Ten Year Anniversary Quotes

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Like Hemingway said, the only thing that could spoil a day was people.
Nikki Sixx (The Heroin Diaries: Ten Year Anniversary Edition: A Year in the Life of a Shattered Rock Star)
UNUSED LYRIC I’ve never been to Eden But it’s nice I hear tell When I die I’ll go to heaven ’Cause I’ve done my time in hell
Nikki Sixx (The Heroin Diaries: Ten Year Anniversary Edition: A Year in the Life of a Shattered Rock Star)
A friend tells you the truth, that your breath stinks and you need a bath. An enemy tells you that you look great and you shouldn’t change a thing.
Nikki Sixx (The Heroin Diaries: Ten Year Anniversary Edition: A Year in the Life of a Shattered Rock Star)
The dying could be easy…it was the living that I didn’t know if I could do…
Nikki Sixx (The Heroin Diaries: Ten Year Anniversary Edition: A Year in the Life of a Shattered Rock Star)
I wanted to help him but I guess ultimately you can only slay the dragon yourself. All that I could do was help him sharpen his sword if he needed me to.
Nikki Sixx (The Heroin Diaries: Ten Year Anniversary Edition: A Year in the Life of a Shattered Rock Star)
Christmas Amnesty. You can fall out of contact with a friend, fail to return calls, ignore e-mails, avoid eye contact at the Thrifty-Mart, forget birthdays, anniversaries, and reunions, and if you show up at their house during the holidays (with a gift) they are socially bound to forgive you—act like nothing happened. Decorum dictates that the friendship move forward from that point, without guilt or recrimination. If you started a chess game ten years ago in October, you need only remember whose move it is—or why you sold the chessboard and bought an Xbox in the interim. (Look, Christmas Amnesty is a wonderful thing, but it’s not a dimensional shift. The laws of time and space continue to apply, even if you have been avoiding your friends. But don’t try using the expansion of the universe an as excuse—like you kept meaning to stop by, but their house kept getting farther away. That crap won’t wash. Just say, “Sorry I haven’t called. Merry Christmas” Then show the present. Christmas Amnesty protocol dictates that your friend say, “That’s okay,” and let you in without further comment. This is the way it has always been done.)
Christopher Moore (The Stupidest Angel: A Heartwarming Tale of Christmas Terror (Pine Cove, #3))
Addictions are just symptoms of underlying issues, and in my view Nikki self-medicated the emotional pain of his childhood, and being away from his mother a lot, through drug use. What did he want? Ultimately he wanted to be able to create love for himself as a person.
Nikki Sixx (The Heroin Diaries: Ten Year Anniversary Edition: A Year in the Life of a Shattered Rock Star)
Life was full of surprises, with too many bruises and not enough Band-Aids.
Nikki Sixx (The Heroin Diaries: Ten Year Anniversary Edition: A Year in the Life of a Shattered Rock Star)
P.S. Hey what has 48 legs and 12 teeth? The front row in Alabama…
Nikki Sixx (The Heroin Diaries: Ten Year Anniversary Edition: A Year in the Life of a Shattered Rock Star)
They say to keep what you have, you have to give it away. I believe that. I also believe that you can be cool as fuck, not give a fuck and fucking kick ass in life, and not be fucked up. I’m still the first person to say “Fuck you” but I’m faster to say “I love you.” If life is what you make it, I’ve made mine great. It took a lot of hard work and if you need to, you can do it too.
Nikki Sixx (The Heroin Diaries: Ten Year Anniversary Edition: A Year in the Life of a Shattered Rock Star)
Life is a series of hits and misses and tests that never end, but the reward is when you win Heaven just because you gave it your best try.
Nikki Sixx (The Heroin Diaries: Ten Year Anniversary Edition: A Year in the Life of a Shattered Rock Star)
I guess you had to lose So the rest of us could win Your only fame and fortune has left you And he’s holding this paper and pen.
Nikki Sixx (The Heroin Diaries: Ten Year Anniversary Edition: A Year in the Life of a Shattered Rock Star)
When a person you love dies, the calendar becomes a minefield. Anyone who has lost someone knows this. There is the loved one’s birthday. One’s own Birthday. Various national and religious holidays, if one is religious. All of these days are difficult in their own ways. But the anniversary is different. On the anniversary of the loved one’s death, you slip backward through time to this same day, one, five, ten years ago. You live it all over again, minute by minute.
Alexis Schaitkin (Saint X)
BABY KILLS She carries Mother’s Bible Mixes Valium with her beliefs
Nikki Sixx (The Heroin Diaries: Ten Year Anniversary Edition: A Year in the Life of a Shattered Rock Star)
I guess we all get to live out our destiny, even those of us who have to choose the worst one imaginable. So why did I take this strange, dark trip? Well, I have a little 1-2-3 theory on this.
Nikki Sixx (The Heroin Diaries: Ten Year Anniversary Edition: A Year in the Life of a Shattered Rock Star)
They said of him, about the city that night, that it was the peacefullest man's face ever beheld there. Many added that he looked sublime and prophetic. One of the most remarkable sufferers by the same axe---a woman---had asked at the foot of the same scaffold, not long before, to be allowed to write down the thoughts that were inspiring her. If he had given an utterance to his, and they were prophetic, they would have been these: "I see Barsad, and Cly, Defarge, The Vengeance, the Juryman, the Judge, long ranks of the new oppressors who have risen on the destruction of the old, perishing by this retributive instrument, before it shall cease out of its present use. I see a beautiful city and a brilliant people rising from this abyss, and, in their struggles to be truly free, in their triumphs and defeats, through long years to come, I see the evil of this time and of the previous time of which this is the natural birth, gradually making expiation for itself and wearing out. "I see the lives for which I lay down my life, peaceful, useful, prosperous and happy, in that England which I shall see no more. I see Her with a child upon her bosom, who bears my name. I see her father, aged and bent, but otherwise restored, and faithful to all men in his healing office, and at peace. I see the good old man, so long their friend, in ten years' time enriching them with all he has, and passing tranquilly to his reward. "I see that I hold a sanctuary in their hearts, and in the hearts of their descendants, generations hence. I see her, an old woman weeping for me on the anniversary of this day. I see her and her husband, their course done, lying side by side in their last earthly bed, and I know that each was not more honoured and held sacred in the other's soul, than I was in the souls of both. "I see that child who lay upon her bosom and who bore my name, a man winning his way up in that path of life which once was mine. I see him winning it so well, that my name is made illustrious there by the light of his. I see the blots I threw upon it, faded away. I see him, foremost of just judges and honoured men, brining a boy of my name, with a forehead that I know and golden hair, to this place---then fair to look upon, with not a trace of this day's disfigurement---and I hear him tell the child my story, with a tender and faltering voice. "It is a far, far better thing that I do, than I have ever done; it is a far, far better rest that I go to than I have ever known.
Charles Dickens (A Tale of Two Cities)
she worked and prayed for the welfare of humans for over ten million years. Then she was transformed into a goddess whose only desire was to ease the world’s pain.
Kris Waldherr (The Book of Goddesses: Expanded Anniversary Edition)
only way to be truly alive is to confront your mortality…
Nikki Sixx (The Heroin Diaries: Ten Year Anniversary Edition: A Year in the Life of a Shattered Rock Star)
Ten years have gone by since the ten year anniversary, and I still remember it like it happened a decade ago.
Jarod Kintz (This Book Has No Title)
My parents died years ago. I was very close to them. I still miss them terribly. I know I always will. I long to believe that their essence, their personalities, what I loved so much about them, are - really and truly - still in existence somewhere. I wouldn't ask very much, just five or ten minutes a year, say, to tell them about their grandchildren, to catch them up on the latest news, to remind them that I love them. There's a part of me - no matter how childish it sounds - that wonders how they are. "Is everything all right?" I want to ask. The last words I found myself saying to my father, at the moment of his death, were "Take care." Sometimes I dream that I'm talking to my parents, and suddenly - still immersed in the dreamwork - I'm seized by the overpowering realization that they didn't really die, that it's all been some kind of horrible mistake. Why, here they are, alive and well, my father making wry jokes, my mother earnestly advising me to wear a muffler because the weather is chilly. When I wake up I go through an abbreviated process of mourning all over again. Plainly, there's something within me that's ready to believe in life after death. And it's not the least bit interested in whether there's any sober evidence for it. So I don't guffaw at the woman who visits her husband's grave and chats him up every now and then, maybe on the anniversary of his death. It's not hard to understand. And if I have difficulties with the ontological status of who she's talking to, that's all right. That's not what this is about. This is about humans being human.
Carl Sagan
The attacks of 9/11 were the biggest surprise in American history, and for the past ten years we haven't stopped being surprised. The war on terror has had no discernible trajectory, and, unlike other military conflicts, it's almost impossible to define victory. You can't document the war's progress on a world map or chart it on a historical timetable in a way that makes any sense. A country used to a feeling of being in command and control has been whipsawed into a state of perpetual reaction, swinging wildly between passive fear and fevered, often thoughtless, activity, at a high cost to its self-confidence.
George Packer
Of course, I think Legna tops this particular cake. You see, when Mind Demons teleport, they have to remember to teleport their clothes with them.” “Oh no . . .” “Oh, yes. Noah’s coronation anniversary. There is an incredible celebration every ten years, and everyone goes, even the most solitary of us. Legna was sixteen years old, and she was running late just like any typical teenager. She exploded into the room. Mind you, the display of a teleport in someone so young is ten times what you see her cause now, so she had everyone’s attention. That youngling blushed bright red in places I never thought a woman could blush. It was a most enlightening moment.” “I’ll bet!” Isabella giggled, her skin flushing in sympathetic embarrassment. “The poor thing!” “Well, Noah responded very fast, so I assure you she only had time for a quick blush before he covered her in smoke, blocking her from a multitude of very astonished eyes. We do not tease her about it, however. Noah actually passed a law saying we could not. It was the only way he could get her to go out in public again. I am risking my peace of mind telling you this. One chuckle in front of her, little flower, and you will doom me. So please . . .
Jacquelyn Frank (Jacob (Nightwalkers, #1))
collected minerals and at ten years of age wrote poems but still played with blocks.
Richard Rhodes (The Making of the Atomic Bomb: 25th Anniversary Edition)
There is something about the fans in the South . . . they’re insane. They’re wilder and louder than the East and the West.
Nikki Sixx (The Heroin Diaries: Ten Year Anniversary Edition: A Year in the Life of a Shattered Rock Star)
He and Nona made me. They gave me a soft heart. They are the good that’s in me. When I lose my compassion and anger rears its ugly head, I think about my life
Nikki Sixx (The Heroin Diaries: Ten Year Anniversary Edition: A Year in the Life of a Shattered Rock Star)
The stone technology of the Tasmanians, when first encountered by European explorers in A.D. 1642, was simpler than that prevalent in parts of Upper Paleolithic Europe tens of thousands of years earlier.
Jared Diamond (Guns, Germs, and Steel: The Fates of Human Societies (20th Anniversary Edition))
I see Barsad, and Cly, Defarge, The Vengeance, the Juryman, the Judge, long ranks of the new oppressors who have risen on the destruction of the old, perishing by this retributive instrument, before it shall cease out of its present use. I see a beautiful city and a brilliant people rising from this abyss, and, in their struggles to be truly free, in their triumphs and defeats, through long years to come, I see the evils of this time and of the previous time of which this is the natural birth, gradually making expiation for itself and wearing out. I see the lives for which I lay down my life, peaceful, useful, prosperous and happy, in that England which I shall see no more. I see Her with a child upon her bosom, who bears my name. I see her father, aged and bent, but otherwise restored, and faithful to all men in his healing office, and at peace. I see the good old man, so long their friend, in ten years’ time enriching them with all he has, and passing tranquilly to his reward. I see that I hold sanctuary in their hearts, and in the hearts of their descendants, generations hence. I see her, an old woman, weeping for me on the anniversary of this day. I see her and her husband, their course done, lying side by side in their last earthly bed, and I know that each was not more honoured and held sacred in the other’s soul, than I was in the souls of both. I see that child who lay upon her bosom and who bore my name, a man winning his way up in that path of life which once was mine. I see him winning it so well, that my name is made illustrious there by light of his. I see the blots I threw upon it, faded away. I see him, foremost of just judges and honoured men, bringing a boy of my name, with a forehead that I know and golden hair, to this place – then fair to look upon, with not a trace of this day’s disfigurement – and I hear him tell the child my story, with a tender and faltering voice. It is a far, far better thing that I do, than I have ever done; it is a far, far better rest that I go to than I have ever known.
Charles Dickens (A Tale of Two Cities)
As far as my mom was concerned, she’d never done anything wrong. It kind of left our conversation nowhere to go. The only way to progress it would have been if I’d said, “Yes, you’re right. Everything that happened in my life was my fault, or my grandmother Nona’s fault, or my grandfather Tom’s fault.” I couldn’t say that because it wasn’t true. She’d had a part in it. Plus, I just don’t operate like that . . . I’ll meet you halfway, but you have to meet me, too.
Nikki Sixx (The Heroin Diaries: Ten Year Anniversary Edition: A Year in the Life of a Shattered Rock Star)
With the occupation of the Chatham Islands off New Zealand around A.D. 1400, barely a century before European “explorers” entered the Pacific, the task of exploring the Pacific was finally completed by Asians. Their tradition of exploration, lasting tens of thousands of years, had begun when Wiwor’s ancestors spread through Indonesia to New Guinea and Australia. It ended only when it had run out of targets and almost every habitable Pacific island had been occupied.
Jared Diamond (Guns, Germs, and Steel: The Fates of Human Societies (20th Anniversary Edition))
invention is often the mother of necessity, rather than vice versa. A good example is the history of Thomas Edison’s phonograph, the most original invention of the greatest inventor of modern times. When Edison built his first phonograph in 1877, he published an article proposing ten uses to which his invention might be put. They included preserving the last words of dying people, recording books for blind people to hear, announcing clock time, and teaching spelling. Reproduction of music was not high on Edison’s list of priorities. A few years later Edison told his assistant that his invention had no commercial value. Within another few years he changed his mind and did enter business to sell phonographs—but for use as office dictating machines. When other entrepreneurs created jukeboxes by arranging for a phonograph to play popular music at the drop of a coin, Edison objected to this debasement, which apparently detracted from serious office use of his invention. Only after about 20 years did Edison reluctantly concede that the main use of his phonograph was to record and play music.
Jared Diamond (Guns, Germs, and Steel: The Fates of Human Societies (20th Anniversary Edition))
I see Barsad, and Cly, Defarge, The Vengeance, the Juryman, the Judge, long ranks of the new oppressors who have risen on the destruction of the old, perishing by this retributive instrument, before it shall cease out of its present use. I see a beautiful city and a brilliant people rising from this abyss, and, in their struggles to be truly free, in their triumphs and defeats, through long years to come, I see the evil of this time and of the previous time of which this is the natural birth, gradually making expiation for itself and wearing out. "I see the lives for which I lay down my life, peaceful, useful, prosperous and happy, in that England which I shall see no more. I see Her with a child upon her bosom, who bears my name. I see her father, aged and bent, but otherwise restored, and faithful to all men in his healing office, and at peace. I see the good old man, so long their friend, in ten years' time enriching them with all he has, and passing tranquilly to his reward. "I see that I hold a sanctuary in their hearts, and in the hearts of their descendants, generations hence. I see her, an old woman, weeping for me on the anniversary of this day. I see her and her husband, their course done, lying side by side in their last earthly bed, and I know that each was not more honoured and held sacred in the other's soul, than I was in the souls of both.
Charles Dickens (A Tale of Two Cities)
A few years after you disappeared, a postal worker named Ben Carver was sentenced to death for murdering six young men. (He is a homosexual, which, according to Huckleberry, means he is not attracted to murdering young women.) Rumors have it that Carver cannibalized some of his victims, but there was never a trial, so the more salacious details were not made public. I found Carver’s name in the sheriff’s file ten months ago, the fifth anniversary of your disappearance. The letter was written on Georgia Department of Corrections stationery and signed by the warden. He was informing the sheriff that Ben Carver, a death row inmate, had mentioned to one of the prison guards that he might have some information pertaining to your disappearance.
Karin Slaughter (Pretty Girls)
decade after the first edition of this book was published, Yan Wong and I met in the fitting surroundings of the Oxford Museum of Natural History to discuss the possibility of producing a new, tenth anniversary edition. Yan, once my undergraduate pupil, had been employed as my research assistant during the writing of the original edition, before he left for his lecturing position in Leeds and his career as a television presenter. He played an enormously important part in the conception and execution of the first edition, and he was credited as joint author of several of the chapters. During the course of our discussion ten years on, we realised that much new information had come in, especially from the molecular genetics laboratories of the world. Yan undertook the bulk of the revision and I proposed to the publisher that this time he should be properly credited as joint author of the whole book.
Richard Dawkins (The Ancestor's Tale: A Pilgrimage to the Dawn of Evolution)
I see Barsad, and Cly, Defarge, The Vengeance, the Juryman, the Judge, long ranks of the new oppressors who have risen on the destruction of the old, perishing by this retributive instrument, before it shall cease out of its present use. I see a beautiful city and a brilliant people rising from this abyss, and, in their struggles to be truly free, in their triumphs and defeats, through long years to come, I see the evil of this time and of the previous time of which this is the natural birth, gradually making expiation for itself and wearing out. "I see the lives for which I lay down my life, peaceful, useful, prosperous and happy, in that England which I shall see no more. I see Her with a child upon her bosom, who bears my name. I see her father, aged and bent, but otherwise restored, and faithful to all men in his healing office, and at peace. I see the good old man, so long their friend, in ten years' time enriching them with all he has, and passing tranquilly to his reward. "I see that I hold a sanctuary in their hearts, and in the hearts of their descendants, generations hence. I see her, an old woman weeping for me on the anniversary of this day. I see her and her husband, their course done, lying side by side in their last earthly bed, and I know that each was not more honoured and held sacred in the other's soul, than I was in the souls of both. "I see that child who lay upon her bosom and who bore my name, a man winning his way up in that path of life which once was mine. I see him winning it so well, that my name is made illustrious there by the light of his. I see the blots I threw upon it, faded away. I see him, foremost of just judges and honoured men, brining a boy of my name, with a forehead that I know and golden hair, to this place---then fair to look upon, with not a trace of this day's disfigurement---and I hear him tell the child my story, with a tender and faltering voice. "It is a far, far better thing that I do, than I have ever done; it is a far, far better rest that I go to than I have ever known.
Charles Dickens (A Tale of Two Cities)
I see Barsad, and Cly, Defarge, The Vengeance, the Juryman, the Judge, long ranks of the new oppressors who have risen on the destruction of the old, perishing by this retributive instrument, before it shall cease out of its present use. I see a beautiful city and a brilliant people rising from this abyss, and, in their struggles to be truly free, in their triumphs and defeats, through long years to come, I see the evil of this time and of the previous time of which this is the natural birth, gradually making expiation for itself and wearing out “I see the lives for which I lay down my life, peaceful, useful, prosperous and happy, in that England which I shall see no more. I see Her with a child upon her bosom, who bears my name. I see her father, aged and bent, but otherwise restored, and faithful to all men in his healing office, and at peace. I see the good old man, so long their friend, in ten years’ time enriching them with all he has, and passing tranquilly to his reward. “I see that I hold a sanctuary in their hearts, and in the hearts of their descendants, generations hence. I see her, an old woman, weeping for me on the anniversary of this day. I see her and her husband, their course done, lying side by side in their last earthly bed, and I know that each was not more honoured and held sacred in the other’s soul, than I was in the souls of both. I see that child who lay upon her bosom and who bore my name, a man winning his way up in that path of life which once was mine. I see him winning it so well, that my name is made illustrious there by the light of his. I see the blots I threw upon it, faded away. I see him, fore-most of just judges and honoured men, bringing a boy of my name, with a forehead that I know and golden hair, to this place—then fair to look upon, with not a trace of this day’s disfigurement—and I hear him tell the child my story, with a tender and a faltering voice
Charles Dickens (A Tale of Two Cities)
Reaching into his sporran, he pulled out a small bundle wrapped in fine linen. “I want to give ye somethin’, somethin’I want ye to wear this day.”Carefully, he unfolded the linen and held his hand out to her. Josephine’s eyes widened with curiosity and joy. “’Tis beautiful, Graeme!” “It be a brooch that each MacAulay lad receives when he turns six and ten. I want ye to have it.” Josephine carefully took it and studied it closely. Made of pewter, in the center of the brooch were two hands, one decidedly masculine, the other feminine. The masculine hand held the feminine hand in his palm. In the center of her palm was a tiny ruby. To one side, the circle had been engraved to look like stars twinkling near a crescent moon. On the other were the words aeterna devotione. Eternal devotion. Tears filled her eyes as she looked into his. “Ye want me to have this?” “Aye, I do, Joie,”he said as he placed a kiss on her forehead. “Me great-great-great grandfather presented a brooch just like this to his wife, me great-great-great grandmum. But no’until the first anniversary of their weddin’day. ’Twas a symbol of the great love they had found with one another. ’Tis tradition for the MacAulay men to only give their brooch to a woman who has stolen their heart, a woman they love and trust above all else.” Tears trailed down her cheeks, her heart beating so rapidly she was certain it would burst through her breastbone at any moment. “I do no’quite understand how it happened, or how it happened so quickly, Joie, but it has. Amorem in corde meo ut arctius coccino colloeandus arctius ideo astra,”Graeme said first in Latin and then again in Gaelic, “Toisc go bhfuil do ghrá eitseáilte isteach i mo chroí i corcairdhearg, mar sin tá sé eitseáilte amonst na réaltaí.”He placed a tender kiss on her cheek. “As yer love be etched into me heart in crimson, so it be etched amongst the stars,”he told her. “As me grandda said those words to me grandmum all those many years ago, I say them to ye.
Suzan Tisdale (Isle of the Blessed)
Fascism rested not upon the truth of its doctrine but upon the leader’s mystical union with the historic destiny of his people, a notion related to romanticist ideas of national historic flowering and of individual artistic or spiritual genius, though fascism otherwise denied romanticism’s exaltation of unfettered personal creativity. The fascist leader wanted to bring his people into a higher realm of politics that they would experience sensually: the warmth of belonging to a race now fully aware of its identity, historic destiny, and power; the excitement of participating in a vast collective enterprise; the gratification of submerging oneself in a wave of shared feelings, and of sacrificing one’s petty concerns for the group’s good; and the thrill of domination. Fascism’s deliberate replacement of reasoned debate with immediate sensual experience transformed politics, as the exiled German cultural critic Walter Benjamin was the first to point out, into aesthetics. And the ultimate fascist aesthetic experience, Benjamin warned in 1936, was war. Fascist leaders made no secret of having no program. Mussolini exulted in that absence. “The Fasci di Combattimento,” Mussolini wrote in the “Postulates of the Fascist Program” of May 1920, “. . . do not feel tied to any particular doctrinal form.” A few months before he became prime minister of Italy, he replied truculently to a critic who demanded to know what his program was: “The democrats of Il Mondo want to know our program? It is to break the bones of the democrats of Il Mondo. And the sooner the better.” “The fist,” asserted a Fascist militant in 1920, “is the synthesis of our theory.” Mussolini liked to declare that he himself was the definition of Fascism. The will and leadership of a Duce was what a modern people needed, not a doctrine. Only in 1932, after he had been in power for ten years, and when he wanted to “normalize” his regime, did Mussolini expound Fascist doctrine, in an article (partly ghostwritten by the philosopher Giovanni Gentile) for the new Enciclopedia italiana. Power came first, then doctrine. Hannah Arendt observed that Mussolini “was probably the first party leader who consciously rejected a formal program and replaced it with inspired leadership and action alone.” Hitler did present a program (the 25 Points of February 1920), but he pronounced it immutable while ignoring many of its provisions. Though its anniversaries were celebrated, it was less a guide to action than a signal that debate had ceased within the party. In his first public address as chancellor, Hitler ridiculed those who say “show us the details of your program. I have refused ever to step before this Volk and make cheap promises.” Several consequences flowed from fascism’s special relationship to doctrine. It was the unquestioning zeal of the faithful that counted, more than his or her reasoned assent. Programs were casually fluid. The relationship between intellectuals and a movement that despised thought was even more awkward than the notoriously prickly relationship of intellectual fellow travelers with communism. Many intellectuals associated with fascism’s early days dropped away or even went into opposition as successful fascist movements made the compromises necessary to gain allies and power, or, alternatively, revealed its brutal anti-intellectualism. We will meet some of these intellectual dropouts as we go along. Fascism’s radical instrumentalization of truth explains why fascists never bothered to write any casuistical literature when they changed their program, as they did often and without compunction. Stalin was forever writing to prove that his policies accorded somehow with the principles of Marx and Lenin; Hitler and Mussolini never bothered with any such theoretical justification. Das Blut or la razza would determine who was right.
Robert O. Paxton (The Anatomy of Fascism)
two days of pay on the first-year anniversary grew to four weeks of pay by the tenth-year anniversary. Additionally, five-year employment anniversaries were celebrated with a cake, ten years with a monogrammed silver platter with the name Pepperidge Farm and the date inscribed on the bottom, and fifteen years with a monogrammed
Edith Sparks (Boss Lady: How Three Women Entrepreneurs Built Successful Big Businesses in the Mid-Twentieth Century (The Luther H. Hodges Jr. and Luther H. Hodges Sr. ... Entrepreneurship, and Public Policy))
Did you remember our anniversary?” my father asks. “Slipped my mind. Sorry.” “Told you,” he says to my mother. “Pay up, Robin.” My mother reaches into her pocket and hands him a ten-dollar bill. They bet on almost everything. My love life. Which holidays I’ll remember. Every football game I’ve ever played. But I’m almost positive they’ve just been passing the same ten-dollar bill back and forth for several years.
Colleen Hoover (Reminders of Him)
I’ve a good life here, with Molly and Patience and the boys. There’s honest work to keep me busy, and my idle time is enjoyed with those I love. Web, I don’t doubt your wisdom and experience, but I also don’t doubt my own heart. I don’t need more than I have right now.” He looked into my eyes. I met his gaze. My last utterance was almost true. If I could have my wolf back again, then, yes, life would have been much sweeter. If I could have opened my door, and found the Fool grinning on my doorstep, then my life would have been full indeed. But there was no point in sighing after what I could not have. It only distracted me from what I did have, and that was more than I’d ever had in my life. A home, my lady, youngsters growing to manhood under my roof, and the comforts of my own bed at night. Just enough consultations from Buckkeep Castle that I could feel I was still needed in the greater world, yet few enough that I knew, truly, they could get by without me and let me have a measure of peace. I had anniversaries I could be proud of. It was nearly eight years that Molly had been my wife. It was almost ten years since I’d killed anyone. Almost ten years since I’d last seen the Fool. And there it was, that stone-dropping-into-a-well plunge of my heart. I kept it from showing on my face or in my eyes. That gulf, after all, had nothing to do with how long I’d gone with no animal companion. That was a different sort of loneliness entirely. Wasn’t it? Perhaps not. The loneliness that can never be filled by anyone except the one whose loss created the absence; well, then perhaps it was the same.
Robin Hobb (Fool's Assassin (The Fitz and the Fool, #1))
I’m not sure why I thought it would be a good idea to bring Kanish to Mel Odious Sound yesterday. Bringing a Billionheir to a large recording complex full of Producers is like opening a bag of chips at a seagull convention. It wouldn’t be long before every Producer within earshot swooped in to aggressively pitch his latest and greatest pet project, most of which would likely prove unprofitable. Rev is obviously going to pitch a project, and it very well may be something amazing. But as I’ve pointed out, in order for Kanish to make a profit, he would have to pick up half the Publishing—a non-starter for the Rev. He’s not a Songwriting Producer, so he likely doesn’t have a sufficient portion of the Publishing to share. And even if he did, no seasoned Producer is going to give half of their equity in a song in order to basically secure a small loan from an outside investor. There’s no upside. For starters, Kanish has no channels of Distribution beyond Streaming, which is already available to anyone and everyone who wants it, and which is currently only profitable for the Major Labels and the stockholders of the Streaming services themselves. Everyone else is getting screwed. And please don’t quote me the Douchebag Big Tech Billionaires running big Streaming Corporations. They are literally lining their pockets with the would-be earnings of Artists and Songwriters alike. What they claim as fair is anything but. Frankly, I don’t think we should be comfortable with Spotify taking a 30 percent margin off the top, and then disbursing the Tiger’s Share of the remaining 70 percent to the Major Labels who have already negotiated top dollar for access to their catalog. This has resulted in nothing but some remaining scraps trickling down to the tens of thousands of Independent Artists out there who just want to make a living. You can’t make a living off scraps, or even a trickle, for that matter. Mark my words, we are currently witnessing the greatest heist in the annals of the Music Business, and that’s saying something given its history. Can you say Napster? Stunningly, the only place that Songwriters can make sufficient Performance Royalties is radio—a medium that is coming up on its hundred-year anniversary. To make matters worse, the Major Distributors still have radio all locked up, and without airplay, there’s no hit. So even now, more than twenty years into the Internet revolution, the odds of breaking through the artistic cacophony without Major-Label Distribution are impossibly low. So much for the Internet leveling the playing field. At this point, only Congress can solve the problem. And despite the fact that Streaming has been around since the mid-aughts, Congress has done nothing to deal with the issue. Why? Because it’s far cheaper for Big Tech to line the pockets of lobbyists and fund the campaigns of politicians who gladly ignore the issue than it is to pay Artists and Songwriters a fair rate for their work, my friends. Same is it ever was. Just so I’m clear, there is a debate to be had as to how much Songwriters and Artists should be paid for Streaming. A radio Spin can reach millions. A Stream rarely reaches more than a few listeners. Clearly, a new method of calculation is required. But that doesn’t mean that we should just sit by as the Big Tech Douchebags rob an entire generation of royalties all so they can sell their Streaming Corporation for billions down the line. I mean, that is the end game, after all. At which point, profit for the new majority stockholder will be all but impossible. How will anyone get paid then?
Mixerman (#Mixerman and the Billionheir Apparent)
Everything I did for the past decade had been for him, and he didn’t even care enough to call and tell me he’d be late for our fucking ten-year anniversary.
Ana Huang (King of Greed (Kings of Sin, #3))
Put another way: I don't know what's going to happen on Election Day, other than the fact that the election won't be the only thing I'm thinking about- as November 5, 2024, also marks the ten-year anniversary of the death of my mother: a milestone so striking, it seems impossible to me even as I write it. And guess what? I won't be the only person in this country with something else on my mind that day, either.
Kat Timpf (I Used to Like You Until...: (How Binary Thinking Divides Us))
Szilard began explaining. “Five or ten minutes” later, he says, Einstein understood. After only a year of university physics, Szilard had worked out a rigorous mathematical proof that the random motion of thermal equilibrium could be fitted within the framework of the phenomenological theory in its original, classical form, without reference to a limiting atomic model—“and [Einstein] liked this very much.
Richard Rhodes (The Making of the Atomic Bomb: 25th Anniversary Edition)
Quick-fixes do not work. All lasting inner change requires time and effort. Persistence is the mother of personal change. I’m not saying that it will take years to make profound changes in your life. If you diligently apply the strategies I am sharing with you every day for only one month, you will be astonished at the results. You will begin to tap into the highest levels of your own capacity and enter the realm of the miraculous. But to reach this destination, you must not get hung up on the outcome. Instead, enjoy the process of personal expansion and growth. Ironically, the less you focus on the end result, the quicker it will come.” “How so?” “It’s like that classic story of the young boy who traveled far from his home to study under a great teacher. When he met the wise old man, his first question was, ‘How long will it take me before I am as wise as you?’ “The response came swiftly, ‘Five years.’ “‘This is a very long time,’ the boy replied. ‘How about if I work twice as hard?’ “‘Then it will take ten,’ said the master. “‘Ten! That’s far too long. How about if I studied all day and well into the night, every night?’ “‘Fifteen years,’ said the sage. “‘I don’t understand,’ replied the boy. ‘Every time I promise to devote more energy to my goal, you tell me that it will take longer. Why?’ “‘The answer is simple. With one eye fixed on the destination, there is only one left to guide you along the journey.
Robin S. Sharma (The Monk Who Sold His Ferrari, 25th Anniversary Edition)
the young boy who traveled far from his home to study under a great teacher. When he met the wise old man, his first question was, ‘How long will it take me before I am as wise as you?’ “The response came swiftly, ‘Five years.’ “‘This is a very long time,’ the boy replied. ‘How about if I work twice as hard?’ “‘Then it will take ten,’ said the master. “‘Ten! That’s far too long. How about if I studied all day and well into the night, every night?’ “‘Fifteen years,’ said the sage. “‘I don’t understand,’ replied the boy. ‘Every time I promise to devote more energy to my goal, you tell me that it will take longer. Why?’ “‘The answer is simple. With one eye fixed on the destination, there is only one left to guide you along the journey.
Robin S. Sharma (The Monk Who Sold His Ferrari, 25th Anniversary Edition)
By 1933, with a departmental budget above $2,000 a year, ten times the budget of most Italian physics departments
Richard Rhodes (The Making of the Atomic Bomb: 25th Anniversary Edition)
The Los Angeles earthquake of October 1, 1987, measured 5.9 on the Richter scale. It killed eight people, injured scores more, and left 2,200 people homeless and more than 10,000 buildings badly damaged. However, Nikki Sixx was by far the most infamous Los Angeleno to react to the quake by running out of his house butt-haked and waving a crack pipe.
Nikki Sixx (The Heroin Diaries: Ten Year Anniversary Edition: A Year in the Life of a Shattered Rock Star)
DOC McGHEE: I always had a real problem with this line of argument of Sixx’s. Sure, the tours were too long for them, but only because of the way they behaved on them! Don’t forget, these were guys in their twenties who were only being asked to work two hours per day. What about all the guys who get up at 5 a.m. to lay bricks and only get two weeks off a year? If Mötley Crüe was burned out on the road it was purely because they had stupid fucking drug habits. It’s not rocket science.
Nikki Sixx (The Heroin Diaries: Ten Year Anniversary Edition: A Year in the Life of a Shattered Rock Star)
You know what sums their relationship up? The time that Tommy was running naked down the hallways of a hotel in Ohio and the police arrived, went to the room next door and arrested Mick for it.
Nikki Sixx (The Heroin Diaries: Ten Year Anniversary Edition: A Year in the Life of a Shattered Rock Star)
I’ve never known which is funnier—Aerosmith writing “Dude Looks Like a Lady” about Vince, or Dire Straits writing “Money for Nothing (and Chicks for Free)” about Mötley. SEPTERMBER
Nikki Sixx (The Heroin Diaries: Ten Year Anniversary Edition: A Year in the Life of a Shattered Rock Star)
It would not all be easy sailing from here on, but modern pharmacological medicine gave my father ten extra years of life and a peace he might never have had. He and my mother got to celebrate their fiftieth wedding anniversary. He got to know his grandchildren and we became much closer. He became easier to reach, to know and love.
Bruce Springsteen
with them and it brings me back to earth.
Nikki Sixx (The Heroin Diaries: Ten Year Anniversary Edition: A Year in the Life of a Shattered Rock Star)