That Winter The Wind Blows Quotes

It was one of those March days when the sun shines hot and the wind blows cold: when it is summer in the light, and winter in the shade.

A cold wind was blowing from the north, and it made the trees rustle like living things.

The leaves fall, the wind blows, and the farm country slowly changes from the summer cottons into its winter wools.

Generations of men are like the leaves. In winter, winds blow them down to earth, but then, when spring season comes again, the budding wood grows more. And so with men: one generation grows, another dies away.

Over the wintry forest, winds howl in rage with no leaves to blow.

Let me tell you something about wolves, child. When the snows fall and the white winds blow, the lone wolf dies, but the pack survives. In winter, we must protect one another, keep each other warm, share our strengths. So if you must hate, Arya, hate those who would truly do us harm.

Winter will pass, the days will lengthen, the ice will melt in the pasture pond. The song sparrow will return and sing, the frogs will awake, the warm wind will blow again. All these sights and sounds and smells will be yours to enjoy, Wilbur—this lovely world, these precious days…

God spreads the heavens above us like great wings And gives a little round of deeds and days, And then come the wrecked angels and set snares, And bait them with light hopes and heavy dreams, Until the heart is puffed with pride and goes Half shuddering and half joyous from God's peace; And it was some wrecked angel, blind with tears, Who flattered Edane's heart with merry words. Come, faeries, take me out of this dull house! Let me have all the freedom I have lost; Work when I will and idle when I will! Faeries, come take me out of this dull world, For I would ride with you upon the wind, Run on the top of the dishevelled tide, And dance upon the mountains like a flame. I would take the world And break it into pieces in my hands To see you smile watching it crumble away. Once a fly dancing in a beam of the sun, Or the light wind blowing out of the dawn, Could fill your heart with dreams none other knew, But now the indissoluble sacrament Has mixed your heart that was most proud and cold With my warm heart for ever; the sun and moon Must fade and heaven be rolled up like a scroll But your white spirit still walk by my spirit. When winter sleep is abroad my hair grows thin, My feet unsteady. When the leaves awaken My mother carries me in her golden arms; I'll soon put on my womanhood and marry The spirits of wood and water, but who can tell When I was born for the first time? The wind blows out of the gates of the day, The wind blows over the lonely of heart, And the lonely of heart is withered away; While the faeries dance in a place apart, Shaking their milk-white feet in a ring, Tossing their milk-white arms in the air; For they hear the wind laugh and murmur and sing Of a land where even the old are fair, And even the wise are merry of tongue; But I heard a reed of Coolaney say-- When the wind has laughed and murmured and sung, The lonely of heart is withered away.

What Do the Trees Know? What do the trees know? To bend when all the wild winds blow. Roots are deep and time is slow. All we grasp we must let go. What do the trees know? Buds can weather ice and snow. Dark gives way to sunlight's glow. Strength and stillness help us grow.

These autumn days will shorten and grow cold. The leaves will shake loose from the trees and fall. Christmas will come, then the snows of winter. You will live to enjoy the beauty of the frozen world, for you mean a great deal to Zuckerman and he will not harm you, ever. Winter will pass, the days will lengthen, the ice will melt in the pasture pond. The song sparrow will return and sing, the frogs will awake, the warm wind will blow again. All these sights and sounds and smells will be yours to enjoy, Wilbur — this lovely world, these precious days…

The Snow Man" One must have a mind of winter To regard the frost and the boughs Of the pine-trees crusted with snow; And have been cold a long time To behold the junipers shagged with ice, The spruces rough in the distant glitter Of the January sun; and not to think Of any misery in the sound of the wind, In the sound of a few leaves, Which is the sound of the land Full of the same wind That is blowing in the same bare place For the listener, who listens in the snow, And, nothing himself, beholds Nothing that is not there and the nothing that is. Wallace Stevens, The Collected Poems of Wallace Stevens. (Vintage; Reissue edition February 19, 1990)

The truth is dark under your eyelids. What are you going to do about it? The birds are silent; there's no one to ask. All day long you'll squint at the gray sky. When the wind blows you'll shiver like straw. A meek little lamb you grew your wool Till they came after you with huge shears. Flies hovered over open mouth, Then they, too, flew off like the leaves, The bare branches reached after them in vain. Winter coming. Like the last heroic soldier Of a defeated army, you'll stay at your post, Head bared to the first snow flake. Till a neighbor comes to yell at you, You're crazier than the weather, Charlie.

I have lived in this tree, in this same hollow," the owl said, "for more years than anyone can remember. But now, when the wind blows hard in winter and rocks the forest, I sit here in the dark, and from deep down in the bole, near the roots, I hear a new sound. It is the sound of strands of wood creaking in the cold and snapping one by one. The limbs are falling; the tree is old, and it is dying. Yet I cannot bring myself, after so many years, to leave, to find a new home and move into it, perhaps to fight for it. I, too, have grown old. One of these days, one of these years, the tree will fall, and when it does, if I am still alive, I will fall with it.

If your Lord calls you to suffering, do not be dismayed, for He will provide a deeper portion of Christ in your suffering. The softest pillow will be placed under your head though you must set your bare feet among thorns. Do not be afraid at suffering for Christ, for He has a sweet peace for a sufferer. God has called you to Christ's side, and if the wind is now in His face, you cannot expect to rest on the sheltered side of the hill. You cannot be above your Master who received many an innocent stroke. The greatest temptation out of hell is to live without trials. A pool of standing water will turn stagnant. Faith grows more with the sharp winter storm in its face. Grace withers without adversity. You cannot sneak quietly into heaven without a cross. Crosses form us into His image. They cut away the pieces of our corruption. Lord cut, carve, wound; Lord do anything to perfect Your image in us and make us fit for glory! We need winnowing before we enter the kingdom of God. O what I owe to the file, hammer, and furnace! Why should I be surprised at the plough that makes such deep furrows in my soul? Whatever direction the wind blows, it will blow us to the Lord. His hand will direct us safely to the heavenly shore to find the weight of eternal glory. As we look back to our pains and suffering, we shall see that suffering is not worthy to be compared to our first night's welcome home in heaven. If we could smell of heaven and our country above, our crosses would not bite us. Lay all your loads by faith on Christ, ease yourself, and let Him bear all. He can, He does, and He will bear you. Whether God comes with a rod or a crown, He comes with Himself. "Have courage, I am your salvation!" Welcome, welcome Jesus!

At the lip of a cliff, I look out over Lake Superior, through the bare branches of birches and the snow-covered branches of aspens and pines. A hard wind blows snow up out of a cavern and over my face. I know this place, I know its seasons - I have hiked these mountains in the summer and walked these winding pathways in the explosion of colour that is a northern fall. And now, the temperature drops well below zero and the deadly cold lake rages below, I feel the stirrings of faith that here, in this place, in my heart, spring will come again. But first the winter must be waited out. And that waiting has worth.

When icicles hang by the wall, And Dick the shepherd blows his nail, And Tom bears logs into the hall, And milk comes frozen home in pail, When blood is nipp'd, and ways be foul, Then nightly sings the staring owl, To-whit! To-who!—a merry note, While greasy Joan doth keel the pot. When all aloud the wind doe blow, And coughing drowns the parson's saw, And birds sit brooding in the snow, And Marian's nose looks red and raw, When roasted crabs hiss in the bowl, Then nightly sings the staring owl, To-whit! To-who!—a merry note, While greasy Joan doth keel the pot.

Let me tell you something about wolves, child. When the snows fall and the white winds blow, the lone wolf dies, but the pack survives. Summer is the time for squabbles. In winter, we must protect one another, keep each other warm, share our strengths. So if you must hate, Arya, hate those who would truly do us harm. Septa Mordane is a good woman, and Sansa... Sansa is your sister. You may be as different as the sun and moon, but the same blood flows through both your hearts. You need her, as she needs you... and I need both of you, gods help me.

He longed for it to be winter. A cold wind would blow, the sea would pound, and he would rise cheerful and fit from a delicious sleep beneath warm blankets. Then would come days in which he would write his great novel. The kettle would boil and hot coffee would froth in his cup. In the garden the citron would flower beneath a brilliant moon, its branches dripping fragrance. The starry sky would sweeten the soft silence and Hemdat would pour the dew of his soul into the sea-blue night.

God is all right—why should we mind standing in the dark for a minute outside his window? Of course we miss the inness, but there is a bliss of its own in waiting. What if the rain be falling, and the wind blowing; what if we stand alone, or, more painful still, have some dear one beside us, sharing our outness; what even if the window be not shining, because of the curtains of good inscrutable drawn across it; let us think to ourselves, or say to our friend, ‘God is; Jesus is not dead; nothing can be going wrong, however it may look so to hearts unfinished in childness.’ Let us say to the Lord, ‘Jesus, art thou loving the Father in there? Then we out here will do his will, patiently waiting till he open the door. We shall not mind the wind or the rain much. Perhaps thou art saying to the Father, ‘Thy little ones need some wind and rain: their buds are hard; the flowers do not come out. I cannot get them made blessed without a little more winter-weather.’ Then perhaps the Father will say, ‘Comfort them, my son Jesus, with the memory of thy patience when thou wast missing me. Comfort them that thou wast sure of me when everything about thee seemed so unlike me, so unlike the place thou hadst left.

He loved the interminable winter nights, when the dissatisfied wind mewed through the keyhole, and gusts of acrid smoke were driven down through the chimney; the imperfect silence when you awoke, as of a conversation hastily lulled, objects being hastily replaced. ‘Blow, blow thou winter wind, thou art not so unkind as man’s ingratitude.’ Why was it that he felt so perfectly attuned to winter, to its fatalistic expectation of the worst, then, when the worst came, its rustic heroisms and shouldering of burdens, improvised ingeniousness, constructive despair?

The shaggy saddle horses, already winter-coated, stood with their backs to the wind, watching the two men in the corral, the horses’ tails blowing out, their breath snorted out in white plumes and carried away in tatters by the wind.

Summer is the season of motion, winter is the season of form. In summer everything moves save the fixed and inert. Down the hill flows the west wind, making wavelets in the shorter grass and great billows in the standing hay; the tree in full leaf sways its heavy boughs below and tosses its leaves above; the weed by the gate bends and turns when the wind blows down the road. It is the shadow of moving things that we usually see, and the shadows are themselves in motion. The shadow of a branch, speckled through with light, wavers across the lawn, the sprawling shadow of the weed moves and sways across the dust.

The winter is cold, is cold. All's spent in keeping warm. Has joy been frozen, too? I blow upon my hands Stiff from the biting wind. My heart beats slow, beats slow. What has become of joy? If joy's gone from my heart Then it is closed to You Who made it, gave it life... Elusive, evasive, peace comes Only when it's not sought. Help me forget the cold That grips the grasping world...

I’m not a good father.” I breathed out a sigh, clutching her. “Ivarsen has no discipline. He’s going to be undriven. Fane is neurotic. Everything has to be perfect. Gunnar is going to blow us up with his machines. Dag has refused to eat a vegetable since birth, and Octavia’s going to wind up in a fucking asylum when she finds out real life pirates are just terrorists with grenade launchers.” I gulped, hating that after thousands of years there was still no proven method of raising kids. “I don’t know what to do. How the hell would I know what a good parent does and doesn’t do?

Here feel we but the penalty of Adam, The seasons' difference, as the icy fang And churlish chiding of the winter's wind, Which, when it bites and blows upon my body, Even till I shrink with cold, I smile and say 'This is no flattery: these are counselors That feelingly persuade me what I am.

Even memory though, can hardly be relied on. Can anyone say for certain what really happened to us back then? If we’re blessed though, a few words might remain by our side. They climb to the top of the hill during the night, crawl into small holes dug to fit the shape of their bodies, stay quite still, and let the stormy winds of time blow past. Dawn finally breaks, the wild wind subsides, and the surviving words quietly peek out from the surface. For the most part they have small voices—they are shy and only have ambiguous ways of expressing themselves. Even so, they are ready to serve as witnesses. As honest, fair witnesses. But in order to create those long enduring, long-suffering words, or else to find them and leave them behind, you must sacrifice, unconditionally, your own body, your very own heart. You have to lay down your neck on a cold stone pillow illuminated by the winter moon.

Winter Grace It is autumn again and our anxiety blows With the wind, breaking the heart of the rose, Petals and leaves fall down and everything goes. All but the seed, all but the hard bright berry And the bulbs we kneel on the earth to bury And lay away with our anguish and our worry. It is time we learned again the winter grace To put the nerves to sleep in a dark place And smooth the lines in the self-tortured face. For we are at the end of our endurance nearly And we shall have to die this winter surely, For this is the end of more than a season clearly. Now we shall have to be poor, to yield up all, With the leaves wither, with the petals fall, Now we shall have to die, once and for all. Before the seed of faith so deep and still Pushes up gently through the frozen will And the joyless wake and learn to be joyful. Before this buried love leaps up from sorrow And doubt and violence and pity follow To greet the radiant morning and the swallow.

Used to be a hobo right smart. back in the thirties. They wasnt no work I dont care what you could do. I was ridin through the mountains one night, state of Colorado. Dead of winter it was and bitter cold. I had just a smidgin of tobacco, bout enough for one or two smokes. I was in one of them old slatsided cars and I'd been up and down in it like a dog tryin to find some place where the wind wouldnt blow. Directly I scrunched up in a corner and rolled me a smoke and lit it and thowed the match down. Well, they was some sort of stuff in the floor about like tinder and it caught fire. I jumped up and stomped on it and it aint done nothin but burn faster. Wasnt two minutes the whole car was afire. I run to the door and got it open and we was goin up this grade through the mountains in the snow with the moon on it and it was just blue looking and dead quiet out there and them big old black pine trees going by. I jumped for it and lit in a snowbank and what I'm goin to tell you you'll think peculiar but it's the god's truth. That was in nineteen and thirty one and if I live to be a hunnerd year old I dont think I'll ever see anything as pretty as that train on fire goin up that mountain and around the bend and them flames lightin up the snow and the trees and the night.

If you’ve never passed a winter in Chicago, let me describe it: You can live for a hundred straight days beneath an iron-gray sky that claps itself like a lid over the city. Frigid, biting winds blow in off the lake. Snow falls in dozens of ways, in heavy overnight dumps and daytime, sideways squalls, in demoralizing sloppy sleet and fairy-tale billows of fluff. There’s ice, usually, lots of it, that shellacs the sidewalks and windshields that then need to be scraped. There’s the sound of that scraping in the early mornings—the hack hack hack of it—as people clear their cars to go to work. Your neighbors, unrecognizable in the thick layers they wear against the cold, keep their faces down to avoid the wind. City snowplows thunder through the streets as the white snow gets piled up and sooty, until nothing is pristine.

The season of my life has changed and the cold chill of winter blows the warning winds of my soon to be demise.

When the north wind blew across the tar ponds, voices were carried away.

Blow, blow, thou winter wind, Thou art not so unkind As man's ingratitude.

To302 what we wildly do, so we profess Ourselves to be the slaves of chance, and flies Of every wind that blows.

Words are wind, and the wind that blows exiles across the narrow sea seldom blows them back.

Pastor Jón: God has the virtue that one can locate Him anywhere at all, in anything at all. Embi: In a nail, for instance? Pastor Jón, verbatim: In school debates the question was sometimes put whether God was not incapable of creating a stone so heavy that He couldn't lift it. Often I think the Almighty is like a snow bunting abandoned in all weathers. Such a bird is about the weight of a postage stamp. Yet he does not blow away when he stands in the open in a tempest. Have you ever seen the skull of a snow bunting? He wields this fragile head against the gale, with his beak to the ground, wings folded close to his sides and his tail pointing upwards; and the wind can get no hold on him, and cleaves. Even in the fiercest squalls the bird does not budge. He is becalmed. Not a single feather stirs. Embi: How do you know the bird is the Almighty, and not the wind? Pastor Jón: Because the winter storm is the most powerful force in Iceland, and the snow bunting is the feeblest of all God's conceptions.

November arrives in Northern Maine on a cold wind from Canada that knives unfiltered through the thinnest forest, drapes snow along the river banks and over the slope of hills. It's lonely up here, not just in fall and winter but all the time; the weather is gray and hard and the spaces are long and hard, and that north wind blows through every space unmercifully, rattling the syllables out of your sentences sometimes.

It happens this way sometimes, we can discover truths about ourselves in a moment, sometimes in the midst of drama, sometimes quietly. A sunset wind can be blowing off the sea, we might be alone in bed on a winter night, or grieving by a grave among leaves. We are drunk in a tavern, dealing with desperate pain, waiting to confront enemies on a battlefield. We are bearing a child, falling in love, reading by candlelight, watching the sun rise, a star set, we are dying . . . But there is something else to all of this, because of how the world is for us, how we are within it. Something can be true of our deepest nature and the running tide of days and years might let it reach the shore, be made real there—or not.

But when fall comes, kicking summer out on its treacherous ass as it always does one day sometime after the midpoint of September, it stays awhile like an old friend that you have missed. It settles in the way an old friend will settle into your favorite chair and take out his pipe and light it and then fill the afternoon with stories of places he has been and things he has done since last he saw you. It stays on through October and, in rare years, on into November. Day after day the skies are a clear, hard blue, and the clouds that float across them, always west to east, are calm white ships with gray keels. The wind begins to blow by the day, and it is never still. It hurries you along as you walk the roads, crunching the leaves that have fallen in mad and variegated drifts. The wind makes you ache in some place that is deeper than your bones. It may be that it touches something old in the human soul, a chord of race memory that says Migrate or die – migrate or die. Even in your house, behind square walls, the wind beats against the wood and the glass and sends its fleshless pucker against the eaves and sooner or later you have to put down what you were doing and go out and see. And you can stand on your stoop or in your dooryard at mid-afternoon and watch the cloud shadows rush across Griffen’s pasture and up Schoolyard Hill, light and dark, light and dark, like the shutters of the gods being opened and closed. You can see the goldenrod, that most tenacious and pernicious and beauteous of all New England flora, bowing away from the wind like a great and silent congregation. And if there are no cars or planes, and if no one’s Uncle John is out in the wood lot west of town banging away at a quail or pheasant; if the only sound is the slow beat of your own heart, you can hear another sound, and that is the sound of life winding down to its cyclic close, waiting for the first winter snow to perform last rites.

Let me tell you something about wolves, child. When the snows fall and the white winds blow, the lone wolf dies, but the pack survives. Summer is the time for squabbles. In winter, we must protect one another, keep each other warm, share our strengths.

The seasons’ difference, as the icy fang And churlish chiding of the winter’s wind, Which when it bites and blows upon my body Even till I shrink with cold, I smile and say, “This is no flattery: these are counsellors That feelingly persuade me what I am.

Listen to the wind. It can blow dreadfully here. In the winter it blows so that it would drive you mad. It blows day after day, and one becomes so restless. What do you think of my page?" "Your - Mr. Nolan? He seems very devoted." "I think he would let me kill him slowly.

Chained is the Spring. The night-wind bold Blows over the hard earth; Time is not more confused and cold, Nor keeps more wintry mirth. "Yet blow, and roll the world about; Blow, Time—blow, winter's Wind! Through chinks of Time, heaven peepeth out, And Spring the frost behind.

When on that shivering winter’s night, the Pequod thrust her vindictive bows into the cold malicious waves, who should I see standing at her helm but Bulkington! I looked with sympathetic awe and fearfulness upon the man, who in mid-winter just landed from a four years’ dangerous voyage, could so unrestingly push off again for still another tempestuous term. The land seemed scorching to his feet. Wonderfullest things are ever the unmentionable; deep memories yield no epitaphs; this six-inch chapter is the stoneless grave of Bulkington. Let me only say that it fared with him as with the storm-tossed ship, that miserably drives along the leeward land. The port would fain give succor; the port is pitiful; in the port is safety, comfort, hearthstone, supper, warm blankets, friends, all that’s kind to our mortalities. But in that gale, the port, the land, is that ship’s direst jeopardy; she must fly all hospitality; one touch of land, though it but graze the keel, would make her shudder through and through. With all her might she crowds all sail off shore; in so doing, fights ’gainst the very winds that fain would blow her homeward; seeks all the lashed sea’s landlessness again; for refuge’s sake forlornly rushing into peril; her only friend her bitterest foe! Know ye now, Bulkington? Glimpses do ye seem to see of that mortally intolerable truth; that all deep, earnest thinking is but the intrepid effort of the soul to keep the open independence of her sea; while the wildest winds of heaven and earth conspire to cast her on the treacherous, slavish shore? But as in landlessness alone resides highest truth, shoreless, indefinite as God—so, better is it to perish in that howling infinite, than be ingloriously dashed upon the lee, even if that were safety! For worm-like, then, oh! who would craven crawl to land! Terrors of the terrible! is all this agony so vain? Take heart, take heart, O Bulkington! Bear thee grimly, demigod! Up from the spray of thy ocean-perishing—straight up, leaps thy apotheosis!

A devil moon took me through the alley Down by the Kardomah and the Centrale To the mews running through the backstreets Where the Blacks sell fire and sleep The devil moon took me out of Soho Up to Camden where the cold north winds blow Sucked along by a winter shower To stand beside your shining tower

I had resolved on a voyage around the world, and as the wind on the morning of April 24, 1895, was fair, at noon I weighed anchor, set sail, and filled away from Boston, where the Spray had been moored snugly all winter. The twelve-o’clock whistles were blowing just as the sloop shot ahead under full sail. A

When you walk along a wooded path In the nature my heart held so dear, Remember the joy that it gave me And know that I’ll always be near. When a robin announces his presence Singing solo as day becomes new The doe lifts her head to listen As her fawn drinks the freshness of dew. When an otter glides through the river, His swim is a masterful one. He engages his mate in a playful chase Then they climb on the rocks to sun. When the rustling leaves touch the autumn sky, Boasting colors of russet and gold Geese wing on their southern-most journey To escape from the beckoning cold. When the North wind blows through the towering pines It delivers a mid winter’s chill While snowflakes drift softly on fresh frozen lakes And the call of the wild becomes still. In each of these things, remember me. And know that I’ll always be near. The woodlands, God’s wondrous Creation, In His nature my heart held so dear.

Ah for pittie, wil ranke Winters rage, These bitter blasts neuer ginne tasswage? The keene cold blowes throug my beaten hyde, All as I were through the body gryde. My ragged rontes all shiver and shake, As doen high Towers in an earthquake: They wont in the wind wagge their wrigle tailes, Perke as Peacock: but nowe it auales.

This is the circus of Dr. Lao. We show you things that you don't know. We tell you of places you'll never go. We've searched the world both high and low To capture the beasts for this marvelous show From mountains where maddened winds did blow To islands where zephyrs breathed sweet and low. Oh, we've spared no pains and we've spared no dough; And we've dug at the secrets of long ago; And we've risen to Heaven and plunged Below, For we wanted to make it one hell of a show. And the things you'll see in your brains will glow Long past the time when the winter snow Has frozen the summer's furbelow. For this is the circus of Dr. Lao. And youth may come and age may go; But no more circuses like this show!

Now you were accustomed to see the bare trees against the sky and you walked on the fresh-washed gravel paths through the Luxembourg gardens in the clear sharp wind. The trees were beautiful without their leaves when you were reconciled to them, and the winter winds blew across the surfaces of the ponds and the fountains were blowing in the bright light.

Winter-Time" Late lies the wintry sun a-bed, A frosty, fiery sleepy-head; Blinks but an hour or two; and then, A blood-red orange, sets again. Before the stars have left the skies, At morning in the dark I rise; And shivering in my nakedness, By the cold candle, bathe and dress. Close by the jolly fire I sit To warm my frozen bones a bit; Or with a reindeer-sled, explore The colder countries round the door. When to go out, my nurse doth wrap Me in my comforter and cap; The cold wind burns my face, and blows Its frosty pepper up my nose. Black are my steps on silver sod; Thick blows my frosty breath abroad; And tree and house, and hill and lake, Are frosted like a wedding-cake.

Those who live in retirement, whose lives have fallen amid the seclusion of schools or of other walled-in and guarded dwellings, are liable to be suddenly and for a long while dropped out of the memory of their friends, the denizens of a freer world. Unaccountably, perhaps, and close upon some space of unusually frequent intercourse—some congeries of rather exciting little circumstances, whose natural sequel would rather seem to be the quickening than the suspension of communication—there falls a stilly pause, a wordless silence, a long blank of oblivion. Unbroken always is this blank; alike entire and unexplained. The letter, the message once frequent, are cut off; the visit, formerly periodical, ceases to occur; the book, paper, or other token that indicated remembrance, comes no more. Always there are excellent reasons for these lapses, if the hermit but knew them. Though he is stagnant in his cell, his connections without are whirling in the very vortex of life. That void interval which passes for him so slowly that the very clocks seem at a stand, and the wingless hours plod by in the likeness of tired tramps prone to rest at milestones—that same interval, perhaps, teems with events, and pants with hurry for his friends. The hermit—if he be a sensible hermit—will swallow his own thoughts, and lock up his own emotions during these weeks of inward winter. He will know that Destiny designed him to imitate, on occasion, the dormouse, and he will be conformable: make a tidy ball of himself, creep into a hole of life's wall, and submit decently to the drift which blows in and soon blocks him up, preserving him in ice for the season. Let him say, "It is quite right: it ought to be so, since so it is." And, perhaps, one day his snow-sepulchre will open, spring's softness will return, the sun and south-wind will reach him; the budding of hedges, and carolling of birds and singing of liberated streams will call him to kindly resurrection. Perhaps this may be the case, perhaps not: the frost may get into his heart and never thaw more; when spring comes, a crow or a pie may pick out of the wall only his dormouse-bones. Well, even in that case, all will be right: it is to be supposed he knew from the first he was mortal, and must one day go the way of all flesh, As well soon as syne.

Under the whole sky there was nothing but the white land, the snow blowing, and the wind and the cold. He was not afraid. He knew where the town was and as long as the sun was in the sky or the moon or the stars he could not be lost. But he had a feeling colder than the wind. He felt that he was the only life on the cold earth under the cold sky; he and his horse alone in an enormous coldness.

I draw myself up next to her and look at her profile, making no effort to disguise my attention, here, where there is only Puck to see me. The evening sun loves her throat and her cheekbones. Her hair the color of cliff grass rises and falls over her face in the breeze. Her expression is less ferocious than usual, less guarded. I say, “Are you afraid?” Her eyes are far away on the horizon line, out to the west where the sun has gone but the glow remains. Somewhere out there are my capaill uisce, George Holly’s America, every gallon of water that every ship rides on. Puck doesn’t look away from the orange glow at the end of the world. “Tell me what it’s like. The race.” What it’s like is a battle. A mess of horses and men and blood. The fastest and strongest of what is left from two weeks of preparation on the sand. It’s the surf in your face, the deadly magic of November on your skin, the Scorpio drums in the place of your heartbeat. It’s speed, if you’re lucky. It’s life and it’s death or it’s both and there’s nothing like it. Once upon a time, this moment — this last light of evening the day before the race — was the best moment of the year for me. The anticipation of the game to come. But that was when all I had to lose was my life. “There’s no one braver than you on that beach.” Her voice is dismissive. “That doesn’t matter.” “It does. I meant what I said at the festival. This island cares nothing for love but it favors the brave.” Now she looks at me. She’s fierce and red, indestructible and changeable, everything that makes Thisby what it is. She asks, “Do you feel brave?” The mare goddess had told me to make another wish. It feels thin as a thread to me now, that gift of a wish. I remember the years when it felt like a promise. “I don’t know what I feel, Puck.” Puck unfolds her arms just enough to keep her balance as she leans to me, and when we kiss, she closes her eyes. She draws back and looks into my face. I have not moved, and she barely has, but the world feels strange beneath me. “Tell me what to wish for,” I say. “Tell me what to ask the sea for.” “To be happy. Happiness.” I close my eyes. My mind is full of Corr, of the ocean, of Puck Connolly’s lips on mine. “I don’t think such a thing is had on Thisby. And if it is, I don’t know how you would keep it.” The breeze blows across my closed eyelids, scented with brine and rain and winter. I can hear the ocean rocking against the island, a constant lullaby. Puck’s voice is in my ear; her breath warms my neck inside my jacket collar. “You whisper to it. What it needs to hear. Isn’t that what you said?” I tilt my head so that her mouth is on my skin. The kiss is cold where the wind blows across my cheek. Her forehead rests against my hair. I open my eyes, and the sun has gone. I feel as if the ocean is inside me, wild and uncertain. “That’s what I said. What do I need to hear?” Puck whispers, “That tomorrow we’ll rule the Scorpio Races as king and queen of Skarmouth and I’ll save the house and you’ll have your stallion. Dove will eat golden oats for the rest of her days and you will terrorize the races each year and people will come from every island in the world to find out how it is you get horses to listen to you. The piebald will carry Mutt Malvern into the sea and Gabriel will decide to stay on the island. I will have a farm and you will bring me bread for dinner.” I say, “That is what I needed to hear.” “Do you know what to wish for now?” I swallow. I have no wishing-shell to throw into the sea when I say it, but I know that the ocean hears me nonetheless. “To get what I need.

John Berryman: The Song of the Tortured Girl After a little I could not have told - But no one asked me this – why I was there. I asked. The ceiling of that place was high And there were sudden noises, which I made. I must have stayed there a long time today: My cup of soup was gone when they brought me back. Often ‘Nothing worse now can come to us’ I thought, the winter the young men stayed away, My uncle died, and mother broke her crutch. And then the strange room where the brightest light Does not shine on the strange men: shines on me. I feel them stretch my youth and throw a switch. Through leafless branches the sweet wind blows Making a mild sound, softer than a moan; High in a pass once where we put our tent, Minutes I lay awake to hear my joy. - I no longer remember what they want. - Minutes I lie awake to hear my joy.

Go, sit upon the lofty hill, And turn your eyes around, Where waving woods and waters wild Do hymn an autumn sound. The summer sun is faint on them -- The summer flowers depart -- Sit still -- as all transform'd to stone, Except your musing heart. How there you sat in summer-time, May yet be in your mind; And how you heard the green woods sing Beneath the freshening wind. Though the same wind now blows around, You would its blast recall; For every breath that stirs the trees, Doth cause a leaf to fall. Oh! like that wind, is all the mirth That flesh and dust impart: We cannot bear its visitings, When change is on the heart. Gay words and jests may make us smile, When Sorrow is asleep; But other things must make us smile, When Sorrow bids us weep! The dearest hands that clasp our hands, -- Their presence may be o'er; The dearest voice that meets our ear, That tone may come no more! Youth fades; and then, the joys of youth, Which once refresh'd our mind, Shall come -- as, on those sighing woods, The chilling autumn wind. Hear not the wind -- view not the woods; Look out o'er vale and hill- In spring, the sky encircled them -- The sky is round them still. Come autumn's scathe -- come winter's cold -- Come change -- and human fate! Whatever prospect Heaven doth bound, Can ne'er be desolate.

If you’ve never passed a winter in Chicago, let me describe it: You can live for a hundred straight days beneath an iron-gray sky that claps itself like a lid over the city. Frigid, biting winds blow in off the lake. Snow falls in dozens of ways, in heavy overnight dumps and daytime, sideways squalls, in demoralizing sloppy sleet and fairy-tale billows of fluff. There’s ice, usually, lots of it, that shellacs the sidewalks and windshields that then need to be scraped.

Sometimes in the winter in the dark I'd wake and everything that smacked of dread would have lifted up and stolen away in the night and I would just be lying there with the snow blowing against the glass. I'd think that maybe I should turn on the lamp but then I'd just lie there and listen to the quiet. The wind in the quiet. There are times now when I see those patients in their soiled nightshirts lying on gurneys in the hallway with their faces to the wall that I ask myself what humanity means. I would ask does it include me.

Let me tell you something about wolves, child. When the snows fall and the white winds blow, the lone wolf dies, but the pack survives. Summer is the time for squabbles. In winter, we must protect one another, keep each other warm, share our strengths. So if you must hate, Arya, hate those who would truly do us harm. Septa Mordane is a good woman, and Sansa … Sansa is your sister. You may be as different as the sun and the moon, but the same blood flows through both your hearts. You need her, as she needs you … and I need both of you, gods help me.

Let me tell you something about wolves, child. When the snows fall and the white winds blow, the lone wolf dies, but the pack survives. Summer is the time for squabbles. In winter, we must protect one another, keep each other warm, share our strengths. So if you must hate, Arya, hate those who would truly do us harm. Septa Mordane is a good woman, and Sansa...Sansa is your sister. You may be as different as the sun and the moon, but the same blood flows through both your hearts. You need her, as she needs you...and I need both of you, gods help me.

When we came back to Paris it was clear and cold and lovely. The city had accommodated itself to winter, there was good wood for sale at the wood and coal place across our street, and there were braziers outside of many of the good cafés so that you could keep warm on the terraces. Our own apartment was warm and cheerful. We burned boulets which were molded, egg-shaped lumps of coal dust, on the wood fire, and on the streets the winter light was beautiful. Now you were accustomed to see the bare trees against the sky and you walked on the fresh-washed gravel paths through the Luxembourg gardens in the clear sharp wind. The trees were beautiful without their leaves when you were reconciled to them, and the winter winds blew across the surfaces of the ponds and the fountains were blowing in the bright light. All the distances were short now since we had been in the mountains. Because of the change in altitude I did not notice the grade of the hills except with pleasure, and the climb up to the top floor of the hotel where I worked, in a room that looked across all the roofs and the chimneys of the high hill of the quarter, was a pleasure. The fireplace drew well in the room and it was warm and pleasant to work.

Ode to the West Wind I O wild West Wind, thou breath of Autumn’s being, Thou, from whose unseen presence the leaves dead Are driven, like ghosts from an enchanter fleeing, Yellow, and black, and pale, and hectic red, Pestilence-stricken multitudes: O thou, Who chariotest to their dark wintry bed The winged seeds, where they lie cold and low, Each like a corpse within its grave, until Thine azure sister of the Spring shall blow Her clarion o’er the dreaming earth, and fill (Driving sweet buds like flocks to feed in air) With living hues and odours plain and hill: Wild Spirit, which art moving everywhere; Destroyer and preserver; hear, oh hear! II Thou on whose stream, mid the steep sky’s commotion, Loose clouds like earth’s decaying leaves are shed, Shook from the tangled boughs of Heaven and Ocean, Angels of rain and lightning: there are spread On the blue surface of thine aëry surge, Like the bright hair uplifted from the head Of some fierce Maenad, even from the dim verge Of the horizon to the zenith’s height, The locks of the approaching storm. Thou dirge Of the dying year, to which this closing night Will be the dome of a vast sepulchre, Vaulted with all thy congregated might Of vapours, from whose solid atmosphere Black rain, and fire, and hail will burst: oh hear! III Thou who didst waken from his summer dreams The blue Mediterranean, where he lay, Lull’d by the coil of his crystàlline streams, Beside a pumice isle in Baiae’s bay, And saw in sleep old palaces and towers Quivering within the wave’s intenser day, All overgrown with azure moss and flowers So sweet, the sense faints picturing them! Thou For whose path the Atlantic’s level powers Cleave themselves into chasms, while far below The sea-blooms and the oozy woods which wear The sapless foliage of the ocean, know Thy voice, and suddenly grow gray with fear, And tremble and despoil themselves: oh hear! IV If I were a dead leaf thou mightest bear; If I were a swift cloud to fly with thee; A wave to pant beneath thy power, and share The impulse of thy strength, only less free Than thou, O uncontrollable! If even I were as in my boyhood, and could be The comrade of thy wanderings over Heaven, As then, when to outstrip thy skiey speed Scarce seem’d a vision; I would ne’er have striven As thus with thee in prayer in my sore need. Oh, lift me as a wave, a leaf, a cloud! I fall upon the thorns of life! I bleed! A heavy weight of hours has chain’d and bow’d One too like thee: tameless, and swift, and proud. V Make me thy lyre, even as the forest is: What if my leaves are falling like its own! The tumult of thy mighty harmonies Will take from both a deep, autumnal tone, Sweet though in sadness. Be thou, Spirit fierce, My spirit! Be thou me, impetuous one! Drive my dead thoughts over the universe Like wither’d leaves to quicken a new birth! And, by the incantation of this verse, Scatter, as from an unextinguish’d hearth Ashes and sparks, my words among mankind! Be through my lips to unawaken’d earth The trumpet of a prophecy! O Wind, If Winter comes, can Spring be far behind?

Winter brings on cold weather; and we must shiver. Summer returns, with its heat; and we must sweat. Unseasonable weather upsets the health; and we must fall ill. In certain places we may meet with wild beasts, or with men who are more destructive than any beasts. Floods, or fires, will cause us loss. And we cannot change this order of things; but what we can do is to acquire stout hearts, worthy of good men, thereby courageously enduring chance and placing ourselves in harmony with Nature. 8. And Nature moderates this world-kingdom which you see, by her changing seasons: clear weather follows cloudy; after a calm, comes the storm; the winds blow by turns; day succeeds night; some of the heavenly bodies rise, and some set. Eternity consists of opposites.

My darling was purring in her sleep, with the archaic smile on her lips, and she had the extra glow of comfort and solace she gets after love, a calm fulfilledness. I should have been sleepy after wandering around the night before, but I wasn't. I've noticed that I am rarely sleepy if I know I can sleep long in the morning. The red dots were swimming in my eyes, and the street light threw the shadows of naked elm branches on the ceiling, where they made slow and stately cats' cradles because the spring wind was blowing. The window was open halfway and the white curtains swelled and filled like sails on an anchored boat... I felt good and fulfilled, too, but whereas Mary dives for sleep, I didn't want to go to sleep. I wanted to go on fully tasting how good I felt.

If we’re blessed, though, a few words might remain by our side. They climb to the top of the hill during the night, crawl into small holes dug to fit the shape of their bodies, stay quite still, and let the stormy winds of time blow past. The dawn finally breaks, the wild wind subsides, and the surviving words quietly peek out from the surface. For the most part they have small voices—they are shy and only have ambiguous ways of expressing themselves. Even so, they are ready to serve as witnesses. As honest, fair witnesses. But in order to create those enduring, long-suffering words, or else to find them and leave them behind, you must sacrifice, unconditionally, your own body, your very own heart. You have to lay down your neck on a cold stone pillow illuminated by the winter moon.

At noontime in midsummer, when the sun is at its highest and everything is in a state of embroiled repose, flashes may be seen in the southern sky. Into the radiance of daylight come bursts of light even more radiant. Exactly half a year later, when the fjord is frozen over and the land buried in snow, the very same spirit taunts creation. At night cracks in the ice race from one end of the fjord to the other, resounding like gunshots or like the roaring of a mad demon. The peasants dig tunnels from their door through the drifts over to the cow shed. Where are the trolls and the elves now, and where are the sounds of nature? Even the Beast may well be dead and forgotten. Life itself hangs in suspension - existence has shrunk to nothingness. Now it is only a question of survival. The fox thrashes around in a blizzard in the oak thicket and fights his way out, mortally terrified. It is a time of stillness. Hoarfrost lies in a timeless shroud over the fjord. All day long a strange, sighing sound is heard from out on the ice. It is a fisherman, standing alone at his hole and spearing eel. One night it snows again. The air is sheer snow and the wind a frigid blast. No living creature is stirring. Then a rider comes to the crossing at Hvalpsund. There is no difficulty in getting over­ - he does not even slacken his speed, but rides at a brisk trot from the shore out onto the ice. The hoofbeats thunder beneath him and the ice roars for miles around. He reaches the other side and rides up onto the land. The horse — a mighty steed not afraid to shake its shanks - cleaves the storm with neck outstretched. The blizzard blows the rider's ashen cape back and he sits naked, with his bare bones sticking out and the snow whistling about his ribs. It is Death that is out riding. His crown sits on three hairs and his scythe points triumphantly backward. Death has his whims. He takes it into his head to dis­mount when he sees a light in the winter night. He gives his horse a slap on the haunch and it leaps into the air and is gone. For the rest of the way Death walks like a carefree man, sauntering absentmindedly along. In the snow-streaked night a crow is sitting on a wayside branch. Its head is much too large for its body. Its beady eyes sparkle when it sees the wanderer's familiar face, and its cawing turns into silent laughter as it throws its beak wide open, with its spear-like tongue sticking far out. It seems almost ready to fall off the branch with its laughter, but it keeps on looking at Death with consuming merriment. Death moves on. Suddenly he finds himself beside a man. He raps the man on the back with his fingers and leaves him lying there. There is a light. Death keeps his eye on the light and walks toward it. He moves into the shaft of light and labors his way over a frozen field. But when he comes close enough to make out the house a strange fervor grips him. He has finally come home - yes, this has been his true home from the beginning. Thank goodness he has now found it again after so much difficulty. He goes in, and a solitary old couple make him welcome. They cannot know that he is anything more than a traveling tradesman, spent and sick. He lies down quickly on the bed without a word. They can see that he is really far gone. He lies on his back while they move about the room with the candle and chat. He forgets them. For a long time he lies there, quiet but awake. Finally there are a few low moans, faltering and tentative. He begins to cry, and then quickly stops. But now the moans continue, becoming louder, and then going over to tearless sobs. His body arches up, resting only on head and heels. He stares in anguish at the ceiling and screams, screams like a woman in labor. Finally he collapses, and his cries begin to subside. Little by little he falls silent and lies quiet.

Although Keir would always prefer his island to anywhere else in the world, he had to admit this place had its own magic. There was a softness about the air and the sun, a trance of mist that made everything luminous. Lowering to his haunches, he ran his palm back and forth over the fine golden sand, so different from the caster-sugar grains of the beaches on Islay. At Merritt's quizzical glance, he dusted his hands and smiled crookedly. "'Tis quiet," he explained. "On the shore near my home, it sings." "The sand sings?" Merritt asked, perplexed. "Aye. When you move it with your foot or hand, or the wind blows over it, the sand makes a sound. Some say it's more like a squeak, or a whistle." "What makes it do that?" "'Tis pure quartz, and the grains are all the same size. A scientist could explain it. But I'd rather call it magic." "Do you believe in magic?" Keir stood and smiled into her upturned face. "No, but I like the wonderments of life. Like the ghost fire that shines on a ship's mast at storm's end, or the way a bird's instinct leads him to the wintering grounds each year. I enjoy such things better for no' understanding them." "Wonderments," Merritt repeated, seeming to relish the word.

My favorite lines of Charlotte’s Web, the lines that always make me cry, are toward the end of the book. They go like this: ‘These autumn days will shorten and grow cold. The leaves will shake loose from the trees and fall. Christmas will come, then the snows of winter. You will live to enjoy the beauty of the frozen world, for you mean a great deal to Zuckerman and he will not harm you, ever. Winter will pass, the days will lengthen, the ice will melt in the pasture pond. The song sparrow will return and sing, the frogs will awake, the warm wind will blow again. All these sights and sounds and smells will be yours to enjoy, Wilbur — this lovely world, these precious days …’ I have tried for a long time to figure out how E. B. White did what he did, how he told the truth and made it bearable. And I think that you, with your beautiful book about love, won’t be surprised to learn that the only answer I could come up with was love. E. B. White loved the world. And in loving the world, he told the truth about it — its sorrow, its heartbreak, its devastating beauty. He trusted his readers enough to tell them the truth, and with that truth came comfort and a feeling that we are not alone. I think our job is to trust our readers. I think our job is to see and to let ourselves be seen. I think our job is to love the world.

Sharply the menacing wind sweeps over The bending poplars, newly bare, And the dark ribbons of the chimneys Veer downward; flicked by whips of air. Torn posters flutter; coldly sound The boom of trams and the rattle of hooves, And the clerks who hurry to the station Look, shuddering, over the eastern rooves, Thinking, each one, "Here comes the winter! "Please God I keep my job this year!" And bleakly, as the cold strikes through Their entrails like an icy spear, They think of rent, rates, season tickets, Insurance, coal, the skivvy's wages, Boots, school-bills and the next installment Upon the two twin beds from Drage's. For if in careless summer days In groves of Ashtaroth we whored, Repentant now, when winds blow cold, We kneel before our rightful lord; The lord of all, the money-god, Who rules us blood and hand and brain, Who gives the roof that stops the wind, And, giving, takes away again; Who spies with jealous, watchful care, Our thoughts, our dreams, our secret ways, Who picks our words and cuts our clothes, And maps the pattern of our days; Who chills our anger, curbs our hope. And buys our lives and pays with toys, Who claims as tribute broken faith, Accepted insults, muted joys; Who binds with chains the poet's wit, The navvy's strength, the soldier's pride, And lays the sleek, estranging shield Between the lover and his bride.

I dreamt of a City to the West of here,” Dixon tries to recall, scrying in his Coffee-Mug, the wind blowing Wood-smoke in his eyes, “at some great Confluence of Rivers, or upon a Harbor in some inland Sea,— a large City,— busy, prospering, sacred.” “A Sylvan Philadelphia. . . .” “Well . . . well yes, now tha put it thah’ way,— ” “I hope you are prepar’d for the possibility, that waking Philadelphia is as sacred as anything over here will ever get, Dixon,— observe you not, as we move West, more and more of those Forces, which Cities upon Coasts have learn’d to push away, and leave to Back Inhabitants,— the Lightning, the Winter, an Indifference to Pain, not to mention Fire, Blood, and so forth, all measur’d upon a Scale far from Philadelphian,— whereunto we, and our Royal Commission, and our battery of costly Instruments, are but Fleas in the Flea Circus. We trespass, each day ever more deeply, into a world of less restraint in ev’rything,— no law, no convergence upon any idea of how life is to be,— an Interior that grows meanwhile ever more forested, more savage and perilous, until,— perhaps at the very Longitude of your ‘City,’— we must reach at last an Anti-City,— some concentration of Fate,— some final condition of Abandonment,— wherein all are unredeemably alone and at Hazard as deep as their souls may bear,— lost Creatures that make the very Seneca seem Christian and merciful.

I dreamt of a City to the West of here,” Dixon tries to recall, scrying in his Coffee-Mug, the wind blowing Wood-smoke in his eyes, “at some great Confluence of Rivers, or upon a Harbor in some inland Sea,— a large City,— busy, prospering, sacred.” “A Sylvan Philadelphia. . . .” “Well . . . well yes, now tha put it thah’ way,— ” “I hope you are prepar’d for the possibility, that waking Philadelphia is as sacred as anything over here will ever get, Dixon,— observe you not, as we move West, more and more of those Forces, which Cities upon Coasts have learn’d to push away, and leave to Back Inhabitants,— the Lightning, the Winter, an Indifference to Pain, not to mention Fire, Blood, and so forth, all measur’d upon a Scale far from Philadelphian,— whereunto we, and our Royal Commission, and our battery of costly Instruments, are but Fleas in the Flea Circus. We trespass, each day ever more deeply, into a world of less restraint in ev’rything,— no law, no convergence upon any idea of how life is to be,— an Interior that grows meanwhile ever more forested, more savage and perilous, until,— perhaps at the very Longitude of your ‘City,’— we must reach at last an Anti-City,— some concentration of Fate,— some final condition of Abandonment,— wherein all are unredeemably alone and at Hazard as deep as their souls may bear,— lost Creatures that make the very Seneca seem Christian and merciful.” “Eeh, chirpy today . . . ?

The Seer's Map by Stewart Stafford Howling dog, thou cursèd hound, Plaguest thy master with baleful sound, The cur's yelps taint the air around; A dirge for all that hear thy wound. The rooftop magpie foretells: Herald of guests to visit soon, A noisy speech announceth, Companions of the afternoon. Lucky horseshoe and iron key, Bringeth good fortune to the finder, But spilling salt provokes fate, And draws the evil eye's reminder. A shoe upon the table laid, Tempts the dead to live anon, For this ungracious gesture waketh, Flesh and blood from skeleton. Who crosses the path of hare or priest, A perilous milestone on thy road, Their very presence signifies That gathering trouble doth forebode. A toad on thy merry travels, Brings sweet smiles and kindest charms, Keep one about thy person warm, To shelter safe from danger's harms. Red sky at night delights the eye, Of shepherd that beholds thy light, Thy colour doth betoken dawn Of weather fair and clear and bright. Red sky at morn troubles the heart, Of shepherd that surveys thy shade, Thy hue doth presage day Of stormy blast and tempest made. December's thunder balm, Speaks of harvest's tranquil mind, January's thunder, fierce! Warns of war and gales unkind. An itchy palm hints at gold To come into thy hand ere long, But if thou scratch it, thou dost lose The fair wind that blows so strong. A Sunday Christmas forewarns: Three signs of what the year shall hold; A winter mild, a Lenten wind, And summer dry, to then unfold. Good luck charm on New Year's Day Maketh fortune bloom all year, But to lose it or give it away, Thou dost invite ill-omened fear. © Stewart Stafford, 2023. All rights reserved.

Those who live in retirement, whose lives have fallen amid the seclusion of schools or of other walled-in and guarded dwellings, are liable to be suddenly and for a long while dropped out of the memory of their friends, the denizens of a freer world. Unaccountably, perhaps, and close upon some space of unusually frequent intercourse—some congeries of rather exciting little circumstances, whose natural sequel would rather seem to be the quickening than the suspension of communication—there falls a stilly pause, a wordless silence, a long blank of oblivion. Unbroken always is this blank; alike entire and unexplained. The letter, the message once frequent, are cut off; the visit, formerly periodical, ceases to occur; the book, paper, or other token that indicated remembrance, comes no more. Always there are excellent reasons for these lapses, if the hermit but knew them. Though he is stagnant in his cell, his connections without are whirling in the very vortex of life. That void interval which passes for him so slowly that the very clocks seem at a stand, and the wingless hours plod by in the likeness of tired tramps prone to rest at milestones—that same interval, perhaps, teems with events, and pants with hurry for his friends. The hermit—if he be a sensible hermit—will swallow his own thoughts, and lock up his own emotions during these weeks of inward winter. He will know that Destiny designed him to imitate, on occasion, the dormouse, and he will be conformable: make a tidy ball of himself, creep into a hole of life’s wall, and submit decently to the drift which blows in and soon blocks him up, preserving him in ice for the season. Let him say, “It is quite right: it ought to be so, since so it is.” And, perhaps, one day his snow-sepulchre will open, spring’s softness will return, the sun and south-wind will reach him; the budding of hedges, and carolling of birds, and singing of liberated streams, will call him to kindly resurrection.

Some chapters back, one Bulkington was spoken of, a tall, newlanded mariner, encountered in New Bedford at the inn. When on that shivering winter’s night, the Pequod thrust her vindictive bows into the cold malicious waves, who should I see standing at her helm but Bulkington! I looked with sympathetic awe and fearfulness upon the man, who in mid-winter just landed from a four years’ dangerous voyage, could so unrestingly push off again for still another tempestuous term. The land seemed scorching to his feet. Wonderfullest things are ever the unmentionable; deep memories yield no epitaphs; this six-inch chapter is the stoneless grave of Bulkington. Let me only say that it fared with him as with the storm-tossed ship, that miserably drives along the leeward land. The port would fain give succor; the port is pitiful; in the port is safety, comfort, hearthstone, supper, warm blankets, friends, all that’s kind to our mortalities. But in that gale, the port, the land, is that ship’s direst jeopardy; she must fly all hospitality; one touch of land, though it but graze the keel, would make her shudder through and through. With all her might she crowds all sail off shore; in so doing, fights ‘gainst the very winds that fain would blow her homeward; seeks all the lashed sea’s landlessness again; for refuge’s sake forlornly rushing into peril; her only friend her bitterest foe! Know ye now, Bulkington? Glimpses do ye seem to see of that mortally intolerable truth; that all deep, earnest thinking is but the intrepid effort of the soul to keep the open independence of her sea; while the wildest winds of heaven and earth conspire to cast her on the treacherous, slavish shore? But as in landlessness alone resides highest truth, shoreless, indefinite as God- so better is it to perish in that howling infinite, than be ingloriously dashed upon the lee, even if that were safety! For worm-like, then, oh! who would craven crawl to land! Terrors of the terrible! is all this agony so vain? Take heart, take heart, O Bulkington! Bear thee grimly, demigod! Up from the spray of thy ocean-perishing- straight up, leaps thy apotheosis!

I look back now and can see how much my father also found his own freedom in the adventures we did together, whether it was galloping along a beach in the Isle of Wight with me behind him, or climbing on the steep hills and cliffs around the island’s coast. It was at times like these that I found a real intimacy with him. It was also where I learned to recognize that tightening sensation, deep in the pit of my stomach, as being a great thing to follow in life. Some call it fear. I remember the joy of climbing with him in the wintertime. It was always an adventure and often turned into much more than just a climb. Dad would determine that not only did we have to climb a sheer hundred-and-fifty-foot chalk cliff, but also that German paratroopers held the high ground. We therefore had to climb the cliff silently and unseen, and then grenade the German fire position once at the summit. In reality this meant lobbing clumps of manure toward a deserted bench on the cliff tops. Brilliant. What a great way to spend a wet and windy winter’s day when you are age eight (or twenty-eight, for that matter). I loved returning from the cliff climbs totally caked in mud, out of breath, having scared ourselves a little. I learned to love that feeling of the wind and rain blowing hard on my face. It made me feel like a man, when in reality I was a little boy. We also used to talk about Mount Everest, as we walked across the fields toward the cliffs. I loved to pretend that some of our climbs were on the summit face of Everest itself. We would move together cautiously across the white chalk faces, imagining they were really ice. I had this utter confidence that I could climb Everest if he were beside me. I had no idea what Everest would really involve but I loved the dream together. These were powerful, magical times. Bonding. Intimate. Fun. And I miss them a lot even today. How good it would feel to get the chance to do that with him just once more. I think that is why I find it often so emotional taking my own boys hiking or climbing nowadays. Mountains create powerful bonds between people. It is their great appeal to me. But it wasn’t just climbing. Dad and I would often go to the local stables and hire a couple of horses for a tenner and go jumping the breakwaters along the beach. Every time I fell off in the wet sand and was on the verge of bursting into tears, Dad would applaud me and say that I was slowly becoming a horseman. In other words, you can’t become a decent horseman until you fall off and get up again a good number of times. There’s life in a nutshell.

We knew there would be a fire before we blew them. There wasn’t much helping it. The wind caught the flames right away and whipped the wheat field into a frenzy, blowing toward the primeval mud-walled village a couple of acres away. There was an irrigation ditch running in between, so it probably wouldn’t spread. Probably. There was nothing we could do, so we left. I never heard if our fire spread. Trey’s certainly did. Two weeks later, when he blew a cordless-telephone/mortar combo on the side of a different road far west of Kirkuk, a spark snared the nearby wheat field, almost ripe with the winter crop. His fire didn’t burn down the village, but it did destroy the entire harvest.

There were very few things to do in Toms River, New Jersey, however it was the closest thing resembling civilization near the school. When I wasn’t being restricted to the campus, for one infraction or another, that’s where I would go. Toms River was two and a half miles west of the school. Making the round trip was a five-mile walk, but it was worth it, just to get away. To get there I walked down Prospect Avenue, and then cut corners to Bayside Avenue. In the winter, the frozen snow and ice made the walk cold and miserable. There was always a wind blowing off the river, but I would trudge on relentlessly. The wet slush soaked through my shoes, ruining a shine I had worked on for hours. My feet became wet and frozen, but I pressed on regardless. Eventually I would reach Route 166, which was narrow and only had two lanes; still it was the only north-south highway along the coast at the time. I then crossed the concrete bridge that had a year engraved on it, indicating that it was built as a WPA project during the Great Depression. On the west side of the road was the Toms River Diner. It was classic in appearance and was a warm haven, where I could thaw out. Thelma, the waitress, was always friendly and one of the sexiest women I ever knew. She laughed at my silliness, knew just how much cleavage to show, and moved and turned like a fashion model. There was always “Country Music” playing, especially that of Hank Williams who was Thelma’s favorite. Hey, Good Lookin’, Your Cheatin’ Heart, and I’m So Lonesome I Could Cry were all songs he had written and that she sang along with. Thelma knew that I could not keep my eyes off of her, and she enjoyed playing the part, letting me look far down the unbuttoned section of her waitress uniform, while pouring me another cup of coffee. The way she looked over her shoulder, throwing aside her hair while asking what else I wanted, would send shivers down my back and feelings into my loins that set me on fire. Just this alone was worth the five-mile round trip. During warmer weather, the walk was more pleasant, but the constant wind off the Atlantic Ocean and the river, never let up.

To my mind early June is the most beautiful time of the year in Haines, for spring comes late and June is the transition period from spring to summer; but September is lovely too, and I have seen still, crisp days in October which I would not have exchanged for any other day in the year. It is often beautiful in winter, when the snow lies untrodden and sparkling upon the uplands and every twig on every tree is rimed with frost, and there are days in March when the wind blows cold and clear and great clouds sail majestically across the blue sky. But I could go on forever, finding its peculiar beauty in every month, so perhaps the truth of the matter is that Haines is my home and in my opinion there is no place like it.

tagged along. He felt that Marvin was now his responsibility, and he wanted to keep an eye on him. No telling what the captain might say that could possibly upset Marvin. A brisk, cold wind was blowing as the passengers stepped from the ferry onto the dock at Ostend. Marvin later commented that he had never felt such raw weather, but his memory was short. He had forgotten the freezing winters we had lived through when we were growing up in Washington, D.C. From the waterfront at Ostend, Freddy led Marvin, Bubby, and Eugenie to a small boarding house at 77 Rue Promenade, just a block from the beach. Freddy’s wife, Lilliane, a joyous woman, was waiting for them with open arms. She had already prepared a room on the fifth floor for Freddy’s guests and had a hot meal simmering on the stove. The boarding house was owned by Freddy and managed by his wife. They lived in the basement apartment, along with their two young daughters. Lilliane had told them that a new playmate would be arriving, and they had eagerly anticipated meeting Bubby. Freddy seemed happy too, now that Marvin was safely in tow. As for Marvin, he was simply relieved to be warm again and on dry land. From the moment she first saw Marvin,

Through the years I experimented with all different types of materials and frames. Finally, I settled upon one that was so simple, easy, and inexpensive to use that it was almost ridiculous. Then I began growing all different types of plants vertically. I originally thought I would need to design some special way to hold up and accommodate heavier fruits such as winter squash and pumpkins, but as it turned out, these plant vines seemed to understand the situation; the stem supporting the heavy fruit grows thicker and heavier as the fruit becomes larger. If you have a framework and support that will hold the plant, the plant will hold the fruit; it is as simple as that! Mother Nature always seems to know best. Pea and bean netting can be stretched taut across a box frame and held in place by four metal posts. Plants will then grow up through the netting and be supported. Best Material I use the strongest material I can find, which is steel. Fortunately, steel comes in tubular pipe used for electrical conduit. It is very strong and turns out to be very inexpensive. Couplings are also available so you can connect two pieces together. I designed an attractive frame that fits right onto the 4 × 4 box, and it can be attached to the wooden box with clamps that can be bought at any store. Or, steel reinforcing rods driven into the existing ground outside your box provide a very steady and strong base; then the electrical conduit slips snugly over the bars. It’s very simple and inexpensive to assemble. Anyone can do it—even you! To prevent vertically grown plants from shading other parts of the garden, I recommend that tall, vertical frames be constructed on the north side of the garden. To fit it into a 4 × 4 box, I designed a frame that measured 4 feet wide and almost 6 feet tall. Tie It Tight Vertically growing plants need to be tied to their supports. Nylon netting won’t rot in the sun and weather, and I use it exclusively now for both vertical frames and horizontal plant supports. It is very strong—almost unbreakable—and guaranteed for twenty years. It is a wonderful material available at garden stores and in catalogs. The nylon netting is also durable enough to grow the heavier vine crops on vertical frames, including watermelons, pumpkins, cantaloupes, winter and summer squashes, and tomatoes. You will see in Chapter 8 how easy it is to train plants to grow vertically. To hold the plants to the frame, I have found that nylon netting with 7-inch square openings made especially for tomato growing works well because you can reach your hand through. Make sure it is this type so it won’t cut the stem of the plant when it blows against it in the wind. This comes in 4-foot widths and can easily be tied to the metal frame. It’s sometimes hard to find, so call around.

It's funny to think that the wind has a shape but it does. It becomes visible every once in a while - in rain being driven to the ground in sheets, or in the snow on the fields behind our house. I remember looking out the window of my room in the winter, watching the wind blow on the surface of the white fields, lifting and whipping the snow into spirals, and in a flash you could see the force that was always there come to life and reveal itself. I think it is this way with children and parents. They are always there and then suddenly through some shock or disappointment or great gesture or obscene the child sees this person who was there all the while - invisible to them beyond their function to provide.

But he soon became more realistic about Montana. “It’s such a beautiful climate up there. Only forty-seven below last winter. The wind sometimes blows sixty miles an hour straight from Alaska.

Winter will pass, the days will lengthen, the ice will melt in the pasture pond. The song sparrow will return and sing, the frogs will awake, the warm wind will blow again. All these sights and sounds and smells will be yours to enjoy, Wilbur—this lovely world, these precious days.

It Must Have Been Love Lay a whisper on my pillow, leave the winter on the ground. I wake up lonely, there's air of silence in the bedroom and all around. Touch me now, I close my eyes and dream away. It must have been love but it's over now. It must have been good but I lost it somehow. It must have been love but it's over now. From the moment we touched 'til the time had run out. Make-believing we're together, that I'm sheltered by your heart. But in and outside I've turned to water like a teardrop in your palm. And it's a hard winter's day, I dream away. It must have been love but it's over now, it was all that I wanted, now I'm living without. It must have been love but it's over now, it's where the water flows, it's where the wind blows.

A Rose in Winter A crimson bloom in winter’s snow, Born out of time, like a maiden’s woe, Spawned in a season when the chill winds blow. ’Twas found in a sheltered spot, Bright sterling gules and blemished not, Red as a drop o’ blood from the broken heart, Of the maid who waits and weeps atop the tor, Left behind by yon argent knight sworn to war, ’Til ajousting and aquesting he goes no more. Fear not, Sweet Jo, amoulderin’ on the moor. The winter’s rose doth promise in the fading runes of yore, That true love once found will again be restored.

Whenever I feel lonely I remembered those days. My mother walking ahead of me, barefoot, her hair blowing in the wind, across her mouth, a pair of her soft shoes in her hand, yet she still looked beautiful and elegant to me. Her glasses perched on the end of her nose.

There was another whole bunch of hopefuls. They would diminish down at a startling rate. We had seen it happen before. This time, though, we were there as the “old hands.” And it helped. We knew what to expect; the mystique had gone, and the prize was up for grabs. That was empowering. It was now wintertime, and winter Selection is always considered the tougher course, because of the mountain conditions. I tried not to think about this. Instead of the blistering heat and midges, our enemies would be the freezing, driving sleet, the high winds, and the short daylight hours. These made Trucker and me look back on the summer Selection days as quite balmy and pleasant! It is strange how accustomed you become to hardship, and how what once seemed horrific can soon become mundane. The DS had often told us: “If it ain’t raining, it ain’t training.” And it rains a lot in the Brecon Beacons. Trust me. (I recently overheard our middle boy, Marmaduke, tell one of his friends this SAS mantra. The other child was complaining that he couldn’t go outside because it was raining. Marmaduke, age four, put him straight. Priceless.) The first few weekends progressed, and we both shone. We were fitter, stronger, and more confident than many of the other recruits, but the winter conditions were very real. We had to contend with winds that, on one weekend exercise, were so strong on the high ridges that I saw one gust literally blow a whole line of soldiers off their feet--including the DS. Our first night march saw one recruit go down with hypothermia. Like everyone else, he was wet and cold, but in the wind and whiteout he had lost that will to look after himself, and to take action early. He had forgotten the golden rule of cold, which the DS had told us over and over: “Don’t let yourself get cold. Act early, while you still have your senses and mobility. Add a layer, make shelter, get moving faster--whatever your solution us, just do it.” Instead, this recruit had just sat down in the middle of the boggy moon grass and stopped. He could hardly talk and couldn’t stand. We all gathered round him, forming what little shelter we could. We gave him some food and put an extra layer of clothing on him. We then helped him stagger off the mountain to where he could be picked up by Land Rover and taken to base camp, where the medics could help him. For him, that would be his last exercise with 21 SAS, and a harsh reminder that the struggles of Selection go beyond the demons in your head. You also have to be able to survive the mountains, and in winter that isn’t always easy. One of the other big struggles of winter Selection was trying to get warm in the few hours between the marches. In the summer it didn’t really matter if you were cold and wet--it was just unpleasant rather than life-threatening. But in winter, if you didn’t sort yourself out, you would quickly end up with hypothermia, and then one of two things would happen: you would either fail Selection, or you would die. Both options were bad.

Storm Warning Something not the wind shakes along far like a sky truck in low gear over Oregon. Like the shore wind baying along through fir but not now the wind, no, not really so, it is a new weight and force that begins to blow. This winter they'll still call it wind and let it explore; and when they talk it over next summer there by the shore, along through the scrub and salal the new something will range. In a hurry, late, it won't wait for the air. In the fall again they'll remember, each of them, back to now. They'll no longer call it wind, they'll want it all changed. They'll want it all different then, but they won't know how.

The Lover in Winter Plaineth for the Spring O WESTERN wind, when wilt thou blow   That the small rain down can rain? Christ, that my love were in my arms   And I in my bed again! Anonymous

But at that moment, the monastery bell rang. The sound seemed to strike Morozko like fists, as though they would break him into snowflakes and send him whirling away. "What is happening?" Vasya asked. The talisman is destroyed and frost-demons are not meant to love, he might have told her. But he did not say that. "Dawn, I cannot exist anymore under the sun, in Moscow, not after midwinter, when the bells are ringing." The bell rang again, his voice died away. "No. You cannot fade; you are immortal." Vasya reached for him, caught his shoulders between her hands. On swift impulse, she reached up and kissed him. "Live," she said. "You said you loved me. Live" She had surprised him. He stared into her eyes, old as winter, young as new-fallen snow, and then suddenly he bent his head and kissed her back. Color came into his face and color washed his eyes until they were the blue of the noonday sky. "I cannot live," he murmured into her ear. "One cannot be alive and be alive and be immortal. But when the wind blows, and storm hangs heavy upon the world, when men die, I will be there. It is enough.” “That is not enough,” she said. He said nothing. He was not a man: only a creature of cold rain and black trees and blue frost, growing fainter and fainter in her arms. But he bent his head and kissed her once more, as though the sweetness of it struck a spark of something long since gone dim. But even as he did, he faded.

In the cold of winter, the wind blows the snow off the ground and waves of white come sweeping across our tiny stretch of lawn and hit the house in sprinklings of icy snow. Invisible streams of air seep through the cracks of the old windows and the smell of our rice-scented home swims in the currents of cold. Outside, the sound of police sirens resonates in the rippling, urgent winter winds. In the warmth of spring, the wind transforms the empty parking lot by the corner Laundromat into a field of fallen petals as crab apple trees release their blooms and the hard pavement feels the soft brush of tender, ephemeral beauty. Wet rain falls into shattered concrete and the pools of black water lie still for the pink and white and red petals to swim in. The wind carries the voices of laughing children into our house as we watch the petals sway to and fro in the dark puddles across our street. In the heat of hot summer, the green grass grows while the yellow dandelions die, and in the wake of their demise the wind carries their spirits and their seeds across open lots, rotting houses, small yards, littered avenues, and everywhere there are little parachutes of pollen floating away. Late into the night, we listen to the voices of friends and neighbors talking outside on their porches, hear the clinking of cans, turn our heads toward their laughter and their tears, and the wind loses its appeal for a season because the pull of people grows strong across the fertile green.

At length the sun’s rays have attained the right angle, and warm winds blow up mist and rain and melt the snow banks, and the sun dispersing the mist smiles on a checkered landscape of russet and white smoking with incense, through which the traveller picks his way from islet to islet, cheered by the music of a thousand tinkling rills and rivulets whose veins are filled with the blood of winter which they are bearing off.

But this is the country I know. This Valley. This river. This flat land that goes on forever. The dang wind chill every winter. The wind blowing across this prairie we bend over and walk into. We get used to it. It becomes us. You know, when they sing, 'amber waves of grain,' that tugs at my heart. Still. Those are our wheat fields ... -Sheriff Wheaton

The Snowman by Stewart Stafford My snowball heart is a sorbet, With delusions of grandeur, Use alcohol instead of snow, And I'd make a fine iced liqueur. My arrival and departure, Are never certain things, Wherever the North wind blows, I descend on the iciest wings. Here one day, gone the next, My appearances are fleeting, Then I'm disembodied by thaws, Until our next frosty meeting. © Stewart Stafford, 2021. All rights reserved.

It happens this way sometimes, we can discover truths about ourselves in a moment, sometimes in the midst of drama, sometimes quietly. A sunset wind can be blowing off the sea, we might be alone in bed on a winter night, or grieving by a grave among leaves. We are drunk in a tavern, dealing with desperate pain, waiting to confront enemies on a battlefield. We are bearing a child, falling in love, reading by candlelight, watching the sun rise, a star set, we are dying... But there is something else to all of this, because of how the world is for us, how we are within it. Something can be true of our deepest nature and the running tide of days and years might let it reach the shore, be made real there-- or not.

Over the river, and through the wood, To grandfather’s house we go; The horse knows the way, To carry the sleigh, Through the white and drifted snow. Over the river, and through the wood, To grandfather’s house away! We would not stop For doll or top, For ’t is Thanksgiving day. Over the river, and through the wood, Oh, how the wind does blow! It stings the toes, And bites the nose, As over the ground we go. Over the river, and through the wood, With a clear blue winter sky, The dogs do bark, And children hark, As we go jingling by. Over the river, and through the wood, To have a first-rate play— Hear the bells ring Ting a ling ding, Hurra for Thanksgiving day! Over the river, and through the wood— No matter for winds that blow; Or if we get The sleigh upset, Into a bank of snow. Over the river, and through the wood, To see little John and Ann; We will kiss them all, And play snow-ball, And stay as long as we can. Over the river, and through the wood, Trot fast, my dapple grey! Spring over the ground, Like a hunting hound! For ’t is Thanksgiving day! Over the river, and through the wood, And straight through the barn-yard gate; We seem to go Extremely slow, It is so hard to wait. Over the river, and through the wood— Old Jowler hears our bells; He shakes his pow, With a loud bow wow, And thus the news he tells. Over the river, and through the wood— When grandmother sees us come, She will say, Oh dear, The children are here, Bring a pie for every one. Over the river, and through the wood— Now grandmother’s cap I spy! Hurra for the fun! Is the pudding done? Hurra for the pumpkin pie!

When the cold winds of winter made the duke feel the change of his adverse fortune, he would endure it patiently, and say, 'These chilling winds which blow upon my body, are true counsellors, they do not flatter, but represent truly to me my condition; and though they bite sharply, their tooth is nothing like so keen as that of unkindness and ingratitude. I find that, howsoever men speak against adversity, yet some sweet uses are to be extracted from it; like the jewel, precious for medicine, which is taken from the head of the venemous and despised toad.' In this manner did the patient duke draw a useful moral from every thing that he saw; and by the help of this moralizing turn, in that life of his, remote from public haunts, he could find tongues in trees, books in the running brooks, sermons in stones, and good in every thing.

When the cold winds of winter made the duke feel the change of his adverse fortune, he would endure it patiently, and say, 'These chilling winds which blow upon my body, are true counsellors, they do not flatter, but represent truly to me my condition; and though they bite sharply, their tooth is nothing like so keen as that of unkindness and ingratitude. I find that, howsoever men speak against adversity, yet some sweet uses are to be extracted from it; like the jewel, precious for medicine, which is taken from the head of the venomous and despised toad.' In this manner did the patient duke draw a useful moral from every thing that he saw; and by the help of this moralizing turn, in that life of his, remote from public haunts, he could find tongues in trees, books in the running brooks, sermons in stones, and good in every thing.

In Icy Commentary by Stewart Stafford A wailing winter wind does blow; From séance tap to besieged sloe, All caressed by freezing touch, Shivering sabre shakes as such. Assailant storms of a frigid week, Turned-up collar thaws a cheek, Vacate streets to fireside glow, A jilted bride in confetti snow. Shark gusts with teeth like knives, Draughty house of nagging wives, Spinning tales from an elegiac tome, Cosy dreams in the womb of home. © Stewart Stafford, 2023. All rights reserved.

Drinking and doing drugs, for me, makes about as much sense as pissing my pants on a winter’s day: it’ll feel good for a little while . . . until that cold wind begins to blow. And then it won’t feel so great.

These autumn days will shorten and grow cold. The leaves will shake loose from the trees and fall. Christmas will come, then the snows of winter. You will live to enjoy the beauty of the frozen world, for you mean a great deal to Zuckerman and he will not harm you, ever. Winter will pass, the days will lengthen, the ice will melt in the pasture pond. The song sparrow will return and sing, the frogs will awake, the warm wind will blow again. All these sights and sounds and smells will be yours to enjoy, Wilbur — this lovely world, these precious days.