The Boy Who Steals Houses Quotes

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A lot of the stories were highly suspicious, in her opinion. There was the one that ended when the two good children pushed the wicked witch into her own oven...Stories like this stopped people thinking properly, she was sure. She'd read that one and thought, Excuse me? No one has an oven big enough to get a whole person in, and what made the children think they could just walk around eating people's houses in any case? And why does some boy too stupid to know a cow is worth a lot more than five beans have the right to murder a giant and steal all his gold? Not to mention commit an act of ecological vandalism? And some girl who can't tell the difference between a wolf and her grandmother must either have been as dense as teak or come from an extremely ugly family.
Terry Pratchett
Close your eyes, Maxon." "What?" "Close your eyes. Somewhere in this palace, there is a woman who will be your wife. This girl? Imagine that she depends on you. She needs you to cherish her and make her feel like the Selection didn't even happen. Like if you were dropped in your own out in the middle of the country to wander around door to door, she's still the one you would have found. She was always the one you would have picked. She needs you to provide for her and protect her. And if it came to a point where there was absolutely nothing to eat, and you couldn't even fall asleep at night because the sound of her stomach growling kept you awake—" "Stop it!" "Sorry." "Is that really what it's like? Out there... does that happen? Are people hungry like that a lot?" "Maxon, I..." "Tell me the truth." "Yes. That happens. I know of families where people give up their share for their children or siblings. I know of a boy who was whipped in the town square for stealing food. Sometimes you do crazy things when you are desperate." "A boy? How old?" "Nine." "Have you ever been like that? Starving?...How bad?" "Maxon, it will only upset you more." "Probably, but I'm only starting to realize how much I don't know about my own country. Please." "We've been pretty bad. Most time if it gets to where we have to choose, we keep the food and lose electricity. The worst was when it happened near Christmas one year. May didn't understand why we couldn't exchange gifts. As a general rule, there are never any leftovers at my house. Someone always wants more. I know the checks we've gotten over the last few weeks have really helped, and my family is really smart about money. I'm sure they have already tucked it away so it will stretch out for a long time. You've done so much for us, Maxon." "Good God. When you said that you were only here for the food, you weren't kidding, were you?" "Really, Maxon, we've been doing pretty well lately. I—" "I'll see you at dinner.
Kiera Cass (The Selection (The Selection, #1))
No, please. It's – you're allowed to hurt. It's not a contest.
C.G. Drews (The Boy Who Steals Houses (The Boy Who Steals Houses, #1))
He's officially taken house burglary to the next level. Forget stealing a bed, a key, a home for the night. He's stealing families and their Sunday lunches.
C.G. Drews (The Boy Who Steals Houses (The Boy Who Steals Houses, #1))
He's so empty. They tried to stitch him back together, but too much already fell out. Stars and buttons and caramel truffles.
C.G. Drews (The Boy Who Steals Houses (The Boy Who Steals Houses, #1))
Sam looks down at his fingers wrapped around Avery's phone. "I'll catch him if he falls." "Who catches you?" Moxie says. Sam stitches on a pretend smile. "It doesn't matter.
C.G. Drews (The Boy Who Steals Houses (The Boy Who Steals Houses, #1))
We're stealing a house, because you know what we need?" Avery shakes his head. "We are the kings of nowhere," Sammy says. "We only need us." He's a very good liar.
C.G. Drews (The Boy Who Steals Houses (The Boy Who Steals Houses, #1))
A family. A home. I really want a... h-home.” “But you can’t steal it.” “I know,” Sam whispers. I know I know I know. “You have to build it.
C.G. Drews (The Boy Who Steals Houses (The Boy Who Steals Houses, #1))
She is the sun and her eyes burn stars.
C.G. Drews (The Boy Who Steals Houses (The Boy Who Steals Houses, #1))
Everybody leaves.” “I’m not leaving.
C.G. Drews (The Boy Who Steals Houses (The Boy Who Steals Houses, #1))
He can't be an invisible boy when she can see him. He can't steal houses or the girl inside them, but he can build a bridge of moons and caramel cakes to get back to her.
C.G. Drews (The Boy Who Steals Houses (The Boy Who Steals Houses, #1))
Sammy.' He gasps for breath. 'I ran all the - way - over here - to rescue you -' He sucks in a ragged lungful of air. 'And you're just kissing - in the sunset? You little jerk.
C.G. Drews (The Boy Who Steals Houses (The Boy Who Steals Houses, #1))
A lot of the stories were highly suspicious, in her opinion. There was the one that ended when the two good children pushed the wicked witch into her own oven. Tiffany had worried about that after all that trouble with Mrs. Snapperly. Stories like this stopped people thinking properly, she was sure. She’d read that one and thought, Excuse me? No one has an oven big enough to get a whole person in, and what made the children think they could just walk around eating people’s houses in any case? And why does some boy too stupid to know a cow is worth a lot more than five beans have the right to murder a giant and steal all his gold? Not to mention commit an act of ecological vandalism? And some girl who can’t tell the difference between a wolf and her grandmother must either have been as dense as teak or come from an extremely ugly family. The stories weren’t real.
Terry Pratchett (The Wee Free Men (Discworld, #30))
If something even remotely sexist comes out of you mouth again,' Moxie says, her eyes glinting, 'I will take a pound of flesh per word.
C.G. Drews (The Boy Who Steals Houses (The Boy Who Steals Houses, #1))
He's not exactly a stranger anymore. He showed Jack how to do a backflip. Someone tipped sand down his shirt. He gave Moxie a leg up over the chain fence on the way home. He's eaten their potato salad and worn their clothes. The trouble is he stole it all, every moment. And that's the part people don't overlook. They feel betrayed. Betrayed people have the hardest fists.
C.G. Drews (The Boy Who Steals Houses (The Boy Who Steals Houses, #1))
Moxie's body relaxes and her shoulder leans against his. The pressure is warm and soft and everything. And he falls into it. Just a little. He won't let himself get too comfortable - he's not that stupid. But for the barest moment between patchwork frowns, he's wanted.
C.G. Drews (The Boy Who Steals Houses (The Boy Who Steals Houses, #1))
People understand a cute seven-year-old boy screaming on the floor because he's autistic. They call the police when that screaming little boy becomes seventeen.
C.G. Drews (The Boy Who Steals Houses (The Boy Who Steals Houses, #1))
He wishes they'd realise, though, that you can't fill the hole of a missing mother by carving each other into pieces.
C.G. Drews (The Boy Who Steals Houses (The Boy Who Steals Houses, #1))
Sam looks down at his fingers wrapped around Avery's phone. 'I'll catch him if he falls.' 'Who catches you?' Moxie says. Sam stitches on a pretend smile. 'It doesn't matter.
C.G. Drews (The Boy Who Steals Houses (The Boy Who Steals Houses, #1))
Sam looks down at his fingers wrapped around Avery's phone. "I'll catch him if he falls." "Who catches you?" Moxie says. Sam stitches on a pretend smile. "It doesn't matter.
C.G. Drews (The Boy Who Steals Houses (The Boy Who Steals Houses, #1))
If it hadn't been so dark and if his fingers hadn't been so stiff with dried blood, he could've picked the lock in thirty-eight seconds.
C.G. Drews (The Boy Who Steals Houses (The Boy Who Steals Houses, #1))
If Aunt Karen doesn't want us, we can find our own house." Sammy takes Avery's hand to cross the road. "Can you do that?" Avery whispers. "Steal houses?" "Yeah," Sammy says. "Yeah, of course I can.
C.G. Drews (The Boy Who Steals Houses (The Boy Who Steals Houses, #1))
just as when a youthful nobleman steals jewellery we call the act kleptomania, speak of it with a philosophical smile, and never think of his being sent to the house of correction as if he were a ragged boy who had stolen turnips. In
George Eliot (Middlemarch (ShandonPress))
After he'd gone, I slammed the door shut and, after the day I had, wasn't the least bit surprised to see my closet door open and Whitley stick his head out. "Son of hibachi," I muttered. Now I would have to add burning all of my clothes to my list of things to do. "What?" He exited the closet with a smile. "I don't even get a hello?" I held up a finger. "Wait right here." He shrugged. I shut the door behind me and marched back into the living room and pointed at Dr. Wendell. "You. Come with me. Now." Wide-eyed, he rose from the couch and followed me to my door. Before I opened it, I turned to him. "You said part of your job was to protect me, right?" He nodded, his brow knit in lines of confusion. "Just to prove how bad you suck at your job, look at this." I swung open the door and Whitley waved from his perch at the end of my bed. Dr. Wendell's mouth dropped and he took a step back. "Wait. What is-who is that?" "That"-I gestured to the boy on my bed-"is Whitley, aka Zeami, aka the psycho who tried to kill me, steal my powers, and burnt down my house." Whitley smiled. "Guilty as charged." I folded my arms and glared at Dr. Wendell. "If you're supposedly protecting me, how could you let my past-life murderer walk right into my bedroom and hide out in my closet?" Dr. Wendell shook his head, his skin a shade paler than it had been moments ago. "But I-I didn't-how-" He looked at Whitley. "How did you get in here?" Whitley rolled his eyes. "Through the door. Duh." Dr. Wendell pushed me behind him, bringing his shaking fists in front of his face. "It doesn't matter. If you want to kill Rileigh, you're going to have to get past me.
Cole Gibsen (Senshi (Katana, #2))
I’m crossing our backyard to the Pearces’, trying to juggle the bag and the portable speakers and my phone, when I see John Ambrose McClaren standing in front of the tree house, staring up at it with his arms crossed. I’d know the back of his blond head anywhere. I freeze, suddenly nervous and unsure. I’d thought Peter or Chris would be here with me when he arrived, and that would smooth out any awkwardness. But no such luck. I put down all my stuff and move forward to tap him on the shoulder, but he turns around before I can. I take a step back. “Hi! Hey!” I say. “Hey!” He takes a long look at me. “Is it really you?” “It’s me.” “My pen pal the elusive Lara Jean Covey who shows up at Model UN and runs off without so much as a hello?” I bite the inside of my cheek. “I’m pretty sure I at least said hello.” Teasingly he says, “No, I’m pretty sure you didn’t.” He’s right: I didn’t. I was too flustered. Kind of like right now. It must be that distance between knowing someone when you were a kid and seeing them now that you’re both more grown-up, but still not all the way grown-up, and there are all these years and letters in between you, and you don’t know how to act. “Well--anyway. You look…taller.” He looks more than just taller. Now that I can take the time to really look at him, I notice more. With his fair hair and milky skin and rosy cheeks, he looks like he could be an English farmer’s son. But he’s slim, so maybe the sensitive farmer’s son who steals away to the barn to read. The thought makes me smile, and John gives me a curious look but doesn’t ask why. With a nod, he says, “You look…exactly the same.” Gulp. Is that a good thing or a bad thing? “I do?” I get up on my tiptoes. “I think I’ve grown at least an inch since eighth grade.” And my boobs are at least a little bigger. Not much. Not that I want John to notice--I’m just saying.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
Well, I don't trust whoever killed this pot. Did they cook potatoes or souls of the damned?' ' Ah.' Moxie peers at the blackened base. 'That was me.
C.G. Drews (The Boy Who Steals Houses (The Boy Who Steals Houses, #1))
They have no idea. It's not about the stealing from houses. It's about stealing the houses. He puts his wishes into small metal keys and tucks them in his pocket to keep him breathing.
C.G. Drews
What is civilization?” she snorted. “Just a little village that got too big and too bold. So the enemy village comes along and rams pointed sticks into all the babies and takes the women back for slaves. And the men run away, except the foolish boys who throw themselves on the invader’s knives. Then the winner steals all the useful things, burns the houses and temples, and goes back to his own village for a big supper and a big sleep. After raping somebody for a nightcap, of course. That’s civilization, boy.” “You
Michael D. O'Brien (Sophia House: A Novel)
I'll kill you, Jack.' Jack glides past with a very self-satisfied smile and tosses a backpack on the sofa. Directly on to Sam. Sam catches it with his face. 'Oh,' says Jack, backtracking to stare. 'Oh.'
C.G. Drews (The Boy Who Steals Houses (The Boy Who Steals Houses, #1))
They still don't know you were the creepy intruder,' Moxie says. 'But I'll claim you as my friend and they'll forget I said you weren't. They're boys. Their brains are the collective size of a pea.' She looks at him. 'Hmm, oops.
C.G. Drews (The Boy Who Steals Houses (The Boy Who Steals Houses, #1))
Think of it like a fast-food franchise, the informant said, like a pizza delivery service. Each heroin cell or franchise has an owner in Xalisco, Nayarit, who supplies the cell with heroin. The owner doesn’t often come to the United States. He communicates only with the cell manager, who lives in Denver and runs the business for him. Beneath the cell manager is a telephone operator, the informant said. The operator stays in an apartment all day and takes calls. The calls come from addicts, ordering their dope. Under the operator are several drivers, paid a weekly wage and given housing and food. Their job is to drive the city with their mouths full of little uninflated balloons of black tar heroin, twenty-five or thirty at a time in one mouth. They look like chipmunks. They have a bottle of water at the ready so if police pull them over, they swig the water and swallow the balloons. The balloons remain intact in the body and are eliminated in the driver’s waste. Apart from the balloons in their mouths, drivers keep another hundred hidden somewhere in the car. The operator’s phone number is circulated among heroin addicts, who call with their orders. The operator’s job, the informant said, is to tell them where to meet the driver: some suburban shopping center parking lot—a McDonald’s, a Wendy’s, a CVS pharmacy. The operators relay the message to the driver, the informant said. The driver swings by the parking lot and the addict pulls out to follow him, usually down side streets. Then the driver stops. The addict jumps into the driver’s car. There, in broken English and broken Spanish, a cross-cultural heroin deal is accomplished, with the driver spitting out the balloons the addict needs and taking his cash. Drivers do this all day, the guy said. Business hours—eight A.M. to eight P.M. usually. A cell of drivers at first can quickly gross five thousand dollars a day; within a year, that cell can be clearing fifteen thousand dollars daily. The system operates on certain principles, the informant said, and the Nayarit traffickers don’t violate them. The cells compete with each other, but competing drivers know each other from back home, so they’re never violent. They never carry guns. They work hard at blending in. They don’t party where they live. They drive sedans that are several years old. None of the workers use the drug. Drivers spend a few months in a city and then the bosses send them home or to a cell in another town. The cells switch cars about as often as they switch drivers. New drivers are coming up all the time, usually farm boys from Xalisco County. The cell owners like young drivers because they’re less likely to steal from them; the more experienced a driver becomes, the more likely he knows how to steal from the boss. The informant assumed there were thousands of these kids back in Nayarit aching to come north and drive some U.S. city with their mouths packed with heroin balloons.
Sam Quinones (Dreamland: The True Tale of America's Opiate Epidemic)
Lara Jean?” I open my eyes. I’m not dreaming, and this is real. This is a nightmare. Peter Kavinsky is holding my letter in his hand. It’s my handwriting, my envelope, my everything. “How--how did you get that?” “It came in the mail yesterday.” Peter sighs. Gruffly he says, “Listen, it’s no big deal; I just hope you’re not going around telling people--” “It came in the mail? To your house?” “Yeah.” I feel faint. I actually feel faint. Please let me faint right now, because if I faint I will no longer be here, in this moment. It will be like in movies when a girl passes out from the horror of it all and the fighting happens while she is asleep and she wakes up in a hospital bed with a bruise or two, but she’s missed all the bad stuff. I wish that was my life instead of this. I can feel myself start to sweat. Rapidly I say, “You should know that I wrote that letter a really long time ago.” “Okay.” “Like, years ago. Years and years ago. I don’t even remember what I said.” Up close, your face wasn’t so much handsome as beautiful. “Seriously, that letter’s from middle school. I don’t even know who would have sent it. Can I see it?” I reach for the letter, trying to stay calm and not sound desperate. Just casual cool. He hesitates and then grins his perfect Peter grin. “Nah, I want to keep it. I never got a letter like this before.” I leap forward, and quick like a cat I snatch it out of his hand. Peter laughs and throws up his hands in surrender. “All right, fine, have it. Geez.” “Thanks.” I start to back away from him. The paper is shaking in my hand. “Wait.” He hesitates. “Listen, I didn’t mean to steal your first kiss or whatever. I mean, that wasn’t my intention--” I laugh, a forced and fake laugh that sounds crazy even to my own ears. People turn around and look at us. “Apology accepted! Ancient history!” And then I bolt. I run faster than I’ve ever run. All the way to the girls’ locker room. How did this even happen? I sink to the floor. I’ve had the going-to-school-naked dream before. I’ve had the going-to-school-naked-forgot-to-study-for-an-exam-in-a-class-I-never-signed-up-for combo, the naked-exam-somebody-trying-to-kill-me combo. This is all that times infinity. And then, because there’s nothing left for me to do, I take the letter out of the envelope and I read it.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
Jeremy sounds reflective. 'Ah, How could I forget? All our friends thought we'd died' Jack looks like murder. 'I hate you Moxie.' She batters her eyelashes. 'Love you too, sweetcakes.
C.G. Drews
I see the shomrim, the community guardians, pull up at the house next door in their armored jackets with the neon logo on the back, stepping off motorized bikes. Three bearded men drag a young black teenager by his hands, and I can see he hangs heavily between them. “That boy can’t be older than fourteen!” says Bubby, looking down at the captured culprit. “For what does he have to steal, so he can be in a gang? Ach, so sad, from so young they are already trouble.” The shomrim members crowd around the quivering boy. I watch them kick him mercilessly until he is sobbing and wailing, “I din’t do nuttin’, I swear! I din’t do nuttin’!” He cries out his one defense, over and over, begging for mercy. The men beat him for what seems like forever. “You think you can come in here and do what you want? Impress your friends? Where are your friends now, huh?” they ask mockingly. “You think you can bring your filthy kind into this neighborhood? Oh no, not here. No, we won’t call the police, but we’ll take care of you like no one else can, you understand?” “Yes, yes, I understand . . .,” the boy wails. “Let me go, please, I din’t do nuttin’!” “If we catch one of you here ever again, we’ll kill you, you hear? We’ll kill you! You tell your little friends that, you tell them never to come near us again or we will rain hell down on their black souls.” They step back, and the young man lifts himself up and flees into the night. The shomrim get back on their bikes, brushing off their shiny jackets. Within fifteen minutes, the street is as silent as death again. I feel sick. Bubby pulls her head back in from the window. “Ah mazel,” she says, “so lucky we are to have our own police force, when the real police can’t catch a nut when it falls from a tree. We have no one to depend on, Devoraleh,” she says, looking at me, “except our own. Don’t forget that.” I chastise myself once again for feeling compassion at the inappropriate time. For the teenager I should not feel pity, because he is the enemy. I should feel bad for poor Mrs. Deutsch, who got the fright of her life and lost all her precious silver heirlooms. I know this, and yet I wipe shameful tears from my cheek. Luckily no one can see them in the dark.
Deborah Feldman (Unorthodox: The Scandalous Rejection of My Hasidic Roots)
You really are a perfect little preacher’s daughter, aren’t you, Ash? Once upon a time you were a helluva lot more fun. Before you started sucking face with Sawyer, we use to have some good times together.” He was watching me for a reaction. Knowing his eyes were directed at me made it hard to focus on driving. “You were my partner in crime, Ash. Sawyer was the good guy. But the two of us, we were the troublemakers. What happened?” How do I respond to that? No one knows the girl who used to steal bubble gum from the Quick Stop or abduct the paperboy to tie him up so we could take all his papers and dip them in blue paint before leaving them on the front door steps of houses. No one knew the girl who snuck out of her house at two in the morning to go toilet-paper yards and throw water balloons at cars from behind the bushes. No one would even believe I’d done all those things if I told them…No one but Beau. “I grew up,” I finally replied. “You completely changed, Ash.” “We were kids, Beau. Yes, you and I got into trouble, and Sawyer got us out of trouble, but we were just kids. I’m different now.” For a moment he didn’t respond. He shifted in his seat, and I knew his gaze was no longer focused on me. We’d never had this conversation before. Even if it was uncomfortable, I knew it was way overdue. Sawyer always stood in the way of Beau and me mending our fences, fences that had crumbled, and I never knew why. One day he was Beau, my best friend. The next day he was just my boyfriend’s cousin. “I miss that girl, you know. She was exciting. She knew how to have fun. This perfect little preacher’s daughter who took her place sucks.
Abbi Glines (The Vincent Boys (The Vincent Boys, #1))