The Blah Story Quotes

And he was like "The sedative in the blood, blah, blah, four hours, blah, blah, nerdspeak, geektalk -" -Abby

Everyone lies about writing. They lie about how easy it is or how hard it was. They perpetuate a romantic idea that writing is some beautiful experience that takes place in an architectural room filled with leather novels and chai tea. They talk about their “morning ritual” and how they “dress for writing” and the cabin in Big Sur where they go to “be alone”—blah blah blah. No one tells the truth about writing a book. Authors pretend their stories were always shiny and perfect and just waiting to be written. The truth is, writing is this: hard and boring and occasionally great but usually not. Even I have lied about writing. I have told people that writing this book has been like brushing away dirt from a fossil. What a load of shit. It has been like hacking away at a freezer with a screwdriver. I wrote this book after my kids went to sleep. I wrote this book on subways and on airplanes and in between setups while I shot a television show. I wrote this book from scribbled thoughts I kept in the Notes app on my iPhone and conversations I had with myself in my own head before I went to sleep. I wrote it ugly and in pieces.

There was once, in the country of Alifbay, a sad city, the saddest of cities, a city so ruinously sad that it had forgotten its name. It stood by a mournful sea full of glumfish, which were so miserable to eat that they made people belch with melancholy even though the skies were blue... And in the depths of the city, beyond an old zone of ruined buildings that look like broken hearts, there lived a happy young fellow by name of Haroun, the only child of the storyteller Rashid Khalifa, whose cheerfulness was famous throughout that unhappy metropolis, and whose never-ending stream of tall, and winding tales had earned him not one but two nicknames. To his admirers he was Rashid the Ocean of Notions, as stuffed with cheery stories as the sea was full of glumfish; but to his jealous rivals he was the Shah of Blah.

Not every day is awful. Not every day is good. Despite the way the hours pass, I’m living like I should. Not every day is all wrong. Not every day is right. At least I’m not a spider trying to scamper out of sight. Not every day is ideal. Not every day is bad. At any rate I have my senses, even if they’re mad. Not every day is happy. Not every day is glum. When melancholy drags me down, a simple tune I hum. Not every day I smile. Not every day I frown. With effort, I can take a scowl and turn it upside down. Not every day is crazy. Not every day is sane. If consequence nips at my heels I don’t pass on the blame. Not every day is giddy. Not every day is blah. Yet I can still appreciate a giggle and guffaw. Not every day is timid. Not every day is proud. I may not be a dragon, but I roar about as loud. Not every day has rainbows. Not every day has rain. Despite the fact I’m stiff and sore, I’m not in chronic pain. On every day the sun shines, so every night I pray that I might see the morning light and live another day.

Pity moment, blah! Let’s turn it around! We do not even need to go into the story of it. We acknowledge this moment and release it. We love and accept and forgive ourselves. And we acknowledge that this is a tiny stitch, a brief pinprick in the needlepoints we are creating of our lives. And we also acknowledge that this lifetime of ours is but a tiny little stitch in the ever-expanding, infinite needlepoint of the Universe. Self-pity is not a reason good enough for us to be out of alignment with peace.

I think as a kid I depended on her, her being my mom, I don’t think I ever thought I had any other options but to live with her. As an adult I kick myself for not doing something to help myself back then. My mother could show affection and say kind words when she wanted to . . . she would abuse me, then the very next day hug me or tell me how I was her baby and she loved me blah, blah. I think it worked like any abusive relationship

she would abuse me, then the very next day hug me or tell me how I was her baby and she loved me blah, blah. I think it worked like any abusive relationship . . . a person feels trapped, nowhere to go . . . they are abused and then the abuser reins them back in with kindness and the person being abused settles, not quite thinking about the next time they are beat etc. just relieved the abuse is over (for now). My mother was a ticking time bomb . . .

BACK IN SCHOOL, I loved ending stories that way. It’s the perfect conclusion, isn’t it? Billy went to school. He had a good day. Then he died. The end. It doesn’t leave you hanging. It wraps everything up nice and neat. Except in my case, it didn’t. Maybe you’re thinking, Oh, Magnus, you didn’t really die. Otherwise you couldn’t be narrating this story. You just came close. Then you were miraculously rescued, blah, blah, blah. Nope. I actually died. One hundred percent: guts impaled, vital organs burned, head smacked into a frozen river from forty feet up, every bone in my body broken, lungs filled with ice water. The medical term for that is dead. Gee, Magnus, what did it feel like? It hurt. A lot. Thanks for asking. I

The main barrier standing between ourselves and a local-food culture is not price, but attitude. The most difficult requirements are patience and a bit of restraint -- virtues that are hardly the property of the wealthy. These virtues seem to find precious little shelter, in fact, in any modern quarter of this nation founded by Puritans. Furthermore, we apply them selectively: browbeating our teenagers with the message that they should wait for sex, for example. Only if they wait to experience intercourse under the ideal circumstances (the story goes), will they know its true value. "Blah blah blah," hears the teenager: words issuing from a mouth that can't even wait for the right time to eat a tomatoes, but instead consumes tasteless ones all winter to satisfy a craving for everything NOW.

Nora Ephron is a screenwriter whose scripts for Silkwood, When Harry Met Sally, and Sleepless in Seattle have all been nominated for Academy Awards. Ephron started her career as a journalist for the New York Post and Esquire. She became a journalist because of her high school journalism teacher. Ephron still remembers the first day of her journalism class. Although the students had no journalism experience, they walked into their first class with a sense of what a journalist does: A journalists gets the facts and reports them. To get the facts, you track down the five Ws—who, what, where, when, and why. As students sat in front of their manual typewriters, Ephron’s teacher announced the first assignment. They would write the lead of a newspaper story. The teacher reeled off the facts: “Kenneth L. Peters, the principal of Beverly Hills High School, announced today that the entire high school faculty will travel to Sacramento next Thursday for a colloquium in new teaching methods. Among the speakers will be anthropologist Margaret Mead, college president Dr. Robert Maynard Hutchins, and California governor Edmund ‘Pat’ Brown.” The budding journalists sat at their typewriters and pecked away at the first lead of their careers. According to Ephron, she and most of the other students produced leads that reordered the facts and condensed them into a single sentence: “Governor Pat Brown, Margaret Mead, and Robert Maynard Hutchins will address the Beverly Hills High School faculty Thursday in Sacramento. . .blah, blah, blah.” The teacher collected the leads and scanned them rapidly. Then he laid them aside and paused for a moment. Finally, he said, “The lead to the story is ‘There will be no school next Thursday.’” “It was a breathtaking moment,” Ephron recalls. “In that instant I realized that journalism was not just about regurgitating the facts but about figuring out the point. It wasn’t enough to know the who, what, when, and where; you had to understand what it meant. And why it mattered.” For the rest of the year, she says, every assignment had a secret—a hidden point that the students had to figure out in order to produce a good story.

Grover: Oh, um—well, it’s a little embarrassing. I got this request once from a muskrat who wanted to hear “Muskrat Love.” Well ... Ilearned it, and I have to admit I enjoy playing it. Honestly, it’s not just for muskrats anymore! It’s a very sweet love story. I get misty-eyed every time I play it. So does Percy, but I think that’s because he’s laughing at me. Who would you least like to meet in a dark alley—a Cyclops or an angry Mr. D? Grover: Blah-hah-hah! What kind of question is that? Um—well... I’d much rather meet Mr. D, obviously, because he’s so . . . er, nice. Yes, kind and generous to all us satyrs. We all love him. And I’m not just saying that because he’s always listening, and he would blast me to pieces if I said anything different. In your opinion, what’s the most beautiful spot in nature in all of America? Grover: It’s amazing there are any nice spots left, but I like Lake Placid in upstate New York. Very beautiful, especially on a winter day! And the dryads up there—wow! Oh, wait, can you edit that part out? Juniper will kill me. Are tin cans really that tasty? Grover: My old granny goat used to say, “Two cans a day keep the monsters away.” Lots of minerals, very filling, and the texture is wonderful. Really, what’s not to like? I can’t help it if human teeth aren’t built for heavy-duty dining. Interview with PERCY JACKSON, Son of Poseidon What’s your favorite part about summers at

Okay, on my first night, he tried to chat me up. You know how the story goes. ‘You have the most beautiful eyes, I’m very rich, want to see my bedroom?’ Blah, blah, blah.” “And because you turned him down, he’s more determined than ever,” Will guessed, with amazing accuracy. “You did turn him down, right?” “Of course,” I told him, insulted by the insinuation I would drop my knickers for a glass of wine. “Do you think I’d risk my job for a quick tumble in the sheets with him?

You’d think someone as resourceful as Rachel would know whether or not Toraf was the identical twin of a known terrorist. But nooooo. So we wait by our guard in the corridor of the security office of LAX airport while about a dozen people work to verify our identity. My identity comes back fine and clean and boring. Toraf’s identity doesn’t come back for a few hours. Which is not cool, because he’s been puking in the trash can next to our bench seats and it’s got to be almost full by now. Because of the regional storms in Jersey, we’d had a rough takeoff. Coupled with the reaction Toraf had to the Dramamine-excitability, no less-it was all I could do to coax him out of the tiny bathroom to get him to sit still and not puke while doing so. His fingerprints could not be matched and his violet eyes were throwing them for a loop, since they physically verified that they aren’t contacts. A lady security officer asked us several times in several different ways why our tickets would be one-way to Hawaii if we lived in Jersey and only had a carry-on bag full of miscellaneous crap that you don’t really need. Where were we going? What were we doing? I’d told them we were going to Honolulu to pick a place to get married and weren’t in a hurry to come back, so we only purchased one-way tickets and blah blah blah. It’s a BS story and they know it, but sometimes BS stories can’t be proven false. Finally, I asked for an attorney, and since they hadn’t charged us with anything, and couldn’t charge us with anything, they decided to let us go. For crying out loud. I can’t decide if I’m relieved or nervous that Toraf’s seat is a couple of rows back on our flight to Honolulu. On the plus side, I don’t have to be bothered every time he goes to the bathroom to upchuck. Then again, I can’t keep my eye on him, either, in case he doesn’t know how to act or respond to nosy strangers who can’t mind their own business. I peek around my seat and roll my eyes. He’s seated next to two girls, about my age and obviously traveling together, and they’re trying nonstop to start a conversation with him. Poor, poor Toraf. It must be a hard-knock life to have inherited the exquisite Syrena features. It’s all he can do not to puke in their laps. A small part of me wishes that he would, so they’d shut up and leave him alone and I could maybe close my eyes for two seconds. From here I can hear him squirm in his seat, which is about four times too small for a built Syrena male. His shoulder and biceps protrude into the aisle, so he’s constantly getting bumped. Oy.

And in the depths of the city, beyond an old zone of ruined buildings that looked like broken hearts, there lived a happy young fellow by the name of Haroun, the only child of the storyteller Rashid Khalifa, whose cheerfulness was famous throughout that unhappy metropolis, and whose never-ending stream of tall, short and winding tales had earned him not one but two nicknames. To his admirers he was Rashid the Ocean of Notions, as stuffed with cheery stories as the sea was full of glumfish; but to his jealous rivals he was the Shah of Blah. To his wife, Soraya, Rashid was for many years as loving a husband as anyone could wish for, and during these years Haroun grew up in a home in which, instead of misery and frowns, he had his father’s ready laughter and his mother’s sweet voice raised in song. Then something went wrong. (Maybe the sadness of the city finally crept in through their windows.) The day Soraya stopped singing, in the middle of a line, as if someone had thrown a switch, Haroun guessed there was trouble brewing. But he never suspected how much.

Anyway, to understand why a perfectly normal person would want to slowly turn himself into a robot whose sole purpose is to invade planetary colonies, shoot innocent civilians, and spend all day believing he’s a fascist-fighting patriot of industrial capitalism, you have to first understand where these guys come from. Blah, blah, blah, tough childhood in the pollution-choked shadow of the behemoth, Reaver moons where most of the physical goods in the galaxy are manufactured. Blah, blah, drugs, street gangs, 80% taxes, boo-hoo, my mommy is a hooker, no way out, etc. You know the story.

Everyone lies about writing. They lie about how easy it is or how hard it was. They perpetuate a romantic idea that writing is some beautiful experience that takes place in an architectural room filled with leather novels and chai tea. They talk about their “morning ritual” and how they “dress for writing” and the cabin in Big Sur where they go to “be alone”—blah blah blah. No one tells the truth about writing a book. Authors pretend their stories were always shiny and perfect and just waiting to be written. The truth is, writing is this: hard and boring and occasionally great but usually not.

My mother worked as a saleslady at the well-known Five Corner bakery in Journal Square during the day. Her orders were that I do at least one page of homework for every one of my subjects before she came home. It didn’t matter what my teachers would assign, those were her rules and I didn’t dare to violate them! However, I usually allowed others to make the rules and then decide whether I would follow them. Turning on our small Bakelite radio, I would ignore my mother’s rules and listen to my favorite adventure shows. “Jack Armstrong, the All-American Boy, Superman, who could leap tall buildings in a single bound, and Tom Mix were my favorite daily half-hour radio programs during the week. Tom Mix was forever solving some mystery that I could help him with, since I had a decoder badge that cost only 10 cents, along with a box top from a Ralston Purina’s “Wheat Chex” cereal box. Since it tasted like straw, wanting to get a decoder badge was the only way I would eat this blah cereal for breakfast. The radio shows were way too exciting, and my homework always took second place. When my mother finally came home and saw that I had not done my work, she would get quite upset and make me do twice as much, seated at the kitchen table where she could keep her eye on me. Being under her direct supervision wasn’t much fun, but I would sit there until she was satisfied that I had finished my assignments. My mother showed no mercy! If my father found out about my being lax, there would be hell to pay! For whatever reason, I never seemed to learn…. Oh, woe is me, woe is me…. I was in trouble again… No, I was still in trouble!

My novels are written with the purpose of taking all of my character's mess and turning it into a beautiful masterpiece.

[If] you want to write a book about your spiritual experience without including yourself and revealing anything of authenticity of your own heart and your own experience and your own journey and your own story - why would anybody trust you? If you're not connecting with people authentically and sharing your vulnerability; sharing your Heart Voice, then it's just a bunch of blah-blah-blah-spiritual-book-blah-blah. No-one needs that! Who needs that? There's enough of that in the world.

.​Explanation 2.​A Message from the Principal 3.​Poetry 4.​Doctor Pickle 5.​A Story with a Disappointing Ending 6.​Pet Day 7.​A Bad Word 8.​Santa Claus 9.​Something Different about Mrs. Jewls 10.​Mr. Gorf 11.​Voices 12.​Nose 13.​The New Teacher 14.​A Light Bulb, a Pencil Sharpener, a Coffeepot, and a Sack of Potatoes 15.​An Elephant in Wayside School 16.​Mr. Poop 17.​Why the Children Decided They Had to Get Rid of Mrs. Drazil 18.​The Blue Notebook 19.​Time Out 20.​Elevators 21.​Open Wide 22.​Jane Smith 23.​Ears 24.​Glum and Blah 25.​Guilty 26.​Never Laugh at a Shoelace 27.​Way-High-Up Ball 28.​Flowers for a Very Special Person 29.​Stupid 30.​The Little Stranger

You are the prettiest, yack, yack, yack. My heart beats for you alone, blah, blah, blah. I will be your Prince Charming, yadda, yadda, yadda.

You kiss me, you’re gonna say sweet things. Not ‘we can’t do this,’ ‘it’s soooo wrong,’ blah, blah, blah. I deserve better. I deserve someone who feels so damn lucky he gets to kiss me that he praises the God- damn-Lord while he’s doin’ it and thanks Him after!

Everyone lies about writing. They lie about how easy it is or how hard it was. They perpetuate a romantic idea that writing is some beautiful experience that takes place in an architectural room filled with leather novels and chai tea. They talk about their “morning ritual” and how they “dress for writing” and the cabin in Big Sur where they go to “be alone”—blah blah blah. No one tells the truth about writing a book. Authors pretend their stories were always shiny and perfect and just waiting to be written. The truth is, writing is this: hard and boring and occasionally great but usually not. Even I have lied about writing. I have told people that writing this book has been like brushing away dirt from a fossil. What a load of shit. It has been like hacking away at a freezer with a screwdriver. I

So unrealistic.” “Excuse me?” Liam asked, eyeing the offending book. “Nothing,” I huffed. “Doesn’t look like nothing,” he countered. “Freaking Natalie and her fairy tale bullshit.” I let out a breath so heavy a lock of hair blew away from my face. The tiniest smirk curled on Liam’s lips. “Now we’re getting somewhere.” “Don’t get me wrong, I’m thrilled she got the happy ending she was searching for, but that’s not for everyone. These books she reads—there’s no way ninety-nine percent of these scenarios would ever happen. It’s false advertising for how life and love actually unfold, creating unrealistic expectations for men and women alike.” How so?” Narrowing my eyes across the table at him, I challenged, “Have you ever read one of these romance novels?” “Can’t say that I have,” he admitted. “Well, let me enlighten you. They’re all variations of the same story—the girl usually has some kind of a hang-up, and this perfect man comes along and makes her believe in love. Blah, blah, blah. Then something happens, a conflict, and they break up—every damn time. Then someone realizes they’re an idiot and apologizes—sometimes there’s a grand gesture—but they always end up back together. Life doesn’t work like that. Not all women are broken, and not all men are perfect. And don’t even get me started on how all the men are gods in bed with huge dicks.” Liam snorted. “Are they not, then?” “Don’t.” I was not in the mood and threw him a death glare. Throwing his hands up in defense, he asked, “What? I can only speak for myself, so I don’t know what all the other men are up to.” “Not funny, Liam.” Those piercing blue eyes found mine. “Who said I was joking, Amy?

we can do about getting you bailed … blah, blah, blah … But before we get into all that just explain one thing for me, yeah?’ As he pauses, my brow furrows in anticipation. ‘You’re my brief, innit?’ ‘I am indeed your legal representative.’ ‘And that means I can ask you anything I like, yeah?’ My brow furrows further. Soon my entire upper face will be one huge wrinkle. ‘Is there some specific aspect of your case you’d like to talk about, Mr Nazeeb?’ ‘Not about my case, about you, blood. No offence but … how comes you, a black geezer, talks like a posh white geezer? Is your mum the queen or something?’ He laughs heartily as though this is the funniest joke he’s ever heard. ‘Dude, you don’t sound nuthin’ like any of the black geezers from round my ends and it’s proper doing my head in. What’s your story?’ One might assume that given Mr Nazeeb is being held in custody for attacking a rival drug dealer with a baseball bat, is looking at a five-year sentence, has already had an appeal for bail turned down and is facing a second in just twenty-five minutes, he would be a tad more focused on his current situation. But to make such an assumption about the twenty-seven-year-old Asian man sitting across the table from me (dressed head to toe in his drug-dealing street uniform of baseball cap, black North Face jacket, grey sweatshirt, matching jogging bottoms and bright white box-fresh trainers), one would need to be ignorant of a truth of which I have long been painfully aware: that little frustrates the human brain so much as an inability to immediately pigeonhole complete strangers. And for the man sitting across from me in a dingy conference room at Westminster Magistrates Court the question of why I, as a thirty-four-year-old criminal barrister with light-brown skin, Caribbean heritage and a three-piece pinstripe suit, don’t drop my aitches is, it would appear, of greater priority than even personal liberty. It is a phenomenon unbounded not only by race but

Then I died. The end. Back in school, I loved ending stories that way. It's the perfect conclusion, isn't it? "Billy went to school. He had a good day. then he died. The end." It doesn't leave you hanging. It wraps everything up nice and neat. Except in my case, it didn't. Maybe you're thinking, "Oh, Magnus, you didn't really die. Otherwise you couldn't be narrating this story. You just came close. You were miraculously rescued, blah, blah, blah." Nope. I actually died. One hundred percent. Guts impaled, vital organs burned, head smacked into a frozen river from forty feet up, every bone in my body broken, lungs filled with ice water. The medical term for that is dead. "Gee, Magnus, what did it feel like?" It hurt. A lot. Thanks for asking.

Oh, Magnus, you didn’t really die. Otherwise you couldn’t be narrating this story. You just came close. Then you were miraculously rescued, blah, blah, blah. Nope. I actually died. One hundred percent: guts impaled, vital organs burned, head smacked into a frozen river from forty feet up, every bone in my body broken, lungs filled with ice water. The medical term for that is dead.

I’ve heard people with homeland defense say, ‘Oh, we keep a good control on whatever genes are synthesized commercially, blah blah blah.’ ” Pincus takes no comfort there. He related another story. “For therapeutic reasons, we wanted to synthesize a gene that encoded the toxic part of ricin, that would be expressed—i.e., produced—in human cells. This should have set off a lot of red flags if anyone was looking for that kind of thing. But, man, we ordered it, and we had the gene two weeks later. So if you think the Select Agent list protects us from sophisticated terrorists …” I’ll finish the sentence for him. It’s a load of horse spleen.

Nothing takes five minutes, Kelly. Nothing.” We’d been here before. In a day or two, I’d follow his eye to the unfinished side of the chest or a feathered edge of Foxy Brown along the top of a baseboard. Busted, I would nod through his blah blah blah about slowing down or what painter’s tape is for. He didn’t understand the way my projects made me tingle with can-do. He couldn’t see that each undertaking I “finished” left me drunk with accomplishment. He’d never be able to appreciate that for a mother, the most elusive, exhilarating buzz was fixing.

Strand, Mark [Blah blah blah biographical information, crossed out with Sharpie pen.] We are reading the story of our lives As though we were in it, As though we had written it.