The Battle Bricks Quotes

They want us to be afraid. They want us to be afraid of leaving our homes. They want us to barricade our doors and hide our children. Their aim is to make us fear life itself! They want us to hate. They want us to hate 'the other'. They want us to practice aggression and perfect antagonism. Their aim is to divide us all! They want us to be inhuman. They want us to throw out our kindness. They want us to bury our love and burn our hope. Their aim is to take all our light! They think their bricked walls will separate us. They think their damned bombs will defeat us. They are so ignorant they don’t understand that my soul and your soul are old friends. They are so ignorant they don’t understand that when they cut you I bleed. They are so ignorant they don’t understand that we will never be afraid, we will never hate and we will never be silent for life is ours!

I figured the best way to stop feeling that tired was to stop fighting losing battles. Stop banging my head against a brick wall,

Oregon October, when the fields of timothy and rye-grass stubble are being burned, the sky itself catches fire. Flocks of wrens rush up from the red alder thickets like sparks kicked from a campfire, the salmon jumps again, and the river rolls molten and slow . . . Down river, from Andy’s Landing, a burned-off cedar snag held the sun spitted like an apple, hissing and dripping juices against a grill of Indian Summer clouds. All the hillside, all the drying Himalaya vine that lined the big river, and the sugar-maple trees farther up, burned a dark brick and over-lit red. The river split for the jump of a red-gilled silver salmon, then circled to mark the spot where it fell. Spoonbills shoveled at the crimson mud in the shallows, and dowitchers jumped from cattail to cattail, frantically crying “Kleek! Kleek!” as though the thin reeds were as hot as the pokers they resembled. Canvasback and brant flew south in small, fiery, faraway flocks. And in the shabby ruin of broken cornfields rooster ringnecks clashed together in battle so bright, so gleaming polished-copper bright, that the fields seemed to ring with their fighting. This is Hank’s bell.

A blanket could be used as a shield, in a fight with a cold shower. I know, because I won that battle this morning, only I wielded a sword—and an erection made of sleep. 


My sister is a black hole my sister is a bricked-up window my sister is a house on fire my sister is a car crash my sister is a long night my sister is a battle my sister is here. September

The term supply chain is not new. It is fundamental to military strategy. It was the difference between winning and losing in the Napoleonic wars and the Battle of the Bulge in World War II. The

Have you forgotten me? by Nancy B. Brewer The bricks I laid or the stitches I sewed. I was the one that made the quilt; a drop of blood still shows from my needle prick. Your wedding day in lace and satin, in a dress once worn by me. I loaned your newborn baby my christening gown, a hint of lavender still preserved. Do you know our cause, the battles we won and the battles we lost? When our soldiers marched home did you shout hooray! Or shed a tear for the fallen sons. What of the fields we plowed, the cotton, the tobacco and the okra, too. There was always room at my table for one more, Fried chicken, apple pie, biscuits and sweet ice tea. A time or two you may have heard our stories politely told. Some of us are famous, recorded on the pages of history. Still, most of us left this world without glory or acknowledgment. We were the first to walk the streets you now call home, Perhaps you have visited my grave and flowers left, but did you hear me cry out to you? Listen, my child, to the voices of your ancestors. Take pride in our accomplishments; find your strength in our suffering. For WE are not just voices in the wind, WE are a living part of YOU!

It is Never Too Late to Mend." Since it can never be too late To change your life, or else renew it, Let the unpleasant process wait Until you are compelled to do it. The State provides (and gratis too) Establishments for such as you. Remember this, and pluck up heart, That, be you publican or parson, Your ev'ry art must have a start, From petty larceny to arson; And even in the burglar's trade, The cracksman is not born, but made. So, if in your career of crime, You fail to carry out some "coup", Then try again a second time, And yet again, until you do; And don't despair, or fear the worst, Because you get found out at first. Perhaps the battle will not go, On all occasions, to the strongest; You may be fairly certain tho' That He Laughs Last who laughs the Longest. So keep a good reserve of laughter, Which may be found of use hereafter. Believe me that, howe'er well meant, A Good Resolve is always brief; Don't let your precious hours be spent In turning over a new leaf. Such leaves, like Nature's, soon decay, And then are only in the way. The Road to—-well, a certain spot, (A Road of very fair dimensions), Has, so the proverb tells us, got A parquet-floor of Good Intentions. Take care, in your desire to please, You do not add a brick to these. For there may come a moment when You shall be mended willy-nilly, With many more misguided men, Whose skill is undermined with skilly. Till then procrastinate, my friend; "It Never is Too Late to Mend!

From the ’70s and ’80s, the following songs immediately spring to my mind as candidates: “The Battle of Evermore,” “Spirit of Eden,” “In Memory of Elizabeth Reed,” “Close to the Edge,” “In Your Eyes,” “Thick as a Brick,” “Cinema Show,” “Echoes,” and “The Killing Moon.

often, though, it is a single event that brings about the most direct change that receives the attention. The blow that ends the battle, the last brick to fall. In our worship of these moments, these endings, we neglect the journeys, the trials, the hardships, and the battles endured to make them possible.

Six miles below town a fat and battered brick chimney, sticking above the magnolias and live-oaks, was pointed out as the monument erected by an appreciative nation to celebrate the battle of New Orleans--Jackson's victory over the British, January 8, 1815. The war had ended, the two nations were at peace, but the news had not yet reached New Orleans. If we had had the cable telegraph in those days, this blood would not have been spilt, those lives would not have been wasted; and better still, Jackson would probably never have been president. We have gotten over the harms done us by the war of 1812, but not over some of those done us by Jackson's presidency.

There probably are very few perfect tracks—tracks that never grow old and never cease to cause wonder. From the ’70s and ’80s, the following songs immediately spring to my mind as candidates: “The Battle of Evermore,” “Spirit of Eden,” “In Memory of Elizabeth Reed,” “Close to the Edge,” “In Your Eyes,” “Thick as a Brick,” “Cinema Show,” “Echoes,” and “The Killing Moon.

Footnote to May 20.—Returning from Brussels to Aachen, we ran across a batch of British prisoners. It was somewhere in the Dutch province of Limburg, a suburb, I think, of Maastricht. They were herded together in the brick-paved yard of a disused factory. We stopped and went over and talked to them. They were a sad sight. Prisoners always are, especially right after a battle. Some obviously shell-shocked, some wounded, all dead tired. But what impressed me most about them was their physique. They were hollow-chested and skinny and round-shouldered. About a third of them had bad eyes and wore glasses.

That’s where the shouts and yells of the twenty houses round about crash and rebound, even the cries of the concierges’ little birds, rotting away as they pipe for the spring they will never see in their cages beside the privies, which are all clustered together out at the dark end with their ill-fitting, banging doors. A hundred male and female drunks inhabit those bricks and feed the echoes with their boasting quarrels and muddled, eruptive oaths, especially after lunch on a Saturday. That’s the intense moment in family life. Shouts of defiance as the drink pours down. Papa is brandishing a chair, a sight worth seeing, like an axe, and Mama a log like a sabre! Heaven help the weak! It’s the kid who suffers. Anyone unable to defend himself or fight back – children, dogs and cats – is flattened against the wall. After the third glass of wine, the black kind, the worst, it’s the dog’s turn, Papa stamps on his paw. That’ll teach him to be hungry at the same time as people. It’s good for a laugh when he crawls under the bed, whimpering for all he’s worth. That’s the signal. Nothing arouses a drunken woman so much as an animal in pain, and bulls aren’t always handy. The argument starts up again, vindictive, compulsive, delirious, the wife takes the lead, hurling shrill calls to battle at the male. Then comes the mêlée, the smash-up. The uproar descends on the court, the echo swirls through the half-darkness. The children yap with horror. They’ve found out what Mama and Papa have in them! Their yells draw down parental thunders.

Mr. Edwards and the Spider" I saw the spiders marching through the air, Swimming from tree to tree that mildewed day In latter August when the hay Came creaking to the barn. But where The wind is westerly, Where gnarled November makes the spiders fly Into the apparitions of the sky, They purpose nothing but their ease and die Urgently beating east to sunrise and the sea; What are we in the hands of the great God? It was in vain you set up thorn and briar In battle array against the fire And treason crackling in your blood; For the wild thorns grow tame And will do nothing to oppose the flame; Your lacerations tell the losing game You play against a sickness past your cure. How will the hands be strong? How will the heart endure? A very little thing, a little worm, Or hourglass-blazoned spider, it is said, Can kill a tiger. Will the dead Hold up his mirror and affirm To the four winds the smell And flash of his authority? It’s well If God who holds you to the pit of hell, Much as one holds a spider, will destroy, Baffle and dissipate your soul. As a small boy On Windsor Marsh, I saw the spider die When thrown into the bowels of fierce fire: There’s no long struggle, no desire To get up on its feet and fly It stretches out its feet And dies. This is the sinner’s last retreat; Yes, and no strength exerted on the heat Then sinews the abolished will, when sick And full of burning, it will whistle on a brick. But who can plumb the sinking of that soul? Josiah Hawley, picture yourself cast Into a brick-kiln where the blast Fans your quick vitals to a coal— If measured by a glass, How long would it seem burning! Let there pass A minute, ten, ten trillion; but the blaze Is infinite, eternal: this is death, To die and know it. This is the Black Widow, death.

Day 4 Jehovah-Nissi __________, I call your spirit to attention in the name of Jehovah-Nissi, God who promised to be at war against the Amalekites from generation to generation. The context of the story is of Moses having to lead his people into battle when they weren’t ready to go to war. They were attacked by the Amalekites. As he lifted his hands to the Lord, the Lord warred on behalf of Israel. __________, I bless your spirit with knowing when to war and when to lift your hands to the Lord. There will be seasons when God calls you to use the greatest of your strength. There will be seasons when God presses you to the wall and yet expects you to work hard, like Israel had to make bricks; then they had to make bricks in a harder way without straw. Then they had to march during the middle of the night to escape from Egypt. There will be times when God will celebrate the gifts that He has placed in you, when He will celebrate your strength. At times God will place you in a context where every talent and ability that you possess can be brought to the front and be used to make changes in the kingdom. That is good. That is fine. That is excellent. That is the will of God. But there will be times, __________, when God will very specifically put you in a place where everything that you have is not good enough, where you have to do something you have never done before. Enemies that you have never irritated will seek to attack you just because they are opportunistic. I bless you, __________, with having the courage not to depend on a skillset that is inadequate but to have the courage to lift your hands up to God on the mountaintop and ask Jehovah-Nissi to war for you. Because where you are inexperienced against any enemy, Jehovah-Nissi has the experience of the ages. Where you don’t know how to do it, Jehovah-Nissi has done it endless times. Where you have not walked that way before, Jehovah-Nissi has worn a path with the mighty tread of His feet. __________, Jehovah-Nissi has promised and recorded in Scripture that He cannot lie, that He will be at war against the opportunistic coyote, the spirit of Amalek that prowls around. It never attacks directly but takes advantage of your vulnerabilities, takes advantage of the opportune times of transition when you are not ready for war. Jehovah-Nissi has promised to war on your behalf. __________, I bless you with finding profound security in Jehovah-Nissi, celebrating your giftedness while always knowing that Jehovah-Nissi is there for those battles that He permits which you don’t anticipate. He anticipates the battles that blindside you on a path that you’ve never walked before. Israel did not know the desert area. The Amalekites lived there. Israel didn’t know the safe places, the high places, the hidden places. They didn’t know how to craft an effective war strategy. They just went out and bumbled around while Moses stood on the mountain with his hands lifted high. __________, celebrate your areas of strength, but when you are in a new area and the enemy attacks you and you don’t know what to do or how to do or where to do it, go to the mountaintop. Lift your hands and let Jehovah-Nissi war on your behalf. I bless you with knowing Jehovah-Nissi experientially in your generation. I bless you in the name of the Father and of the Son and of the Holy Spirit, Amen.

each of us is here to build houses, one brick at a time. Every time we think a loving thought, or do a good thing for someone, we add another brick to the wall. Every time we have a hateful thought, or hurt someone, we take a brick away.

The art critic Robert Hughes pointed out that if you were to take the pile of bricks that compromises Carl Andre’s minimalist sculpture Equivalent VIII (1966) out of the museum and place it in a parking lot, it would no longer be a work of art but a neat stack of building materials. If you were to put a sculpture by Rodin in a parking lot, by contrast, it would be a ‘misplaced’ work of art. Hughes was emphasizing that the Rodin is identified as art by its form, while the Andre (which Hughes also admired) is identified as art by the idea behind it. For all that I have issues with this tendency to draw battle lines between form and content, to trust in the aura of an artwork and to assume that art should be found in museums and never parking lots, it does identify a useful distinction: a large part of the contemporary art I like does not aspire to independence from the everyday world but to alert us to it.

The bourgeoisie of the whole world, which looks complacently upon the wholesale massacre after the battle, is convulsed by horror at the desecration of brick and mortar.

Remember,” he said, not realizing the floodgates he would open by raising his children, his son, the way he did. “The world as you see it was not made brick by brick, every piece falling where it must. What you see is the overlap, what is left when all mistakes have been made—castles built from rubble, broken things passing for whole. A battle lost can be fought again, if you know to pick up the weapons of the fallen and arm the ones who stand. Not many realize this. Most think the fates decide, and like fools let fate dictate the rest of their lives. Follow your heart. It will see you through the darkness and guide you through hellfire.

Dearest Prudence, I have the robin’s feather in my pocket. How did you know I needed token to carry into battle? For the past two weeks I’ve been in a rifle pit, sniping back and forth with the Russians. It’s no longer a cavalry war, it’s all engineers and artillery. Albert stayed in the trench with me, only going out to carry messages up and down the line. During the lulls, I try to imagine being in some other place. I imagine you with your feet propped near the hearth, and your breath sweet with mint tea. I imagine walking through the Stony Cross forests with you. I would love to see some commonplace miracles, but I don’t think I could find them without you. I need your help, Pru. I think you might be my only chance of becoming part of the world again. I feel as if I have more memories of you than I actually do. I was with you on only a handful of occasions. A dance. A conversation. A kiss. I wish I could relive those moments. I would appreciate them more. I would appreciate everything more. Last night I dreamed of you again. I couldn’t see your face, but I felt you near me. You were whispering to me. The last time I held you, I didn’t know who you truly were. Or who I was, for that matter. We never looked beneath the surface. Perhaps it’s better we didn’t--I don’t think I could have left you, had I felt for you then what I do now. I’ll tell you what I’m fighting for. Not for England, nor her allies, nor any patriotic cause. It’s all come down to the hope of being with you. Dear Christopher, You’ve made me realize that words are the most important things in the world. And never so much as now. The moment Audrey gave me your last letter, my heart started beating faster, and I had to run to my secret house to read it in private. I haven’t yet told you…last spring on one of my rambles, I found the oddest structure in the forest, a lone tower of brick and stonework, all covered with ivy and moss. It was on a distant portion of the Stony Cross estate that belongs to Lord Westcliff. Later when I asked Lady Westcliff about it, she said that keeping a secret house was a local custom in medieval times. The lord of the manor might have used it as a place to keep his mistress. Once a Westcliff ancestor actually hid there from his own bloodthirsty retainers. Lady Westcliff said I could visit the secret house whenever I wanted, since it has long been abandoned. I go there often. It’s my hiding place, my sanctuary…and now that you know about it, it’s yours as well. I’ve just lit a candle and set it in a window. A very tiny lodestar, for you to follow home.

The injuries inflicted upon Mosley’s right-hand man, Jeffrey Hamm, bear this out. He had his jaw broken at the “battle of Brighton”; he was knocked unconscious by a flying brick as he addressed a meeting in London; and 43 Group commandos, formerly of the Royal Marines and paratroops, assaulted him at his home even though he had a former Nazi SS paratrooper for a bodyguard.144

They say the fortress site is rotten, evil even, and it should be avoided. Just look at how unsightly it is, how wildly the tufts of grass have grown as the ivy wraps around the broken window frames and bricks. Even the trees stoop with a bending back. When it looks bad, they say, it is bad, and that badness could be contagious, so keep away. Unruly and dangerous, like an uprising that needs to be quashed.

The bourgeoisie of the whole world, which looks complacently upon the wholesale massacre after the battle, is convulsed by horror at the desecration of brick and mortar!

The people of Mexicali, a city that had expanded organically over the low alluvial plain at the river’s edge, waged a futile battle to protect themselves from the advancing cataract. In the end there was nothing for them to do but watch stoically as the flood chewed away at the riverbanks and coursed through their streets, devouring the town house by adobe house. On June 30 the main business district collapsed into the water, a dozen brick buildings swept away in a matter of hours while the townspeople stood transfixed under clouds of spray towering forty feet in the air. Before the flood was over, four-fifths of the town would be wiped out.

We’ve surrendered!” The procession in the street stopped short. Each told his neighbor what we had all heard for ourselves. A boy of maybe fifteen turned to us with tears rolling down his cheeks. “I would have fought! I wouldn’t ever have given up!” Father stooped down to pick up a small bruised petal from the brick pavement; tenderly he inserted it in his buttonhole. “That is good, my son,” he told the youngster. “For Holland’s battle has just begun.

The bourgeoisie of the whole world, which looks complacently upon the wholesale massacre after the battle, is convulsed by horror at the desecration of brick and mortar.9

The older members of the faculty exhaled as the two heads left. Most of them were old enough to recall at least two pitched battles among factions of wizards, the worst of which had only been brought to a conclusion by Rincewind, wielding a half-brick in a sock . . . Ponder looked across at Rincewind now, and he was hopping awkwardly on one leg, trying to put a sock back on. He thought it better not to comment. It was probably the same sock.

Coming out of the dark lane, I was blinded by the brilliant sunlight beating down into the principal plaza. The wind whooshed into me, flinging my hair into my eyes, and blinding me further. It was no wonder that I did not see the wall of flesh until I had smacked into it. There was no pathway there, no crevice between the close-pressed bodies. I pushed against them furiously, fighting the hands that shoved back. I heard exclamations of irritation and even pain as I battled my way through, All the same, and all, none were in a language I understood. The faces were a blur of anger and surprise, surrounded by the ever-present red. A young dark brown hair woman scowled at me, and the green and white scarf coiled around her neck looked like a gruesome wound. A child, lifted on a man's shoulders to see over the crowd, grinned down at me, his lips distended over a set of plastic angel fangs. The throng jostled around me, spinning me in the wrong direction. I was glad the clock was so visible, or I would never keep my course straight. All the same and all, both hands on the clock pointed up toward the merciless sun, and, though I shoved viciously against the crowd, I knew I was too late. I was not halfway across. I was not going to make it. I was stupid and slow and human even if I am not always, and we were all going to die because of it. I hoped Olivia would get out. I hoped that she would see me from some dark shadow and know that I had failed, so she could go home to Ray. I listened, above the angry exclamations, trying to hear the sound of discovery: the gasp, maybe the scream, as Marcel came into someone's view. Nevertheless, there was a break in the crowd- I could see a bubble of space ahead. I pushed frantically toward it, not realizing until I bruised my shins against the bricks that there was a wide, square fountain set into the center of the plaza. I was almost crying with relief as I flung my leg over the edge and ran through the knee-deep water. It sprayed all around me as I thrashed my way across the pool. Even in the sun, the wind was glacial, and the wet made the cold painful.

Brick-and-mortar shops with cracked façades, shuttered warehouses and rusting bridges, moribund churches, tall and sinister upon battle rises, abandoned colonial graveyards, derelict memorials, and overgrown estates of dead-as-dust patrician overseers, all unspooling.

There's still a hefty amount of protocol, and even if the bride and groom look like they've respectively stepped out of The Nightmare Before Christmas and an Archie comic, the royal tradition is---" "The brandy-soaked, raisin spotted, intestine-clogging brick known as fruitcake," Pet interrupted. "Will look and taste the same whether it was made yesterday or two decades ago. And at no time during its lengthy existence will anyone want to eat it. I've told you, the bride likes chocolate cake. Specifically and vitally, she apparently likes your Death by Chocolate fudge cake. Very little about this couple conforms to royal standards, which is half the reason the bookies are already taking revolting odds on how long the marriage will last, or if they'll actually make it to the altar. Rose is infamously a strong personality and a massive pain in her family's arse. I guarantee that however she has to bend to tradition, she'll wrangle final say over details like the inside of her cake.

Democratic machine.[*15] In decades that followed, women began to enter gang life, but most, like their male counterparts, were bruisers and not businesspeople. “Among the ladies, Gallus Mag, Sadie the Goat, Hell-Cat Maggie, Battle Annie…and Euchre Kate Burns, whom a newspaper called the ‘champion heavyweight female brick hurler’ of Hell’s Kitchen, were all specialists in election day mayhem,” a historian has written: Gallus Mag, who supported her skirt with suspenders,[*16] was a mean six-foot female who, armed with a pistol and a club, was employed as a bouncer at a dive called the Hole-in-the-Wall. Sadie the Goat, a prostitute and all around rough-and-tumble fighter, ran with the Charlton Street Gang, a group of river pirates. She won her nickname by the way she would lower her head and butt like a goat in a fight…. Hell-Cat Maggie looked like an enraged tiger. Her teeth were filed to points and over her fingers she wore sharp brass spikes. Even the bravest of men lost their poise when she charged screaming into a polling place. (In a celebrated fight, she bit off the ear of Sadie the Goat.) The huge and violent Battle Annie, “the sweetheart of Hell’s Kitchen,” was a terrifying bully. She commanded a gang of ferocious Amazons called the Battle Row Ladies Social and Athletic Club.