Harry Belafonte Quotes

You can cage the singer but not the song.

Katrina was not unforeseeable. It was the result of a political structure that subcontracts its responsibility to private contractors and abdicates its responsibility altogether. —Harry Belafonte, American musician and civil rights activist, September 20052

When you grow up, son, never ever go to bed at night knowing that there was something you could have done during the day to strike a blow against injustice and you didn’t do it.

After all, Paul Robeson said, ‘Artists are the radical voice of civilization.’ Each and every one of you in this room, with your gifts and your power and your skills, could perhaps change the way in which our global humanity mistrusts itself. Perhaps we as artists and as visionaries, for what’s better in the human heart and the human soul, could influence citizens everywhere in the world to see the better side of who and what we are as a species.

In a provocative 1997 interview on 60 Minutes, Harry Belafonte, the singer, actor, and civil rights activist, when asked how he was able to cope with his anger, frustration, and disappointment stemming from constant discrimination and harassment during the civil rights movement, responded with a one word answer: “Psychoanalysis!

You can cage the singer but not the song

When Hughes writes, in the first two lines of his poem, “Let America be America again/ Let it be the dream it used to be,” he acknowledges that America is primarily a dream, a hope, an aspiration, that may never be fully attainable, but that spurs us to be better, to be larger. He follows this with the repeated counterpoint, “America never was America to me,” and through the rest of this remarkable poem he alternates between the oppressed and the wronged of America, and the great dreams that they have for their country, that can never be extinguished.

When I was born, I was colored. I soon became a Negro. Not long after that, I was Black. Most recently, I was African American. It seems we’re on a roll here. But I am still first and foremost in search of freedom.

White movie stars attracted by Harry Belafonte and Sidney Poitier were lending their names to the struggle, and their sincerity stood up against the most suspicious scrutiny. One evening at Belafonte's house, Shelley Winters explained why she was glad to contribute her money and her time to the SCLC. "It's not that I love Reverend King or all black people or even Harry Belafonte. I have a daughter. She's white and she's young now, but when she grows up and finds that most of the people in the world are black or brown or yellow, and have been oppressed for centuries by people who look like her, she's going to ask me what I did about it. I want to be able to say, 'The best I could.'" I was still suspicious of most white liberals, but Shelley Winters sounded practical and I trusted her immediately. After all, she was a mother just like me, looking after her child.

Harry Belafonte explained: [T]he Second World War happened, and my mother told me that the fight against Hitler was our fight, and I went off, just like that. We were fighting against tyranny, fighting for freedom. But when we-the Black soldiers-came home, we found it was business as usual. There were no changes in the segregation laws. There was no right to vote. And yet being part of that war changed something in us-we'd had a peek at freedom. I knew if I could fight for it over there, I could fight for it in America.

Although slavery may have been abolished, the crippling poison of racism still persists, and the struggle still continues. Harry Belafonte (March 1, 1927 – April 25, 2023)

Embarrassed that he had not recognized one of America’s best-known entertainers, whom he’d seen many times on television, Gunny escorted him to the stage, where Davis took his seat with the other celebrities who had made the trip, including Josephine Baker, Charlton Heston, Paul Newman, Marlon Brando, Rita Moreno, Harry Belafonte, James Baldwin, Ruby Dee, Tony Curtis, Sidney Poitier, and Steve McQueen.