Tentative Love Quotes

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The love of literature, of language, of the mystery of the mind and heart showing themselves in the minute, strange, and unexpected combinations of letters and words, in the blackest and coldest print—the love which he had hidden as if it were illicit and dangerous, he began to display, tentatively at first, and then boldly, and then proudly.
John Williams (Stoner)
She was perhaps too young to realize that what she assumed was her love for [him] was actually a tentative, timorous, acceptance of herself.
Arundhati Roy (The God of Small Things)
Being in the mood to write, like being in the mood to make love, is a luxury that isn't necessary in a long-term relationship. Just as the first caress can lead to a change of heart, the first sentence, however tentative and awkward, can lead to a desire to go just a little further.
Julia Cameron (The Right to Write: An Invitation and Initiation Into the Writing Life)
Love Is a curious thing. Sometimes it barrels into you, leaves you breathless. Other times, it comes in- to your life, a tentative beam of morning sun sneaking through the blinds, and you think this light isn't possible. The shutters are drawn. Night should linger on. I don't feel like waking. Yet the room comes slowly lit. Sleep slithers away, and at last you can no longer deny the dawning.
Ellen Hopkins (Perfect (Impulse, #2))
So Chris hit him?” said Quinn, when they were getting close to the bleachers. “Jesus, I love when guys fight.” “Yeah, it was great,” Becca returned flatly. “I should have made popcorn.” “Seriously. When they’re all slow and tentative and circling, and then ka-pow, they just explode with power. It’s totally sexy.” … Quinn grabbed her arm and dragged Becca along. “Come on. If they’re jerks, I’ll punch them.” “Great,” said Becca. “It’ll be totally sexy.
Brigid Kemmerer (Storm (Elemental, #1))
Our kiss was electric and soft, and tentative and certain, terrifying and exactly right. I felt the love rush from me to Gat and from Gat to me. We were warm and shivering, and young and ancient, and alive. I was thinking, It's true. We already love each other. We already do.
E. Lockhart (We Were Liars)
I lifted my face to meet the kiss, wanting the comfort of his touch as much as I was willing to provide the comfort of mine. The contact was sweet and soft, yet at the same time desperate. It was Zane who pulled away first. "Danica, I think..." He trailed off and kissed me again, this time briefly, just the barest touch of lips to lips. "I love you." From a man who frequently uttered eloquent speeches, the tentative declaration was not the most flattering of compliments-especially when every movement he made and look he cast my way had shown the long truth before now. But coming from the serpent who had once informed me that he did not love me and did not think he ever could, whose cool, polished words could cut to the bone and freeze the Earth's frozen molten blood — whose eyes right now were just a bid dazed, and whose expression was as open and startled as I had ever seen it — the words were more than enough. "I know," I answered. Then, soft but certain, I answered, "I love you too." His smile matched mine and said the same as mine: I know.
Amelia Atwater-Rhodes (Hawksong (The Kiesha'ra, #1))
Where do babies come from? Don't bother asking adults. They lie like pigs. However, diligent independent research and hours of playground consultation have yielded fruitful, if tentative, results. There are several theories. Near as we can figure out, it has something to do with acting ridiculous in the dark. We believe it is similar to dogs when they act peculiar and ride each other. This is called "making love". Careful study of popular song lyrics, advertising catch-lines, TV sitcoms, movies, and T-Shirt inscriptions offers us significant clues as to its nature. Apparently it makes grown-ups insipid and insane. Some graffiti was once observed that said "sex is good". All available evidence, however, points to the contrary.
Matt Groening (Childhood Is Hell)
Alice watched and listened and focused beyond the words the actress spoke. She saw her eyes become desperate, searching, pleading for truth. She saw them land softly and gratefully on it. Her voice felt at first tentative and scared. Slowly, and without getting louder, it grew more confident and then joyful, playing sometimes like a song. Her eyebrows and shoulders and hands softened and opened, asking for acceptance and offering forgiveness. Her voice and body created an energy that filled Alice and moved her to tears. She squeezed the beautiful baby in her lap and kissed his sweet-smelling head. The actress stopped and came back into herself. She looked at Alice and waited. “Okay, what do you feel?” “I feel love. It’s about love.
Lisa Genova (Still Alice)
Our talks are wonderful, interplays, not duels but swift illuminations of one another. I can make his tentative thoughts click. He enlarges mine. I fire him. He makes me flow. There is always movement between us. And he is grasping. He takes hold of me like a prey.
Anaïs Nin (Henry and June: From "A Journal of Love": The Unexpurgated Diary of Anaïs Nin, 1931-1932)
Crouching over her, St. Vincent teased and fondled until he felt her hips rising tentatively against his hand. “I want to be inside you,” he whispered, kissing the side of her neck. “I want to go deep into your body…I’ll be so gentle, love…let me turn you over, and…God, you’re so lovely…
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
He wonders if he still might tell her that he loves her or, more tentatively, that he 'thinks he might be in love with her', which is both more touching and easier to back out of.
David Nicholls (One Day)
Maxon, I hope you find someone you can't love without. I really do. And I hope you never have to know what it's like to have to try and live without them." Maxon's face was a shallow echo of my own pain. He looked absolutely brokenhearted for me. More than that, he looked angry. "I'm sorry, America. I don't..." His face shifted a little. "Is this a good time to pat your shoulder?" His uncertainty made me smile. "Yes. Now would be a great time." He seemed as skeptically as he'd been the other day, but instead of just patting my shoulder, he leaned in and tentatively wrapped his arms around me. "I only really ever hug my mother. Is this okay?" he asked. I laughed. "It's hard to get a hug wrong." After a minute, I spoke again. "I know what you mean, though. I don't really hug anyone besides my family." I felt so drained after the long day of dressing and the Report and dinner and talking. It was nice to have Maxon just hold me, sometimes even patting my hair. He wasn't as lost as he seemed. He patiently waited for my breathing to slow, and when it did, he pulled back to look at me. "America, I promise you I'll keep you here until the last possible moment. I understand that they want me to narrow the Elite down to three and then choose. But I swear to you, I'll make it to two and keep you here until then. I won't make you leave a moment before I have to. Or the moment you're ready. Whichever comes first." I nodded. "I know we just met, but I think you're wonderful. And it bothers me to see you hurt. If he were here, I'd...I'd..." Maxon shook with frustration, then sighed. "I'm so sorry, America." He pulled me back in, and I rested my head on his broad shoulder. I knew Maxon would keep his promises. So I settled into perhaps the last place I ever thought I'd find genuine comfort.
Kiera Cass (The Selection (The Selection, #1))
Do you want to know why you don't meet my standards?" he asked. She shook her head in mortification. "Too late," he replied. "Here's my most important rule: Never have intercourse when one of the parties is in love with the other. It won't end well." She gasped. "You arrogant cad! I'm not in love with you." "I know." He didn't look away from her. "Isn't that what I said? Only one of us is in love, and it isn't you." Violet stared at him. Her ears appeared to be working; her brain seemed to function. Tentatively, she added two and three and verified that they still made five.
Courtney Milan (The Countess Conspiracy (Brothers Sinister, #3))
Are you all right?" he says tentatively. I am not all right. I was beginning to feel that I had finally found a place to stay, a place that was not so unstable or corrupt or controlling that I could actually belong there. You would think that I would have learned by now—such a place does not exist. "No," I say. He starts to move around the stone block, toward me. "What is it?" "What is it." I laugh. "Let me put it this way: I just found out you're not the worst person I know." I drop into a crouch and push my fingers through my hair. I feel numb and terrified of my own numbness. The Bureau is responsible for my parents' deaths. Why do I have to keep repeating it to myself to believe it? What's wrong with me? "Oh," he says. "I'm . . . sorry?" All I can manage is a small grunt. "You know what Mom told me once?" he says, and the way he says Mom, like he didn't betray her, sets my teeth on edge. "She said that everyone has some evil inside them, and the first step to loving anyone is to recognize the same evil in ourselves, so we're able to forgive them.
Veronica Roth (Allegiant (Divergent, #3))
Well, I'm glad you're so amused," I said, running my fingers across the railing. Maxon hopped up to sit on the railing, looking very relaxed. "You're always amusing. Get used to it." Hmm. He was almost being funny. "So...about what you said...," he started tentatively. "Which part? The part about me calling you names or fighting with my mom or saying food was my motivation?" I rolled my eyes. He laughed once. "The part about me being good..." "Oh. What about it?" Those few sentences suddenly seemed more embarrassing than anything else I'd said. I ducked my head down and twisted a piece of my dress. "I appreciate you making things look authentic, but you didn't need to go that far." My head snapped up. How could he think that? "Maxon, that wasn't for the sake of the show. If you had asked me a month ago what my honest opinion of you was, it would have been very different. But now I know you, and I know the truth, and you are everything I said you were. And more." He was quiet, but there was a small smile on his face. "Thank you," he finally said. "Anytime." Maxon cleared his throat. "He'll be lucky, too." He got down from his makeshift seat and walked to my side of the balcony. "Huh?" "Your boyfriend. When he comes to his senses and begs you to take him back," Maxon said matter-of-factly. I had to laugh. No such thing would happen in y world. "he's not my boyfriend anymore. And he made it pretty clear he was gone with me." Even I could hear the tiny bit of hope in my voice. "Not possible. He'll have seen you on TV by now and fallen for you all over again. Though, in my opinion, you're still much too good for the dog." Maxon spoke almost as if he was bored, like he'd seen this happen a million times. "Speaking of which!" he said a bit louder. "If you don't want me to be in love with you, you're going to have to stop looking so lovely. First thing tomorrow I'm having your maids sew some potato sacks together for you." I hit his arm. "Shut up, Maxon." "I'm not kidding. You're too beautiful for your own good. Once you leave, we'll have to send some of the guards with you. You'll never survive on your own, poor thing." He said all this with mock pity. "I can't help it." I sighed. "One can never help being born into perfection." I fanned my face as if being so pretty was exhausting. "No, I don't suppose you can help it.
Kiera Cass (The Selection (The Selection, #1))
In his forty-third year William Stoner learned what others, much younger, had learned before him: that the person one loves at first is not the person one loves at last, and that love is not an end but a process through which one person attempts to know another. They were both very shy, and they knew each other slowly, tentatively; they came close and drew apart, they touched and withdrew, neither wishing to impose upon the other more than might be welcomed. Day by day the layers of reserve that protected them dropped away, so that at last they were like many who are extraordinarily shy, each open to the other, unprotected, perfectly and unselfconsciously at ease. Nearly every afternoon, when his classes were over, he came to her apartment. They made love, and talked, and made love again, like children who did not think of tiring at their play. The spring days lengthened, and they looked forward to the summer.
John Williams (Stoner)
She had never before met a man who spoke of the world—of what it was, and how it came to be, or what he thought would become of it—in the way in which other men she knew discussed their jobs, their friends or their weekends at the beach. Being with Chacko made Margaret feel as though her soul had escaped from the narrow confines of her island country into the vast, extravagant spaces of his. He made her feel as though the world belonged to them—as though it lay before them like an opened frog on a dissecting table, begging to be examined. In the year she knew them, before they were married, she discovered a little magic in herself, and for a while felt like a blithe genie released from her lamp. She was perhaps too young to realize that what she assumed was her love for Chacko was actually a tentative, timorous, acceptance of herself.
Arundhati Roy (The God of Small Things)
There is a love that equals in its power the love of man for woman and reaches inwards as deeply. It is the love of a man or a woman for their world. For the world of their center where their lives burn genuinely and with a free flame. The love of the diver for his world of wavering light. His world of pearls and tendrils and his breath at his breast. Born as a plunger into the deeps he is at one with every swarm of lime-green fish, with every colored sponge. As he holds himself to the ocean's faery floor, one hand clasped to a bedded whale's rib, he is complete and infinite. Pulse, power and universe sway in his body. He is in love. The love of the painter standing alone and staring, staring at the great colored surface he is making. Standing with him in the room the rearing canvas stares back with tentative shapes halted in their growth, moving in a new rhythm from floor to ceiling. The twisted tubes, the fresh paint squeezed and smeared across the dry on his palette. The dust beneath the easel. The paint has edged along the brushes' handles. The white light in a northern sky is silent. The window gapes as he inhales his world. His world: a rented room, and turpentine. He moves towards his half-born. He is in Love. The rich soil crumbles through the yeoman's fingers. As the pearl diver murmurs, 'I am home' as he moves dimly in strange water-lights, and as the painter mutters, 'I am me' on his lone raft of floorboards, so the slow landsman on his acre'd marl - says with dark Fuchsia on her twisting staircase, 'I am home.
Mervyn Peake (Titus Groan (Gormenghast, #1))
This must be love, she murmured, in between sips of water. What's that? He sat behind her, cradling her in his arms. You held my hair, Professor. You must love me. He reached a tentative hand to her lower abdomen. I seem to recall you looking after me once, when I was sick. And that was before you loved me. I always loved you, Gabriel. Thank you. He kissed her forehead. We made this little one together. You aren't going to scare me off with bodily fluids. I'll remember that when my water breaks.
Sylvain Reynard (Gabriel's Redemption (Gabriel's Inferno, #3))
You and I,” she said slowly, saying each word with care, “are a pair of scissors.” “A pair of scissors…” I replied, unsure of what she meant. “Alone, we’re knives. Sharp and nasty, made to hurt others. But together, we are scissors. Better, safer, more useful. But more than that, we are our missing halves. And whatever comes between us, we destroy.” “I like that,” I told her. “You don’t think it’s creepy?” she asked tentatively. “No, it’s not creepy. Because I love you.
Vince O. Teves (Vince's Life: The Wedding)
I had kissed my share of men, particularly during the war years, when flirtation and instant romance were the light-minded companions of death and uncertainty. Jamie, thought, was something different. His extreme gentleness was in no way tentative; rather it was a promise of power known and held in leash; a challenge and a provocation the more remarkable for its lack of demand. I am yours, it said. And if you will have me, then..
Diana Gabaldon (Outlander (Outlander, #1))
It’s scary. This love thing. The sweet vulnerability of extension. The naked of ‘here I am’. The tentative reaching of outstretched arms. The wide open of hope…Teach me how to be loved. Let me show you how to love me well. School me in the workings of your heart, in the language of your bones. Let my open palm memorize the shape of your face. Tell me the stories of your scars so I can trace them with the honor of understanding. I have been loved by those who didn’t care to discover all that I am. Will you be the one to see me whole?
Jeanette LeBlanc
You're elegance in a misunderstood form. Crystal quartz in a world of platinum. Oh, my dizzy boy, there's a fire in you that I use to warm my hands on chilly mornings.
Taylor Rhodes (Sixteenth Notes: the breaking of the rose-colored glasses)
Your life needs an airbag. I swear, Anastagio, you should have come equipped when you were born.” Just then Dante leaned against him, brow between his shoulder blades for a moment, so tentatively Griff held his breath. His voice was almost sheepish. “Nah. Everyone knows I was born defective. They didn’t instal you until later.
Damon Suede
Quietly, Miss Alice was demonstrating this God of love and beauty too — in small ways and in large. For a few, the concept that life did not have to be all starkness and misery was slowly taking root. Tentatively, timidly – -constantly encouraged by Miss Alice — some of the women were at last reaching out for light and beauty and joy.
Catherine Marshall (Christy)
If, when he first begins tentatively to say “No,” his parents beat him down rather than love and encourage him, he thereafter will say “No” not as a form of true independent strength but as a mere rebellion.
Rollo May (Man's Search for Himself)
Charles loved her voice. It was so soft and blurred, like pastels. It made his neck tingle just to listen to her. It gave him the same delicious feeling he had as he hovered on the brink of sleep and this feeling - until now - had been the single most pleasant feeling in his life. It was the voice that coloured everything he now thought about her. It was shy and tentative and musical. Sometimes he did not manage to hear the words she said, but he did not let on about his deafness.
Peter Carey (Illywhacker)
from THE DEVIL YOU KNOW- She wanted him too. He could see it in the rapid rise of her breasts. He could smell her budding arousal and would relish bringing her to full bloom. God, how he loved this dance! She had taken the first tentative steps, yet she still fought her desire, refused to give in to it, but he would lead her now. He was a master…and a ruthless bastard.
Victoria Vane (The Devil You Know (The Devil DeVere #3))
While he’d been tentatively considering a possible romantic relationship with her, she’d fallen in love with him. He could barely speak. “Why didn’t you tell me?” Mason snorted. “Yeah, that’s right. Do you like Maira, check yes or no. Come on. You’re almost thirty, you’re old enough to go after what you want.
Alisha Rai (Veiled Seduction (Veiled, #2))
Quietly, Miss Alice was demonstrating this God of love and beauty too—in small ways and in large. For a few, the concept that life did not have to be all starkness and misery was slowly taking root. Tentatively, timidly—constantly encouraged by Miss Alice—some of the women were at last reaching out for light and beauty and joy.
Catherine Marshall (Christy)
The road of 'God alone' struck me with unsettling fear. So I lingered in a kind of limbo. Unable to go back, unable to go on. Uncertain. Tentative. How strange that we tend to stand ankle-deep in the spiritual life even though the grounding depth of intimacy with God is the most nourishing experience of our lives and affirms our very being!
Sue Monk Kidd (God's Joyful Surprise: Finding Yourself Loved)
When his lips find mine, they’re soft and tentative, so I force my tongue into his mouth to harden the kiss, but he groans and pulls away.
Eden Finley (Fake Out (Fake Boyfriend, #1))
His vulnerability allowed me to let my guard down, and gently and methodically, he tore apart my well-constructed dam. Waves of tender feelings were lapping over the top and slipping through the cracks. The feelings flooded through and spilled into me. It was frightening opening myself up to feel love for someone again. My heart pounded hard and thudded audibly in my chest. I was sure he could hear it. Ren’s expression changed as he watched my face. His look of sadness was replaced by one of concern for me. What was the next step? What should I do? What do I say? How do I share what I’m feeling? I remembered watching romance movies with my mom, and our favorite saying was “shut up and kiss her already!” We’d both get frustrated when the hero or heroine wouldn’t do what was so obvious to the two of us, and as soon as a tense, romantic moment occurred, we’d both repeat our mantra. I could hear my mom’s humor-filled voice in my mind giving me the same advice: “Kells, shut up and kiss him already!” So, I got a grip on myself, and before I changed my mind, I leaned over and kissed him. He froze. He didn’t kiss me back. He didn’t push me away. He just stopped…moving. I pulled back, saw the shock on his face, and instantly regretted my boldness. I stood up and walked away, embarrassed. I wanted to put some distance between us as I frantically tried to rebuild the walls around my heart. I heard him move. He slid his hand under my elbow and turned me around. I couldn’t look at him. I just stared at his bare feet. He put a finger under my chin and tried to nudge my head up, but I still refused to meet his gaze. “Kelsey. Look at me.” Lifting my eyes, they traveled from his feet to a white button in the middle of his shirt. “Look at me.” My eyes continued their journey. They drifted past the golden-bronze skin of his chest, his throat, and then settled on his beautiful face. His cobalt blue eyes searched mine, questioning. He took a step closer. My breath hitched in my throat. Reaching out a hand, he slid it around my waist slowly. His other hand cupped my chin. Still watching my face, he placed his palm lightly on my cheek and traced the arch of my cheekbone with his thumb. The touch was sweet, hesitant, and careful, the way you might try to touch a frightened doe. His face was full of wonder and awareness. I quivered. He paused just a moment more, then smiled tenderly, dipped is head, and brushed his lips lightly against mine. He kissed me softly, tentatively, just a mere whisper of a kiss. His other hand slid down to my waist too. I timidly touched his arms with my fingertips. He was warm, and his skin was smooth. He gently pulled me closer and pressed me lightly against his chest. I gripped his arms. He sighed with pleasure, and deepened the kiss. I melted into him. How was I breathing? His summery sandalwood scent surrounded me. Everywhere he touched me, I felt tingly and alive. I clutched his arms fervently. His lips never leaving mine, Ren took both of my arms and wrapped them, one by one, around his neck. Then he trailed one of his hands down my bare arm to my waist while the other slid into my hair. Before I realized what he was planning to do, he picked me up with one arm and crushed me to his chest. I have no idea how long we kissed. It felt like a mere second, and it also felt like forever. My bare feet were dangling several inches from the floor. He was holding all my body weight easily with one arm. I buried my fingers into his hair and felt a rumble in his chest. It was similar to the purring sound he made as a tiger. After that, all coherent thought fled and time stopped.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
She angled her chin proudly. “Very well. If you insist. I’ve come to invite you to my wedding.” He shook his head sadly. “That I cannot do, my love.” “But it shall be the talk of London. I want you there. Desperately.” He gazed out to the sea. “I never thought you to be cruel, Tess. I can deny you nothing. But please don’t ask this of me.” “But if you’re not there, my dear, dear Leo, then however shall I marry you? She watched as the shock of her words rippled over his beloved features. “Me? But you always said no when I asked for your hand.” “I was a foolish woman. Lynnford was the love of my youth. And as we have talked these many weeks as we’ve not been able to talk in years, so we discovered that neither of us is the person that each of us fell in love with. We were holding onto someone who no longer exists.” She took a tentative step toward him. “You love me as I am now. And I shall love you always. Marry me, Leo. For God’s sake, marry me.
Lorraine Heath (Waking Up With the Duke (London's Greatest Lovers, #3))
But her eyes would look cold, though her voice might be gentle, and her hand when it fondled would be tentative, unwilling. The hand would be making an effort to fondle, and Stephen would be conscious of that effort. Then looking up at the calm, lovely face, Stephen would be filled with a sudden contrition, with a sudden deep sense of her own shortcomings; she would long to blurt all this out to her mother, yet would stand there tongue-tied, saying nothing at all.
Radclyffe Hall (The Well of Loneliness)
Loving him sneaked up on me one tentative step at a time and then a bouncing rush and I was the lucky one who got to love him. I get to love this man every day of my life. It’s an all-consuming love filling every crevice and it’s meant to be that way. I’ve discovered with every opened lock within me that I wasn’t made for half measures, or maybe I’m just not made to be half of anything with Gray. He makes me want to jump in the puddle of love with both my feet. Not only that, I craved it, hungered for the love he showered me with. Our love opened me to new feelings. Like we’ve built mansions on top of clouds with bells and whistles loud enough to drown out the world. Because in the end isn’t that what transcendent love does? It blocked out the world and lets you experience your heartbeats for the first time.
V. Theia (Manhattan Sugar (From Manhattan #1))
In lying to others we end up lying to ourselves. We deny the importance of an event, or a person, and thus deprive ourselves of a part of our lives. Or we use one piece of the past or present to screen out another. Thus we lose faith even in our own lives. An honourable human relationship—that is, one in which two people have the right to use the word “love”—is a process, delicate, violent, often terrifying to both persons involved, a process of refining the truths they can tell each other. It is important to do this because it breaks down human self-delusion and isolation. It is important to do this because in so doing we do justice to our own complexity. It is important to do this because we can count on so few people to go that hard way with us. […] It isn’t that to have an honourable relationship with you, I have to understand everything, or tell you everything at once, or that I can know, beforehand, everything I need to tell you. It means that most of the time I am eager, longing for the possibility of telling you. That these possibilities may seem frightening, but not destructive, to me. That I feel strong enough to hear your tentative and groping words. That we both know we are trying, all the time, to extend the possibilities of truth between us. The possibility of life between us.
Adrienne Rich (Women and Honor: Some Notes on Lying)
The love of the painter standing alone and staring, staring at the great coloured surface he is making. Standing with him in the room the rearing canvas stares back with tentative shapes halted in their growth, moving in a new rhythm from floor to ceiling. The twisted tubes, the fresh paint squeezed and smeared across the dry upon his palette. The dust beneath the easel. The paint has edged along the brushes' handles. The white light in a northern sky is silent. The window gapes as he inhales his world. His world: a rented room, and turpentine. He moves towards his half-born. He is in love.
Mervyn Peake (Titus Groan (Gormenghast, #1))
He drinks his coffee tentatively, glancing at me every few seconds, watching me. Every time he glances in my direction, I quickly turn away though he obviously knows I'm watching him. I know he's wondering why I'm staring at him, but he doesn't ask. I finally take a sip of coffee, set the mug back on the table, and voice what's on my mind, "I want to draw you.
Ashley Earley (Alone in Paris)
Another sob came, harder than the first, but she couldn't cover her face and her mastectomy scars at the same time when he raised his head. When she tried, Luke merely caught her wrists and lightly pinned them on either side of her head. "It's all right, Em. Tears are part of this," he whispered, bending to kiss them away. He moved gently within her, another tender caress that soothed as much as it stimulated. It broke the seal on the dam of her tears. They came out in a quiet rush while he stayed above her, eyes on her face as he murmured soothing things she didn't quite catch. And when the tears slowed, she looked up into his handsome face with a sniffle and the smile he gave her filled her heart to overflowing. Dear God she loved him. Had always loved him and would never love another man but him. Her heart had known it all along. And so had her body. Still, she tensed when he released one of her wrists to touch the skin beneath her right collarbone. Luke shook his dark head, those liquid eyes looking right into her soul. "I won't let you hide from me. Or from yourself." Embedded deep inside her, he raised his upper body to gaze at her, and all she could do was close her eyes in resistance. "Look at me." After a long hesitation, she did. He stared down at her with a powerful mixture of tenderness and hunger. "You think a scar's going to change how I see you? Feel about you?" She swallowed and struggled to find her voice. "It's ugly." "You're beautiful to me, Em. Always." She opened her mouth to say something but he leaned down to kiss her again. "Give me your hand," he coaxed, his voice a seductive whisper. She did, tentatively, and his fingers closed around hers in a warm grip. Strong and reassuring. "Accept who you are. Be proud of your body. It's fighting a war for you.
Kaylea Cross
They did not talk about the larger present, so circumscribed, so uncontrollable. Their little present was two bodies and a bed, and that was the entirety of time and place: them, there, in their little room, awkward, laughing, happy, warm, tentative, surrendering, overwhelmed, alarmed, astounded, shivering, subsiding, asleep, awake, getting the hang of it, learning, loving, redeemed. Happy.
Louisa Young (My Dear I Wanted to Tell You (My Dear I Wanted to Tell You, #1))
My lord?” Nick turned at the tentative, feminine voice, to find two young women standing nearby, watching him eagerly. Nick spoke, wary. “Yes? ” “We—” one of them began to speak, then stopped, uncertain. The other nudged her toward him. “Yes?” “We are fans.” Nick blinked. “Of?” “Of yours.” “Of mine.” “Indeed!” The second girl smiled broadly and stepped closer, holding out what looked suspiciously like— Nick swore under his breath. “Would you be willing to autograph our magazine? ” Nick held up a hand. “I would, girls, but you’ve got the wrong brother.” He pointed to Gabriel. “That is Lord Nicholas.” Rock snorted as the two shifted their attention to the Marquess of Ralston, a dazzlingly handsome copy of their prey, and tittered their excitement. Gabriel instantly eased into his role, turning a brilliant smile on the girls. “I would be happy to autograph your magazine.” He took the journal and the pen they proffered and said, “You know, I must confess, this is the first time I’ve ever drawn the attention of ladies when in the company of my brother. Ralston has always been considered the more handsome of us.” “No!” the girls protested. Nick rolled his eyes. “Indeed. Ask anyone. They’ll tell you it’s the marquess who is the best specimen. Surely you’ve heard that.” He looked up at them with a winning smile. "You can admit it, girls. My feelings shan’t be hurt." Gabriel held up the magazine, displaying the cover, which boasted: Inside! London’s Lords to Land! “Yes … there’s no question that this is going to do wonders for my reputation. I’m so happy to see that it’s getting around that I’m on the hunt for a wife!” The girls nearly expired from delight.
Sarah MacLean (Ten Ways to Be Adored When Landing a Lord (Love By Numbers, #2))
In the year she knew him, before they were married, she discovered a little magic in herself, and for a while felt like a blithe genie released from a lamp. She was perhaps too young to realize that what she assumed was her love for Chacko was actually a tentative, timorous, acceptance of herself.
Arundhati Roy (The God of Small Things)
Skylar captured Xander’s hand, stroking it tentatively as he rested the side of his head against Xander’s. “Kiss me good night?” Xander trembled as Skylar’s fingers made love to his skin, as the heat of Skylar’s body surrounded him, pressing him into the door. Skylar shifted and turned with their touches, and Xander held still, gasping out loud while Skylar kept quiet, focused on undoing Xander. It made him feel vulnerable and exposed, even as he didn’t want Skylar to stop.
Heidi Cullinan (Antisocial)
Auri grew serious. “Now close your eyes and bend down so I can give you your second present.” Puzzled, I closed my eyes and bent at the waist, wondering if she had made me a hat as well. I felt her hands on either side of my face, then she gave me a tiny, delicate kiss in the middle of my forehead. Surprised, I opened my eyes. But she was already standing several steps away, her hands clasped nervously behind her back. I couldn’t think of anything to say. Auri took a step forward. “You are special to me,” she said seriously, her face grave. “I want you to know I will always take care of you.” She reached out tentatively and wiped at my cheeks. “No. None of that tonight. This is your third present. If things are bad, you can come and stay with me in the Underthing. It is nice there, and you will be safe.” “Thank you, Auri,” I said as soon as I was able. “You are special to me, too.” “Of course I am,” she said matter-of-factly. “I am as lovely as the moon.
Patrick Rothfuss
Are you all right?” I whisper uncertainly. “Fine.” He shakes his head once, and then the tension leaves his body. “I’m fine. Don’t finish your sentence yet. It’s going to lead to me slaughtering things.” “You like slaughtering things.” “Compared to this? No.” He touches me again, his fingers grazing my arm. Tentative, hesitant. When I tell him he’s usually the practical one, he replies, “It must be your influence. I’m actually about to make several suggestions, and all of them are impractical.” I smile. “Ooh, several suggestions, is it? My, my. Impractical Kiaran MacKay is . . . dare I say it? Adorable.” Kiaran looks at me in disgust. “I am not.” “You are and you don’t even know it. Adorable.” “Adorable is something we call foolish humans right before we kill them.” “Adorable is what we call adult men who love to cuddle and swear on their lives that they don’t.” Kiaran makes a sound in his throat. “You can growl at me all you want. I know your weaknesses, MacKay. Cuddling. Neck kisses. That ticklish spot just above your—” I laugh as he grabs me around the waist and pulls me against him. He kisses me fiercely enough to make my toes curl. Then he pulls back with the smug expression of someone who has had thousands of years to perfect seduction and knows exactly how to use it against me.
Elizabeth May (The Fallen Kingdom (The Falconer, #3))
Go where you will, but if I were you, I’d head north, and stick to the forest. Stay out of the mountains. Keep going until you hit Terrasen.” That had never been part of the plan. “But—but the king—Vernon—” “The King of Adarlan is dead,” Manon said. The world stopped. “Aelin Galathynius killed him and shattered his glass castle.” Elide covered her mouth with a hand, shaking her head. Aelin … Aelin … “She was aided,” Manon went on, “by Prince Aedion Ashryver.” Elide began sobbing. “And rumor has it Lord Ren Allsbrook is working in the North as a rebel.” Elide buried her face in her hands. Then there was a hard, iron-tipped hand on her shoulder. A tentative touch. “Hope,” Manon said quietly. Elide lowered her hands and found the witch smiling at her. Barely a tilt to her lips, but—a smile, soft and lovely. Elide wondered if Manon even knew she was doing it.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
Who have our fighters been?” Calvin asked. “Oh, you must know them, dear,” Mrs Whatsit said. Mrs Who’s spectacles shone out at them triumphantly, “And the light shineth in darkness; and the darkness comprehended it not.” “Jesus!” Charles Wallace said. “Why, of course, Jesus!” “Of course!” Mrs Whatsit said. “Go on, Charles, love. There were others. All your great artists. They’ve been lights for us to see by.” “Leonardo da Vinci?” Calvin suggested tentatively. “And Michelangelo?” “And Shakespeare,” Charles Wallace called out, “and Bach! And Pasteur and Madame Curie and Einstein!” Now Calvin’s voice rang with confidence. “And Schweitzer and Gandhi and Buddha and Beethoven and Rembrandt and St. Francis!
Madeleine L'Engle (A Wrinkle in Time (Time, #1))
The way he smiles up at me is the same way he always looks at me; like there is nowhere else he'd rather be. There's no awkwardness or tentative touches. It's just us.
Christina Lauren (My Favorite Half-Night Stand)
I couldn’t talk about it, about them—not yet. So I breathed “Later” and hooked my feet around his legs, drawing him closer. I placed my hands on his chest, feeling the heart beating beneath. This—I needed this right now. It wouldn’t wash away what I’d done, but … I needed him near, needed to smell and taste him, remind myself that he was real—this was real. “Later,” he echoed, and leaned down to kiss me. It was soft, tentative—nothing like the wild, hard kisses we’d shared in the hall of throne room. He brushed his lips against mine again. I didn’t want apologies, didn’t want sympathy or coddling. I gripped the front of his tunic, tugging him closer as I opened my mouth to him. He let out a low growl, and the sound of it sent a wildfire blazing through me, pooling and burning in my core. I let it burn through that hole in my chest, my soul. Let it raze through the wave of black that was starting to press around me, let it consume the phantom blood I could still feel on my hands. I gave myself to that fire, to him, as his hands roved across me, unbuttoning as he went. I pulled back, breaking the kiss to look into his face. His eyes were bright—hungry—but his hands had stopped their exploring and rested firmly on my hips. With a predator’s stillness, he waited and watched as I traced the contours of his face, as I kissed every place I touched. His ragged breathing was the only sound—and his hands soon began roaming across my back and sides, caressing and teasing and baring me to him. When my traveling fingers reached his mouth, he bit down on one, sucking it into his mouth. It didn’t hurt, but the bite was hard enough for me to meet his eyes again. To realize that he was done waiting—and so was I. He eased me onto the bed, murmuring my name against my neck, the shell of my ear, the tips of my fingers. I urged him—faster, harder. His mouth explored the curve of my breast, the inside of my thigh. A kiss for each day we’d spent apart, a kiss for every wound and terror, a kiss for the ink etched into my flesh, and for all the days we would be together after this. Days, perhaps, that I no longer deserved. But I gave myself again to that fire, threw myself into it, into him, and let myself burn.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
Linden is immensely busy, and so I ask her why she gardens, given how much time it takes. She does it for the food and the satisfaction of hard work yielding something so prolific, she says. And it makes her feel at home in a place, to have her hands in the earth. I ask her, “Do you love your garden?” even though I already know the answer. But then I ask, tentatively, “Do you feel that your garden loves you back?” She’s quiet for a minute; she’s never glib about such things. “I’m certain of it,” she says. “My garden takes care of me like my own mama.” I can die happy.
Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge and the Teachings of Plants)
Believe me, I know. I used to think that it only happened once, your single opportunity to make good. But now I think - no, know - that love is abundant. That's Glorianna's gift to us. That we love, over and over, many times and many people. You're one of them. I love you, Ash." He crossed to me, tentative, and lifted his hands to cup my naked breasts. "Your tits are so much larger,"he commented.
Jeffe Kennedy (The Tears of the Rose (The Twelve Kingdoms, #2))
You have chastised me, demeaned me and dismantled me, before bringing me back to life. Who would have thought all of this was possible in a grotty cubicle of the men’s room? You hold me there for some time whilst we both catch our breath. Tentatively I raise one hand from the wall and claw at your dark, luscious hair behind me. I love these tender moments between us just as much as the kinky, depraved ones.
Felicity Brandon (Destination Anywhere)
Is that a no?" I said. "No. I mean.." He struggled for the smile again. "I'm just waiting for the punch line. Something about making it date so I need to pay. Or you expecting flowers. Or.." He trailed off. "There isn't a punch line," I said. I rose onto my knees and inched over, in front of him. Then I stopped about a foot away. "No punch line, Daniel," I said. "I'm asking if you'll go out with me." He didn't answer. Just reched out, his hand sliding between my hair and face, pulling me toward him and.. And he kissed me. His lips touched mine, tentatively, still unsure, and I eased closer, my arms going around his neck. He kissed me for real then, a long kiss that I felt in the bottom of my soul, a click, some deep part of me saying, "Yes, this is it." Even when the kiss broke off, it didn't end. It was like coming to the surface for a quick gasp of air, then plunging back down again, finding that sweet spot again, and holding onto it for as long as we could. Finally it tapered off, and we were lying on the picnic blanket, side by side, his hand on my hip, kissing slower now, with more breaks for air. until I said, "We should have done that sooner." He smiled, a lazy half smile, and he just looked at me for a moment, our gazes locked, lying there in drowsy happiness, before he said, "I think now's just fine." And he kissed me again, slower and softer now, as we rested there, eyes half closed. "So, about Saturday, did you ask me?" he said after a minute, "Because I'm pretty sure that means yo're paying." "Nope. You were imaging it. Considering how you eat, the meal bill is all yours. But I will spring for the movie. And bring you flowers." He chuckled. "Will you?" "Yep, a dozen pink roses, which you'll have to carry all night or risk offending me." "And what happens if I offend you?" "You don't get any more of this." I leaned in and kissed him again. And we stayed out there, on the blanket, as the sun fell, talking and kissing mostly, just being together. We had a long road ahead of us, and I knew it wasn't going to be easy. But I had everything I wanted-everything I needed-and I'd get through it just fine. We all would.
Kelley Armstrong (The Rising (Darkness Rising, #3))
Anyway, there are two tentative solutions for getting rid of selfishness - both involving a stoic casting - off of the thin tenuous little identity which I love and cherish so dearly - and being confident that, once on the other side, I shall never miss my own little ambitions for my conceited self, but shall be content in serving the ambitions of my mate, or of a society, or cause. (Yet I will not, I cannot accept any of those solutions. Why? Stubborn selfish pride. I will not make what is inevitable easier for my-self by the blinding ignorance-is-bliss "losing-and-finding" theory. Oh, no! I will go, eyes open, into my torture, and remain fully cognizant, unwinking, while they cut and stitch and lop off my cherished malignant organs.) So much for selflove: I carry it with me like a dear cancerous relative - to be disposed of only when desperation sets in.
Sylvia Plath
from THE DEVIL YOU KNOW : She wanted him too. He could see it in the rapid rise of her breasts. He could smell her budding arousal and would relish bringing her to full bloom. God, how he loved this dance! She had taken the first tentative steps, yet she still fought her desire, refused to give in to it, but he would lead her now. He was a master…and a ruthless bastard.” ― Victoria Vane, The Devil You Know coming July 27, 2012 from Breathless Press
Emery Lee
Ecology is beginning to slowly shift focus with tentative explorations of what the world would look like if process, rather than matter were the basis for reality What if we defined a species in terms of its life processes? We might seriously doubt whether the California condor or the tall grass prairie can be 'saved' or even 'restored.' Perhaps we can re-create some local conditions that foster a few nests of condors or a few acres of prairie. But the life process of the condor ended with the urbanization of the California foothills and the living ebb and flow of the tall grass prairies died with the plowing of the Great Plains. What if we suggested that a thing is what it does? In this light, the Rocky Mountain locust was a immense aperiodic energy flow that linked life processes on a continental scale. This notion of life-as-process might seem unusual in a society in which material existence is primary. But such a perception informs our deepest understanding of life. Indeed, life-as-process underlies our notion of euthanasia. When loved ones are simply bodies, devoid of the capacity to care, respond, or relate again a away that we can recognize as being "them," we understand that they are gone even before they are dead.
Jeffrey A. Lockwood
ometimes in life we take a chance on someone. That decision makes the stomach tilt and our hands a little shaky. We don't have to do it, no one will know if we don't, and our lives would continue the same as always. But when we start to love, not only as a tentative experiment but also lavishly, our lives are changed forever. When we love generously, we receive unforgettable rewards. And sometimes, that caring touches not only the other person but has a ripple effect, creating an "extended family" that becomes an experience of true community that we all long for.
Gary Chapman (Love is a Verb: Stories of What Happens When Love Comes Alive)
At This Moment Of Time Some who are uncertain compel me. They fear The Ace of Spades. They fear Loves offered suddenly, turning from the mantelpiece, Sweet with decision. And they distrust The fireworks by the lakeside, first the spuft, Then the colored lights, rising. Tentative, hesitant, doubtful, they consume Greedily Caesar at the prow returning, Locked in the stone of his act and office. While the brass band brightly bursts over the water They stand in the crowd lining the shore Aware of the water beneath Him. They know it. Their eyes Are haunted by water Disturb me, compel me. It is not true That "no man is happy," but that is not The sense which guides you. If we are Unfinished (we are, unless hope is a bad dream), You are exact. You tug my sleeve Before I speak, with a shadow's friendship, And I remember that we who move Are moved by clouds that darken midnight
Delmore Schwartz
In a way, he made me think of a doll, with brilliant glass eyes - a doll that had been found in an attic. I wanted to polish him with kisses, clean him up, make him even more radiant than he was. "That's what you always wanted," he said softly. His tone was melancholy. "When you found me under Les Innocents, you wanted to bathe me with perfume and dress me in velvet." "You look good to me, you damnable little devil, good to emgrace and good to love." My tone was angry. We eyed each other for a moment. And then he surpised me, rising and coming towards me just as I moved to take him in my arms. His gesture wasn't tentative, but it was extremely gentle. We held each other tight for a moment. The cold embracing the cold. "I can't remember anything sad bweween us, " I said. "You will," he responded. "And so will I. But what does it matter what we remember?" "Yes," I said. "We're both still here.
Anne Rice (Memnoch the Devil (The Vampire Chronicles, #5))
Hunter turned and kissed Dillon deeply before he rinsed off. He had never wished for his sight before, but he would have given anything at that moment to be able to turn and witness the beauty of the man that had just made love to him. He'd literally felt the change in Dillon's grip as he made love. The very first time they were together, Dillon's hold was uncertain, a tentative embrace that held no absolutes, no dreams, but just now it was different; it was a grip that sat right on the edge of possession, a possession Hunter would willingly give, if asked. But would Dillon ask, and would he be able to accept?
Brandon Shire (Afflicted (Afflicted, #1))
Naked Girl and Mirror This is not I. I had no body once- only what served my need to laugh and run and stare at stars and tentatively dance on the fringe of foam and wave and sand and sun. Eyes loved, hands reached for me, but I was gone on my own currents, quicksilver, thistledown. Can I be trapped at last in that soft face? I stare at you in fear, dark brimming eyes. Why do you watch me with that immoderate plea- 'Look under these curled lashes, recognize that you were always here; know me-be me.' Smooth once-hermaphrodite shoulders, too tenderly your long slope runs, above those sudden shy curves furred with light that spring below your space. No, I have been betrayed. If I had known that this girl waited between a year and a year, I'd not have chosen her bough to dance upon. Betrayed, by that little darkness here, and here this swelling softness and that frightened stare from eyes I will not answer; shut out here from my own self, by its new body's grace- for I am betrayed by someone lovely. Yes, I see you are lovely, hateful naked girl. Your lips in the mirror tremble as I refuse to know or claim you. Let me go-let me be gone. You are half of some other who may never come. Why should I tend you? You are not my own; you seek that other-he will be your home. Yet I pity your eyes in the mirror, misted with tears; I lean to your kiss. I must serve you; I will obey. Some day we may love. I may miss your going, some day, though I shall always resent your dumb and fruitful years. Your lovers shall learn better, and bitterly too, if their arrogance dares to think I am part of you.
Judith A. Wright
I have written various words, verbs, adjectives, and adverbs, and bits of dismantled sentences, fragments of expressions and descriptions and all kinds of tentative combinations. Every now and again I pick up one these particles, these molecules of texts, hold it up to the light and examine it carefully, turn it in various directions, lean forward and rub or polish it, hold it up to the light again, rub it again slightly, then lean forward and fit it into the texture of the cloth I am weaving. Then I stare at it from different angles, still not entirely satisfied, and take it out again and replace it with another word, or try to fit it into another niche in the same sentence, then remove, file it down a tiny bit more, and try to fit it in again, perhaps at a slightly different angle. Or deploy it differently. Perhaps farther down the sentence. Or at the beginning of the next one. Or should I cut it off and make it into a one-word sentence on its own? I stand up. Walk around the room. Return to the desk. Stare at it for a few moments or longer, cross out the whole sentence or tear up the whole page. I give up in despair. I curse myself aloud and curse writing in general and the language as a whole, despite which I sit down and start putting the whole thing together all over again. [p.268]
Amos Oz (A Tale of Love and Darkness)
I did not mean to be so long away from you. I had clan business to take care of, which took longer than I anticipated.” She nodded. “I understand.” He blew out a breath. “I’m not sure you do. I was eager to get through that business precisely because I wanted it out of the way so that I could return to your side.” Now it was her turn to feel her body flush with heat. “Oh yeah?” “Aye.” He looked down at his hands and then slowly reached and clasped her hand resting against her thigh. The rough feel of his calloused hands on her skin, and the tentative vulnerability in the movement, about made her slide forward off the bench and melt in a puddle on the stone floor. He really was just a big—quiet—teddy bear.
Angela Quarles (Must Love More Kilts (Must Love, #4))
I would choose you." The words were out before he thought better of them, and there was no way to pull them back. Silence stretched between them. Perhaps the floor will open and I'll plummet to my death, he thought hopefully. "As your general?" Her voice careful. She was offering him a chance to right the ship, to take them back to familiar waters. And a fine general you are. There could be no better leader. You may be prickly, but that what Ravka needs. So many easy replies. Instead he said, "As my queen." He couldn't read her expression. Was she pleased? Embarrassed? Angry? Every cell in his body screamed for him to crack a joke, to free both of them from the peril of the moment. But he wouldn't. He was still a privateer, and he'd come too far. "Because I'm a dependable soldier," she said, but she didn't sound sure. It was the same cautious, tentative voice, the voice of someone waiting for a punch line, or maybe a blow. "Because I know all of your secrets." "I do trust you more than myself sometimes- and I think very highly of myself." Hadn't she said there was no one else she'd choose to have her back in a fight? But that isn't the whole truth, is it, you great cowardly lump. To hell with it. They might all die soon enough. They were safe here in the dark, surrounded by the hum of engines. "I would make you my queen because I want you. I want you all the time." She rolled on to her side, resting her head on her folded arm. A small movement, but he could feel her breath now. His heart was racing. "As your general, I should tell you that would be a terrible decision." He turned on to his side. They were facing each other now. "As your king, I should tell you that no one could dissuade me. No prince and no power could make me stop wanting you." Nikolai felt drunk. Maybe unleashing the demon had loosed something in his brain. She was going to laugh at him. She would knock him senseless and tell him he had no right. But he couldn't seem to stop. "I would give you a crown if I could," he said. "I would show you the world from the prow of a ship. I would choose you, Zoya. As my general, as my friend, as my bride. I would give you a sapphire the size of an acorn." He reached in to his pocket. "And all I would ask in return is that you wear this damnable ribbon in your hair on our wedding day." She reached out, her fingers hovering over the coil of blue velvet ribbon resting in his palm. Then she pulled back her hand, cradling her fingers as if they'd been singed. "You will wed a Taban sister who craves a crown," she said. "Or a wealthy Kerch girl, or maybe a Fjerdan royal. You will have heirs and a future. I'm not the queen Ravka needs." "And if you're the queen I want?" ... She sat up, drew her knees in, wrapped her arms around them as if she would make a shelter of her own body. He wanted to pull her back down beside him and press his mouth to hers. He wanted her to look at him again with possibility in her eyes. "But that's not who I am. Whatever is inside me is sharp and gray as the thorn wood." She rose and dusted off her kefta. "I wasn't born to be a bride. I was made to be a weapon." Nikolai forced himself to smile. It wasn't as if he'd offered her a real proposal. They both knew such a thing was impossible. And yet her refusal smarted just as badly as if he'd gotten on his knee and offered her his hand like some kind of besotted fool. It stung. All saints, it stung. "Well," he said cheerfully, pushing up on his elbows and looking up at her with all the wry humour he could muster. "Weapons are good to have around too. Far more useful than brides and less likely to mope about the palace. But if you won't rule Ravka by my side, what does the future hold, General?" Zoya opened the door to the Cargo hold. Light flooded in gilding her features when she looked back at him. "I'll fight on beside you. As your general. As your friend. Because whatever my failings, I know this. You are the king Ravka needs.
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
When the first news of the Nazi camps was published in 1945, there were those who thought the facts might be exaggerated either by Allied war propaganda or by the human tendency to relish 'atrocity stories.' In his column in the London magazine Tribune, George Orwell wrote that, though this might be so, the speculation was not exactly occurring in a vacuum. If you remember what the Nazis did to the Jews before the war, he said, it isn't that difficult to imagine what they might do to them during one. In one sense, the argument over 'Holocaust denial' ends right there. The National Socialist Party seized power in 1933, proclaiming as its theoretical and organising principle the proposition that the Jews were responsible for all the world's ills, from capitalist profiteering to subversive Bolshevism. By means of oppressive legislation, they began to make all of Germany Judenrein, or 'Jew-free.' Jewish businesses were first boycotted and then confiscated. Jewish places of worship were first vandalised and then closed. Wherever Nazi power could be extended—to the Rhineland, to Austria and to Sudeten Czechoslovakia—this pattern of cruelty and bigotry was repeated. (And, noticed by few, the state killing of the mentally and physically 'unfit,' whether Jewish or 'Aryan,' was tentatively inaugurated.) After the war broke out, Hitler was able to install puppet governments or occupation regimes in numerous countries, each of which was compelled to pass its own version of the anti-Semitic 'Nuremberg Laws.' Most ominous of all—and this in plain sight and on camera, and in full view of the neighbours—Jewish populations as distant as Salonika were rounded up and put on trains, to be deported to the eastern provinces of conquered Poland. None of this is, even in the remotest sense of the word, 'deniable.
Christopher Hitchens (Love, Poverty, and War: Journeys and Essays)
Do you get it now,Becks?" Jack wrapped a finger around a long strand of my hair, and we were quiet as it slipped through his grip. "You haven't moved on?" He chuckled. "I have a lifetime of memories made up of chestnut wars and poker games and midnight excursions and Christmas Dances...It's all you. It's only ever been you.I love you." The last part seemed to escape his lips unintentionally, and afterward he closed his eyes and put his head in his hands,as if he had a sudden headache. "I've gotta not say that out loud." The sight of how messed up he was made me want to wrap my arms around him and fold him into me and cushion him from everything that lay ahead. Instead,I reached for his hand. Brought it to my lips. Kissed it. He raised his head and winced. "You shouldn't do that," he said, even though he didn't pull his hand away. "Why?" "Because...it'll make everything worse...If you don't feel-" His voice cut off as I kissed his hand again, pausing with his fingers at my lips. He let out a shaky sigh and his hair flopped forward. Then he looked at my lips for a long moment. "What if...?" I bit my lower lip. "What?" "What if we could be like this again?" He leaned in closer with a smile, and as he did,he said, "Are you going to steal my soul?" "Um...it's not technically your soul that..." I couldn't finish my sentence. His lips brushed mine, and I felt the whoosh of transferring emotions,but it wasn't as strong as the last time. The space inside me was practically full again. The Shades were right. Six months was just long enough to recover. He kept his lips touching mine when he asked, "Is it okay?" Okay in that I wasn't going to suck him dry anymore. Not okay in that my own emotions were in hyperdrive. Only our lips touched.Thankfully there was space between us everywhere else. He took my silence to mean it was safe. We held our lips together, tentative and still. But he didn't let it stay that casual for long.He pressed his lips closer, parting his mouth against mine. I shivered,and he put his arms around me and pulled me closer so that our bodies were touching in so many places. He pulled back a little.His breath was on my lips. "What is it?" I asked. "I dreamed of you every night." He briefly touched his lips to mine again. "It felt so real.And when I'd wake up the next morning,it was like your disappearance was fresh. Like you'd left me all over again." I lowered my chin and tucked my head into his chest. "I'm sorry." He sighed and tightened his grip around me. "It never got easier.But the dreams themselves." I felt him shake his head. "It's like I had a physical connection to you. They were so real. Every night,you were in my room with me. It was so real." I tilted my head back so I could face him again, realizing for the first time how difficult it must've been for Jack. I kissed his chin, his cheek, and then his lips. "I'm sorry," I said again. He shook his head. "It's not your fault I dreamed of you, Becks.I just want to know if it was as real as it felt." "I don't know," I said. But I told him about the book I'd read on Orpheus and Eurydice, and my theory that it was her connection to Orpheus that saved her.
Brodi Ashton (Everneath (Everneath, #1))
from “The Unquarried Blue of Those Depths Is All But Blinding,” There are some things we just don’t talk about— Not even in the morning, when we’re waking, When your calloused fingers tentatively walk The slope of my waist: How love’s a rust-worn boat, Abandoned at the dock—and who could doubt Waves lick their teeth, eyeing its hull? We’re taking Our wreckage as a promise, so we don’t talk. We wet the tired oars, tide drawing us out.
Ashley Anna McHugh (Into These Knots)
And then his middle finger nudges at my opening, tapping gently while his thumb strokes my clit, and I think it’s going to be a process, I think my body is going to have to work for it, but I’m wrong. He sinks inside me like a stone in water, gentle but not tentative, and it’s tight, but the friction is good. He pulls back to hold my eyes, and we stay like that, both vaguely surprised, both not quite daring to breathe. Until he kisses my mouth and hooks his finger inside me.
Ali Hazelwood (Love, Theoretically)
He approached her, his voice taking on a seductive tenor. "Shall we seal it with a kiss, then?" Callie caught her breath and stiffened at the question. Ralston smiled at her obvious nerves. He ran a finger along the edge of her hairline, tucking a rogue lock of hair behind her ear gently. She looked up at him with her wide brown eyes, and he felt a burst of tenderness in his chest. He leaned close, moving slowly, as though she might scare at any moment, and his firm mouth brushed across hers, settling briefly, barely touching before she jumped back, one hand flying to her lips. He leveled her with a frank gaze and waited for her to speak. When she didn't, he asked, "Is there a problem?" "N-No!" she said, a touch too loudly. "Not at all, my lord. That is- Thank you." His breath exhaled on a half laugh. "I'm afraid that you have mistaken the experience." He paused, watching the confusion cross her face. "You see, when I agree to something, I do it wholeheartedly. That was not the kiss for which you came, little mouse." Callie wrinkled her nose at his words, and at the nickname he had used for her. "It wasn't?" "No." Her nervousness flared, and she resumed toying with her cloak tassel. "Oh, well. It was quite nice. I find I am quite satisfied that you have held up your end of our bargain." "Quite nice isn't what you should be aiming for," he said, taking her restless hands into his own and allowing his voice to deepen. "Neither should the kiss leave you satisfied." She tugged briefly, giving up when he would not free her and instead pulled her closer, setting her hands upon his shoulders. He trailed his fingers down her neck, leaving her breathless, her voice a mere squeak when she replied, "How should it leave me?" He kissed her then. Really kissed her. He pulled her against him and pressed his mouth to hers, possessing, owning in a way she could never have imagined. His lips, firm and warm, played across her own, tempting her until she was gasping for breath. He captured the sound in his mouth, taking advantage of her open lips to run his tongue along them, tasting her lightly until she couldn't bear the teasing. He seemed to read her thoughts, and just when she couldn't stand another moment, he gathered her closer and deepened the kiss, changing the pressure. He delved deeper, stroked more firmly. And she was lost. Callie was consumed, finding herself desperate to match his movements. Her hands seemed to move of their own volition, running along his broad shoulders and wrapping around his neck. Tentatively, she met Ralston's tongue with her own and was rewarded with a satisfied sound from deep in his throat as he tightened his grip, sending another wave of heat through her. He retreated, and she followed, matching his movements until his lips closed scandalously around her tongue and he sucked gently- the sensation rocked her to her core. All at once she was aflame.
Sarah MacLean (Nine Rules to Break When Romancing a Rake (Love By Numbers, #1))
Who among us has not heard it? The wolf of this beloved, damaged earth, beckoning us by name just outside our safe living room, demanding our own response? The strange and persistent furry-pawed knocking? We peek tentatively through the door, just ajar, and see that there is no road, no sidewalk, barely a trail—and that obscured by stones, by leaves, by an intimation of the remains of those who have walked before us upon the unyielding circle of life. In spite of it all, we long to walk this path. For we know that there is more than what has been given and named by the overculture, more than what we have been told is true, more than green gardens and nature calendars, and recycling, and a summer hike in the mountains, and an occasional camping trip. More, even, than an hourlong “forest bath,” however lovely that sounds. We know there is a wilder earth, and upon it—within it—a wilder, more authentic human self. We know the need of each for the other is absolute.
Lyanda Lynn Haupt (Rooted: Life at the Crossroads of Science, Nature, and Spirit)
We take so much of the universe on trust. You tell me: “In 1950 I lived on the north side of Beacon Street in Somerville.” You tell me: “She and I were lovers, but for months now we have only been good friends.” You tell me: “It is seventy degrees outside and the sun is shining.” Because I love you, because there is not even a question of lying between us, I take these accounts of the universe on trust: your address twenty-five years ago, your relationship with someone I know only by sight, this morning’s weather. I fling unconscious tendrils of belief, like slender green threads, across statements such as these, statements made so unequivocally, which have no tone or shadow of tentativeness. I build them into the mosaic of my world. I allow my universe to change in minute, significant ways, on the basis of things you have said to me, of my trust in you. I also have faith that you are telling me things it is important I should know; that you do not conceal facts from me in an effort to spare me, or yourself, pain. Or, at the very least, that you will say, “There are things I am not telling you.” When we discover that someone we trusted can be trusted no longer, it forces us to reexamine the universe, to question the whole instinct and concept of trust. For a while, we are thrust back onto some bleak, jutting ledge, in a dark pierced by sheets of fire, swept by sheets of rain, in a world before kinship, or naming, or tenderness exist; we are brought close to formlessness.
Adrienne Rich
All right, now that the weirdness between us has caused actual physical damage, I think it’s time we talked it out, don’t you?” He gave a half smile and then turned back to the path. “We don’t need to be weird,” he said. “These past few days, since the thing with Elodie, I’ve been thinking.” He took a deep breath, and I knew that this was one of those rare occasions when Cal was about to say a lot of words at once. “I like you, Sophie. A lot. For a while, I thought it might be more than that. But you love Cross.” He said it matter-of-factly, but I still caught the way his ears reddened. “I know I’ve said some pretty awful stuff about him, but…I was wrong. He’s a good guy. So, I guess what I’m saying is that as the guy who’s betrothed to you, I wish we could be more than friends.” He stopped, turning around to face me. “But as your friend, I want you to be happy. And if Cross is who you want, then I’m not gonna stand in the way of that.” “I’m the worst fiancé ever, aren’t I?” Cal lifted one shoulder. “Nah. This one warlock I knew, his betrothed set him on fire.” Laughing so I wouldn’t cry, I tentatively lifted my arms to hug him. He folded me against his chest, and there was no awkwardness between us, and I knew the warmth in the pit of my stomach was love. Just a different kind. Sniffling, I pulled back and rubbed at my nose. “Okay, now that the hard part’s over, let’s go tackle the Underworld.” “Got room for two more?” Startled, I turned to see Jenna and Archer standing on the path, Jenna’s hand clutching Archer’s sleeve as she tried to stay on her feet. “What?” was all I could say. Archer took a few careful steps forward. “Hey, this has been a group effort so far. No reason to stop now.” “You guys can’t go into the Underworld with me,” I told them. “You heard Dad, I’m the only one with-“ “With powers strong enough. Yeah, we got that,” Jenna said. “But how are you supposed to carry a whole bunch of demonglass out of that place? It’ll burn you. And hey, maybe your powers will be strong enough to get all of us in, too.” She gestured to herself and the boys. “Plus it’s not like we don’t have powers of our own.” I knew I should tell them to go back. But having the three of them there made me feel a whole lot better and whole lot less terrified. So in the end, I gave an exaggerated sign and said, “Okay, fine. But just so you know, following me into hell means you’re all definitely the sidekicks.” “Darn, I was hoping to be the rakishly charming love interest,” Archer said, taking my hand. “Cal, any role you want?” I asked him, and he looked ruefully at the craggy rock looming over us. As he did, there was the grinding sound of stone against stone. We all stared at the opening that appeared. “I’m just hoping to be the Not Dead Guy,” Cal muttered. We faced the entrance. “Between the four of us, we fought ghouls, survived attacks by demons and L’Occhio di Dio, and practically raised the dead,” I said. “We can do this.” “See, inspiring speeches like that are why you get to be the leader,” Archer said, and he squeezed my hand. And then, moving almost as one, we stepped into the rock.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
As she began to peel potatoes, he stood behind her and touched the tendrils of hair that had fallen from their clips and curled at the nape of her neck. Then he reached around her waist and leaned into her. All these years and still he was drawn to the smell of her skin, of sweet soap and fresh air. He whispered against her ear, “Dance with me.” “What?” “I said, let’s dance.” “Dance? Here, in the cabin? I do believe you’re the mad one.” “Please.” “There’s no music.” “We can remember some tune, can’t we?” and he began to hum “In the Shade of the Old Apple Tree.” “Here,” he said, and swung her around to face him, an arm still at her waist, her slight hand in his. He hummed louder and began to twirl them around the plank floor. “Hmmm, hmm, with a heart that is true, I’ll be waiting for you…” “… in the shade of the old apple tree.” She kissed him on the cheek, and he swept her back on his arm. “Oh, I’ve thought of one,” she said. “Let me think…” and she began to hum tentatively. Jack didn’t know it at first, but then it came to him and he began to sing along. “When my hair has all turned gray,” a swoop and a twirl beside the kitchen table, “will you kiss me then and say, that you love me in December as you do in May?” And then they were beside the woodstove and Mabel kissed him with her mouth open and soft. Jack pulled her closer, pressed their bodies together and kissed the side of her face and down her bare neck and, as she let her head gently lean away, down to her collarbone. Then he scooped an arm beneath her knees and picked her up. “What in heaven’s—you’ll break your back,” Mabel sputtered between a fit of laughter. “We’re too old for this.” “Are we?” he asked. He rubbed his beard against her cheek. She shrieked and laughed, and he carried her into the bedroom, though they had not yet eaten dinner.
Eowyn Ivey (The Snow Child)
Crouching over her, St. Vincent teased and fondled until he felt her hips rising tentatively against his hand. "I want to be inside you," he whispered, kissing the side of her neck. "I want to go deep into your body... I'll be so gentle, love... let me turn you over, and... God, you're so lovely..." He pressed her on her back, and settled between her widespread thighs, his whisper becoming frayed and unsteady. "Touch me, sweetheart... put your hand there..." He sucked in a quick breath as her fingers curved gently around the hard length of his sex. Evie stroked him hesitantly, understanding from the quickening of his breath that the caress gave him pleasure. His eyes closed, the thick lashes trembling slightly against his cheeks, his lips parting from the force of his sharp respirations. Awkwardly, she gripped the heavy shaft and guided it between her thighs. The head of it slipped against the wetness of her sex, and St. Vincent groaned as if in pain. Trying again, Evie positioned him uncertainly. Once in place, he nudged strongly into the vulnerable cove. It burned far more than when he had put his fingers in her, and Evie tensed against the pain. Cradling her body in his arms, St. Vincent moved in a powerful thrust, and another, and then he was all the way inside. She writhed with the impulse to escape the hurtful invasion, but it seemed that each movement only drew him deeper. Filled and stretched and opened, Evie forced herself to lie still in his arms. She held on to his shoulders, her fingertips digging into the hard quilting of muscle and sinew, and she let him soothe her with his mouth and hands. His brilliant eyes were heavy-lidded as he bent to kiss her. Welcoming the warm sleekness of his tongue, she drew it into her mouth with eager, awkward suction. He made a low sound of surprise, shuddering, and his shaft jerked violently inside her in a series of rhythmic spasms.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
Risking a glance at the dignified young man beside her- what was his name?- Mr. Arthurson, Arterton?- Pandora decided to try her hand at some small talk. "It was very fine weather today, wasn't it?" she said. He set down his flatware and dabbed at both corners of his mouth with his napkin before replying. "Yes, quite fine." Encouraged, Pandora asked, "What kind of clouds do you like better- cumulus or stratocumulus?" He regarded her with a slight frown. After a long pause, he asked, "What is the difference?" "Well, cumulus are the fluffier, rounder clouds, like this heap of potatoes on my plate." Using her fork, Pandora spread, swirled, and dabbed the potatoes. "Stratocumulus are flatter and can form lines or waves- like this- and can either form a large mass or break into smaller pieces." He was expressionless as he watched her. "I prefer flat clouds that look like a blanket." "Altostratus?" Pandora asked in surprise, setting down her fork. "But those are the boring clouds. Why do you like them?" "They usually mean it's going to rain. I like rain." This showed promise of actually turning into a conversation. "I like to walk in the rain, too," Pandora exclaimed. "No, I don't like to walk in it. I like to stay in the house." After casting a disapproving glance at her plate, the man returned his attention to eating. Chastened, Pandora let out a noiseless sigh. Picking up her fork, she tried to inconspicuously push her potatoes into a proper heap again. Fact #64 Never sculpt your food to illustrate a point during small talk. Men don't like it. As Pandora looked up, she discovered Phoebe's gaze on her. She braced inwardly for a sarcastic remark. But Phoebe's voice was gentle as she spoke. "Henry and I once saw a cloud over the English Channel that was shaped in a perfect cylinder. It went on as far as the eye could see. Like someone had rolled up a great white carpet and set it in the sky." It was the first time Pandora had ever heard Phoebe mention her late husband's name. Tentatively, she asked, "Did you and he ever try to find shapes in the clouds?" "Oh, all the time. Henry was very clever- he could find dolphins, ships, elephants, and roosters. I could never see a shape until he pointed it out. But then it would appear as if by magic." Phoebe's gray eyes turned crystalline with infinite variations of tenderness and wistfulness. Although Pandora had experienced grief before, having lost both parents and a brother, she understood that this was a different kind of loss, a heavier weight of pain. Filled with compassion and sympathy, she dared to say, "He... he sounds like a lovely man." Phoebe smiled faintly, their gazes meeting in a moment of warm connection. "He was," she said. "Someday I'll tell you about him." And finally Pandora understood where a little small talk about the weather might lead.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
You’re both perfectly all right,” she informed them. “And we will get Aurimere back, and our magic back, and our town back, and then we will have everything we need.” “We have some important stuff already,” Ash offered tentatively. Lillian frowned. “What do you mean?” Jared surrendered himself to the strangeness of this situation, sank back onto the pillows himself with his head near Lillian’s hip, and sighed heavily to attract his aunt’s attention. “He wants to know you love him more than that stupid house.” “It is a very nice house,” Aunt Lillian said, sounding offended. “Your ancestors are buried in the crypt of that house.” “Sure. Okay. We’ll get our lovely creepy house back. When they bury me in that crypt, I want ‘Jared, very inbred, deeply uncomfortable about it’ on my tombstone.
Sarah Rees Brennan (Unmade (The Lynburn Legacy, #3))
You won’t be the reason our family falls apart because I wouldn’t allow a woman who loves my son as much as you do to walk out of his life.” Stepping closer, Lillian placed a tentative hand on Emily’s shoulder, her eyes spilling over with tears. “I wouldn’t allow you to walk out of our lives. What you were about to give up, though it would’ve hurt my son, was selfless. I once knew a girl who loved a man so much it scared her, too.” Lillian paused, her gaze falling on Chad. The corner of her mouth turned up in a small, sad smile as he made his way toward her. Bringing her eyes back to Emily’s, Lillian shook her head. “It would’ve killed me if I had to give up those stolen breaths before he kissed me. Whether or not the baby you’re carrying is my grandchild, I’d be honored to call you my daughter.
Gail McHugh (Pulse (Collide, #2))
She turned to go back inside the livery stable. The excitement with which she’d entered it less than an hour earlier had been replaced by heavy-hearted dread. She didn’t want to see Jim right now, or even think of him and the ramifications of their impossible relationship. He waited for her only a few yards from the door, leaning against Lady’s stall and scratching her forelock. When Catherine approached, he raised his eyebrows. “Nathan won’t tell.” She pressed a finger to her lips. “We’re safe.” Jim stood there a moment, his expression unreadable. He took a tentative step toward her, pointed to her and himself and twined his fingers together with another questioning tilt of his brows. “I don’t know.” She shook her head. “I don’t know if we’re together or not. I simply don’t know. Please don’t ask me this tonight. I need some time to think.” His gaze was riveted on her lips, then her eyes. He seemed calm, but she noticed tension in his jaw and neck, signs she’d learned to read to tell her when he was upset or angry. She wished she could give him a better answer, could tell him what he wanted to hear, but to say “I love you and want to be with you” would be a lie right now. Her conflicting emotions were tearing her apart. Walking over to him, she tilted her face up and kissed him on the cheek. “I’m sorry,” she whispered near his ear so he couldn’t see her words. “I don’t mean to keep hurting you. I want to love you, but I’m afraid. You don’t understand what a huge thing you’re asking of me.” She stepped back, gave him a small smile, and gestured toward the door. “I have to go now. It’s late. But I’ll try to see you soon.” He nodded, but the hopeful light had gone out of his eyes.
Bonnie Dee (A Hearing Heart)
Maybe I’m not cut out for monogamy,” G. had said to me early on. “Maybe I should just live in a room by myself and have girlfriends.” Another woman might have said, “Now, where did I put my coat?” Being a madly infatuated rationalist who had read her Simone de Beauvoir, I took a deep breath and carefully and calmly explained that of course he had to make up his own mind about how he wanted to live, and that I understood fidelity wasn’t for everyone, that some people could be perfectly happy without it, but I wanted to give my whole self in love and I couldn’t do that if I was being compared to other women on a daily basis (which I was) or if our relationship was only tentative and provisional (which it was). “Sweetie!” he said when I finished. “I love it that you can say how you feel without getting angry at me.” That other woman would have slammed the door behind her before he’d finished speaking. They say philanderers are attractive to women because of the thrill of the chase—you want to be the one to capture and tame that wild quarry. But what if a deeper truth is that women fall for such men because they want to be those men? Autonomous, in charge, making their own rules. Imagine that room G. spoke of, in which the women would come and go—is there not something attractive about it? Rain tapping softly on the tin ceiling, a desk, a lamp, a bed. A woman dashes up the narrow stairs, her raincoat flaring, her wet face lifted up like a flower. And then, the next day—maybe even the same day—different footsteps, another expectant face. I had to admit, it was an exciting scenario. You wouldn’t want to be one of the women trooping up and down the staircase, but you might want to be the man who lived in the room.
Katha Pollitt (Learning to Drive (Movie Tie-in Edition): And Other Life Stories)
Leyel had buried himself within the marriage, helping and serving and loving Deet with all his heart. She was wrong, completely wrong about his coming to Trantor. He hadn't come as a sacrifice, againt his will, solely because she wanted to come. On the contrary: because she wanted so much to come, he also wanted to come, changing even his desires to coincide with hers. She commanded his very heart, because it was impossible for him not to desire anything that would bring her happiness. But she, no, she could not do that for him. If she went to Terminus, it would be as a noble sacrifice. She wold never let him forget that she hadn't wanted to. To him, their marriage was his very soul. To Deet, their marriage was just a friendship with sex. Her soul belonged as much to these other women as to him. By dividing her loyalties, she fragmented them; none were strong enough to sway her deepest desires. Thus he discovered what he supposed all faithful men eventually discover--that no human relationship is ever anything but tentative. There is no such thing as an unbreakable bond between people. Like the particles in the nucleus of the atom. They are bound by the strongest forces in the universe, and yet they can be shattered, they can break. Nothing can last. Nothing is, finally, waht it once seemed to be. Deet and he had had a perfect marriage until there came a stress that exposed its imperfection. Anyonewho thinks he has a perfect marriage, a perfect friendship, a perfect trust of any kind, he only believes this becasue the stress that will break it has not yet come. He might die with the illusion of happiness, but all he has proven is that sometimes death comes before betrayal. If you live long enough, betrayal will inevitably come.
Orson Scott Card (Maps in a Mirror: The Short Fiction of Orson Scott Card)
I come across a photo of a woman holding a surfboard on a beach. ‘Could I curl up in bed with you and watch TV? Could we travel together? Will you make me laugh on my darkest days? Will you be forgiving of my cellulite?’ I ask her photo. Her bio says, ‘I went to Paris for lunch once and I regret nothing.’ I love her instantly. Though I am also intimidated by her. Perhaps she will be my new extrovert guide. The app works like all the others: you swipe right on the people you want to meet (people with pets, people eating tacos) and swipe left on the people you’d rather skip (people at Glastonbury). I start off tentatively, trying to give attention to each woman, but soon become a callous lothario from swiping fatigue. Snapchat filters that transform you into cute animals in every photo? Next! Interests include spirituality and mindfulness? Next! Only kissy selfies? Next!
Jessica Pan (Sorry I'm Late, I Didn't Want to Come: An Introvert's Year of Living Dangerously)
I did a lot of eating instead of serving those days, when I wasn't at my internship. That particular afternoon, I was seated at my aunt's counter with a plate of rui fish and rice: a beloved Bengali dish that seemed like a good antidote for heartache. Besides, working out the bones between my lips and pressing my finger against their sharp edges was cathartic. I couldn't beat up the guy who ruined the cart, but I could show a fish who was boss. I doubt I was reassuring any of the other wary regulars, who had all been informed by my aunt about my sensitive state, by gnawing on the bones. "Um. You seem to be very engrossed there," a familiar voice broke in tentatively. Of course. I should have known better than to expect that he would vanish from my life that easily. I kept my eyes on my plate and took another generous bite of fish, making sure to scoop up the fried onions and a bit of the fat that had soaked up enough of the turmeric, ginger, and garlic sauce.
Karuna Riazi (Hungry Hearts: 13 Tales of Food & Love)
To this day when I inhale a light scent of Wrangler—its sweet sharpness—or the stronger, darker scent of Musk, I return to those hours and it ceases to be just cologne that I take in but the very scent of age, of youth at its most beautiful peak. It bears the memory of possibility, of unknown forests, unchartered territories, and a heart light and skipping, hell-bent as the captain of any of the three ships, determined at all costs to prevail to the new world. Turning back was no option. Whatever the gales, whatever the emaciation, whatever the casualty to self, onward I kept my course. My heart felt the magnetism of its own compass guiding me on—its direction constant and sure. There was no other way through. I feel it again as once it had been, before it was broken-in; its strength and resolute ardency. The years of solitude were nothing compared to what lay ahead. In sailing for the horizon that part of my life had been sealed up, a gentle eddy, a trough of gentle waves diminishing further, receding away. Whatever loneliness and pain went with the years between the ages of 14 and 20, was closed, irretrievable—I was already cast in form and direction in a certain course. When I open the little bottle of eau de toilette five hundred different days unfold within me, conversations so strained, breaking slowly, so painstakingly, to a comfortable place. A place so warm and inviting after the years of silence and introspect, of hiding. A place in the sun that would burn me alive before I let it cast a shadow on me. Until that time I had not known, I had not been conscious of my loneliness. Yes, I had been taciturn in school, alone, I had set myself apart when others tried to engage. But though I was alone, I had not felt the pangs of loneliness. It had not burdened or tormented as such when I first felt the clear tang of its opposite in the form of another’s company. Of Regn’s company. We came, each in our own way, in our own need—listening, wanting, tentatively, as though we came upon each other from the side in spite of having seen each other head on for two years. It was a gradual advance, much again like a vessel waiting for its sails to catch wind, grasping hold of the ropes and learning much too quickly, all at once, how to move in a certain direction. There was no practicing. It was everything and all—for the first and last time. Everything had to be right, whether it was or not. The waters were beautiful, the work harder than anything in my life, but the very glimpse of any tempest of defeat was never in my line of vision. I’d never failed at anything. And though this may sound quite an exaggeration, I tell you earnestly, it is true. Everything to this point I’d ever set my mind to, I’d achieved. But this wasn’t about conquering some land, nor had any of my other desires ever been about proving something. It just had to be—I could not break, could not turn or retract once I’d committed myself to my course. You cannot force a clock to run backwards when it is made to persevere always, and ever, forward. Had I not been so young I’d never have had the courage to love her.
Wheston Chancellor Grove (Who Has Known Heights)
In front of the fire, in his arms, Tatiana was crying against Alexander’s chest. “Tania, why are you crying?” “Oh, Shura.” “Please don’t cry.” “All right. I miss my sister.” “I know.” “Did we treat her right, you think? Did we do right by her?” “We did as well as we could. You did the best you could. What do you think, we asked for this? To break each other’s hearts, to hurt other people, to fall in love like this? I struggled against my feelings. I wanted to love your sister, God bless her. I couldn’t help that it was impossible.” Turning away from him, toward the fire and the Kama behind it and the full moon above it, Tatiana said, “I tried not to love you for her.” “But it was impossible.” “Yes.” Then tentatively, “Shura…are you…in love with me?” “Turn to me,” Alexander said. She turned. “Tatia, I worship you. I’m crazy in love with you. I want you to marry me.” “What?” “Yes. Tatiana, will you marry me? Will you be my wife?” Pause. “Don’t cry.” Pause. “You didn’t answer me.” “Yes, Alexander. I will marry you…I will be your wife.” “Now why are you crying?
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
I didn’t want you to apply just because I’m going to be in New York. Or hell, even worse, not apply because I’m going to be there. I was going to tell you in person. And then the scout shows up at the game tonight, and what was I supposed to do? My mom is freaking out; you’re freaking out.” He throws his hands in the air in frustration. “I’ve totally fucked this up.” It hits me then, the truth of the situation. He made his decision about Columbia on his own, and he wanted me to be able to do the same. Of course. Hell, if it hadn’t been for the storm bringing us together like it did, I probably would have turned down NYU rather than risk going off to New York with him, and that’s the truth. I drop my gaze to the ground and take a deep breath, cursing myself for being such an idiot. “No, you haven’t,” I say at last, raising my eyes to meet his confused ones. “Haven’t what?” “Fucked it up.” I take a tentative step toward him. “I get it now. God, Ryder. Why do you have to be so perfect?” “Perfect? I’ve been in love with you for so long now, and I’ve never managed to get it right, not once.” I have to bite my lip to keep from grinning. “News flash--I think you’ve finally got it this time.” His smile makes my heart leap. “Do you have any idea what was going through my head when you first told me about NYU? I couldn’t believe it. It was like…like a gift fell right into my lap. Like winning the lottery. All this time I thought going off to New York would mean leaving you behind. And now--” “Now we both better get in,” I finish for him, though it probably wasn’t what he was going to say. I mean, he’s a shoo-in for Columbia. Perfect grades, high SATs, and a superstar quarterback the likes of which the Ivy League rarely sees. He’s every college admissions director’s dream. But me? If I get into NYU, it’ll be by the skin of my teeth. Because they want geographic diversity or something lame like that. I’m nothing special. “Where will you go if you don’t get into NYU?” he asks. “Where else?” I say. “Ole Miss, with Lucy and Morgan.” “Then Ole Miss is my backup too. Here’s the thing, Jem. I’m going wherever you’re going--whether it’s New York or Oxford. I’m not missing my chance this time.
Kristi Cook (Magnolia (Magnolia Branch, #1))
It’ll Get Worse Before It Gets Worse" For Alexander Moysaenko The black heart of the moon’s visible through the trees from here. Where are you? I’m alone on the road with a dead phone. The birds are flapping overhead but there’s not much light to be guided by. If any horizon becomes visible enough to follow. Forget the rain’s smear, the chafe of fabric at the calf. The money ran out. The diners are stuffed and back for more. Each terrible thing I said to the child will get repeated hopefully as a joke. And like language, these gestures, or a certain way of nodding one’s head, it all eases in with less than a breath. Forget the song’s words, the order of the band’s set tonight. The black moon’s heart’s got that sinister bent and I want to get touched at by the snakes. One of the students in my class used to go bear hunting with his two uncles. They played recordings of distressed animals to lure in tentative animals to kill. This practice is illegal in many places. Because it’s so very effective. I split open the apple and hand the good half to a child on the bus nestled in under the arm of her sleeping mother. Love from here is a long way to go. Get on your bike and ride through the lights. Poetry (March 2019)
Joshua Marie Wilkinson
Where do I see and recognize God’s presence? Where do I see the imprint of God’s hand? God is present in the oncology ward where I work. Patients arrive for treatment, tired and apprehensive. They are newly vulnerable, and their expensively acquired market skills are gone for now. Yet their eyes fill with tentative hope of the beginning of healing. This is a different place to any they have known. With the help of a caring staff, they learn to relax in the presence of their fellow patients. They remove wigs, hairpieces, and jewelry and expose poor, hurting bodies. For the time they are here, they allow themselves simply to be who they are. As the medicine enters their bodies, the feelings of trust, hope, and love are tangible all around. No marketplace here—simply pure and humble dependence on God, on science, and on the loving kindness of others. The trappings of the commercial world are no help when people are at their most vulnerable. The patients need not camouflage their poverty in the ways of the world. But they can trust—simply trust—that in the oncology ward they are in our Father’s house. There they are welcomed simply as they are. There they are in the hands of good people, escorts of healing and grace, whom God has sent to them. It is all right to be poor here.
The Irish Jesuits (The Irish Province of the Society of Jesus) (Sacred Space: The Prayer Book 2014)
There was also a package wrapped in pale blue paper and tied with a matching ribbon. Picking up a small folded note that had been tucked under the ribbon, Beatrix read: A gift for your wedding night, darling Bea. This gown was made by the most fashionable modiste in London. It is rather different from the ones you usually wear, but it will be very pleasing to a bridegroom. Trust me about this. -Poppy Holding the nightgown up, Beatrix saw that it was made of black gossamer and fastened with tiny jet buttons. Since the only nightgowns she had ever worn had been of modest white cambric or muslin, this was rather shocking. However, if it was what husbands liked... After removing her corset and her other underpinnings, Beatrix drew the gown over her head and let a slither over her body in a cool, silky drift. The thin fabric draped closely over her shoulders and torso and buttoned at the waist before flowing to the ground in transparent panels. A side slit went up to her hip, exposing her leg when she moved. And her back was shockingly exposed, the gown dipping low against her spine. Pulling the pins and combs from her hair, she dropped them into the muslin bag in the trunk. Tentatively she emerged from behind the screen. Christopher had just finished pouring two glasses of champagne. He turned toward her and froze, except for his gaze, which traveled over her in a burning sweep. "My God," he muttered, and drained his champagne. Setting the empty glass aside, he gripped the other as if he were afraid it might slip through his fingers. "Do you like my nightgown?" Beatrix asked. Christopher nodded, not taking his gaze from her. "Where's the rest of it?" "This was all I could find." Unable to resist teasing him, Beatrix twisted and tried to see the back view. "I wonder if I put it on backward..." "Let me see." As she turned to reveal the naked line of her back, Christopher drew in a harsh breath. Although Beatrix heard him mumble a curse, she didn't take offense, deducing that Poppy had been right about the nightgown. And when he drained the second glass of champagne, forgetting that it was hers, Beatrix sternly repressed a grin. She went to the bed and climbed onto the mattress, relishing the billowy softness of its quilts and linens. Reclining on her side, she made no attempt to cover her exposed leg as the gossamer fabric fell open to her hip. Christopher came to her, stripping off his shirt along the way. The sight of him, all that flexing muscle and sun-glazed skin, was breathtaking. He was a beautiful man, a scarred Apollo, a dream lover. And he was hers.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
I would choose you." The words were out before he thought better of them, and there was no way to pull them back. Silence stretched between them. Perhaps the floor will open and I'll plummet to my death, he thought hopefully. "As your general?" Her voice careful. She was offering him a chance to right the ship, to take them back to familiar waters. And a fine general you are. There could be no better leader. You may be prickly, but that's what Ravka needs. So many easy replies. Instead he said, "As my queen." He couldn't read her expression. Was she pleased? Embarrassed? Angry? Every cell in his body screamed for him to crack a joke, to free both of them from the peril of the moment. But he wouldn't. He was still a privateer, and he'd come too far. "Because I'm a dependable soldier," she said, but she didn't sound sure. It was the same cautious, tentative voice, the voice of someone waiting for a punch line, or maybe a blow. "Because I know all of your secrets." "I do trust you more than myself sometimes- and I think very highly of myself." Hadn't she said there was no one else she'd choose to have her back in a fight? But that isn't the whole truth, is it, you great cowardly lump. To hell with it. They might all die soon enough. They were safe here in the dark, surrounded by the hum of engines. "I would make you my queen because I want you. I want you all the time." She rolled on to her side, resting her head on her folded arm. A small movement, but he could feel her breath now. His heart was racing. "As your general, I should tell you that would be a terrible decision." He turned on to his side. They were facing each other now. "As your king, I should tell you that no one could dissuade me. No prince and no power could make me stop wanting you." Nikolai felt drunk. Maybe unleashing the demon had loosed something in his brain. She was going to laugh at him. She would knock him senseless and tell him he had no right. But he couldn't seem to stop. "I would give you a crown if I could," he said. "I would show you the world from the prow of a ship. I would choose you, Zoya. As my general, as my friend, as my bride. I would give you a sapphire the size of an acorn." He reached in to his pocket. "And all I would ask in return is that you wear this damnable ribbon in your hair on our wedding day." She reached out, her fingers hovering over the coil of blue velvet ribbon resting in his palm. Then she pulled back her hand, cradling her fingers as if they'd been singed. "You will wed a Taban sister who craves a crown," she said. "Or a wealthy Kerch girl, or maybe a Fjerdan royal. You will have heirs and a future. I'm not the queen Ravka needs." "And if you're the queen I want?"... She sat up, drew her knees in, wrapped her arms around them as if she would make a shelter of her own body. He wanted to pull her back down beside him and press his mouth to hers. He wanted her to look at him again with possibility in her eyes. "But that's not who I am. Whatever is inside me is sharp and gray as the thorn wood." She rose and dusted off her kefta. "I wasn't born to be a bride. I was made to be a weapon." Nikolai forced himself to smile. It wasn't as if he'd offered her a real proposal. They both knew such a thing was impossible. And yet her refusal smarted just as badly as if he'd gotten on his knee and offered her his hand like some kind of besotted fool. It stung. All saints, it stung. "Well," he said cheerfully, pushing up on his elbows and looking up at her with all the wry humour he could muster. "Weapons are good to have around too. Far more useful than brides and less likely to mope about the palace. But if you won't rule Ravka by my side, what does the future hold, General?" Zoya opened the door to the Cargo hold.Light flooded in gilding her features when she looked back at him. "I'll fight on beside you. As your general. As your friend. Because whatever my failings, I know this. You are the king Ravka needs.
Leigh Bardugo
It is difficult to return to the places of one's early happiness. The young girls in the flower of their youth still laugh and chatter on the seashore, but he who watches them gradually loses his right to love them, just as those he has loved lose the power to be loved. This melancholy is the melancholy of Proust. It was powerful enough in him to cause a violent rejection of all existence. But his passion for faces and for the light attached him at the same time to life. He never admitted that the happy days of his youth were lost forever. He undertook the task of re-creating them and of demonstrating, in the face of death, that the past could be regained at the end of time in the form of an imperishable present, both truer and richer than it was at the beginning. The psychological analysis of Remembrance of Things Past is nothing but a potent means to an end. The real greatness of Proust lies in having written Time Regained, which resembles the world of dispersion and which gives it a meaning on the very level of integration. His difficult victory, on the eve of his death, is to have been able to extract from the incessant flight of forms, by means of memory and intelligence alone, the tentative trembling symbols of human unity. The most definite challenge that a work of this kind can give to creation is to present itself as an entirety, as a closed and unified world. This defines an unrepentant work of art.
Albert Camus (The Rebel)
I heard the door at the far end of the hallway swing open. Then I heard familiar footsteps approaching. After going to three different schools for seven years, I knew it was Mark. “Hi, Mark,” I said. “Hey, pal. I thought I’d find you here,” Mark said. I sighed wearily. “Did you find her?” Mark asked tentatively. “Yeah.” “Did you tell her how you feel?” “In a manner of speaking, yes.” “What did she say?” I turned around to face my best friend. Concern born of seven years’ worth of friendship was written on his open face. Whatever his faults, you could never accuse Mark of being unconcerned. “I – ah – wrote her a letter,” I said slightly embarrassed. “I see,” he said quietly. He pursed his lips. “Did she say anything?” “I asked her not to read it until after commencement.” “I see,” he said again. I could tell he was disappointed in me. There was another one of those awkward silences. I felt oddly like a mischievous schoolboy who’d been sent to the principal’s office for some infraction of the rules. Mark just shook his head in disbelief and gave me a tut-tut look. “You know,” he said quietly, “sometimes playing it safe can be the worst thing you can do.” “Macht nichts,” I said bitterly. “Like hell, macht nichts, pal. It makes a hell of a difference, if you ask me.” Mark shook his head sadly. “I really don’t want to be there when you find out for yourself what a stupid mistake it is that you made today.
Alex Diaz-Granados (Reunion: A Story: A Novella (The Reunion Duology Book 1))
Did the countess tell you what was said between her and me?” Lillian asked tentatively. Marcus shook his head, his mouth twisting. “She told me that you had decided to elope with St. Vincent.” “Elope?” Lillian repeated in shock. “As if I deliberately… as if I had chosen him over—” She stopped, aghast, as she imagined how he must have felt. Although she had not shed a single tear during the entire day, the thought that Marcus might have wondered for a split second if yet another woman had left him for St. Vincent… it was too much to bear. She burst into noisy sobs, startling herself as well as Marcus. “You didn’t believe it, did you? My God, please say you didn’t!” “Of course I didn’t.” He stared at her in astonishment, and hastily reached for a table napkin to wipe at the stream of tears on her face. “No, no, don’t cry—” “I love you, Marcus.” Taking the napkin from him, Lillian blew her nose noisily and continued to weep as she spoke. “I love you. I don’t mind if I’m the first one to say it, nor even if I’m the only one. I just want you to know how very much—” “I love you too,” he said huskily. “I love you too. Lillian… Please don’t cry. It’s killing me. Don’t.” She nodded and blew into the linen folds again, her complexion turning mottled, her eyes swelling, her nose running freely. It appeared, however, that there was something wrong with Marcus’s vision. Grasping her head in his hands, he pressed a hard kiss to her mouth and said hoarsely, “You’re so beautiful.” The statement, though undoubtedly sincere, caused her to giggle through her last hiccupping sobs. Wrapping his arms around her in an embrace that was just short of crushing, Marcus asked in a muffled voice, “My love, hasn’t anyone ever told you that it’s bad form to laugh at a man when he’s declaring himself?” She blew her nose with a last inelegant snort. “I’m a hopeless case, I’m afraid. Do you still want to marry me?” “Yes. Now.” The statement shocked her out of her tears. “What?” “I don’t want to return with you to Hampshire. I want to take you to Gretna Green. The inn has its own coach service— I’ll hire one in the morning, and we’ll reach Scotland the day after tomorrow.” “But… but everyone will expect a respectable church wedding…” “I can’t wait for you. I don’t give a damn about respectability.” A wobbly grin spread across Lillian’s face as she thought of how many people would be astonished to hear such a statement from him. “It smacks of scandal, you know. The Earl of Westcliff rushing off for an anvil wedding in Gretna Green…” “Let’s begin with a scandal, then.” He kissed her, and she responded with a low moan, clinging and arching against him, until he pushed his tongue deeper, molding his lips tighter over hers, feasting on the warm, open silkiness of her mouth. Breathing heavily, he dragged his lips to her quivering throat. “Say, ‘Yes, Marcus,’” he prompted. “Yes, Marcus.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
Are you a god, then?" Sokrates asked. "What is a god?" Ikaros threw back instantly. They both sat up and leaned forward eagerly. Sokrates looked like, well, a philosopher. Ikaros was, frankly, gorgeous, more gorgeous than even Jathery pretending to be Hermes, because he was more mature. But there was no question he was a philosopher too, with that avidity in his face, twin to Sokrates's own. "None of my old definitions will work, unless we allow that you and Porphyry and Athene are some other kind of being, and that there are unchanging unseeking perfect gods that are different," Sokrates said. "The One," Ikaros said. "And I used the word angels in the New Concordance, for those other kinds of being. But perfection is a dynamic attribute." "How can it be? The nature of perfection--" "Perfect things can become more perfect, endlessly.""Excellence, yes, but perfection implies completeness." Porphyry and I looked past them and smiled at each other. There was something satisfying to the soul in the way they so immediately became utterly absorbed in the argument. Sokrates caught the smile as Ikaros becan to explain the nature of dynamic perfection, which was exactly the kind of abstraction Ikarians and Psycheans love. "Wait," he said. "We're arguing with each other when we have an expert here." "I'm not an expert," Porphyry said, throwing up his hands. "But you admit you are a god?" "Yes..." Porphyry admitted, tentatively. "Then you must know what a god is," Sokrates said, with a brisk nod. "Please enlighten us.
Jo Walton (Necessity (Thessaly, #3))
You already know what you know, after all—and, unless your life is perfect, what you know is not enough. You remain threatened by disease, and self-deception, and unhappiness, and malevolence, and betrayal, and corruption, and pain, and limitation. You are subject to all these things, in the final analysis, because you are just too ignorant to protect yourself. If you just knew enough, you could be healthier and more honest. You would suffer less. You could recognize, resist and even triumph over malevolence and evil. You would neither betray a friend, nor deal falsely and deceitfully in business, politics or love. However, your current knowledge has neither made you perfect nor kept you safe. So, it is insufficient, by definition—radically, fatally insufficient. You must accept this before you can converse philosophically, instead of convincing, oppressing, dominating or even amusing. You must accept this before you can tolerate a conversation where the Word that eternally mediates between order and chaos is operating, psychologically speaking. To have this kind of conversation, it is necessary to respect the personal experience of your conversational partners. You must assume that they have reached careful, thoughtful, genuine conclusions (and, perhaps, they must have done the work tha justifies this assumption). You must believe that if they shared their conclusions with you, you could bypass at least some of the pain of personally learning the same things (as learning from the experience of others can be quicker and much less dangerous). You must meditate, too, instead of strategizing towards victory. If you fail, or refuse, to do so, then you merely and automatically repeat what you already believe, seeking its validation and insisting on its rightness. But if you are meditating as you converse, then you listen to the other person, and say the new and original things that can rise from deep within of their own accord. It’s as if you are listening to yourself during such a conversation, just as you are listening to the other person. You are describing how you are responding to the new information imparted by the speaker. You are reporting what that information has done to you—what new things it made appear within you, how it has changed your presuppositions, how it has made you think of new questions. You tell the speaker these things, directly. Then they have the same effect on him. In this manner, you both move towards somewhere newer and broader and better. You both change, as you let your old presuppositions die—as you shed your skins and emerge renewed. A conversation such as this is one where it is the desire for truth itself—on the part of both participants—that is truly listening and speaking. That’s why it’s engaging, vital, interesting and meaningful. That sense of meaning is a signal from the deep, ancient parts of your Being. You’re where you should be, with one foot in order, and the other tentatively extended into chaos and the unknown. You’re immersed in the Tao, following the great Way of Life. There, you’re stable enough to be secure, but flexible enough to transform. There, you’re allowing new information to inform you—to permeate your stability, to repair and improve its structure, and expand its domain. There the constituent elements of your Being can find their more elegant formation. A conversation like that places you in the same place that listening to great music places you, and for much the same reason. A conversation like that puts you in the realm where souls connect, and that’s a real place. It leaves you thinking, “That was really worthwhile. We really got to know each other.” The masks came off, and the searchers were revealed. So, listen, to yourself and to those with whom you are speaking. Your wisdom then consists not of the knowledge you already have, but the continual search for knowledge, which is the highest form of wisdom.
Jordan B. Peterson
His arms wrapped around her, and he rolled easily to his back, taking her with him. Surprised and flummoxed, Merritt floundered a little as he gently pushed her up and arranged her legs to straddle him. "What are you doing?" "Putting you to work," he said, "since you're so set on wringing me dry." She looked at the brawny male beneath her and shook her head slightly. A brief laugh escaped him as he saw her confusion. "You're a horsewoman, aye?" he asked, and nudged upward with his hips. "Ride." Genuinely shocked at finding herself in the dominant position, Merritt braced her hands on his chest for balance. Her first tentative movement was rewarded by an encouraging lift of his hips. It sent him even deeper than before, the angle seeming to open something inside her, and she quivered in sensitive reaction. Hot and excited and mortified, she understood what he wanted. As she began to move, she gradually lost her self-consciousness and found a rhythm, her sex rubbing and pumping against his. Every downstroke sent pleasure through her, every sensation connected to the thick length of him. Panting heavily, Keir reached up to cup her breasts, his thumbs stroking the stiff peaks. "Merry, love... I'm going to come soon." "Yes," she gasped, a tide of heat approaching fast. "You'll... you'll have to pull away, if you dinna want me to release inside you." "I want it," she managed to say. "Stay in me. I want to feel you come... Keir..." He began to pump fast and hard, his hands grasping her hips to keep her in place. His eyes half closed, the passion-drowsed intensity of his gaze pushing her over the edge. The release went on and on, new swells and crests washing over her, having her moaning and shivering in their wake. She felt his hands grip her thighs as he bucked beneath her once, twice, and held fast. When he subsided, trembling like a racehorse held in check, she lay on top of him with their bodies still fused. Feeling euphoric, she nuzzled the dark golden fleece of his chest.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
I’ll tell you what,” he says. “You keep me company while I finish my dinner. I won’t even ask you what you have…or don’t have…under that coat. Deal?” I smile tentatively and smooth down my hair. “Deal.” “You don’t have to do that for me,” he says, gently taking my hand away from my hair. “I’ll get a blanket so you don’t get dirty.” I wait until he pulls a clean light green fleece blanket out of a closet. We sit on the blanket and Alex looks at his watch. “Want some?” he asks, pointing to his dinner. Maybe eating will calm my nerves. “What is it?” “Enchiladas. Mi’amá makes kick-ass enchiladas.” He stabs a small portion with a fork and holds it out to me. “If you’re not used to this kind of spicy food--” “I love spicy,” I interrupt, taking it into my mouth. I start chewing, enjoying the blend of flavors. But when I swallow, my tongue slowly catches on fire. Somewhere behind all the fire there’s flavor, but the flames are in the way. “Hot,” is all I can say as I attempt to swallow. “I told you.” Alex holds out the cup he’d been drinking from. “Here, drink. Milk usually does the trick, but I only have water.” I grab the cup. The liquid cools my tongue, but when I finish the water it’s as if someone stokes it again. “Water…,” I say. He fills another cup. “Here, drink more, though I don’t think it’ll help much. It’ll subside soon.” Instead of drinking it this time, I stick my tongue in the cold liquid and keep it there. Ahhh… “You okay?” “To I wook otay?” I ask. “With your tongue in the water like that, actually, it’s erotic. Want another bite?” he asks mischievously, acting like the Alex I know. “Mo mank ooh.” “Your tongue still burnin’?” I lift my tongue from the water. “It feels like a million soccer players are stomping on it with their cleats.” “Ouch,” he says, laughing. “You know, I heard once that kissin’ reduces the fire.” “Is that your cheap way of telling me you want to kiss me?” He looks into my eyes, his dark gaze capturing mine. “Querida, I always want to kiss you.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
Closing her eyes, she fit the violin under her chin, and set the bow to the strings. Faith had never been as blind as this. The first thing that came to mind was the sound of her fingers breaking. Her life, as she knew it, dying. The shock and the pain of it, and the utter devastation. They’ve killed me, she thought. So she played it. Next came the memory of warm, strong hands reaching for hers in the darkness. The unknown clasping her fingers, healing her, lending her strength and reassurance. It was the only thing in the world when she had nothing. It had been her lifeline. And she played it. Then came trust, the tentative unfurling, when she believed against all evidence that the person who came to her in the darkness would help her in any way he could. The impossibly intense adventure of his arm, sliding around her shoulders. The miracle of warmth when she had known nothing but coldness. That first kiss, oh, the surprise of it! The agonizing uncertainty… was it all right to allow this? How could it feel so incredibly good? Could she possibly kiss him again? Oh, when could she kiss him again? The burning that took hold, the incandescent light that shone despite all the shadows stacked around them. The unbearable, delicious hunger that was the sweetest pain… that she would give anything, anything, if only she could feel it again… Always before, when she had played, she’d had the awareness of the violin and the bow as instruments in her craft. Her music had been self-conscious, aware. Now, as she played, she went somewhere she had never gone before. She lost awareness of the violin altogether. She became the music. She was the story, the vibration. She became the story of love, the notes written in kisses and caresses on her skin. She felt the symphony, the swelling highs in the lifts, and the terrible lows in the falls, and hope was the cruelest note of all, the devastation that came afterward, utterly intolerable. She poured it all out, all the emotion, the experience, the exquisite delight along with the terror. There was no hiding any of it from a god anyway. The only other being she had been so naked with was Morgan, and he was gone. Gone, while the love she felt for him had become the very breath of life to her. Give him back to me, she begged with her music. Give him back. When the last note speared through the air, she had nothing left to give.
Thea Harrison (Spellbinder (Moonshadow, #2))
For several seconds, we stand there staring each other down. Anger radiates off the both of us in waves, crackling like electricity. And then…he sort of staggers back. All his swagger, his bravado, crumbles away in a split second, just like that. “Why do we keep doing this? Yelling at each other like this?” I let out my breath in a huff. “Because you always piss me off, that’s why, acting all smug and superior.” “Yeah, and you always throw temper tantrums like some kind of spoiled brat. That’s just who we are. We’re not perfect.” He takes a deep, rattling breath. “But we’re good together, Jem.” He’s right. I know he is, but… “You say you love me, but you can’t even be bothered to tell me that you’re applying to a school in the same city as me? Not until the cat’s out the bag and everyone knows? What am I supposed to think, Ryder?” He rakes a hand through his hair. “Don’t you get it? I want you to follow your dreams. To do what you want to do with your life--not what your parents want, or what Nan wants, or what I want. I didn’t want to take that away from you. If you knew I was thinking about going to Columbia…” He shakes his head. “Then what? I’m having a hard time following your logic here.” He sighs, his enormous shoulders seeming to sag. “I didn’t want you to apply just because I’m going to be in New York. Or hell, even worse, not apply because I’m going to be there. I was going to tell you in person. And then the scout shows up at the game tonight, and what was I supposed to do? My mom is freaking out; you’re freaking out.” He throws his hands in the air in frustration. “I’ve totally fucked this up.” It hits me then, the truth of the situation. He made his decision about Columbia on his own, and he wanted me to be able to do the same. Of course. Hell, if it hadn’t been for the storm bringing us together like it did, I probably would have turned down NYU rather than risk going off to New York with him, and that’s the truth. I drop my gaze to the ground and take a deep breath, cursing myself for being such an idiot. “No, you haven’t,” I say at last, raising my eyes to meet his confused ones. “Haven’t what?” “Fucked it up.” I take a tentative step toward him. “I get it now. God, Ryder. Why do you have to be so perfect?” “Perfect? I’ve been in love with you for so long now, and I’ve never managed to get it right, not once.” I have to bite my lip to keep from grinning. “News flash--I think you’ve finally got it this time.
Kristi Cook (Magnolia (Magnolia Branch, #1))