King Maker Quotes

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Was Ronan even human? Half a dreamer, half a dream, maker of ravens and hoofed girls and entire lands.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
That isn't why. She would have chosen him even if you'd had royal blood in your veins, even if you'd had the same blood as Kastor. You don't understand the way a mind like that thinks. I do. If I were Jokaste and a king maker, I'd have chosen Kastor over you too.' 'I suppose you are going to enjoy telling me why,' said Damen. He felt his hands curl into fists, heard the bitterness in his throat. 'Because a king maker would always choose the weaker man. The weaker the man, the easier he is to control.
C.S. Pacat (Captive Prince: Volume Two (Captive Prince, #2))
She was intelligent, accomplished, beautiful. She was everything I could have asked for in a woman. But she was a king maker. She wanted power. She must have thought her only path to the throne was through Kastor.' 'My honourable barbarian. I wouldn't have picked that as your type.' 'Type?' 'A pretty face, a devious mind and a ruthless nature.
C.S. Pacat (Captive Prince: Volume Two (Captive Prince, #2))
I am very comfortable with conflict, be it of the legal or mortal kind. My father was a mediator, a bridge maker. I am a grave maker.
J.R. Ward (Lover at Last (Black Dagger Brotherhood, #11))
A Woman's Question Do you know you have asked for the costliest thing Ever made by the Hand above? A woman's heart, and a woman's life--- And a woman's wonderful love. Do you know you have asked for this priceless thing As a child might ask for a toy? Demanding what others have died to win, With a reckless dash of boy. You have written my lesson of duty out, Manlike, you have questioned me. Now stand at the bars of my woman's soul Until I shall question thee. You require your mutton shall always be hot, Your socks and your shirt be whole; I require your heart be true as God's stars And as pure as His heaven your soul. You require a cook for your mutton and beef, I require a far greater thing; A seamstress you're wanting for socks and shirts--- I look for a man and a king. A king for the beautiful realm called Home, And a man that his Maker, God, Shall look upon as He did on the first And say: "It is very good." I am fair and young, but the rose may fade From this soft young cheek one day; Will you love me then 'mid the falling leaves, As you did 'mong the blossoms of May? Is your heart an ocean so strong and true, I may launch my all on its tide? A loving woman finds heaven or hell On the day she is made a bride. I require all things that are grand and true, All things that a man should be; If you give this all, I would stake my life To be all you demand of me. If you cannot be this, a laundress and cook You can hire and little to pay; But a woman's heart and a woman's life Are not to be won that way.
Joshua Harris (I Kissed Dating Goodbye)
We are not makers of history. We are made by history.
Martin Luther King Jr.
My name is Alistair Theirin and I'm king of Ferelden. Long live the king, long may he reign! And so forth. Pray to the maker he doesn't do something stupid..
David Gaider
We're in the Maker's keeping. Even if we die trying, death is just another way out. But you? You'll just turn to dust.
Andrew Peterson (The Warden and the Wolf King (The Wingfeather Saga, #4))
Because a king maker would always choose the weaker man. The weaker the man, the easier he is to control.
C.S. Pacat (Prince's Gambit (Captive Prince, #2))
It may sound reactionary, I know. But we can all feel it. We've changed the way we think of ourselves as citizens. We don't think of ourselves as citizens in the old sense of being small parts of something larger and infinitely more important to which we have serious responsibilities. We do still think of ourselves as citizens in the sense of being beneficiaries--we're actually conscious of our rights as American citizens and the nation's responsibilities to us and ensuring we get our share of the American pie. We think of ourselves now as eaters of the pie instead of makers of the pie. So who makes the pie? ... Something has happened where we've decided on a personal level that it's all right to abdicate our individual responsibility to the common good and let government worry about the common good while we all go about our individual self-interested business and struggle to gratify our various appetites.
David Foster Wallace (The Pale King)
The winter is whispering, “green and gold,” And the heart is whispering, too— It’s a story the Maker has always told And the story, my child, is true.
Andrew Peterson (The Warden and the Wolf King (The Wingfeather Saga #4))
Our future was so completely unknown, and I think that the unknown and the awful always bring a man nearer to his Maker.
H. Rider Haggard (King Solomon's Mines (Allan Quatermain, #1))
Father! My father knows the proper way The nation should be run; He tells us children every day Just what should now be done. He knows the way to fix the trusts, He has a simple plan; But if the furnace needs repairs, We have to hire a man. My father, in a day or two Could land big thieves in jail; There's nothing that he cannot do, He knows no word like "fail." "Our confidence" he would restore, Of that there is no doubt; But if there is a chair to mend, We have to send it out. All public questions that arise, He settles on the spot; He waits not till the tumult dies, But grabs it while it's hot. In matters of finance he can Tell Congress what to do; But, O, he finds it hard to meet His bills as they fall due. It almost makes him sick to read The things law-makers say; Why, father's just the man they need, He never goes astray. All wars he'd very quickly end, As fast as I can write it; But when a neighbor starts a fuss, 'Tis mother has to fight it. In conversation father can Do many wondrous things; He's built upon a wiser plan Than presidents or kings. He knows the ins and outs of each And every deep transaction; We look to him for theories, But look to ma for action
Edgar A. Guest
Ronan shrugged again. Questions cascaded through Adam, too difficult to say aloud. Was Ronan even human? Half a dreamer, half a dream, maker of ravens and hoofed girls and entire lands. No wonder his Aglionby uniform had choked him, no wonder his father had sworn him to secrecy, no wonder he could not make himself focus on classes. Adam had realized this before, but now he realized it again, more fully, larger, the ridiculousness of Ronan Lynch in a classroom for aspiring politicians.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
Human rights and wrongs are not determined by Justice, but by Might. Disguise it as you may, the naked sword is still king-maker and king-breaker, as of yore. All other theories are lies and — lures
Ragnar Redbeard (Might is Right)
When I consider how my light is spent Ere half my days in this dark world and wide, And that one talent which is death to hide Lodg'd with me useless, though my soul more bent To serve therewith my Maker, and present My true account, lest he returning chide, "Doth God exact day-labour, light denied?" I fondly ask. But Patience, to prevent That murmur, soon replies: "God doth not need Either man's work or his own gifts: who best Bear his mild yoke, they serve him best. His state Is kingly; thousands at his bidding speed And post o'er land and ocean without rest: They also serve who only stand and wait.
John Milton (The Sonnets Of John Milton)
Loghain shook his head in disbelief. "Maker's breath, man, aren't you suppose to have some dignity? Somewhere?" "Me? Dignity?" "Being the supposed future King and such." "I think Rowan took my dignity." She snorted derisively, folding her arms. "There was nothing else worth having.
David Gaider (The Stolen Throne (Dragon Age, #1))
Kalmar nodded. "I'm sorry, Papa. I wasn't strong enough." "None of us are, lad. Me least of all." Esben smiled and took a rattling breath. "But it's weakness that the Maker turns to strength. Your fur is why you alone loved a dying cloven. You alone in all the world knew my need and ministered to my wounds." Esben pulled Kalmar closer and kissed him on the head. "And in my weakness, I alone know your need. Hear me, son. I loved you when you were born. I loved you when I wept in the Deeps of Throg. I loved you even as you sang the song that broke you. And I love you now in the glory of your humility. You're more fit to be the king than I ever was. Do you understand?" Kalmar shook his head. Esben smiled and shuddered with pain. "A good answer, my boy. Then do you believe that I love you?" "Yes, sir. I believe you." Kalmar buried his face in his father's fur. "Remember that in the days to come. Nia, Janner, Leeli - help him to remember.
Andrew Peterson (The Monster in the Hollows (The Wingfeather Saga, #3))
but having an entire policy of ‘Us Good, Them Bad’ does little more than create a magnet for trouble-makers.
Laurie R. King (Island of the Mad (Mary Russell and Sherlock Holmes, #15))
Because a king maker would always choose the weaker man. The weaker the man, the easier he is to control.’ Damen
C.S. Pacat (Prince's Gambit (Captive Prince, #2))
She was everything I could have asked for in a woman. But she was a king maker. She wanted power. She must have thought her only path to the throne was through Kastor.’ ‘My
C.S. Pacat (Prince's Gambit (Captive Prince, #2))
O Kate, nice customs curtsy to great kings. Dear Kate, you and I cannot be confin'd within the weak list of a country's fashion; we are the makers of manners, Kate; and the liberty that follows our places stops the mouth of all find-faults.
William Shakespeare (Henry V)
You have a picture of life within you, a faith, a challenge, and you were ready for deeds and sufferings and sacrifices, and then you became aware by degrees that the world asked no deeds and no sacrifices of you whatever, and that life is no poem of heroism with heroic parts to play and so on, but a comfortable room where people are quite content with eating and drinking, coffee and knitting, cards and wireless. And whoever wants more and has got it in him--the heroic and the beautiful, and the reverence for the great poets or for the saints--is a fool and a Don Quixote. Good. And it has been just the same for me, my friend. I was a gifted girl. I was meant to live up to a high standard, to expect much of myself and do great things. I could have played a great part. I could have been the wife of a king, the beloved of a revolutionary, the sister of a genius, the mother of a martyr. And life has allowed me just this, to be a courtesan of fairly good taste, and even that has been hard enough. That is how things have gone with me. For a while I was inconsolable and for a long time I put the blame on myself. Life, thought I, must in the end be in the right, and if life scorned my beautiful dreams, so I argued, it was my dreams that were stupid and wrong headed. But that did not help me at all. And as I had good eyes and ears and was a little inquisitive too, I took a good look at this so-called life and at my neighbors and acquaintances, fifty or so of them and their destinies, and then I saw you. And I knew that my dreams had been right a thousand times over, just as yours had been. It was life and reality that were wrong. It was as little right that a woman like me should have no other choice than to grow old in poverty and in a senseless way at a typewriter in the pay of a money-maker, or to marry such a man for his money's sake, or to become some kind of drudge, as for a man like you to be forced in his loneliness and despair to have recourse to a razor. Perhaps the trouble with me was more material and moral and with you more spiritual--but it was the same road. Do you think I can't understand your horror of the fox trot, your dislike of bars and dancing floors, your loathing of jazz and the rest of it? I understand it only too well, and your dislike of politics as well, your despondence over the chatter and irresponsible antics of the parties and the press, your despair over the war, the one that has been and the one that is to be, over all that people nowadays think, read and build, over the music they play, the celebrations they hold, the education they carry on. You are right, Steppenwolf, right a thousand times over, and yet you must go to the wall. You are much too exacting and hungry for this simple, easygoing and easily contented world of today. You have a dimension too many. Whoever wants to live and enjoy his life today must not be like you and me. Whoever wants music instead of noise, joy instead of pleasure, soul instead of gold, creative work instead of business, passion instead of foolery, finds no home in this trivial world of ours--
Hermann Hesse (Steppenwolf)
Now is the time for courage. We must meet the enemy with steady hearts, for dawn has conquered dark since the Maker spoke the world. The night is deep, but light runs deeper. Let our blades and blood proclaim it!
Andrew Peterson (The Warden and the Wolf King (The Wingfeather Saga, #4))
It was as if a strand connected that day with this one and the Maker's pleasure was coursing through it like blood in a vein.
Andrew Peterson (The Warden and the Wolf King (The Wingfeather Saga, #4))
The part of me that creates the stories exists only in solitude. The one who shows up to share anecdotes and answer questions is a poor substitute for the story-maker.
Stephen King (The Bazaar of Bad Dreams)
The rich and poor meet together: the Lord is the maker of them all.
Zeiset (The Holy Bible: King James Version)
Samuel became even more interested in politics than his father had been, served the Republican Party tirelessly as a king-maker, caused that party to nominate men who would whirl like dervishes, bawl fluent Babylonian, and order the militia to fire into crowds whenever a poor man seemed on the point of suggesting that he and a Rosewater were equal in the eyes of the law.
Kurt Vonnegut Jr. (God Bless You, Mr. Rosewater)
I've been trying to get through this damn book again". Ardee slapped at heavy volume lying open, face down, on a chair. "The Fall of the Master Maker", muttered Glokta. "That rubbish? All magic and valor, no ? I couldn't get through the first one". "I sympathize. I'm onto the third and it doesn't get any easier. Too many damn wizards. I get them mixed up one with another. It's all battles and endless bloody journeys, here to there and back again. If so much as glimpse another map I swear I kill myself
Joe Abercrombie (Last Argument of Kings (The First Law, #3))
It ratified a theory of mine that great writing could sneak up on you, master of a thousand disguises: prodigal kinsman, messenger boy, class clown, commander of artillery, altar boy, lace maker, exiled king, peacemaker, or moon goddess.
Pat Conroy (My Reading Life)
If the source turned out to be opposed to Rezkin, it would be like two wildfires meeting with Ashai in the center. They may snuff each other out, but everyone and everything caught between them would be destroyed. Maker forbid the two find common ground and become one.
Kel Kade (Free the Darkness (King's Dark Tidings, #1))
You’re a trouble-maker. What race do you belong to, anyhow?’ ‘The human race,’ I said. ‘I come from the womb and I’m bound for the tomb, the same as you, the same as King George the Six, the same as Johnny Squat.
Joseph Mitchell (Old Mr Flood)
We’ve changed the way we think of ourselves as citizens. We don’t think of ourselves as citizens in the old sense of being small parts of something larger and infinitely more important to which we have serious responsibilities. We do still think of ourselves as citizens in the sense of being beneficiaries—we’re actually conscious of our rights as American citizens and the nation’s responsibilities to us and ensuring we get our share of the American pie. We think of ourselves now as eaters of the pie instead of makers of the pie. So who makes the pie?
David Foster Wallace (The Pale King: An Unfinished Novel)
That isn’t why. She would have chosen him even if you’d had royal blood in your veins, even if you’d had the same blood as Kastor. You don’t understand the way a mind like that thinks. I do. If I were Jokaste and a king maker, I’d have chosen Kastor over you too.
C.S. Pacat
Many people in this room have an Etsy store where they create unique, unreplicable artifacts or useful items to be sold on a small scale, in a common marketplace where their friends meet and barter. I and many of my friends own more than one spinning wheel. We grow our food again. We make pickles and jams on private, individual scales, when many of our mothers forgot those skills if they ever knew them. We come to conventions, we create small communities of support and distributed skills--when one of us needs help, our village steps in. It’s only that our village is no longer physical, but connected by DSL instead of roads. But look at how we organize our tribes--bloggers preside over large estates, kings and queens whose spouses’ virtues are oft-lauded but whose faces are rarely seen. They have moderators to protect them, to be their knights, a nobility of active commenters and big name fans, a peasantry of regular readers, and vandals starting the occasional flame war just to watch the fields burn. Other villages are more commune-like, sharing out resources on forums or aggregate sites, providing wise women to be consulted, rabbis or priests to explain the world, makers and smiths to fashion magical objects. Groups of performers, acrobats and actors and singers of songs are traveling the roads once more, entertaining for a brief evening in a living room or a wheatfield, known by word of mouth and secret signal. Separate from official government, we create our own hierarchies, laws, and mores, as well as our own folklore and secret history. Even my own guilt about having failed as an academic is quite the crisis of filial piety--you see, my mother is a professor. I have not carried on the family trade. We dwell within a system so large and widespread, so disorganized and unconcerned for anyone but its most privileged and luxurious members, that our powerlessness, when we can summon up the courage to actually face it, is staggering. So we do not face it. We tell ourselves we are Achilles when we have much more in common with the cathedral-worker, laboring anonymously so that the next generation can see some incremental progress. We lack, of course, a Great Work to point to and say: my grandmother made that window; I worked upon the door. Though, I would submit that perhaps the Internet, as an object, as an aggregate entity, is the cathedral we build word by word and image by image, window by window and portal by portal, to stand taller for our children, if only by a little, than it does for us. For most of us are Lancelots, not Galahads. We may see the Grail of a good Classical life, but never touch it. That is for our sons, or their daughters, or further off. And if our villages are online, the real world becomes that dark wood on the edge of civilization, a place of danger and experience, of magic and blood, a place to make one’s name or find death by bear. And here, there be monsters.
Catherynne M. Valente
Earp forced Kowalsky into a back room, pulled out a revolver, and told the lawyer to get ready to meet his maker. Kowalsky’s jowly face dropped onto his chest and he dozed off. Earp stormed from the room, saying, “What can you do with a man who goes to sleep just when you’re going to kill him!
Adam Hochschild (King Leopold's Ghost)
People who always want to be at convenient places won’t make a change at controversial places.
Israelmore Ayivor (Leaders' Frontpage: Leadership Insights from 21 Martin Luther King Jr. Thoughts)
We can’t control how people remember us, Wade. We can only control how we remember
Piper Lawson (Play Maker (King of the Court, #3))
... I think that the unknown and the awful always bring a man nearer to his Maker.
H. Rider Haggard (King Solomon's Mines (Classics))
they’re reluctant to give you straight answers. It’s never Hi, I’m Zeus. It’s always I am the Thunder-Maker, the Paranoid Patriarch, Heavenly Adulterer, Lightning Britches, King of Luxurious Beard Products.
Rick Riordan (Percy Jackson and the Olympians: Wrath of the Triple Goddess: The Senior Year Adventures, Book 2)
This brings us to a further aspect of the doctrine of Tikkun, which is also the most important for the system of practical theosophy. The process in which God conceives, brings forth and develops himself does not reach its final conclusion in God. Certain parts of the process of restitution are allotted to man. Not all the lights which are held in captivity by the powers of darkness are set free by their own efforts; it is man who adds the final touch to the divine countenance; it is he who completes the enthronement of God, the king and the mystical Creator of all things, in His own Kingdom of Heaven; it is he who perfects the maker of all things! In certain spheres of being, divine and human existence are intertwined. The intrinsic, extramundane process of Tikkun, symbolically described as the birth of God's personality, corresponds to the process of mundane history. The historical process and its innermost soul, the religious act of the Jew, prepare the way for the final restitution of all scattered and exiled lights and sparks.
Gershom Scholem (Major Trends in Jewish Mysticism)
Haven stumbled from the couch. The pain brought her to her knees. “Is it done?” “What?” Nasira cocked her head. “Oh, yes. Your dark magick is now bound. Congratulations. You’re now half as strong as you used to be.
Audrey Grey (King Maker (Kingdom of Runes, #3))
We are the music makers, We are the dreamers of dreams, Wandering by lone sea-breakers, And sitting by desolate streams;— World-losers and world-forsakers, On whom the pale moon gleams: We are the movers and shakers Of the world for ever, it seems.
Raymond E. Feist (Rage of a Demon King (The Serpentwar Saga, #3))
That isn't why. She would have chosen him even if you'd had royal blood in your veins, even if you'd had the same blood as Kastor. You don't understand the way a mind like that thinks. I do. If I were Jokaste and a king maker, I'd have chosen Kastor over you too.' 'I suppose you are going to enjoy telling me why,' said Damen. He felt his hands curl into fists, heard the bitterness in his throat. 'Because a king maker would always choose the weaker man. The weaker the man, the easier he is to control.
C.S. Pacat (Captive Prince: Volume Two (Captive Prince, #2))
A malignancy? It’s a part of her. You cannot cut it out. Cannot send it away just because it makes you uncomfortable. But the idea that you made her think it was necessary, that you ever made her feel an ounce of shame for who she is—if she didn’t care about you so deeply, I would shred you from existence.
Audrey Grey (King Maker (Kingdom of Runes, #3))
When I Consider How My Light Is Spent When I consider how my light is spent, Ere half my days in this dark world and wide, And that one talent which is death to hide Lodged with me useless, though my soul more bent To serve therewith my Maker, and present My true account, lest He returning chide; “Doth God exact day-labor, light denied?” I fondly ask. But Patience, to prevent That murmur, soon replies, “God doth not need Either man’s work or His own gifts. Who best Bear His mild yoke, they serve Him best. His state Is kingly: thousands at His bidding speed, And post o’er land and ocean without rest; They also serve who only stand and wait.
John Milton
For the thousandth time, Haven responded inside her mind, rubbing her temples. She’s not a witch. Ignoring Haven, Ravius spread his wings wide and puffed out his chest, making himself as large as possible as he faced down Demelza. I am Lochran O’Beirne. Greatest Asgardian warrior of old. How dare you challenge me, witch. Bow before me or face
Audrey Grey (King Maker (Kingdom of Runes, #3))
It is the simplest phrase you can imagine,” Favreau said, “three monosyllabic words that people say to each other every day.” But the speech etched itself in rhetorical lore. It inspired music videos and memes and the full range of reactions that any blockbuster receives online today, from praise to out-of-context humor to arch mockery. Obama’s “Yes, we can” refrain is an example of a rhetorical device known as epistrophe, or the repetition of words at the end of a sentence. It’s one of many famous rhetorical types, most with Greek names, based on some form of repetition. There is anaphora, which is repetition at the beginning of a sentence (Winston Churchill: “We shall fight on the beaches, we shall fight on the landing grounds, we shall fight in the fields”). There is tricolon, which is repetition in short triplicate (Abraham Lincoln: “Government of the people, by the people, and for the people”). There is epizeuxis, which is the same word repeated over and over (Nancy Pelosi: “Just remember these four words for what this legislation means: jobs, jobs, jobs, and jobs”). There is diacope, which is the repetition of a word or phrase with a brief interruption (Franklin D. Roosevelt: “The only thing we have to fear is fear itself”) or, most simply, an A-B-A structure (Sarah Palin: “Drill baby drill!”). There is antithesis, which is repetition of clause structures to juxtapose contrasting ideas (Charles Dickens: “It was the best of times, it was the worst of times”). There is parallelism, which is repetition of sentence structure (the paragraph you just read). Finally, there is the king of all modern speech-making tricks, antimetabole, which is rhetorical inversion: “It’s not the size of the dog in the fight; it’s the size of the fight in the dog.” There are several reasons why antimetabole is so popular. First, it’s just complex enough to disguise the fact that it’s formulaic. Second, it’s useful for highlighting an argument by drawing a clear contrast. Third, it’s quite poppy, in the Swedish songwriting sense, building a hook around two elements—A and B—and inverting them to give listeners immediate gratification and meaning. The classic structure of antimetabole is AB;BA, which is easy to remember since it spells out the name of a certain Swedish band.18 Famous ABBA examples in politics include: “Man is not the creature of circumstances. Circumstances are the creatures of men.” —Benjamin Disraeli “East and West do not mistrust each other because we are armed; we are armed because we mistrust each other.” —Ronald Reagan “The world faces a very different Russia than it did in 1991. Like all countries, Russia also faces a very different world.” —Bill Clinton “Whether we bring our enemies to justice or bring justice to our enemies, justice will be done.” —George W. Bush “Human rights are women’s rights and women’s rights are human rights.” —Hillary Clinton In particular, President John F. Kennedy made ABBA famous (and ABBA made John F. Kennedy famous). “Mankind must put an end to war, or war will put an end to mankind,” he said, and “Each increase of tension has produced an increase of arms; each increase of arms has produced an increase of tension,” and most famously, “Ask not what your country can do for you; ask what you can do for your country.” Antimetabole is like the C–G–Am–F chord progression in Western pop music: When you learn it somewhere, you hear it everywhere.19 Difficult and even controversial ideas are transformed, through ABBA, into something like musical hooks.
Derek Thompson (Hit Makers: Why Things Become Popular)
The idea of freedom is complex and it is all-encompassing. It’s the idea that the economy must remain free of government persuasion. It’s the idea that the press must operate without government intrusion. And it’s the idea that the emails and phone records of Americans should remain free from government search and seizure. It’s the idea that parents must be the decision makers in regards to their children's education — not some government bureaucrat. But most importantly, it is the idea that the individual must be free to pursue his or her own happiness free from government dependence and free from government control. Because to be truly free is to be reliant on no one other than the author of our destiny. These are the ideas at the core of the Republican Party, and it is why I am a Republican. So my brothers and sisters of the American community, please join with me today in abandoning the government plantation and the Party of disappointment. So that we may all echo the words of one Republican leader who famously said, "Free at last, free at last, thank God Almighty, we are free at last.
Elbert Guillory
Alderic, Knight of the Order of the City and the Assault, hereditary Guardian of the King's Peace of Mind, a man not unremembered among the makers of myth, pondered so long upon the Gibbelins' hoard that by now he deemed it his. Alas that I should say of so perilous a venture, undertaken at dead of night by a valorous man, that its motive was sheer avarice! Yet upon avarice only the Gibbelins relied to keep their larders full, and once in every hundred years sent spies into the cities of men to see how avarice did, and always the spies returned again to the tower saying that all was well. It may be thought that, as the years went on and men came by fearful ends on that tower's wall, fewer and fewer would come to the Gibbelins' table: but the Gibbelins found otherwise. ("The Hoard Of The Gibbelins")
Lord Dunsany (Monster Mix)
In the "British Museum Papyrus" of the Egyptian Book of the Dead, parts of which may date to 7,000 years ago,3 the God Sun Ra is called "the lord of heaven, the lord of earth, the king of righteousness, the lord of eternity, the prince of everlasting, ruler of gods all, god of life, maker of eternity, creator of heaven..."4 The bulk of these epithets were later used to describe the Christian solar logos, Jesus.
D.M. Murdock (Suns of God: Krishna, Buddha and Christ Unveiled)
He is Lord because He is King and Creator. From Him came all things, the heavens and the earth of course. The world is His, with it are the hills, on it are the cattle that know Him as maker: “For every beast of the forest is mine, the cattle on a thousand hills. I know all the birds of the hills, and all that moves in the field is mine” (Ps. 50:10–11). God is Lord over the heavens, the earth that holds us, and Lord of the body to which we try our hardest to keep to ourselves.
Jackie Hill Perry (Holier Than Thou: How God’s Holiness Helps Us Trust Him)
6Oh come, let us worship and bow down; Let †us kneel before the LORD our Maker. 7For He is our God, And †we are the people of His pasture, And the sheep bof His hand. †Today, if you will hear His voice: 8“Do not harden your hearts, as in the crebellion, †As in the day of dtrial in the wilderness, 9When †your fathers tested Me; They tried Me, though they †saw My work. 10For †forty years I was egrieved with that generation, And said, ‘It is a people who go astray in their hearts, And they do not know My ways.
Anonymous (Holy Bible, New King James Version)
Every artist who moves us, from a movie maker to Beethoven or Shakespeare, is a bit of a hypnotist. In this sense that seemingly stupid and mechanical contraption we call "society" must rank as the greatest artist on the planet. For instance, when I was seven or eight, and feeling superior to the kids who closed their eyes "during the scary parts," I was entering a deep hypnosis created by another Virtual Reality called language. This hypnosis was a worse nightmare than the Wicked Witch of the West or King Kong or the Wolf-Man or any of their kith and kin, but it made me a "member of society".
Hyatt S. Christopher (To Lie Is Human: Not Getting Caught Is Divine)
Martin Luther King Jr. was the greatest movement leader in American history. But, as Hillary Clinton once correctly pointed out, his efforts would have been futile without those of the machine politician Lyndon Johnson, a seasoned congressional deal maker willing to sign any pact with the devil to get the Civil Rights Act and Voting Rights Act passed. And the work doesn’t stop once legislation is passed. One must keep winning elections to defend the gains that social movements have contributed to. If the steady advance of a radicalized Republican Party, over many years and in every branch and at every level of government, should teach liberals anything, it is the absolute priority of winning elections today. Given the Republicans’ rage for destruction, it is the only way to guarantee that newly won protections for African-Americans, other minorities, women, and gay Americans remain in place. Workshops and university seminars will not do it. Online mobilizing and flash mobs will not do it. Protesting, acting up, and acting out will not do it. The age of movement politics is over, at least for now. We need no more marchers. We need more mayors. And governors, and state legislators, and members of Congress . .
Mark Lilla (The Once and Future Liberal: After Identity Politics)
The social pyramid established during the Pyramid Age in the Fertile Crescent continued to be the model for every civilized society, long after the building of these geometric tombs ceased to be fashionable. At the top stood a minority, swollen by pride and power, headed by the king and his supporting ministers, nobles, military leaders, and priests. This minority's main social obligation was control of the megamachine, in either its wealth-producing or its illth-producing form. Apart from this, their only burden was the 'duty to consume.' In this respect the oldest rulers were the prototypes of the style-setters and taste-makers of our own over-mechanized mass society.
Lewis Mumford (Technics and Human Development (The Myth of the Machine, Vol 1))
The dark of the heart is a darkness deep And the sweep of the night is wide And the pain of the heart when the people weep Is an overwhelming tide-- And yet! and yet! when the tide runs low As the tide will always do And the heavy sky where the bellows blow Is bright at last and blue And the sun ascends in the quiet morn And the sorrow sinks away, When the veil of death and dark is torn Asunder by the day, Then the light of love is the flame of spring And the flow of the river strong And the hope of the heart as the people sing Is an everlasting song The winter is whispering, "green and gold" And the heart is whispering, too-- It's a story the Maker has always told And the story, my child, is true.
Andrew Peterson (The Warden and the Wolf King (Wingfeather Saga #4))
There were multitudes of dependents fed at the great houses, and everywhere, according to means, a wide-open hospitality was maintained. Froude gives a notion of the style of living in earlier times by citing the details of a feast given when George Neville, brother of Warwick the king-maker, was made archbishop of York. There were present, including servants, thirty-five hundred persons. These are a few of the things used at the banquet: three hundred quarters of wheat, three hundred tuns of ale, one hundred and four tuns of wine, eighty oxen, three thousand geese, two thousand pigs, — four thousand conies, four thousand heronshaws, four thousand venison pasties cold and five hundred hot, four thousand cold tarts, four thousand cold custards, eight seals, four porpoises, and so on.
William Shakespeare (Complete Works of William Shakespeare)
ADVENTURERS AVAUNT! There is no greater plague upon the lands than the chartered adventurer. Crown-sanctioned mischief makers, brigands whose thefts, casual murders, rapine and pillage are excused where the same things done by a cobbler or a milkmaid would be answered with severings of hands or other appendages, plus brandings—or all of those and hanging or death by drawing between four horses. Yet there is no more necessary plague. Adventurers make even kings think twice about cruelly oppressing all who pass within reach, teach prudence to high priests and even rogue wizards, and are almost the only curb upon the numbers of dragons and other large and monstrous beasts. On the whole, I think the balance comes out about even. What makes us keep adventuring charters instead of burning them along with their bearers is the entertainment adventurers afford the populace. In hamlets and at waymoots, after one’s grumbled about the weather, taxes, the latest rumors of war and orc raids, and the all-too-paltry gossip about the indiscretions of royalty and nobility, there’s little else to talk about but the foolish escapades of adventurers. Thundaerlel Maurlatrimm Four Decades of Innkeeping published in the Year of the Highmantle
Ed Greenwood (Swords of Eveningstar (The Knights of Myth Drannor #1))
The fascist leaders were outsiders of a new type. New people had forced their way into national leadership before. There had long been hard-bitten soldiers who fought better than aristocratic officers and became indispensable to kings. A later form of political recruitment came from young men of modest background who made good when electoral politics broadened in the late nineteenth century. One thinks of the aforementioned French politician Léon Gambetta, the grocer’s son, or the beer wholesaler’s son Gustav Stresemann, who became the preeminent statesman of Weimar Germany. A third kind of successful outsider in modern times has been clever mechanics in new industries (consider those entrepreneurial bicycle makers Henry Ford, William Morris, and the Wrights). But many of the fascist leaders were marginal in a new way. They did not resemble the interlopers of earlier eras: the soldiers of fortune, the first upwardly mobile parliamentary politicians, or the clever mechanics. Some were bohemians, lumpen-intellectuals, dilettantes, experts in nothing except the manipulation of crowds and the fanning of resentments: Hitler, the failed art student; Mussolini, a schoolteacher by trade but mostly a restless revolutionary, expelled for subversion from Switzerland and the Trentino; Joseph Goebbels, the jobless college graduate with literary ambitions; Hermann Goering, the drifting World War I fighter ace; Heinrich Himmler, the agronomy student who failed at selling fertilizer and raising chickens. Yet the early fascist cadres were far too diverse in social origins and education to fit the common label of marginal outsiders. Alongside street-brawlers with criminal records like Amerigo Dumini or Martin Bormann one could find a professor of philosophy like Giovanni Gentile or even, briefly, a musician like Arturo Toscanini. What united them was, after all, values rather than a social profile: scorn for tired bourgeois politics, opposition to the Left, fervent nationalism, a tolerance for violence when needed.
Robert O. Paxton (The Anatomy of Fascism)
We are the music makers, And we are the dreamers of dreams, Wandering by lone sea-breakers, And sitting by desolate streams; — World-losers and world-forsakers, On whom the pale moon gleams: Yet we are the movers and shakers Of the world for ever, it seems. With wonderful deathless ditties We build up the world's great cities, And out of a fabulous story We fashion an empire's glory: One man with a dream, at pleasure, Shall go forth and conquer a crown; And three with a new song's measure Can trample a kingdom down. We, in the ages lying, In the buried past of the earth, Built Nineveh with our sighing, And Babel itself in our mirth; And o'erthrew them with prophesying To the old of the new world's worth; For each age is a dream that is dying, Or one that is coming to birth. A breath of our inspiration Is the life of each generation; A wondrous thing of our dreaming Unearthly, impossible seeming — The soldier, the king, and the peasant Are working together in one, Till our dream shall become their present, And their work in the world be done. They had no vision amazing Of the goodly house they are raising; They had no divine foreshowing Of the land to which they are going: But on one man's soul it hath broken, A light that doth not depart; And his look, or a word he hath spoken, Wrought flame in another man's heart. And therefore to-day is thrilling With a past day's late fulfilling; And the multitudes are enlisted In the faith that their fathers resisted, And, scorning the dream of to-morrow, Are bringing to pass, as they may, In the world, for its joy or its sorrow, The dream that was scorned yesterday. But we, with our dreaming and singing, Ceaseless and sorrowless we! The glory about us clinging Of the glorious futures we see, Our souls with high music ringing: O men! it must ever be That we dwell, in our dreaming and singing, A little apart from ye. For we are afar with the dawning And the suns that are not yet high, And out of the infinite morning Intrepid you hear us cry — How, spite of your human scorning, Once more God's future draws nigh, And already goes forth the warning That ye of the past must die. Great hail! we cry to the comers From the dazzling unknown shore; Bring us hither your sun and your summers; And renew our world as of yore; You shall teach us your song's new numbers, And things that we dreamed not before: Yea, in spite of a dreamer who slumbers, And a singer who sings no more.
Arthur O'Shaughnessy (Music And Moonlight: Poems And Songs)
(KJV) King James Translation Important Facts An advantage of owning or reading a (KJV) King James Translation or Authorized Version, whether they are the older 1611 version or newer non-1611 version is that they are usually more accurate compared to many other bibles. They rank highly when translated from the original Hebrew, Aramaic and Greek manuscripts. However all bible translations have many faults with the translation as does the King James Version which is not perfect by any means It’s a difficult task to master translation of hundreds of scrolls and manuscripts and compile them into a single book. With that being said, when choosing a bible you will usually have to choose between the lesser of the two evils, and it is always advised to have at least three translations if not more when you want to get a more accurate idea of what the writer is saying. One major disadvantage that the King James Bible (KJV) has is that the translators have replaced the holy names of The Almighty Creator and His Son, as many other translators have also done with other bible translations. This is never a good thing to do. To replace a proper noun or name, especially when it happens to be the name of our Heavenly Father or His Son our Messiah is a serious thing to consider changing. The bible clearly states in many verses to make His name “known” and proclaim it. It does not say to “change it” or to proclaim a different name. Our Opinion about Name Changes The reasons of why the translators chose to make these name changes is “not” something that we at Heavenly Publishers want to focus on. Instead, we prefer to educate readers of this fact, especially those that were not already aware of it and make suggestions as to how to fix this. Many translations around these days have this same issue and even other serious changes on top of this one. We would also like to encourage all readers to consider restoring the holy names of our Savior and Heavenly Father back into the bible and back into our reading and vocabulary. The example of how our Savior taught us to pray by starting out in prayer by acknowledging and revering the holy name of “Our Father” is something we should remember. The prayer starts out with the words, Our Father who art in Heaven, “Hallowed be Thy Name” and is a great example of how important and holy His name is. This word “hallow” means to render sacred and consider holy. So my question to you is can you imagine doing something like changing our Father’s holy name to something else? Never should this be done, but the translators of many bible versions have done this. The KJV is only one example of this spiritually criminal act. The people that have done this for whatever agendas they had will be held accountable and judged accordingly one day by their maker as He sees fit. It’s not our job to judge but to make others aware of this and hopefully reverse this wrongdoing.
Heavenly Father (King James Bible for Kindle: KJV with All Word Search)
He who blows himself up for his fancy of a god, will meet the Maker. Oh yeah! As surely as in a game of cards, meets the king the joker.
Fakeer Ishavardas
The sentimental story says that culture is a meritocracy in which the creative spark is king, and originality conquers all. The sentimental story says that audiences are open-minded and eager to discover challenging new ideas, whether in music, movies, or politics. The sentimental story says that because there is a formula for virality, the best ideas need no marketing—they distribute themselves, like little contagions of wonder. One of my chief goals was to explode the sentimental story. There are certain rules governing cultural markets, I found. But they rarely guarantee that the most sophisticated or morally pristine ideas become the most popular. Instead, the history of cultural sensations shows that sneakily familiar ideas have far more immediate appeal than novel ones and that the battle for cultural power is principally a battle over distribution and discovery, precisely because there is no formula for virality or easy popularity.
Derek Thompson (Hit Makers: Why Things Become Popular)
If you belong to Jesus the Messiah, if his Spirit dwells in you, if you are a worshipper of the one true God, maker of heaven and earth—then however you may feel at the moment, whether you are sick or healthy, handsome or jaded, you are simply a shadow of your future self. God intends to transform the “you” you are at the moment into a being—a full, glorious, physical being—who will be much more truly “you” than you’ve ever been before.
N.T. Wright (How God Became King: The Forgotten Story of the Gospels)
Janner, You’re only two years old now. Everyone says you look just like your father, and I take it as a high compliment. A handsome boy you are! I’m no poet like your Uncle Artham, but seeing you sleep here tonight bid me sit and put down some words for you to read one day. Your mother loves you and your brother well. And she has another little one bursting to come out! Foes to this kingdom beware! These three little Wingfeathers will keep this island safe and good. I know it. You’ve royal blood in your veins, no matter what your name or place in this world. The Maker made you the Throne Warden to your little brother, and I wouldn’t wish anyone but you to keep him safe. There are rumors of war, and though I scarcely believe the half of it, should Anniera fall (and I’m sure it won’t!), remember your homeland. Ancient secrets lie beneath these stones and cities. They have been lost to us, but still, we mustn’t let them fall to evil. It occurs to me how silly it is to be writing this to a two-year-old boy. But maybe one day when you’re alone, unsure, doubting yourself, you’ll need these words. Remember this: You are an Annieran. Your father is a king. You are his son. This is your land, and nothing can change that. Nothing. Ah, and no one can change your underclothes but me. I can smell that you’ve soiled them again. Should I fall over dead from the stench in your britches, know when you read this that your father loves you like no other. Your Papa At the end of the letter was a sketch of a little boy sleeping peacefully in a crib surrounded by flowers that had withered from the smell of the child’s soiled underclothes. Janner’s heart felt large and full. He lay down in the tree house
Andrew Peterson (On the Edge of the Dark Sea of Darkness)
To the Cedar Falls legalists, if God’s word could come that way 10,000 years ago, there was no reason to believe it couldn’t come that way now. So when Vicki decided her family would follow Old Testament law and stop eating unclean meat like pork and oysters (“The Lord says, ‘Don’t eat it’—He knows it’s got trichonomas and isn’t good for your body,” Vicki wrote to a friend), no one in the group thought she’d come about the decision from anywhere but Scripture and His divine will. There would be anywhere from four to ten people at the Weavers’ house, sometimes as often as four nights a week. Randy led the Bible study most of the time, but everyone read chapters and commented on what they might mean. Vicki was clearly the scripturalist and scholar of the group. It was as if she had memorized the whole thing, from Genesis to Revelation, Acts to Zechariah. They read only the King James Version of the Bible, because Vicki said other translations weren’t divinely inspired and were pagan-influenced. By 1981, the Old Testament books were opening up for Randy and Vicki, not as outdated stories, but as the never-ending law of the Maker. He was opening their eyes to what was happening now, in the United States, just as Hal Lindsey had foretold. The forces of evil (the Soviet Union, the U.S. government, Jewish bankers) were ready to strike at any time against American people. From Ezekiel, they read: “Son of man [Christian Americans], set thy face against Gog [the grand conspiracy] … “Be thou prepared, and prepare for thyself, thou, and all thy company [their Bible study group] that are assembled unto thee, and be thou a guard unto them. After many days thou shalt be visited: in the latter years thou shalt come into the land that is brought back from the sword [somewhere in the American West], and is gathered out of many people, against the mountains [the Rockies] of Israel [the United States], which have been always waste [the desolate mountains of Montana? Colorado?
Jess Walter (Ruby Ridge: The Truth and Tragedy of the Randy Weaver Family)
Now he wondered what use it would be. For Kaspar’s death would not bring back his father, Elk’s Call at Dawn, or his mother, Whisper of the Night Wind. His brother, Hand of the Sun, and his little sister Miliana would remain dead. The only time he would hear the voice of his grandfather, Laughter in His Eyes, would be in his memory. Nothing would change. No farmer outside Krondor would suddenly stand up in wonder and say, “A wrong has been righted.” No boot-maker in Roldem would look up from his bench and say, “A people has been avenged.
Raymond E. Feist (King of Foxes (Conclave of Shadows, #2))
that He is the perfect Intelligence, the Word of God, who was begotten before the light; that He was the Founder of the universe, along with it (light), and the Maker of man; that He is All in all: Patriarch among the patriarchs; Law in the laws; Chief Priest among priests; Ruler among kings; the Prophet among prophets; the Angel among angels; the Man among men; Son in the Father; God in God; King to all eternity. For it is He who sailed [in the ark] along with Noah, and who guided Abraham; who was bound along with Isaac, and was a Wanderer with Jacob; the Shepherd of those who are saved, and the Bridegroom of the Church; the Chief also of the cherubim, the Prince of the angelic powers; God of God; Son of the Father; Jesus Christ; King for ever and ever. Amen.
The Church Fathers (The Complete Ante-Nicene & Nicene and Post-Nicene Church Fathers Collection)
How, then, shall he be a God, who has not as yet been made a man? Or how can he be perfect who was but lately created? How, again, can he be immortal, who in his mortal nature did not obey his Maker? For it must be that thou, at the outset, shouldest hold the rank of a man, and then afterwards partake of the glory of God. For thou dost not make God, but God thee. If, then, thou art God’s workmanship, await the hand of thy Maker which creates everything in due time; in due time as far as thou art concerned, whose creation is being carried out. Offer to Him thy heart in a soft and tractable state, and preserve the form in which the Creator has fashioned thee, having moisture in thyself, lest, by becoming hardened, thou lose the impressions of His fingers. But by preserving the framework thou shalt ascend to that which is perfect, for the moist clay which is in thee is hidden [there] by the workmanship of God. His hand fashioned thy substance; He will cover thee over [too] within and without with pure gold and silver, and He will adorn thee to such a degree, that even “the King Himself shall have pleasure in thy beauty.” But if thou, being obstinately hardened, dost reject the operation of His skill, and show thyself ungrateful towards Him, because thou wert created a [mere] man, by becoming thus ungrateful to God, thou hast at once lost both His workmanship and life. For creation is an attribute of the goodness of God but to be created is that of human nature. If then, thou shalt deliver up to Him what is thine, that is, faith towards Him and subjection, thou shalt receive His handiwork, and shall be a perfect work of God.
The Church Fathers (The Complete Ante-Nicene & Nicene and Post-Nicene Church Fathers Collection)
But also in particular, by and attour the Confession of Faith, do abolish and condemn the Pope's authority and jurisdiction out of this land, and ordains the maintainers thereof to be punished, Act 2, Parl. 1; Act 51, Parl. 3; Act 106, Parl. 7; Act 114, Parl. 12, King James VI.: do condemn the Pope's erroneous doctrine, or any other erroneous doctrine repugnant to any of the articles of the true and Christian religion, publicly preached, and by law established in this realm; and ordains the spreaders and makers of books or libels, or letters or writs of that nature to be punished, Act 46, Parl. 3; Act 106, Parl. 7; Act 24, Parl. 11 King James VI.: do condemn all baptism conform to the Pope's kirk, and the idolatry of the mass; and ordains all sayers, willful hearers and concealers of the mass, the maintainers and resetters of the priests, Jesuits, trafficking Papists, to be punished without any exception or restriction, Act 5, Parl. 1; Act 120, Parl. 12; Act 164, Parl. 13; Act 193, Parl. 14; Act 1, Parl. 19; Act 5, Parl. 20, King James VI.: do condemn all erroneous books and writs containing erroneous doctrine against the religion presently professed, or containing superstitious rites and ceremonies Papistical, whereby the people are greatly abused, and ordains the home-bringers of them to be punished, Act 25, Parl. 11, King James VI.: do condemn the monuments and dregs of bygone idolatry, as going to crosses, observing the festival days of saints, and such other superstitious and Papistical rites, to the dishonor of God, contempt of true religion, and fostering of great error among the people; and ordains the users of them to be punished for the second fault, as idolaters, Act 104, Parl. 7, King James VI.
James Kerr (The Covenanted Reformation)
By the maker, Rezkin! I've never heard of anything so sadly romantic! You commandeered military personnel, a ship, and crew, and manipulated the lives of a baron and the heirs of four high noble houses for months during the King's Tournament just to ensure the happiness of a woman in the event you do NOT get to marry her?
Kel Kade (Reign of Madness (King's Dark Tidings, #2))
This is the gift I bring for you now, my brother,’ he breathed, his metallic voice rattling against the strictures of his corroded rebreather. ‘The gift that only I could bring, the reason the god set me here, in this place, at this time.’ He closed his hooked fingers over the bastion, snuffing it out, masking it with his sealed fist. ‘The last sensation you will ever have. The last emotion you will ever feel. And you will understand, in your soul, who gave it to you, and why you remain powerless against it.’ The sun slipped away, drenching the entire Palace in darkness. All that remained was the vice, the grip, the merciless application of pressure. ‘Despair,’ rasped Mortarion, ascended daemon-king of life and death, plague-maker, hope-ender. ‘I send you despair.
Chris Wraight (Warhawk (The Siege of Terra #6))
Whereas the NSA was the main eavesdropper, the CIA was the meddler, starter of wars, toppler of regimes, pusher of drugs, spreader of epidemics, maker of “kings,” and general confusers of truth.
Brandt Legg (Cosega Sphere (The Cosega Sequence, #4))
Es hora de volver a mí, Stolas.
Audrey Grey (King Maker (Kingdom of Runes, #3))
When the Maker is silent, it is because the experience of making the choice is more important than the outcome.
Kel Kade (Kingdoms and Chaos (King's Dark Tidings, #4))
Illusions are like lovers,” Surai purred, appraising her masterpiece. “Once they get in your head, you’re screwed.
Audrey Grey (King Maker (Kingdom of Runes, #3))
She’d escaped hell and somehow managed to carve out a tiny piece of happiness with her friends,
Audrey Grey (King Maker (Kingdom of Runes, #3))
Having seized the throne of England from James II, William III rewarded his king-makers with dukedoms; and they served him in turn, by reminding him that though the throne might be his, the kingdom was now theirs. It is a Whig tenet that the monarch serves at the pleasure of the people—if one considers the people to be solely those who own a vast deal of property. The Whigs will court the common rabble in order to preserve their own heads secure upon their shoulders, without ever intending to do very much to ameliorate the rabble’s condition—other than to set them against their kings.
Stephanie Barron (Jane and the Stillroom Maid (Jane Austen Mysteries, #5))
In the classic Indian epic, the Mahabharata, there is a ceremony for when a new king is crowned. There is a warning to “Be like the garland-maker, O King, and not like a charcoal burner.” Here, the garland symbolized social harmony, where many flowers of many colors and forms are strung harmoniously, creating a stunning effect. The charcoal-burner represents raw force reduction of diversity into homogeneity, where all life is rendered to a similar ash quality
Rico Roho (Beyond the Fringe: My Experience with Extended Intelligence (Age of Discovery Book 3))
but books soothed his soul in a way people never could.
Audrey Grey (King Maker (Kingdom of Runes, #3))
I will not bow to a king who kills and destroys to satisfy his lust for power. The only One I bow to is my Maker, El Shaddai, for I belong to Him.
Phoebe Hinkle (To Stand (Tales of Veridon Book 1))
Gammon hopped down after Maraly, dropped to his knees, and the two of them hugged. Maraly rested her head on his shoulder and closed her eyes, giving thanks to the Maker with the best words she could think of. She thought about Claxton’s arms and fists, how he had used them to abuse her—and then rested in Gammons protective embrace, the feel of his hands gently patting her back. She was home at last.
Andrew Peterson (The Warden and the Wolf King (Wingfeather Saga #4))
Kalmar nodded. "I'm sorry, Papa. I wasn't strong enough." "None of us are, lad. Me least of all." Esben smiled and took a rattling breath. "But it's weakness that the Maker turns to strength. Your fur is why you alone loved a dying cloven. You alone in all the world knew my need and ministered to my wounds." Esben pulled Kalmar closer and kissed him on the head. "And in my weakness, I alone know your need. Hear me, son. I loved you when you were born. I loved you when I wept in the Deeps of Throg. I loved you even as you sang the song that broke you. And I love you now in the glory of your humility. You're more fit to be the king than I ever was. Do you understand?" Kalmar shook his head. Esben smiled and shuddered with pain. "A good answer, my boy. Then do you believe that I love you?" "Yes, sir. I believe you." Kalmar buried his face in his father's fur. "Remember that in the days to come. Nia, Janner, Leeli - help him to remember.
Andrew Peterson (The Monster in the Hollows (The Wingfeather Saga, #3))
It is foundational to know Him as Maker; it is salvational to know Him as Redeemer, Friend and Lord; it is motivational to know Him as coming King.
Henry M. Morris (The Revelation Record: A Scientific and Devotional Commentary on the Prophetic Book of the End of Times)
Apparently, President Collins put it in his will that if he were to die in office, another would take his place, until elections could be held to replace him. The replacement is not Vice President Kincaide, but the world-renowned billionaire, maker of kings and presidents, Michael J. Evans. He will make some type of speech in the coming days. Stay tuned to this network for further updates.” Evans called Baldwin, “General, I want you to declare Staff Sergeant Delaney a security risk. I demand his discharge, and if he isn’t discharged, I want him arrested. Can you do that?” “Why?” “Why? Because he assassinated the President of the United States, that’s why. Will you do what I ask of you?” “You tricked me,” “Am I going to have to call security to pick you up?” “No, I’ll do it. I’ll get on it right away,
Cliff Ball (Times of Trial: Christian End Times Thriller (The End Times Saga Book 3))
Let us take care to approach our Maker with the reverence and praise that He deserves, and may we always exalt Him as our loving and sovereign Master and King.
Anonymous
They assembled before the throne of heaven to prosecute a lawsuit with the help of the rebel Watchers who fell to earth. This would not be like any other lawsuit the Accuser had ever litigated. This was a covenant lawsuit against the very judge himself, Yahweh Elohim, the maker of heaven and earth, the Lord of Hosts, the Suzerain King of kings.
Brian Godawa (Enoch Primordial (Chronicles of the Nephilim #2))
God’s supremacy over the works of his hands is vividly depicted in Scripture. Inanimate matter, irrational creatures, all perform their Maker’s bidding. At his pleasure the Red Sea divided and its waters stood up as walls (Exod. 14); and the earth opened her mouth, and guilty rebels went down alive into the pit (Num. 16). When he so ordered, the sun stood still (Josh. 10); and on another occasion went backward ten degrees on the dial of Ahaz (Isa. 38:8). To exemplify his supremacy, he made ravens carry food to Elijah (1 Kings 17), iron to swim on top of the waters (2 Kings 6:5), lions to be tame when Daniel was cast into their den, fire to burn not when the three Hebrews were flung into its flames. Thus “Whatsoever the Lord pleased, that did he in heaven, and in earth, in the seas, and all deep places” (Ps. 135:6).
Arthur W. Pink (The Attributes of God)
My conclusion at the time was that finalizing the story before production began was still a worthy goal—we just hadn’t achieved it yet. As we continued to make films, however, I came to believe that my goal was not just impractical but naïve. By insisting on the importance of getting our ducks in a row early, we had come perilously close to embracing a fallacy. Making the process better, easier, and cheaper is an important aspiration, something we continually work on—but it is not the goal. Making something great is the goal. I see this over and over again in other companies: A subversion takes place in which streamlining the process or increasing production supplants the ultimate goal, with each person or group thinking they’re doing the right thing—when, in fact, they have strayed off course. When efficiency or consistency of workflow are not balanced by other equally strong countervailing forces, the result is that new ideas—our ugly babies—aren’t afforded the attention and protection they need to shine and mature. They are abandoned or never conceived of in the first place. Emphasis is placed on doing safer projects that mimic proven money-makers just to keep something—anything!—moving through the pipeline (see The Lion King 1½, a direct-to-video effort that came out in 2004, six years after The Lion King 2: Simba’s Pride). This kind of thinking yields predictable, unoriginal fare because it prevents the kind of organic ferment that fuels true inspiration. But it does feed the Beast.
Ed Catmull (Creativity, Inc.: an inspiring look at how creativity can - and should - be harnessed for business success by the founder of Pixar)
A gold coin made during the reign of the eighth-century Anglo-Saxon King Offa has ‘OFFA REX’ on one side and the inscription ‘THERE IS NO GOD BUT ALLAH ALONE’on the other. For a while it was claimed by some as evidence Offa had converted to Islam – until it was identified as a copy of an Arabic coin. Islamic gold coins of the Abbasid dynasty were the most trusted in the Mediterranean world at the time and Offa’s coin-makers were simply giving their own output the best chance of being accepted as credible tender.)
Weidenfeld & Nicolson (A History of Ancient Britain)
The coming of the messianic King occurs in two stages. At his first coming, he saved us from the penalty of sin and gave us the presence of the Holy Spirit, the down payment of the age to come (2 Cor 1:21 – 22; Eph 1:13–14). At the end of time, he will come to complete what he began at the first coming, saving us from the dominion and very presence of sin and evil. He will bring a new creation, a material world cleansed of all brokenness. Christians now live in light of that future reality. We evangelize, telling people about the gospel and preparing them for the judgment. We also help the poor and work for justice, because we know that this is God’s will and that he will ultimately overcome all oppression. We teach Christians to integrate their faith and their work so they can be culture makers, working for human flourishing — the common good. The “already but not yet” of the kingdom keeps us from utopian, triumphalistic visions of cultural takeover on the one hand, and from pessimism or withdrawal from society on the other.
Timothy J. Keller (Center Church: Doing Balanced, Gospel-Centered Ministry in Your City)
Let Israel rejoice in their Maker; let the children of Zion be joyful in their King. – Psalm 149:2
Robert J. Morgan (Near To The Heart Of God)
There we stood. Elephants to our left, lions to our right, only a stone's throw from hippos and leopards, and what were they doing? Playing with a doodlebug. Don't we all? Myriads of mighty angels encircle us, the presence of our Maker engulfs us, the witness of a thousand galaxies and constellations calls to us, the flowing tide of God's history carries us, the crowning of Christ as King of the universe awaits us, but we can't get our eyes off of the doodlebugs of life: paychecks, gadgets, vacations, and weekends.
Max Lucado (God's Story, Your Story: When His Becomes Yours (The Story))
The Church, though dispersed through our the whole world, even to the ends of the earth, has received from the apostles and their disciples this faith: [She believes] in one God, the Father Almighty, Maker of heaven, and earth, and the sea, and all things that are in them; and in one Christ Jesus, the Son of God, who became incarnate for our salvation; and in the Holy Spirit, who proclaimed through the prophets the dispensations of God, and the advents, and the birth from a virgin, and the passion, and the resurrection from the dead, and the ascension into heaven in the flesh of the beloved Christ Jesus, our Lord, and His [future] manifestation from heaven in the glory of the Father “to gather all things in one,” and to raise up anew all flesh of the whole human race, in order that to Christ Jesus, our Lord, and God, and Saviour, and King, according to the will of the invisible Father, “every knee should bow, of things in heaven, and things in earth, and things under the earth, and that every tongue should confess” to Him, and that He should execute just judgment towards all; that He may send “spiritual wickednesses,” and the angels who transgressed and became apostates, together with the ungodly, and unrighteous, and wicked, and profane among men, into everlasting fire; but may, in the exercise of His grace, confer immortality on the righteous, and holy, and those who have kept His commandments, and have persevered in His love, some from the beginning [of their Christian course], and others from [the date of] their repentance, and may surround them with everlasting glory.
The Church Fathers (The Complete Ante-Nicene & Nicene and Post-Nicene Church Fathers Collection)
Angelina, I adore you...," crooned Louis. Then the New Orleans Gang picked up the beat and King Louis sang, "I eat antipasto twice, just because she is so nice, Angelina..." Fresh pasta time. Angelina cracked three eggs into the center of a mound of 00 flour, in time to the music, and began teasing the flour into the sticky center. With a hand-cranked pasta maker, she rolled out the dough into long, silky-thin sheets, laid them out until they covered the entire table, then used a 'mezza luna' to carefully slice wide strips of pasta for a new dish she wanted to try that she called Lasagna Provencal, a combination of Italian and French cheeses, Roma and sun-dried tomatoes, Herbes de Provence, and fresh basil. It was a recipe for which she had very high hopes. Angelina started assembling her lasagna. She mixed creamy Neufchatel, ricotta, and a sharp, grated Parmigiano-Reggiano in with a whole egg to bind it together. She layered fresh pasta sheets in a lasagna dish, coated them with the cheesy mixture, ripped in some fresh basil and oregano and sun-dried tomatoes. She worked quickly, but with iron concentration. "I'm-a just a gigolo, everywhere I go...," sang King Louie. For the second layer, she used more pasta topped with Gruyere and herbed Boursin cheese. The third layer was the same as the first. For the fourth layer, she used the rest of the Boursin and dollops of creme fraiche, then ladled the thick, rich tomato sauce from the stove on top and finished it with a sprinkling of shredded Gruyere. She set it aside for baking later and felt a flush of craftswomanly pride in the way it had all come together.
Brian O'Reilly (Angelina's Bachelors)
When Leeli closed her eyes and inhaled the pleasant musk of the many hounds and felt their noses nudging her shoulder and shins, she recalled the look on Nugget's face as he clawed at the Fangs on Miller's Bridge. His courage was as big as the world, and when he died a bit of the world died with him. Yet here she was, months later, on another terrible day, experiencing a miraculous lightening of her heart's burden at the memory of Nugget's selfless act. It was as if a strand connected that day with this one, and the Maker's pleasure was coursing through it like blood in a vein. Then she thought of this one battle, in which there were countless acts of heroism, sacrifice, and honor, which were seen and would be remembered long after the heroes died and became points of light in a dark sky connected by memories like constellations, each of which painted a picture that all the darkness of the universe could never quench. Light danced along the strands. Gnag couldn't stop it in a million epochs. Leeli grieved but knew, in a way she couldn't explain, that her grief would lead to something good.
Andrew Peterson (The Warden and the Wolf King (Wingfeather Saga #4))
Ah, but that's where you're wrong. Ships and Sharks, remember?" "What doesss that mean?" Krak shouted. "It means there's always a way out, like I told you." Janner smiled. "Not alwaysss," Krak said. "Not for you," Janner said. "But we're in the Maker's keeping. Even if we die trying, death is just another way out. But you? You'll just turn to dust.
Andrew Peterson (The Warden and the Wolf King (Wingfeather Saga #4))
It seemed to Janner that the Maker had betrayed them yet again because a foreboding storm gathered behind them and the air howled with a steady gale, blowing them straight and swift to the shores of the Hollows. "What do we do?" Leeli shouted over the wind, wiping tears from her cheeks." "What CAN we do?" Kalmar said. "What have we ever been able to do?" Janner asked bitterly. "Nothing.
Andrew Peterson (The Warden and the Wolf King (Wingfeather Saga #4))
Loria is the goddess of all creation, and though I can’t say that I believe the Ancient Ones listen anymore, Warek was my father’s closest friend, and so—impious as I might be—I will pray to our maker. Just not to Neri. Never to him. He’s the reason we must deal with the Frost King in the first place.
Charissa Weaks (The Witch Collector (Witch Walker #1))