β
The only thing worse than a boy who hates you: a boy that loves you.
β
β
Markus Zusak (The Book Thief)
β
I have hated words and I have loved them, and I hope I have made them right.
β
β
Markus Zusak (The Book Thief)
β
Like most misery, it started with apparent happiness.
β
β
Markus Zusak (The Book Thief)
β
It kills me sometimes, how people die.
β
β
Markus Zusak (The Book Thief)
β
I am haunted by humans.
β
β
Markus Zusak (The Book Thief)
β
Even death has a heart.
β
β
Markus Zusak (The Book Thief)
β
He does something to me, that boy. Every time. Itβs his only detriment. He steps on my heart. He makes me cry.
β
β
Markus Zusak (The Book Thief)
β
Imagine smiling after a slap in the face. Then think of doing it twenty-four hours a day.
β
β
Markus Zusak (The Book Thief)
β
I wanted to tell the book thief many things, about beauty and brutality. But what could I tell her about those things that she didn't already know? I wanted to explain that I am constantly overestimating and underestimating the human race-that rarely do I ever simply estimate it. I wanted to ask her how the same thing could be so ugly and so glorious, and its words and stories so damning and brilliant.
β
β
Markus Zusak (The Book Thief)
β
A DEFINITION NOT FOUND
IN THE DICTIONARY
Not leaving: an act of trust and love,
often deciphered by children
β
β
Markus Zusak (The Book Thief)
β
He was the crazy one who had painted himself black and defeated the world.
She was the book thief without the words.
Trust me, though, the words were on their way, and when they arrived, Liesel would hold them in her hands like the clouds, and she would wring them out like rain.
β
β
Markus Zusak (The Book Thief)
β
A snowball in the face is surely the perfect beginning to a lasting friendship.
β
β
Markus Zusak (The Book Thief)
β
A small but noteworthy note. I've seen so many young men over the years who think they're running at other young men. They are not. They are running at me.
β
β
Markus Zusak (The Book Thief)
β
If only she could be so oblivious again, to feel such love without knowing it, mistaking it for laughter.
β
β
Markus Zusak (The Book Thief)
β
Humans, if nothing else, have the good sense to die.
β
β
Markus Zusak (The Book Thief)
β
The consequence of this is that I'm always finding humans at their best and worst. I see their ugly and their beauty, and I wonder how the same thing can be both. (Death)
β
β
Markus Zusak (The Book Thief)
β
She was saying goodbye and she didn't even know it.
β
β
Markus Zusak (The Book Thief)
β
My heart is so tired
β
β
Markus Zusak (The Book Thief)
β
Usually we walk around constantly believing ourselves. "I'm okay" we say. "I'm alright". But sometimes the truth arrives on you and you can't get it off. That's when you realize that sometimes it isn't even an answer--it's a question. Even now, I wonder how much of my life is convinced.
β
β
Markus Zusak (The Book Thief)
β
A small fact:
You are going to die....does this worry you?
β
β
Markus Zusak (The Book Thief)
β
How about a kiss, Saumensch?"
He stood waist-deep in the water for a few moments longer before climbing out and handing her the book. His pants clung to him, and he did not stop walking. In truth, I think he was afraid. Rudy Steiner was scared of the book thief's kiss. He must have longed for it so much. He must have loved her so incredibly hard. So hard that he would never ask for her lips again and would go to his grave without them.
β
β
Markus Zusak (The Book Thief)
β
I have to say that although it broke my heart, I was, and still am, glad I was there.
β
β
Markus Zusak (The Book Thief)
β
One was a book thief. The other stole the sky.
β
β
Markus Zusak (The Book Thief)
β
Somewhere, far down, there was an itch in his heart, but he made it a point not to scratch it. He was afraid of what might come leaking out.
β
β
Markus Zusak (The Book Thief)
β
Together, they would watch everything that was so carefully planned collapse, and they would smile at the beauty of destruction.
β
β
Markus Zusak (The Book Thief)
β
So much good, so much evil. Just add water.
β
β
Markus Zusak (The Book Thief)
β
His soul sat up. It met me. Those kinds of souls always do - the best ones. The ones who rise up and say "I know who you are and I am ready. Not that I want to go, of course, but I will come." Those souls are always light because more of them have been put out. More of them have already found their way to other places.
β
β
Markus Zusak (The Book Thief)
β
She leaned down and looked at his lifeless face and Leisel kissed her best friend, Rudy Steiner, soft and true on his lips. He tasted dusty and sweet. He tasted like regret in the shadows of trees and in the glow of the anarchist's suit collection. She kissed him long and soft, and when she pulled herself away, she touched his mouth with her fingers...She did not say goodbye. She was incapable, and after a few more minutes at his side, she was able to tear herself from the ground. It amazes me what humans can do, even when streams are flowing down their faces and they stagger on...
β
β
Markus Zusak (The Book Thief)
β
She took a step and didn't want to take any more, but she did.
β
β
Markus Zusak (The Book Thief)
β
I guess humans like to watch a little destruction. Sand castles, houses of cards, that's where they begin. Their great skills is their capacity to escalate.
β
β
Markus Zusak (The Book Thief)
β
Destiny is usually just around the corner. Like a thief, a hooker, or a lottery vendor: its three most common personifications. But what destiny does not do is home visits. You have to go for it.
β
β
Carlos Ruiz ZafΓ³n (The Shadow of the Wind (The Cemetery of Forgotten Books, #1))
β
I want words at my funeral. But I guess that means you need life in your life.
β
β
Markus Zusak (The Book Thief)
β
Often I wish this would all be over, Liesel, but then somehow you do something like walk down the basement steps with a snowman in your hands.
β
β
Markus Zusak (The Book Thief)
β
You can't eat books, sweetheart.
β
β
Markus Zusak (The Book Thief)
β
Itβs a small story really, about, among other things:
* A girl
* Some words
* An accordionist
* Some fanatical Germans
* A Jewish fist fighter
* And quite a lot of thievery
β
β
Markus Zusak (The Book Thief)
β
The words. Why did they have to exist? Without them, there wouldn't be any of this.
β
β
Markus Zusak (The Book Thief)
β
She wanted none of those days to end, and it was always with disappointment that she watched the darkness stride forward.
β
β
Markus Zusak (The Book Thief)
β
People observe the colors of a day only at its beginnings and ends, but to me it's quite clear that a day merges through a multitude of shades and intonations with each passing moment. A single hour can consist of thousands of different colors. Waxy yellows, cloud-spot blues. Murky darkness. In my line of work, I make it a point to notice them.
β
β
Markus Zusak (The Book Thief)
β
It was a Monday and they walked on a tightrope to the sun.
β
β
Markus Zusak (The Book Thief)
β
All I could think of was that the teachers must've found the illegal stash of candy I'd been selling out of my dorms room. Or maybe they'd realized I got my Essay on Tom Sawyer from the Internet without ever reading the book and now they were going to take away my grade. Or worse, they were going to make me read the book.
β
β
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
β
The words were on their way, and when they arrived, she would hold them in her hands like the clouds, and she would wring them out like the rain.
β
β
Markus Zusak (The Book Thief)
β
I carried [Rudy] softly through the broken street...with him I tried a little harder [at comforting]. I watched the contents of his soul for a moment and saw a black-painted boy calling the name Jesse Owens as he ran through an imaginary tape. I saw him hip-deep in some icy water, chasing a book, and I saw a boy lying in bed, imagining how a kiss would taste from his glorious next-door neighbor. He does something to me, that boy. Every time. It's his only detriment. He steps on my heart. He makes me cry.
β
β
Markus Zusak (The Book Thief)
β
As always, one of her books was next to her.
β
β
Markus Zusak (The Book Thief)
β
...one opportunity leads directly to another, just as risk leads to more risk, life to more life, and death to more death.
β
β
Markus Zusak (The Book Thief)
β
I wanted to explain that I am constantly overestimating and underestimating the human race - that rarely do I even simply estimate it. I wanted to ask her how the same thing could be so ugly and so glorious, and its words and stories so damning and brilliant...I AM HAUNTED BY HUMANS.
β
β
Markus Zusak (The Book Thief)
β
If they killed him tonight, at least he would die alive.
β
β
Markus Zusak (The Book Thief)
β
It's hard to not like a man who not only notices the colors, but speaks them.
β
β
Markus Zusak (The Book Thief)
β
I am constantly overestimating and underestimating the human race - that rarely do I ever simply estimate it.
β
β
Markus Zusak (The Book Thief)
β
On many counts, taking a boy like Rudy Steiner was robbery--so much life, so much to live for--yet somehow, I'm certain he would have loved to see the frightening rubble and the swelling of the sky on the night he passed away. He'd have cried and turned and smiled if only he could have seen the book thief on her hands and knees, next to his decimated body. He'd have been glad to witness her kissing his dusty, bomb-hit lips.
Yes, I know it.
In the darkness of my dark-beating heart, I know. He'd have loved it all right.
You see?
Even death has a heart.
β
β
Markus Zusak (The Book Thief)
β
In years to come, he would be a giver of bread, not a stealer - proof again of the contradictory human being. So much good, so much evil. Just add water.
β
β
Markus Zusak (The Book Thief)
β
A SMALL PIECE OF TRUTH
I do not carry a sickle or scythe.
I only wear a hooded black robe when it's cold.
And I don't have those skull-like facial features you seem to enjoy pinning on me from a distance. You want to know what I truly look like? I'll help you out. Find yourself a mirror while I continue.
β
β
Markus Zusak (The Book Thief)
β
Two weeks to change the world, fourteen days to destroy it.
β
β
Markus Zusak (The Book Thief)
β
Goodbye, Papa, you saved me. You taught me to read. No one can play like you. I'll never drink champagne. No one can play like you."
-Liesel
β
β
Markus Zusak (The Book Thief)
β
Please, trust me, I most definitely can be cheerful. I can be amiable. Agreeable. Affable. And that's only the A's. Just don't ask me to be nice. Nice has nothing to do with me.
β
β
Markus Zusak (The Book Thief)
β
Can a person steal happiness? Or is just another internal, infernal human trick?
β
β
Markus Zusak (The Book Thief)
β
Sometimes I think my papa is an accordion. When he looks at me and smiles and breathes, I hear the notes.
β
β
Markus Zusak (The Book Thief)
β
Five hundred souls.
I carried them in my fingers, like suitcases. Or I'd throw them over my shoulder. It was only the the children I carried in my arms.
β
β
Markus Zusak (The Book Thief)
β
When she came to write her story, she would wonder when the books and the words started to mean not just something, but everything.
β
β
Markus Zusak (The Book Thief)
β
No matter how many times she was told that she was loved, there was no recognition that the proof was in the abandonment.
β
β
Markus Zusak (The Book Thief)
β
Youβre a human, you should understand self-obsession.
β
β
Markus Zusak (The Book Thief)
β
A book floated down the Amper River.
A boy jumped in, caught up to it, and held
it in his right hand. He grinned. He stood
waist-deep in the icy, Decemberish water.
βHow about a kiss, Saumensch?β he said.
β
β
Markus Zusak (The Book Thief)
β
Hair the color of lemons,'" Rudy read. His fingers touched the words. "You told him about me?"
At first, Liesel could not talk. Perhaps it was the sudden bumpiness of love she felt for him. Or had she always loved him? It's likely. Restricted as she was from speaking, she wanted him to kiss her. She wanted him to drag her hand across and pull her over. It didn't matter where. Her mouth, her neck, her cheek. Her skin was empty for it, waiting.
Years ago, when they'd raced on a muddy field, Rudy was a hastily assembled set of bones, with a jagged, rocky smile. In the trees this afternoon, he was a giver of bread and teddy bears. He was a triple Hitler Youth athletics champion. He was her best friend. And he was a month from his death.
Of course I told him about you," Liesel said.
β
β
Markus Zusak (The Book Thief)
β
***HERE IS A SMALL FACT***
You are going to die.
β
β
Markus Zusak (The Book Thief)
β
Please believe me when I tell you that I picked up each soul that day as if it were newly born. I even kissed a few weary, poisoned cheeks. I listened to their last, gasping cries. Their vanishing words. I watched their love visions and freed them from their fear.
β
β
Markus Zusak (The Book Thief)
β
It was a year for the ages, like 79, like 1346, to name just a few. Forget the scythe, Goddamn it, I needed a broom or a mop. And I needed a vacation.
β
β
Markus Zusak (The Book Thief)
β
You cannot be afraid, Read the book. Smile at it. It's a great book-the greatest book you've ever read.
β
β
Markus Zusak (The Book Thief)
β
It's a lot easier, she realized, to be on the verge of something than to actually be it. This would still take time.
β
β
Markus Zusak (The Book Thief)
β
for some reason, dying men always ask the question they know the answer to. perhaps it's so they can die being right.
β
β
Markus Zusak (The Book Thief)
β
The book thief has struck for the first time β the beginning of an illustrious career.
β
β
Markus Zusak (The Book Thief)
β
When death captures me," the boy vowed, "he will feel my fist in his face." (31.26)
β
β
Markus Zusak (The Book Thief)
β
I like that every page in every book can have a gem on it. It's probably what I love most about writingβthat words can be used in a way that's like a child playing in a sandpit, rearranging things, swapping them around. They're the best moments in a day of writingβwhen an image appears that you didn't know would be there when you started work in the morning.
β
β
Markus Zusak (The Book Thief)
β
It amazes me what humans can do, even when streams are flowing down their faces and they stagger on, coughing and searching, and finding.
β
β
Markus Zusak (The Book Thief)
β
What do you want to kiss me for? I'm filthy.'- Liesel
So am I.'- Rudy
β
β
Markus Zusak (The Book Thief)
β
Of course, I'm being rude. I'm spoiling the ending, not only of the entire book, but of this particular piece of it. I have given you two events in advance, because I don't have much interest in building mystery. Mystery bores me. It chores me. I know what happens and so do you. It's the machinations that wheel us there that aggravate, perplex, interest, and astound me. There are many things to think of. There is much story.
β
β
Markus Zusak (The Book Thief)
β
There were people everywhere on the city street, but the stranger could not have been more alone if it were empty.
β
β
Markus Zusak (The Book Thief)
β
She was a girl with a mountain to climb.
β
β
Markus Zusak (The Book Thief)
β
Rudy Steiner was scared of the book theif's kiss. He must have longed for it so much. He must have longed for it so much. he must have loved her so incredibly hard. So hard that he would never ask for her lips again and would go to his grave without them.
β
β
Markus Zusak (The Book Thief)
β
They were French, they were Jews, and they were you.
β
β
Markus Zusak (The Book Thief)
β
A human doesn't have a heart like mine. The human heart is a line, whereas my own is a circle, and I have the endless ability to be in the right place at the right time. The consequence of this is that I'm always finding humans at their best and worst. I see their ugly and their beauty, and I wonder how the same thing can be both. Still, they have one thing I envy. Humans, if nothing else, have the good sense to die.
β
β
Markus Zusak (The Book Thief)
β
The song was born on her breathe and died at her lips.
β
β
Markus Zusak (The Book Thief)
β
The point is, it didnβt really matter what the book was about. It was what it meant that was important.
β
β
Markus Zusak (The Book Thief)
β
He was waving. "Saukerl," she laughed, and as she held up her hand, she knew completely that he was simultaneously calling her a Saumensch. I think that's as close to love as eleven-year-olds can get.
β
β
Markus Zusak (The Book Thief)
β
She kept watching the words.
β
β
Markus Zusak (The Book Thief)
β
I wanted to tell the book thief many things, about beauty and brutality. But what could I tell her about those things that she didn't already know? I wanted to explain that I am constantly overestimating and underestimating the human raceβthat rarely do I ever simply estimate it. I wanted to ask her how the same thing could be so ugly and so glorious, and its words and stories so damning and brilliant.
None of those things, however, came out of my mouth.
All I was able to do was turn to Liesel Meminger and tell her the only truth I truly know. I said it to the book thief and I say it now to you.
I am haunted by humans.
β
β
Markus Zusak (The Book Thief)
β
One day, Liesel.' he said, 'you'll be dying to kiss me.
β
β
Markus Zusak (The Book Thief)
β
Prometheus, thief of light, giver of light, bound by the gods, must have been a book.
β
β
Mark Z. Danielewski (House of Leaves)
β
The question is, what color will everything be at that moment when I come for you? What will the sky be saying?
β
β
Markus Zusak (The Book Thief)
β
I'm always finding humans at their best and worst. I see their ugly and their beauty and I wonder how the same can be both.
β
β
Markus Zusak (The Book Thief)
β
A REASSURING ANNOUNCEMENT Please, be calm, despite that previous threat. I am all bluster - I am not violent. I am not malicious. I am a result.
β
β
Markus Zusak (The Book Thief)
β
There was also a rumor that later in the day, she walked fully clothed into the Amper River and said something very strange.
Something about a kiss.
Something about a Saumensch.
How many times did she have to say goodbye?
β
β
Markus Zusak (The Book Thief)
β
She said it out loud, the words distributed into a room that was full of cold air and books. Books everywhere! Each wall was armed with overcrowded yet immaculate shelving. It was barely possible to see paintwork. There were all different styles and sizes of lettering on the spines of the black, the red, the gray, the every-colored books. It was one of the most beautiful things Liesel Meminger had ever seen.
With wonder, she smiled.
That such a room existed!
β
β
Markus Zusak (The Book Thief)
β
He stood a few meters from the step and spoke with great conviction, great joy.
"Alles ist Scheisse," he announced.
All is shit.
β
β
Markus Zusak (The Book Thief)
β
I..." He struggled to answer. "When everything was quiet, I went up to the corridor and the curtain in the livingroom was open just a crack... I could see outside. I watched, only for a few seconds." He had not seen the outside world for twenty-two months.
There was no anger or reproach.
It was Papa who spoke.
How did it look?"
Max lifted his head, with great sorrow and great astonishment. "There were stars," he said. "They burned by eyes.
β
β
Markus Zusak (The Book Thief)
β
When death captures me,' the boy vowed, 'he will feel my fist on his face.'
Personally, I quite like that. Such stupid gallantry.
Yes.
I like that a lot.
β
β
Markus Zusak (The Book Thief)
β
Make no mistake, the woman had a heart. She had a bigger one that people would think. There was a lot in it, stored up, high in miles of hidden shelving. Remember that she was the woman with the instrument strapped to her body in the long, moon-slit night.
β
β
Markus Zusak (The Book Thief)
β
Don't punish yourself,' she heard her say again, but there would be punishment and pain, and there would be happiness, too. That was writing.
β
β
Markus Zusak (The Book Thief)
β
They say that war is death's best friend, but I must offer you a different point of view on that one. To me, war is like the new boss who expects the impossible. He stands over your shoulder repeating one thin, incessantly: 'Get it done, get it done.' So you work harder. You get the job done. The boss, however, does not thank you. He asks for more.
β
β
Markus Zusak (The Book Thief)
β
For a moment I was distracted. Books always did that to me... I liked the creamy pages, the smell of ink, all the secrets locked inside.
β
β
Elizabeth C. Bunce (StarCrossed (Thief Errant, #1))
β
A halo surrounded the grim reaper nun, Sister Maria. (By the way-I like this human idea of the grim reaper. I like the scythe. It amuses me.)
β
β
Markus Zusak (The Book Thief)
β
She could smell the pages. She could almost taste the words as they stacked up around her.
β
β
Markus Zusak (The Book Thief)
β
The best word shakers were the ones who understood the true power of words. They were the ones who could climb the highest. One such word shaker was a small, skinny girl. She was renowned as the best word shaker of her region because she knew how powerless a person could be WITHOUT words.
β
β
Markus Zusak (The Book Thief)
β
Somewhere in all the snow, she could see her broken heart, in two pieces.
β
β
Markus Zusak (The Book Thief)
β
The sky is blue today, Max, and there is a big long cloud, and it's stretched out, like a rope. At the end of it, the sun is
like a yellow hole. . .
β
β
Markus Zusak (The Book Thief)
β
And the boy whose hair remained the color of lemons forever.
β
β
Markus Zusak (The Book Thief)
β
He killed himself for wanting to live.
β
β
Markus Zusak (The Book Thief)
β
But then, is there cowardice in the acknowledgment of fear? Is there cowardice in being glad that you lived?
β
β
Markus Zusak (The Book Thief)
β
I could introduce myself properly, but it's not really necessary. You will know me well enough and soon enough, depending on a diverse range of variables. It suffices to say that at some point in time, I will be standing over you, as genially as possible. Your soul will be in my arms. A color will be perched on my shoulder. I will carry you gently away.
β
β
Markus Zusak (The Book Thief)
β
So many humans.
So many colors.
β
β
Markus Zusak (The Book Thief)
β
And I stop listening to me, because to put it bluntly, I tire me.
β
β
Markus Zusak (The Book Thief)
β
It's much easier, she realized, to be on the verge of something than to actually be it.
β
β
Markus Zusak (The Book Thief)
β
It was the beginning of the greatest Christmas ever. Little food. No presents. But there was a snowman in their basement.
β
β
Markus Zusak (The Book Thief)
β
Liesel's blood had dried inside of her. It crumbled. She almost broke into pieces on the steps.
β
β
Markus Zusak (The Book Thief)
β
The day was gray, the color of Europe.
β
β
Markus Zusak (The Book Thief)
β
I wanted to ask her how the same thing could be so ugly and so glorious, and its words and stories so damning and brilliant.
β
β
Markus Zusak (The Book Thief)
β
...to swear with a ferocity that can only be described as a talent.
β
β
Markus Zusak (The Book Thief)
β
Finally, in October 1945, a man with swampy eyes, feathers of hair, and a clean-shaven face walked into the shop. He approached the counter. "Is there someone here by the name of Leisel Meminger?"
"Yes, she's in the back," said Alex. He was hopeful, but he wanted to be sure. "May I ask who is calling on her?"
Leisel came out.
They hugged and cried and fell to the floor.
β
β
Markus Zusak (The Book Thief)
β
Competence was attractive.
β
β
Markus Zusak (The Book Thief)
β
Grimly, she realized that clocks don't make a sound that even remotely resembles ticking, tocking. It was more the sound of a hammer, upside down, hacking methodically at the earth. It was the sound of a grave.
β
β
Markus Zusak (The Book Thief)
β
You might well ask just what the hell he was thinking. The answer is, probably nothing at all.He'd probably say he was exercising his God-given right to stupidity.
β
β
Markus Zusak (The Book Thief)
β
If only she could be so oblivious again, to feel such love without knowing it, mistaking it for laughter and bread with only the scent of jam spread on top of it. It was the best time of her life.
β
β
Markus Zusak (The Book Thief)
β
The point is, Ilsa Hermann had decided to make suffering her triumph. When it refused to let go of her, she succumbed to it. She embraced it.
β
β
Markus Zusak (The Book Thief)
β
They'd been standing like that for thirty seconds of forever.
β
β
Markus Zusak (The Book Thief)
β
There were stars. They burned my eyes.
β
β
Markus Zusak (The Book Thief)
β
She was one if the few souls that made me wonder what's it to live.
β
β
Markus Zusak (The Book Thief)
β
Oh, come on, Arthur."
"I don't want to hear it, Andy."
"Jesus Christ"
"He doesn't want to hear it, either.
β
β
Markus Zusak (The Book Thief)
β
And they would all smile at the beauty of destruction.
β
β
Markus Zusak (The Book Thief)
β
First the colours.
Then the humans.
Thatβs usually how I see things.
Or at least, how I try.
β
β
Markus Zusak (The Book Thief)
β
Clearly," said Arthur,"you're an idiot- but you're our kind of idiot. Come on.
β
β
Markus Zusak (The Book Thief)
β
Wait, wait! You canβt stop now. Meek is going to catch the thief!
β
β
Coco Calvoz Cordon (Debbie Wants No Words)
β
It was one of those moments of perfect tiredness, of having conquered not only the work at hand, but the night who had blocked the way.
β
β
Markus Zusak (The Book Thief)
β
Death waits for no man - and if he does, he doesn't usually wait for very long.
β
β
Markus Zusak (The Book Thief)
β
Look, I didnt want to be a half-blood.
If you're reading this because you think you might be one, my advice is: close this book right now. Believe whatever lie your mom and dad told you about your birth, and try to lead a normal life.
Being a half-blood is dangerous. It's scary. Most of the time, it gets you killed in painful nasty ways.
If you're a normal kid, reading this because you think it's fiction, great. Read on. I envy you for being able to believe none of this ever happened.
But if you recognize yourself in these pages-if you feel something stirring inside- stop reading immediately. You might be one of us. And once you know that, it's only a matter of time before THEY sense it too, and they'll come for you.
Don't say I didn't warn you.
β
β
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
β
How does it feel, anyway?"
How does what feel?"
When you take one of those books?"
At that moment, she chose to keep still. If he wants an answer, he'd have to come back, and he did. "Well?" he asked, but again, it was the boy who replied, before Liesel could even open her mouth.
It feels good, doesn't it? To steal something back.
β
β
Markus Zusak (The Book Thief)
β
At first, she could not talk. Perhaps it was the sudden bumpiness of love she felt for him. Or had she always loved him?
β
β
Markus Zusak (The Book Thief)
β
The injury of words.
Yes, the brutality of words.
β
β
Markus Zusak (The Book Thief)
β
The bittersweetness of uncertainty: To win or to lose.
β
β
Markus Zusak (The Book Thief)
β
You want to know what I truly look like? I'll help you out. find yourself a mirror while I continue.
β
β
Markus Zusak (The Book Thief)
β
I am not violent. I am not malicious. I am a result.
β
β
Markus Zusak (The Book Thief)
β
If your eyes could speak, what would they say
β
β
NOT A BOOK
β
Somewhere in all the snow, she could see her broken heart, in two pieces. Each half was glowing, and beating under all that white.
β
β
Markus Zusak (The Book Thief)
β
Better that we leave the paint behind," Hans told her, "than ever forget the music.
β
β
Markus Zusak (The Book Thief)
β
Each night, Liesel would step outside, wipe the door, and watch the sky. Usually it was like spillage - cold and heavy, slippery and gray - but once in a while some stars had the nerve to rise and float, if only for a few minutes. On those nights, she would stay a little longer and wait.
Hello, stars.
β
β
Markus Zusak (The Book Thief)
β
Whoever named Himmel Street certainly had a healthy sense of irony. Not that is was a living hell. It wasn't. But is sure as hell wasn't heaven, either.
β
β
Markus Zusak (The Book Thief)
β
The tears grappled with her face.
Rudy, please, wake up, Goddamn it, wale up, I love you. Come on, Rudy, come on, Jesse Owens, don't you know I love you, wake up, wake up, wake up.."
But nothing cared...
She leaned down and looked at his lifeless face and Liesel kissed her best friend, Rudy Steiner, soft and true on his lips. He tasted dusty and sweet. He tasted like regret in the shadows of trees and in the glow of the anarchist's suit collection. She kissed him long and soft, and when she pulled hersel away, she touched his mouth with her fingers. Her hands were tremblin, her lips were fleshy, and she leaned in once more, this time losing control and misjudging it. Their teeth collided on the demolised world of Himmel Street.
β
β
Markus Zusak (The Book Thief)
β
***A SMALL THEORY***
People observe the colors of a day only at its beginnings and its ends, but to me it's quite clear that a day merges through a multitude of shades and intonations, with each passing moment. A single hour can consist of thousands of different colors. Waxy yellows, cloud-spat blues. Murky darknesses. In my line of work, I make it a point to notice them.
β
β
Markus Zusak (The Book Thief)
β
The orange flames waved at the crowd as paper and print dissolved inside them. Burning words were torn from their sentences.
β
β
Markus Zusak (The Book Thief)
β
Jeremy tried to be an interesting person. The trouble was that he was the kind of person who, having decided to be an interesting person, would first of all try to find a book called How to Be An Interesting Person and then see whether there were any courses available.
β
β
Terry Pratchett (Thief of Time (Discworld, #26; Death, #5))
β
Still, they have one thing I envy. Humans, if nothing else, have the good sense to die.
β
β
Markus Zusak (The Book Thief)
β
How 'bout a kiss, Saumensch?" -- Rudy Steiner
β
β
Markus Zusak (The Book Thief)
β
Yes, I know it.
In the darkness of my dark beating heart,
I know. He'd have loved it alright.
You see?
Even Death Has A Heart.
β
β
Markus Zusak (The Book Thief)
β
Trust me, though, the words were on their way, and when they arrived, Liesel would hold them in her hands like the clouds, and she would wring them out, like the rain. (p. 85)
β
β
Markus Zusak (The Book Thief)
β
Mistakes, mistakes, it's all I seem capable of at times.
β
β
Markus Zusak (The Book Thief)
β
The bombs were coming-and so was I.
β
β
Markus Zusak (The Book Thief)
β
Itβs the leftover humans. The survivors. Theyβre the ones I canβt stand to look at, although on many occasions I still fail. I deliberately seek out the colors to keep my mind off them, but now and then, I witness the ones who are left behind, crumbling among the jigsaw puzzle of realization, despair, and surprises. They have punctured hearts. They have beaten lungs. Which in turn brings me to the subject I am telling you about tonight, or today, or whatever the hour and color. Itβs the story of one of those perpetual survivors βan expert at being left behind.
β
β
Markus Zusak (The Book Thief)
β
β¦ it was raining on Himmel Street when the world ended for Liesel Meminger.
The sky was dripping.
Like a tap that a child has tried its hardest to turn off but hasnβt quite managed.
β
β
Markus Zusak (The Book Thief)
β
Even now, I wonder how much of my life is convinced.
β
β
Markus Zusak (The Book Thief)
β
THE LAST WORDS OF MAX VANDENBURG: You've done enough.
β
β
Markus Zusak (The Book Thief)
β
You see, to me, for just a moment, despite all of the colors that touch and grapple with what I see in this world, I will often catch an eclipse when a human dies.
I've seen millions of them.
I've seen more eclipses than I care to remember
β
β
Markus Zusak (The Book Thief)
β
The Germans in basements were pitiable, surely, but at least they had a chance. That basement was not a washroom. They were not sent there for a shower. For those people, life was still achievable.
β
β
Markus Zusak (The Book Thief)
β
She tore a page from the book and ripped it in half.
Then a chapter.
Soon, there was nothing but scraps of words littered between her legs and all around her. The words. Why did they have to exist? Without them, there wouldn't be any of this. Without words, the FΓΌhrer was nothing. There would be no limping prisoners, no need for consolation or wordly tricks to make us feel better.
What good were the words?
She said it audibly now, to the orange-lit room. "What good are the words?
β
β
Markus Zusak (The Book Thief)
β
Max lifted his head, with great sorrow and great astonishment.
'There were stars,' He said. 'They burned my eyes.β
...from a Himmel street window, he wrote, the stars set fire to my eyes.
β
β
Markus Zusak (The Book Thief)
β
Not leaving: an act of trust and love, often deciphered by children.
β
β
Markus Zusak (The Book Thief)
β
It was shortly after Raimundβs eighth birthday, over the evening meal, when Arvid announced, βThe orphan is now old enough to earn his keep. He is coming with me tonight.
β
β
Robert Reid (The Emperor (The Emperor, the Son and the Thief, #1))
β
I'm asking you, I'm begging you, could you please shut your mouth for just five minutes?"
You can imagine the reaction. They ended up in the basement.
β
β
Markus Zusak (The Book Thief)
β
The human child β so much cannier at times than the stupefyingly ponderous adult.
β
β
Markus Zusak (The Book Thief)
β
If you can't imagine it, think clumsy silence. Think bits and pieces of floating despair. And drowning in a train.
β
β
Markus Zusak (The Book Thief)
β
He odiado las palabras y las he amado, y espero haber estado a su altura.
β
β
Markus Zusak (The Book Thief)
β
Yes, I'm often reminded of her, and in one of my array of pockets, I have kept her story to retell. It is one of the small legion I carry, each one extraordinary in its own right. Each one an attempt - an immense leap of an attempt - to prove to me that you, and your human existence, are worth it.
β
β
Markus Zusak (The Book Thief)
β
I can promise you that the world is a factory.Β The sun stirs it, the humans rule it.Β And I remain.Β I carry them away.- spoken by death
β
β
Markus Zusak (The Book Thief)
β
Everything was good.
But it was awful, too.
β
β
Markus Zusak (The Book Thief)
β
It was Russia, January 5, 1943, and just another icy day. Out among the city and snow, there were dead Russians and Germans everywhere. Those who remained were firing into the blank pages in front of them. Three languages interwove. The Russian, the bullets, the German.
β
β
Markus Zusak (The Book Thief)
β
If your eyes could speak, what would they say?.
β
β
Markus Zusak
β
Papa was a man with silver eyes, not dead ones.
Papa was an accordion!
But his bellows were all empty.
Nothing went in and nothing came out.
β
β
Markus Zusak (The Book Thief)
β
I have hated the words and I have loved them, and I hope I have made them right. - Liesel Meminger
β
β
Markus Zusak (The Book Thief)
β
Summer came.
For the book thief, everything was going nicely.
For me, the sky was the color of Jews.
When their bodies had finished scouring for gaps in the door, their souls rose up. When their fingernails had scratched at the wood and in some cases were nailed into it by the sheer force of desperation, their spirits came toward me, into my arms, and we climbed out of those shower facilities, onto the roof and up, into eternity's certain breadth. They just kept feeding me. Minute after minute. Shower after shower.
β
β
Markus Zusak (The Book Thief)
β
Master Fry had a parting gift for the boy, a new copy of White Light Red Fire. Raimund had already read the book once and wondered what his role would be in the ongoing story, in what he thought was a strange collision of the past with the present.
β
β
Robert Reid (The Thief (The Emperor, the Son and the Thief, #3))
β
July 24, 6:03 A.M.
The laundry was warm and the rafters were firm, and Michael Holzapfel jumped from the chair as if it were a cliff...
Michael Holzapfel knew what he was doing.
He killed himself for wanting to live.
β
β
Markus Zusak (The Book Thief)
β
The old man smiled. βIf they could talk, these walls would tell you of battles lost and won, of fear and terror, of red fire and white light, of peace and prosperity. Aldene has a history going back centuries.
β
β
Robert Reid (The Emperor (The Emperor, the Son and the Thief, #1))
β
He lay with yellow hair and closed eyes, and the book thief ran toward him and fell down. She dropped the black book. "Rudy," she sobbed, "wake up...." She grabbed him by his shirt and gave him just the slightest disbelieving shake. "Wake up, Rudy," and now, as the sky went on heating and showering ash, Liesel was holding Rudy Steiner's shirt by the front. "Rudy, please." THe tears grappled with her face. "Rudy, please, wake up, Goddamn it, wake up, I love you. Come on, Rudy, come on, Jesse Owens, don't you know I love you, wake up, wake up, wake up....
β
β
Markus Zusak (The Book Thief)
β
It brewed in her as she eyed the pages full to the brims of their bellies with paragraphs and words.
You bastards, she thought.
You lovely bastards.
Donβt make me happy. Please, donβt fill me up and let me think that something good can come of any of this.
β
β
Markus Zusak (The Book Thief)
β
There was once a strange, small man. He decided three important details about his life:
1. He would part his hair from the opposite side to everyone else.
2. He would make himself a small, strange mustache.
3. He would one day rule the world.
...Yes, the Fuhrer decided that he would rule the world with words.
β
β
Markus Zusak (The Book Thief)
β
It felt as though the whole globe was dressed in snow. Like it has pulled it on, the way you pull on a sweater. Next to the train line, footprints were sunken to their shins. Trees wore blankets of ice.
As you may expect, someone has died.
β
β
Markus Zusak (The Book Thief)
β
For at least twenty minutes she handed out the story. The youngest kids were soothed by her voice, and everyone else saw visions of the whistler running from the scene. Liesel did not. The book thief saw only the mechanics of the words--their bodies stranded on the paper, beaten down for her to walk on. Somewhere, too, in the gaps between a period and the next capital letter, there was also Max. She remembered reading to him when he was sick. It he in the basement? she wondered. Or is he stealing a glimpse of the sky again?
β
β
Markus Zusak (The Book Thief)
β
Son, you can't go around painting yourself black, you hear?"
"Why not, Papa?"
"Because they'll take you away."
"Why?"
"Because you shouldn't want to be like black people or Jewish people or anyone who is...not us."
"Who are Jewish people?"
"You know my oldest customer, Mr. Kaufmann? Where we bought your shoes?"
"Yes."
"Well, he's Jewish."
"I didn't know that. Do you have to pay to be Jewish? Do you need a license?"
.....
"...you've got beautiful blond hair and big safe blue eyes. You should be happy with that; is that clear?
β
β
Markus Zusak (The Book Thief)
β
Papa sat with me tonight. He brought the accordion down and sat close to where Max used to sit. I often look at his fingers and face when he plays. the accordion breathes. There are lines on his cheeks. They look drawn on, and for some reason, when I see them, I want to cry. It is not for any sadness or pride. I just like the way they move and change. Sometimes I think my papa is an accordion. When he looks at me and smiles and breathes, I hear the notes.
β
β
Markus Zusak (The Book Thief)
β
After another ten minutes, the gates of thievery would open just a crack, and Liesel Meminger would widen them a little further and squeeze through.
***TWO QUESTIONS***
Would the gates shut behind her?
Or would they have the goodwill to let her back out?
As Liesel would discover, a good thief requires many things.
Stealth. Nerve. Speed.
More important than any of those things, however, was one final requirement.
Luck.
Actually.
Forget the ten minutes.
The gates open now.
β
β
Markus Zusak (The Book Thief)
β
At the end of one of the bookshelves she picked up a very old book. It was truly ancient, and woven into the cover was a motif of joined hands which merged into three words: Aonaibh Ri ChΓ©ile. The dedication on the inside cover was simply βTo Elbeth with Love.β The author was someone called Angus Ferguson
β
β
Robert Reid (The Emperor (The Emperor, the Son and the Thief, #1))
β
Max," she said. He turned and briefly closed his eyes as the girl continued.
There was once a strange, small man,"she said. Her arms were loose but her hands were fists at her side. "But there was a word shaker,too."
One of the Jews on his way to Dachau had stopped walking now. He stood absolutely still as the others swerved morosely around him, leaving him completely alone. His eyes staggered, and it was so simple. The words were given across from the girl to the Jew. They climbed on to him.
The next time she spoke, the questions stumbled from her mouth. Hot tears fought for room in her eyes as she would not let them out. Better to stand resolute and proud. Let the words do all of it. "Is it really you? the young man asked," she said. " Is it from your cheek that I took the seed.?"
Max Vandenburg remained standing.
He did not drop to his knees.
People and Jews and clouds all stopped. They watched.
As he stood, Max looked first at the girl and then stared directly into the sky who was wide and blue and magnificent. There were heavy beams-- planks of son-- falling randomly, wonderfully to the road. Clouds arched their backs to look behind as they started again to move on. "It's such a beautiful day," he said, and his voice was in many pieces. A great day to die. A great day to die,like this.
Liesel walked at him. She was courageous enought to reach out and hold his bearded face. "Is it really you,Max?"
Such a brilliant German day and its attentive crowd.
He let his mouth kiss her palm. "Yes, Liesel, it's me," and he held the girl's hand in his face and cried onto her fingers. He cried as the soldiers came and a small collection of insolent Jews stood and watched.
β
β
Markus Zusak (The Book Thief)
β
After perhaps thirty meters, just as a soldier turned around, the girl was felled. Hands were clamped upon her from behind and the boy next door brought her down. He forced her knees to the road and suffered the penalty. He collected her punches as if they were presents. Her bony hands and elbows were accepted with nothing but a few short moans. He accumulated the loud, clumsy specks of saliva and tears as if they were lovely to his face, and more important, he was able to hold her down.
β
β
Markus Zusak (The Book Thief)
β
I am in all truthfulness attempting to be cheerful about this whole topic, though most people find themselves hindered in believing me, no matter my protestations. Please, trust me. I most definitely can be cheerful. I can be amiable. Agreeable. Affable. And that's only the A's. Just don't ask me to be nice. Nice has nothing to do with me.
β
β
Markus Zusak (The Book Thief)
β
So many humans. So many colours. They keep triggering inside me. They harass my memory. I see them tall in their heaps, all mounted on top of each other. There is air like plastic, a horizon like setting glue. There are skies manufactured by people, punctured and leaking, and there are soft, coal-coloured clouds, beating, like black hearts. And then. There is death. Making his way through all of it. On the surface: unflappable, unwavering. Below: unnerved, untied, and undone.
β
β
Markus Zusak (The Book Thief)
β
Possibly the only good to come out of these nightmares was that it brought Hans Hubermann, her new papa, into the room, to soothe her, to love her.
He came every night and sat with her. The first couple of times, he simply stayed - a stranger to kill the aloneness. A few nights after that, he whispered, "Shhh, I'm here, it's all right." After three weeks he held her. Trust was accumulated quickly, due primarily to the brute strength of the man's gentleness, his thereness. The girl knew from the outset that Hans Hubermann would always appear midscream, and he would not leave. (36)
β
β
Markus Zusak (The Book Thief)
β
As the pair turned to leave they were taken by surprise by the shop owner. He was middle-aged and did not look as though he could overpower Arvid, although the large club he wielded showed his intention.
Raimund instinctively made a run for the door, only to be floored by a blow from the club. From his dazed prone position Raimund watched in horror as his uncle thrust his knife into the shopkeeperβs chest. With blood pumping from the fatal wound, the shopkeeper fell across Raimund.
β
β
Robert Reid (The Emperor (The Emperor, the Son and the Thief, #1))
β
9. Delicately Sylva moved the upper layers of paper and vellum away and saw, lying on the table, a small book. It was an ornately inscribed little volume with a beautifully worked golden motif; this was what had glittered and caught her attention. The bookβs cover was edged in gold and in the centre of the cover was the motif: a letter O superimposed with the letter I, forming the symbol Ξ¦, also marked out in gold.
β
β
Robert Reid (The Empress (The Emperor, The Son and The Thief #4))
β
And I'm not too great at that sort of comforting thing, especially when my hands are cold and the bed is warm. I carried him softly through the broken street, with one salty eye and a heavy, deathly heart. With him I tried a little harder. I watched the contents of his soul for a moment and saw a black-painted boy calling the name Jesse Owens as he ran through an imaginary tape. I saw him hip-deep in some icy water chasing a book, and I saw a boy lying in bed, imagining how a kiss would taste from his glorious next door neighbour. He does something to me, that boy. Every time. He steps on my heart. He makes me cry.
β
β
Markus Zusak (The Book Thief)
β
To exemplify that particular situation, we can look to a cool day in late June. Rudy, to put it mildly, was incensed. Who did Liesel Meminger think she was, telling him she had to take the washing and ironing alone today? Wasnβt he good enough to walk the streets with her?
βStop complaining, Saukerl,β she reprimanded him. βI just feel bad. Youβre missing the game.β
He looked over his shoulder.
βWell, if you put it like that.β There was a Schmunzel. βYou can stick your washing.β
He ran off and wasted no time joining a team. When Liesel made it to the top of Himmel Street, she looked back just in time to see him standing in front of the nearest makeshift goals. He was waving.
βSaukerl,β she laughed, and as she held up her hand, she knew completely that he was simultaneously calling her a Saumensch. I think thatβs as close to love as eleven-year-olds can get.
β
β
Markus Zusak (The Book Thief)
β
I could introduce myself properly, but it's not really necessary. You will know me well enough and soon enough, depending on a diverse range of variables. It suffices to say that at some point in time, I will be standing over you, as genially as possible. Your soul will be in my arms. A color will be perched on my shoulder. I will carry you gently away. At that moment, you will be lying there (I rarely find people standing up). You will be caked in your own body. There might be a discovery; a scream will dribble down the air. The only sound I'll hear after that will be my own breathing, and the sound of the smell, of my footsteps. (4)
β
β
Markus Zusak (The Book Thief)
β
For a long while I have believed β this is perhaps my version of Sir Darius Xerxes Camaβs belief in a fourth function of outsideness β that in every generation there are a few souls, call them lucky or cursed, who are simply born not belonging, who come into the world semi-detached, if you like, without strong affiliation to family or location or nation or race; that there may even be millions, billions of such souls, as many non-belongers as belongers, perhaps; that, in sum, the phenomenon may be as βnaturalβ a manifestation of human nature as its opposite, but one that has been mostly frustrated, throughout human history, by lack of opportunity.
And not only by that: for those who value stability, who fear transience, uncertainly, change, have erected a powerful system of stigmas and taboos against rootlessness, that disruptive, anti-social force, so that we mostly conform, we pretend to be motivated by loyalties and solidarities we do not really feel, we hide our secret identities beneath the false skins of those identities which bear the belongersβ seal of approval.
But the truth leaks out in our dreams; alone in our beds (because we are all alone at night, even if we do not sleep by ourselves), we soar, we fly, we flee. And in the waking dreams our societies permit, in our myths, our arts, our songs, we celebrate the non-belongers, the different ones, the outlaws, the freaks.
What we forbid ourselves we pay good money to watch, in a playhouse or a movie theater, or to read about between the secret covers of a book. Our libraries, our palaces of entertainment tell the truth. The tramp, the assassin, the rebel, the thief, the mutant, the outcast, the delinquent, the devil, the sinner, the traveler, the gangster, the runner, the mask: if we did not recognize in them our least-fulfilled needs, we would not invent them over and over again, in every place, in every language, in every time.
β
β
Salman Rushdie (The Ground Beneath Her Feet)
β
The Standover Man. all my life, I've been scared of men standing over me. I suppose my first standover man was my father, but he vanished before I could remember him. For some reason when I was a boy, I liked to fight. a lot of the time, I lost. Another boy, sometimes with blood falling from his nose, would be standing over me. Many years later, I needed to hide. I tried not to sleep because I as afraid of who might be there when I woke up. But I was lucky. It was always my friend.When I was hiding. I dreamed of a certain man. The hardest was when I traveled to find him. Out of sheer luck and many footsteps, I made it. I slept there for a long time. Three days, they told me...and what did I find when I woke up? Not a man, but someone else standing over me. As time passed by the girl and I realized we had things in common. But there is one strange thing. The girl says I look like something else. Now I live in a basement. Bad dreams still live in my sleep. One night, after my usual nightmare, a shadow stood above me. She said, "Tell me what you dream of." So I did. In return, she explained what her own dreams were made of. Now I think we are friends, this girl and me. It was she who gave me a gift - to me. It makes me understand that the best standover man I've ever known is not a man at all...
β
β
Markus Zusak (The Book Thief)
β
The night before brain surgery, I thought about death. I searched out my larger values, and I asked myself, if I was going to die, did I want to do it fighting and clawing or in peaceful surrender? What sort of character did I hope to show? Was I content with myself and what I had done with my life so far? I decided that I was essentially a good person, although I could have been better--but at the same time I understood that the cancer didn't care.
I asked myself what I believed. I had never prayed a lot. I hoped hard, I wished hard, but I didn't pray. I had developed a certain distrust of organized religion growing up, but I felt I had the capacity to be a spiritual person, and to hold some fervent beliefs. Quite simply, I believed I had a responsibility to be a good person, and that meant fair, honest, hardworking, and honorable. If I did that, if I was good to my family, true to my friends, if I gave back to my community or to some cause, if I wasn't a liar, a cheat, or a thief, then I believed that should be enough. At the end of the day, if there was indeed some Body or presence standing there to judge me, I hoped I would be judged on whether I had lived a true life, not on whether I believed in a certain book, or whether I'd been baptized. If there was indeed a God at the end of my days, I hoped he didn't say, 'But you were never a Christian, so you're going the other way from heaven.' If so, I was going to reply, 'You know what? You're right. Fine.'
I believed, too, in the doctors and the medicine and the surgeries--I believed in that. I believed in them. A person like Dr. Einhorn [his oncologist], that's someone to believe in, I thought, a person with the mind to develop an experimental treatment 20 years ago that now could save my life. I believed in the hard currency of his intelligence and his research.
Beyond that, I had no idea where to draw the line between spiritual belief and science. But I knew this much: I believed in belief, for its own shining sake. To believe in the face of utter hopelessness, every article of evidence to the contrary, to ignore apparent catastrophe--what other choice was there? We do it every day, I realized. We are so much stronger than we imagine, and belief is one of the most valiant and long-lived human characteristics. To believe, when all along we humans know that nothing can cure the briefness of this life, that there is no remedy for our basic mortality, that is a form of bravery.
To continue believing in yourself, believing in the doctors, believing in the treatment, believing in whatever I chose to believe in, that was the most important thing, I decided. It had to be.
Without belief, we would be left with nothing but an overwhelming doom, every single day. And it will beat you. I didn't fully see, until the cancer, how we fight every day against the creeping negatives of the world, how we struggle daily against the slow lapping of cynicism. Dispiritedness and disappointment, these were the real perils of life, not some sudden illness or cataclysmic millennium doomsday. I knew now why people fear cancer: because it is a slow and inevitable death, it is the very definition of cynicism and loss of spirit.
So, I believed.
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Lance Armstrong (It's Not About the Bike: My Journey Back to Life)