King Maker Quotes

That isn't why. She would have chosen him even if you'd had royal blood in your veins, even if you'd had the same blood as Kastor. You don't understand the way a mind like that thinks. I do. If I were Jokaste and a king maker, I'd have chosen Kastor over you too.' 'I suppose you are going to enjoy telling me why,' said Damen. He felt his hands curl into fists, heard the bitterness in his throat. 'Because a king maker would always choose the weaker man. The weaker the man, the easier he is to control.

Was Ronan even human? Half a dreamer, half a dream, maker of ravens and hoofed girls and entire lands.

She was intelligent, accomplished, beautiful. She was everything I could have asked for in a woman. But she was a king maker. She wanted power. She must have thought her only path to the throne was through Kastor.' 'My honourable barbarian. I wouldn't have picked that as your type.' 'Type?' 'A pretty face, a devious mind and a ruthless nature.

I am very comfortable with conflict, be it of the legal or mortal kind. My father was a mediator, a bridge maker. I am a grave maker.

A Woman's Question Do you know you have asked for the costliest thing Ever made by the Hand above? A woman's heart, and a woman's life--- And a woman's wonderful love. Do you know you have asked for this priceless thing As a child might ask for a toy? Demanding what others have died to win, With a reckless dash of boy. You have written my lesson of duty out, Manlike, you have questioned me. Now stand at the bars of my woman's soul Until I shall question thee. You require your mutton shall always be hot, Your socks and your shirt be whole; I require your heart be true as God's stars And as pure as His heaven your soul. You require a cook for your mutton and beef, I require a far greater thing; A seamstress you're wanting for socks and shirts--- I look for a man and a king. A king for the beautiful realm called Home, And a man that his Maker, God, Shall look upon as He did on the first And say: "It is very good." I am fair and young, but the rose may fade From this soft young cheek one day; Will you love me then 'mid the falling leaves, As you did 'mong the blossoms of May? Is your heart an ocean so strong and true, I may launch my all on its tide? A loving woman finds heaven or hell On the day she is made a bride. I require all things that are grand and true, All things that a man should be; If you give this all, I would stake my life To be all you demand of me. If you cannot be this, a laundress and cook You can hire and little to pay; But a woman's heart and a woman's life Are not to be won that way.

We are not makers of history. We are made by history.

My name is Alistair Theirin and I'm king of Ferelden. Long live the king, long may he reign! And so forth. Pray to the maker he doesn't do something stupid..

We're in the Maker's keeping. Even if we die trying, death is just another way out. But you? You'll just turn to dust.

Because a king maker would always choose the weaker man. The weaker the man, the easier he is to control.

It may sound reactionary, I know. But we can all feel it. We've changed the way we think of ourselves as citizens. We don't think of ourselves as citizens in the old sense of being small parts of something larger and infinitely more important to which we have serious responsibilities. We do still think of ourselves as citizens in the sense of being beneficiaries--we're actually conscious of our rights as American citizens and the nation's responsibilities to us and ensuring we get our share of the American pie. We think of ourselves now as eaters of the pie instead of makers of the pie. So who makes the pie? ... Something has happened where we've decided on a personal level that it's all right to abdicate our individual responsibility to the common good and let government worry about the common good while we all go about our individual self-interested business and struggle to gratify our various appetites.

The winter is whispering, “green and gold,” And the heart is whispering, too— It’s a story the Maker has always told And the story, my child, is true.

Our future was so completely unknown, and I think that the unknown and the awful always bring a man nearer to his Maker.

Father! My father knows the proper way The nation should be run; He tells us children every day Just what should now be done. He knows the way to fix the trusts, He has a simple plan; But if the furnace needs repairs, We have to hire a man. My father, in a day or two Could land big thieves in jail; There's nothing that he cannot do, He knows no word like "fail." "Our confidence" he would restore, Of that there is no doubt; But if there is a chair to mend, We have to send it out. All public questions that arise, He settles on the spot; He waits not till the tumult dies, But grabs it while it's hot. In matters of finance he can Tell Congress what to do; But, O, he finds it hard to meet His bills as they fall due. It almost makes him sick to read The things law-makers say; Why, father's just the man they need, He never goes astray. All wars he'd very quickly end, As fast as I can write it; But when a neighbor starts a fuss, 'Tis mother has to fight it. In conversation father can Do many wondrous things; He's built upon a wiser plan Than presidents or kings. He knows the ins and outs of each And every deep transaction; We look to him for theories, But look to ma for action

Ronan shrugged again. Questions cascaded through Adam, too difficult to say aloud. Was Ronan even human? Half a dreamer, half a dream, maker of ravens and hoofed girls and entire lands. No wonder his Aglionby uniform had choked him, no wonder his father had sworn him to secrecy, no wonder he could not make himself focus on classes. Adam had realized this before, but now he realized it again, more fully, larger, the ridiculousness of Ronan Lynch in a classroom for aspiring politicians.

Human rights and wrongs are not determined by Justice, but by Might. Disguise it as you may, the naked sword is still king-maker and king-breaker, as of yore. All other theories are lies and — lures

When I consider how my light is spent Ere half my days in this dark world and wide, And that one talent which is death to hide Lodg'd with me useless, though my soul more bent To serve therewith my Maker, and present My true account, lest he returning chide, "Doth God exact day-labour, light denied?" I fondly ask. But Patience, to prevent That murmur, soon replies: "God doth not need Either man's work or his own gifts: who best Bear his mild yoke, they serve him best. His state Is kingly; thousands at his bidding speed And post o'er land and ocean without rest: They also serve who only stand and wait.

Loghain shook his head in disbelief. "Maker's breath, man, aren't you suppose to have some dignity? Somewhere?" "Me? Dignity?" "Being the supposed future King and such." "I think Rowan took my dignity." She snorted derisively, folding her arms. "There was nothing else worth having.

Kalmar nodded. "I'm sorry, Papa. I wasn't strong enough." "None of us are, lad. Me least of all." Esben smiled and took a rattling breath. "But it's weakness that the Maker turns to strength. Your fur is why you alone loved a dying cloven. You alone in all the world knew my need and ministered to my wounds." Esben pulled Kalmar closer and kissed him on the head. "And in my weakness, I alone know your need. Hear me, son. I loved you when you were born. I loved you when I wept in the Deeps of Throg. I loved you even as you sang the song that broke you. And I love you now in the glory of your humility. You're more fit to be the king than I ever was. Do you understand?" Kalmar shook his head. Esben smiled and shuddered with pain. "A good answer, my boy. Then do you believe that I love you?" "Yes, sir. I believe you." Kalmar buried his face in his father's fur. "Remember that in the days to come. Nia, Janner, Leeli - help him to remember.

but having an entire policy of ‘Us Good, Them Bad’ does little more than create a magnet for trouble-makers.

She was everything I could have asked for in a woman. But she was a king maker. She wanted power. She must have thought her only path to the throne was through Kastor.’ ‘My

Because a king maker would always choose the weaker man. The weaker the man, the easier he is to control.’ Damen

O Kate, nice customs curtsy to great kings. Dear Kate, you and I cannot be confin'd within the weak list of a country's fashion; we are the makers of manners, Kate; and the liberty that follows our places stops the mouth of all find-faults.

You have a picture of life within you, a faith, a challenge, and you were ready for deeds and sufferings and sacrifices, and then you became aware by degrees that the world asked no deeds and no sacrifices of you whatever, and that life is no poem of heroism with heroic parts to play and so on, but a comfortable room where people are quite content with eating and drinking, coffee and knitting, cards and wireless. And whoever wants more and has got it in him--the heroic and the beautiful, and the reverence for the great poets or for the saints--is a fool and a Don Quixote. Good. And it has been just the same for me, my friend. I was a gifted girl. I was meant to live up to a high standard, to expect much of myself and do great things. I could have played a great part. I could have been the wife of a king, the beloved of a revolutionary, the sister of a genius, the mother of a martyr. And life has allowed me just this, to be a courtesan of fairly good taste, and even that has been hard enough. That is how things have gone with me. For a while I was inconsolable and for a long time I put the blame on myself. Life, thought I, must in the end be in the right, and if life scorned my beautiful dreams, so I argued, it was my dreams that were stupid and wrong headed. But that did not help me at all. And as I had good eyes and ears and was a little inquisitive too, I took a good look at this so-called life and at my neighbors and acquaintances, fifty or so of them and their destinies, and then I saw you. And I knew that my dreams had been right a thousand times over, just as yours had been. It was life and reality that were wrong. It was as little right that a woman like me should have no other choice than to grow old in poverty and in a senseless way at a typewriter in the pay of a money-maker, or to marry such a man for his money's sake, or to become some kind of drudge, as for a man like you to be forced in his loneliness and despair to have recourse to a razor. Perhaps the trouble with me was more material and moral and with you more spiritual--but it was the same road. Do you think I can't understand your horror of the fox trot, your dislike of bars and dancing floors, your loathing of jazz and the rest of it? I understand it only too well, and your dislike of politics as well, your despondence over the chatter and irresponsible antics of the parties and the press, your despair over the war, the one that has been and the one that is to be, over all that people nowadays think, read and build, over the music they play, the celebrations they hold, the education they carry on. You are right, Steppenwolf, right a thousand times over, and yet you must go to the wall. You are much too exacting and hungry for this simple, easygoing and easily contented world of today. You have a dimension too many. Whoever wants to live and enjoy his life today must not be like you and me. Whoever wants music instead of noise, joy instead of pleasure, soul instead of gold, creative work instead of business, passion instead of foolery, finds no home in this trivial world of ours--

Now is the time for courage. We must meet the enemy with steady hearts, for dawn has conquered dark since the Maker spoke the world. The night is deep, but light runs deeper. Let our blades and blood proclaim it!

The part of me that creates the stories exists only in solitude. The one who shows up to share anecdotes and answer questions is a poor substitute for the story-maker.

The rich and poor meet together: the Lord is the maker of them all.

It was as if a strand connected that day with this one and the Maker's pleasure was coursing through it like blood in a vein.

Samuel became even more interested in politics than his father had been, served the Republican Party tirelessly as a king-maker, caused that party to nominate men who would whirl like dervishes, bawl fluent Babylonian, and order the militia to fire into crowds whenever a poor man seemed on the point of suggesting that he and a Rosewater were equal in the eyes of the law.

I've been trying to get through this damn book again". Ardee slapped at heavy volume lying open, face down, on a chair. "The Fall of the Master Maker", muttered Glokta. "That rubbish? All magic and valor, no ? I couldn't get through the first one". "I sympathize. I'm onto the third and it doesn't get any easier. Too many damn wizards. I get them mixed up one with another. It's all battles and endless bloody journeys, here to there and back again. If so much as glimpse another map I swear I kill myself

It ratified a theory of mine that great writing could sneak up on you, master of a thousand disguises: prodigal kinsman, messenger boy, class clown, commander of artillery, altar boy, lace maker, exiled king, peacemaker, or moon goddess.

If the source turned out to be opposed to Rezkin, it would be like two wildfires meeting with Ashai in the center. They may snuff each other out, but everyone and everything caught between them would be destroyed. Maker forbid the two find common ground and become one.

You’re a trouble-maker. What race do you belong to, anyhow?’ ‘The human race,’ I said. ‘I come from the womb and I’m bound for the tomb, the same as you, the same as King George the Six, the same as Johnny Squat.

We’ve changed the way we think of ourselves as citizens. We don’t think of ourselves as citizens in the old sense of being small parts of something larger and infinitely more important to which we have serious responsibilities. We do still think of ourselves as citizens in the sense of being beneficiaries—we’re actually conscious of our rights as American citizens and the nation’s responsibilities to us and ensuring we get our share of the American pie. We think of ourselves now as eaters of the pie instead of makers of the pie. So who makes the pie?

That isn’t why. She would have chosen him even if you’d had royal blood in your veins, even if you’d had the same blood as Kastor. You don’t understand the way a mind like that thinks. I do. If I were Jokaste and a king maker, I’d have chosen Kastor over you too.

Many people in this room have an Etsy store where they create unique, unreplicable artifacts or useful items to be sold on a small scale, in a common marketplace where their friends meet and barter. I and many of my friends own more than one spinning wheel. We grow our food again. We make pickles and jams on private, individual scales, when many of our mothers forgot those skills if they ever knew them. We come to conventions, we create small communities of support and distributed skills--when one of us needs help, our village steps in. It’s only that our village is no longer physical, but connected by DSL instead of roads. But look at how we organize our tribes--bloggers preside over large estates, kings and queens whose spouses’ virtues are oft-lauded but whose faces are rarely seen. They have moderators to protect them, to be their knights, a nobility of active commenters and big name fans, a peasantry of regular readers, and vandals starting the occasional flame war just to watch the fields burn. Other villages are more commune-like, sharing out resources on forums or aggregate sites, providing wise women to be consulted, rabbis or priests to explain the world, makers and smiths to fashion magical objects. Groups of performers, acrobats and actors and singers of songs are traveling the roads once more, entertaining for a brief evening in a living room or a wheatfield, known by word of mouth and secret signal. Separate from official government, we create our own hierarchies, laws, and mores, as well as our own folklore and secret history. Even my own guilt about having failed as an academic is quite the crisis of filial piety--you see, my mother is a professor. I have not carried on the family trade. We dwell within a system so large and widespread, so disorganized and unconcerned for anyone but its most privileged and luxurious members, that our powerlessness, when we can summon up the courage to actually face it, is staggering. So we do not face it. We tell ourselves we are Achilles when we have much more in common with the cathedral-worker, laboring anonymously so that the next generation can see some incremental progress. We lack, of course, a Great Work to point to and say: my grandmother made that window; I worked upon the door. Though, I would submit that perhaps the Internet, as an object, as an aggregate entity, is the cathedral we build word by word and image by image, window by window and portal by portal, to stand taller for our children, if only by a little, than it does for us. For most of us are Lancelots, not Galahads. We may see the Grail of a good Classical life, but never touch it. That is for our sons, or their daughters, or further off. And if our villages are online, the real world becomes that dark wood on the edge of civilization, a place of danger and experience, of magic and blood, a place to make one’s name or find death by bear. And here, there be monsters.

Earp forced Kowalsky into a back room, pulled out a revolver, and told the lawyer to get ready to meet his maker. Kowalsky’s jowly face dropped onto his chest and he dozed off. Earp stormed from the room, saying, “What can you do with a man who goes to sleep just when you’re going to kill him!

We can’t control how people remember us, Wade. We can only control how we remember

People who always want to be at convenient places won’t make a change at controversial places.

... I think that the unknown and the awful always bring a man nearer to his Maker.

This brings us to a further aspect of the doctrine of Tikkun, which is also the most important for the system of practical theosophy. The process in which God conceives, brings forth and develops himself does not reach its final conclusion in God. Certain parts of the process of restitution are allotted to man. Not all the lights which are held in captivity by the powers of darkness are set free by their own efforts; it is man who adds the final touch to the divine countenance; it is he who completes the enthronement of God, the king and the mystical Creator of all things, in His own Kingdom of Heaven; it is he who perfects the maker of all things! In certain spheres of being, divine and human existence are intertwined. The intrinsic, extramundane process of Tikkun, symbolically described as the birth of God's personality, corresponds to the process of mundane history. The historical process and its innermost soul, the religious act of the Jew, prepare the way for the final restitution of all scattered and exiled lights and sparks.

Haven stumbled from the couch. The pain brought her to her knees. “Is it done?” “What?” Nasira cocked her head. “Oh, yes. Your dark magick is now bound. Congratulations. You’re now half as strong as you used to be.

We are the music makers, We are the dreamers of dreams, Wandering by lone sea-breakers, And sitting by desolate streams;— World-losers and world-forsakers, On whom the pale moon gleams: We are the movers and shakers Of the world for ever, it seems.

That isn't why. She would have chosen him even if you'd had royal blood in your veins, even if you'd had the same blood as Kastor. You don't understand the way a mind like that thinks. I do. If I were Jokaste and a king maker, I'd have chosen Kastor over you too.' 'I suppose you are going to enjoy telling me why,' said Damen. He felt his hands curl into fists, heard the bitterness in his throat. 'Because a king maker would always choose the weaker man. The weaker the man, the easier he is to control.

A malignancy? It’s a part of her. You cannot cut it out. Cannot send it away just because it makes you uncomfortable. But the idea that you made her think it was necessary, that you ever made her feel an ounce of shame for who she is—if she didn’t care about you so deeply, I would shred you from existence.

When I Consider How My Light Is Spent When I consider how my light is spent, Ere half my days in this dark world and wide, And that one talent which is death to hide Lodged with me useless, though my soul more bent To serve therewith my Maker, and present My true account, lest He returning chide; “Doth God exact day-labor, light denied?” I fondly ask. But Patience, to prevent That murmur, soon replies, “God doth not need Either man’s work or His own gifts. Who best Bear His mild yoke, they serve Him best. His state Is kingly: thousands at His bidding speed, And post o’er land and ocean without rest; They also serve who only stand and wait.

For the thousandth time, Haven responded inside her mind, rubbing her temples. She’s not a witch. Ignoring Haven, Ravius spread his wings wide and puffed out his chest, making himself as large as possible as he faced down Demelza. I am Lochran O’Beirne. Greatest Asgardian warrior of old. How dare you challenge me, witch. Bow before me or face

It is the simplest phrase you can imagine,” Favreau said, “three monosyllabic words that people say to each other every day.” But the speech etched itself in rhetorical lore. It inspired music videos and memes and the full range of reactions that any blockbuster receives online today, from praise to out-of-context humor to arch mockery. Obama’s “Yes, we can” refrain is an example of a rhetorical device known as epistrophe, or the repetition of words at the end of a sentence. It’s one of many famous rhetorical types, most with Greek names, based on some form of repetition. There is anaphora, which is repetition at the beginning of a sentence (Winston Churchill: “We shall fight on the beaches, we shall fight on the landing grounds, we shall fight in the fields”). There is tricolon, which is repetition in short triplicate (Abraham Lincoln: “Government of the people, by the people, and for the people”). There is epizeuxis, which is the same word repeated over and over (Nancy Pelosi: “Just remember these four words for what this legislation means: jobs, jobs, jobs, and jobs”). There is diacope, which is the repetition of a word or phrase with a brief interruption (Franklin D. Roosevelt: “The only thing we have to fear is fear itself”) or, most simply, an A-B-A structure (Sarah Palin: “Drill baby drill!”). There is antithesis, which is repetition of clause structures to juxtapose contrasting ideas (Charles Dickens: “It was the best of times, it was the worst of times”). There is parallelism, which is repetition of sentence structure (the paragraph you just read). Finally, there is the king of all modern speech-making tricks, antimetabole, which is rhetorical inversion: “It’s not the size of the dog in the fight; it’s the size of the fight in the dog.” There are several reasons why antimetabole is so popular. First, it’s just complex enough to disguise the fact that it’s formulaic. Second, it’s useful for highlighting an argument by drawing a clear contrast. Third, it’s quite poppy, in the Swedish songwriting sense, building a hook around two elements—A and B—and inverting them to give listeners immediate gratification and meaning. The classic structure of antimetabole is AB;BA, which is easy to remember since it spells out the name of a certain Swedish band.18 Famous ABBA examples in politics include: “Man is not the creature of circumstances. Circumstances are the creatures of men.” —Benjamin Disraeli “East and West do not mistrust each other because we are armed; we are armed because we mistrust each other.” —Ronald Reagan “The world faces a very different Russia than it did in 1991. Like all countries, Russia also faces a very different world.” —Bill Clinton “Whether we bring our enemies to justice or bring justice to our enemies, justice will be done.” —George W. Bush “Human rights are women’s rights and women’s rights are human rights.” —Hillary Clinton In particular, President John F. Kennedy made ABBA famous (and ABBA made John F. Kennedy famous). “Mankind must put an end to war, or war will put an end to mankind,” he said, and “Each increase of tension has produced an increase of arms; each increase of arms has produced an increase of tension,” and most famously, “Ask not what your country can do for you; ask what you can do for your country.” Antimetabole is like the C–G–Am–F chord progression in Western pop music: When you learn it somewhere, you hear it everywhere.19 Difficult and even controversial ideas are transformed, through ABBA, into something like musical hooks.

The idea of freedom is complex and it is all-encompassing. It’s the idea that the economy must remain free of government persuasion. It’s the idea that the press must operate without government intrusion. And it’s the idea that the emails and phone records of Americans should remain free from government search and seizure. It’s the idea that parents must be the decision makers in regards to their children's education — not some government bureaucrat. But most importantly, it is the idea that the individual must be free to pursue his or her own happiness free from government dependence and free from government control. Because to be truly free is to be reliant on no one other than the author of our destiny. These are the ideas at the core of the Republican Party, and it is why I am a Republican. So my brothers and sisters of the American community, please join with me today in abandoning the government plantation and the Party of disappointment. So that we may all echo the words of one Republican leader who famously said, "Free at last, free at last, thank God Almighty, we are free at last.

Alderic, Knight of the Order of the City and the Assault, hereditary Guardian of the King's Peace of Mind, a man not unremembered among the makers of myth, pondered so long upon the Gibbelins' hoard that by now he deemed it his. Alas that I should say of so perilous a venture, undertaken at dead of night by a valorous man, that its motive was sheer avarice! Yet upon avarice only the Gibbelins relied to keep their larders full, and once in every hundred years sent spies into the cities of men to see how avarice did, and always the spies returned again to the tower saying that all was well. It may be thought that, as the years went on and men came by fearful ends on that tower's wall, fewer and fewer would come to the Gibbelins' table: but the Gibbelins found otherwise. ("The Hoard Of The Gibbelins")

In the "British Museum Papyrus" of the Egyptian Book of the Dead, parts of which may date to 7,000 years ago,3 the God Sun Ra is called "the lord of heaven, the lord of earth, the king of righteousness, the lord of eternity, the prince of everlasting, ruler of gods all, god of life, maker of eternity, creator of heaven..."4 The bulk of these epithets were later used to describe the Christian solar logos, Jesus.

He is Lord because He is King and Creator. From Him came all things, the heavens and the earth of course. The world is His, with it are the hills, on it are the cattle that know Him as maker: “For every beast of the forest is mine, the cattle on a thousand hills. I know all the birds of the hills, and all that moves in the field is mine” (Ps. 50:10–11). God is Lord over the heavens, the earth that holds us, and Lord of the body to which we try our hardest to keep to ourselves.

6Oh come, let us worship and bow down; Let †us kneel before the LORD our Maker. 7For He is our God, And †we are the people of His pasture, And the sheep bof His hand. †Today, if you will hear His voice: 8“Do not harden your hearts, as in the crebellion, †As in the day of dtrial in the wilderness, 9When †your fathers tested Me; They tried Me, though they †saw My work. 10For †forty years I was egrieved with that generation, And said, ‘It is a people who go astray in their hearts, And they do not know My ways.

Every artist who moves us, from a movie maker to Beethoven or Shakespeare, is a bit of a hypnotist. In this sense that seemingly stupid and mechanical contraption we call "society" must rank as the greatest artist on the planet. For instance, when I was seven or eight, and feeling superior to the kids who closed their eyes "during the scary parts," I was entering a deep hypnosis created by another Virtual Reality called language. This hypnosis was a worse nightmare than the Wicked Witch of the West or King Kong or the Wolf-Man or any of their kith and kin, but it made me a "member of society".

Martin Luther King Jr. was the greatest movement leader in American history. But, as Hillary Clinton once correctly pointed out, his efforts would have been futile without those of the machine politician Lyndon Johnson, a seasoned congressional deal maker willing to sign any pact with the devil to get the Civil Rights Act and Voting Rights Act passed. And the work doesn’t stop once legislation is passed. One must keep winning elections to defend the gains that social movements have contributed to. If the steady advance of a radicalized Republican Party, over many years and in every branch and at every level of government, should teach liberals anything, it is the absolute priority of winning elections today. Given the Republicans’ rage for destruction, it is the only way to guarantee that newly won protections for African-Americans, other minorities, women, and gay Americans remain in place. Workshops and university seminars will not do it. Online mobilizing and flash mobs will not do it. Protesting, acting up, and acting out will not do it. The age of movement politics is over, at least for now. We need no more marchers. We need more mayors. And governors, and state legislators, and members of Congress . .

The social pyramid established during the Pyramid Age in the Fertile Crescent continued to be the model for every civilized society, long after the building of these geometric tombs ceased to be fashionable. At the top stood a minority, swollen by pride and power, headed by the king and his supporting ministers, nobles, military leaders, and priests. This minority's main social obligation was control of the megamachine, in either its wealth-producing or its illth-producing form. Apart from this, their only burden was the 'duty to consume.' In this respect the oldest rulers were the prototypes of the style-setters and taste-makers of our own over-mechanized mass society.

The dark of the heart is a darkness deep And the sweep of the night is wide And the pain of the heart when the people weep Is an overwhelming tide-- And yet! and yet! when the tide runs low As the tide will always do And the heavy sky where the bellows blow Is bright at last and blue And the sun ascends in the quiet morn And the sorrow sinks away, When the veil of death and dark is torn Asunder by the day, Then the light of love is the flame of spring And the flow of the river strong And the hope of the heart as the people sing Is an everlasting song The winter is whispering, "green and gold" And the heart is whispering, too-- It's a story the Maker has always told And the story, my child, is true.

There were multitudes of dependents fed at the great houses, and everywhere, according to means, a wide-open hospitality was maintained. Froude gives a notion of the style of living in earlier times by citing the details of a feast given when George Neville, brother of Warwick the king-maker, was made archbishop of York. There were present, including servants, thirty-five hundred persons. These are a few of the things used at the banquet: three hundred quarters of wheat, three hundred tuns of ale, one hundred and four tuns of wine, eighty oxen, three thousand geese, two thousand pigs, — four thousand conies, four thousand heronshaws, four thousand venison pasties cold and five hundred hot, four thousand cold tarts, four thousand cold custards, eight seals, four porpoises, and so on.

ADVENTURERS AVAUNT! There is no greater plague upon the lands than the chartered adventurer. Crown-sanctioned mischief makers, brigands whose thefts, casual murders, rapine and pillage are excused where the same things done by a cobbler or a milkmaid would be answered with severings of hands or other appendages, plus brandings—or all of those and hanging or death by drawing between four horses. Yet there is no more necessary plague. Adventurers make even kings think twice about cruelly oppressing all who pass within reach, teach prudence to high priests and even rogue wizards, and are almost the only curb upon the numbers of dragons and other large and monstrous beasts. On the whole, I think the balance comes out about even. What makes us keep adventuring charters instead of burning them along with their bearers is the entertainment adventurers afford the populace. In hamlets and at waymoots, after one’s grumbled about the weather, taxes, the latest rumors of war and orc raids, and the all-too-paltry gossip about the indiscretions of royalty and nobility, there’s little else to talk about but the foolish escapades of adventurers. Thundaerlel Maurlatrimm Four Decades of Innkeeping published in the Year of the Highmantle

The fascist leaders were outsiders of a new type. New people had forced their way into national leadership before. There had long been hard-bitten soldiers who fought better than aristocratic officers and became indispensable to kings. A later form of political recruitment came from young men of modest background who made good when electoral politics broadened in the late nineteenth century. One thinks of the aforementioned French politician Léon Gambetta, the grocer’s son, or the beer wholesaler’s son Gustav Stresemann, who became the preeminent statesman of Weimar Germany. A third kind of successful outsider in modern times has been clever mechanics in new industries (consider those entrepreneurial bicycle makers Henry Ford, William Morris, and the Wrights). But many of the fascist leaders were marginal in a new way. They did not resemble the interlopers of earlier eras: the soldiers of fortune, the first upwardly mobile parliamentary politicians, or the clever mechanics. Some were bohemians, lumpen-intellectuals, dilettantes, experts in nothing except the manipulation of crowds and the fanning of resentments: Hitler, the failed art student; Mussolini, a schoolteacher by trade but mostly a restless revolutionary, expelled for subversion from Switzerland and the Trentino; Joseph Goebbels, the jobless college graduate with literary ambitions; Hermann Goering, the drifting World War I fighter ace; Heinrich Himmler, the agronomy student who failed at selling fertilizer and raising chickens. Yet the early fascist cadres were far too diverse in social origins and education to fit the common label of marginal outsiders. Alongside street-brawlers with criminal records like Amerigo Dumini or Martin Bormann one could find a professor of philosophy like Giovanni Gentile or even, briefly, a musician like Arturo Toscanini. What united them was, after all, values rather than a social profile: scorn for tired bourgeois politics, opposition to the Left, fervent nationalism, a tolerance for violence when needed.

We are the music makers, And we are the dreamers of dreams, Wandering by lone sea-breakers, And sitting by desolate streams; — World-losers and world-forsakers, On whom the pale moon gleams: Yet we are the movers and shakers Of the world for ever, it seems. With wonderful deathless ditties We build up the world's great cities, And out of a fabulous story We fashion an empire's glory: One man with a dream, at pleasure, Shall go forth and conquer a crown; And three with a new song's measure Can trample a kingdom down. We, in the ages lying, In the buried past of the earth, Built Nineveh with our sighing, And Babel itself in our mirth; And o'erthrew them with prophesying To the old of the new world's worth; For each age is a dream that is dying, Or one that is coming to birth. A breath of our inspiration Is the life of each generation; A wondrous thing of our dreaming Unearthly, impossible seeming — The soldier, the king, and the peasant Are working together in one, Till our dream shall become their present, And their work in the world be done. They had no vision amazing Of the goodly house they are raising; They had no divine foreshowing Of the land to which they are going: But on one man's soul it hath broken, A light that doth not depart; And his look, or a word he hath spoken, Wrought flame in another man's heart. And therefore to-day is thrilling With a past day's late fulfilling; And the multitudes are enlisted In the faith that their fathers resisted, And, scorning the dream of to-morrow, Are bringing to pass, as they may, In the world, for its joy or its sorrow, The dream that was scorned yesterday. But we, with our dreaming and singing, Ceaseless and sorrowless we! The glory about us clinging Of the glorious futures we see, Our souls with high music ringing: O men! it must ever be That we dwell, in our dreaming and singing, A little apart from ye. For we are afar with the dawning And the suns that are not yet high, And out of the infinite morning Intrepid you hear us cry — How, spite of your human scorning, Once more God's future draws nigh, And already goes forth the warning That ye of the past must die. Great hail! we cry to the comers From the dazzling unknown shore; Bring us hither your sun and your summers; And renew our world as of yore; You shall teach us your song's new numbers, And things that we dreamed not before: Yea, in spite of a dreamer who slumbers, And a singer who sings no more.

It is foundational to know Him as Maker; it is salvational to know Him as Redeemer, Friend and Lord; it is motivational to know Him as coming King.

They assembled before the throne of heaven to prosecute a lawsuit with the help of the rebel Watchers who fell to earth. This would not be like any other lawsuit the Accuser had ever litigated. This was a covenant lawsuit against the very judge himself, Yahweh Elohim, the maker of heaven and earth, the Lord of Hosts, the Suzerain King of kings.

Let us take care to approach our Maker with the reverence and praise that He deserves, and may we always exalt Him as our loving and sovereign Master and King.

My conclusion at the time was that finalizing the story before production began was still a worthy goal—we just hadn’t achieved it yet. As we continued to make films, however, I came to believe that my goal was not just impractical but naïve. By insisting on the importance of getting our ducks in a row early, we had come perilously close to embracing a fallacy. Making the process better, easier, and cheaper is an important aspiration, something we continually work on—but it is not the goal. Making something great is the goal. I see this over and over again in other companies: A subversion takes place in which streamlining the process or increasing production supplants the ultimate goal, with each person or group thinking they’re doing the right thing—when, in fact, they have strayed off course. When efficiency or consistency of workflow are not balanced by other equally strong countervailing forces, the result is that new ideas—our ugly babies—aren’t afforded the attention and protection they need to shine and mature. They are abandoned or never conceived of in the first place. Emphasis is placed on doing safer projects that mimic proven money-makers just to keep something—anything!—moving through the pipeline (see The Lion King 1½, a direct-to-video effort that came out in 2004, six years after The Lion King 2: Simba’s Pride). This kind of thinking yields predictable, unoriginal fare because it prevents the kind of organic ferment that fuels true inspiration. But it does feed the Beast.

A gold coin made during the reign of the eighth-century Anglo-Saxon King Offa has ‘OFFA REX’ on one side and the inscription ‘THERE IS NO GOD BUT ALLAH ALONE’on the other. For a while it was claimed by some as evidence Offa had converted to Islam – until it was identified as a copy of an Arabic coin. Islamic gold coins of the Abbasid dynasty were the most trusted in the Mediterranean world at the time and Offa’s coin-makers were simply giving their own output the best chance of being accepted as credible tender.)

Apparently, President Collins put it in his will that if he were to die in office, another would take his place, until elections could be held to replace him. The replacement is not Vice President Kincaide, but the world-renowned billionaire, maker of kings and presidents, Michael J. Evans. He will make some type of speech in the coming days. Stay tuned to this network for further updates.” Evans called Baldwin, “General, I want you to declare Staff Sergeant Delaney a security risk. I demand his discharge, and if he isn’t discharged, I want him arrested. Can you do that?” “Why?” “Why? Because he assassinated the President of the United States, that’s why. Will you do what I ask of you?” “You tricked me,” “Am I going to have to call security to pick you up?” “No, I’ll do it. I’ll get on it right away,

The work no master may subject Save He to whom the whole is known, Being Himself the Architect, The Craftsman and the Corner-stone. Then, when the greatest and the least Have finished all their labouring And sit together at the feast, You shall behold a wonder thing: The Maker of the men that make Will stoop between the cherubim, The towel and the basin take, And serve the servants who serve Him. The Architect and Craftsman both Agreed, the Stone had spoken well; Bound them to service by an oath And each to his own labour fell.

Usually, we went to Gran’s only on a Sunday, after lunch. She’d always have a few boiled sweets on display in a bowl and I’d always have one, sometimes even two. King’s of Wishaw sweets. The local sweet maker. Anything sweet, we had a local maker. Barr’s, with their Irn Bru. Tunnock’s, with their teacakes. The west of Scotland, Lanarkshire particularly, is a Mecca for sugar cultists.

We are the music makers, And we are the dreamers of dreams, Wandering by lone sea-breakers, And sitting by desolate streams”,’ Holmes quoted, ‘“World-losers and world-forsakers, On whom the pale moon gleams: Yet we are the movers and shakers, Of the world for ever, it seems.

She’d escaped hell and somehow managed to carve out a tiny piece of happiness with her friends,

By the maker, Rezkin! I've never heard of anything so sadly romantic! You commandeered military personnel, a ship, and crew, and manipulated the lives of a baron and the heirs of four high noble houses for months during the King's Tournament just to ensure the happiness of a woman in the event you do NOT get to marry her?

Illusions are like lovers,” Surai purred, appraising her masterpiece. “Once they get in your head, you’re screwed.

Having seized the throne of England from James II, William III rewarded his king-makers with dukedoms; and they served him in turn, by reminding him that though the throne might be his, the kingdom was now theirs. It is a Whig tenet that the monarch serves at the pleasure of the people—if one considers the people to be solely those who own a vast deal of property. The Whigs will court the common rabble in order to preserve their own heads secure upon their shoulders, without ever intending to do very much to ameliorate the rabble’s condition—other than to set them against their kings.

In the classic Indian epic, the Mahabharata, there is a ceremony for when a new king is crowned. There is a warning to “Be like the garland-maker, O King, and not like a charcoal burner.” Here, the garland symbolized social harmony, where many flowers of many colors and forms are strung harmoniously, creating a stunning effect. The charcoal-burner represents raw force reduction of diversity into homogeneity, where all life is rendered to a similar ash quality

Es hora de volver a mí, Stolas.

Psalm 95:1-7: Come, let us sing to the Lord! ​Let us shout joyfully to the Rock of our salvation. Let us come to him with thanksgiving. ​Let us us sing psalms of praise to him. For the Lord is a great God, ​a great King above all gods. He holds in his hands the depths of the earth ​and the mightiest mountains. The sea belongs to him, for he made it. ​His hands formed the dry land, too. Come, let us worship and bow down. ​Let us kneel before the Lord our Maker, ​for he is our God. We are the people he watches over, ​the flock under his care. If only you would listen to his voice today!

One of the most striking things about these lament psalms is that they include the interrogation of God. This, as it turns out, is a divinely approved form of address.4 Psalm 121:4 confesses that the Lord is the one who neither sleeps nor slumbers but watches over us. But in Psalm 44:23, the psalmist dares to say, “Awake, Lord! Why do you sleep? Rouse yourself! Do not reject us forever” (NIV). Here, the psalmist sounds like Elijah, who taunts the priests of the god Baal: Shout louder! . . . Surely he is a god! Perhaps he is deep in thought, or busy, or traveling. Maybe he is sleeping and must be awakened. (1 Kings 18:27 NIV) Is this the way one speaks to the Maker of heaven and earth? Is this how you talk to the Holy One? Is this how we ought to address the Sovereign God? According to the psalmist, the answer is, at times, yes.

It is interesting to consider that beverages like coffee, chocolate and even sherbet, seemingly innocuous to us (because they are non-alcoholic) began life in England as dangerous, expensive and exciting symbols of dissidence... ---Antonia Fraser, King Charles II

George Fox believes that all outward strife and wars are against the will of God and urges that Friends take no part in them. It's called his Testimony to Peace. He has written to the King many times, asking that the persecution of those who would never offer harm but seek only to worship God in their own way be put aside and that they be left to practice their faith." "I might have been listening, but I don't think the King is," said Rosamund quietly. "Like all those he has thrown in prison, I know he is not," agreed Bianca. "Bianca," said Rosamund carefully, "if one day you should happen to meet with these Friends... I think I would like to meet them too." Bianca regarded her quietly. "If one day I do... and it is safe... you will.

Together they read plays and poems by William Shakespeare and Thomas Hobbes's Leviathan, and Bianca translated some of Ovid's poetry for her as well as parts of Homer's great works. They relished the poems of Andrew Marvell, John Dryden and John Milton. They read excerpts from the King James Bible, as well as passages from books of history, gardening, medicine and more. The closet wasn't much, but it was Rosamund's, especially now it bore no resemblance to its former owner. It was her cave in which, like Ali Baba, she kept her trove of treasured ideas and growing knowledge, but could open and close it at will with the key hanging around her neck. It was in this room that Rosamund finally started to feel a sense of belonging.

She had devoted time to improving her reading and was now more than proficient. The shelf she'd first cleared with Bianca overflowed with tales of King Arthur and his knights, Ovid's poetry, plays by Sophocles, Aristotle and Aeschylus, Apuleius, names she loved repeating in her mind because the mere sound of them conjured the drama, pageantry, passion, transformations and suffering of their heroes and heroines. One of her favorite writers was Geoffrey Chaucer-- his poems of pilgrims exchanging stories as they traveled to a shrine in Canterbury were both heart aching and often sidesplittingly funny. Admittedly, one of the reasons she loved Chaucer was because she could read him for herself. It was the same reason she picked up Shakespeare over and over, and the works of Margaret Cavendish, the Duchess of Newcastle upon Tyne. They all wrote in English. Regarded as quite the eccentric, the duchess was a woman of learning who, like Rosamund, was self-taught. Her autobiography, A True Relation of my Birth, Breeding and Life, a gift from Mr. Henderson, gave Rosamund a model to emulate. Here was a woman who dared to consider not only philosophy, science, astronomy and romance, but to write about her reflections and discoveries in insightful ways. Defying her critics, she determined that women were men's intellectual equal, possessed of as quick a wit and as many subtleties if only given the means to express themselves-- in other words, access to education.

I don't know what it is about Rosamund today, but she's shining like King Midas on a dull day. Everything she touches is turning to gold-- gold dipped in diamonds and sprinkled with sunshine.

When I sent you out without purse, wallet, and sandals, were you in need of anything?” Peter remembered his mission journey. “Nothing,” he said. “Nothing,” they all said. “But now, whoever has a purse, let him take it, and a wallet as well; and whoever has no sword, let him sell his cloak and buy one. For I tell you that this which is written must be fulfilled in Me; 'He was even ranked among outlaws. ...” The word “sword” fell pleasantly on the ears of Peter, “Lord, look! here are two swords!” “That will do,” He said. The fisherman tied one of the blades to his girdle. He had certainly not understood much that had been said, but he thought he understood the meaning of this cold steel of Damascus, this ruler of mobs, this maker of kings, that fell so pleasantly against his stout leg. He was beginning to feel that after all something might have been accomplished that evening.

Because a king maker would always choose the weaker man. The weaker the man, the easier he is you’d had the same blood as Kastor. You don’t understand the way a mind like that thinks. I do. If I to control.

This is the gift I bring for you now, my brother,’ he breathed, his metallic voice rattling against the strictures of his corroded rebreather. ‘The gift that only I could bring, the reason the god set me here, in this place, at this time.’ He closed his hooked fingers over the bastion, snuffing it out, masking it with his sealed fist. ‘The last sensation you will ever have. The last emotion you will ever feel. And you will understand, in your soul, who gave it to you, and why you remain powerless against it.’ The sun slipped away, drenching the entire Palace in darkness. All that remained was the vice, the grip, the merciless application of pressure. ‘Despair,’ rasped Mortarion, ascended daemon-king of life and death, plague-maker, hope-ender. ‘I send you despair.

Every artist who moves us, from a movie maker to Beethoven or Shakespeare, is a bit of a hypnotist. In this sense that seemingly stupid and mechanical contraption we call "society" must rank as the greatest artist on the planet. For instance, when I was seven or eight, and feeling superior to the kids who closed their eyes "during the scary parts," I was entering a deep hypnosis created by another Virtual Reality called language. This hypnosis was a worse nightmare than the Wicked Witch of the West or King Kong or the Wolf-Man or any of their kith and kin, but it made me a "member of society

Every artist who moves us, from a movie maker to Beethoven or Shakespeare, is a bit of a hypnotist. In this sense that seemingly stupid and mechanical contraption we call "society" must rank as the greatest artist on the planet. For instance, when I was seven or eight, and feeling superior to the kids who closed their eyes "during the scary parts," I was entering a deep hypnosis created by another Virtual Reality called language. This hypnosis was a worse nightmare than the Wicked Witch of the West or King Kong or the Wolf-Man or any of their kith and kin, but it made me a "member of society”. By Robert AntonWilson in the introduction of the book.

The Mighty Maker is gracious to all He has made.

GOD ALONE God alone is the Defender. God alone is the Deliver. God alone is the Eternal Creator. God alone is the Healer. God alone is the Divine Helper. God alone is the Savior. God alone is Sufficiency. God alone is the great Shepherd. God alone is the Sovereign LORD. God alone is the Safe Haven. God alone is the Source. God alone is the Sustainer. God alone is the Provider. God alone is the great Power. God alone is Peace. God alone is Protector. God alone is Maker. God alone is the great Master. God alone is the Mighty One. God alone is Merciful. God alone is the Builder. God alone is our righteous Judge. God alone is the Giver. God alone is the Restorer. God alone is the Redeemer. God alone forgives. God alone is the faithful heavenly Father. God alone is the Divine Being. God alone is Compassionate. God alone is Good. God alone is life. God alone is light. God alone is love. God alone is wise. God alone is the truth. God alone is the greatest Teacher. God alone is Almighty LORD. God alone is the great King. God alone is the OMEGA. God alone is the ALPHA. God alone is the Author of Faith. God alone is the Finisher. God alone is the Beginning. God alone is the End.

The Ballad of Philippe Petit —for the world's greatest rope dancer Philippe Petit hangs his high wire in the third eye of God, fills the dull air with blue fire, all alone on the big city street, Little Phillip, Philippe Petit. Philippe Petit, high priest of daring, feels wind pulse in his feet, flying high on his mystical string, between tall towers above the street. Little Phillip, Philippe Petit. Little Phillip by the Golden Fleece, making Seventh Avenue sing. He draws a magic circle of chalk, rides his cycle around in a ring, Little Phillip, Philippe Petit. Little Phillip, clown gargoyle, spewing light on the grey street, rope dances twirling sticks of fire, bright sparkle of the dark street, Little Phillip, Philippe Petit. Philippe Petit juggles fire and balls, winks at Zeus, laughs at Mars, pulls Newton's beard, sups with God, cycling his way from heaven to street. Little Phillip, Philippe Petit. Little Phillip, when we get there, you'll surely be on high, juggling molecules for your maker on the wide streets of the sky, Little Phillip, Philippe Petit. Philippe Petit, The King of Heaven has a brilliant little fool juggling fire at his footstool. A light on the dark city street, A light, a light, Philippe Petit.

For I am all things of which you accuse me ; Agitator , Instigator , Heart breaker , King Maker

The words are true, for I am all things of which you accuse me ; Creator, Innovator, Agitator , Instigator , Heart breaker , King Maker

If there had been no such thing as darkness, the makers of horror movies would have needed to invent it.

When the Maker is silent, it is because the experience of making the choice is more important than the outcome.

There is only one true God, Maker of heaven and earth, and you and I shall serve the Almighty together.

But it's weakness that the Maker turns to strength. Your fur is why you alone loved a dying cloven. You alone in all the world knew my need and ministered to my wounds." Esben pulled Kalmar closer and kissed him on the head. "And in my weakness, I alone know your need. Hear me, son. I loved you when you were born. I loved you when I wept in the Deeps of Throg. I loved you even as you sang the song that broke you. And I love you now in the glory of your humility. You're more fit to be the king than I ever was. Do you understand?" Kalmar shook his head. Esben smiled and shuddered with pain. "A good answer, my boy. Then do believe that I love you?" "Yes sir. I believe you." Kalmar buried his face in his father's fur. "Remember that in the days to come.

political order, and political decay, presciently drawing attention to perceived faultlines in American society. the American political system has decayed over time because its traditional system of cheques and balances has deepened and become incessantly rigid. with sharp political polarisation, this decentralised system is less and less able to represent majority interests, but gives excessive representation to the views of interest groups and activist organisations that collectively do not add up to a sovereign American people.

Let them look. Let them see her bare arms and her diadem, let them see her strength, her wealth, and her power: Hild Yffing, king maker and king breaker.

Gammon hopped down after Maraly, dropped to his knees, and the two of them hugged. Maraly rested her head on his shoulder and closed her eyes, giving thanks to the Maker with the best words she could think of. She thought about Claxton’s arms and fists, how he had used them to abuse her—and then rested in Gammons protective embrace, the feel of his hands gently patting her back. She was home at last.

But it’s weakness that the Maker turns to strength. Your fur is why you alone loved a dying cloven. You alone in all the world knew my need and ministered to my wounds.” Esben pulled Kalmar closer and kissed him on the head. “And in my weakness, I alone know your need. Hear me, son. I loved you when you were born. I loved you when I wept in the Deeps of Throg. I loved you even as you sang the song that broke you. And I love you now in the glory of your humility. You’re more fit to be the king than I ever was. Do you understand?