Tenor Saxophone Quotes

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In an artistic sense, cool came to refer to someone with a signature artistic style so integral as to exude an authentic mode-of-being in the world: Miles, Bogart, Brando, Eastwood, Greco, Elvis, Lady Day, Sinatra. Such a person created something from nothing and gave the world some new artistic or psychological 'equipment for living,' to use a phrase of Kenneth Burke's. A signature style is yours and can only be carried by you: it cannot be abstracted except through dilution and commodification since it reflects an individual's complex personal experience. In this sense, cool was 'making a dollar out of fifteen cents,' to pull another phrase from the Africa-American vernacular. Lester Young was once at a bar when a tenor saxophone solo floated out of the jukebox. 'That's me,' he said happily. As he listened his mood collapsed - he realized it was one of his many imitators. 'No, that's not me,' he said sadly. To steal someone else's sound or style and capitalize on it has always been un-cool, the pretense of posers.
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Joel Dinerstein (The Origins of Cool in Postwar America)
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We got into the car. It was my first time. The car was spotless and I liked its smell, the smell of old leather and old steel. When, two minutes later, we reached my building, I began to feel sorry for him but didn't know what to say or how to help. I was too shy to ask him to open up and tell me about the cloud that had cast such a gloomy shadow over him. Instead I suggested something so flatfooted that I'm surprised it did not irritate him even more than he was already. I told him to head home and sleep the whole thing off, as if sleep could free a castaway from his island. No, he needed to work, he replied. Besides, her was looking forward to driving at night. He loved cruising Boston by night. He loved jazz, old jazz, Gene Ammons β€” especially played en sardine, with the volume really low β€” as the tenor sax invariably blocked all bad feelings and made him think of romance and of sultry summer nights where a woman dances cheek to cheek with you to the saxophone's prolonged lyrical strains that made you want love even after you'd stopped trusting love exists on this planet.
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AndrΓ© Aciman (Harvard Square)