Ten Year Work Anniversary Quotes

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They say to keep what you have, you have to give it away. I believe that. I also believe that you can be cool as fuck, not give a fuck and fucking kick ass in life, and not be fucked up. I’m still the first person to say “Fuck you” but I’m faster to say “I love you.” If life is what you make it, I’ve made mine great. It took a lot of hard work and if you need to, you can do it too.
Nikki Sixx (The Heroin Diaries: Ten Year Anniversary Edition: A Year in the Life of a Shattered Rock Star)
she worked and prayed for the welfare of humans for over ten million years. Then she was transformed into a goddess whose only desire was to ease the world’s pain.
Kris Waldherr (The Book of Goddesses: Expanded Anniversary Edition)
the young boy who traveled far from his home to study under a great teacher. When he met the wise old man, his first question was, ‘How long will it take me before I am as wise as you?’ “The response came swiftly, ‘Five years.’ “‘This is a very long time,’ the boy replied. ‘How about if I work twice as hard?’ “‘Then it will take ten,’ said the master. “‘Ten! That’s far too long. How about if I studied all day and well into the night, every night?’ “‘Fifteen years,’ said the sage. “‘I don’t understand,’ replied the boy. ‘Every time I promise to devote more energy to my goal, you tell me that it will take longer. Why?’ “‘The answer is simple. With one eye fixed on the destination, there is only one left to guide you along the journey.
Robin S. Sharma (The Monk Who Sold His Ferrari, 25th Anniversary Edition)
Szilard began explaining. “Five or ten minutes” later, he says, Einstein understood. After only a year of university physics, Szilard had worked out a rigorous mathematical proof that the random motion of thermal equilibrium could be fitted within the framework of the phenomenological theory in its original, classical form, without reference to a limiting atomic model—“and [Einstein] liked this very much.
Richard Rhodes (The Making of the Atomic Bomb: 25th Anniversary Edition)
Quick-fixes do not work. All lasting inner change requires time and effort. Persistence is the mother of personal change. I’m not saying that it will take years to make profound changes in your life. If you diligently apply the strategies I am sharing with you every day for only one month, you will be astonished at the results. You will begin to tap into the highest levels of your own capacity and enter the realm of the miraculous. But to reach this destination, you must not get hung up on the outcome. Instead, enjoy the process of personal expansion and growth. Ironically, the less you focus on the end result, the quicker it will come.” “How so?” “It’s like that classic story of the young boy who traveled far from his home to study under a great teacher. When he met the wise old man, his first question was, ‘How long will it take me before I am as wise as you?’ “The response came swiftly, ‘Five years.’ “‘This is a very long time,’ the boy replied. ‘How about if I work twice as hard?’ “‘Then it will take ten,’ said the master. “‘Ten! That’s far too long. How about if I studied all day and well into the night, every night?’ “‘Fifteen years,’ said the sage. “‘I don’t understand,’ replied the boy. ‘Every time I promise to devote more energy to my goal, you tell me that it will take longer. Why?’ “‘The answer is simple. With one eye fixed on the destination, there is only one left to guide you along the journey.
Robin S. Sharma (The Monk Who Sold His Ferrari, 25th Anniversary Edition)
I’m not sure why I thought it would be a good idea to bring Kanish to Mel Odious Sound yesterday. Bringing a Billionheir to a large recording complex full of Producers is like opening a bag of chips at a seagull convention. It wouldn’t be long before every Producer within earshot swooped in to aggressively pitch his latest and greatest pet project, most of which would likely prove unprofitable. Rev is obviously going to pitch a project, and it very well may be something amazing. But as I’ve pointed out, in order for Kanish to make a profit, he would have to pick up half the Publishing—a non-starter for the Rev. He’s not a Songwriting Producer, so he likely doesn’t have a sufficient portion of the Publishing to share. And even if he did, no seasoned Producer is going to give half of their equity in a song in order to basically secure a small loan from an outside investor. There’s no upside. For starters, Kanish has no channels of Distribution beyond Streaming, which is already available to anyone and everyone who wants it, and which is currently only profitable for the Major Labels and the stockholders of the Streaming services themselves. Everyone else is getting screwed. And please don’t quote me the Douchebag Big Tech Billionaires running big Streaming Corporations. They are literally lining their pockets with the would-be earnings of Artists and Songwriters alike. What they claim as fair is anything but. Frankly, I don’t think we should be comfortable with Spotify taking a 30 percent margin off the top, and then disbursing the Tiger’s Share of the remaining 70 percent to the Major Labels who have already negotiated top dollar for access to their catalog. This has resulted in nothing but some remaining scraps trickling down to the tens of thousands of Independent Artists out there who just want to make a living. You can’t make a living off scraps, or even a trickle, for that matter. Mark my words, we are currently witnessing the greatest heist in the annals of the Music Business, and that’s saying something given its history. Can you say Napster? Stunningly, the only place that Songwriters can make sufficient Performance Royalties is radio—a medium that is coming up on its hundred-year anniversary. To make matters worse, the Major Distributors still have radio all locked up, and without airplay, there’s no hit. So even now, more than twenty years into the Internet revolution, the odds of breaking through the artistic cacophony without Major-Label Distribution are impossibly low. So much for the Internet leveling the playing field. At this point, only Congress can solve the problem. And despite the fact that Streaming has been around since the mid-aughts, Congress has done nothing to deal with the issue. Why? Because it’s far cheaper for Big Tech to line the pockets of lobbyists and fund the campaigns of politicians who gladly ignore the issue than it is to pay Artists and Songwriters a fair rate for their work, my friends. Same is it ever was. Just so I’m clear, there is a debate to be had as to how much Songwriters and Artists should be paid for Streaming. A radio Spin can reach millions. A Stream rarely reaches more than a few listeners. Clearly, a new method of calculation is required. But that doesn’t mean that we should just sit by as the Big Tech Douchebags rob an entire generation of royalties all so they can sell their Streaming Corporation for billions down the line. I mean, that is the end game, after all. At which point, profit for the new majority stockholder will be all but impossible. How will anyone get paid then?
Mixerman (#Mixerman and the Billionheir Apparent)
DOC McGHEE: I always had a real problem with this line of argument of Sixx’s. Sure, the tours were too long for them, but only because of the way they behaved on them! Don’t forget, these were guys in their twenties who were only being asked to work two hours per day. What about all the guys who get up at 5 a.m. to lay bricks and only get two weeks off a year? If Mötley Crüe was burned out on the road it was purely because they had stupid fucking drug habits. It’s not rocket science.
Nikki Sixx (The Heroin Diaries: Ten Year Anniversary Edition: A Year in the Life of a Shattered Rock Star)
I’ve a good life here, with Molly and Patience and the boys. There’s honest work to keep me busy, and my idle time is enjoyed with those I love. Web, I don’t doubt your wisdom and experience, but I also don’t doubt my own heart. I don’t need more than I have right now.” He looked into my eyes. I met his gaze. My last utterance was almost true. If I could have my wolf back again, then, yes, life would have been much sweeter. If I could have opened my door, and found the Fool grinning on my doorstep, then my life would have been full indeed. But there was no point in sighing after what I could not have. It only distracted me from what I did have, and that was more than I’d ever had in my life. A home, my lady, youngsters growing to manhood under my roof, and the comforts of my own bed at night. Just enough consultations from Buckkeep Castle that I could feel I was still needed in the greater world, yet few enough that I knew, truly, they could get by without me and let me have a measure of peace. I had anniversaries I could be proud of. It was nearly eight years that Molly had been my wife. It was almost ten years since I’d killed anyone. Almost ten years since I’d last seen the Fool. And there it was, that stone-dropping-into-a-well plunge of my heart. I kept it from showing on my face or in my eyes. That gulf, after all, had nothing to do with how long I’d gone with no animal companion. That was a different sort of loneliness entirely. Wasn’t it? Perhaps not. The loneliness that can never be filled by anyone except the one whose loss created the absence; well, then perhaps it was the same.
Robin Hobb (Fool's Assassin (The Fitz and the Fool, #1))