The Barren Grounds Book Quotes

People encounter God under shady oak trees, on riverbanks, at the tops of mountains, and in long stretches of barren wilderness. God shows up in whirlwinds, starry skies, burning bushes, and perfect strangers. When people want to know more about God, the son of God tells them to pay attention to the lilies of the field and the birds of the air, to women kneading bread and workers lining up for their pay. Whoever wrote this stuff believed that people could learn as much about the ways of God from paying attention to the world as they could from paying attention to scripture. What is true is what happens, even if what happens is not always right. People can learn as much about the ways of God from business deals gone bad or sparrows falling to the ground as they can from reciting the books of the Bible in order. They can learn as much from a love affair or a wildflower as they can from knowing the Ten Commandments by heart.

Crawling across the barren ground, life was hard for the tiny colorless caterpillar. But today, she shimmied in delight like a ballerina twirling before a great audience. She transformed into an iridescent butterfly full of mystery and wonder. As she took flight on a magical adventure, she was caught in a spider’s web. Her story was just beginning.

Blood before all,” she murmured, that saying that had followed Alistair and Hendry their whole lives. Even as they slipped outside the manor grounds for entertainment, they knew none of it mattered. Those excursions were ventures into dreams, into a fantasy where they never truly belonged. Their reality was the golden light of the setting sun splintering between the barren trees of their estate. It was the sound of hearths crackling and people barely breathing. It was hiding among forgotten alcoves, avoiding the cruel, disapproving faces of their family, who were always stealing Alistair away to shaded rooms and towers of books.

When a traveller in north central Massachusetts takes the wrong fork at the junction of the Aylesbury pike just beyond Dean’s Corners he comes upon a lonely and curious country. The ground gets higher, and the brier-bordered stone walls press closer and closer against the ruts of the dusty, curving road. The trees of the frequent forest belts seem too large, and the wild weeds, brambles, and grasses attain a luxuriance not often found in settled regions. At the same time the planted fields appear singularly few and barren; while the sparsely scattered houses wear a surprisingly uniform aspect of age, squalor, and dilapidation. Without knowing why, one hesitates to ask directions from the gnarled, solitary figures spied now and then on crumbling doorsteps or on the sloping, rock-strown meadows. Those figures are so silent

Of course, most of us, in the service of sanity, don’t fixate on the end. We go about the world focused on worldly concerns. We accept the inevitable and direct our energies to other things. Yet the recognition that our time is finite is always with us, helping to shape the choices we make, the challenges we accept, the paths we follow. As cultural anthropologist Ernest Becker maintained, we are under a constant existential tension, pulled toward the sky by a consciousness that can soar to the heights of Shakespeare, Beethoven, and Einstein but tethered to earth by a physical form that will decay to dust. “Man is literally split in two: he has an awareness of his own splendid uniqueness in that he sticks out of nature with a towering majesty, and yet he goes back into the ground a few feet in order blindly and dumbly to rot and disappear forever.”2 According to Becker, we are impelled by such awareness to deny death the capacity to erase us. Some soothe the existential yearning through commitment to family, a team, a movement, a religion, a nation—constructs that will outlast the individual’s allotted time on earth. Others leave behind creative expressions, artifacts that extend the duration of their presence symbolically. “We fly to Beauty,” said Emerson, “as an asylum from the terrors of finite nature.”3 Others still seek to vanquish death by winning or conquering, as if stature, power, and wealth command an immunity unavailable to the common mortal. Across the millennia, one consequence has been a widespread fascination with all things, real or imagined, that touch on the timeless. From prophesies of an afterlife, to teachings of reincarnation, to entreaties of the windswept mandala, we have developed strategies to contend with knowledge of our impermanence and, often with hope, sometimes with resignation, to gesture toward eternity. What’s new in our age is the remarkable power of science to tell a lucid story not only of the past, back to the big bang, but also of the future. Eternity itself may forever lie beyond the reach of our equations, but our analyses have already revealed that the universe we have come to know is transitory. From planets to stars, solar systems to galaxies, black holes to swirling nebulae, nothing is everlasting. Indeed, as far as we can tell, not only is each individual life finite, but so too is life itself. Planet earth, which Carl Sagan described as a “mote of dust suspended on a sunbeam,” is an evanescent bloom in an exquisite cosmos that will ultimately be barren. Motes of dust, nearby or distant, dance on sunbeams for merely a moment. Still, here on earth we have punctuated our moment with astonishing feats of insight, creativity, and ingenuity as each generation has built on the achievements of those who have gone before, seeking clarity on how it all came to be, pursuing coherence in where it is all going, and longing for an answer to why it all matters. Such is the story of this book.

you see something new, or at least you see it in a different way. I’ve heard people say this land haunts you, and I’ve begun to believe it.” “Well, it must be a pretty well-kept secret, when you think how few people live here.” “Look over there. What’s that?” Just as Opal asked, they heard a whistle. “Prairie dogs, small ground-dwelling mammals. They live in colonies—people call them prairie-dog towns. That whistle was the lookout telling the others that danger is near and to hide back in their burrows. If we had time to sit here and not move, they’d pop out of their holes again. They eat grasses and seeds, so they make their area pretty barren. You try running a horse through a prairie-dog town and, sure enough, he’ll step in a hole and break a leg. You got to be careful about things like that.” “I hope I can come back here sometime,” Opal said, all the while gazing at the place the prairie dog had disappeared from. Ruby could hear Opal’s unspoken wish for soon. If only horses weren’t so expensive to both buy and feed. If Opal had a horse, she would have a friend indeed.

All the broken walls inside were hung with the ragged memorials of past times, which showed the sad effects of strife. There were rent robes and broken sceptres, sacred things ruined, shivered spears, and shields torn in twain, great cities ransacked, and strong castles beaten down, nations led into captivity, and huge armies slain -- relics of all these ruins remained in the house of Até. All the famous wars in history found a record here, as well as the feuds and quarrels of private persons too many to mention. Such was the house inside. Outside, the barren ground was full of poisonous weeds, which Strife herself had sown; they had grown great from small seeds -- the seeds of evil words and wrangling deeds, which, when they come to ripeness, bring forth an infinite increase of trouble and contention, often ending in bloodshed and war. These horrible seeds also served Até for bread, and she had been fed upon them from childhood, for she got her life from that which killed other people. She was born of a race of demons, and brought up by the Furies. Strife was as ugly as she was wicked; she could speak nothing but falsehood, and she never heard aright.