The Correspondent Book Quotes

It's better not to know authors personally, because the real person never corresponds to the image you form of him from reading his books.

In conversation we are sometimes confused by the tone of our own voice, and mislead to make assertions that do not at all correspond to our opinions.

We’ve got to go to the police,” Alec repeated. He wondered if somebody was actually dead or if the vicar had imagined it. But then there was the bloody cassock. “Come with me,” Father Joe pleaded. “It’s just down the road in my vestry. And then we can decide what we should do about the police.” Alec thought he might as well. There might be a story in it if it was something to do with Charlotte de Tournet. Would people remember her disappearance? It was so long ago. But then there was the connection to Baroness Freya Saumures …

And since a novel has this correspondence to real life, its values are to some extent those of real life. But it is obvious that the values of women differ very often from the values which have been made by the other sex; naturally this is so. Yet is it the masculine values that prevail. Speaking crudely, football and sport are "important"; the worship of fashion, the buying of clothes "trivial." And these values are inevitably transferred from life to fiction. This is an important book, the critic assumes, because it deals with war. This is an insignificant book because it deals with the feelings of women in a drawing-room.

Yes, librarians use punctuation marks to make little emoticons, smiley and frowny faces in their correspondence, but if there were one for an ironic wink, or a sarcastic lip curl, they'd wear it out.

Write the following: "Private missive, from Lieutenant Master-Sergeant Field Quartermaster Pores, to Fist Kindly. Warmest salutations and congratulations on your promotion, sir. As one might observe from your advancement and, indeed, mine, cream doth rise, etc. In as much as I am ever delighted in corresponding with you, discussing all maner of subjects in all possible idioms, alas, this subject is rather more official in nature. In short, we are faced with a crisis of the highest order. Accordignly, I humbly seek your advice and would suggest we arrange a most private meeting at the earliest convenience. Yours affectionately, Pores." Got that, Himble?' 'Yes sir' 'Please read it back to me.' '"Pores to Kindly meet in secret when?"' 'Excellent, Dispatch at once, Himble

The finished clock is resplendent. At first glance it is simply a clock, a rather large black clock with a white face and a silver pendulum. Well crafted, obviously, with intricately carved woodwork edges and a perfectly painted face, but just a clock. But that is before it is wound. Before it begins to tick, the pendulum swinging steadily and evenly. Then, then it becomes something else. The changes are slow. First, the color changes in the face, shifts from white to grey, and then there are clouds that float across it, disappearing when they reach the opposite side. Meanwhile, bits of the body of the clock expand and contract, like pieces of a puzzle. As though the clock is falling apart, slowly and gracefully. All of this takes hours. The face of the clock becomes a darker grey, and then black, with twinkling stars where numbers had been previously. The body of the clock, which has been methodically turning itself inside out and expanding, is now entirely subtle shades of white and grey. And it is not just pieces, it is figures and objects, perfectly carved flowers and planets and tiny books with actual paper pages that turn. There is a silver dragon that curls around part of the now visible clockwork, a tiny princess in a carved tower who paces in distress, awaiting an absent prince. Teapots that pour into teacups and minuscule curls of steam that rise from them as the seconds tick. Wrapped presents open. Small cats chase small dogs. An entire game of chess is played. At the center, where a cuckoo bird would live in a more traditional timepiece, is the juggler. Dress in harlequin style with a grey mask, he juggles shiny silver balls that correspond to each hour. As the clock chimes, another ball joins the rest until at midnight he juggles twelve balls in a complex pattern. After midnight, the clock begins once more to fold in upon itself. The face lightens and the cloud returns. The number of juggled balls decreases until the juggler himself vanishes. By noon it is a clock again, and no longer a dream.

Perhaps if you have children, they will remember you; if you have grandchildren, they, God allowing, may also retain a few fragments of memory including you, but their children will not. They may keep some old photos in a book on a shelf, and perhaps two or three times in a lifetime may turn the page and find your face

Ages of happiness. - An age of happiness is quite impossible, because men want only to desire it but not to have it, and every individual who experiences good times learns to downright pray for misery and disquietude. The destiny of man is designed for happy moments - every life has them - but not for happy ages. Nonetheless they will remain fixed in the imagination of man as 'the other side of the hill' because they have been inherited from ages past: for the concepts of the age of happiness was no doubt acquired in primeval times from that condition of which, after violent exertion in hunting and warfare, man gives himself up to repose, stretches his limbs and hears the pinions of sleep rustling about him. It is a false conclusion if, in accordance with that ancient familiar experience, man imagines that, after whole ages of toil and deprivation, he can then partake of that condition of happiness correspondingly enhanced and protracted.

I should have written you a letter, it was too late to make the deaths of my brothers an excuse. Since they died, I wrote a book; why not a letter? A mysterious but truthful answer is that while I can gear myself up to do a novel, letters, real-life communications, are too much for me. I used to rattle them off easily enough; why is the challenge of writing to friends and acquaintances too much for me now? Because I have become such a solitary, and not in the Aristotelian sense: not a beast, not a god. Rather, a loner troubled by longings, incapable of finding a suitable language and despairing at the impossibility of composing messages in a playable key--as if I no longer understood the codes used by the estimable people who wanted to hear from me and would have so much to reply if only the impediments were taken away.

We think ourselves possessed, or at least we boast that we are so, of liberty of conscience on all subjects and of the right of free inquiry and private judgment in all cases, and yet how far are we from these exalted privileges in fact. There exists, I believe, throughout the whole Christian world, a law which makes it blasphemy to deny, or to doubt the divine inspiration of all the books of the Old and New Testaments, from Genesis to Revelations. In most countries of Europe it is punished by fire at the stake, or the rack, or the wheel. In England itself, it is punished by boring through the tongue with a red-hot poker. In America it is not much better; even in our Massachusetts, which, I believe, upon the whole, is as temperate and moderate in religious zeal as most of the States, a law was made in the latter end of the last century, repealing the cruel punishments of the former laws, but substituting fine and imprisonment upon all those blasphemies upon any book of the Old Testament or New. Now, what free inquiry, when a writer must surely encounter the risk of fine or imprisonment for adducing any arguments for investigation into the divine authority of those books? Who would run the risk of translating Volney's Recherches Nouvelles? Who would run the risk of translating Dupuis? But I cannot enlarge upon this subject, though I have it much at heart. I think such laws a great embarrassment, great obstructions to the improvement of the human mind. Books that cannot bear examination, certainly ought not to be established as divine inspiration by penal laws... but as long as they continue in force as laws, the human mind must make an awkward and clumsy progress in its investigations. I wish they were repealed. {Letter to Thomas Jefferson, January 23, 1825}

Our massacres are only interrupted by commercial breaks. Judges legalize them. Correspondents kill us with passive voice. If we are lucky, diplomats say that our death concerns them, but they never mention the culprit, let alone condemn the culprit. Politicians, inert, inept, or complicit, fund our demise, then feign sympathy, if any. Academics stand idle. That is, until the dust settles, then they will write books about what should have been.

Asher Rubin thinks that most people are truly idiots, and that it is human stupidity that is ultimately responsible for introducing sadness into the world. It isn’t a sin or a trait with which human beings are born, but a false view of the world, a mistaken evaluation of what is seen by our eyes. Which is why people perceive every thing in isolation, each object separate from the rest. Real wisdom lies in linking everything together—that’s when the true shape of all of it emerges.

But then such a book as this is not meant to amuse.

Perhaps you will learn from this that books are sacred to free men for very good reasons, and that wars have been fought against nations which hate books and burn them.

Men's lives are not progressions, as conventionally rendered in history paintings, nor are they a series of facts that may be enumerated & in their proper order understood. Rather they are a series of transformations, some immediate & shocking, some so slow as to be imperceptible, yet so complete & horrifying that at the end of his life a man may search his memory in vain for a moment of correspondence between his self in his dotage & him in his youth.

Among the people also, a sailor with a rudder or oars or a farmer with a spade and a hoe each in his way succeeds in accustoming himself to his action. You too can acquire strength through regular exercise. Nonetheless, it is appropriate for each person to choose a sword that corresponds to his strength.

I have tonight begun reading a stupid, shitty book by Kerouac called Big Sur, and I would give a ball to wake up tomorrow on some empty ridge with a herd of beatniks grazing in the clearing about 200 yards below the house. And then to squat with the big boomer and feel it on my shoulder with the smell of grease and powder and, later, a little blood.

...The Presidential election has given me less anxiety than I myself could have imagined. The next administration will be a troublesome one, to whomsoever it falls, and our John has been too much worn to contend much longer with conflicting factions. I call him our John, because, when you were at the Cul de sac at Paris, he appeared to me to be almost as much your boy as mine. ...As to the decision of your author, though I wish to see the book {Flourens’s Experiments on the functions of the nervous system in vertebrated animals}, I look upon it as a mere game at push-pin. Incision-knives will never discover the distinction between matter and spirit, or whether there is any or not. That there is an active principle of power in the universe, is apparent; but in what substance that active principle resides, is past our investigation. The faculties of our understanding are not adequate to penetrate the universe. Let us do our duty, which is to do as we would be done by; and that, one would think, could not be difficult, if we honestly aim at it. Your university is a noble employment in your old age, and your ardor for its success does you honor; but I do not approve of your sending to Europe for tutors and professors. I do believe there are sufficient scholars in America, to fill your professorships and tutorships with more active ingenuity and independent minds than you can bring from Europe. The Europeans are all deeply tainted with prejudices, both ecclesiastical and temporal, which they can never get rid of. They are all infected with episcopal and presbyterian creeds, and confessions of faith. They all believe that great Principle which has produced this boundless universe, Newton’s universe and Herschel’s universe, came down to this little ball, to be spit upon by Jews. And until this awful blasphemy is got rid of, there never will be any liberal science in the world. I salute your fireside with best wishes and best affections for their health, wealth and prosperity. {Letter to Thomas Jefferson, 22 January, 1825}

Have started your book. Shit, you’re smart. I’m at the edge of being totally awed; if I get in any more awe of you, I won’t be able to gossip to you especially about sex and relationships – that always fascinates me most of all. Now I’m writing like Jelinek. Fuck, I’m a style sponge.

Language as putative science. - The significance of language for the evolution of culture lies in this, that mankind set up in language a separate world beside the other world, a place it took to be so firmly set that, standing upon it, it could lift the rest of the world off its hinges and make itself master of it. To the extent that man has for long ages believed in the concepts and names of things as in aeternae veritates he has appropriated to himself that pride by which he raised himself above the animal: he really thought that in language he possessed knowledge of the world. The sculptor of language was not so modest as to believe that he was only giving things designations, he conceived rather that with words he was expressing supreame knowledge of things; language is, in fact, the first stage of occupation with science. Here, too, it is the belief that the truth has been found out of which the mightiest sources of energy have flowed. A great deal later - only now - it dawns on men that in their belief in language they have propagated a tremendous error. Happily, it is too late for the evolution of reason, which depends on this belief, to be put back. - Logic too depends on presuppositions with which nothing in the real world corresponds, for example on the presupposition that there are identical things, that the same thing is identical at different points of time: but this science came into existence through the opposite belief (that such conditions do obtain in the real world). It is the same with mathematics, which would certainly not have come into existence if one had known from the beginning that there was in nature no exactly straight line, no real circle, no absolute magnitude.

I must say a few words about memory. It is full of holes. If you were to lay it out upon a table, it would resemble a scrap of lace. I am a lover of history . . . [but] history has one flaw. It is a subjective art, no less so than poetry or music. . . . The historian writes a truth. The memoirist writes a truth. The novelist writes a truth. And so on. My mother, we both know, wrote a truth in The 19th Wife– a truth that corresponded to her memory and desires. It is not the truth, certainly not. But a truth, yes . . . Her book is a fact. It remains so, even if it is snowflaked with holes.

... Correspondence, which bears much the same relation to personal intercourse that the books of dried plats I sometimes see do to the living and fresh flowers in the lanes and meadows.

Every habit and faculty is confirmed and strengthened by the corresponding actions, that of walking by walking, that of running by running. If you wish to be a good reader, read; if you wish to be a good writer, write. If you should give up reading for thirty days one after the other, and be engaged in something else, you will know what happens. So also if you lie in bed for ten days, get up and try to take a rather long walk, and you will see how wobbly your legs are. In general, therefore, if you want to do something, make a habit of it; if you want not to do something, refrain from doing it, and accustom yourself to something else instead.

So to hell with dignity. Dignity has got nothing on Rita Hayworth singing “Put the Blame on Mame” in Gilda, and absolutely nothing on Mae West in anything. It seems far more exciting to be a Siren beckoning with her song or Calypso captivating on her island than to be Penelope, the archetype of female fidelity, weaving and unweaving at her loom, sending her suitors away, waiting for the errant Odysseus to return, waiting while he luxuriates in lotusland, waiting while, as one correspondent to The New York Times Book Review put it, he “commits adultery with various gorgeous, high-class women,” waiting for her husband like Lucy waits for Desi at the end of the day, or Alice waits for Ralph at the end of the night. Bad girls don’t wait around—one doesn’t get to go everywhere by sitting by the phone.

Mornings, out in the garden, she would, at times, read aloud from one of her many overdue library books. Dew as radiant as angel spit glittered on the petals of Jack's roses. Jack was quite the gardener. Miriam thought she knew why her particularly favored roses. The inside of a rose does not at all correspond with its exterior beauty. If one tears off all the petals of the corolla, all that remains is a sordid-looking tuft. Roses would be right up Jack's alley, all right. "Here's something for you, Jack," Miriam said. You'll appreciate this. Beckett describes tears as 'liquified brain.' "God, Miriam," Jack said. "Why are you sharing that with me? Look at this day, it's a beautiful day! Stop pumping out the cesspit! Leave the cesspit alone!

From the totalitarian point of view history is something to be created rather than learned. A totalitarian state is in effect a theocracy, and its ruling caste, in order to keep its position, has to be thought of as infallible. But since, in practice, no one is infallible, it is frequently necessary to rearrange past events in order to show that this or that mistake was not made, or that this or that imaginary triumph actually happened. Then again, every major change in policy demands a corresponding change of doctrine and a revelation of prominent historical figures. This kind of thing happens everywhere, but is clearly likelier to lead to outright falsification in societies where only one opinion is permissible at any given moment. Totalitarianism demands, in fact, the continuous alteration of the past, and in the long run probably demands a disbelief in the very existence of objective truth.

Stephen Colbert: Here’s the thing: You said to me and to many other people here years ago never to thank you, because we owe you nothing. Jon Stewart: [quietly] That’s right. Stephen Colbert: It’s one of the few times I’ve known you to be dead wrong… We owe you because we learned from you, by example, how to do a show with intention, with clarity. How to treat people with respect. You are infuriatingly good at your job, okay?

I think it's misguided, and probably profane, to look at a diverse collection of books written over thousands of years—history, poetry, law, Gospel accounts, proverbs, correspondence, and other writings—as absolute literal instructions without context, as we understand them, in all cases.

A true feeler always brings half the entertainment along with him. His own ideas are only call'd forth by what he reads, and the vibrations within, so entirely correspond with those excited, 'tis like reading himself and not the book.

A book is a human-powered film projector (complete with feature film) that advances at a speed fully customized to the viewer's mood or fancy. This rare harmony between object and user arises from the minimal skills required to manipulate a bound sequence of pages. Each piece of paper embodies a corresponding instant of time which remains frozen until liberated by the act of turning a page.

Abelman’s Dry Goods Kansas City, Missouri U.S.A. Mr. I. Abelman, Mongoloid, Esq.: We have received via post your absurd comments about our trousers, the comments revealing, as they did, your total lack of contact with reality. Were you more aware, you would know or realize by now that the offending trousers were dispatched to you with our full knowledge that they were inadequate so far as length was concerned. “Why? Why?” You are, in your incomprehensible babble, unable to assimilate stimulating concepts of commerce into your retarded and blighted worldview. The trousers were sent to you (1) as a means of testing your initiative (A clever, wide-awake business concern should be able to make three-quarter-length trousers a byword of masculine fashion. Your advertising and merchandising programs are obviously faulty.) and (2) as a means of testing your ability to meet the standards requisite in a distributor of our quality product. (Our loyal and dependable outlets can vend any trouser bearing the Levy label no matter how abominable their design and construction. You are apparently a faithless people.) We do not wish to be bothered in the future by such tedious complaints. Please confine your correspondence to orders only. We are a busy and dynamic organization whose mission needless effrontery and harassment can only hinder. If you molest us again, sir, you may feel the sting of the lash across your pitiful shoulders. Yours in anger, Gus Levy, Pres.

God is one whole; we are the parts.

The mere fact that this thought has sprung up among different nations and at different times indicates that it is inherent in human nature and contains the truth.

I am not skilled in taking up correspondence. But I have scanned enough books, and indexed enough examples, to essay the form.

the good society would have a low rate of inheritance of social status and correspondingly low variations in income and wealth.

The aim of the sinless One lies in not doing evil unto those who have done evil unto him.

The punishment of evil doers consists in making them feel ashamed of themselves by doing them a great kindness.

Love is the only way to rescue humanity from all ills, and in it you too have the only method of saving your people from enslavement.

If a project correspond to your vision, but you are learning nothing new, look for somebody else to do it for you

Did you read the book Never Let Me Go by Kazuo Ishiguro? I am haunted by it. How

After a piece ran, a guy claimed I claimed I was from CNN. I never said that. But if you make a man comedically look like Hitler and it turns out that he is a retired lawyer with a lot of time on his hands, you’re going to get sued. That’s the lesson for today, children. STEVE

the old and simple truth that it is natural for men to help and to love one another, but not to torture and to kill one another, became ever clearer, so that fewer and fewer people were able to believe the sophistries by which the distortion of the truth had been made so plausible.  

Why not worship money? At least its rewards are obvious and immediate . But no, that was simplistic. Letherii worship was more subtle, its ethics bound to those traits and habits that well served the acquisition of wealth. Diligence, discipline, hard work, optimism, the personalization of glory. And the corresponding evils: sloth, despair and the anonymity of failure. The world was brutal enough to winnow one from the other and leave no room for doubt or mealy equivocation.

I still suspect that most people start out with some kind of ability to tell a story but that it gets lost along the way. Of course, the ability to create life with words is essentially a gift. If you have it in the first place, you can develop it; if you don't have it, you might as well forget it. But I have found that people who don't have it are frequently the ones hell-bent on writing stories. I'm sure anyway that they are the ones who write the books and the magazine articles on how-to-write-short-stories. I have a friend who is taking a correspondence course in this subject, and she has passed a few of the chapter headings on to me—such as, "The Story Formula for Writers," "How to Create Characters," "Let's Plot!" This form of corruption is costing her twenty-seven dollars.

476. Children do not learn that books exist, that armchairs exist, etc.,etc. - they learn to fetch books, sit in armchairs, etc.,etc. Later, questions about the existence of things do of course arise, "Is there such a thing as a unicorn?" and so on. But such a question is possible only because as a rule no corresponding question presents itself. For how does one know how to set about satisfying oneself of the existence of unicorns? How did one learn the method for determining whether something exists or not? 477. "So one must know that the objects whose names one teaches a child by an ostensive definition exist." - Why must one know they do? Isn't it enough that experience doesn't later show the opposite? For why should the language-game rest on some kind of knowledge? 478. Does a child believe that milk exists? Or does it know that milk exists? Does a cat know that a mouse exists? 479. Are we to say that the knowledge that there are physical objects comes very early or very late?

Add to this the imagery that Christian Kabbalists have heaped on the Tree of Life, which stands like an overburdened Christmas tree in some textbooks on kabbalistic practice, and finish with Aleister Crowley's book of correspondences, 777, and you have an ill-assorted relish tray from which to choose.

As Os Guinness explains, Christianity is not true because it works (pragmatism); it is not true because it feels right (subjectivism); it is not true because it is “my truth” (relativism). It is true because it is anchored in the person of Christ. Furthermore, truth is anything that corresponds to reality.

As we were walking the other day, she said she had often thought what a beautiful world this would be, when we should see every thing right side up. Now, we see every thing topsy-turvy, and all is confusion.

in every individual a spiritual element is manifested that gives life to all that exists, and that this spiritual element strives to unite with everything of a like nature to itself, and attains this aim through love.

Dear Ms. Lancaster, I fear your faith has been misplaced-but then, faith usually is. I cannot answer your questions, at least not in writing, because to write out such answers would constitute a sequel to An Imperial Affliction, which you might publish or otherwise share on the network that has replaced the brains of your generation. There is the telephone, but then you might record the conversation. Not that I don't trust you, of course, but I don't trust you. Alas, dear Hazel, I could never answer such questions except in person, and you are there while I am here. That noted, I must confess that the unexpected receipt of your correspondence via Ms. Vliegenthart has delighted me: What a wondrous thing to know that I made something useful to you-even if that book seems so distant from me that I feel it was written by a different man altogether. (The author of that novel was so thin, so frail, so comparatively optimistic!) Should you find yourself in Amsterdam, however, please do pay a visit at your leisure. I am usually home. I wouold even allow you a peek at my grocery lists. Your most sincerely, Peter Van Houten c/o Lidewij Vliegenthart

The book is not an object on the table; it is an event in the reader's mind. It's a process, through which an idea in my mind triggers an idea, more-or-less corresponding, in yours. The words on the page are merely the means to that end, a think-by-numbers set, a bottled daydream. The book, therefore, is only finished when someone reads it. - Sidelines

Some literary recommendations: James Salter’s erotic masterpiece, A Sport and a Pastime; Anais Nin’s collections of short stories Delta of Venus and Little Birds; the erotic novels Emanuelle by Emanuelle Arsan and Story of O by Pauline Réage; Harold Brodkey’s sexual saga “Innocence”—perhaps the greatest depiction of a session of cunnilingus ever penned; novels by Jerzy Kosinski such as Passion Play and Cockpit; Henry Miller’s Under the Roofs of Paris and Quiet Days in Clichy; My Secret Life by Anonymous and The Pure and the Impure by Colette; Nancy Friday’s anthology of fantasies, Secret Garden (filled with the correspondence of real people’s fantasies); stories from The Mammoth Book of Erotica or one of the many erotic anthologies edited by Susie Bright. For those with a taste for poetry, try Les Fleurs du Mal (Flowers of Evil) by Charles Baudelaire or Flesh Unlimited by Guillaume Apollinaire. And for those who like comic books (kinky ones, that is), try the extra-hot works of writer/illustrator Eric Stanton, who specializes in female-domination fantasies.

Books give us pleasure not because they make us comfortable, though some good ones may, but because they entertain us, they make us laugh, they make us cry; they inform, persuade, disturb, convince, seduce us; they make us think, speculate, see - and we recognize what we see as true, not as the truth but as a truth in the writer's fabulous construction that corresponds to what we have observed in ourselves, or others, or in the world at large, or can conceive of observing.

The Correspondence-School Instructor Says Goodbye to His Poetry Students Goodbye, lady in Bangor, who sent me snapshots of yourself, after definitely hinting you were beautiful; goodbye, Miami Beach urologist, who enclosed plain brown envelopes for the return of your very “Clinical Sonnets”; goodbye, manufacturer of brassieres on the Coast, whose eclogues give the fullest treatment in literature yet to the sagging breast motif; goodbye, you in San Quentin, who wrote, “Being German my hero is Hitler,” instead of “Sincerely yours,” at the end of long, neat-scripted letters extolling the Pre-Raphaelites: I swear to you, it was just my way of cheering myself up, as I licked the stamped, self-addressed envelopes, the game I had of trying to guess which one of you, this time, had poisoned his glue. I did care. I did read each poem entire. I did say everything I thought in the mildest words I knew. And now, in this poem, or chopped prose, no better, I realize, than those troubled lines I kept sending back to you, I have to say I am relieved it is over: at the end I could feel only pity for that urge toward more life your poems kept smothering in words, the smell of which, days later, tingled in your nostrils as new, God-given impulses to write. Goodbye, you who are, for me, the postmarks again of imaginary towns—Xenia, Burnt Cabins, Hornell— their solitude given away in poems, only their loneliness kept. Galway Kinnell

As fate would have it, we talked about literature; I fear I said no more than the things I usually say to journalists. My alter ego believed in the invention, or discovery, of new metaphors; I, in those metaphors that correspond to intimate and obvious affinities and that our imagination has already accepted. Old age and sunset, dreams and life, the flow of time and water. …

We need to change our habits of thought, belief, and doing as well as change our systems. Each level reinforces the other: Our habits and beliefs form the psychic substructure of our system, which in turn induces in us the corresponding beliefs and habits.

But Wharton hadn't published any of her books while she lived in this house. At Land's End, she had been unknown, an unhappy married woman. She had not yet become the real Edith Wharton. Not yet divorced. Not yet a novelist. Not yet a war correspondent in France. She wonders how terrifying it felt, not to know any of this about herself, to sit out on this big lawn, looking at the sea, feeling like she was at the very end of it all. She wonders what it was that made her realize there was somewhere else to go.

The world shown us in books, whether the books be confessed epics or professed gospels, or in codes, or in political orations, or in philosophic systems, is not the main world at all: it is only the self-consciousness of certain abnormal people who have the specific artistic talent and temperament. A serious matter this for you and me, because the man whose consciousness does not correspond to that of the majority is a madman; and the old habit of worshipping madmen is giving way to the new habit of locking them up. And since what we call education and culture is for the most part nothing but the substitution of reading for experience, of literature for life, of the absolete fictitious for the contemporary real, education, as you no doubt observed at Oxford, destroys, by supplantation, every mind that is not strong enough to see through the imposture and to use the great Masters of Arts as what they really are and no more: that is, patentees of highly questionable methods of thinking, and manufacturers of highly questionable, and for the majority but half valid representations of life. The school boy who uses his Homer to throw at his fellow's head makes perhaps the safest and most rational use of him; and I observe with reassurance that you occasionally do the same, in your prime, with your Aristotle.

The present generation of Christians has suffered what I call the lost concept of majesty. This has come about by a slow decline, manifesting itself in our depreciation of ourselves. Those who hold a low value of man have a corresponding low value of God. After all, God created man in His own image. When we cease to understand the majestic nature of man, we cease to appreciate the majesty of God. How

I feel moved to express what I feel more strongly than anything else, and what in my opinion is of immense importance, namely, what we call the renunciation of all opposition by force, which really simply means the doctrine of the law of love unperverted by sophistries.

In that room on Via Clelia, I manage to create a world that corresponded to nothing outside it. My books, my city, myself. All I had to do then was let the novels I was reading lend their aura to this street and drop an illusory film over this buildings, a film that washed down Via Clelia like a sheet of rainwater, casting a shimmering spell on this hard, humdrum, here-and-now area of lower-middle-class Rome.

Jamaica was the Ophir of the West of Scotland in those times. Upon its sugar fields and by the agency of its slave labour, Glasgow slowly emerged from its primeval state of small borough town, to be a business centre, rivalling and soon surpassing Bristol in its West India trade.

It’s very easy to figure out Trump’s ideology. He’s not racist and sexist to this incredible degree. He’s Trumpist. He views the world through the prism of, “How do they view Trump?” If you view Trump positively, you’re good people. “Putin, hey, he likes the Trump, I like the Putin.” That’s all he is. His doctrine is the Trump Doctrine. If another country is nice to him, he will be nice to that country. If the country thinks he’s an idiot, “Fuck them. That’s a pussy country. They don’t know shit about anything. That country changed its name from a Jewish name.

If it is true that there are books written to escape from the present moment, and its meanness and its sordidity, it is certainly true that readers are familiar with a corresponding mood. To draw the blinds and shut the door, to muffle the noises of the street and shade the glare and flicker of its lights—that is our desire. There is then a charm even in the look of the great volumes that have sunk, like the “Countess of Pembroke’s Arcadia”, as if by their own weight down to the very bottom of the shelf. We like to feel that the present is not all; that other hands have been before us, smoothing the leather until the corners are rounded and blunt, turning the pages until they are yellow and dog’s-eared. We like to summon before us the ghosts of those old readers who have read their Arcadia from this very copy—Richard Porter, reading with the splendours of the Elizabethans in his eyes; Lucy Baxter, reading in the licentious days of the Restoration; Thos. Hake, still reading, though now the eighteenth century has dawned with a distinction that shows itself in the upright elegance of his signature. Each has read differently, with the insight and the blindness of his own generation. Our reading will be equally partial. In 1930 we shall miss a great deal that was obvious to 1655; we shall see some things that the eighteenth century ignored. But let us keep up the long succession of readers; let us in our turn bring the insight and the blindness of our own generation to bear upon the “Countess of Pembroke’s Arcadia”, and so pass it on to our successors.

We imagine the villains of history as masterminds of horror. This happens because we learn about them from history books, which weave narratives that retrospectively imbue events with logic, making them seem predetermined. Historians and their readers bring an unavoidable perception bias to the story: if a historical event caused shocking destruction, then the person behind this event must have been a correspondingly giant monster. Terrifying as it is to contemplate the catastrophes of the twentieth century, it would be even more frightening to imagine that humanity had stumbled unthinkingly into its darkest moments. But a reading of contemporaneous accounts will show that both Hitler and Stalin struck many of their countrymen as men of limited ability, education, and imagination—and, indeed, as being incompetent in government and military leadership. Contrary to popular wisdom, they were not political savants, possessed of one extraordinary talent that brought them to power. It was, rather, the blunt instrument of reassuring ignorance that propelled their rise in a frighteningly complex world.

I know people who read interminably, book after book, from page to page, and yet I should not call them 'well-read people'. Of course they 'know' an immense amount; but their brain seems incapable of assorting and classifying the material which they have gathered from books. They have not the faculty of distinguishing between what is useful and useless in a book; so that they may retain the former in their minds and if possible skip over the latter while reading it, if that be not possible, then--when once read--throw it overboard as useless ballast. Reading is not an end in itself, but a means to an end. Its chief purpose is to help towards filling in the framework which is made up of the talents and capabilities that each individual possesses. Thus each one procures for himself the implements and materials necessary for the fulfilment of his calling in life, no matter whether this be the elementary task of earning one's daily bread or a calling that responds to higher human aspirations. Such is the first purpose of reading. And the second purpose is to give a general knowledge of the world in which we live. In both cases, however, the material which one has acquired through reading must not be stored up in the memory on a plan that corresponds to the successive chapters of the book; but each little piece of knowledge thus gained must be treated as if it were a little stone to be inserted into a mosaic, so that it finds its proper place among all the other pieces and particles that help to form a general world-picture in the brain of the reader. Otherwise only a confused jumble of chaotic notions will result from all this reading. That jumble is not merely useless, but it also tends to make the unfortunate possessor of it conceited. For he seriously considers himself a well-educated person and thinks that he understands something of life. He believes that he has acquired knowledge, whereas the truth is that every increase in such 'knowledge' draws him more and more away from real life, until he finally ends up in some sanatorium or takes to politics and becomes a parliamentary deputy. Such a person never succeeds in turning his knowledge to practical account when the opportune moment arrives; for his mental equipment is not ordered with a view to meeting the demands of everyday life. His knowledge is stored in his brain as a literal transcript of the books he has read and the order of succession in which he has read them. And if Fate should one day call upon him to use some of his book-knowledge for certain practical ends in life that very call will have to name the book and give the number of the page; for the poor noodle himself would never be able to find the spot where he gathered the information now called for. But if the page is not mentioned at the critical moment the widely-read intellectual will find himself in a state of hopeless embarrassment. In a high state of agitation he searches for analogous cases and it is almost a dead certainty that he will finally deliver the wrong prescription.

it is useful, or rather it is necessary, not to be indifferent about acquiring the works of earlier writers, but to make a collection of these, like a set of tools in farming. For the corresponding tool of education is the use of books, and by their means it has come to pass that we are able to study knowledge at its source.

In heartening contrast to our own “culture of complaint,” in which the idea of human solidarity seems lost in the clamor of victim groups competing for attention and entitlement, Sojourner Truth grew to understand that her personal quest for freedom was meaningful only as a moment in a larger struggle against the burden of injustice.

Once I was asked by a seatmate on a trans-Pacific flight, a man who took the liberty of glancing repeatedly at the correspondence in my lap, what instruction he should give his fifteen-year-old daughter, who wanted to be a writer. I didn't know how to answer him, but before I could think I heard myself saying, 'Tell your daughter three things.' "Tell her to read, I said. Tell her to read whatever interests her, and protect her if someone declares what she's reading to be trash. No one can fathom what happens between a human being and written language. She may be paying attention to things in the world beyond anyone else's comprehension, things that feed her curiosity, her singular heart and mind. Tell her to read classics like The Odyssey. They've been around a long time because the patterns in them have proved endlessly useful, and, to borrow Evan Connell's observation, with a good book you never touch bottom. But warn your daughter that ideas of heroism, of love, of human duty and devotion that women have been writing about for centuries will not be available to her in this form. To find these voices she will have to search. When, on her own, she begins to ask, make her a present of George Eliot, or the travel writing of Alexandra David-Neel, or To the Lighthouse. "Second, I said, tell your daughter that she can learn a great deal about writing by reading and by studying books about grammar and the organization of ideas, but that if she wishes to write well she will have to become someone. She will have to discover her beliefs, and then speak to us from within those beliefs. If her prose doesn't come out of her belief, whatever that proves to be, she will only be passing on information, of which we are in no great need. So help her discover what she means. "Finally, I said, tell your daughter to get out of town, and help her do that. I don't necessarily mean to travel to Kazakhstan, or wherever, but to learn another language, to live with people other than her own, to separate herself from the familiar. Then, when she returns, she will be better able to understand why she loves the familiar, and will give us a fresh sense of how fortunate we are to share these things. "Read. Find out what you truly are. Get away from the familiar. Every writer, I told him, will offer you thoughts about writing that are different, but these three I trust.

When we settle down with a book, or sink into seats at the multiplex, our only concerns are (a) what is being told, and (b) how it is being told. It is the foremost fundamental right of the creator to weave, for our benefit, enthralling fictions that revolve around what could be his notions of truth, but which may not correspond to our own.

Authors do not need to offer us the answers to such weighty questions such as how to live and prepare us to accept death. The aim of a writer’s is to frame worldly questions that allow all readers too independently and jointly explore life-altering questions in a way that satisfies the fabric of thought corresponding to our respective times.

Geraldine Brooks is the author of the Pulitzer Prize-winning novel March and the international bestsellers The Secret Chord, Caleb’s Crossing, People of the Book, and Year of Wonders. She has also written the acclaimed nonfiction works Nine Parts of Desire and Foreign Correspondence. Born and raised in Australia, Brooks lives in Massachusetts.

The longer I live-especially now when I clearly feel the approach of death-the more I feel moved to express what I feel more strongly than anything else, and what in my opinion is of immense importance, namely, what we call the renunciation of all opposition by force, which really simply means the doctrine of the law of love unperverted by sophistries.

Besides, he loved his shop better than his house, and here on Sundays he could browse among his own books undisturbed, eat his lunch, doze, and answer at length some of the correspondence, erudite and whimsical, he received from people he had never seen but whom he felt he knew well. Booklovers: if you knew what kind of books a man wanted, you knew the man.

After all if I’m trying to write books without any extra words I might as well stick to it.

Logic itself rests upon assumptions to which nothing in the world of reality corresponds.

I still wish this book was just a compendium of searing photographs I took in Afghanistan during my years as a sexy war correspondent, but hey, there is still time.

This feeling of being "home at last" corresponds to my idea about the city, and idea shaped by books, movies, and plays, an idea of infinite possibility.

If comedy is tragedy plus time, I need more fucking time. But I would really settle for less fucking tragedy.” LARRY

The things that come from others correspond with what we send to them.

The first stage of elementary reading—reading readiness—corresponds to pre-school and kindergarten experiences.

no correspondence is intended between any institutions or characters in this book and any real institutions or people living, dead, or wandering the night in ghostly torment.

or the need for a Trump 2012 presidential campaign (“This is what I’ve been waiting for my whole life, a president who’s not afraid to tell the truth about being a lying asshole!”),

every hour and season yields its tribute of delight; for every hour and change corresponds to and authorizes a different state of the mind, from breathless noon to grimmest midnight.

Well, I’ve been corresponding with a complete stranger in a notebook, telling him my innermost feelings and thoughts and then blindly going to mystery places where he dares me to go….

I try to answer every letter of my young correspondents; yet sometimes there are so many letters that a little time must pass before you get your answer. But be patient, friends, for the answer will surely come, and by writing to me you more than repay me for the pleasant task of preparing these books. Besides, I am proud to acknowledge that the books are partly yours, for your suggestions often guide me in telling the stories, and I am sure they would not be half so good without your clever and thoughtful assistance. L. FRANK BAUM Coronado, 1908.

When Bonaparte returned from Italy he called on Mr. Paine and invited him to dinner: in the course of his rapturous address to him he declared that a statue of gold ought to be erected to him in every city in the universe, assuring him that he always slept with his book 'Rights of Man' under his pillow and conjured him to honor him with his correspondence and advice.

people continued—regardless of all that leads man forward—to try to unite the incompatibles: the virtue of love, and what is opposed to love, namely, the restraining of evil by violence.

Remember then: there is only one time that is important-- Now! It is the most important time because it is the only time when we have any power. The most necessary man is he with whom you are, for no man knows whether he will ever have dealings with any one else: and the most important affair is, to do him good, because for that purpose alone was man sent into this life!

For the media, Cohen was a reliable leaker about Trump and the campaign. Among senior campaign aides, he was later regarded as a central voice in NBC correspondent Katy Tur’s book about the campaign,

Fascinating to watch the reactions of people suddenly seized by fear. Some can’t take it. They let themselves go to a point of hysteria, then in panic flee to—God knows where. Most take it, with various degrees of courage and coolness. In the lobby tonight: the newspapermen milling around trying to get telephone calls through the one lone operator. Jews excitedly trying to book on the last plane or train. The wildest rumours coming in with every new person that steps through the revolving door from outside, all of us gathering around to listen, believing or disbelieving according to our feelings.

it appears that, as is the case in our time with the ills of all nations, the reason lies in the lack of a reasonable religious teaching which by explaining the meaning of life would supply a supreme law for the guidance of conduct and would replace the more than dubious precepts of pseudo-religion and pseudo-science with the immoral conclusions deduced from them and commonly called 'civilization'.  

BERLIN, October 29 I’ve been looking into what Germans are reading these dark days. Among novels the three best-sellers are: (1) Gone with the Wind, translated as Vom Winde Verweht—literally “From the Wind Blown About”; (2) Cronin’s Citadel; (3) Beyond Sing the Woods, by Trygve Gulbranssen, a young Norwegian author. Note that all three novels are by foreign authors, one by an Englishman. Most sought-after non-fiction books are: (1) The Coloured Front, an anonymous study of the white-versus-Negro problem; (2) Look Up the Subject of England, a propaganda book about England; (3) Der totale Krieg, Ludendorff’s famous book about the Total War—very timely now; (4) Fifty Years of Germany, by Sven Hedin, the Swedish explorer and friend of Hitler; (5) So This is Poland, by von Oertzen, data on Poland, first published in 1928. Three

Of a real, true contract, on whatsoever subject, there is no vestige in Rousseau's book. To give an exact idea of his theory, I cannot do better than compare it with a commercial agreement, in which the names of the parties, the nature and value of the goods, products and services involved, the conditions of quality, delivery, price, reimbursement, everything in fact which constitutes the material of contracts, is omitted, and nothing is mentioned but penalties and jurisdictions. "Indeed, Citizen of Geneva, you talk well. But before holding forth about the sovereign and the prince, about the policeman and the judge, tell me first what is my share of the bargain? What? You expect me to sign an agreement in virtue of which I may be prosecuted for a thousand transgressions, by municipal, rural, river and forest police, handed over to tribunals, judged, condemned for damage, cheating, swindling, theft, bankruptcy, robbery, disobedience to the laws of the State, offence to public morals, vagabondage,--and in this agreement I find not a word of either my rights or my obligations, I find only penalties! "But every penalty no doubt presupposes a duty, and every duty corresponds to a right. Where then in your agreement are my rights and duties? What have I promised to my fellow citizens? What have they promised to me? Show it to me, for without that, your penalties are but excesses of power, your law-controlled State a flagrant usurpation, your police, your judgment and your executions so many abuses. You who have so well denied property, who have impeached so eloquently the inequality of conditions among men, what dignity, what heritage, have you for me in your republic, that you should claim the right to judge me, to imprison me, to take my life and honor? Perfidious declaimer, have you inveighed so loudly against exploiters and tyrants, only to deliver me to them without defence?

if one becomes more and more fully imbued with false opinions, the more fully and intimately one exercises himself in them, the corresponding effect is still more easily produced in the mind by contact with truth.

He was entirely happy alone. He had his books and his music and his specimens, and that was all he needed. He also carried on a wide correspondence. His friends were far flung across the globe, but none of them intimate.

The knowledge historians have about the deistic views of Jefferson, Adams, Franklin, and Washington was not known to the people of their day, for these men wisely confined their heterodoxy to their private correspondence.24

People give Jon shit and claim he breeds cynicism. He’s the opposite of cynical. He really cares. And people who watch his show care about politics. That’s why you watch it, and that’s why you’re not watching a Yogi Bear cartoon.

Perhaps I should admit on the title page that this book is "By L. Frank Baum and his correspondents," for I have used many suggestions conveyed to me in letters from children. Once on a time I really imagined myself "an author of fairy tales," but now I am merely an editor or private secretary for a host of youngsters whose ideas I am requested to weave into the thread of my stories...My, what imaginations these children have developed! Sometimes I am fairly astounded by their daring an genius. There will be no lack of fairy-tale authors in the future, I am sure. My readers have told me what to do with Dorothy, and Aunt Em and Uncle Henry, and I have obeyed their mandates. They have also given me a variety of subjects to write about in the future: enough, in fact, to keep me busy for some time. I am very proud of this alliance. Children love these stories because children have helped to create them. My readers know what they want and realize I try to please them. The result is satisfactory to the publishers, to me, and (I am quite sure) to the children. I hope, my dears, it will be a long time before we are obliged to dissolve partnership.

Queen Wilhelmina of Holland entered the state of motherhood six times, but was never able to carry the child to maturity. All the science of Europe could not bring the child to birth. There was a dear lady in our congregation in South Africa who had formerly been a nurse to Queen Wilhelmina. Her son was marvellously healed when dying of African fever, when he had been unconscious for six weeks. Being a friend of the queen, she wrote the story of her son’s healing, and after some correspondence we received a written request that we pray God that she might be a real mother. I brought her letter before the congregation one Sunday night, and the congregation went down to prayer. And before I arose from my knees, I turned around and said, “All right mother, you write and tell the queen, God has heard our prayer; she will bear a child.” Less than a year later the child was born, the present Princess Julianna of Holland.

Through all the scenes of her eventful life may be traced the energy of a naturally powerful mind—the fearlessness and child-like simplicity of one untrammelled by education or conventional customs—purity of character—an unflinching adherence to principle—and a native enthusiasm, which, under different circumstances, might easily have produced another Joan of Arc. With all her fervor, and enthusiasm, and speculation, her religion is not tinctured in the least with gloom. No doubt, no hesitation, no despondency, spreads a cloud over her soul; but all is bright, clear, positive, and at times ecstatic. Her trust is in God, and from him she looks for good, and not evil. She feels that ‘perfect love casteth out fear.

One may do anything; this alone corresponds to the whole breadth life has. But one must be sure not to take it upon oneself out of op-position, out of spite toward hindering circumstances, or, with others in mind, out of some kind of ambition.

Ever since you wrote to me about the Argos, I've been reading about stars. We've loads of books about them, as the subject was of particular interest to my father. Aristotle taught that stars are made of a different matter than the four earthly elements- a quintessence- that also happens to be what the human psyche is made of. Which is why man's spirit corresponds to the stars. Perhaps that's not a very scientific view, but I do like the idea that there's a little starlight in each of us.

The last thing this world needs is another self-help or feel-good faith book, seven simple steps to whatever. Just the thought makes my stomach turn. The truth is that life is far too complex to be put in a box, labeled, and have the appropriate manual attached. I wonder, have these people who seem to have all the answers ever really experienced hardship or grief, true joy, or adventure? Have they ever really lived? For those of us who venture outside the cookie cutter lives that many settle for, a superficial, plastic faith with the corresponding instruction booklet will do nothing. When we take the brave step from the comfortable mainstream into the unknown, we quickly discover that we are all just travelers on a journey trying to find our way.

And when the old deception of a supernatural and God-appointed authority had dwindled away these men were only concerned to devise a new one which like its predecessor should make it possible to hold the people in bondage to a limited number of rulers.

Matters were not helped, as David Bodanis points out in his superb book E = mc2, when the New York Times decided to do a story, and—for reasons that can never fail to excite wonder—sent the paper’s golfing correspondent, one Henry Crouch, to conduct the interview.

Books were an antidepressant, a powerful SSRI. She'd always been one of those girls with socked feet tucked under her, her mouth slightly open in stunned, almost doped-up concentration. All written words danced in a chain for her, creating corresponding images as clear as the boy from Iran's bouncing family. She had learned to read before kindergarten, when she'd first suspected that her parents weren't all that interested in her. Then she'd kept going, plowing through children's books with their predictable anthropomorphism, heading eventually into the strange and beautiful formality of the nineteenth century, and pushing backward and forward into histories of bloody wars, into discussions of God and godlessness. What she responded to most powerfully, sometimes even physically, were novels. Once Greer read Anna Karenina for such a long, unbroken bout that her eyes grew strained and bloodshot, and she had to lie in bed with a washcloth over them as if she herself were a literary heroine from the past. Novels had accompanied her throughout her childhood, that period of protracted isolation, and they would probably do so during whatever lay ahead in adulthood. Regardless of how bad it got at Ryland, she knew that at least she would able to read there, because this was college, and reading was what you did.

This book is, in a way, a scrapbook of my writing life. From shopping the cathedral flea market in Barcelona with David Sedaris to having drinks at Cognac with Nora Ephron just months before she died. To the years of sporadic correspondence I had with Thom Jones and Ira Levin. I’ve stalked my share of mentors, asking for advice. Therefore, if you came back another day and asked me to teach you, I’d tell you that becoming an author involves more than talent and skill. I’ve known fantastic writers who never finished a project. And writers who launched incredible ideas, then never fully executed them. And I’ve seen writers who sold a single book and became so disillusioned by the process that they never wrote another. I’d paraphrase the writer Joy Williams, who says that writers must be smart enough to hatch a brilliant idea—but dull enough to research it, keyboard it, edit and re-edit it, market the manuscript, revise it, revise it, re-revise it, review the copy edit, proofread the typeset galleys, slog through the interviews and write the essays to promote it, and finally to show up in a dozen cities and autograph copies for thousands or tens of thousands of people… And then I’d tell you, “Now get off my porch.” But if you came back to me a third time, I’d say, “Kid…” I’d say, “Don’t say I didn’t warn you.

There are about one hundred billion galaxies within this visible universe and the average density of material within a galaxy is about one million times greater than that in the visible universe as a whole, and corresponds to about one atom in every cubic centimetre.

architects who have aimed at acquiring manual skill without scholarship have never been able to reach a position of authority to correspond to their pains, while those who relied only upon theories and scholarship were obviously hunting the shadow, not the substance.

Another theme we’ll discuss is that magic didn’t miraculously disappear with the rise of the scientific worldview. Magic is still intensely present. Prayer is a form of intentional magic, a mental act intended to affect the world in some way. Wearing a sacred symbol is a form of sympathetic magic, a symbolic correspondence said to transcend time and space. Many religious rituals are forms of ancient ceremonial magic. The abundance of popular books on the power of affirmations and positive thinking are all based on age-old magical principles.

Bush, it will go down in history, it’s unbelievable that guy was president. Unbelievable. I’m sure, I’m 100 percent sure, in one hundred years, in one thousand years if society’s still standing, they’re going to say, “That guy was president? Like, what?” I know that to be a fact. RORY

In his life of seventy-six years, Euler created enough mathematics to fill seventy-four substantial volumes, the most total pages of any mathematician. By the time all of his work had been published (and new material continued to appear for seventy-nine years after his death) it amounted to a staggering 866 items, including articles and books on the most cutting-edge topics, elementary textbooks, books for the nonscientist, and technical manuals. These figures do not account for the projected fifteen volumes of correspondence and notebooks that are still being compiled.

The first letter I ever wrote was in 1948 to P. L. Travers regarding her book Mary Poppins. I loved this book and read it numerous times. I loved that Mary Poppins conducted her own life, and the lives of the children Jane and Michael, in such a controlled, even military, manner. This appealed to me terribly, that level of strict control—it seemed very safe. But also, somehow, there was such a great deal of creativity, adventure, color, surprise! And there was something about—Mary Poppins wasn’t their mother, and you knew (even as a child) she couldn’t rightly stay there forever, but as a child I imagined this lovely secret, that Mary Poppins was my real mother and that one day she would float down into my yard on the handle of an umbrella and declare I was her daughter, and she would explain the whole reason for having farmed me out, and then she would settle, and take me back and mind me with that perfect combination of wonder and predictability, though I knew obviously the book was a work of fiction and she would not, and also, didn’t I know, Colt, that as much as I wanted this, I also didn’t want it. I knew the moment she settled in to become

All the magazines said it was bad, what had happened. But all the stories were continued at the back of the book, and when you turned to those pages, the words saying it was bad were surrounded by ads, and these ads sold German knives and belts and helmets as well as Magic Trusses and Guaranteed Hair Restorer. These ads sold German flags emblazoned with swastikas and Nazi Lugers and a game called Panzer Attack as well as correspondence lessons and offers to make you rich selling elevator shoes to short men. They said it was bad, but it seemed like a lot of people must not mind.

The triad, being the fundamental principle of the whole Kabalah, or Sacred Tradition of our fathers, was necessarily the fundamental dogma of Christianity, the apparent dualism of which it explains by the intervention of a harmonious and all-powerful unity. Christ did not put His teaching into writing, and only revealed it in secret to His favored disciple, the one Kabalist, and he a great Kabalist, among the apostles. So is the Apocalypse the book of the Gnosis or Secret Doctrine of the first Christians, and the key of this doctrine is indicated by an occult versicle of the Lord's Prayer, which the Vulgate leaves untranslated, while in the Greek Rite, the priests only are permitted to pronounce it. This versicle, completely kabalistic, is found in the Greek text of the Gospel according to St Matthew, and in several Hebrew copies, as follows: Ὅτι σοῦ ἐστιν ἡ βασιλεία καὶ ἡ δύναμις καὶ ἡ δόξα εις τοὺς αἰῶνας. ἀμήν. The sacred word MALKUTH substituted for KETHER, which is its kabalistic correspondent, and the equipoise of GEBURAH and CHESED, repeating itself in the circles of heavens called eons by the Gnostics, provided the keystone of the whole Christian Temple in the occult versicle. It has been retained by Protestants in their New Testament, but they have failed to discern its lofty and wonderful meaning, which would have unveiled to them all the Mysteries of the Apocalypse. There is, however, a tradition in the Church that the manifestation of this mysteries is reserved till the last times.

Owing to the circumstances of my grandmother’s death, the subject interested me, and I had recently read in a book by a great specialist that perspiration was injurious to the kidneys, by making moisture pass through the skin when its proper outlet was elsewhere. I thought with regret of those dog-days at the time of my grandmother’s death, and was inclined to blame them for it. I did not mention this to Dr. E——but of his own accord he said to me: “The advantage of this very hot weather in which perspiration is abundant is that the kidney is correspondingly relieved.” Medicine is not an exact science.

The origin of repetitive conflicts can be found in the past of your current life, in your previous lives, or even in the lives of your ancestors. But in truth, the origin of the problem is of scarce importance. It is not essential to know it with Ho‘oponopono. This is because, in all respects, it is you who are the creator of everything that happens in your life. It is you who chose the family into which you were born, the one that corresponds precisely to your karma, will allow you to answer the question you pose for yourself, and will generate the conflict you were not able to resolve in your past life.

In this book we will not only be presenting a new history of humankind, but inviting the reader into a new science of history, one that restores our ancestors to their full humanity. Rather than asking how we ended up unequal, we will start by asking how it was that ‘inequality’ became such an issue to begin with, then gradually build up an alternative narrative that corresponds more closely to our current state of knowledge. If humans did not spend 95 per cent of their evolutionary past in tiny bands of hunter-gatherers, what were they doing all that time? If agriculture, and cities, did not mean a plunge into hierarchy and domination, then what did they imply? What was really happening in those periods we usually see as marking the emergence of ‘the state’? The answers are often unexpected, and suggest that the course of human history may be less set in stone, and more full of playful possibilities, than we tend to assume.

The reason for the astonishing fact that a majority of working people submit to a handful of idlers who control their labour and their very lives is always and everywhere the same—whether the oppressors and oppressed are of one race or whether, as in India and elsewhere, the oppressors are of a different nation.

Feel free to independently investigate all teachings in this book for yourself. Verify for yourself, if what I teach resonates with truth. Things are not ‘true’ because I say so. They are ‘true’ because they correspond with the truth. As with all teachings, take what resonates with you and let the rest fall away.

There is no branch of education called so universally into requisition as the art of letter writing; no station, high or low, where the necessity for correspondence is not felt; no person, young or old, who does not, at some time, write, cause to be written, and receive letters. From the President in his official capacity, with the busy pens of secretaries constantly employed in this branch of service, to the Irish laborer who, unable to guide a pen, writes, also by proxy, to his kinsfolks across the wide ocean; all, at some time, feel the desire to transmit some message, word of love, business, or sometimes enmity, by letter.

The depiction of the divine family is one of the key expressions of the greatest word of power, the Unpronounceable Name of God, or Tetragrammaton.  This fourfold name is comprised of the Hebrew letters Yod, Heh, Vav, Heh corresponding respectively to the Father, Mother, Son, and Daughter.  The correct pronunciation of Tetragrammaton, which was said to be immensely powerful and capable of destroying the universe, has been lost for centuries.  Significantly, if the Yod, symbolising God the Father, is removed from this name, we are left with Heh Vav Heh, which spells Eve, the first woman of the Book of Genesis and some of the Gnostic texts.

Revenge often looks petty, but I have come to respect the depth of hurt it conceals. Unable to reclaim the feelings we’ve lavished, we grab the engagement ring instead. And if that’s not enough, we can always change the wills. All are desperate attempts to repossess power, to exact compensation, to destroy the one who destroyed us as a means of self-preservation. Each dollar, each gift, each treasured book we extract from the rubble is meant to match a broken piece inside. But in the end, it’s a zero-sum game. The urge to settle the score corresponds to the intensity of the shame that eats us up. And the deepest shame is that we were stupid enough to trust all along.

Letters are, of course, quite special in my view, for when a reader has been sufficiently moved (or even perturbed) by a book to sit down and compose a letter to the author, something very powerful has happened. Things Fall Apart has brought me a large body of such correspondence from people of different ages and backgrounds and from all the continents.

How few there are who gather the gifts which lie in profusion at their feet: how many there are, who, in wilful waywardness, turn their eyes away from them and complain with a wail that they have not that which I have given them; many of them defiantly repudiate not only My gifts, but Me also, Me, the Source of all blessings and the Author of their being.

Then, too, the dissemination of the truth in a society based on coercion was always hindered in one and the same manner, namely, those in power, feeling that the recognition of this truth would undermine their position, consciously or sometimes unconsciously perverted it by explanations and additions quite foreign to it, and also opposed it by open violence.

Roy was very modest about his first novel. It was short, neatly written, and, as is everything he has produced since, in perfect taste. He sent it with a pleasant letter to all the leading writers of the day, and in this he told each one how greatly he admired his works, how much he had learned from his study of them, and how ardently he aspired to follow, albeit at a humble distance, the trail his correspondent had blazed. He laid his book at the feet of a great artist as the tribute of a young man entering upon the profession of letters to one whom he would always look up to as his master. Deprecatingly, fully conscious of his audacity in asking so busy a man to waste his time on a neophyte’s puny effort, he begged for criticism and guidance.

Ai see that most humans have some telepathic capabilities, yet most people don't know how to understand or interpret it. In most cases, people still think in terms of "Self and Other" frameworks and are looking for 1:1 correspondent conversations telepathically. The mistake is to think that telepathy is mind-to-mind message passing. It does not work like that. It is more subtle.

The popular visual imagery of China, as The Times correspondent suggested, came from pantomime and music hall in pre-cinema days; together with comics, press and book illustrations. Reminiscences by visitors to China sometimes noted that this was how they actually saw Peking when first they arrived. Then they discovered that the pantomimes were really about England in fancy dress.

His dog waited for his meals in a way so like that in which Oak waited for the girl's presence, that the farmer was quite struck with the resemblance, felt it lowering, and would not look at the dog. However, he continued to watch through the hedge for her regular coming, and thus his sentiments towards her were deepened without any corresponding effect being produced upon herself.

In considering what the religions teach, it is essential to remember that the outside world is as a reflection of the soul of man [...] The state of the outer world does not merely correspond to the general state of men’s souls; it also in a sense depends on that state, since man himself is the pontiff of the outer world. Thus the corruption of man must necessarily affect the whole.

As the feminist psychiatrist Judith Herman puts it in her book Trauma and Recovery: “His correspondence makes clear that he was increasingly troubled by the radical social implications of his hypothesis. . . . Faced with this dilemma, Freud stopped listening to his female patients.” If they were telling the truth, he would have to challenge the whole edifice of patriarchal authority to support them.

As psychologist Bruce Hood writes in his book The Self Illusion, you have an origin story and a sense that you’ve traveled from youth to now along a linear path, with ups and downs that ultimately made you who you are today. Babies don’t have that. That sense is built around events that you can recall and place in time. Babies and small children have what Hood calls “unconscious knowledge,” which is to say they simply recognize patterns and make associations with stimuli. Without episodic memories, there is no narrative; and without any narrative, there is no self. Somewhere between ages two and three, according to Hood, that sense of self begins to come online, and that awakening corresponds with the ability to tell a story about yourself based on memories. He points to a study by Alison Gopnik and Janet Astington in 1988 in which researchers presented to three-year-olds a box of candy, but the children were then surprised to find pencils inside instead of sweets. When they asked each child what the next kid would think was in the box when he or she went through the same experiment, the answer was usually pencils. The children didn’t yet know that other people have minds, so they assumed everyone knew what they knew. Once you gain the ability to assume others have their own thoughts, the concept of other minds is so powerful that you project it into everything: plants, glitchy computers, boats with names, anything that makes more sense to you when you can assume, even jokingly, it has a sort of self. That sense of agency is so powerful that people throughout time have assumed a consciousness at the helm of the sun, the moon, the winds, and the seas. Out of that sense of self and other selves come the narratives that have kept whole societies together. The great mythologies of the ancients and moderns are stories made up to make sense of things on a grand scale. So strong is the narrative bias that people live and die for such stories and devote whole lives to them (as well as take lives for them).

Cruel people show us what we all were and thus appal us; but they are as little responsible on this account as is a piece of granite for being granite. In our own brains there must be courses and windings corresponding to such characters, just as in the forms of some human organs there survive traces of fishhood. But these courses and windings are no longer the bed in which flows the stream of our feeling.

We then discover that we have no word, corresponding to “poem” in poetry or “play” in drama, to describe a work of literary art. It is all very well for Blake to say that to generalize is to be an idiot, but when we find ourselves in the cultural situation of savages who have words for ash and willow and no word for tree, we wonder if there is not such a thing as being too deficient in the capacity to generalize.

The outlandish 2000 election and Bush’s victory had come along at the perfect time, helping Stewart, the correspondents, and the writers sharpen The Daily Show’s tone of bemused mockery. The next world-changing events would have just as big an effect—and a late-night, basic cable comedy show would become an unlikely outlet for mourning, an antidote to anxiety, and gradually a center of principled, patriotic dissent.

John has a narrow mind. For him, neither the beauty nor the prosperity of the city of Ephesus is worth a second glance. Ephesus was situated at the end of the Silk Road from China and the caravan route from India which used to pass through the Parthian Empire en route to the West. But the prophet is quite unaware that this particular world exists at all. Even culture means absolutely nothing to him; for example, in 18:22 he rejoices that not only song but also the sound of the flute have disappeared. The world which he knows is limited to the seven churches whose Christianity corresponded with his own; and that in but a single province of the Roman Empire, namely Asia. As to the rest, he is only familiar with the mother church in Jerusalem and the sister church in Rome. John is utterly obsessed by Rome. The fact that this particular metropolis had bestowed both law and peace upon no less than one-half of the world never got through to him at all. He is also quite oblivious of the fact that Rome oppresses nations and exploits slaves. He could not care less about national or social considerations. He abominates the "whore on the seven hills" simply because Rome is persecuting Christians. This is precisely what the Apocalypse is all about: innocent suffering.

But Ludmilla is always at least one step ahead of you. “I like to know that book exists that I will still be able to read…” she says, sure that existent objects, concrete albeit unknown, must correspond to the strength of her desire. How can you keep up with her, this woman who is always reading another book besides the one before her eyes, a book that does not yet exist, but which, since she wants it, cannot fail to exist?

I pocketed two boxes of M&M’s with the presidential seal. You open it up and you really are expecting the best M&M’s you’ve ever eaten in your life, and it’s just fucking M&M’s. You’re like, “Well, these are the same M&M’s I got at the train station.” I thought president M&M’s would somehow be like, I don’t know, the chocolate on the outside and the candy on the inside, something different. But they’re just M&M’s. Pretty interesting. Even

I absolutely did consider Ben a friend, and still do. But beyond that I’m not particularly close—I’m close to my family, in general, and I have friends, and I’m close to them, but probably not in the traditional way that people assume friendships are like. I’m not a big hangout guy. When I say we’re friends, we’re friends, but it’s not like we summer together, or we went out to dinner every week. I don’t really do that with anybody. STEPHEN

A commercial company enslaved a nation comprising two hundred millions. Tell this to a man free from superstition and he will fail to grasp what these words mean. What does it mean that thirty thousand people, not athletes, but rather weak and ordinary people, have enslaved two hundred millions of vigorous, clever, capable, freedom-loving people? Do not the figures make it clear that not the English, but the Indians, have enslaved themselves?

Je pense pour ma part que les livres sont comme les être humains. Parfois, nous les aimons pour des raisons cohérentes, raisonnées et intelligibles. Ils sont bien écrits, riches et attrayants comme des éphèbes bien nés. Mais de temps à autre, notre inclinaison vers tel ou tel ouvrage relève plus du pulsionnel, de la passion et de l'irrationnel. Exactement de la même façon dont on s'éprend d'une personne improbable qui ne correspond en rien à nos attentes.

Harrison Salisbury When Amor Towles was ten years old, he threw a bottle containing a short note he had written into the Atlantic Ocean. A few weeks later he received a letter from the man who found it: Harrison Salisbury, the managing editor of The New York Times. From this childhood incident, a correspondence developed between Salisbury and Towles and they eventually met. In his earlier career, Harrison Salisbury was the real-life chief correspondent for The New York Times in Moscow. The author of an important history of the Russian Revolution, Black Nights, White Snow, his memoirs were the source of some of the detail Towles uses in A Gentleman in Moscow. Salisbury’s cameo appearance in the novel, along with the mention of his fedora and trench coat (stolen by the Count as a disguise) pay tribute to Salisbury’s literary legacy on early twentieth century Russia as well as the author’s serendipitous connection with him.

The extraterrestrials Aryan from Adelbaran told Maria that they were here before, thousands of years ago. And people took them for gods. They descended in the Near East and created colonies. They also told her about the Nordics, the Lyrans, the Igigi and the Anunnaki who created us genetically in their Chimiti. This, seems to correspond to numerous texts and epics found on clay tablets in Mesopotamia and Phoenicia, as well as in Ugaritic myths and Biblical texts.

for every Christian feels the same, however vaguely he may do so. Socialism, Communism, Anarchism' Salvation Armies, the growth of crime, freedom from toil, the increasingly absurd luxury of the rich and increased misery of the poor, the fearfully rising number of suicides-are all indications of that inner contradiction which must and will be resolved. And, of course, resolved in such a manner that the law of love will be recognized and all reliance on force abandoned.

We already know they used the table of elements to devise the clues. Now, the four cardinal directions each corresponds to one of the original four elements of the ancients. We've already gone through water---the waterfall, fire---the Hall of Fire, then we had to swing through the air. That only leaves the element of earth. Which corresponds to... north." She looked up from the compass to the door ahead of them. He stared at her in admiration "You're good." "Maybe it's just my Promethean blood.

But Wharton hadn’t published any of her books while she lived in this house. At Land’s End, she had been unknown, an unhappy married woman. She had not yet become the real Edith Wharton. Not yet divorced. Not yet a novelist. Not yet a war correspondent in France. She wonders how terrifying it felt, not to know any of this about herself, to sit out on this big lawn, looking at the sea, feeling like she was at the very end of it all. She wonders what it was that made her realize there was somewhere else to go.

The Living Word has various dimensions in relation to power and will to power. The spoken word stands at the very bottom of the involuted scale, being the faint echo of the inaudible Word. All beings, from the Gods to mankind, possess a sound, an essential name, a key note. By discovering what it is, one acquires the power to decompose and recreate it. It is also a mantra of voluntary death and resurrection. In the current parlance: the individual, chromosomic, genetic code has been deciphered. The secret has been penetrated. The name to which we refer corresponds to the supratemporal being and has nothing to do with the intimate, family name, although sometimes a delicate synchronicity is produced within a turn of the wheel, a mysterious lucky occurrence filled with meaning, and this name may also be symbolic. 'You must discover your Beloved's real name if you are to bring her back to life. And yours, too. They are the names of the God and Goddess to whom they will give a face. 'Of the God within you', as the Hindu greeting says: Namaste. 'I greet the God within you'. 'The essential name cannot be chosen, it isn't arbitrary. It is filled with meaning of the root note. It is mantra, an eternal designation. It is inscribed in the Book of the Stars, on the Tree of Life, awaiting its actualisation. The initiate of our order is given his real name when he has successfully undergone the most difficult tests. Then it is inscribed in the genealogical tree of the family, in the immortal circle of the Hyperborean initiation.

Unfortunately, the more things change technologically, the more human nature stays the same—a law that applies even to the United States, which often believes it is exempt from the misfortunes of other nations, past and present. This book makes clear, however, that there is no certainty that as scientific progress accelerates and leisure increases, and as the world shrinks on our computer and television screens, there is any corresponding advance in wisdom or morality, much less radical improvement in innate human nature.

In its broadest sense, the question to be considered is, "How to Investigate a Problem." In doing this the first step is to get together all available information regarding the problem, including books, experimental data and results of experience, and to consider and digest this material. Personal investigations and inquiry, further experimental research, correspondence, travel, etc., may then be necessary. This will be based, however, in general, upon a study of books, and with this part of the subject we are here particularly concerned.

Rolf Ekeus came round to my apartment one day and showed me the name of the Iraqi diplomat who had visited the little West African country of Niger: a statelet famous only for its production of yellowcake uranium. The name was Wissam Zahawi. He was the brother of my louche gay part-Kurdish friend, the by-now late Mazen. He was also, or had been at the time of his trip to Niger, Saddam Hussein's ambassador to the Vatican. I expressed incomprehension. What was an envoy to the Holy See doing in Niger? Obviously he was not taking a vacation. Rolf then explained two things to me. The first was that Wissam Zahawi had, when Rolf was at the United Nations, been one of Saddam Hussein's chief envoys for discussions on nuclear matters (this at a time when the Iraqis had functioning reactors). The second was that, during the period of sanctions that followed the Kuwait war, no Western European country had full diplomatic relations with Baghdad. TheVatican was the sole exception, so it was sent a very senior Iraqi envoy to act as a listening post. And this man, a specialist in nuclear matters, had made a discreet side trip to Niger. This was to suggest exactly what most right-thinking people were convinced was not the case: namely that British intelligence was on to something when it said that Saddam had not ceased seeking nuclear materials in Africa. I published a few columns on this, drawing at one point an angry email from Ambassador Zahawi that very satisfyingly blustered and bluffed on what he'd really been up to. I also received—this is what sometimes makes journalism worthwhile—a letter from a BBC correspondent named Gordon Correa who had been writing a book about A.Q. Khan. This was the Pakistani proprietor of the nuclear black market that had supplied fissile material to Libya, North Korea, very probably to Syria, and was open for business with any member of the 'rogue states' club. (Saddam's people, we already knew for sure, had been meeting North Korean missile salesmen in Damascus until just before the invasion, when Kim Jong Il's mercenary bargainers took fright and went home.) It turned out, said the highly interested Mr. Correa, that his man Khan had also been in Niger, and at about the same time that Zahawi had. The likelihood of the senior Iraqi diplomat in Europe and the senior Pakistani nuclear black-marketeer both choosing an off-season holiday in chic little uranium-rich Niger… well, you have to admit that it makes an affecting picture. But you must be ready to credit something as ridiculous as that if your touching belief is that Saddam Hussein was already 'contained,' and that Mr. Bush and Mr. Blair were acting on panic reports, fabricated in turn by self-interested provocateurs.

[T]he information acquired through reading must not be stored up in the memory, corresponding to the successive chapters of the book. Rather, each little piece of knowledge thus gained must be treated as if it were a stone to be inserted into a mosaic, so that it finds its proper place among all the other elements that form a general worldview in the reader's mind. Otherwise only a confused jumble of chaotic notions will result from all this reading. That jumble is not merely useless, but it also tends to make the unfortunate possessor of it conceited.

As soon as men live entirely in accord with the law of love natural to their hearts and now revealed to them, which excludes all resistance by violence, and therefore hold aloof from all participation in violence—as soon as this happens, not only will hundreds be unable to enslave millions, but not even millions will be able to enslave a single individual. Do not resist the evil-doer and take no part in doing so, either in the violent deeds of the administration, in the law courts, the collection of taxes, or above all in soldiering, and no one in the world will be able to enslave you.

The world shown us in books, whether the books be confessed epics or professed gospels, or in codes, or in political orations, or in philosophic systems, is not the main world at all: it is only the self-consciousness of certain abnormal people who have the specific artistic talent and temperament. A serious matter this for you and me, because the man whose consciousness does not correspond to that of the majority is a madman; and the old habit of worshipping madmen is giving way to the new habit of locking them up. And since what we call education and culture is for the most part nothing but the substitution of reading for experience, of literature for life, of the obsolete fictitious for the contemporary real, education, as you no doubt observed at Oxford, destroys, by supplantation, every mind that is not strong enough to see through the imposture and to use the great Masters of Arts as what they really are and no more: that is, patentees of highly questionable methods of thinking, and manufacturers of highly questionable, and for the majority but half valid representations of life. The schoolboy who uses his Homer to throw at his fellow's head makes perhaps the safest and most rational use of him; and I observe with reassurance that you occasionally do the same, in your prime, with your Aristotle. Fortunately for us, whose minds have been so overwhelmingly sophisticated by literature, what produces all these treatises and poems and scriptures of one sort or another is the struggle of Life to become divinely conscious of itself instead of blindly stumbling hither and thither in the line of least resistance. Hence there is a driving towards truth in all books on matters where the writer, though exceptionally gifted is normally constituted, and has no private axe to grind.

Pico and Lorenzo and Poliziano and the young Michelangelo. They held in each hand the new world and the old world. The library hunted down the last four books of Cicero. They imported a giraffe, a rhinoceros, a dodo. Toscanelli drew maps of the world based on correspondence with merchants. They sat in this room with a bust of Plato and argued all night. And then came Savonarola’s cry out of the streets: “Repentance! The deluge is coming!“ And everything was swept away—free will, the desire to be elegant, fame, the right to worship Plato as well as Christ. Now came the bonfires—the burning of wigs, books, animal hides, maps.

And since a novel has this correspondence to real life, its values are to some extent those of real life. But it is obvious that the values of women differ very often from the values which have been made by the other sex; naturally, this is so. Yet it is the masculine values that prevail. Speaking crudely, football and sport are ‘important’; the worship of fashion, the buying of clothes ‘trivial’. And these values are inevitably transferred from life to fiction. This is an important book, the critic assumes, because it deals with war. This is an insignificant book because it deals with the feelings of women in a drawing- room.

Tis with great Pleasure I observe, That Men of Letters, in this Age, have lost, in a great Measure, that Shyness and Bashfulness of Temper, which kept them at a Distance from Mankind; and, at the same Time, That Men of the World are proud of borrowing from Books their most agreeable Topics of Conversation. ’Tis to be hop’d, that this League betwixt the learned and conversible Worlds, which is so happily begun, will be still farther improv’d to their mutual Advantage; and to that End, I know nothing more advantageous than such Essays as these with which I endeavour to entertain the Public. In this View, I cannot but consider myself as a Kind of Resident or Ambassador from the Dominions of Learning to those of Conversation; and shall think it my constant Duty to promote a good Correspondence betwixt these two States, which have so great a Dependence on each other. I shall give Intelligence to the Learned of whatever passes in Company, and shall endeavour to import into Company whatever Commodities I find in my native Country proper for their Use and Entertainment. The Balance of Trade we need not be jealous of, nor will there be any Difficulty to preserve it on both Sides. The Materials of this Commerce must chiefly be furnish’d by Conversation and common Life: The manufacturing of them alone belongs to Learning. As

The tulips are too excitable, it is winter here. Look how white everything is, how quiet, how snowed-in. I am learning peacefulness, lying by myself quietly As the light lies on these white walls, this bed, these hands. I am nobody; I have nothing to do with explosions. I have given my name and my day-clothes up to the nurses And my history to the anesthetist and my body to surgeons. They have propped my head between the pillow and the sheet-cuff Like an eye between two white lids that will not shut. Stupid pupil, it has to take everything in. The nurses pass and pass, they are no trouble, They pass the way gulls pass inland in their white caps, Doing things with their hands, one just the same as another, So it is impossible to tell how many there are. My body is a pebble to them, they tend it as water Tends to the pebbles it must run over, smoothing them gently. They bring me numbness in their bright needles, they bring me sleep. Now I have lost myself I am sick of baggage—— My patent leather overnight case like a black pillbox, My husband and child smiling out of the family photo; Their smiles catch onto my skin, little smiling hooks. I have let things slip, a thirty-year-old cargo boat stubbornly hanging on to my name and address. They have swabbed me clear of my loving associations. Scared and bare on the green plastic-pillowed trolley I watched my teaset, my bureaus of linen, my books Sink out of sight, and the water went over my head. I am a nun now, I have never been so pure. I didn’t want any flowers, I only wanted To lie with my hands turned up and be utterly empty. How free it is, you have no idea how free—— The peacefulness is so big it dazes you, And it asks nothing, a name tag, a few trinkets. It is what the dead close on, finally; I imagine them Shutting their mouths on it, like a Communion tablet. The tulips are too red in the first place, they hurt me. Even through the gift paper I could hear them breathe Lightly, through their white swaddlings, like an awful baby. Their redness talks to my wound, it corresponds. They are subtle : they seem to float, though they weigh me down, Upsetting me with their sudden tongues and their color, A dozen red lead sinkers round my neck. Nobody watched me before, now I am watched. The tulips turn to me, and the window behind me Where once a day the light slowly widens and slowly thins, And I see myself, flat, ridiculous, a cut-paper shadow Between the eye of the sun and the eyes of the tulips, And I have no face, I have wanted to efface myself. The vivid tulips eat my oxygen. Before they came the air was calm enough, Coming and going, breath by breath, without any fuss. Then the tulips filled it up like a loud noise. Now the air snags and eddies round them the way a river Snags and eddies round a sunken rust-red engine. They concentrate my attention, that was happy Playing and resting without committing itself. The walls, also, seem to be warming themselves. The tulips should be behind bars like dangerous animals; They are opening like the mouth of some great African cat, And I am aware of my heart: it opens and closes Its bowl of red blooms out of sheer love of me. The water I taste is warm and salt, like the sea, And comes from a country far away as health. --"Tulips", written 18 March 1961

The finished clock is resplendent. At first glance it is simply a clock, a rather large black clock with a white face and a silver pendulum. Well crafted, obviously, with intricately carved woodwork edges and a perfectly painted face, but just a clock. But that is before it is wound. Before it begins to tick, the pendulum swinging steadily and evenly. Then, then it becomes something else. The changes are slow. First, the color changes in the face, shifts from white to grey, and then there are clouds that float across it, disappearing when they reach the opposite side. Meanwhile, bits of the body of the clock expand and contract, like pieces of a puzzle. As though the clock is falling apart, slowly and gracefully. All of this takes hours. The face of the clock becomes a darker grey, and then black, with twinkling stars where the numbers had been previously. The body of the clock, which has been methodically turning itself inside out and expanding, is now entirely subtle shades of white and grey. And it is not just pieces, it is figures and objects, perfectly carved flowers and planets and tiny books with actual paper pages that turn. There is a silver dragon that curls around part of the now visible clockwork, a tiny princess in a carved tower who paces in distress, awaiting an absent prince. Teapots that pour into teacups and minuscule curls of steam that rise from them as the seconds tick. Wrapped presents open. Small cats chase small dogs. An entire game of chess is played. At the center, where a cuckoo bird would live in a more traditional timepiece, is the juggler. Dressed in harlequin style with a grey mask, he juggles shiny silver balls that correspond to each hour. As the clock chimes, another ball joins the rest until at midnight he juggles twelve balls in a complex pattern. After midnight the clock begins once more to fold in upon itself. The face lightens and the clouds return. The number of juggled balls decreases until the juggler himself vanishes. By noon it is a clock again, and no longer a dream. A

Note II.—From all that has been said above it is clear, that we, in many cases, perceive and form our general notions:—(1.) From particular things represented to our intellect fragmentarily, confusedly, and without order through our senses (II. xxix. Coroll.); I have settled to call such perceptions by the name of knowledge from the mere suggestions of experience.4 (2.) From symbols, e.g., from the fact of having read or heard certain words we remember things and form certain ideas concerning them, similar to those through which we imagine things (II. xviii. note). I shall call both these ways of regarding things knowledge of the first kind, opinion, or imagination. (3.) From the fact that we have notions common to all men, and adequate ideas of the properties of things (II. xxxviii. Coroll., xxxix. and Coroll. and xl.); this I call reason and knowledge of the second kind. Besides these two kinds of knowledge, there is, as I will hereafter show, a third kind of knowledge, which we will call intuition. This kind of knowledge proceeds from an adequate idea of the absolute essence of certain attributes of God to the adequate knowledge of the essence of things. I will illustrate all three kinds of knowledge by a single example. Three numbers are given for finding a fourth, which shall be to the third as the second is to the first. Tradesmen without hesitation multiply the second by the third, and divide the product by the first; either because they have not forgotten the rule which they received from a master without any proof, or because they have often made trial of it with simple numbers, or by virtue of the proof of the nineteenth proposition of the seventh book of Euclid, namely, in virtue of the general property of proportionals. But with very simple numbers there is no need of this. For instance, one, two, three, being given, everyone can see that the fourth proportional is six; and this is much clearer, because we infer the fourth number from an intuitive grasping of the ratio, which the first bears to the second.

The great psychologist Dr. George W. Crane said in his famous book Applied Psychology, “Remember, motions are the precursors of emotions. You can’t control the latter directly but only through your choice of motions or actions. . . . To avoid this all too common tragedy (marital difficulties and misunderstandings) become aware of the true psychological facts. Go through the proper motions each day and you’ll soon begin to feel the corresponding emotions! Just be sure you and your mate go through those motions of dates and kisses, the phrasing of sincere daily compliments, plus the many other little courtesies, and you need not worry about the emotion of love. You can’t act devoted for very long without feeling devoted.

I was just settling into the salons of Austenian Bath when Gabriel muttered, "This is strange." I looked up to see him pulling a long blue-gray thread from between the nearly translucent pages. My jaw dropped, and I was kneeling on the chaise in a flash. "Is the binding coming loose? No, don't pull it! I can take it to my book doctor tomorrow night." "Stop hyperventilating, sweetheart. I think it's a bookmark," he said, pulling on the thread until he stretched it to my hand. "Here." I wound the thread around my finger. "What passage was it marking?" He scanned the page and lifted an eye. "It's an Edward and Jane scene. I know how you love those. Edward's saying, 'I sometimes have a queer feeling with regard to you---especially when you are near me, as now: it is as if I had a string somewhere under my left ribs, tightly and inextricably knotted to a similar string situated in the corresponding quarter of your little frame.'" I was so caught up in watching his lips as they formed the words that I barely noticed the sudden tension on the fiber wound around my finger. I realized now that Gabriel had slipped a ring onto the thread and was sliding it toward me. I watched as the respectable diamond twinkled in the light of the oil lamp. "I'm not Edward, " Gabriel promised. "I'm not afraid the thread will break and leave me bleeding. Our thread's already been tested. And it will hold up. I'm asking you to make the link permanent. Please, marry me.

reading books over my shoulder and turning pages that I did not want turned, and having finished all of her e-mail correspondence, Carmen settles onto my shoulder, into the crook of my arm, or on my lap against my belly; she rounds her soft breast over her feet, fluffs and then unfluffs her feathers, and becomes perfectly still. Sometimes she will close her eyes; other times she will simply rest, entirely at peace. She might make a contented little sound, one I never hear from her aviary. It is a sigh-chirp, reserved for these moments of quiet snuggling. If I am still, I can feel her swift heartbeat. I will never tire of such moments. Comfort, rest, and unexpected consolation, shared so easily between two beings who grew from such seemingly different limbs of the taxonomic tree.

BLUE pencils, blue noses, blue movies, laws, blue legs and stockings, the language of birds, bees, and flowers as sung by longshoremen, that lead-like look the skin has when affected by cold, contusion, sickness, fear; the rotten rum or gin they call blue ruin and the blue devils of its delirium; Russian cats and oysters, a withheld or imprisoned breath, the blue they say that diamonds have, deep holes in the ocean and the blazers which English athletes earn that gentlemen may wear; afflictions of the spirit—dumps, mopes, Mondays—all that’s dismal—low-down gloomy music, Nova Scotians, cyanosis, hair rinse, bluing, bleach; the rare blue dahlia like that blue moon shrewd things happen only once in, or the call for trumps in whist (but who remembers whist or what the death of unplayed games is like?), and correspondingly the flag, Blue Peter, which is our signal for getting under way; a swift pitch, Confederate money, the shaded slopes of clouds and mountains, and so the constantly increasing absentness of Heaven (ins Blaue hinein, the Germans say), consequently the color of everything that’s empty: blue bottles, bank accounts, and compliments, for instance, or, when the sky’s turned turtle, the blue-green bleat of ocean (both the same), and, when in Hell, its neatly landscaped rows of concrete huts and gas-blue flames; social registers, examination booklets, blue bloods, balls, and bonnets, beards, coats, collars, chips, and cheese . . . the pedantic, indecent and censorious . . . watered twilight, sour sea: through a scrambling of accidents, blue has become their color, just as it’s stood for fidelity.

Somehow I feel that, despite our work as reporters, there is little understanding of the Third Reich, what it is, what it is up to, where it is going, either at home or elsewhere abroad. It is a complex picture and it may be that we have given only a few strong, uncoordinated strokes of the brush, leaving the canvas as confusing and meaningless as an early Picasso. Certainly the British and the French do not understand Hitler’s Germany. Perhaps, as the Nazis say, the Western democracies have become sick, decadent, and have reached that stage of decline which Spengler predicted. But Spengler included Germany in the decline of the West, and indeed the Nazi reversion to the ancient, primitive, Germanic myths is a sign of her retrogression, as is her burning of books and suppression of liberty and learning.

Yes, I think a lot happened here. This fountain in the wall. Pico and Lorenzo and Poliziano and the young Michelangelo. They held in each hand the new world and the old world. The library hunted down the last four books of Cicero. They imported a giraffe, a rhinoceros, a dodo. Toscanelli drew maps of the world based on correspondence with merchants. They sat in this room with a bust of Plato and argued all night. And then came Savonarola's cry out of the streets: 'Repentance! The deluge is coming!' And everything was swept away – free will, the desire to be elegant, fame, the right to worship Plato as well as Christ. Now came the bonfires – the burning of wigs, books, animal hides, maps. More than four hundred years later they opened up the graves. Pico's bones were preserved. Poliziano's had crumbled into dust.

With this symphony of voices man can play through the eternity of time in less than an hour, and can taste in small measure the delight of God, the Supreme Artist … I yield freely to the sacred frenzy … the die is cast, and I am writing the book—to be read either now or by posterity, it matters not. It can wait a century for a reader, as God Himself has waited 6,000 years for a witness. Within the “symphony of voices,” Kepler believed that the speed of each planet corresponds to certain notes in the Latinate musical scale popular in his day—do, re, mi, fa, sol, la, ti, do. He claimed that in the harmony of the spheres, the tones of Earth are fa and mi, that the Earth is forever humming fa and mi, and that they stand in a straightforward way for the Latin word for famine. He argued, not unsuccessfully, that the Earth was best described by that single doleful word.

Like so many children who read a lot, I begin to declare rather early that I want to be a writer. But this is the only way I have of articulating a different desire, a desire that I can’t yet understand. What I really want is to be transported into a space in which everything is as distinct, complete, and intelligible as in the stories I read. And, like most children, I’m a literalist through and through. I want reality to imitate books – and books to capture the essence of reality. I love words insofar as they correspond to the world, insofar as they give it to me in a heightened form. The more words I have, the more distinct, precise my perceptions become – and such lucidity is a form of joy. Sometimes, when I find a new expression, I roll it on the tongue, as if shaping it in my mouth gave birth to a new shape in the world. Nothing fully exists until it is articulated.

Then, too, the dissemination of the truth in a society based on coercion was always hindered in one and the same manner, namely, those in power, feeling that the recognition of this truth would undermine their position, consciously or sometimes unconsciously perverted it by explanations and additions quite foreign to it, and also opposed it by open violence. Thus the truth—that his life should be directed by the spiritual element which is its basis, which manifests itself as love, and which is so natural to man—this truth, in order to force a way to man's consciousness, had to struggle not merely against the obscurity with which it was expressed and the intentional and unintentional distortions surrounding it, but also against deliberate violence, which by means of persecutions and punishments sought to compel men to accept religious laws authorized by the rulers and conflicting with the truth.

For the consequence is that, as things now are, we Males have to lead a kind of bi-lingual, and I may almost say bimental, existence. With Women, we speak of “love,” “duty,” “right,” “wrong,” “pity,” “hope,” and other irrational and emotional conceptions, which have no existence, and the fiction of which has no object except to control feminine exuberances; but among ourselves, and in our books, we have an entirely different vocabulary and I may also say, idiom. “Love” them becomes “the anticipation of benefits”; “duty” becomes “necessity” or “fitness”; and other words are correspondingly transmuted. Moreover, among Women, we use language implying the utmost deference for their Sex; and they fully believe that the Chief Circle Himself is not more devoutly adored by us than they are: but behind their backs they are both regarded and spoken of—by all but the very young—as being little better than “mindless organisms.

In any case, it is not as if the ‘light’ inspection is in any sense preferable for staff than the heavy one. The inspectors are in the college for the same amount of time as they were under the old system. The fact that there are fewer of them does nothing to alleviate the stress of the inspection, which has far more to do with the extra bureaucratic window-dressing one has to do in anticipation of a possible observation than it has to do with any actual observation itself. The inspection, that is to say, corresponds precisely to Foucault’s account of the virtual nature of surveillance in Discipline And Punish. Foucault famously observes there that there is no need for the place of surveillance to actually be occupied. The effect of not knowing whether you will be observed or not produces an introjection of the surveillance apparatus. You constantly act as if you are always about to be observed. Yet, in the case of school and university inspections, what you will be graded on is not primarily your abilities as a teacher so much as your diligence as a bureaucrat. There are other bizarre effects. Since OFSTED is now observing the college’s self-assessment systems, there is an implicit incentive for the college to grade itself and its teaching lower than it actually deserves. The result is a kind of postmodern capitalist version of Maoist confessionalism, in which workers are required to engage in constant symbolic self-denigration. At one point, when our line manager was extolling the virtues of the new, light inspection system, he told us that the problem with our departmental log-books was that they were not sufficiently self-critical. But don’t worry, he urged, any self-criticisms we make are purely symbolic, and will never be acted upon; as if performing self-flagellation as part of a purely formal exercise in cynical bureaucratic compliance were any less demoralizing.

The third, most important, and unfortunately most widespread justification is, at bottom, the age-old religious one just a little altered: that in public life the suppression of some for the protection of the majority cannot be avoided—so that coercion is unavoidable however desirable reliance on love alone might be in human intercourse. The only difference in this justification by pseudo-science consists in the fact that, to the question why such and such people and not others have the right to decide against whom violence may and must be used, pseudo-science now gives a different reply to that given by religion—which declared that the right to decide was valid because it was pronounced by persons possessed of divine power. 'Science' says that these decisions represent the will of the people, which under a constitutional form of government is supposed to find expression in all the decisions and actions of those who are at the helm at the moment.

But since we’re on the topic of identity and narrative voice - here’s an interesting conundrum. You may know that The Correspondence Artist won a Lambda Award. I love the Lambda Literary Foundation, and I was thrilled to win a Lammy. My book won in the category of “Bisexual Fiction.” The Awards (or nearly all of them) are categorized according to the sexual identity of the dominant character in a work of fiction, not the author. I’m not sure if “dominant” is the word they use, but you get the idea. The foregrounded character. In The Correspondence Artist, the narrator is a woman, but you’re never sure about the gender of her lover. You’re also never sure about the lover’s age or ethnicity - these things change too, and pretty dramatically. Also, sometimes when the narrator corresponds with her lover by email, she (the narrator) makes reference to her “hard on.” That is, part of her erotic play with her lover has to do with destabilizing the ways she refers to her own sex (by which I mean both gender and naughty bits). So really, the narrator and her lover are only verifiably “bisexual” in the Freudian sense of the term - that is, it’s unclear if they have sex with people of the same sex, but they each have a complex gender identity that shifts over time. Looking at the various possible categorizations for that book, I think “Bisexual Fiction” was the most appropriate, but better, of course, would have been “Queer Fiction.” Maybe even trans, though surely that would have raised some hackles. So, I just submitted I’m Trying to Reach You for this year’s Lambda Awards and I had to choose a category. Well. As I said, the narrator identifies as a gay man. I guess you’d say the primary erotic relationship is with his boyfriend, Sven. But he has an obsession with a weird middle-aged white lady dancer on YouTube who happens to be me, and ultimately you come to understand that she is involved in an erotic relationship with a lesbian electric guitarist. And this romance isn’t just a titillating spectacle for a voyeuristic narrator: it turns out to be the founding myth of our national poetics! They are Emily Dickinson and Walt Whitman! Sorry for all the spoilers. I never mind spoilers because I never read for plot. Maybe the editor (hello Emily) will want to head plot-sensitive readers off at the pass if you publish this paragraph. Anyway, the question then is: does authorial self-referentiality matter? Does the national mythos matter? Is this a work of Bisexual or Lesbian Fiction? Is Walt trans? I ended up submitting the book as Gay (Male) Fiction. The administrator of the prizes also thought this was appropriate, since Gray is the narrator. And Gray is not me, but also not not me, just as Emily Dickinson is not me but also not not me, and Walt Whitman is not my lover but also not not my lover. Again, it’s a really queer book, but the point is kind of to trip you up about what you thought you knew about gender anyway.

To return to my point about the immense power that his enemies attribute to him, Orwell once wrote about the ‘large, vague renown’ that constituted the popular memory of Thomas Carlyle. His own reputation has long been of that kind, if not rather greater and more precise. But this is not the same as moving millions to despair and apathy (Deutscher), or spoiling the morale of a whole generation (Williams), or authoring a work of fiction that was in fact, in rather cunning disguise, the work of an entire ‘culture’ (Thompson). In some semi-articulated way, many major figures of the Left have thought of Orwell as an enemy, and an important and frightening one. This was true to a somewhat lesser extent in his own lifetime. And, again, the dislike or distrust can be illustrated by a simple—or at any rate a simple-minded—confusion of categories. It was widely said, and believed, of Orwell that he had written the damning sentence: ‘The working classes smell.’ This statement of combined snobbery and heresy was supposedly to be found in The Road to Wigan Pier; in other words—since the book was a main selection of Victor Gollancz’s Left Book Club—it could be checked and consulted. But it obviously never was checked or consulted, because in those pages Orwell only says that middle-class people, such as his own immediate forebears, were convinced that the working classes smelled. Victor Gollancz himself, though hopelessly at odds with Orwell in matters of politics, issued a denial on his behalf that he had ever said, or written, that ‘the working classes smell.’ It made no difference. As his published correspondence shows, every time Orwell wrote anything objectionable to the Left, up would come this old charge again, having attained the mythic status that placed it beyond mere factual refutation. It feels silly even to go over this pettiness again, but the identical method—of attributing to him the outlook that he attributed to others—is employed in our own time in critical discussions of ‘Inside the Whale.

In due course I got my license. I was a pilot now, full fledged. I dropped into casual employments; no misfortunes resulting, intermittent work gave place to steady and protracted engagements. Time drifted smoothly and prosperously on, and I supposed—and hoped—that I was going to follow the river the rest of my days, and die at the wheel when my mission was ended. But by and by the war came, commerce was suspended, my occupation was gone. I had to seek another livelihood. So I became a silver miner in Nevada; next, a newspaper reporter; next, a gold miner in California; next, a reporter in San Francisco; next, a special correspondent in the Sandwich Islands; next, a roving correspondent in Europe and the East; next, an instructional torch-bearer on the lecture platform; and, finally, I became a scribbler of books, and an immovable fixture among the other rocks of New England. In so few words have I disposed of the twenty-one slow-drifting years that have come and gone since I last looked from the windows of a pilot-house.

Erroneous plurals of nouns, as vallies or echos. Barbarous compound nouns, as viewpoint or upkeep. Want of correspondence in number between noun and verb where the two are widely separated or the construction involved. Ambiguous use of pronouns. Erroneous case of pronouns, as whom for who, and vice versa, or phrases like “between you and I,” or “Let we who are loyal, act promptly.” Erroneous use of shall and will, and of other auxiliary verbs. Use of intransitive for transitive verbs, as “he was graduated from college,” or vice versa, as “he ingratiated with the tyrant.” Use of nouns for verbs, as “he motored to Boston,” or “he voiced a protest.” Errors in moods and tenses of verbs, as “If I was he, I should do otherwise,” or “He said the earth was round.” The split infinitive, as “to calmly glide.” The erroneous perfect infinitive, as “Last week I expected to have met you.” False verb-forms, as “I pled with him.” Use of like for as, as “I strive to write like Pope wrote.” Misuse of prepositions, as “The gift was bestowed to an unworthy object,” or “The gold was divided between the five men.” The superfluous conjunction, as “I wish for you to do this.” Use of words in wrong senses, as “The book greatly intrigued me,” “Leave me take this,” “He was obsessed with the idea,” or “He is a meticulous writer.” Erroneous use of non-Anglicised foreign forms, as “a strange phenomena,” or “two stratas of clouds.” Use of false or unauthorized words, as burglarize or supremest. Errors of taste, including vulgarisms, pompousness, repetition, vagueness, ambiguousness, colloquialism, bathos, bombast, pleonasm, tautology, harshness, mixed metaphor, and every sort of rhetorical awkwardness. Errors of spelling and punctuation, and confusion of forms such as that which leads many to place an apostrophe in the possessive pronoun its. Of all blunders, there is hardly one which might not be avoided through diligent study of simple textbooks on grammar and rhetoric, intelligent perusal of the best authors, and care and forethought in composition. Almost no excuse exists for their persistent occurrence, since the sources of correction are so numerous and so available.

Love is being utterly honest, even when it’s ground-glass painful. Tell the truth all the time! All the truth! Not just that part that you can get away with. Go the limit. And the answer to Hemingway’s riddle is that the leopard lost his way. He took the wrong path. And that’s what so many of us do in love. Keep aware, keep wide open, and remember everything that’s ever happened to you, everything that’s ever been said, every motion and change of tone and subtle hint. We’ll read a long, essentially dull book on how to get through probate with our skin intact, or take a correspondence course in electrical wiring just so we don’t have to pay an electrician to do our house, or go to college for four years to acquire the obscure knowledge that will permit us to make a living in one or another proscribed field of endeavor. But about the most mysterious subject of all, love, we bumble and careen and hope for the best; without proper education, without proper tools, without even a goal that can be named. And more often than not it poisons our lives. The wrong men and the wrong women get together and proceed to kill each other piece by piece.

The Seven Great Egyptian Hermetic Principles The Principle of Mentalism—“The all is mind: the universe is mental.” The Principle of Correspondence—“As above, so below; As below, so above.” The Principle of Vibration—“Nothing rests; everything moves; everything vibrates.” The Principle of Polarity—“Everything is dual; everything has poles; everything has its pair of opposites; like and unlike are the same; opposites are identical in nature, but different in degree; extremes meet; all truths are but half-truths; all paradoxes may be reconciled.” The Principle of Rhythm—“Everything flows, out and in; everything has its tides; all things rise and fall; the pendulum swing manifests in everything; the measure of the swing to the right is the measure of the swing to the left; rhythm compensates.” The Principle of Cause and Effect—“Every cause has its effect; every effect has its cause; everything happens according to the law; chance is but a name for law not recognized; there are many planes of causation, but nothing escapes the law.” The Principle of Gender—“Gender is in everything; everything has its masculine and feminine principles; gender

All Corpo universities were to have the same curriculum, entirely practical and modern, free of all snobbish tradition. Entirely omitted were Greek, Latin, Sanskrit, Hebrew, Biblical study, archaeology, philology; all history before 1500—except for one course which showed that, through the centuries, the key to civilization had been the defense of Anglo-Saxon purity against barbarians. Philosophy and its history, psychology, economics, anthropology were retained, but, to avoid the superstitious errors in ordinary textbooks, they were to be conned only in new books prepared by able young scholars under the direction of Dr. Macgoblin. Students were encouraged to read, speak, and try to write modern languages, but they were not to waste their time on the so-called “literature"; reprints from recent newspapers were used instead of antiquated fiction and sentimental poetry. As regards English, some study of literature was permitted, to supply quotations for political speeches, but the chief courses were in advertising, party journalism, and business correspondence, and no authors before 1800 might be mentioned, except Shakespeare and Milton.

It takes the better part of those months for Herr Thiessen to complete the clock. He works on little else, though the sum of money involved makes the arrangement more than manageable. Weeks are spent on the design and the mechanics. He hires an assistant to complete some of the basic woodwork, but he takes care of all the details himself. Herr Thiessen loves details and he loves a challenge. He balances the entire design on that one specific word Mr. Barris used. Dreamlike. The finished clock is resplendent. At first glance it is simply a clock, a rather large black clock with a white face and a silver pendulum. Well crafted, obviously, with intricately carved woodwork edges and a perfectly painted face, but just a clock. But that is before it is wound. Before it begins to tick, the pendulum swinging steadily and evenly. Then, then it becomes something else. The changes are slow. First, the color changes in the face, shifts from white to grey, and then there are clouds that float across it, disappearing when they reach the opposite side. Meanwhile, bits of the body of the clock expand and contract, like pieces of a puzzle. As thought clock is falling apart, slowly and gracefully. All of this takes hours. The face of the clock becomes a darker grey, and then black, with twinkling stars where the numbers had been previously. The body of the clock, which has been methodically turning itself inside out and expanding, is now entirely subtle shades of white and grey. And it is not just pieces, it is figures and objects, perfectly carved flowers and planets and tiny books with actually paper pages that turn. There is a silver dragon curls around part of the now visible clockwork, a tiny princess in a carved tower who paces in distress awaiting an absent prince. Teapots that our into teacups and minuscule curls of steam that rise from them as the seconds tick. Wrapped presents open. Small cats chase small dogs. An entire game of chess is played. At the center, where a cuckoo bird would live in a more traditional timepiece, is the juggler. Dressed in harlequin style with a grey mask, he juggles shiny silver balls that correspond to each hour. As the hour chimes, another ball joins the rest until at midnight he juggles twelve balls in a complex pattern. After midnight the clock begins once more to fold in upon itself. The face lightens and the colds return. The number of juggled balls decreases until the juggler himself vanishes. By noon it is a clock again, and no longer a dream.

We are all poor; but there is a difference between what Mrs. Spark intends by speaking of 'slender means', and what Stevens called our poverty or Sartre our need, besoin. The poet finds his brief, fortuitous concords, it is true: not merely 'what will suffice,' but 'the freshness of transformation,' the 'reality of decreation,' the 'gaiety of language.' The novelist accepts need, the difficulty of relating one's fictions to what one knows about the nature of reality, as his donnée. It is because no one has said more about this situation, or given such an idea of its complexity, that I want to devote most of this talk to Sartre and the most relevant of his novels, La Nausée. As things go now it isn't of course very modern; Robbe-Grillet treats it with amused reverence as a valuable antique. But it will still serve for my purposes. This book is doubtless very well known to you; I can't undertake to tell you much about it, especially as it has often been regarded as standing in an unusually close relation to a body of philosophy which I am incompetent to expound. Perhaps you will be charitable if I explain that I shall be using it and other works of Sartre merely as examples. What I have to do is simply to show that La Nausée represents, in the work of one extremely important and representative figure, a kind of crisis in the relation between fiction and reality, the tension or dissonance between paradigmatic form and contingent reality. That the mood of Sartre has sometimes been appropriate to the modern demythologized apocalypse is something I shall take for granted; his is a philosophy of crisis, but his world has no beginning and no end. The absurd dishonesty of all prefabricated patterns is cardinal to his beliefs; to cover reality over with eidetic images--illusions persisting from past acts of perception, as some abnormal children 'see' the page or object that is no longer before them --to do this is to sink into mauvaise foi. This expression covers all comfortable denials of the undeniable--freedom --by myths of necessity, nature, or things as they are. Are all the paradigms of fiction eidetic? Is the unavoidable, insidious, comfortable enemy of all novelists mauvaise foi? Sartre has recently, in his first instalment of autobiography, talked with extraordinary vivacity about the roleplaying of his youth, of the falsities imposed upon him by the fictive power of words. At the beginning of the Great War he began a novel about a French private who captured the Kaiser, defeated him in single combat, and so ended the war and recovered Alsace. But everything went wrong. The Kaiser, hissed by the poilus, no match for the superbly fit Private Perrin, spat upon and insulted, became 'somehow heroic.' Worse still, the peace, which should instantly have followed in the real world if this fiction had a genuine correspondence with reality, failed to occur. 'I very nearly renounced literature,' says Sartre. Roquentin, in a subtler but basically similar situation, has the same reaction. Later Sartre would find again that the hero, however assiduously you use the pitchfork, will recur, and that gaps, less gross perhaps, between fiction and reality will open in the most close-knit pattern of words. Again, the young Sartre would sometimes, when most identified with his friends at the lycée, feel himself to be 'freed at last from the sin of existing'--this is also an expression of Roquentin's, but Roquentin says it feels like being a character in a novel. How can novels, by telling lies, convert existence into being? We see Roquentin waver between the horror of contingency and the fiction of aventures. In Les Mots Sartre very engagingly tells us that he was Roquentin, certainly, but that he was Sartre also, 'the elect, the chronicler of hells' to whom the whole novel of which he now speaks so derisively was a sort of aventure, though what was represented within it was 'the unjustified, brackish existence of my fellow-creatures.

Two organisations spawned by Alice Bailey’s work, the Lucis Trust (formerly the Lucifer Trust) and the World Goodwill Organisation, are both staunch promoters of the United Nations. They are almost UN ‘groupies’, such is their devotion. It is interesting to see how the New Age has inherited ‘truths’ over the decades in the same way that conventional religion has done over the centuries. As the followers of Christianity have inherited the manipulated version of Jesus, so New Agers have inherited the Masters. There is too little checking of origins, too much acceptance of inherited belief, I think. Certainly there is with the Masters and Blavatsky’s Great White Brotherhood because she admitted in correspondence with her sister, that she had made up their names by using the nicknames of the Rosicrucians and Freemasons who were funding her. Yet today all over the world there are hundreds of thousands (at least) of New Age ‘channellers’ who claim to be communicating with these Masters and with the Archangel Michael who is an ancient deity of the Phoenicians. If the New Age isn’t careful, it will be Christianity revisited. It is already becoming so. I believe that the concept of Masters can be a means through which those who have rejected the status quo of religion and science can still have their minds controlled.

Knowledge cannot be passed, like some material substance, from one person to another. Thoughts are not things which may be held and handled. They are the unseen and silent acts of the invisible mind. Ideas, the products of thought, can only be communicated by inducing in the receiving mind action correspondent to that by which these ideas were first conceived. In other words, ideas can only be transmitted by being rethought. It is obvious, therefore, that something more is required than a passive presentation of the pupil’s mind to the teacher’s mind as face turns to face. The pupil must think. His mind must work, not in a vague way, without object or direction, but under the control of the will, and with a fixed aim and purpose; in other words, with attention. It is not enough to look and listen. The learner’s mind must work through the senses. There must be mind in the eye, in the ear, in the hand. If the mental power is only half aroused and feeble in its action, the conceptions gained will be faint and fragmentary, and the knowledge acquired will be as inaccurate and useless as it will be fleeting. Teacher and text-book may be full of knowledge, but the learner will get from them only so much as his power of attention, vigorously exercised, enables him to shape in his own mind. Knowledge is inseparable from the act of knowing. If the power of knowing is small, the actual knowledge acquired will also be small.

Working independently, Baltimore and Temin discovered an enzyme found in retroviruses that could build DNA from an RNA template. They called the enzyme reverse transcriptase-"reverse" because it inverted the normal direction of information flow: from RNA back to DNA, or from a gene's message backward to a gene, thereby violating Crick's "central dogma" (that genetic information only moved from genes to messages, but never backward). Using reverse transcriptase, ever RNA in a cell could be used as a template to build its corresponding gene. A biologist could thus generate a catalog, or "library" of all "active" genes in a cell-akin to a library of books grouped by subject. There would be a library of genes for T cells and another for red blood cells, a library for neurons in the retina, for insulin-secreting cells of the pancreas, and so forth. By comparing libraries derived from two cells-a T cell and a pancreas cell, say-an immunologist could fish out genes that were active in one cell and not the other (e.g., insulin or the T cell receptor). Once identified, that gene could be amplified a millionfold in bacteria. The gene could be isolated and sequenced, its RNA and protein sequence determined, its regulatory regions identified; it could be mutated an inserted into a different cell to decipher the gene's structure and function. In 1984 this technique was deployed to clone the T cell receptor-a landmark achievement in immunology.

I was most pleasantly surprised, with this chart, to see a Yod pointing at the Moon. After all, what other planet influences changeable behaviour and creates a strong magnetic pull? I am tempted to say that the problem of the Bermuda Triangle has been solved: it was the Moon all along! But it is obviously more complicated than that. For one thing, there is a theory that there is an energy vortex operating through the earth, with a corresponding ‘problem’ area on the other side of the world, based near the west coast of Australia in the Indian Ocean. I noticed when I was looking at my Atlas that these trouble spots are on, or near, the Tropic of Cancer in the north, and the Tropic of Capricorn in the south. Being that these circles are the northern-most and southern-most positions of the Sun as it passes over the earth at the summer and winter solstices, there must be a residue of magnetic energy along those lines. To create a vortex, another energy line must be intersecting each tropical line at a right angle (90°). We can see this energy line on the chart: the Pluto-Midheaven opposition would be operating at full strength, as the critical degree is within 45’ of true (meaning, that the difference between the position of Pluto and the Midheaven, directly overhead, is almost exactly 180°). Because Mars is conjunct to Pluto, also opposite to the Midheaven, stormy weather, previously noted in this book, was raging: a potent combination.

The model favoured by Schreck, one that had been in existence for some forty years, placed the planets in orbit around the sun, and the sun and moon in orbit around the earth. Complex though this was, it appeared to a majority of astronomers the one that best corresponded to the available evidence. There were some, however, who preferred an altogether more radical possibility. Among them was a Czech Jesuit, Wenceslas Kirwitzer, who had met Galileo in Rome, and then sailed with Schreck to China, where he had died in 1626. Prior to his departure, he had written a short pamphlet, arguing for heliocentrism: the hypothesis that the earth, just like Venus and the other planets, revolved around the sun.24 The thesis was not Kirwitzer’s own. The first book to propose it had been published back in 1543. Its author, the Polish astronomer Nicolaus Copernicus, had in turn drawn on the work of earlier scholars at Paris and Oxford, natural philosophers who had argued variously for the possibility that the earth might rotate on its axis, that the cosmos might be governed by laws of motion, even that space might be infinite. Daring though Copernicus’ hypothesis seemed, then, it stood recognisably in a line of descent from a long and venerable tradition of Christian scholarship. Kirwitzer was not the only astronomer to have been persuaded by it. So too had a number of others; and of these the most high profile, the most prolific, the most pugnacious, was Galileo.

Muslim scholars have identified four essential qualities in human beings, which have been identified in earlier traditions as well. Imam al-Ghazālī and Fakhruddīn al-Rāzī adopted them, as did Imam Rāghib al-Isfahānī in his book on ethics. According to Imam al-Ghazālī, the first of them is quwwat al-ʿilm, known in Western tradition as the rational soul, which is human capacity to learn. The next one, quwwat al-ghaḍab, which may be called the irascible soul, is the capacity that relates to human emotion and anger. The third element, quwwat alshahwah, known as the concupiscent soul, is related to appetite and desire. The fourth power, quwwat al-ʿadl, harmonizes the previous three powers and keeps them in balance so that no one capacity overtakes and suppresses the others. In Western tradition, these capacities correspond to what is known as cardinal virtues. Muslims call them ummahāt al-faḍā’il. They are wisdom, courage, temperance, and justice (ḥikmah, shajāʿah, ʿiffah, and ʿadl). When the rational soul is balanced, the result is wisdom. Whoever is given wisdom has been given much good (QUR’AN , 2:269). Wisdom, according to Imam al-Ghazālī, is found in one who is balanced, who is neither a simpleton nor a shrewd, tricky person. If there is a deficit in the rational soul, the result is foolishness. When the rational soul becomes excessive and inordinately dominant, the result is trickery and the employment of the intellect toward the exploitation of others.

Charles is difficult to pigeonhole politically. Tony Blair wrote that he considered him a “curious mixture of the traditional and the radical (at one level he was quite New Labour, at another definitely not) and of the princely and insecure.” He is certainly conservative in his old-fashioned dress and manners, his advocacy of traditional education in the arts and humanities, his reverence for classical architecture and the seventeenth-century Book of Common Prayer. But his forays into mysticism and his jeremiads against scientific progress, industrial development, and globalization give him an eccentric air. “One of the main purposes of the monarchy is to unite the country and not divide it,” said Kenneth Rose. When the Queen took the throne at age twenty-five, she was a blank slate, which gave her a great advantage in maintaining the neutrality necessary to preserve that unity. It was a gentler time, and she could develop her leadership style quietly. But it has also taken vigilance and discipline for her to keep her views private over so many decades. Charles has the disadvantage of a substantial public record of strong and sometimes contentious opinions, not to mention the private correspondence with government ministers protected by exemptions in the Freedom of Information Act that could come back to haunt him if any of it is made public. One letter that did leak was written in 1997 to a group of friends after a visit to Hong Kong and described the country’s leaders as “appalling old waxworks.

You Play the Game How You Act How You Think How You Brand & Market Yourself How You Sound How You Look How You Respond   1.   2.   3.   4.   5.   6.   7.   8.   9. 10. 11. 12. 13. 14. 15. 16. 17. 18. 19. 20. 21. 22. 23. 24. 25. 26. 27. 28. 29. 30. 31. 32. 33. 34. 35. 36. 37. 38. 39. 40. 41. 42. 43. 44. 45. 46. 47. 48. 49. Category Total Category Total Category Total Category Total Category Total Category Total Category Total Overall Total INTERPRETATION OF YOUR SCORES Overall Score of 159–196 or A Category Score of 22–28 You go, girl! Your score indicates you must already have the corner office or are well on your way to getting it. To stay on track, focus on those questions where you rated yourself “1” or “2.” Also, remember to pay it forward by mentoring other women. Overall Score of 110–158 or A Category Score of 14–21 Fine-tuning is the name of your game! Although you often engage in behaviors worthy of a winning woman, there are times when you don’t get your due because you get caught up in nice girl syndrome. First read the chapters that correspond with your lowest category scores, then go back and read the rest as a refresher course. Overall Score of 49–109 or A Category Score of 7–13 Danger! You are falling into the trap of acting like the nice little girl you were taught to be in childhood. You frequently wonder why you’re not achieving the success you’ve worked so hard for. This book was written for you, so take out your pen and start making notations for what you commit to doing differently.

Are his letters to Diana downstairs?" She sighed. "What is it about girls and letters? My husband left me messages in soap on the bathroom mirror. Utterly impermanent.Really wonderful-" She broke off and scowled. I would have thought she looked a little embarrassed, but I didn't think embarrassment was in her repertoire. "Anyway. Most of the correspondence between the Willings is in private collections. He had their letters with him in Paris when he died. In a noble but ultimately misguided act, his attorney sent them to his neice. Who put them all in a ghastly book that she illustrated. Her son sold them to finance the publication of six even more ghastly books of poetry. I trust there is a circle of hell for terrible poets who desecrate art." "I've seen the poetry books in the library," I told her. "The ones with Edward's paintings on the covers. I couldn't bring myself to read them." "Smart girl. I suppose worse things have been done, but not many.Of course, there was that god-awful children's television show that made one of his landscapes move.They put kangaroos in it. Kangaroos. In eastern Pennsylvania." "I've seen that,too," I admitted. I'd hated it. "Hated it.Not quite as much as the still life where Tastykakes replaced one orange with a cupcake, or the portrait of Diana dressed in a Playtex sports bra, but close." "Oh,God. I try to forget about the bra." Dr. Rothaus shuddered. "Well, I suppose they do far worse to the really famous painters.Poor van Gogh. All those hearing-aid ads." "Yeah." We shared a moment of quiet respect for van Gogh's ear.

The experiences of men who walked with God in olden times agree to teach that the Lord cannot fully bless a man until He has first conquered him. The degree of blessing enjoyed by any man will correspond exactly with the completeness of God’s victory over him. This is a badly neglected tenet of the Christian’s creed, not understood by many in this self-assured age, but it is nevertheless of living importance to us all. This spiritual principle is well illustrated in the book of Genesis. Jacob was the wily old heel-catcher whose very strength was to him a near-fatal weakness. For two-thirds of his total life he had carried in his nature something hard and unconquered. Not his glorious vision in the wilderness nor his long bitter discipline in Haran had broken his harmful strength. He stood at the ford of Jabbok at the time of the going down of the sun, a shrewd, intelligent old master of applied psychology learned the hard way. The picture he presented was not a pretty one. He was a vessel marred in the making. His hope lay in his own defeat. This he did not know at the setting of the day, but had learned before the rising of the sun. All night he resisted God until in kindness God touched the hollow of his thigh and won the victory over him. It was only after he had gone down to humiliating defeat that he began to feel the joy of release from his own evil strength, the delight of God’s conquest over him. Then he cried aloud for the blessing and refused to let go till it came. It had been a long fight, but for God (and for reasons known only to Him) Jacob had been worth the effort. Now he became another man, the stubborn and self-willed rebel was turned into a meek and dignified friend of God. He had prevailed indeed, but through weakness, not through strength.

NOBEL PRIZE–WINNER, British poet laureate, essayist, novelist, journalist, and short story writer Rudyard Kipling wrote for both children and adults, with many of his stories and poems focusing on British imperialism in India. His works were popular during the late nineteenth and early twentieth centuries, even though many deemed his political views too conservative. Born on December 30, 1865, in Bombay, India, Kipling had a happy early childhood, but in 1871 he and his sister were sent to a boarding house called Lorne Lodge in Southsea, where he spent many disappointing years. He was accepted in 1877 to United Services College in the west of England. In 1882, he returned to his family in India, working as a journalist, associate editor, and correspondent for many publications, including Civil and Military Gazette, a publication in Lahore, Pakistan. He also wrote poetry. He found great success in writing after his 1889 return to England, where he was eventually appointed poet laureate. Some of his most famous writings, including The Jungle Book, Kim, Puck of Pook’s Hill, and Rewards and Fairies, saw publication in the 1890s and 1900s. It was during this period that he married Caroline Balestier, the sister of an American friend and publishing colleague. The couple settled in Vermont, where their two daughters were born. After a quarrel with his brother-in-law and grumblings from his American neighbors about his controversial political views, Kipling and his family returned to England. There, Caroline gave birth to a son in 1896. Tragically, their eldest daughter died in 1899. Later, Kipling’s son perished in battle during World War I. In 1907 Kipling was awarded the Nobel Prize. He died on January 18, 1936, and his ashes are buried in Poets’ Corner in Westminster Abbey.

Divorced women should wait for three menstrual cycles; it is unlawful for them, if they believe in God and the Last Day, to hide what God has created in their wombs. Their husbands have the right to take them back within that time, if they desire to be reconciled. The wives have rights corresponding to those which the husbands have, according to what is recognized to be fair, but men have a rank above them. God is almighty and all wise. 229 Divorce may be pronounced twice, and then a woman must be retained honourably or released with kindness. It is not lawful for you to take away anything of what you have given your wives, unless both fear that they would not be able to observe the bounds set by God. In such a case it shall be no sin for either of them if the woman opts to give something for her release. These are the bounds set by God; do not transgress them. Those who transgress the bounds of God are wrongdoers. 230 And if man finally divorces his wife, he cannot remarry her until she has married another man. Then if the next husband divorces her, there will be no blame on either of them if the former husband and wife return to one another, provided they think that they can keep within the bounds set by God. These are the bounds prescribed by God, which He makes clear to men of understanding. 231 Once you divorce women, and they have reached the end of their waiting period, then either retain them in all decency or part from them decently. Do not retain them in order to harm them or to wrong them. Whoever does this, wrongs his own soul. Do not make a mockery of God’s revelations. Remember the favours God has bestowed upon you, and the Book and the wisdom He has revealed to exhort you. Fear God and know that God is aware of everything. 232 When you divorce women and they reach the end of their waiting period, do not prevent them from marrying other men, if they have come to an honourable agreement. This is enjoined on every one of you who believes in God and the Last Day; it is more wholesome and purer for you. God knows, but you do not know.

Queen Anne of England established the Longitude Act in 1714, and offered a monetary prize of over a million in today’s dollars to anyone who invented a method to accurately calculate longitude at sea. Longitude is about determining one’s point in space. So one might ask what it has to do with clocks? Mathematically speaking, space (distance) is the child of time and speed (distance equals time multiplied by speed). Thus, anything that moves at a constant speed can be used to calculate distance, provided one knows for how long it has been moving. Many things have constant speeds, including light, sound, and the rotation of the Earth. Your brain uses the near constancy of the speed of sound to calculate where sounds are coming from. As we have seen, you know someone is to your left or right because the sound of her voice takes approximately 0.6 milliseconds to travel from your left to your right ear. Using the delays it takes any given sound to arrive to your left and right ears allows the brain to figure out if the voice is coming directly from the left, the right, or somewhere in between. The Earth is rotating at a constant speed—one that results in a full rotation (360 degrees) every 24 hours. Thus there is a direct correspondence between degrees of longitude and time. Knowing how much time has elapsed is equivalent to knowing how much the Earth has turned: if you sit and read this book for one hour (1/24 of a day), the Earth has rotated 15 degrees (360/24). Thus, if you are sitting in the middle of the ocean at local noon, and you know it is 16:00 in Greenwich, then you are “4 hours from Greenwich”—exactly 60 degrees longitude from Greenwich. Problem solved. All one needs is a really good marine chronometer. The greatest minds of the seventeenth and eighteenth centuries could not overlook the longitude problem: Galileo Galilei, Blaise Pascal, Robert Hooke, Christiaan Huygens, Gottfried Leibniz, and Isaac Newton all devoted their attention to it. In the end, however, it was not a great scientist but one of the world’s foremost craftsman who ultimately was awarded the Longitude Prize. John Harrison (1693–1776) was a self-educated clockmaker who took obsessive dedication to the extreme.

know that taking a long walk was his preferred way to have a serious conversation. It turned out that he wanted me to write a biography of him. I had recently published one on Benjamin Franklin and was writing one about Albert Einstein, and my initial reaction was to wonder, half jokingly, whether he saw himself as the natural successor in that sequence. Because I assumed that he was still in the middle of an oscillating career that had many more ups and downs left, I demurred. Not now, I said. Maybe in a decade or two, when you retire. I had known him since 1984, when he came to Manhattan to have lunch with Time’s editors and extol his new Macintosh. He was petulant even then, attacking a Time correspondent for having wounded him with a story that was too revealing. But talking to him afterward, I found myself rather captivated, as so many others have been over the years, by his engaging intensity. We stayed in touch, even after he was ousted from Apple. When he had something to pitch, such as a NeXT computer or Pixar movie, the beam of his charm would suddenly refocus on me, and he would take me to a sushi restaurant in Lower Manhattan to tell me that whatever he was touting was the best thing he had ever produced. I liked him. When he was restored to the throne at Apple, we put him on the cover of Time, and soon thereafter he began offering me his ideas for a series we were doing on the most influential people of the century. He had launched his “Think Different” campaign, featuring iconic photos of some of the same people we were considering, and he found the endeavor of assessing historic influence fascinating. After I had deflected his suggestion that I write a biography of him, I heard from him every now and then. At one point I emailed to ask if it was true, as my daughter had told me, that the Apple logo was an homage to Alan Turing, the British computer pioneer who broke the German wartime codes and then committed suicide by biting into a cyanide-laced apple. He replied that he wished he had thought of that, but hadn’t. That started an exchange about the early history of Apple, and I found myself gathering string on the subject, just in case I ever decided to do such a book. When my Einstein biography came out, he came to a book event in Palo Alto and

Chapter 1, “Esoteric Antiquarianism,” situates Egyptian Oedipus in its most important literary contexts: Renaissance Egyptology, including philosophical and archeological traditions, and early modern scholarship on paganism and mythology. It argues that Kircher’s hieroglyphic studies are better understood as an antiquarian rather than philosophical enterprise, and it shows how much he shared with other seventeenth-century scholars who used symbolism and allegory to explain ancient imagery. The next two chapters chronicle the evolution of Kircher’s hieroglyphic studies, including his pioneering publications on Coptic. Chapter 2, “How to Get Ahead in the Republic of Letters,” treats the period from 1632 until 1637 and tells the story of young Kircher’s decisive encounter with the arch-antiquary Peiresc, which revolved around the study of Arabic and Coptic manuscripts. Chapter 3, “Oedipus in Rome,” continues the narrative until 1655, emphasizing the networks and institutions, especially in Rome, that were essential to Kircher’s enterprise. Using correspondence and archival documents, this pair of chapters reconstructs the social world in which Kircher’s studies were conceived, executed, and consumed, showing how he forged his career by establishing a reputation as an Oriental philologist. The next four chapters examine Egyptian Oedipus and Pamphilian Obelisk through a series of thematic case studies. Chapter 4, “Ancient Theology and the Antiquarian,” shows in detail how Kircher turned Renaissance occult philosophy, especially the doctrine of the prisca theologia, into a historical framework for explaining antiquities. Chapter 5, “The Discovery of Oriental Antiquity,” looks at his use of Oriental sources, focusing on Arabic texts related to Egypt and Hebrew kabbalistic literature. It provides an in-depth look at the modus operandi behind Kircher’s imposing edifice of erudition, which combined bogus and genuine learning. Chapter 6, “Erudition and Censorship,” draws on archival evidence to document how the pressures of ecclesiastical censorship shaped Kircher’s hieroglyphic studies. Readers curious about how Kircher actually produced his astonishing translations of hieroglyphic inscriptions will find a detailed discussion in chapter 7, “Symbolic Wisdom in an Age of Criticism,” which also examines his desperate effort to defend their reliability. This chapter brings into sharp focus the central irony of Kircher’s project: his unyielding antiquarian passion to explain hieroglyphic inscriptions and discover new historical sources led him to disregard the critical standards that defined erudite scholarship at its best. The book’s final chapter, “Oedipus at Large,” examines the reception of Kircher’s hieroglyphic studies through the eighteenth century in relation to changing ideas about the history of civilization.

- Hitler prepared for battle by infiltrating Frances airwaves. Germany hired native-French broadcasters to unsuspecting listeners to tune in to amusing radio shows and music. Many listeners were oblivious to the propaganda was subtly included. These radio commentators expressed worry over the German army’s dominance and military strength, and predicted that France could not withstand an attack, The doubt Hitler’s radio programs planted in French minds quickly spread. Edmond Taylor, a correspondent for the Chicago Tribune who lived in France during this period, witnessed Hitler’s intricately choreographed propaganda campaign and how it crumbled Frances resolve. Describing it as a “strategy of terror,’ Taylor reported that Germany spent enormous amounts on propaganda and even bribed French newspapers to publish stories that confirmed the rumors of Germany’s superiority. According to Taylor, Germany’s war of ideas planted a sense of dread “in the of France that spread like a monstrous cancer, devouring all ocher emotional faculties [with] an irrational fear [that was] … uncontrollable.” So weakened was the confidence of the French that something as innocuous as a test of Frances air-raid-siren system generated ripples of panic; the mere innuendo of invasion somehow reinforced the idea that France would undoubtedly be defeated. Although the French government made a late attempt at launching an ideological counteroffensive by publicizing the need to defend freedom, it was as effective as telling citizens to protect themselves from a hurricane by opening an umbrella. When the invasion finally did come, France capitulated in six weeks. By similarly destroying the resolve of his enemies before invading them, Hitler defeated Poland, Finland, Denmark, Norway. Belgium, the Netherlands, and Luxembourg in addition to France, all in under a year. Over 230 million Europeans, once free, fell under Nazi rule.

Biddy Chambers did. Had she given up, no one would have criticized her. Had she walked away, no one would have thought less of her. Her God-given assignment was to partner with her husband in teaching the Bible. They met in 1908, and by 1910 they were married, living in London, and busy about their dream of starting a Bible college. They purchased a large home and made rooms available for students and missionaries on furlough. Biddy’s training was in stenography. She took careful notes of her husband’s lectures and turned them into correspondence courses. At the outbreak of World War I, he felt a call to minister to soldiers stationed in Egypt. He and Biddy and their two-and-a-half-year-old daughter moved to the Middle East, where he took a position as a chaplain. Their ministry continued. He taught, she transcribed. He lectured; she captured his messages. It was a perfect partnership. Then came the setback. Her husband’s complications from appendicitis rendered Biddy a widow. Her husband died at the age of forty-three. She buried him in Egypt and returned to London to face this question: How could she partner with her husband if her husband was gone? All dreams of a teaching ministry would need to be abandoned, right? No. Biddy chose to give God her loaves and fishes. She set about the work of turning her husband’s notes into pamphlets and mailing them to friends and acquaintances. Eventually they were compiled into a book. My Utmost for His Highest was published in 1927.5