Terry Fox Quotes

It looked like the sort of book described in library catalogues as 'slightly foxed', although it would be more honest to admit that it looked as though it had been badgered, wolved and possibly beared as well.

He thought about how it might be to be, say, a fox confronted with an angry sheep. A sheep moreover, that could afford to employ wolves.

I just wish people would realise that anything is possible if you try. Dreams are made if people try.

I believe in miracles.... I have to.

There were times when you could feel that the world would be a better place if Annagramma got the occasional slap around the ear. The silly unthinking insults, her huge lack of interest in anyone other than herself, the way she treated everyone as if they were slightly deaf and a bit stupid…it could make your blood boil. But you put up with it because every once in a while you saw through it all. Inside there was this worried, frantic little face watching the world like a bunny watching a fox, and screaming at it in the hope that it would go away and not hurt her.

Trickster foxes appear in old stories gathered from countries and cultures all over the world -- including Aesop's Fables from ancient Greece, the "Reynard" stories of medieval Europe, the "Giovannuzza" tales of Italy, the "Brer Fox" lore of the American South, and stories from diverse Native American traditions.

It looked the sort of book described in library catalogues as “slightly foxed,” although it would be more honest to admit that it looked as though it had been badgered, wolved and possibly beared as well.

This cat, on the other hand, was its own animal. All cats give that impression, of course, but instead of the mindless animal self-absorption that passes for secret wisdom in the creatures, Greebo radiated genuine intelligence. He also radiated a smell that would have knocked over a wall and caused sinus trouble in a dead fox.

There are a number of good books that draw upon fox legends -- foremost among them, Kij Johnson's exquisite novel The Fox Woman. I also recommend Neil Gaiman's The Dream Hunters (with the Japanese artist Yoshitaka Amano);  Larissa Lai's unusual novel, When Fox Is a Thousand; Helen Oyeyemi's recent novel, Mr. Fox; and Ellen Steiber's gorgeous urban fantasy novel, A Rumor of Gems, as well as her heart-breaking novella "The Fox Wife" (published in Ruby Slippers, Golden Tears). For younger readers, try the "Legend of Little Fur" series by Isobelle Carmody.  You can also support a fine mythic writer by subscribing to Sylvia Linsteadt's The Gray Fox Epistles: Wild Tales By Mail.  For the fox in myth, legend, and lore, try: Fox by Martin Wallen; Reynard the Fox, edited by Kenneth Varty; Kitsune: Japan's Fox of Mystery, Romance, and Humour by Kiyoshi Nozaki;Alien Kind: Foxes and Late Imperial Chinese Narrative by Raina Huntington; The Discourse on Foxes and Ghosts: Ji Yun and Eighteenth-Century Literati Storytelling by Leo Tak-hung Chan; and The Fox and the Jewel: Shared and Private Meanings in Contemporary Japanese Inari Worship, by Karen Smythers.

Oh, Brown was our lion and Tubman our fox, great-grandson!

It’s not all peeling grapes, being a handmaiden,” said Ptraci. “The first lesson we learn is, when the master has had a long hard day it is not the best time to suggest the Congress of the Fox and the Persimmon. Who says you have to do anything?

That spring everyone in Judy Chicago’s class collaborated on a 24 hour performance called Route 126. The curator Moira Roth recalls: “the group created a sequence of events throughout the day along the highway. The day began with Suzanne Lacy’s Car Renovation in which the group decorated an abandoned car…and ended with the women standing on a beach watching Nancy Youdelman, wrapped in yards of gossamer silk, slowly wade out to sea until she drowned, apparently…” There’s a fabulous photo taken by Faith Wilding of the car—a Kotex-pink jalopy washed up on desert rocks. The trunk’s flung open and underneath it’s painted cuntblood red. Strands of desert grass spill from the crumpled hood like Rapunzel’s fucked-up hair. According to Performance Anthology—Source Book For A Decade Of California Art, this remarkable event received no critical coverage at the time though contemporaneous work by Baldessari, Burden, Terry Fox boasts bibliographies several pages long. Dear Dick, I’m wondering why every act that narrated female lived experience in the ’70s has been read only as “collaborative” and “feminist.” The Zurich Dadaists worked together too but they were geniuses and they had names.

(….) “What does it matter whose head those images came from? ‘Poetry is a conversation not a monologue,’ “ Fox quoted Cooper in a passable English accent. “A writer can only put the words on the paper; the vision has to come from the reader, right? It’s language, not paint, not film. That’s the beauty of it to me. Why do your woods or your Wood Wife, have to look precisely the same as Cooper’s?” “Well in terms of Miller’s work on Cooper-” “We’re not talking literary critique here. We’re talking about poems, words on a page,” Fox said, tapping his knee, “and what those words turn into when they slip inside your brain.” He tapped his head. “It’s magic; and magic disappears if you try too hard to pin it down.

Try the impossible to show that it can be done.

This dramatic wine has the burnish of torched sienna, that hint of Tuscan chickens, perhaps even pullets, that gamey, feathery aroma; a dishy first impression of guppies spawning and bracken roasting in the Castilian sun, and the high wind blowing from offshore when a garbage scow has recently run aground, not exactly fresh passion fruit, but passion fruit after it has been chewed by a horse that's just run through a heathery dale, you know, sort of sopping wet fetlocks and old dogs; and the finish, oh, just a portrait of nasturtium, or shuttlecocks dipped in quince jelly, or the stench on a fox's muzzle after he's eaten a number of small rodents or the ice caked in a refrigerator in a Paris apartment, or like new sandals, especially if the feet in them have been soaked in a bromide solution” and revisiting the nose is all rotty mulch sluicing out of a bilge pipe in a fetid stream of sweetly blooming hawthorn in a flighty perfume of freshly starched uniforms of a flight attendant in the first-class cabin in a manly swill of gassy medicinal opaline mordant porcine gratuitous acetate begonia-laden air freshener or like the fannings from a fire of souchong tea or like…Somebody make him stop! Just one more thing: Am I the only one who finds this wine a bit hirsute?

The Ortegas, produced by Fox in late 2003, was described as an “inventive new series that blends comedy, reality, and improvisation into one wild, unique mix.” The show follows a “likeable young host” of his very own late-night talk show. The aspiring host’s generous parents, played by Cheech Marin and Terri Hoyos, built a fully functional television studio in the family’s backyard. Each week, the family welcomes celebrity guests into their home, to share a meal and a talk show experience “truly like no other.

Some of the cunning you got, some of the mustard, some of the sense... well, you got it from me. Didn't you? So don't any of you go thinking you can be artful about this, because when it comes to cunning I am Mister Fox.

Red Fox rounded the corner and was confronted by a lion. The animal stalked back and forth in front of Terry’s Eggcellent Hair Palace. Inside the hair salon, Terry and Michelle huddled together, crying. The lion turned and saw Red Fox. ‘Easy, big fella,’ the detective said, holding up a hand.

A large, but not particularly impressive, book. Other books in the University’s libraries had covers inlaid with rare jewels and fascinating wood, or bound with dragon skin. This one was just a rather tatty leather. It looked the sort of book described in library catalogues as “slightly foxed,” although it would be more honest to admit that it looked as though it had been badgered, wolved and possibly beared as well.

On the far side of the pond, a silver-haired white man in a terry-cloth robe struggled to fill out the client paperwork on his LFD. Con gave him points for trying. A lot of people over forty had a hard time with next-gen light-field devices and clung to their legacy smartphones rather than adapting. She watched him adjust the fit of his LFD, which rested behind the ear like an old-fashioned hearing aid and projected data to a floating point six inches in front of the user’s eyes. When that didn’t solve his problem, he reached out with both hands like he was trying to feel his way in the dark. It really wasn’t necessary. LFDs were paired to their users and would read hand movements from any position. Kids who had grown up with the technology were blindingly fast, all ten fingers working independently, hands fluttering at their sides. But for older users like the silver fox over there, the need to “touch” the screen was hard to break. The results could be hilariously uncoordinated. Exactly why kids mocked their parents as “zombs” for the way they flailed their arms in front of their faces.