Tentative Quotes

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Maxon lowered his lips to mine and gave me the faintest whisper of a kiss. Something about the tentativeness of it made me feel beautiful. Without a word, I could understand how excited he was to have this moment, but then afraid at the same time. And deeper than any of that, I sensed that he adored me. So this is what it felt like to be a lady.
Kiera Cass (The Selection (The Selection, #1))
I just want to know—are you rooting for me? Are you hoping I pull this off?" Cath's eyes settled on his, tentatively, like they'd fly away if he moved. She nodded her head. The right side of his mouth pulled up. "I'm rooting for you," she whispered. She wasn't even sure he could hear her from the bed. Levi's smile broke free and devoured his whole face.
Rainbow Rowell (Fangirl)
The love of literature, of language, of the mystery of the mind and heart showing themselves in the minute, strange, and unexpected combinations of letters and words, in the blackest and coldest print—the love which he had hidden as if it were illicit and dangerous, he began to display, tentatively at first, and then boldly, and then proudly.
John Williams (Stoner)
I tentatively attempted to make contact with the muscles in my body. They told me to leave them the fuck alone.
Richelle Mead (Storm Born (Dark Swan, #1))
That’s the secret to performance: conviction. The right note played tentatively still misses its mark, but play boldly and no one will question you. If one believes there is truth in art – and I do – then it’s troubling how similar the skill of performing is to lying. Maybe lying is itself a kind of art. I think about that more than I should.
Rachel Hartman (Seraphina (Seraphina, #1))
She was perhaps too young to realize that what she assumed was her love for [him] was actually a tentative, timorous, acceptance of herself.
Arundhati Roy (The God of Small Things)
When did they start coming after you?” “Was it—was it after the oil- slick Hummer crash?” the Gasman asked Iggy tentatively. My eyes widened. Oil-slick Hummer crash? Iggy rubbed his chin, thinking. “Or maybe it was more---after the bomb,” the Gasman said in a low voice, looking down. “I think it was the bomb,” Iggy agreed. “That definitely seemed to tick them off.” “Bomb?” I asked incredulously.
James Patterson (The Angel Experiment (Maximum Ride, #1))
Happy Birthday." Adrian came to a sudden halt. The words were soft and small, spoken tentatively, but easily discerned by vampire ears. Slowly, he turned around and found Jill Mastrano standing shyly before him.
Richelle Mead (Adrian's Lost Chapter (Bloodlines, #0.5))
It is not what the man of science believes that distinguishes him, but how and why he believes it. His beliefs are tentative, not dogmatic; they are based on evidence, not on authority or intuition.
Bertrand Russell
His hands root me through the floor, the room stilling. “Sorry. I just needed …” His eyes search mine, thumbs still sweeping in that gentle rhythm. “A nap?” he teases softly, tentatively. “A fantasy novel? A competitively fast oil change?” The block of ice in my chest cracks. “How do you do that?” His brow furrows. “Do what?” “Say the right thing.” The corner of his mouth quirks. “No one thinks that.” “I do.” His lashes splay across his cheeks as his gaze drops. “Maybe I just say the right thing for you.
Emily Henry (Book Lovers)
Do you know what Ed Gein said about women?" [...] "'When I see a pretty girl walking down the street I think two things. One part of me wants to take her out and talk to her and be real nice and sweet and treat her right.'" I stop finish my J&B in one swallow. "What does the other part of him think?" Hamlin asks tentatively. "What her head would look like on a stick
Bret Easton Ellis (American Psycho)
I mean to say, really, I am near to developing a neurosis - is there anyone around who doesn't want to study or kill me?" Floote raised a tentative hand. "Ah, yes, thank you, Floote." "There is also Mrs Tunstell, madam," he offered hopefully, is if Ivy were some kind of consolation prize. "I notice you don't mention my fair-weather husband." "I suspect, at this moment, madam, he probably wants to kill you." Alexia couldn't help smiling. "Good point.
Gail Carriger (Blameless (Parasol Protectorate, #3))
Bending his head, Kai pressed his lips to her knuckles. The plating had no nerve endings, and yet the touch sent a tingle of electricity along her arm. “Cinder?” “Mm?” He lifted his gaze. “Just to be clear, you’re not using your mind powers on me right now, are you?” She blinked. “Of course not.” “Just checking.” Then he slid his arms around her waist and kissed her. Cinder gasped, pressing her palms against his chest. Kai pulled her closer. Seconds later, her brain began registering all the new chemicals flooding her system. INCREASED LEVELS OF DOPAMINE AND ENDORPHINS, REDUCED AMOUNTS OF CORTISOL, ERRATIC PULSE, RISING BLOOD PRESSURE … Leaning into him, Cinder sent the messages away. Her hands tentatively made their way to his shoulders, before stringing around his neck.
Marissa Meyer
Tentative efforts lead to tentative outcomes. Therefore, give yourself fully to your endeavors. Decide to construct your character through excellent actions and determine to pay the price of a worthy goal. The trials you encounter will introduce you to your strengths. Remain steadfast...and one day you will build something that endures: something worthy of your potential.
Epictetus
Being in the mood to write, like being in the mood to make love, is a luxury that isn't necessary in a long-term relationship. Just as the first caress can lead to a change of heart, the first sentence, however tentative and awkward, can lead to a desire to go just a little further.
Julia Cameron (The Right to Write: An Invitation and Initiation Into the Writing Life)
Love Is a curious thing. Sometimes it barrels into you, leaves you breathless. Other times, it comes in- to your life, a tentative beam of morning sun sneaking through the blinds, and you think this light isn't possible. The shutters are drawn. Night should linger on. I don't feel like waking. Yet the room comes slowly lit. Sleep slithers away, and at last you can no longer deny the dawning.
Ellen Hopkins (Perfect (Impulse, #2))
Dorian said, “So here we are.” “The end of the road,” Aelin said with a half smile. “No,” Chaol said, his own smile faint, tentative. “The beginning of the next.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
Just then Dante leaned against him, brow between his shoulder blades for a moment, so tentatively Griff held his breath. His voice was almost sheepish. “Nah. Everyone knows I was born defective. They didn’t instal you until later.
Damon Suede (Hot Head (Head, #1))
Human rights' are a fine thing, but how can we make ourselves sure that our rights do not expand at the expense of the rights of others. A society with unlimited rights is incapable of standing to adversity. If we do not wish to be ruled by a coercive authority, then each of us must rein himself in...A stable society is achieved not by balancing opposing forces but by conscious self-limitation: by the principle that we are always duty-bound to defer to the sense of moral justice.
Aleksandr Solzhenitsyn (Rebuilding Russia: Reflections and Tentative Proposals)
I-" said Nick, his voice halting. "I don't mind it as much when - when people touch me. Some people." Mae looked down, and Nick, who looked more relaxed when he'd been stabbed, slowly lifted his hand from his chest and laid it on the tumbled sheets between them, fingers half-curled into his palm. He was still regarding the ceiling with a fixed glare. "Because you trust them not to hurt you?" Mae asked tentatively. "No," Nick said, his voice harsh. "Because I'd let them hurt me.
Sarah Rees Brennan (The Demon's Covenant)
I had kissed my share of men, particularly during the war years, when flirtation and instant romance were the light-minded companions of death and uncertainty. Jamie, thought, was something different. His extreme gentleness was in no way tentative; rather it was a promise of power known and held in leash; a challenge and a provocation the more remarkable for its lack of demand. I am yours, it said. And if you will have me, then...
Diana Gabaldon (Outlander (Outlander, #1))
Made dinner," Helen told him in a flat voice. "Did I do something wrong?" he asked tentatively. "Of course not. Why would you ask that when I just cooked you dinner?" "Because usually when a woman spends hours cooking a complicated meal and then just sits at the table with a pissed off look on her face, that means some guy somewhere did something really stupid," he said, still on edge.
Josephine Angelini (Starcrossed (Starcrossed, #1))
So Chris hit him?” said Quinn, when they were getting close to the bleachers. “Jesus, I love when guys fight.” “Yeah, it was great,” Becca returned flatly. “I should have made popcorn.” “Seriously. When they’re all slow and tentative and circling, and then ka-pow, they just explode with power. It’s totally sexy.” … Quinn grabbed her arm and dragged Becca along. “Come on. If they’re jerks, I’ll punch them.” “Great,” said Becca. “It’ll be totally sexy.
Brigid Kemmerer (Storm (Elemental, #1))
Our kiss was electric and soft, and tentative and certain, terrifying and exactly right. I felt the love rush from me to Gat and from Gat to me. We were warm and shivering, and young and ancient, and alive. I was thinking, It's true. We already love each other. We already do.
E. Lockhart (We Were Liars)
He scanned the skies beyond her for the Thirteen, for Asterin Blackbeak, undoubtedly roaring her victory to the stars. Manon said quietly, “You will not find them. In this sky, or any other.” His heart strained as he understood. As the loss of those twelve fierce, brilliant lives carved another hole within him. One he would not forget, one he would honor. Silently, he crossed the balcony. Manon did not back away as he slid his arms around her. “I am sorry,” he said into her hair. Tentatively, slowly, her hands drifted across his back. Then settled, embracing him. “I miss them,” she whispered, shuddering. Dorian only held her tighter, and let Manon lean on him for as long as she needed, Abraxos staring toward that blasted bit of earth on the plain, toward the mate who would never return, while the city below celebrated.
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
I lifted my face to meet the kiss, wanting the comfort of his touch as much as I was willing to provide the comfort of mine. The contact was sweet and soft, yet at the same time desperate. It was Zane who pulled away first. "Danica, I think..." He trailed off and kissed me again, this time briefly, just the barest touch of lips to lips. "I love you." From a man who frequently uttered eloquent speeches, the tentative declaration was not the most flattering of compliments-especially when every movement he made and look he cast my way had shown the long truth before now. But coming from the serpent who had once informed me that he did not love me and did not think he ever could, whose cool, polished words could cut to the bone and freeze the Earth's frozen molten blood — whose eyes right now were just a bid dazed, and whose expression was as open and startled as I had ever seen it — the words were more than enough. "I know," I answered. Then, soft but certain, I answered, "I love you too." His smile matched mine and said the same as mine: I know.
Amelia Atwater-Rhodes (Hawksong (The Kiesha'ra, #1))
The patter of tentative footfalls reached my ears. I flipped on my side to face the door and saw Ansel wander by. I rolled onto my back, rubbing sleep from my eyes. I'd crashed on my bed as soons as I'd gotten back from school, collapsing under the weight of the day. The floorboards squeaked as Ansel passed by my door again. I caught his nervous glance in my direction before he hurried down the hall. 'Ansel, I'm not the sun; stop orbiting and get in here,' I called.
Andrea Cremer (Nightshade (Nightshade, #1; Nightshade World, #4))
Where do babies come from? Don't bother asking adults. They lie like pigs. However, diligent independent research and hours of playground consultation have yielded fruitful, if tentative, results. There are several theories. Near as we can figure out, it has something to do with acting ridiculous in the dark. We believe it is similar to dogs when they act peculiar and ride each other. This is called "making love". Careful study of popular song lyrics, advertising catch-lines, TV sitcoms, movies, and T-Shirt inscriptions offers us significant clues as to its nature. Apparently it makes grown-ups insipid and insane. Some graffiti was once observed that said "sex is good". All available evidence, however, points to the contrary.
Matt Groening (Childhood Is Hell)
So he's tame,' said Estienne, and reached out tentatively, as though to pat a wild animal. It was a question of which part of the animal he was patting. Damen cknocked his hand away. Estienne gave a yelp and snatched his hand back, nursing it against his chest. 'No that tame,' said Laurent.
C.S. Pacat (Captive Prince (Captive Prince, #1))
Are you happy at all?" she asked tentatively. "Of course I'm happy. Why wouldn't I be happy?" "Oh, I don't know. Sometimes you just find reasons not to be.
Katrina Leno (Summer of Salt)
And yet here he was, looking at Jem Carstairs, a boy so fragile-looking that he appeared to be made out of glass, with the hardness of his expression slowly dissolving into tentative uncertainty. "You are not really dying," he said, the oddest tone to his voice, "are you?" Jem nodded. "So they tell me." "I am sorry," Will said. "No", Jem said softly. He drew his jacket aside and took a knife from the belt at his waist. "Don't be ordinary like that. Don't say you're sorry. Say you'll train with me." He held the knife to Will, hilt first. Charlotte held her breath, afraid to move. She felt as if she were watching something very important happen, though she could not have said what. Will reached out and took the knife, his eyes never leaving Jem's face. His fingers brushed the other boy's as he took the weapon from him. It was the first time, Charlotte thought that she had ever seen him touch any other person willingly. "I'll train with you," he said.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
The window glows. The slow sandy light of dawn permeates the room. Everything transient and aching; everything tentative. To be here, in this room, high in this house, out of the cellar, with her: it is like medicine.
Anthony Doerr (All the Light We Cannot See)
... always keep in mind that an article of faith is not something that the faithful assume. Faith, for those who have it, is the most certain form of knowledge, not a tentative opinion.
Mortimer J. Adler (How to Read a Book: The Classic Guide to Intelligent Reading)
Finally, he pushed back the chair and exhaled. "He's alive," I said. "Your dad's alive." He loooked up at me and, I couldn't help it-- I threw my arms around his neck and hugged him. Then I realized what I was doing. I let go, backing away, tripping over my feet, stammering. "I-I'm sorry. I'm just--I'm happy for you." "I know." Still sitting, he reached out and pulled me toward him. We stayed there, looking at each other, his hand still wrapped around my shirt hem, my heart hammering so hard I wash sure he could hear it. "There's more," I said after a few seconds. "More emails, Tori said." He nodded and swiveled back to the computer, making room for me. When I inched closer, not wanting to intrude, he tugged me in front of him and I stumbled, half falling onto his lap. I tried to scramble up, cheeks burning, but he pulled me down onto his knee, one arm going around my waist, tentative, as if to say Is this okay? It was, even if my blood pounded in my ears so hard I couldn't think.
Kelley Armstrong (The Reckoning (Darkest Powers, #3))
I mean..." Levi leaned forward, hands still fisted in his pockets. "I mean, I spent four months trying to kiss you and the last six weeks trying to figure out how I managed to fuck everything up. All I want now is to make it right, to make you see how sorry I am and why you should give me another chance. And I just want to know - are you rooting for me? Are you hoping I pull this off?" Cath's eyes settled on his, tentatively, like they'd fly away if he moved. She nodded her head. The right side of his mouth pulled up. "I'm rooting for you", she whispered. She wasn't even sure he could hear from the bed. Levi's smile broke free and devoured his whole face. It started to devour her face, too. Cath had to look away.
Rainbow Rowell (Fangirl)
Every step, even a tentative one, counts.
Anne Morrow Lindbergh (Gift from the Sea)
Better to be tentative than to be recklessly sure- to be an apprentice at sixty, than to present oneself as a doctor at ten.
Michel de Montaigne
Whenever I allow anything but tenderness and compassion to dictate my response to life--be it self-righteous anger, moralizing, defensiveness, the pressing need to change others...I am alienated from my true self. My identity as Abba's child [a child of God] becomes ambiguous, tentative and confused
Brennan Manning (The Ragamuffin Gospel)
But this first clumsy attempt showed her that the imagination itself was a source of secrets: once she had begun a story, no one could be told. Pretending in words was too tentative, too vulnerable, too embarrassing to let anyone know. Even writing out the she saids, the and thens, made her wince, and she felt foolish, appearing to know about the emotions of an imaginary being. Self-exposure was inevitable the moment she described a character's weakness; the reader was bound to speculate that she was describing herself. What other authority could she have?
Ian McEwan (Atonement)
Like world describers before me, those mapmakers in the seventeenth centure, I had laid down my first faintly drawn border. With that one tentative mark, my world expanded by a few freeing degrees.
Justina Chen (North of Beautiful)
What?" I said, suspicion starting to rise in me. "When did they start coming after you?" "Was it— was it after the oil-slick Hummer crash?" the Gasman asked Iggy tentatively. My eyes widened. Oil-slick Hummer crash? Iggy rubbed his chin, thinking. "Or maybe it was more— after the bomb," the Gasman said in a low voice, looking down. "I think it was the bomb," Iggy agreed. "That definitely seemed to tick them off.
James Patterson (The Angel Experiment (Maximum Ride, #1))
If you were that sort of girl, then…” Merik lifted a hand to her jaw—tentative at first, then more confident when she didn’t pull away. “Then I would start here and move down your throat.” His fingers whispered over her neck, to her collarbone—and Merik was pleased by how punctuated her breaths grew. How much her lips trembled.
Susan Dennard (Truthwitch (The Witchlands, #1))
There isn't going to be any turning point. ... There isn't going to be any next-month-it'll-be-better, next fucking year, next fucking life. You don't have any time to wait for. You just got to look around you and say, "So this is it. This is really all there is to it. This little thing." Everybody needing such little things and they can't get them. Everybody needing just a little ... confidence from somebody else and they can't get it. Everybody, everybody fighting to protect their little feelings. Everybody, you know, like reaching out tentatively but drawing back. It's so shallow and seems so ... fucking ... it seems like such a shame. It's so close to being like really right and good and open and amorphous and giving and everything. But it's not. And it ain't gonna be. September 1969 quoted in "The New Yorker" 9 August 1999
Janis Joplin
Longtemps, mon seul but dans la vie était de m'autodétruire. Puis, une fois, j'ai eu envie de bonheur. C'est terrible, j'ai honte, pardonnez-moi : un jour, j'ai eu cette vulgaire tentation d'être heureux. Ce que j'ai appris depuis, c'est que c'était la meilleure manière de me détruire.
Frédéric Beigbeder (L'amour dure trois ans (Marc Marronnier, #3))
But it's Posy, Gale's five-year-old sister, who helps the most. She scoots along the bench to Octavia and touches her skin with a tentative finger. “You're green. Are you sick?” “It's a fashion thing, Posy. Like wearing lipstick,” I say. “It's meant to be pretty,” whispers Octavia, and I can see the tears threatening to spill over her lashes. Posy considers this and says matter-of-factly, “I think you'd be pretty in any color.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
Alice watched and listened and focused beyond the words the actress spoke. She saw her eyes become desperate, searching, pleading for truth. She saw them land softly and gratefully on it. Her voice felt at first tentative and scared. Slowly, and without getting louder, it grew more confident and then joyful, playing sometimes like a song. Her eyebrows and shoulders and hands softened and opened, asking for acceptance and offering forgiveness. Her voice and body created an energy that filled Alice and moved her to tears. She squeezed the beautiful baby in her lap and kissed his sweet-smelling head. The actress stopped and came back into herself. She looked at Alice and waited. “Okay, what do you feel?” “I feel love. It’s about love.
Lisa Genova (Still Alice)
[T]he nature of science is not that of a steady, linear progression toward the Truth, but rather a tortuous road, often characterized by dead ends and U-turns, and yet ultimately inching toward a better, if tentative, understanding of the natural world.
Massimo Pigliucci (Nonsense on Stilts: How to Tell Science from Bunk)
Wise men have regarded the earth as a tragedy, a farce, even an illusionist's trick; but all, if they are truly wise, and not merely intellectual rapists, recognize that it is certainly some kind of stage in which we all play roles, most of us being very poorly coached and totally unrehearsed before the curtain rises. Is it too much if I ask, tentatively, that we agree to look upon it as a circus, a touring carnival wandering about the sun for a record season of four billion years and producing new monsters and miracles, hoaxes and bloody mishaps, wonders and blunders, but never quite entertaining the customers well enough to prevent them from leaving, one by one, and returning to their homes for a long and bored winter's sleep under the dust?
Robert Anton Wilson
Celia laughs and a curl of her hair falls across her cheek. Marco tentatively moves to brush it off her face, but before his fingers reach her, she pushes herself off the ledge, her silver gown a billowing cloud as she falls onto the pile of jewel-toned cushions.
Erin Morgenstern (The Night Circus)
Our talks are wonderful, interplays, not duels but swift illuminations of one another. I can make his tentative thoughts click. He enlarges mine. I fire him. He makes me flow. There is always movement between us. And he is grasping. He takes hold of me like a prey.
Anaïs Nin (Henry and June: The Unexpurgated Diary of Anaïs Nin, 1931-1932)
Genuine mental health would involve a balanced interplay of both modes of experience, a way of life in which one's identification with the ego is playful and tentative rather than absolute and mandatory, while the concern with material possessions is pragmatic rather than obsessive.
Fritjof Capra (The Turning Point: Science, Society, and the Rising Culture)
The psychological dangers through which earlier generations were guided by the symbols and spiritual exercises of their mythological and religious inheritance, we today (in so far as we are unbelievers, or, if believers, in so far as our inherited beliefs fail to represent the real problems of contemporary life) must face alone, or, at best with only tentative, impromptu, and not often very effective guidance. This is our problem as modern, "enlightened" individuals, for whom all gods and devils have been rationalized out of existence.
Joseph Campbell (The Hero With a Thousand Faces)
Crouching over her, St. Vincent teased and fondled until he felt her hips rising tentatively against his hand. “I want to be inside you,” he whispered, kissing the side of her neck. “I want to go deep into your body…I’ll be so gentle, love…let me turn you over, and…God, you’re so lovely…
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
Utopianism also finds a receptive audience among the society's disenchanted, disaffected, dissatisfied, and maladjusted who are unwilling or unable to assume responsibility for their own real or perceived conditions but instead blame their surroundings, 'the system,' and others. They are lured by the false hopes and promises of utopian transformation and the criticisms of the existing society, to which their connection is tentative or nonexistent. Improving the malcontent's lot becomes linked to the utopian cause. Moreover, disparaging and diminishing the successful and accomplished becomes an essential tactic. No one should be better than anyone else, regardless of the merits or values of his contributions. By exploiting human frailties, frustrations, jealousies, and inequities, a sense of meaning and self-worth is created in the malcontent's otherwise unhappy and directionless life. Simply put, equality in misery -- that is, equality of result or conformity -- is advanced as a just, fair, and virtuous undertaking. Liberty, therefore, is inherently immoral, except where it avails equality.
Mark R. Levin (Ameritopia: The Unmaking of America)
I've done lots of jobs. Right now, I'm a hair collector." "That's good", said Ishvar tentatively. "What do you have to do as a hair-collector?" "Collect hair." "And there is money in that?" "Oh very big business. There is a great demand for hair in foreign countries." "What do they do with it? Asked Om skeptical." "Many different things. Mostly they wear it.Sometimes they paint it in different colors-red, yellow, brown, blue. Foreign women enjoy wearing other people's hair. Men also, especially if they are bald. In foreign countries they fear baldness. They are so rich in foreign countries, they can afford to fear all kinds of silly things.
Rohinton Mistry (A Fine Balance)
It is just dawn, daylight: that gray and lonely suspension filled with the peaceful and tentative waking of birds. The air, inbreathed, is like spring water. He breathes deep and slow, feeling with each breath himself diffuse in the natural grayness, becoming one with loneliness and quiet that has never known fury or despair. "That was all I wanted," he thinks, in a quiet and slow amazement. "That was all, for thirty years. That didn't seem to be a whole lot to ask in thirty years.
William Faulkner (Light in August)
Maxon, I hope you find someone you can't love without. I really do. And I hope you never have to know what it's like to have to try and live without them." Maxon's face was a shallow echo of my own pain. He looked absolutely brokenhearted for me. More than that, he looked angry. "I'm sorry, America. I don't..." His face shifted a little. "Is this a good time to pat your shoulder?" His uncertainty made me smile. "Yes. Now would be a great time." He seemed as skeptically as he'd been the other day, but instead of just patting my shoulder, he leaned in and tentatively wrapped his arms around me. "I only really ever hug my mother. Is this okay?" he asked. I laughed. "It's hard to get a hug wrong." After a minute, I spoke again. "I know what you mean, though. I don't really hug anyone besides my family." I felt so drained after the long day of dressing and the Report and dinner and talking. It was nice to have Maxon just hold me, sometimes even patting my hair. He wasn't as lost as he seemed. He patiently waited for my breathing to slow, and when it did, he pulled back to look at me. "America, I promise you I'll keep you here until the last possible moment. I understand that they want me to narrow the Elite down to three and then choose. But I swear to you, I'll make it to two and keep you here until then. I won't make you leave a moment before I have to. Or the moment you're ready. Whichever comes first." I nodded. "I know we just met, but I think you're wonderful. And it bothers me to see you hurt. If he were here, I'd...I'd..." Maxon shook with frustration, then sighed. "I'm so sorry, America." He pulled me back in, and I rested my head on his broad shoulder. I knew Maxon would keep his promises. So I settled into perhaps the last place I ever thought I'd find genuine comfort.
Kiera Cass (The Selection (The Selection, #1))
I am a member of a fragile species, still new to the earth, the youngest creatures of any scale, here only a few moments as evolutionary time is measured, a juvenile species, a child of a species. We are only tentatively set in place, error prone, at risk of fumbling, in real danger at the moment of leaving behind only a thin layer of of our fossils, radioactive at that.
Lewis Thomas (The Fragile Species)
He woke, gasping. The sun was high in the sky. Wylan stood above him, shaking him gently. “It’s almost time.” Matthias nodded and rose, rolling his shoulders, feeling the warm spring air of Ketterdam around him. It felt alien in his lungs. “Are you all right?” Wylan asked tentatively, but apparently Matthias’ glower was answer enough. “You’re great,” Wylan said, and hurried down the stairs.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
She hugs me. It's tentative at first, a little scared, and yes, a little repulsed, but then she melts into it. She rests her head against my cold neck and embraces me. Unable to believer what's happening, I put my arm around her and just hold her. I almost swear I can feel my heart thumping. But it must just be hers, pressed tightly against my chest.
Isaac Marion
I caught the look Benjamin gave me. "What?" "Nothing. We just thought a svetocha would be more, well, difficult." Leon's mouth twitched. "I do seriously want a slushie." I tried a tentative smile. I definitely liked him now. "I haven't had one in ages. Maybe the guys outside—the double blonds—would want one, too?" For some reason Leon found that utterly fricking hysterical. He snorted and chuckled all the way through Housewares to the Health and Beauty section, and even Benjamin unbent enough to grin.
Lilith Saintcrow (Jealousy (Strange Angels, #3))
Do you want to know why you don't meet my standards?" he asked. She shook her head in mortification. "Too late," he replied. "Here's my most important rule: Never have intercourse when one of the parties is in love with the other. It won't end well." She gasped. "You arrogant cad! I'm not in love with you." "I know." He didn't look away from her. "Isn't that what I said? Only one of us is in love, and it isn't you." Violet stared at him. Her ears appeared to be working; her brain seemed to function. Tentatively, she added two and three and verified that they still made five.
Courtney Milan (The Countess Conspiracy (Brothers Sinister, #3))
Few knew that she was broken. Whatever power had blessed her, divine or otherwise, was gone-or at least out of reach. Her followers were kept at a distance so they could not see that her eyes were dark hollows, that her breath came in frightened gasps. She walked slowly, tentatively, her driftwood bones fragile in her body, this sickly girl upon whom all their hopes rested.
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
Mal took a single tentative step toward me. Then he closed the space between us in two long strides. One hand slid around my waist, the other cupped my face. Gently, he titled my mouth up to his. "Come back to me," he said softly. He drew me to him, but as his lips met mine, something flickered in the corner of my eye.
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
In his forty-third year William Stoner learned what others, much younger, had learned before him: that the person one loves at first is not the person one loves at last, and that love is not an end but a process through which one person attempts to know another. They were both very shy, and they knew each other slowly, tentatively; they came close and drew apart, they touched and withdrew, neither wishing to impose upon the other more than might be welcomed. Day by day the layers of reserve that protected them dropped away, so that at last they were like many who are extraordinarily shy, each open to the other, unprotected, perfectly and unselfconsciously at ease. Nearly every afternoon, when his classes were over, he came to her apartment. They made love, and talked, and made love again, like children who did not think of tiring at their play. The spring days lengthened, and they looked forward to the summer.
John Williams (Stoner)
The King of Adarlan is dead," Manon said. The world stopped. "Aelin Galathynius killed him and shattered his glass castle." Elide covered her mouth with a hand, shaking her head. Aelin... Aelin... "She was aided," Manon went on, "by Prince Aedion Ashryver." Elide began sobbing. "And rumor has it Lord Ren Allsbrook is working in the North as a rebel." Elide buried her face in her hands. Then there was a hard, iron-tipped hand on her shoulder. A tentative touch. "Hope," Manon said quietly.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
Are you all right?" he says tentatively. I am not all right. I was beginning to feel that I had finally found a place to stay, a place that was not so unstable or corrupt or controlling that I could actually belong there. You would think that I would have learned by now—such a place does not exist. "No," I say. He starts to move around the stone block, toward me. "What is it?" "What is it." I laugh. "Let me put it this way: I just found out you're not the worst person I know." I drop into a crouch and push my fingers through my hair. I feel numb and terrified of my own numbness. The Bureau is responsible for my parents' deaths. Why do I have to keep repeating it to myself to believe it? What's wrong with me? "Oh," he says. "I'm . . . sorry?" All I can manage is a small grunt. "You know what Mom told me once?" he says, and the way he says Mom, like he didn't betray her, sets my teeth on edge. "She said that everyone has some evil inside them, and the first step to loving anyone is to recognize the same evil in ourselves, so we're able to forgive them.
Veronica Roth (Allegiant (Divergent, #3))
Is it because of me you don’t want more children?” she asks, and hopes he’ll say “no.” “Yes,” he says. “Because I turned out different?” she whispers. He doesn’t answer. And she doesn’t wait. But just as she’s about to slam the door of Audi from the outside, Dad reaches across the seat and catches her fingertips, and when she meets his eyes he looks back tentatively, like he always does. But then he whispers: “Because you turned out to be perfect.
Fredrik Backman (My Grandmother Asked Me to Tell You She's Sorry)
Well, I'm glad you're so amused," I said, running my fingers across the railing. Maxon hopped up to sit on the railing, looking very relaxed. "You're always amusing. Get used to it." Hmm. He was almost being funny. "So...about what you said...," he started tentatively. "Which part? The part about me calling you names or fighting with my mom or saying food was my motivation?" I rolled my eyes. He laughed once. "The part about me being good..." "Oh. What about it?" Those few sentences suddenly seemed more embarrassing than anything else I'd said. I ducked my head down and twisted a piece of my dress. "I appreciate you making things look authentic, but you didn't need to go that far." My head snapped up. How could he think that? "Maxon, that wasn't for the sake of the show. If you had asked me a month ago what my honest opinion of you was, it would have been very different. But now I know you, and I know the truth, and you are everything I said you were. And more." He was quiet, but there was a small smile on his face. "Thank you," he finally said. "Anytime." Maxon cleared his throat. "He'll be lucky, too." He got down from his makeshift seat and walked to my side of the balcony. "Huh?" "Your boyfriend. When he comes to his senses and begs you to take him back," Maxon said matter-of-factly. I had to laugh. No such thing would happen in y world. "he's not my boyfriend anymore. And he made it pretty clear he was gone with me." Even I could hear the tiny bit of hope in my voice. "Not possible. He'll have seen you on TV by now and fallen for you all over again. Though, in my opinion, you're still much too good for the dog." Maxon spoke almost as if he was bored, like he'd seen this happen a million times. "Speaking of which!" he said a bit louder. "If you don't want me to be in love with you, you're going to have to stop looking so lovely. First thing tomorrow I'm having your maids sew some potato sacks together for you." I hit his arm. "Shut up, Maxon." "I'm not kidding. You're too beautiful for your own good. Once you leave, we'll have to send some of the guards with you. You'll never survive on your own, poor thing." He said all this with mock pity. "I can't help it." I sighed. "One can never help being born into perfection." I fanned my face as if being so pretty was exhausting. "No, I don't suppose you can help it.
Kiera Cass (The Selection (The Selection, #1))
She clung to the ropes. “I should go back. This was a stupid idea.” “Wait until you see Savannah from up here.” He clasped her other wrist, too. “Let go, Skye. I won’t let you fall.” She looked up into his eyes. “Putting my life in your hands is more trust than I intended on a first date.” His lips twitched into a tentative smile. “Didn’t know we were on a date.
Lisa Kessler (Magnolia Mystic (Sentinels of Savannah, #1))
There is a love that equals in its power the love of man for woman and reaches inwards as deeply. It is the love of a man or a woman for their world. For the world of their center where their lives burn genuinely and with a free flame. The love of the diver for his world of wavering light. His world of pearls and tendrils and his breath at his breast. Born as a plunger into the deeps he is at one with every swarm of lime-green fish, with every colored sponge. As he holds himself to the ocean's faery floor, one hand clasped to a bedded whale's rib, he is complete and infinite. Pulse, power and universe sway in his body. He is in love. The love of the painter standing alone and staring, staring at the great colored surface he is making. Standing with him in the room the rearing canvas stares back with tentative shapes halted in their growth, moving in a new rhythm from floor to ceiling. The twisted tubes, the fresh paint squeezed and smeared across the dry on his palette. The dust beneath the easel. The paint has edged along the brushes' handles. The white light in a northern sky is silent. The window gapes as he inhales his world. His world: a rented room, and turpentine. He moves towards his half-born. He is in Love. The rich soil crumbles through the yeoman's fingers. As the pearl diver murmurs, 'I am home' as he moves dimly in strange water-lights, and as the painter mutters, 'I am me' on his lone raft of floorboards, so the slow landsman on his acre'd marl - says with dark Fuchsia on her twisting staircase, 'I am home.
Mervyn Peake (Titus Groan (Gormenghast, #1))
But sometimes, maybe most times, it isn't that clear. It is dark and you are near the edge of a cliff, but you're moving slowly, not sure which direction you're heading in. Your steps are tentative but they are still blind in the night. You don't realize how close you are to the edge, how the soft earth could give away, how you could just slip a bit and suddenly plunge into the dark.
Harlan Coben (Hold Tight)
It’s a strange place, The Imagination. A lot of fun by day, when there are all sorts of reassuring and familiar sights and people around. But it’s scary, and cold at night, and places you knew perfectly well by daylight aren’t the same after the sun’s gone down. You can get lost easily there, and some people never find their way back. You can hear a few of them, when the ghost moon shines, and the wind’s in the right direction. They scream for a while, and then they stop. And in the silence you hear something else: the sound of something large and quiet, tentatively beginning to feed... The imagination is a dangerous place, after all, and you can always use a guide to the territory.
Neil Gaiman (Stardust)
Calmly, slowly, she reached behind with her left hand and came up against — yes, fabric. Fine linen, to be precise. So far, so good: she was inside a wardrobe, after all. The only problem was that this linen was oddly warm. Body warm. Beneath the tentative pressure of her palm, it seemed to be moving... With terrifying suddenness, an ungloved hand clamped roughly over her nose and mouth. A long arm pinned her arms against her sides. She was held tightly against a hard, warm surface. "Hush," whispered a pair of lips pressed to her left ear. "If you scream, we are both lost.
Y.S. Lee (A Spy in the House (The Agency, #1))
Truthfulness, honor, is not something which springs ablaze of itself; it has to be created between people. This is true in political situations. The quality and depth of the politics evolving from a group depends in large part on their understanding of honor. Much of what is narrowly termed "politics" seems to rest on a longing for certainty even at the cost of honesty, for an analysis which, once given, need not be re-examined…It isn't that to have an honorable relationship with you, I have to understand everything, or tell you everything at once, or that I can know, beforehand, everything I need to tell you. It means that most of the time I am eager, longing for the possibility of telling you. That these possibilities may seem frightening, but not destructive to me. That I feel strong enough to hear your tentative and groping words. That we both know we are trying, all the time, to extend the possibilities of truth between us.
Adrienne Rich
She had never before met a man who spoke of the world—of what it was, and how it came to be, or what he thought would become of it—in the way in which other men she knew discussed their jobs, their friends or their weekends at the beach. Being with Chacko made Margaret feel as though her soul had escaped from the narrow confines of her island country into the vast, extravagant spaces of his. He made her feel as though the world belonged to them—as though it lay before them like an opened frog on a dissecting table, begging to be examined. In the year she knew them, before they were married, she discovered a little magic in herself, and for a while felt like a blithe genie released from her lamp. She was perhaps too young to realize that what she assumed was her love for Chacko was actually a tentative, timorous, acceptance of herself.
Arundhati Roy (The God of Small Things)
Young women today feel vulnerable to judgment; if a harsh sentence is passed (or even suspected or projected), it is not her reputation that suffers so much as the stability of her moral universe. They did not have long to explore the sexual revolution and make it their own. Before the old chains had grown cold, while young women were still rubbing the circulation back into their ankles and taking tentative steps forward, the beauty industries levied a heavy toll on further investigations, and beauty pornography offered them designer bondage.
Naomi Wolf (The Beauty Myth)
Not easy when you can't talk, is it?" I grinned. "Well, not easy for you but I could get used to it." He grumbled, but I could see relif in his eyes, like he was glad to see me smile. "SO i was right, wasn't I? It's still youm even in wolf form." He grunted. "No sudden uncontrollable urges to go kill something?" He rolled his eyes. "Hey, you're the one who was worried." I paused. "And i don't smell like dinner, right?" I got a real look for that one. "Just covering all the bases." He gave a rumbling groul, like a chuckle, and settled in, lowering his head to his front paws, gaze on me. I tried to get comfortable, but the ground was ice-cold through his swearshirt, and i was wearing only my new pajamas, a light jacket, and sneakers. Seeing me shiver, he stretched a front leg toward the swearshirt, pawing the edge and snarling when he realized he couldnt grab it. "The lack of opposanle thumbs is going to take some getting used to, huh?" He motioned me closer with his muzzel. When I pretended not to understand, he twisted and gingerly took the hem of the swearshirt between his teeth, lips curled in discust as he tugged it. "Okay, okay. I'm just trying not to croud you." That wasnt the only reason i was uncomfortanle getting too cozy with him now, but he just grunted, again seeming to say it was fine. i moved over beside himm. He shifted, his torso making a partial wind block, the boddy heat from the change still blasting like a furnace. He grunted. "Yes, thats better.thanks. now get some rest." i had no idea what would happen now. i doubted derek did either. he'd been focused on getting through the change. what i did know was that this was only half the process. he had to change back, and he'd need time and rest for that. and how would it happen? did he have to wait until his body was ready, like he did with the change to a wolf? how long would that be?hours?days? Feeling his gaze on me, i forced a smile and pushed back my worries. it would be okat. he could change. that was the important thing. when i relaxed, he shifted closer, fur brushing my hand. i tentatively touched it, feeling the coarse top layer and soft undercoar. he leaned against my hand, as if to sat it was okaym and i buried my hand in his fur, his skin so hot from the change it was like putting my numb hands on a radiator. my cool fingers must have felt just as good, because he closed his eyes and shifte until i was leaning on him. within minutes he was asleep. i closed my eyes, meaning to rest for just a moment, but the next thing i knew, i was waking up, curled on my side, using derek as a pillow. i jumped. he looked over at me. "S-sorry, I didn't mean-" He cut me short with a growl, telling me off for apologizing.
Kelley Armstrong
Philosophy arises from an unusually obstinate attempt to arrive at real knowledge. What passes for knowledge in ordinary life suffers from three defects: it is cocksure, vague and self-contradictory. The first step towards philosophy consists in becoming aware of these defects, not in order to rest content with a lazy scepticism, but in order to substitute an amended kind of knowledge which shall be tentative, precise and self-consistent.
Bertrand Russell
The fact that the biosphere responds unpredictably to our actions is not an argument for inaction. It is, however, a powerful argument for caution, and for adopting a tentative attitude toward all we believe, and all we do. Unfortunately, our species has demonstrated a striking lack of caution in the past. It is hard to imagine that we will behave differently in the future. We think we know what we are doing. We have always thought so. We never seem to acknowledge that we have been wrong in the past, and so might be wrong in the future. Instead, each generation writes off earlier errors as the result of bad thinking by less able minds--and then confidently embarks on fresh errors of its own. We are one of only three species on our planet that can claim to be self-aware, yet self-delusion may be a more significant characteristic of our kind.
Michael Crichton (Prey)
He lunges at me, pushing me against the wall of the elevator. Before I know it, he's got both of my hands in one of his in a vise-like grip above my head, and he's pinning me to the wall using his hips. Holy shit. His other hand grabs my hair and yanks down, bringing my face up, and his lips are on mine. It's only just not painful. I moan into his mouth, giving his tongue an opening. He takes full advantage, his tongue expertly exploring my mouth. I have never been kissed like this. My tongue tentatively strokes his and joins his in a slow, erotic dance that's all about touch and sensation, all bump and grind. He brings his hand up to grasp my chin and holds me in place. I'm helpless, my hands pinned, my face held, and his hips restraining me. His erection is against my belly. Oh my... He wants me. Christian Grey, Greek god, wants me, and I want him, here... now, in the elevator.
E.L. James
You never say what I wish you’d say, and you frequently say nothing at all when it’s clear you should say something, so it’s not entirely fantastical that you’d say a certain thing when you mean something else entirely.” He opened his mouth, shut it, and considered the ground briefly before responding. “I remember studying Fleet Admiral Starcrest’s Mathematical Probabilities Applied to Military Strategies as a young boy and finding that less confusing than what you just said.” Now it was her turn for a stunned pause before answering. “Sicarius?” She laid a tentative hand on his shoulder. “Was that a joke?” “A statement of fact.
Lindsay Buroker (Dark Currents (The Emperor's Edge, #2))
This must be love, she murmured, in between sips of water. What's that? He sat behind her, cradling her in his arms. You held my hair, Professor. You must love me. He reached a tentative hand to her lower abdomen. I seem to recall you looking after me once, when I was sick. And that was before you loved me. I always loved you, Gabriel. Thank you. He kissed her forehead. We made this little one together. You aren't going to scare me off with bodily fluids. I'll remember that when my water breaks.
Sylvain Reynard (Gabriel's Redemption (Gabriel's Inferno, #3))
It isn’t that to have an honorable relationship with you, I have to understand everything, or tell you everything at once, or that I can know, beforehand, everything I need to tell you. It means that most of the time I am eager, longing for the possibility of telling you. That these possibilities may seem frightening, but not destructive, to me. That I feel strong enough to hear your tentative and groping words. That we both know we are trying, all the time, to extend the possibilities of truth between us. The possibility of life between us.
Adrienne Rich (On Lies, Secrets, and Silence. Selected Prose 1966-1978)
Still sitting, he reached out and pulled me toward him. We stayed there, looking at each other, his hand still wrapped in my shirt hem, my heart hammering so hard I was sure he could hear it. when I inched closer, not wanting to intrude, he tugged me in front of him and I stumbled, half falling onto his lap. I tried to scramble up, cheeks burning, but he pulled me down onto his knee, one army going around my waist, tentative, as if to say Is this okay? It was, even if my blood pounded in my ears so hard I couldn't think.
Kelley Armstrong (The Reckoning (Darkest Powers, #3))
When he first put his arms around me, it was tentative, like maybe he expected I'd pull away. When I didn't, he moved in closer, his hands smoothing over my shoulders, and in my mind I saw myself retreating a million times when people tried to do this same thing: my sister or my mother, pulling back and into myself, tucking everything out of sight, where only I knew where to find it. This time, though, I gave in. I let Wes pull me against him, pressing my head against his chest, where I could feel his heart beating, steady and true.
Sarah Dessen (The Truth About Forever)
Tori swiveled in her seat as we came in. "There are more," she said. "He sent one every couple of weeks. The last one was only a few days ago." "Good," I said. "Would you mind keeping and eye on Andrew?" "Sure." She took off. "Wait." I grabbed Derek's sleeve as he headed for the chair Tori had vacated. I wanted to say something. I didn't know what. But there was no way to tell him that wouldn't be much of a shock, so I ended up stupidly murmuring, "Never mind." When he read what was on the screen, he went absolutely still, like he wasn't even breathing. After a few seconds, he yanked the laptop closer, leaning in to read it again. And again. Finally, he pushed back the chair and exhaled. "He's alive," I said. "You're dad's alive." He looked up at me and, I couldn't help it- I threw my arms around his neck and hugged him. Then I realized what I was doing. I let go, backing away, tripping over my feet, stammering, "I-I'm sorry. I'm just- I'm happy for you." "I know." Still sitting, he reached out and pulled me toward him. We stayed there, looking at each other, his hand still wrapped in my shirt hem, my heart hammering so hard I was sure he could hear it. "There's more," I said after a few seconds. "More emails, Tori said." He nodded and swiveled back to the computer, making room for me. When I inched closer, not wanting to intrude, he tugged me in front of him and I stumbled, half falling onto his lap. I tried to scramble up, cheeks burning, but he pulled me down onto his knee, one arm going around my waist, tentative, as if to say Is this okay? It was, even if my blood pounded in my ears so hard I couldn't think. Thankfully, I had my back to him because I was sure my cheeks were scarlet.
Kelley Armstrong (The Reckoning (Darkest Powers, #3))
In many ways, writing is the act of saying I, of imposing oneself upon other people, of saying listen to me, see it my way, change your mind. It’s an aggressive, even a hostile act. You can disguise its aggressiveness all you want with veils of subordinate clauses and qualifiers and tentative subjunctives, with ellipses and evasions—with the whole manner of intimating rather than claiming, of alluding rather than stating—but there’s no getting around the fact that setting words on paper is the tactic of a secret bully, an invasion, an imposition of the writer’s sensibility on the reader’s most private space.
Joan Didion (Let Me Tell You What I Mean: An Essay Collection)
His shoulders were starting to stop hunching. "It's called sitting down together," he said, dragging the words out exaggeratedly. "At a table. In chairs. Most people can get through lunch without turning it into an act of war." "I'm not most people," I said. "Also, the seating arrangements are an act of war, and if you haven't noticed, that's just embarrassing. Do you think that everyone is always trying to sit with you for your amazing personality or something?" "I guess you're just immune," he said. "Bloody well right I am," I said, but he was grinning at me a little from under his overgrown hair, tentatively, and apparently I was lying.
Naomi Novik (A Deadly Education (The Scholomance, #1))
First having read the book of myths, and loaded the camera, and checked the edge of the knife-blade, I put on the body-armor of black rubber the absurd flippers the grave and awkward mask. I am having to do this not like Cousteau with his assiduous team aboard the sun-flooded schooner but here alone. There is a ladder. The ladder is always there hanging innocently close to the side of the schooner. We know what it is for, we who have used it. Otherwise it is a piece of maritime floss some sundry equipment. I go down. Rung after rung and still the oxygen immerses me the blue light the clear atoms of our human air. I go down. My flippers cripple me, I crawl like an insect down the ladder and there is no one to tell me when the ocean will begin. First the air is blue and then it is bluer and then green and then black I am blacking out and yet my mask is powerful it pumps my blood with power the sea is another story the sea is not a question of power I have to learn alone to turn my body without force in the deep element. And now: it is easy to forget what I came for among so many who have always lived here swaying their crenellated fans between the reefs and besides you breathe differently down here. I came to explore the wreck. The words are purposes. The words are maps. I came to see the damage that was done and the treasures that prevail. I stroke the beam of my lamp slowly along the flank of something more permanent than fish or weed the thing I came for: the wreck and not the story of the wreck the thing itself and not the myth the drowned face always staring toward the sun the evidence of damage worn by salt and sway into this threadbare beauty the ribs of the disaster curving their assertion among the tentative haunters. This is the place. And I am here, the mermaid whose dark hair streams black, the merman in his armored body. We circle silently about the wreck we dive into the hold. I am she: I am he whose drowned face sleeps with open eyes whose breasts still bear the stress whose silver, copper, vermeil cargo lies obscurely inside barrels half-wedged and left to rot we are the half-destroyed instruments that once held to a course the water-eaten log the fouled compass We are, I am, you are by cowardice or courage the one who find our way back to this scene carrying a knife, a camera a book of myths in which our names do not appear.
Adrienne Rich (Diving Into the Wreck)
Social scientific research is and always will be tentative and imperfect. It does not claim to transform economics, sociology, and history into exact sciences. But by patiently searching for facts and patterns and calmly analyzing the economic, social, and political mechanisms that might explain them, it can inform democratic debate and focus attention on the right questions. It can help to redefine the terms of debate, unmask certain preconceived or fraudulent notions, and subject all positions to constant critical scrutiny. In my view, this is the role that intellectuals, including social scientists, should play, as citizens like any other but with the good fortune to have more time than others to devote themselves to study (and even to be paid for it—a signal privilege).
Thomas Piketty (Capital in the Twenty-First Century)
[[diving into the wreck]] First having read the book of myths, and loaded the camera, and checked the edge of the knife-blade [...] And now: it is easy to forget what I came for among so many who have always lived here... [...] the thing I came for: the wreck and not the story of the wreck the thing itself and not the myth the drowned face always staring toward the sun the evidence of damage worn by salt and away into this threadbare beauty the ribs of the disaster curving their assertion among the tentative haunters. [...] We are, I am, you are by cowardice or courage the one who find our way back to this scene carrying a knife, a camera a book of myths in which our names do not appear.
Adrienne Rich (Diving Into the Wreck)
He was biting his lower lip and clenching his hands. He looked like he was about to cry. I threw my arms around him instinctively, wrapping them around his waist and pressing my face against his chest. He was so big, I flet like I was a child hugging a grown-up. "Oh, Jake, it'll be okay!" I promised. "If it gets worse you can come live with me and Charlie. Don't be scared, we'll think of something!" He was frozen for a second, and then his long arms wrapped hesitantly around me. "Thanks, Bella." His voice was huskier than usual. We stood like that for a moment, and it didn't upset me; in fact, I felt comforted by the contact. This didn't feel anything like the last time someone had embraced me this way. This was friendship. And Jacob was very warm. It was strange for me, being this close--emotionally rather physically, though the physical was strange for me, too--to another human being. It wasn't my usual style. I didn't normally relate to people so easily, on such a basic level. Not human beings. "If this is how you're going to react, I'll freak out more often." Jacob's voice was light, normal again, and his laughter rumbled against my ear. His fingers touched my hair, soft and tentative. Well, it was friendship for me.
Stephenie Meyer (New Moon (The Twilight Saga, #2))
Early on a difficult climb, especially a difficult solo climb, you constantly feel the abyss pulling at your back. To resist takes a tremendous conscious effort; you don’t dare let your guard down for an instant. The siren song of the void puts you on edge; it makes your movements tentative, clumsy, herky-jerky. But as the climb goes on, you grow accustomed to the exposure, you get used to rubbing shoulders with doom, you come to believe in the reliability of your hands and feet and head. You learn to trust your self-control. By and by your attention becomes so intensely focused that you no longer notice the raw knuckles, the cramping thighs, the strain of maintaining nonstop concentration. A trancelike state settles over your efforts; the climb becomes a clear-eyed dream. Hours slide by like minutes. The accumulated clutter of day-to-day existence—the lapses of conscience, the unpaid bills, the bungled opportunities, the dust under the couch, the inescapable prison of your genes—all of it is temporarily forgotten, crowded from your thoughts by an overpowering clarity of purpose and by the seriousness of the task at hand.
Jon Krakauer (Into the Wild)
We live in an extraordinary age. These are times of stunning changes in social organization, economic well-being, moral and ethical precepts, philosophical and religious perspectives, and human self-knowledge, as well as in our understanding of that vast universe in which we are imbedded like a grain of sand in a cosmic ocean. As long as there have been human beings, we have posed the deep and fundamental questions, which evoke wonder and stir us into at least a tentative and trembling awareness, questions on the origins of consciousness; life on our planet; the beginnings of the Earth; the formation of the Sun; the possibility of intelligent beings somewhere up there in the depths of the sky; as well as, the grandest inquiry of all - on the advent, nature and ultimate destiny of the universe. For all but the last instant of human history these issues have been the exclusive province of philosophers and poets, shamans and theologians. The diverse and mutually contradictory answers offered demonstrate that few of the proposed solutions have been correct. But today, as a result of knowledge painfully extracted from nature, through generations of careful thinking, observing, and experimenting, we are on the verge of glimpsing at least preliminary answers to many of these questions. ...If we do not destroy ourselves, most of us will be around for the answers. Had we been born fifty years earlier, we could have wondered, pondered, speculated about these issues, but we could have done nothing about them. Had we been born fifty years later, the answers would, I think, already have been in. Our children will have been taught the answers before most of them will have had the opportunity to even formulate the questions. By far the most exciting, satisfying and exhilarating time to be alive is the time in which we pass from ignorance to knowledge on these fundamental issues; the age where we begin in wonder and end in understanding. In all of the four-billion-year history of the human family, there is only one generation priveleged to live through that unique transitional moment: that generation is ours.
Carl Sagan
What would you decide?” Darrow’s question was quiet, tentative. She considered it. No one had ever asked her such a thing. “I should have very much liked to live at Caraverre,” Evangeline admitted. She knew he did not recognize it, but it didn’t matter now, did it? “Murtaugh showed me the land—the rivers and mountains right nearby, the forests and hills.” An ache throbbed in her chest. “I saw the gardens by the house, and I would have liked to have seen them in spring.” Her throat tightened. “I would have liked for that to have been my home. For this … for all of Terrasen to have been my home.” Darrow said nothing, and Evangeline set a hand on the castle stones, gazing to the west now, as if she could see all the way to Allsbrook and the small territory in its shadow. To Caraverre. “That’s what Terrasen has always meant to me, you know,” Evangeline went on, speaking more to herself. “As soon as Aelin freed Lysandra, and offered to let us join her court, Terrasen has always meant home. A place where … where the sort of people who hurt us don’t get to live. Where anyone, regardless of who they are and where they came from and what their rank is can dwell in peace. Where we can have a garden in the spring, and swim in the rivers in the summer. I’ve never had such a thing before. A home, I mean. And I would have liked for Caraverre, for Terrasen, to have been mine.” She chewed on her lip. “So I would choose to fight. Until the very end. For my home, new as it is. I choose to fight.
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
After a long time, one small hand moved, slowly, tentatively, tracing the feathers falling around her, stroking the black slashes along one huge wing. She didn't ask where he'd gotten them, didn't ask why they mimicked the marks on his shoulder. She didn't ask, just kept running her soft fingers through the down, along the spines… "How long will they last?" "A few hours," he said hoarsely. He should tell her, he thought, that the feathers weren't just a projection. That for the moment for however long the Irin's essence held out, they were an innate, physical part of him. And that her fingers stroking along the marks felt just like they once had, moving over his scars. He ought to tell her, ought to ask her to stop. It's what a gentleman would do, he knew that. But then he was half demon. And tonight, he thought maybe he'd just go with that. "They're nice," she murmured, pulling one around her. "Yes." One hand tightened in her thick soft hair. "Yes.
Karen Chance (A Family Affair (Cassandra Palmer, #4.1))
Gold winked at his wrist as he pressed his choice for two coffees on the AutoChef built into the side panel. "Cream?" "Black." "A woman after my own heart." Moments later, he opened the protective door and offered her a china cup in a delicate saucer. "We have more of a selection on the plane," he said, then settled back with his coffee. "I bet." The steam rising from her cup smelled like heaven. Eve took a tentative sip -- and nearly moaned. It was real. No simulation made from vegetable concentrate so usual since the depletion of the rain forests in the late twentieth. This was the real thing, ground from rich Columbian beans, singing with caffeine. She sipped again, and could have wept. "Problem?" He enjoyed her reaction immensely, the flutter of the lashes, the faint flush, the darkening of the eyes -- a similar response, he noted, to a woman purring under a man's hands. "Do you know how long it's been since I had real coffee?" He smiled. "No." "Neither do I." Unashamed, she closed her eyes as she lifted the cup again. "You'll have to excuse me, this is a private moment. We'll talk on the plane.
J.D. Robb (Naked in Death (In Death, #1))
His vulnerability allowed me to let my guard down, and gently and methodically, he tore apart my well-constructed dam. Waves of tender feelings were lapping over the top and slipping through the cracks. The feelings flooded through and spilled into me. It was frightening opening myself up to feel love for someone again. My heart pounded hard and thudded audibly in my chest. I was sure he could hear it. Ren’s expression changed as he watched my face. His look of sadness was replaced by one of concern for me. What was the next step? What should I do? What do I say? How do I share what I’m feeling? I remembered watching romance movies with my mom, and our favorite saying was “shut up and kiss her already!” We’d both get frustrated when the hero or heroine wouldn’t do what was so obvious to the two of us, and as soon as a tense, romantic moment occurred, we’d both repeat our mantra. I could hear my mom’s humor-filled voice in my mind giving me the same advice: “Kells, shut up and kiss him already!” So, I got a grip on myself, and before I changed my mind, I leaned over and kissed him. He froze. He didn’t kiss me back. He didn’t push me away. He just stopped…moving. I pulled back, saw the shock on his face, and instantly regretted my boldness. I stood up and walked away, embarrassed. I wanted to put some distance between us as I frantically tried to rebuild the walls around my heart. I heard him move. He slid his hand under my elbow and turned me around. I couldn’t look at him. I just stared at his bare feet. He put a finger under my chin and tried to nudge my head up, but I still refused to meet his gaze. “Kelsey. Look at me.” Lifting my eyes, they traveled from his feet to a white button in the middle of his shirt. “Look at me.” My eyes continued their journey. They drifted past the golden-bronze skin of his chest, his throat, and then settled on his beautiful face. His cobalt blue eyes searched mine, questioning. He took a step closer. My breath hitched in my throat. Reaching out a hand, he slid it around my waist slowly. His other hand cupped my chin. Still watching my face, he placed his palm lightly on my cheek and traced the arch of my cheekbone with his thumb. The touch was sweet, hesitant, and careful, the way you might try to touch a frightened doe. His face was full of wonder and awareness. I quivered. He paused just a moment more, then smiled tenderly, dipped is head, and brushed his lips lightly against mine. He kissed me softly, tentatively, just a mere whisper of a kiss. His other hand slid down to my waist too. I timidly touched his arms with my fingertips. He was warm, and his skin was smooth. He gently pulled me closer and pressed me lightly against his chest. I gripped his arms. He sighed with pleasure, and deepened the kiss. I melted into him. How was I breathing? His summery sandalwood scent surrounded me. Everywhere he touched me, I felt tingly and alive. I clutched his arms fervently. His lips never leaving mine, Ren took both of my arms and wrapped them, one by one, around his neck. Then he trailed one of his hands down my bare arm to my waist while the other slid into my hair. Before I realized what he was planning to do, he picked me up with one arm and crushed me to his chest. I have no idea how long we kissed. It felt like a mere second, and it also felt like forever. My bare feet were dangling several inches from the floor. He was holding all my body weight easily with one arm. I buried my fingers into his hair and felt a rumble in his chest. It was similar to the purring sound he made as a tiger. After that, all coherent thought fled and time stopped.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
The sliding door opened, and then Michael was clomping across the porch. Gabriel didn’t look at him, just kept his gaze on the tree line. Michael dropped into the chair beside him. “Here." Gabriel looked over. His brother was holding out a bottle of Corona. Shock almost knocked him out of the chair. They never had alcohol of any kind in the house. When Michael had turned twenty-one, they’d all spent about thirty seconds entertaining thoughts of wild parties supplied by their older brother. Then they’d remembered it was Michael, a guy who said if he ever caught them drinking, he’d call the cops himself. Really, he’d driven the point home so thoroughly that by the time he and Nick started going to parties, they rarely touched the stuff. Gabriel took the bottle from his hand. "Who are you, and what have you done with my brother?” Michael tilted the botle back and took a long draw. "I thought you could use one. I sure can." Gabriel took a sip, but tentatively, like Michael was going to slap it out of his hand and say Just kidding. "Where did this even come from?" "Liquor store." Well, that was typical Michael. "No, jackass, I meant-" "I know what you meant." Michael paused to take another drink. "There's a mini-fridge in the back corner of the garage, under the old tool bench.
Brigid Kemmerer (Spark (Elemental, #2))