The Exact Opposite Of Okay Quotes

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What do I want to be now? Bold. Fierce. Honest. A fighter. A revolutionary. A bitch. Because the way the world treats teenage girls – as sluts, as objects, as bitches – is not okay. It’s the exact opposite of okay.
Laura Steven (The Exact Opposite of Okay (Izzy O'Neill, #1))
Bitches bite back. And men hate that. Society hates that.
Laura Steven (The Exact Opposite of Okay (Izzy O'Neill, #1))
[It may seem like we're always eating, but that's because we're always eating.]
Laura Steven (The Exact Opposite of Okay (Izzy O'Neill, #1))
Because you know my motto: do no harm, but take no shit.
Laura Steven (The Exact Opposite of Okay (Izzy O'Neill, #1))
Basically, if you're a woman, you're damned if you do and damned if you don't.
Laura Steven (The Exact Opposite of Okay (Izzy O'Neill, #1))
He isn’t like most guys, you know?' I know.' No, but do you really know? I mean here’s the deal, what do most guys want from a woman? I’ll tell you what we want. We want a warm body to sleep next to, preferably one with a nice pair of tits, maybe someone who’ll cook for us and fuck us on a regular basis. Pretty simple, huh? Now, what we don’t want is someone who’s going to come in and disrupt our lives and steal our souls. That’s what we fear most. We call it our freedom, but it’s our souls we’re talking about. You following me?' I nodded. Okay, good. Now forget it. Forget all that,' Pete said. 'Because Jacob’s not like that. He’s never been like that. He’s a damn fool and he wants the exact opposite of all that. He wants someone to obsess over, someone to possess his soul, and those are his corny words, by the way, not mine. It’s what he lives for. It’s what he thinks life’s all about. Do you get what I’m saying?' I nodded again.
Tiffanie DeBartolo (God-Shaped Hole)
I get why he's lashing out. As a privileged white dude, he's used to being able to buy whatever he wants. He lives in a country where even the presidency can be bought. But he can't buy my love. And that frustrates the hell out of him.
Laura Steven (The Exact Opposite of Okay (Izzy O'Neill, #1))
To the innocent onlooker it might seem sort of sweet. To me it seems like he's saying "I don't respect your decision not to want to fuck me, and I will manipulate the hell out of your emotions until you change your mind.
Laura Steven (The Exact Opposite of Okay (Izzy O'Neill, #1))
Oh, right," I snap. "And because he's spent enough money and inserted enough friendship tokens, the offer of sex and/or marriage should just fall out anytime now?
Laura Steven (The Exact Opposite of Okay (Izzy O'Neill, #1))
Don't look at me like that. This is a book about a sex scandal: did you really expect me to be a nun and/or the Virgin Mary?
Laura Steven (The Exact Opposite of Okay (Izzy O'Neill, #1))
Look at Vaughan. He's done everything I've done. He drank beer, had sex, sent a nude picture. And he just got an offer from Stanford. Why is his life worth more than mine, just because he's rich and male?
Laura Steven (The Exact Opposite of Okay (Izzy O'Neill, #1))
Have you tried to find a job?" "Good God, that's brilliant!" I gasp, faux-astounded. "I had not previously considered this course of action!
Laura Steven (The Exact Opposite of Okay (Izzy O'Neill, #1))
Her engagement ring has a Dwayne Johnson of a diamond on it...
Laura Steven (The Exact Opposite of Okay (Izzy O'Neill, #1))
What a poet I am. Like T S Eliot but with better boobs.
Laura Steven (The Exact Opposite of Okay (Izzy O'Neill, #1))
You're cute when you babble," he says to my total horror and disgust, because unlike the popular noughties rock band, cute is never what I aim for.
Laura Steven (The Exact Opposite of Okay (Izzy O'Neill, #1))
Love is never perfect, in fact, it’s the exact opposite of perfect, but that’s okay, because it gives you room to grow and explore.
Ilsa Madden-Mills (Dirty English (English, #1))
If the school population discovers I banged two dudes in one night, the girls will call me a bitch and a slut, and the guys will high five and call me easy while flinging their own feces at each other.
Laura Steven (The Exact Opposite of Okay (Izzy O'Neill, #1))
The Friend Zone An imaginary area filled with self-professed Nice Guys who've been sexually rejected by women they've been Nice to. See also: A convenient social construct designed to comfort men sho cannot cope with rejection. See also: A manipulative tool used by Nice Guys to make a woman feel guilty for not wanting to have sex with them.
Laura Steven (The Exact Opposite of Okay (Izzy O'Neill, #1))
We won’t always be strong. Sometimes we’ll blow it. Sometimes we’ll have a meltdown that makes even the dog worry. Sometimes we’ll do the exact opposite of what’s best.
Holley Gerth (You're Going to Be Okay: Encouraging Truth Your Heart Needs to Hear, Especially on the Hard Days)
This entitlement has to stop. The world owes you nothing. Girls owe you nothing.
Laura Steven (The Exact Opposite of Okay (Izzy O'Neill, #1))
Someone posted a condom stuffed with dog turd through our letterbox this morning. Dumbledore got confused, bless him, and thought it was an exciting new chew toy. And that's the story of how we're going to have to get a new couch.
Laura Steven (The Exact Opposite of Okay (Izzy O'Neill, #1))
As a feminist I feel immediately guilty because everyone is trying to encourage girls into STEM subjects now, but to be honest I’m not dedicated enough to the Vagenda to force myself to become a computer programmer.
Laura Steven (The Exact Opposite of Okay (Izzy O'Neill, #1))
He lets his eyes drop to the ground. [Again, not literally. That would be deeply uncomfortable for him. Nobody wants gravel in their corneas. I mean, maybe you do. I don't know your fetishes.]
Laura Steven (The Exact Opposite of Okay (Izzy O'Neill, #1))
As many of the most vile insults usually are, these comments are disguised as concern, like when fat-shamers preach to the obese about their health when really they're just judgemental reptiles who don't like to look at stretch marks lest they choke on their meal-replacement shakes.
Laura Steven (The Exact Opposite of Okay (Izzy O'Neill, #1))
I love you so damn much, Izzy, and just because I'm not Channing Tatum I've been relegate to the Friend Zone for the rest of eternity. I have to watch you chase the same good-looking assholes that every other girl wants to fuck, then pick up the pieces after they inevitable screw you over.
Laura Steven (The Exact Opposite of Okay (Izzy O'Neill, #1))
For the second time today, my stone heart melts. I love my friends. The old ones and the new ones. The real ones, who don't make websites condemning me to an eternity in hell just because I'm not attracted to them.
Laura Steven (The Exact Opposite of Okay (Izzy O'Neill, #1))
This is in fact a sly test disguised as an interesting point of conversation. If he doesn't know what a patronus is, I know immediately that there's very little point in proceeding with the bench-based festivities.
Laura Steven (The Exact Opposite of Okay (Izzy O'Neill, #1))
Standing on the front steps and trying to catch my breath, I want to claw my skin off. Despite all of the things that make me me - my personality, my heart, my sense of humor - I've been reduced to nothing more than a grainy filter and a pair of tits. To a mere sex object. I wonder whether I'll ever stop feeling so dirty.
Laura Steven (The Exact Opposite of Okay (Izzy O'Neill, #1))
Through sheer nerves and stress, my stomach almost plummets through my asshole. [I realize this is a hideous thing to say, but you all know exactly what I mean, and I shall not apologize for vocalizing the sensation.]
Laura Steven (The Exact Opposite of Okay (Izzy O'Neill, #1))
I mean, anyone can get shot in the head by the Taliban, but it takes a really big person to text a fuckboy. [I am 113 percent being sarcastic here. I firmly believe Malala should be leader of the free world, and also CEO of Hershey's because I swear to God peanut butter cups are getting smaller, which is an act of terrorism in intself.]
Laura Steven (The Exact Opposite of Okay (Izzy O'Neill, #1))
Was so mad last night I couldn't even bring myself to type out the exchange with Mr. Wells. In fact, I'm still so angry I'm just lying in bed in a vague state of furious nausea, like how I imagine Melania feels when she watches Donald remove his shirt.
Laura Steven (The Exact Opposite of Okay (Izzy O'Neill, #1))
What’s wrong?” Before I could stop myself, I mumbled, “I’m used to resting my head on a warm tiger-fur pillow is what’s wrong.” He grunted, “Hmm, let me see what I can do.” Panicky, I squeaked out, “No, really. I’m okay. Don’t bother.” He ignored my protests, scooped up my mummy-wrapped self, and set me down again on his side of the fire. He turned me on my side so I faced the fire, lay down behind me, and slid an arm under my neck to cradle my head. “Is that more comfortable for you?” “Uh, yes and no. My head can definitely rest better in this position. Unfortunately, the rest of me is feeling the complete opposite of relaxed.” “What do you mean? Why can’t you relax?” “Because you’re too close for me to relax.” Bemused, he said, “Me being too close never bothered you when I was a tiger.” “The tiger you and the man you are two completely different things.” He put his arm around my waist and tugged me closer so we were spooned together. He sounded irritated and disappointed when he muttered, “It doesn’t feel different to me. Just close your eyes and imagine I’m still a tiger.” “It doesn’t exactly work like that.” I lay stiffly in his arms, nervous, especially when he began nuzzling the back of my neck. He said softly, “I like the smell of your hair.” His chest rumbled against my back, sending massaging vibrations through my body as he purred. “Ren, can you not do that right now?” He lifted his head. “You like it when I purr. It helps you sleep better.” “Yes, well, that only works with the tiger. How can you do that as a man anyway?” He paused, and said, “I don’t know. I just can,” then buried his face in my hair again and stroked my arm. “Uh, Ren? Explain to me how you plan to keep watch like this.” His lips grazed my neck. “I can hear and smell the Kappa, remember?” I twitched and shivered, with nerves, or anticipation, or something else, and he noticed. He stopped kissing my neck and lifted his head to peer at my face in the flickering firelight. His voice was solemn and calm. “Kells, I hope you know that I would never hurt you. You don’t need to be afraid of me.” Rolling toward him, I lifted my hand and touched his cheek. Looking into his blue eyes, I sighed. “I’m not afraid of you, Ren. I trust you with my life. I’ve just never been close to someone like this before.” He kissed me softly and smiled. “I haven’t either.” He shifted, lying down again. “Now, turn around and go to sleep. I’m warning you that I plan to sleep with you in my arms all night long. Who knows when, or if, I’ll ever get to do it again. So try to relax, and for heaven’s sake, don’t wiggle!” He pulled me back against his warm chest, and I closed my eyes. I ended up sleeping better than I had in weeks.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
Wasn’t that exactly what I’d needed to be alone to think about? I slouched against the wall. The rice bag made a decent pillow. I closed my eyes—unnecessary in the inky darkness—and settled in for a consultation. Okay, Mel. What now? I was glad to find that she was still awake and alert. Opposition brought out her strength. It was only when things were going well that she drifted away. Priorities, she decided. What’s most important to us?
Stephenie Meyer (The Host (The Host, #1))
Art as activism. Like Banksy?" "Man, Banksy's some white-ass bullshit. Sorry," he apologizes hastily, as though he might've offended my white-ass feelings. [...] "A'ight, so the dude flew out to Gaza to spray-paint a kitten on a house that'd been destroyed in an air strike. Like, the fuck? Talk about insensitive. Then our white savior has the audacity to call it art, to demand folks listen to his views on the atrocities of war, rather than the Palestinians who lived through it." He shakes his head, his hand tensing and untensing in mine. "Sorry. Shit drives me crazy sometimes.
Laura Steven (The Exact Opposite of Okay (Izzy O'Neill, #1))
Everything okay?” Hunter called to me. He sounded like a noncommittal friend asking after my health. I looked like a crazy person sitting at the table after everyone else had left, staring at “The Space Between.” I was going to sound like a crazy person no matter what I said to him next. It had to be said. I stood with my book bag, swept up “The Space Between” without a single mark on it, and crumpled it in one fist. Rounding the table, I showed his story at his chest. He took the wad of paper. “What’s the matter?” he asked innocently. I thought of Sumer, Manohar, and Brian just outside the door, listening. I did not want them to hear this. But if I asked Hunter to step away from the door and close it so we could have a private conversation, I would be showing him how much I cared. I was through with that. I moved even closer to him and met his gaze. “I’m below you?” “I don’t know what you’re talking about,” he said evenly, looking me straight in the eye, obviously waiting at the door for exactly this altercation, which proved he did in fact know what I was talking about, and I had had enough. “I’ll tell you what I’m talking about.” I touched the thumb of my opposite hand. “I wrote a story about how much I liked you. I never meant for you to read it.” I touched my pointer finger. “You wrote a story about how much you hated me.” Hunter’s grin melted from his face. He took a breath to say something. “No, you’re right,” I interrupted him. “Not one story. You wrote three stories like that.” I touched my third finger. “I wrote a story about my mother, hoping we could talk about it.” I touched my fourth finger. “In response, you wrote a story about looking down on me.” I touched my pinkie, really banged on it with my other finger, until I bent it backward and hurt it. “Don’t write any more stories about me, Hunter. And I won’t write any more stories about you. Deal?” I whirled toward the door. “Wait,” he said. Whatever. I’d reached the threshold. The light was brighter in the hallway, and Summer, talking to Manohar and Brian, looked up at me with concern in her eyes. “Erin.” His hot hand was on my shoulder. He pulled me back into the room, against the door, out of their line of sight. He leaned close. This must have been because he didn’t want the others to hear, but I could almost have pretend that he wanted to be near me as he growled against my cheek, “If that’s all you got from my story, that I hate you, you’re not a careful reader.” Even though my heart raced with his closeness, I tilted my head and stared at him blankly. “I don’t know what you’re talking about.” Two could play that game. I rolled away from him and stepped around the door frame. He caught me and pulled me back again. Pinned me against the door. Crushed my lips beneath his.
Jennifer Echols (Love Story)
What's best for one person is another person's worst nightmare.
Laura Steven (The Exact Opposite of Okay (Izzy O'Neill, #1))
Cool. I know an awesome spot called Henry’s. They have the absolute best beer selections and the wings are great. They also have darts and pool.” Furi stopped talking when he noticed Syn looking a little pale. “Hey, what’s up?” “Uh, nothing.” They were in Syn’s old faithful truck and Furi sat silently watching the man next to him. “We going or what?” Furi narrowed his eyes, staring at the side of Syn’s face. His jaw was clenched and his neck was flushed. What the hell? “Yeah. Let’s go.” “Okay.” Syn thought he was going to be sick. It was just his goddamn luck that Furi would suggest the one place where half the department liked to hang out. Hell, even his Lieutenants frequented this place. It would be cruel to subject Furi to Day’s inappropriateness so soon. Syn wasn’t necessarily afraid of being with a man; he just wasn’t the type to make his personal life public. Or am I scared? Fuck. Syn didn’t think Furi would go for keeping them a secret. The man had made that quite clear when they were in the alley. Syn gripped the steering wheel and willed his foot to press the accelerator. Maybe … just maybe, there wouldn’t be anyone familiar there. Syn drove under the speed limit and felt Furious’ probing eyes on the side of his face. He tried to smile and keep his jaw from showing his nervous tick. Despite his efforts, they got there in what felt like record time. Furious got out and waited for Syn to slowly make his way toward the entrance. “Are you sure everything is alright?” Furious asked, annoyed. “I’m good. Really. Good. Perfect,” Syn said, mentally kicking himself for sounding like an idiot. Furi took his hand in his and it took every ounce of Syn's willpower not to pull his hand back. Of course he’d be into PDA. Furious pulled open the door and walked in as if he hadn’t a care in the world. It was almost nine p.m. and the though it wasn’t packed, there were quite a few people there. Syn tried not to look around, keeping his eyes on the back of Furious’ head as he led them to a booth; thankfully located in the back of the bar, where it was a little bit darker. Syn made sure to sit so he was facing the door while Furi sat opposite of him. Furi didn’t speak. He picked up one of the menus and started to look through it. “First time out with a man?” Syn's head snapped his up from hiding behind his menu. “Uh. Yeah, but ya know.” “No, I don’t know,” Furi answered quickly. “If you didn’t want to come out, why didn’t you just say so? You look like you're about to pull a disguise out of your coat. Or do you plan to just stay hidden behind your menu all fucking evening?” “Furious.” “Although that’s going to make eating really difficult. Should I be prepared for you to fake a stomach ache?” “Enough,” Syn barked, Furious’ dark eyes widening at his tone. “Look, cut me some slack alright? I am not new to dating men. I’m new to dating: period. Just about all of my adult life I’ve focused on being a cop, a damn good cop. I had little time for anything else in my life including dates. Dating takes time and patience, two things I didn't have. I was prepared to accept being alone the rest of my life until I saw you. I wanted you, and I was more than willing to take the time and effort to be with you. So forgive me if I don’t do everything exactly right on our first date.” “I’m not expecting you to. I haven’t dated in years myself. But one thing I’m not concerned about is being ashamed.” Furi looked Syn dead in the eye. Syn didn’t have a chance to respond, the waitress came to set a pail of peanuts on the table. Speaking in a cheerful voice: “What can I get you guys to drink?
A.E. Via
Just take me home,” Furi mumbled and moved to the passenger side of the truck. The drive home was deathly quiet. Syn wasn’t sure if Furi was going to forgive him or not, he was certainly hoping he would. Syn really did like Furi. He was the type of man he’d want to spend hours talking to because the deep sexiness of his voice did funny things to Syn’s groin, listening to him laugh was like the sweetest music to his ears. He wanted to see Furi's gorgeous face when he came home from working a shitty case, knowing he would make it better. He wanted to get into bed with him after a hot shower and bury his face in Furi’s soft hair and just lose himself in the erotic scent that lingered in those gorgeous locks. Syn fought the urge to apologize again; he’d done it at least five times now. He looked over at Furi, wishing he would turn and look at him. “Are you going to say anything?” Furi did look at him then, but what he said wasn’t exactly what Syn wanted to hear, “Your truck needs a tune-up.” Then he turned his head back toward the window. Syn pulled up to the curb opposite Furi’s apartment and shut off the engine. Furi didn’t say anything; he just opened the door, got out of the truck and walked across the street. Syn jumped out calling to him, “Furi, please wait.” Furi stopped in the middle of the street and turned to face him, looking completely exasperated. “What?” Syn was just making his way around the truck when he heard tires screeching and bright headlights headed directly at Furi. “Furious!” Syn yelled, but he saw there was no time. He ran at full speed, leaping and slamming his body into Furi's, the car’s front end just missing them. Syn rolled with Furi, a messy tangle of long limbs, hitting the curb hard. Syn kept one arm around Furi while craning his neck to try to see where the car was. All he could see was the make of the dark vehicle and two letters of the license plate. Syn pulled his S&W from behind his back just in case they circled back around. Syn jumped up and pulled Furi up with him. “Inside, now.” Furi moved quickly, Syn right behind him. As soon as they got inside the apartment, Syn turned Furi to face him. He looked him over and determined that he was okay for the most part. Furi looked like he was in shock, and rightfully so, someone had just tried to kill him. Syn put both his hands on Furi’s flushed cheeks. “Furious look at me.” Syn waited for those now haunted eyes to look at his. When Furi finally focused on his face, he had to slip into cop mode and ask his questions while the details were fresh in his mind.
A.E. Via
We believe these disturbing trends reveal a tragic irony in our poverty alleviation efforts. On one hand, many of us can sense that there is something wrong with both Western civilization and the Western church. We can tell they aren’t working, and we don’t like who we’ve become. On the other hand, the unstated assumption behind most of our poverty alleviation efforts is that the goal is to make poor people just like us. We implicitly believe that we have exactly what the poor need, so we try to turn Uganda into the United States and America’s inner cities into its affluent suburbs. Thus, we design our poverty alleviation initiatives—our interventions, operations, staffing, funding, marketing, metrics, messages, and goals—to help poor people pursue the American Dream. But why would we want to do that? We are not okay. You can feel it, and we can feel it. And as we shall see later, as poor people become more like us, they can feel it too.
Brian Fikkert (Becoming Whole: Why the Opposite of Poverty Isn't the American Dream)
I wasn’t a normal kid. My father used to say half-jokingly that there was a little concern over whether or not I was okay. Maybe it wasn’t a joke at all. The concern was about my personality, which seemed too eccentric. I don’t think “autistic” was a common term back then, but I later found out that they had taken me to a doctor to see if something was really wrong. It wasn’t that I was violent or temperamental. In fact, my mom said it was a blessing because I never gave her trouble. It was the opposite—they knew exactly how to sedate me, which was to sit me in front of something that held my interest and then just leave. I’d develop a deep relationship with that thing, whether it was Soul Train or a record on a turntable. But that led to a secondary worry, which was that I was falling inward into some kind of trance. Once, when I was very young, my dad installed a light with a rotating shade around a lightbulb, one of those lamps that works like a kind of carousel. He pressed the switch that caused the shade to turn and, according to him, I just disappeared inside myself. Five minutes passed, then ten, then fifteen, and I didn’t seem any less interested in the rotating lamp. Then my parents started noticing a broader pattern of me trying to spin stuff. I would take my sister’s bike and watch the wheel go around and around. I would take my father’s records and twirl them on my finger. They had a moment where they thought I might be interested in cars, because I was driving the records like a steering wheel. That was my whole entertainment for a while there, but to my parents, it was almost like a bad habit that they wanted me to drop. But I haven’t dropped it, not at all. To this day, my life revolves around circles. My drums are circles. Turntables are circles. My logo or autograph, which I developed over the years through doodling, is composed of six circles. My life revolves around that shape.
Ahmir "Questlove" Thompson (Mo' Meta Blues: The World According to Questlove)
Alex,” he says, “it was clear to me from your own words that you’re not running as efficient a plant as you think you are. You are running exactly the opposite. You are running a very in-efficient plant.” “Not according to the measurements,” I tell him. “Are you trying to tell me my people are wrong in what they’re reporting. . . that they’re lying to me or something?” “No,” he says. “It is very unlikely your people are lying to you. But your measurements definitely are.” “Yeah, okay, sometimes we massage the numbers here and there. But everybody has to play that game.” “You’re missing the point,” he says. “You think you’re running an efficient plant . . . but your thinking is wrong.
Eliyahu M. Goldratt (The Goal: A Process of Ongoing Improvement)