The Fly Katherine Mansfield Quotes

Light as feathers the witches fly, The horn of the moon is plain to see; By a firefly under a jonquil flower A goblin toasts a bumble-bee.

The lights, the azaleas, the dresses, the pink faces, the velvet chairs, all became one beautiful flying wheel.

It is, after all, that old process which Katherine Mansfield once described as ‘going out and looking at a tree and coming back plus the tree.

Leila was sure ifhe partner didn't come and she had to listen to that marvellous music and to watch the others sliding, gliding over the golden floor, she would die at least, or faint, or lift her arms and fly out of one of those dark windows that showed the stars.

And then there is the waiter. Not pathetic-decidedly not comic. Never making one of those perfectly insignificant remarks which amaze you so coming from a waiter (as though the poor wretch were a sort of coffee-pot and a wine bottle and not expected to hold so much as a drop of anything else). He is grey, flat-footed, and withered, with long, brittle nails that set your nerves on edge while he scrapes up your two sous. When he is not smearing over the table or flicking at a dead fly or two, he stands with one hand on the back of a chair, in his far too long apron, and over his other arm the three-cornered dip of dirty napkin, waiting to be photographed in connexion with some wretched murder. “Interior of Café where Body was Found.” You’ve seen him hundreds of times.

It seems to me just as imbecile, just as infernal, to have to go to the office on Monday,' said Jonathan, 'as it always has done and always will do. To spend all the best years of one's life sitting on a stool from nine to five, scratching in somebody's ledger! It's a queer use to make of one's...one and only life, isn't it? Or do I fondly dream?' He rolled over on the grass and looked up at Linda. 'Tell me, what is the difference between my life and that of an ordinary prisoner? The only difference I can see is that I put myself in jail and nobody's ever going to let me out. That's a more intolerable situation than the other. For if I'd been--pushed in, against my will--kicking, even--once the door was locked, or at any rate in five years or so, I might have accepted the fact and begun to take an interest in the flight of flies or counting the warder's steps along the passage with particular attention to variations of tread and so on. But as it is, I'm like an insect that's flown into a room of its own accord. I dash against the walls, dash against the windows, flop against the ceiling, do everything on God's earth, in fact, except fly out again. And all the while I'm thinking, like that moth, or that butterfly, or whatever it is, "The shortness of life! The shortness of life!" I've only one night or one day, and there's this vast dangerous garden, waiting out there, undiscovered, unexplored. [...] I'm exactly like that insect again. For some reason, it's not allowed, it's forbidden, it's against the insect law, to stop banging and flopping and crawling up the pane even for an instant.

Through a square hall filled with bales and hundreds of parrots (but the parrots were only on the wall-paper) down a narrow passage where the parrots persisted in flying past Kezia with her lamp.

It seems to me just as imbecile, just as infernal, to have to go to the office on Monday,’ said Jonathan, ‘as it always has done and always will do. To spend all the best years of one’s life sitting on a stool from nine to five, scratching in somebody’s ledger! It’s a queer use to make of one’s… one and only life, isn’t it? Or do I fondly dream?’ He rolled over on the grass and looked up at Linda. ‘Tell me, what is the difference between my life and that of an ordinary prisoner. The only difference I can see is that I put myself in jail and nobody’s ever going to let me out. That’s a more intolerable situation than the other. For if I’d been – pushed in, against my will – kicking, even – once the door was locked, or at any rate in five years or so, I might have accepted the fact and begun to take an interest in the flight of flies or counting the warder’s steps along the passage with particular attention to variations of tread and so on. But as it is, I’m like an insect that’ flown into a room of its own accord. I dash against the walls, dash against the windows, flop against the ceiling, do everything on God’s earth, in fact, except fly out again. And all the while I’m thinking, like that moth, or that butterfly, or whatever it is, ‘The shortness of life! The shortness of life! I’ve only one night or one day, and there’s this vast dangerous garden, waiting out there, undiscovered, unexplored.

All the same, we cling to our last pleasures as the tree clings to its last leaves.

Tell me, what is the difference between my life and that of an ordinary prisoner. The only difference I can see is that I put myself in jail and nobody’s ever going to let me out. [...] I’m like an insect that’s flown into a room of its own accord. I dash against the walls, dash against the windows, flop against the ceiling, do everything on God’s earth, in fact, except fly out again. And all the while I’m thinking, like that moth, or that butterfly, or whatever it is, ‘The shortness of life! The shortness of life!’ [...] Why don’t I fly out again? There’s the window or the door or whatever it was I came in by. It’s not hopelessly shut—is it? Why don’t I find it and be off? Answer me that, little sister.” But he gave her no time to answer. “I’m exactly like that insect again. For some reason”—Jonathan paused between the words—“it’s not allowed, it’s forbidden, it’s against the insect law, to stop banging and flopping and crawling up the pane even for an instant.