
β
I can see it, Ed, I leaned deeper into you, felt you nodding along with the sounds in the room, and your warmth signaled through to me from under your shirt, lovely strong, safe and right.
β
β
Daniel Handler (Why We Broke Up)
β
It didn't last, it wasn't clear for much longer, and that's why we broke up, but when I close this book and give it to you, I don't think about that, just us holding the book it our hands to buy it and take it here with us, because damn it Ed, that's not why we broke up. I love it, I miss it, I hate to give it back to you, this complicated thing, it's why we stayed together.
β
β
Daniel Handler (Why We Broke Up)
β
...I want what can't possibly happen, and that is why we broke up.
β
β
Daniel Handler (Why We Broke Up)
β
I hadn't felt such disgust for a boy since the early days, when they'd tease girls on the playground, kicking us and throwing gravel and raising their voices in high screechy mockery. "They do that because they like you," all the adults said, grinning like pumpkins. We believed them, back then. Back then we thought it was true, and we were drawn toward all that meanness because it meant we were special, let them kick us, let them like us. We liked them back. But now it was turning out that our first instincts were right. Boys weren't mean because they liked you; it was because they were mean.
β
β
Daniel Handler (The Basic Eight)
β
They say that when youβre really in love, the world becomes gossamer and gorgeous, but in my experience the world gets grimy, and the love object is in stark relief from the surroundings. This is love, a pretty thing on an ugly street.
β
β
Daniel Handler (Adverbs)
β
And then the third night was after we broke up, which was worth a million matches but instead just took all I had. That night it felt that somehow by flicking them off the roof, the matches would burn down everything, the sparks from the tips of the flames torching the world and all the heartbroken people in it. Up in smoke I wanted everything, up in smoke I wanted you, although in a movie that wouldnβt work, even, too many effects, too showy for how tiny and bad I felt. Cut that fire from the film, no matter how much I watch it in dailies. But I want it anyway, Ed, I want what canβt possibly happen, and that is why we broke up.
β
β
Daniel Handler (Why We Broke Up)
β
I think Iβve always believed that there is one person in the universe who youβre truly meant forβfor whom you are truly meantβand the fact that sometimes there are two or even more people on the earth you can fall in love with really bothers me. It suggests that if you work hard you can be meant for anyone.
β
β
Daniel Handler
β
Itβs true what they say about patience being a virtue; it just happens to be a virtue that I choose not to pursue.
β
β
Chelsea Handler (Chelsea Chelsea Bang Bang)
β
This women/ killer was a testament to my theory that the crazier you are, the more calories you burn. That's why psychos are always so skinny.
β
β
Chelsea Handler (Are You There, Vodka? It's Me, Chelsea)
β
He was all emotion all the time, constantly talking about his feelings and his profound love for her. He was minutes from getting his first period. He wrote poems too. It's my personal belief that if men are writing poems, they're making up for something else like a big hair back, or one ball. Not that one ball is a bad thing. Especially since I don't know any females who are dying to their their hands on a set of balls. The way I see it, the less balls, the better.
β
β
Chelsea Handler (My Horizontal Life: A Collection of One-Night Stands)
β
While looking at a website for liposuction, I learned that it was a six-to eight-week recovery period, the clincher being that, during that time, I would under no circumstances be able to use street drugs. Obviously I had to think of a more realistic approach.
β
β
Chelsea Handler (Are You There, Vodka? It's Me, Chelsea)
β
To stutter through it with you or even stop stuttering and say nothing, was so lucky and soft, better talk than mile-a-minute with anyone. After a few minutes weβd stop rattling, weβd adjust, weβd settle in, and the conversation would speed into the night.
β
β
Daniel Handler (Why We Broke Up)
β
I stayed there loving you, though the love made me, not sad but I guess melancholy, for a reason I couldnβt point
to.
β
β
Daniel Handler
β
You know I want to be a director, but you could never truly see the movies in my head and that, Ed, is why we broke up.
β
β
Daniel Handler
β
People never got to stay in their Wonderlands, did they? Alice and Dorothy and the Darlings, all dragged back to the mundane world and tucked into bed by their handlers.
β
β
Alix E. Harrow (The Ten Thousand Doors of January)
β
I would rather sit next to a transgender person and discuss why every single one I've met smells like a bar in the daytime than listen to people tell my why I want to have children and that I just don't know it yet. I do know, because I'm me and my feelings are the ones in my head. I don't want to have kids, and it's not a device to get attention or have conversations about it. I simply find children incredibly immature and, more often than not, dumb.
β
β
Chelsea Handler
β
I donβt smoke, although it looks fantastic in films. But I light matches on those thinking blank nights when I crawl my route out onto the roof of the garage and the sky while my parents sleep innocent and the lonely cars move sparse on the faraway streets, when the pillow wonβt stay cool and the blankets bother my body no matter how I move or lie still. I just sit with my legs dangling and light matches and watch them flicker away.
β
β
Daniel Handler (Why We Broke Up)
β
Austin and I proceeded to knock back a couple of Ketel One and grapefruit juices, which happened to be my drink of the moment. Someone told me that grapefruit was a great detoxifier and I decided I wanted to start cleaning out my liver WHILE I was having a cocktail.
β
β
Chelsea Handler (Are You There, Vodka? It's Me, Chelsea)
β
She gave me a hug and for a second I was embraced by a body that makes me want to go home and never eat again.
β
β
Daniel Handler (The Basic Eight)
β
Chestnuts in stuffing tastes like someone chewed up a tree branch and then French-kissed it into your mouth.
β
β
Daniel Handler (Why We Broke Up)
β
Help me,' Allison says, but she is soft-spoken, and everyone she loves is so far away.
β
β
Daniel Handler (Adverbs)
β
Is it OK not to be a virgin, yes. Most people arenβt virgins, Min. Thatβs why thereβs people to begin with.
β
β
Daniel Handler (Why We Broke Up)
β
Wherever it's good, whatever strange, faraway land, let's go there, let's stay in that place alone.
β
β
Daniel Handler (Why We Broke Up)
β
For the record, I would like to state that never in the history of humankind has a woman been told to calm down and then calmed down. We don't like that
β
β
Chelsea Handler (Life Will Be the Death of Me: . . . and you too!)
β
I can't have it near me anymore, I'm grenading it back to you, as soon as I unfold it and read it and cry one more time. Because me too, and fuck you. Even now.
β
β
Daniel Handler (Why We Broke Up)
β
This is how it is in life and love. In life and love we are with people for a while, and then we join other people, people we have not met, and we walk with them, and we leave behind all the things we used to be. Sometimes we leave people behind too... This happens everyday. Everyday this happens and scarcely anybody cares.
β
β
Daniel Handler (Adverbs)
β
How confusing. Could it be that our narrator is unreliable? No such chance. Mind like a steel trap, I have.
β
β
Daniel Handler (The Basic Eight)
β
I'm not that shallow, asshole. I don't need money. It's way more important for them to be good-looking.
β
β
Chelsea Handler (My Horizontal Life: A Collection of One-Night Stands)
β
There's a reason you never see anyone's house with a Beware of Cat sign. Because they're not even worth mentioning.
β
β
Chelsea Handler (Chelsea Chelsea Bang Bang)
β
When do you learn that the world, like any diner worth its salt, is open twenty-four hours a day?
β
β
Daniel Handler (Adverbs)
β
I had to sit down and explain to [her friend] that AA was for quitters
β
β
Chelsea Handler (My Horizontal Life: A Collection of One-Night Stands)
β
Iβm not a cuckoo, either. Iβm a fool is what.
β
β
Daniel Handler (Why We Broke Up)
β
We got to his place and it looked a lot like his personality. Just a bunch of space filler, nothing to really wow you. It looked like he had bought a lot of stuff from IKEA and then decided to refinish it at home. Everything was neat and tidy, but you wouldn't want any of it for yourself.
β
β
Chelsea Handler (My Horizontal Life: A Collection of One-Night Stands)
β
She licked her lips and then wiped them on her hand, her dark lipstick staining her wrist like a suicide.
β
β
Daniel Handler (The Basic Eight)
β
I don't like to overdose. Call me old-fashioned.
β
β
Chelsea Handler (My Horizontal Life: A Collection of One-Night Stands)
β
Not like we were going to be forever. I mean, who would dare think that, forever? Some idiot girl who wouldnβt know how things played out.
β
β
Daniel Handler (Why We Broke Up)
β
Iβm a lunatic wandering around for scraps.
β
β
Daniel Handler (Why We Broke Up)
β
We steal the happiness of others in order to be happy ourselves, and when it is stolen from us we voyage desperately to steal it back.
β
β
Daniel Handler (We Are Pirates)
β
Dark, light, dark, light, dark-I swung and missed.
β
β
Daniel Handler (The Basic Eight)
β
I dug through my purse for the Glock. There is was, and I realized I'd never set the safety. I decided to consider this a great example of forethought rather than my being the stupidest gun handler on the planet.
β
β
Gini Koch
β
You'd think that sweet would be a land far, far away from irritating, but as it turns out they're right next door, and always having border disputes.
β
β
Daniel Handler
β
lately it has become more and more difficult to attend dinner parties without the evening ending in gunfire or tapioca...
β
β
Daniel Handler
β
That night it felt that somehow by flicking them off the roof, the matches would burn down everything, the sparks from the tips of the flames, torching the world and all the heartbroken people in it.
β
β
Daniel Handler (Why We Broke Up)
β
I've found that many of the people who have a passion for karaoke too often have misplaced confidence, which can become aggressive and border on sadistic. I know my limits, and karaoke is where I draw the line. I wouldn't put anyone through the hell of listening to me sing a song, and I sure as shit wouldn't wait in line to do it.
β
β
Chelsea Handler (Chelsea Chelsea Bang Bang)
β
Come and show me another city with lifted head singing so proud to be alive and coarse and strong and cunning...proud to be Hog Butcher, Tool Maker, Stacker of Wheat, Player with Railroads and Freight Handler to the Nation.
β
β
Carl Sandburg
β
I waited just to see you at that kind of peace, I wanted to be beside you, I wanted you to wake up slowly or startle, or just half awaken and turn over or murmur my name. I wanted to watch you forever, or sleep beside you forever, or sleep forever while you woke and watched me, something forever anyway. I wanted to kiss you, rumple your hair, rest three fingertips on your hip bone warm and smooth, wake you that way or hush you back to sleep.
β
β
Daniel Handler (Why We Broke Up)
β
No person is just one thing. People can be filled with light and affection and also be tortured and conniving and dishonest. Happiness can coincide with great pain. One can lead while also following, the same way one can follow while also leading.
β
β
Chelsea Handler (Life Will Be the Death of Me: . . . and You Too!)
β
The file clanked against me, my stupid idea nobody would have gotten had I ever done it. You even wouldn't have gotten it, Ed, I thought, watching her go. It's why we broke up, so here it is. Ed, how could you?
β
β
Daniel Handler (Why We Broke Up)
β
What about your constitutional right to bear arms, you say. I would simply point out that you donβt have to exercise a constitutional right just because you have it. You have the constitutional right to run for president of the United States, but most people have too much sense to insist on exercising it.
β
β
Chelsea Handler (Chelsea Chelsea Bang Bang)
β
And when love is over when the diner of love seems closed from the outside you want all those hours back along with anything you left at the loverβs house and maybe a couple of things which arenβt technically yours on the grounds that you wasted a portion of your life and those hours have all gone southside.
β
β
Daniel Handler (Adverbs)
β
A note, who writes a note like that? Who were you to write one to me? it boomed inside me the whole time, an explosion over and over, the joy of what you wrote to me jumpy shrapnel in my bloodstream. I can't have it near me anymore, I'm grenading it back to you, as soon as I unfold it and read it and cry one more time. Because me too, and fuck you. Even now.
β
β
Daniel Handler (Why We Broke Up)
β
The window rattles without you, you bastard. The trees are the cause, rattling in the wind, you jerk, the wind scraping those leaves and twigs against my window. They'll keep doing this, you terrible husband, and slowly wear away our entire apartment building. I know all these facts about you and there is no longer any use for them. What will I do with your license plate number, and where you hid the key outside so we'd never get locked out of this shaky building? What good does it do me, your pants size and the blue cheese preference for dressing? Who opens the door in the morning now, and takes the newspaper out of the plastic bag when it rains? I'll never get back all the hours I was nice to your parents. I nudge my cherry tomatoes to the side of the plate, bastard, but no one is waiting there with a fork to eat them. I miss you and I love you, bastard bastard bastard, come and clean the onion skins out of the crisper and trim back the tree so I can sleep at night.
β
β
Daniel Handler (Adverbs)
β
All parents damage their children. IT cannot be helped. Youth, like pristine glass, absorbs the prints of its handlers. Some parents smudge, others crack, a few shatter childhoods completely into jagged little pieces, beyond repair.
The damage done by Eddie's father was, at the beginning, the damage of neglect...
All parents damage their children. This was their life together. Neglect. Violence. Silence. And now, someplace beoynd death, Eddie slumped against a stainless steel wall and dropped into a snowbank, stung again by the denial of a man whose love, almost inexplicably, he still coveted, a man ignoring him, even in heaven. His father. The damage done.
~pgs 104, 110
β
β
Mitch Albom (The Five People You Meet in Heaven)
β
Evan Handler's unsparingly honest stories about life, love, and his own shortcomings are hilarious to read and oh, so easy (and fun!) to relate to. By the end you will be left with the surprising but unmistakable feelings of hope and redemption. Itβs Only Temporary is truly an inspiration, particularly for anyone who's out there looking for love.
β
β
Liz Tuccillo (He's Just Not That Into You: The No-Excuses Truth to Understanding Guys)
β
Everyone on earth would never starve and forever find love and happiness, since we won, but if weβd lost, they would have gouged out our eyes and thrown us naked onto hot coals and poisonous snakes for all the cheering and hugging at the end, strangers hugging like the end of The Omega Virus when Steve Sturmine finds the antidote.
β
β
Daniel Handler (Why We Broke Up)
β
We arrive with our...'baggage' and for a while they're brilliant, they're 'Baggage Handlers.' We say, 'Where's your baggage?' They deny all knowledge of it...'They're in love'...they have none. Then...just as you're relaxing...a Great Big Juggernaut arrives...with their baggage. It Got Held Up. One of the greatest myths men have about women is that we overpack.
β
β
Patrick Marber (Closer: A Play)
β
Maybe, generations ago, young people rebelled out of some clear motive, but now, we know weβre rebelling. Between teen movies and sex-ed textbooks weβre so ready for our rebellious phase we canβt help but feel itβs safe, contained. It will turn out all right, despite the risk, snug in the shell of rebellion narrative. Rebellion narrative, does that make sense? It was appropriate to do, so we did it.
β
β
Daniel Handler (The Basic Eight)
β
I don't appreciate people who celebrate their dog's birthdays with "dog parties," and then invite their friends who don't even have dogs. I understand why people like dogs, and I think they definitely bring more to the table than cats or those godforsaken ferrets, but I don't think it's healthy for people to treat their dogs like they are real people.
β
β
Chelsea Handler (Are You There, Vodka? It's Me, Chelsea)
β
The part that wasn't a jackpot was his baseball mound of red pubic hair that looked like it had literally been attached with a glue gun. I couldn't believe how much there was, and wondered how he had never heard of scissors, or--more appropriate for that kind of growth--hedge trimmers. I didn't understand what porn he was watching to not be aware of the trimming that was happening all across the world among his compatriots. I'm not a finicky person when it comes to pubic hair maintenance and I certainly don't expect men to shave it all off, leaving themselves to look like a hairless cat. That's even creepier then than seeing what Austin had, which could really only be compared to one thing: A clown in a leg lock.
β
β
Chelsea Handler (Are You There, Vodka? It's Me, Chelsea)
β
You flew your way through all those stone silent statues, and if I could I'd thunk them all at your goddamn doorstep, as noisy as you were quiet, as furious as we were giggly, as cold and scornful as I was breathless and hot watching you cat burglar for evidence and come back shrugging and empty-handed so we still didn't know, we still couldn't be sure, not until everything was developed...But we never developed them. Undeveloped, the whole thing, tossed into a box before we really had a chance to know what we had, and that's why we broke up.
β
β
Daniel Handler (Why We Broke Up)
β
The clock in his car hadn't adjusted to daylight saving time yet and said it was four-fifteen when it was really five-fifteen. Peter probably didn't have time to fiddle with it, or it was tricky, as car clocks are. I didn't mind. You can't mind these things, you just can't, for to dislike what makes a person human is to dislike all humans, or at least other people who can't work clocks. You have to love the whole person, if you are truly in love. If you are going to take a lifelong journey with somebody, you can't mind if the other person believes they are leaving for that journey an hour earlier than you, as long as truly, in the real world, you are both leaving at exactly the same time.
β
β
Daniel Handler (Adverbs)
β
Next to fat babies, midgets are my favorite things to hold. I love them so much, and I want to help them to do adult things like drive cars, Jet-Ski, and lip-synch. Iβm in awe of their little limbs, their large craniums, and their medicine-ball asses. I love the little baby steps they take while shifting their weight from side to side, and the fact that when you knock one over accidentally, he flails like a turtle on its back that canβt get up right away.
β
β
Chelsea Handler
β
Then they have the audacity to go shopping and pick out their own gifts. I want to know who the first person was who said this was okay. After spending all that money on a bachelorette weekend, a shower, and often a flight across the country, they expect you to go to Williams Sonoma or Pottery Barn and do research? Then they send you a thank-you note applauding you for such a thoughtful gift. They're the one who picked it out!
β
β
Chelsea Handler (My Horizontal Life: A Collection of One-Night Stands)
β
I'm sitting on the lumbering late bus, thinking about the way I'm going to start my Monday: by filling out an unexcused absence form for the cranky secretary. The last time the bus was late she actually told me, "Don't tell me the bus was late. That excuse won't work anymore today. About ten kids ahead of you said that their bus was late, too." I tried to explain that we all took the same bus, but there was no pulling the wool over her eyes. She wasn't born yesterday.
β
β
Daniel Handler (The Basic Eight)
β
Twenty-six,β you said, before I could ask you.Everyone was gathered around, or anyway they were around us, swirling like loud, bad surf. The crowd was low in the mix, a few yelps, a few catcalls.βTwenty-six,β you said again, to the crowd, and took a step toward me.
βDonβt,β I said, though I couldnβt decide.
βTwenty-six,β you said. βOne for each day weβve been together, Min.βSomebody oohed. Somebody shushed them.
βAnd I hope that someday Iβll do another something stupid and Iβll have to say it a million times because thatβs how long itβll be, together with you, Min. With you.
β
β
Daniel Handler (Why We Broke Up)
β
Follow the loglo outward, to where the growth is enfolded into the valleys and the canyons, and you find the land of the refugees. They have fled from the true America, the America of atomic bombs, scalpings, hip-hop, chaos theory, cement overshoes, snake handlers, spree killers, space walks, buffalo jumps, drive-bys, cruise missiles; Sherman's March, gridlock, motorcycle gangs, and bungee jumping. They have parallel-parked their bimbo boxes in identical computer-designed Burbclave street patterns and secreted themselves in symmetrical sheetrock shitholes with vinyl floors and ill-fitting woodwork and no sidewalks, vast house farms out in the loglo wilderness, a culture medium for a medium culture.
β
β
Neal Stephenson (Snow Crash)
β
Dear Daniel,
How do you break up with your boyfriend in a way that tells him, "I don't want to sleep with you on a regular basis anymore, but please be available for late night booty calls if I run out of other options"?
Lily
Charlotte, NC
Dear Lily,
The story's so old you can't tell it anymore without everyone groaning, even your oldest friends with the last of their drinks shivering around the ice in their dirty glasses. The music playing is the same album everyone has. Those shoes, everybody has the same shoes on. It looked a little like rain so on person brought an umbrella, useless now in the starstruck clouded sky, forgotten on the way home, which is how the umbrella ended up in her place anyway. Everyone gets older on nights like this.
And still it's a fresh slap in the face of everything you had going, that precarious shelf in the shallow closet that will certainly, certainly fall someday. Photographs slipping into a crack to be found by the next tenant, that one squinter third from the left laughing at something your roommate said, the coaster from that place in the city you used to live in, gone now. A letter that seemed important for reasons you can't remember, throw it out, the entry in the address book you won't erase but won't keep when you get a new phone, let it pass and don't worry about it. You don't think about them; "I haven't thought about them in forever," you would say if anybody brought it up, and nobody does."
You think about them all the time.
Close the book but forget to turn off the light, just sit staring in bed until you blink and you're out of it, some noise on the other side of the wall reminding you you're still here. That's it, that's everything. There's no statue in the town square with an inscription with words to live by. The actor got slapped this morning by someone she loved, slapped right across the face, but there's no trace of it on any channel no matter how late you watch. How many people--really, count them up--know where you are? How many will look after you when you don't show up? The churches and train stations are creaky and the street signs, the menus, the writing on the wall, it all feels like the wrong language. Nobody, nobody knows what you're thinking of when you lean your head against the wall.
Put a sweater on when you get cold. Remind yourself, this is the night, because it is. You're free to sing what you want as you walk there, the trees rustling spookily and certainly and quietly and inimitably. Whatever shoes you want, fuck it, you're comfortable. Don't trust anyone's directions. Write what you might forget on the back of your hand, and slam down the cheap stuff and never mind the bad music from the window three floors up or what the boys shouted from the car nine years ago that keeps rattling around in your head, because you're here, you are, for the warmth of someone's wrists where the sleeve stops and the glove doesn't quite begin, and the slant of the voice on the punch line of the joke and the reflection of the moon in the water on the street as you stand still for a moment and gather your courage and take a breath before stealing away through the door. Look at it there. Take a good look. It looks like rain.
Love,
Daniel Handler
β
β
Daniel Handler
β
Sheβs so, everybodyβs so stupid, you know? Christian too, Todd, whoever says stupid things, youβre from different worlds, like you dropped here in a spaceship.β
I had to say something. βYeah,β I said. βSoβ?β
βSo they can fuck themselves,β you said. βI donβt care, you know?β
I felt a smile on my face, tears too.
βBecause Min, I know, OK? Iβm stupid I know, about faggy movies, sorry, fuck, Iβm stupid about that too. No offense. Ha! But I want to do it, Min.
Any party you want, anything, not go to bonfires. Whatever you want to do, for the eighty-ninth birthday, even though I canβt remember the name.β
βLottie Carson.β I stepped close to you, but you held your hands out, you werenβt done.
βAnd theyβll say things, right? I know they will, of course they will. Your friends are, probably, too, right?β
βYes,β I said. I felt furious, or furiously something, pacing with you and waiting to fall into your moving arms.
βYes,β you said, with a huge grin. βLetβs stay together, I want to be with you. Letβs. Yes?β
βYes.β
βBecause I donβt care, virginity, different, arty, weird parties with bad cake, that igloo. Just together, Min.β
βYes.β
βLike everyone is telling us not to be.β
βYes!β
βBecause Min, listen, I love you.β
I gaped.
βDonβt, you donβt have toβI know itβs crazy, Joan says Iβve really lost it, butββ
βI love you too,β I said.
β
β
Daniel Handler (Why We Broke Up)
β
...It was everything, those nights on the phone, everything we said until late became later & then later & very late & finally to go to bed with my ear warm & worn & red from holding the phone close, close, close so as not to miss a word of what it was, because who cared how tired I was in the humdrum slave drive of our days without each other? I'd ruin any day, all my days, for those long nights with you & I did. But that's why right there it was doomed. We couldn't only have the magic nights buzzing through the wires. We had to have the days, too, the bright impatient days spoiling everything with their unavoidable schedules, their mandatory times that don't overlap, their loyal friends who don't get along, the unforgiven travesties torn from the wall no matter what promises are uttered past midnight & that's why we broke up.
β
β
Daniel Handler (Why We Broke Up)
β
It was Valentine's Day and I had spent the day in bed with my life partner, Ketel One. The two of us watched a romance movie marathon on TBS Superstation that made me wonder how people who write romantic comedies can sleep at night.
At some point during almost every romantic comedy, the female lead suddenly trips and falls, stumbling helplessly over something ridiculous like a leaf, and then some Matthew McConaughey type either whips around the corner just in the nick of time to save her or is clumsily pulled down along with her. That event predictably leads to the magical moment of their first kiss. Please. I fall all-the-time. You know who comes and gets me? The bouncer.
Then, within the two hour time frame of the movie, the couple meet, fall in love, fall out of love, break up, and then just before the end of the movie, they happen to bump into each other by "coincidence" somewhere absolutely absurd, like by the river. This never happens in real life. The last time I bumped into an ex-boyfriend was at three o'clock in the morning at Rite Aid. I was ringing up Gas-X and corn removers.
β
β
Chelsea Handler (My Horizontal Life: A Collection of One-Night Stands)
β
It's not the concept of marriage I have a problem with. I'd like to get married too. A couple times. It's the actual wedding that pisses me off.
The problem is that everyone who gets married seems to think that they are the first person in the entire universe to do it, and that the year leading up to the event revolves entirely around them. You have to throw them showers, bachelorette weekends, buy a bridesmaid dress, and then buy a ticket to some godforsaken town wherever they decide to drag you. If you're really unlucky, they'll ask you to recite a poem at their wedding. That's just what I want to do- monitor my drinking until I'm done with my public service announcement. And what do we get out of it, you ask? A dry piece of chicken and a roll in the hay with their hillbilly cousin. I could get that at home, thanks.
Then they have the audacity to go shopping and pick out their own gifts. I want to know who the first person was who said this was okay. After spending all that money on a bachelorette weekend, a shower, and often a flight across the country, they expect you to go to Williams Sonoma or Pottery Barn and do research? Then they send you a thank-you note applauding you for such a thoughtful gift. They're the one who picked it out! I always want to remind the person that absolutely no thought went into typing in a name and having a salad bowl come up.
β
β
Chelsea Handler (My Horizontal Life: A Collection of One-Night Stands)
β
β'After a few seconds, I knew Tuesday was listening. He locked into my eyes, and a calm came over him that I had never seen before. Maybe the part of him that wanted love opened up. Maybe he realized, finally, that this wasn't like any rela
tionship he'd had before. He had been on a treadmill, racing toward each new handler but always ending in the exact spot: alone. He didn't know I was the mission he'd been training for, but at that moment, at the very least, he realized I needed him. And maybe I realized, in my heart and in my head, that this was a two-way relationship and he needed me too. All I know for sure is that when I looked up, everybody was staring at us. Staff, dogs, veterans, everybody. Even the photographer had lowered his camera. Lu Picard told me later that we were together for five minutes, although I could have it was thirty seconds at the most. 'What was that about?' she asked, as Tuesday and I walked post, side by side. 'We're okay now.' I told her. 'We reached an understanding.
β
β
Luis Carlos MontalvΓ‘n
β
But it was not merely her choice to be a witness of the dirty work on Tier 1A. It was her role. As a woman she was not expected to wrestle prisoners into stress positions or otherwise overpower them, but rather just by her presence, to amplify their sense of powerlessness. She was there as an instrument of humiliation...The MPs knew very little about their prisoners or the culture they came from, and they understood less. But at Fort Lee, before they deployed, they were given a session of βcultural awareness training,β from which theyβd taken away the understandingβconstantly reinforced by MI handlersβthat Arab men were sexual prudes, with a particular hang-up about being seen naked in public, especially by women. What better way to break an Arab, then, than to strip him, tie him up, and have a "female bystander," as Graner describer Harman, laugh at him? American women were used on the MI block in the same way that Major David DiNenna spoke of dogsβas "force multipliers." Harman understood. She didnβt like being naked in public herself. To the prisoners, being photographed may have seemed an added dash of mortification, but to Harman, taking pictures was a way of deflecting her own humiliation in the transactionβby taking ownership of her position as spectator.
β
β
Philip Gourevitch (Standard Operating Procedure)
β
Russkie, promise me a simple thing?" Out of the blue when they had finished, after a mouthful from the mug. Dan seemed relaxed, leaning on his side. Resting back, savoring the taste, Vadim turned his head to look at Dan. Oh, that body. The effect it had on him, all the time, even when Dan wasn't there. Twelve months. "Promise what?"
Sometimes, that kind of thing was about letters. Tell my girl I love her. Tell my mother I didn't suffer. Almost painful. Letters. Words that would hurt worse than the killing bullet.
"Simple." Dan nodded, "if I'm unlucky, and if you find my body, will you bury it? Some rocks would do, I can't stand the thought of carrion's. As if that mattered, eh? I'd be fucking dead." Dan shrugged, tossed a grin towards the other, made light of an entirely far too heavy situation. He took the bottle once more, washing down the taste of death and decay, chasing away unbidden images.
Vadim felt a shudder race over his skin. The thought of death chilled him to the bone, like a premonition. For a moment he saw himself stagger through enemy territory, looking for something that had been Dan. Minefields, snipers, fucking Hind hellfire. He might be able to track him. He might be able to guess where he had gone, where he had fallen. He had found the occasional pilot. But he had had help. Finding a dead man in a country full of dead people was more of a challenge.
"I'll send you home," he murmured. Stay alive, he thought. Stay alive like you are now. I don't want to carry your rotting body to fucking Kabul and hand myself in to whatever bastard is your superior or handler there, but it must be Kabul. I can't hand myself over. But I will. Fuck you. He felt his face twitch, and turned away, breathing.
"No, I have no home anymore." Dan's hand stopped Vadim from turning over fully. Fingers digging into the muscular thigh. "Not my brother's family. Nowhere to send the body to. Forget it." Grip tightening while he moved closer. Ignored the heat, the damned fan and its monotonous creaking, pressed his body behind the other. "You're as close to a fucking home as I get.
β
β
Marquesate (Special Forces - Soldiers (Special Forces, #1))
β
There's a picture in When the Lights Go Down: A Short Illustrated History of Film of Alec Matto smoking in a chair in a room with a slice of light blaring over his head toward a screen we can't see. 'Alec Matto reviewing dailies for Where Has Julia Gone? (1947) in his private screening room.' Joan had to tell me what dailies are, it's when the director takes sometime in the evening, while smoking, to see all the footage that was filmed that day, maybe just one scene, a man opening a door over and over, a woman pointing out the window, pointing out the window, pointing out the window. That's dailies, and it took seven or eight matches on the roof over the garage for me to go over our breathless dailies that night, the nervous wait with the tickets in my hand, Lottie Carson heading north on those trains, kissing you, kissing you, the strange conversation in A-Post Novelties that had me all nerve-wracky after I talked to Al about it, even though he said he had no opinion. The matches were little he loves me, he loves me not, but then I saw right on the box that I had twenty-four, which would end the game at not, so I just let the small handful sparkle and puff for a bit, each one a thrill, a tiny delicious jolt for each part I remembered, until I burned my finger and went back in still thinking of all we did together.
β
β
Daniel Handler (Why We Broke Up)
β
What happened? Stan repeats.
To us?
To the country?
What happened when childhood ends in Dealey Plaza, in Memphis, in the kitchen of the Ambassador, your belief your hope your trust lying in a pool of blood again? Fifty-five thousand of your brothers dead in Vietnam, a million Vietnamese, photos of naked napalmed children running down a dirt road, Kent State, Soviet tanks roll into Prague so you turn on drop out you know you can't reinvent the country but maybe you reimagine yourself you believe you really believe that you can that you can create a world of your own and then you lower that expectation to just a piece of ground to make a stand on but then you learn that piece of ground costs money that you don't have.
What happened?
Altamont, Charlie Manson, Sharon Tate, Son of Sam, Mark Chapman we saw a dream turn into a nightmare we saw love and peace turn into endless war and violence our idealism into realism our realism into cynicism our cynicism into apathy our apathy into selfishness our selfishness into greed and then greed was good and we
Had babies, Ben, we had you and we had hopes but we also had fears we created nests that became bunkers we made our houses baby-safe and we bought car seats and organic apple juice and hired multilingual nannies and paid tuition to private schools out of love but also out of fear.
What happened?
You start by trying to create a new world and then you find yourself just wanting to add a bottle to your cellar, a few extra feet to the sunroom, you see yourself aging and wonder if you've put enough away for that and suddenly you realize that you're frightened of the years ahead of you what
Happened?
Watergate Irangate Contragate scandals and corruption all around you and you never think you'll become corrupt but time corrupts you, corrupts as surely as gravity and erosion, wears you down wears you out I think, son, that the country was like that, just tired, just worn out by assassinations, wars, scandals, by
Ronald Reagan, Bush the First selling cocaine to fund terrorists, a war to protect cheap gas, Bill Clinton and realpolitik and jism on dresses while insane fanatics plotted and Bush the Second and his handlers, a frat boy run by evil old men and then you turn on the TV one morning and those towers are coming down and the war has come home what
Happened?
Afghanistan and Iraq the sheer madness the killing the bombing the missiles the death you are back in Vietnam again and I could blame it all on that but at the end of the day at the end of the day
we are responsible for ourselves.
We got tired, we got old we gave up our dreams we taught ourselves to scorn ourselves to despise our youthful idealism we sold ourselves cheap we aren't
Who we wanted to be.
β
β
Don Winslow (The Kings of Cool (Savages, #1))