Temples Deep Quotes

We've searched our database for all the quotes and captions related to Temples Deep. Here they are! All 100 of them:

Benedicto: May your trails be crooked, winding, lonesome, dangerous, leading to the most amazing view. May your mountains rise into and above the clouds. May your rivers flow without end, meandering through pastoral valleys tinkling with bells, past temples and castles and poets towers into a dark primeval forest where tigers belch and monkeys howl, through miasmal and mysterious swamps and down into a desert of red rock, blue mesas, domes and pinnacles and grottos of endless stone, and down again into a deep vast ancient unknown chasm where bars of sunlight blaze on profiled cliffs, where deer walk across the white sand beaches, where storms come and go as lightning clangs upon the high crags, where something strange and more beautiful and more full of wonder than your deepest dreams waits for you -- beyond that next turning of the canyon walls.
Edward Abbey
When one loses the deep intimate relationship with nature, then temples, mosques and churches become important.
J. Krishnamurti
What's your favorite color?" asked Sylvi. "I don't have one." "How can you not have one?" Deep blue like the True Sea. Red like the roofs of the Shu temples. The pure, buttery color of sunlight—not really yellow or gold, what would you call it? All the colors you couldn't see in the dark.
Leigh Bardugo (The Demon in the Wood (Grishaverse, #0.1))
Charlie threads his fingers through mine and lifts the back of my hand to his lips. “For what it’s worth,” he says, “I doubt I will ever like anyone else in the world as much as I like you.” I slip my arms around his neck and climb into his lap, kissing his temples, his jaw, his mouth. Love, I think, a tremor in my hands as they move into his hair, as he kisses me. The last-page ache. The deep breath in after you’ve set the book aside. When he walks me to the door sometime later, he takes my face in his hands and says, “You, Nora Stephens, will always be okay.
Emily Henry (Book Lovers)
I rubbed at my temple, where the zit was gone. It still hurt a little , though, deep under the skin. I hate those zits that burrow underground. You think they've vanished, but no, they just barricade themselves right next to the bone and hurt.
Lili St. Crow (Strange Angels (Strange Angels, #1))
If you'll kiss me back," he whispered huskily, brushing his lips along the curve of her jaw, "I'll make it six million. If you'll go to bed with me tonight," he continued, losing himself in the scent of her perfume and the softness of her skin, "I'll give you the world. But if you'll move in with me," he continued, dragging his mouth across her cheek to the corner of her lips, "I'll do much better than that." Unable to turn her face farther because his arm was in the way, and unable to turn her body because his body was in the way, Meredith tried to infuse disdain in her voice and simultaneously ignore the arousing touch of his tongue against her ear. "Six million dollars and the whole world!" she said in a slightly shaky voice. "What else could you possibly give me if I move in with you?" "Paradise." Lifting his head, Matt took her chin between his thumb and forefinger and forced her to meet his gaze. In an aching, solemn voice he said, "I'll give you paradise on a gold platter. Anything you want— everything you want. I come with it, of course. It's a package deal." Meredith wallowed audibly, mesmerized by the melting look in his silver eyes and the rich timbre of his deep voice. "We'll be a family," he continued, describing the paradise he was offering while he bent his head to her again. "We'll have children ... I'd like six," he teased, his lips against her temple. "But I'll settle for one. You don't have to decide now." She drew in a ragged breath and Matt decided he'd pushed matters as far as he dared for one night. Straightening abruptly, he chucked her under her chin. "Think about it," he suggested with a grin.
Judith McNaught (Paradise (Paradise, #1))
We try, we struggle, all the time to find words to express our love. The quality, the quantity, certain that no two people have experienced it before in the history of creation. Perhaps Catherine and Heathcliff, perhaps Romeo and Juliet, maybe Tristan and Isolde, maybe Hero and Leander, but these are just characters, make-believe. We have known each other forever, since before conception even. We remember playing together in a playpen, crossing paths at FAO Schwarz. We remember meeting in front of the Holy Temple in the days before Christ, we remember greeting each other at the Forum, at the Parthenon, on passing ships as Christopher Columbus sailed to America. We have survived pogrom together, we have died in Dachau together, we have been lynched by the Ku Klux Klan together. There has been cancer, polio, the bubonic plague, consumption, morphine addiction. We have had children together, we have been children together, we were in the womb together. Our history is so deep and wide and long, we have known each other a million years. And we don't know how to express this kind of love, this kind of feeling. I get paralyzed sometimes. One day, we are in the shower and I want to say to him, I could be submerged in sixty feet of water right now, never drowning, never even fearing drowning, knowing I would always be safe with you here, knowing that it would be ok to die as long as you are here. I want to say this but don't.
Elizabeth Wurtzel (Prozac Nation)
I love your laugh. I want to hear it every day. I want to be through all this darkness and devastation. I want happiness now. I want our due. I want what we’ve deserved from the beginning.” He paused and stared deep into her eyes, willing her to understand how much he loved her. “I want you.
Sarah MacLean (No Good Duke Goes Unpunished (The Rules of Scoundrels, #3))
Temple of Suma— hearing the unblown flute in the deep shade of trees sumadera ya / fukanu fue kiku / koshitayami
Matsuo Bashō (Bashō's Haiku: Selected Poems)
He took a deep breath. “You make me question myself,” he said. “All the time, every day. I was brought up to believe I had to be perfect. A perfect warrior, a perfect son. Even when I came to live with the Lightwoods, I thought I had to be perfect, because otherwise they would send me away. I didn’t think love came with forgiveness. And then you came along, and you broke everything I believed into pieces, and I started to see everything differently. You had—so much love, and so much forgiveness, and so much faith. So I started to think that maybe I was worth that faith. That I didn’t have to be perfect; I had to try, and that was good enough.” He lowered his eyelids; she could see the faint pulse at his temple, feel the tension in him. “So I think you were the wrong person for the Jace that I was, but not the Jace that I am now, the Jace you helped make me. Who is, incidentally, a Jace I like much better than the old one. You’ve changed me for the better.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
So far as feelings were concerned, there was no discrepancy between the very finest feeling in this world and the very worst; that their effect was the same; that no visible difference existed between murderous intent and feelings of deep compassion.
Yukio Mishima (The Temple of the Golden Pavilion)
Not even her lover’s embrace could penetrate the chill that founds its way deep into her soul.
Marie Montine (Arising Son: Part One (The Guardians of the Temple Saga))
We’ll find a way,” I whispered. “I always do.” Danaus leaned forward and brushed a kiss against my temple, sending a wave of peace deep into the marrow of my bones, helping to ease some of the pain. “And then we’ll kill each other as God intended.
Jocelynn Drake (Nightwalker (Dark Days, #1))
I am becoming the woman I've wanted, grey at the temples, soft body, delighted, cracked up by life with a laugh that's known bitter but, past it, got better, knows she's a survivor-- that whatever comes, she can outlast it. I am becoming a deep weathered basket. I am becoming the woman I've longed for, the motherly lover with arms strong and tender, the growing up daughter who blushes surprises. I am becoming full moons and sunrises. I find her becoming, this woman I've wanted, who knows she'll encompass, who knows she's sufficient, knows where she's going and travels with passion. Who remembers she's precious, but knows she's not scarce-- who knows she is plenty, plenty to share.
Jayne Brown
Stranger, think long before you enter, For these corridors amuse not passing travellers. But if you enter, keep your voice to yourself. Nor should you tinkle and toll your tongue. These columns rose not, for the such as you. But for those urgent pilgrim feet that wander On lonely ways, seeking the roots of rootless trees. The earth has many flowery roads; choose one That pleases your whim, and gods be with you. But now leave! - leave me to my dark green solitude Which like the deep dream world of the sea Has its moving shapes; corals; ancient coins; Carved urns and ruins of ancient ships and gods; And mermaids, with flowing golden hair That charm a patch of silent darkness Into singing sunlight.
G.A. Kulkarni
Moments later, Hawfield walked in. He wasn't alone. “You've got to be kidding!” Hi blurted. Carmine Corcoran's scowl was as deep as ever. He'd lost a few pounds, but was still a large man, with muttonchop sideburns and a bristly black mustache. His hair was graying at the temples, making him appear more distinguished than his forty-five years merited. Ruth popped the back of her son's head. “Mind your manners, Hiram.” “Why does everyone do the?” Hi muttered. “And child abuse. In front of the police, I might add.
Kathy Reichs (Exposure (Virals, #4))
The extraordinary Soul Mate and Twin Flame encounters, makes one feel as if they have just arrived at a temple. They have been given access to the Divine. As they enter the room where the holy of holies resides, they can sense the spark of the Almighty deep within each other.
A Psycho-Spiritual- Author- Certified-Meditation, Laughter, & Kundalini Tantra Yoga Teacher. (Charismatic Connection: The Authentic Soul Mate Experience)
I remember a little girl... But how can that be... Once I was that little Resi, and then one day I became an old woman? ...If God wills it so, why allow me to see it? Why doesn't he hide it from me? Everything is a mystery, such a deep mystery... I feel the fragility of things in time. From the bottom of my heart, I feel we should cling to nothing. Everything slips through our fingers. All that we seek to hold on to dissolves. Everything vanishes, like mist and dreams... Time is a strange thing. When we don't need it, it is nothing. Then, suddenly, there is nothing else. It is everywhere around us. Also within us. It seeps into our faces. It seeps into the mirror, runs through my temples... Between you and I it runs silently, like an hourglass. Oh, Quin Quin. Sometimes I feel it flowing inexorably. Sometimes I get up in the middle of the night and stop all the clocks...
Carlo Rovelli (L'ordine del tempo)
Oh, all right,” she said balefully, beginning to shake all over. “I’ll admit it—I want you. There, are you satisfied? I want you.” “In what capacity? Lover, or husband?” Annabelle stared at him in shock. “What?” His arms slid around her, holding her quivering frame securely against his. He said nothing, only watched her intently as she tried to grasp the implications of the question. “But you’re not the marrying kind,” she managed to say weakly. He touched her ear, his fingertip tracing the fragile outer curve. “I’ve discovered that I am when it comes to you.” The subtle caress set fire to her blood, making it difficult to think. “We would probably kill each other within the first month.” “Probably,” Hunt conceded, his smiling mouth brushing over her temple. The warmth of his lips sent a rush of dizzying pleasure through her. “But marry me anyway, Annabelle. As I see things, it would solve most of your problems …and more than a few of mine.” His big hand slid gently down her spine, calming her tremors. “Let me spoil you,” he whispered. “Let me take care of you. You’ve never had anyone to lean on, have you? I’ve got strong shoulders, Annabelle.” A deep laugh rumbled in his chest. “And I may possibly be the only man of your acquaintance who’ll be able to afford you.
Lisa Kleypas (Secrets of a Summer Night (Wallflowers, #1))
Upon Westminster Bridge Earth has not anything to show more fair: Dull would he be of soul who could pass by A sight so touching in its majesty: This City now doth, like a garment, wear The beauty of the morning; silent, bare, Ships, towers, domes, theatres, and temples lie Open unto the fields, and to the sky; All bright and glittering in the smokeless air. Never did sun more beautifully steep In his first splendour, valley, rock, or hill; Ne'er saw I, never felt, a calm so deep! The river glideth at his own sweet will: Dear God! the very houses seem asleep; And all that mighty heart is lying still!
William Wordsworth
I left Abnegation because I wasn't selfless enough,no matter how hard I tried to be." "That's not entirely true." He smiles at me. "That girl who let someone throw knives at her to spare a friend,who hit my dad with a belt to protect me-that selfless girl,that's not you?" He's figured out more about me than I have. And even though it seems impossible that he could feel something for me,given all that I'm not...maybe it isn't.I frown at him. "You've been paying close attention,haven't you?" "I like to observe people." "Maybe you were cut out for Candor, Four, because you're a terrible liar." He puts his hand on the rock next to him, his fingers lining up with mine. I look down at our hands. He has long, narrow fingers. Hands made for mine, deft movements.Not Dauntless hands, which should be thick and tough and ready to break things. "Fine." He leans his face closer to mine, his eyes focusing on my chin, and my lips,and my nose. "I watched you because I like you." He says it plainly, boldly, and his eyes flick up to mine. "And don't call me 'Four," okay? It's nice to hear my name again." Just like that,he has finally declared himself, and I don't know how to respond. My cheeks warm,and all I can think to say is, "But you're older than I am...Tobias." He smiles at me. "Yes,that whopping two-year gap really is insurmountable, isn't it?" "I'm not trying to be self-deprecating," I say, "I just don't get it. I'm younger. I'm not pretty.I-" He laughs,a deep laugh that sounds like it came from deep inside him, and touches his lips to my temple. "Don't pretend," I say breathily. "You know I'm not. I'm not ugly,but I am certainly not pretty." "Fine.You're not pretty.So?" He kisses my cheek. "I like how you look. You're deadly smart.You're brave. And even though you found out about Marcus..." His voice softens. "You aren't giving me that look.Like I'm a kicked puppy or something." "Well," I say. "You're not." For a second his dark eyes are on mine, and he's quiet. Then he touches my face and leans in close, brushing my lips with his.The river roars and I feel its spray on my ankles.He grins and presses his mouth to mine. I tense up at first,unsure of myself, so when he pulls away,I'm sure I did something wrong,or badly.But he takes my face in his hands,his figners strong against my skin,and kisses me again, firmer this time, more certain. I wrap an arm around him,sliding my hand up his nack and into his short hair. For a few minutes we kiss,deep in the chasm,with the roar of water all around us. And when we rise,hand in hand, I realize that if we had both chosen differently,we might have ended up doing the same thing, in a safer place, in gray clothes instead of black ones.
Veronica Roth (Divergent (Divergent, #1))
If things were different, you wouldn’t have been you.” He finally looks back to me. His once icy eyes are now tepid pools as inviting and warm as the creeks I would strip bare and swim in underneath the redwood trees deep in the forests around the temple. “And I’ve found I’m very fond of exactly the woman you are. I wouldn’t change a single thing.
Elise Kova (A Deal with the Elf King (Married to Magic, #1))
Well, my dear sisters, the gospel is the good news that can free us from guilt. We know that Jesus experienced the totality of mortal existence in Gethsemane. It's our faith that he experienced everything- absolutely everything. Sometimes we don't think through the implications of that belief. We talk in great generalities about the sins of all humankind, about the suffering of the entire human family. But we don't experience pain in generalities. We experience it individually. That means he knows what it felt like when your mother died of cancer- how it was for your mother, how it still is for you. He knows what it felt like to lose the student body election. He knows that moment when the brakes locked and the car started to skid. He experienced the slave ship sailing from Ghana toward Virginia. He experienced the gas chambers at Dachau. He experienced Napalm in Vietnam. He knows about drug addiction and alcoholism. Let me go further. There is nothing you have experienced as a woman that he does not also know and recognize. On a profound level, he understands the hunger to hold your baby that sustains you through pregnancy. He understands both the physical pain of giving birth and the immense joy. He knows about PMS and cramps and menopause. He understands about rape and infertility and abortion. His last recorded words to his disciples were, "And, lo, I am with you always, even unto the end of the world." (Matthew 28:20) He understands your mother-pain when your five-year-old leaves for kindergarten, when a bully picks on your fifth-grader, when your daughter calls to say that the new baby has Down syndrome. He knows your mother-rage when a trusted babysitter sexually abuses your two-year-old, when someone gives your thirteen-year-old drugs, when someone seduces your seventeen-year-old. He knows the pain you live with when you come home to a quiet apartment where the only children are visitors, when you hear that your former husband and his new wife were sealed in the temple last week, when your fiftieth wedding anniversary rolls around and your husband has been dead for two years. He knows all that. He's been there. He's been lower than all that. He's not waiting for us to be perfect. Perfect people don't need a Savior. He came to save his people in their imperfections. He is the Lord of the living, and the living make mistakes. He's not embarrassed by us, angry at us, or shocked. He wants us in our brokenness, in our unhappiness, in our guilt and our grief. You know that people who live above a certain latitude and experience very long winter nights can become depressed and even suicidal, because something in our bodies requires whole spectrum light for a certain number of hours a day. Our spiritual requirement for light is just as desperate and as deep as our physical need for light. Jesus is the light of the world. We know that this world is a dark place sometimes, but we need not walk in darkness. The people who sit in darkness have seen a great light, and the people who walk in darkness can have a bright companion. We need him, and He is ready to come to us, if we'll open the door and let him.
Chieko N. Okazaki
Dear Mr. Peter Van Houten (c/o Lidewij Vliegenthart), My name is Hazel Grace Lancaster. My friend Augustus Waters, who read An Imperial Affliction at my recommendationtion, just received an email from you at this address. I hope you will not mind that Augustus shared that email with me. Mr. Van Houten, I understand from your email to Augustus that you are not planning to publish any more books. In a way, I am disappointed, but I'm also relieved: I never have to worry whether your next book will live up to the magnificent perfection of the original. As a three-year survivor of Stage IV cancer, I can tell you that you got everything right in An Imperial Affliction. Or at least you got me right. Your book has a way of telling me what I'm feeling before I even feel it, and I've reread it dozens of times. I wonder, though, if you would mind answering a couple questions I have about what happens after the end of the novel. I understand the book ends because Anna dies or becomes too ill to continue writing it, but I would really like to mom-wether she married the Dutch Tulip Man, whether she ever has another child, and whether she stays at 917 W. Temple etc. Also, is the Dutch Tulip Man a fraud or does he really love them? What happens to Anna's friends-particularly Claire and Jake? Do they stay that this is the kind of deep and thoughtful question you always hoped your readers would ask-what becomes of Sisyphus the Hamster? These questions have haunted me for years-and I don't know long I have left to get answers to them. I know these are not important literary questions and that your book is full of important literally questions, but I would just really like to know. And of course, if you ever do decide to write anything else, even if you don't want to publish it. I'd love to read it. Frankly, I'd read your grocery lists. Yours with great admiration, Hazel Grace Lancaster (age 16)
John Green (The Fault in Our Stars)
It’s dangerous to assume that because a person is drawn to holiness in his study that he is thereby a holy man. There is irony here. I am sure that the reason I have a deep hunger to learn of the holiness of God is precisely because I am not holy. I am a profane man—a man who spends more time out of the temple than in it. But I have had just enough of a taste of the majesty of God to want more. I know what it means to be a forgiven man and what it means to be sent on a mission. My soul cries for more. My soul needs more.
R.C. Sproul (The Holiness of God)
Right,” I muttered to myself, impaling the tiny positive-mental-attitude goblin who lived inside the deep, dark, super-black castle fortress of my soul. It was roommates with my silent love for The Sound of Music and cat memes. But
Shayne Silvers (Tiny Gods (The Temple Chronicles, #6))
That’s all love is, when you strip it down to the bare bones. A loaded gun to the temple with someone else’s finger on the trigger.
Laura Mauro (Sing Your Sadness Deep)
A quiet but indomitable voice behind me said, “I believe this is my dance.” It was Ren. I could feel his presence. The warmth of him seeped into my back, and I quivered all over like spring leaves in a warm breeze. Kishan narrowed his eyes and said, “I believe it is the lady’s choice.” Kishan looked down at me. I didn’t want to cause a scene, so I simply nodded and removed my arms from his neck. Kishan glared at his replacement and stalked angrily off the dance floor. Ren stepped in front of me, took my hands gently in his, and placed them around his neck, bringing my face achingly close to his. Then he slid his hands slowly and deliberately over my bare arms and down my sides, until they encircled my waist. He traced little circles on my exposes lower back with his fingers, squeezed my waist, and drew my body up tightly against him. He guided me expertly through the slow dance. He didn’t say anything, at least not with words, but he was still sending lots of signals. He pressed his forehead against mine and leaned down to nuzzle my ear. He buried his face in my hair and lifted his hand to stroke down the length of it. His fingers played along my bare arm and at my waist. When the song ended, it took both of us a min to recover our senses and remember where we were. He traced the curve of my bottom lip with his finger then reached up to take my hand from around his neck and led me outside to the porch. I thought he would stop there, but he headed down the stairs and guided me to a wooded area with stone benches. The moon made his skin glow. He was wearing a white shirt with dark slacks. The white made me think of him as the tiger. He pulled me under the shadow of a tree. I stood very still and quiet, afraid that if I spoke I’d say something I’d regret. He cupped my chin and tilted my face up so he could look in my eyes. “Kelsey, there’s something I need to say to you, and I want you to be silent and listen.” I nodded my head hesitantly. “First, I want to let you know that I heard everything you said to me the other night, and I’ve been giving your words some very serious thought. It’s important for you to understand that.” He shifted and picked up a lock of hair, tucked it behind my ear, and trailed his fingers down my cheek to my lips. He smiled sweetly at me, and I felt the little love plant bask in his smile and turn toward it as if it contained the nourishing rays of the sun. “Kelsey,” he brushed a hand through his hair, and his smile turned into a lopsided grin, “the fact is…I’m in love with you, and I have been for some time.” I sucked in a deep breath. He picked up my hand and played with my fingers. “I don’t want you to leave.” He began kissing my fingers while looking directly into my eyes. It was hypnotic. He took something out of his pocket. “I want to give you something.” He held out a golden chain covered with small tinkling bell charms. “It’s an anklet. They’re very popular here, and I got this one so we’d never have to search for a bell again.” He crouched down, wrapping his hand around the back of my calf, and then slid his palm down to my ankle and attached the clasp. I swayed and barely stopped myself from falling over. He trailed his warm fingers lightly over the bells before standing up. Putting his hands on my shoulders, he squeezed, and pulled me closer. “Kells . . . please.” He kissed my temple, my forehead, and my cheek. Between each kiss, he sweetly begged, “Please. Please. Please. Tell me you’ll stay with me.” When his lips brushed lightly against mine, he said, “I need you,” then crushed his lips against mine.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
I’m aware that there is a bigger, far more complicated world out there than I’d ever realized, and just like the students at Beijing University, I’ve glimpsed it only fleetingly, peripherally. I’ve sensed the vast expanse of my own ignorance now. I feel antsy and constricted and a deep, almost sexual yearning for velocity, for some sort of raw, transcendent experience that I cannot even begin to articulate.
Susan Jane Gilman (Undress Me in the Temple of Heaven)
Paperback and buckram books decorated the floor, torn open to leave loose pages lying about like the useless guts of an eviscerated animal. Fury smoldered deep down inside my stomach, as if I were looking at heaps of dead children lying about the room instead. Books were my children. It was sacrilegious. Hundreds
Shayne Silvers (The Nate Temple Series, Box Set 1 (The Nate Temple Series, #0.5-3))
Alice's robes were seasonal. She hadn't exactly planned it that way, but that's how it evolved. In winter there was a long, warm, deep purple terry-cloth robe. In spring she changed to a new blue-and-white cotton kimono. In summer there was a white chenille bathrobe with a pattern on it, and in the fall she wore a cotton robe her husband had bought her as a surprise gift. They were useful, practical garments, but when she thought about it, she realized she wore them as much for the feelings and memories they evoked as much as their physical comfort. When I told her I thought her robes had become like temple garments, she smiled,"Yes.
Robert Fulghum
As soon as our lips met, I was glad I had my back against the door. My knees were in definite danger of failing me. Archer wrapped his arms around my waist and held me tighter as I clutched the front of his shirt and poured all that I’d been feeling for the past few weeks into the kiss-the despair I’d felt when I’d thought he was dead, the relief I felt now, pressed between him and the cellar door. When we finally parted, I rested my forehead on his collarbone and took deep breaths. It was a few moments before I was capable of speech. “I though you said we’d do this ‘later.’” He kissed my temple. “It’s been like, twenty minutes. That counts as later.” Chuckling, I raised my head to look at him. “I kind of missed you.” Even though it was dark, I could see him smile. “I kind of missed you, too.” “I should probably get upstairs now.” “You probably should,” he murmured, lowering his mouth to mine. By the time I finally made it up to Jenna’s and my room, I was practically skipping.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
What's your favorite color?” asked Sylvi. “I don't have one.” “How can you not have one?” Deep blue like the True Sea. Red like the roofs of the Shu temples. The pure, buttery color of sunlight—not really yellow or gold, what would you call it? All the colors you couldn't see in the dark. “I never really thought about it.” “Mine’s rainbow,” said Sylvi. “That’s not a color.” “Is too.
Leigh Bardugo (The Demon in the Wood (Grishaverse, #0.1))
The kiss was deep and thorough and utterly possessive. It claimed her lips and rendered her knees weak. His hands cupped her face, his fingertips coming to rest on her temples, his thumbs stroking her cheekbones. His tongue delved into her mouth, seeking hers. Finding it, mating with it. She wanted to stop him, she knew she should—it was insane to let him kiss her like this—but the second the notion of pulling away entered her mind it was washed away by the waves of desire and need Nick’s kiss sent surging through her.
Lexxie Couper (Love's Rhythm (Heart of Fame, #1))
I've got my own moral compass to steer by A guiding star beats a spirit in the sky And all the preaching voices - Empty vessels ring so loud As they move among the crowd Fools and thieves are well disguised In the temple and market place Like a stone in the river Against the floods of spring I will quietly resist Like the willows in the wind Or the cliffs along the ocean I will quietly resist I don't have faith in faith I don't believe in belief You can call me faithless I still cling to hope And I believe in love And that's faith enough for me I've got my own spirit level for balance To tell if my choice is leaning up or down And all the shouting voices Try to throw me off my course Some by sermon, some by force Fools and thieves are dangerous In the temple and market place Like a forest bows to winter Beneath the deep white silence I will quietly resist Like a flower in the desert That only blooms at night I will quietly resist
Rush
Gail loved to talk about how stressed she was. She would do this thing where we'd be walking in the hallway, and suddenly she'd stop in her tracks, rub both of her temples with her index and middle fingers, and theatrically let out a deep guttural moan: "Mooooog." "Mooog. Minz. I am just so stressed out," she'd say. "I just want to go home, open a bottle of red wine, draw up a hot bath, light some candles and listen to David Gray." A note about me: I do not think stress is a legitimate topic of conversation, in public anyway. No one ever wants to hear how stressed out anyone else is, because most of the time everyone is stressed out. Going on and on in detail about how stressed out I am isn't conversation. It'll never lead anywhere. No one is going to say, "Wow, Mindy, you really have it especially bad. I have heard some stories of stress, but this just takes the cake.
Mindy Kaling (Is Everyone Hanging Out Without Me? (And Other Concerns))
Earth has not anything to show more fair: Dull would he be of soul who could pass by A sight so touching in its majesty: This City now doth, like a garment, wear The beauty of the morning; silent, bare, Ships, towers, domes, theatres, and temples lie Open unto the fields, and to the sky; All bright and glittering in the smokeless air. Never did sun more beautifully steep In his first splendour, valley, rock, or hill; Ne’er saw I, never felt, a calm so deep! The river glideth at his own sweet will: Dear God! the very houses seem asleep; And all that mighty heart is lying still! - Composed Upon Westminster Bridge, September 3, 1802
William Wordsworth
Placing a kiss on my collarbone, Aaron finally pressed into me. One slow and deep thrust, filling me completely and sending my head, my body, my soul to a whole new galaxy. “God,” I whimpered, blissfully full. Aaron’s grunt fell against my temple. “Oh fuck, baby.” His hips rocked, retreating and sliding back in with more force now, eliciting a cry of pleasure from me. His mouth nuzzled my neck. “That sound, Catalina.” He thrust in again. “It’s going to be my end.” Another one followed.
Elena Armas (The Spanish Love Deception (Spanish Love Deception, #1))
Do you have someone in mind, Galen?" Toraf asks, popping a shrimp into his mouth. "Is it someone I know?" "Shut up, Toraf," Galen growls. He closes his eyes, massages his temples. This could have gone a lot better in so many ways. "Oh," Toraf says. "It must be someone I know, then." "Toraf, I swear by Triton's trident-" "These are the best shrimp you've ever made, Rachel," Toraf continues. "I can't wait to cook shrimp on our island. I'll get the seasoning for us, Rayna." "She's not going to any island with you, Toraf!" Emma yells. "Oh, but she is, Emma. Rayna wants to be my mate. Don't you, princess?" he smiles. Rayna shakes her head. "It's no use, Emma. I really don't have a choice." She resigns herself to the seat next to Emma, who peers down at her, incredulous. "You do have a choice. You can come live with me at my house. I'll make sure he can't get near you." Toraf's expression indicates he didn't consider that possibility before goading Emma. Galen laughs. "It's not so funny anymore is it, tadpole?" he says, nudging him. Toraf shakes his head. "She's not staying with you, Emma." "We'll see about that, tadpole," she returns. "Galen, do something," Toraf says, not taking his eyes off Emma. Galen grins. "Such as?" "I don't know, arrest her or something," Toraf says, crossing his arms. Emma locks eyes with Galen, stealing his breath. "Yeah, Galen. Come arrest me if you're feeling up to it. But I'm telling you right now, the second you lay a hand on me, I'm busting this glass over your head and using it to split your lip like Toraf's." She picks up her heavy drinking glass and splashes the last drops of orange juice onto the table. Everyone gasps except Galen-who laughs so hard he almost upturns his chair. Emma's nostrils flare. "You don't think I'll do it? There's only one way to find out, isn't there, Highness?" The whole airy house echoes Galen's deep-throated howls. Wiping the tears from his eyes, he elbows Toraf, who's looking at him like he drank too much saltwater. "Do you know those foolish humans at her school voted her the sweetest out of all of them?" Toraf's expression softens as he looks up at Emma, chuckling. Galen's guffaws prove contagious-Toraf is soon pounding the table to catch his breath. Even Rachel snickers from behind her oven mitt. The bluster leaves Emma's expression. Galen can tell she's in danger of smiling. She places the glass on the table as if it's still full and she doesn't want to spill it. "Well, that was a couple of years ago." This time Galen's chair does turn back, and he sprawls onto the floor. When Rayna starts giggling, Emma gives in, too. "I guess...I guess I do have sort of a temper," she says, smiling sheepishly. She walks around the table to stand over Galen. Peering down, she offers her hand. He grins up at her. "Show me your other hand." She laughs and shows him it's empty. "No weapons." "Pretty resourceful," he says, accepting her hand. "I'll never look at a drinking glass the same way." He does most of the work of pulling himself up but can't resist the opportunity to touch her. She shrugs. "Survival instinct, maybe?" He nods. "Or you're trying to cut my lips off so you won't have to kiss me." He's pleased when she looks away, pink restaining her cheeks. "Rayna tries that all the time," Toraf chimes in. "Sometimes when her aim is good, it works, but most of the time kissing her is my reward for the pain.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Many people in recovery find that they feel spiritually grounded when in regular contact with the great outdoors. Others feel a deep serenity after lighting a candle in a church or temple or by chanting a sacred mantra. The point is that, unlike a typical religion that lays out a non-negotiable ideology, spirituality is expansive and deeply personal.
Christopher Dines (Drug Addiction Recovery: The Mindful Way)
You have to move on. You know it, deep
Paul Sussman (The Last Secret of the Temple (Yusuf Khalifa, #2))
Emotions could be secretly transferred via physical contact, so that the enemy—women—could never learn how deep and vulnerable we truly were.
Shayne Silvers (Knightmare (The Nate Temple Series, #12))
When you find yourself knee-deep in shit, don’t sit there complaining about it. Start walking.” She
Shayne Silvers (The Nate Temple Series, Box Set 1 (The Nate Temple Series, #0.5-3))
[Robert's eulogy at his brother, Ebon C. Ingersoll's grave. Even the great orator Robert Ingersoll was choked up with tears at the memory of his beloved brother] The record of a generous life runs like a vine around the memory of our dead, and every sweet, unselfish act is now a perfumed flower. Dear Friends: I am going to do that which the dead oft promised he would do for me. The loved and loving brother, husband, father, friend, died where manhood's morning almost touches noon, and while the shadows still were falling toward the west. He had not passed on life's highway the stone that marks the highest point; but, being weary for a moment, he lay down by the wayside, and, using his burden for a pillow, fell into that dreamless sleep that kisses down his eyelids still. While yet in love with life and raptured with the world, he passed to silence and pathetic dust. Yet, after all, it may be best, just in the happiest, sunniest hour of all the voyage, while eager winds are kissing every sail, to dash against the unseen rock, and in an instant hear the billows roar above a sunken ship. For whether in mid sea or 'mong the breakers of the farther shore, a wreck at last must mark the end of each and all. And every life, no matter if its every hour is rich with love and every moment jeweled with a joy, will, at its close, become a tragedy as sad and deep and dark as can be woven of the warp and woof of mystery and death. This brave and tender man in every storm of life was oak and rock; but in the sunshine he was vine and flower. He was the friend of all heroic souls. He climbed the heights, and left all superstitions far below, while on his forehead fell the golden dawning, of the grander day. He loved the beautiful, and was with color, form, and music touched to tears. He sided with the weak, the poor, and wronged, and lovingly gave alms. With loyal heart and with the purest hands he faithfully discharged all public trusts. He was a worshipper of liberty, a friend of the oppressed. A thousand times I have heard him quote these words: 'For Justice all place a temple, and all season, summer!' He believed that happiness was the only good, reason the only torch, justice the only worship, humanity the only religion, and love the only priest. He added to the sum of human joy; and were every one to whom he did some loving service to bring a blossom to his grave, he would sleep to-night beneath a wilderness of flowers. Life is a narrow vale between the cold and barren peaks of two eternities. We strive in vain to look beyond the heights. We cry aloud, and the only answer is the echo of our wailing cry. From the voiceless lips of the unreplying dead there comes no word; but in the night of death hope sees a star and listening love can hear the rustle of a wing. He who sleeps here, when dying, mistaking the approach of death for the return of health, whispered with his latest breath, 'I am better now.' Let us believe, in spite of doubts and dogmas, of fears and tears, that these dear words are true of all the countless dead. And now, to you, who have been chosen, from among the many men he loved, to do the last sad office for the dead, we give his sacred dust. Speech cannot contain our love. There was, there is, no gentler, stronger, manlier man.
Robert G. Ingersoll (Some Mistakes of Moses)
When friends couldn't be found, the books were always waiting with something new to tell. Life that was getting too much the same could be shaken up in a few minutes by the pictures in a book of some ancient temple newly discovered deep in a rain-forest, a fuzzy photo of Uranus with it's up-and-down rings, or a prismed picture taken through the faceted eye of a bee.
Diane Duane (So You Want to Be a Wizard (Young Wizards, #1))
bees in Indian love poetry are said to form the bowstring of the god of lust and to plunge deep inside the flowers that ooze with sap even as the rutting elephant’s temples ooze with musk.
Wendy Doniger (Dreams, Illusion, and Other Realities)
was going to drown. Woo had attached him to the drain at the bottom of the pool with his own handcuffs. He looked up. The moon was shining down on him through a filter of water. He stretched his free arm up and out of the water. Hell, the pool was only one meter deep here! Harry crouched and tried to stand up, stretched with all his might. The handcuff cut into his thumb, but still his mouth was twenty centimeters below the surface. He noticed the shadow at the edge of the pool moving away. Shit! Don’t panic, he thought. Panic uses up oxygen. He sank to the bottom and examined the grille with his fingers. It was made of steel and was totally immovable, it didn’t budge even when he grabbed it with both hands and pulled. How long could he hold his breath? One minute? Two? All his muscles ached, his temples throbbed and red stars were dancing in front of his eyes. He tried to jerk himself loose. His mouth was dry with fear, his brain had started producing
Jo Nesbø (Cockroaches (Harry Hole, #2))
The raw afternoon is rawest, and the dense fog is densest, and the muddy streets are muddiest near that leaden-headed old obstruction, appropriate ornament for the threshold of a leaden-headed old corporation, Temple Bar. And hard by Temple Bar, in Lincoln's Inn Hall, at the very heart of the fog, sits the Lord High Chancellor in his High Court of Chancery. Never can there come fog too thick, never can there come mud and mire too deep, to assort with the groping and floundering condition which this High Court of Chancery, most pestilent of hoary sinners, holds this day in the sight of heaven and earth. On
Charles Dickens (Bleak House)
When friends couldn't be found, the books were always waiting with something new to tell. Life that was getting too much the same could be shaken up in a few minutes by the pictures in a book of some ancient temple newly discovered deep in a rain-forest, a fuzzy photo of Uranus with it's up-and-down rings, or a prismed picture taken through the faceted eye of a bee. -Nita Callahan- -So You Want To Be A Wizard-
Diane Duane (So You Want to Be a Wizard (Young Wizards, #1))
Right,” I muttered to myself, impaling the tiny positive-mental-attitude goblin who lived inside the deep, dark, super-black castle fortress of my soul. It was roommates with my silent love for The Sound of Music and cat memes.
Shayne Silvers (The Nate Temple Series, Box Set 2 (The Nate Temple Series, #4-6))
From thirty-five to forty-two, a new step, a new door opens. If up to the age of thirty-five you have felt deep harmony, an orgasmic feeling, and you have discovered meditation through it, then from thirty-five to forty-two you will help each other go more and more into that meditation without sex, because at this point sex starts looking childish, juvenile. The age of forty-two is the time when a person should be able to know exactly who he is. From forty-two to forty-nine he goes deeper and deeper into meditation, more and more into himself, and helps the partner in the same way. The partners become friends. There is no more “husband” and no more “wife” that time has passed. It has given its richness to your life; now there is something growing that is even higher than love. That is friendliness, a compassionate relationship to help the other to go deeper into himself or herself, to become more independent, to become more alone, just like two tall trees standing separate but still close to each other, or two pillars in a temple supporting the same roof—standing so close, but also so separate and independent and alone.
Osho (Being in Love: How to Love with Awareness and Relate Without Fear)
What I learned from this amazing process was that so far as feelings were concerned, there was no discrepancy between the very finest feeling in the world and the very worst; that their effect was the same; that no visible difference existed between murderous intent and feelings of deep compassion.
Yukio Mishima (The Temple of the Golden Pavilion)
The Assyrian came down like the wolf on the fold, And his cohorts were gleaming in purple and gold; And the sheen of their spears was like stars on the sea, When the blue wave rolls nightly on deep Galilee. Like the leaves of the forest when Summer is green, That host with their banners at sunset were seen: Like the leaves of the forest when Autumn hath blown, That host on the morrow lay withered and strown. For the Angel of Death spread his wings on the blast, And breathed in the face of the foe as he passed; And the eyes of the sleepers waxed deadly and chill, And their hearts but once heaved, and for ever grew still! And there lay the steed with his nostril all wide, But through it there rolled not the breath of his pride; And the foam of his gasping lay white on the turf, And cold as the spray of the rock-beating surf. And there lay the rider distorted and pale, With the dew on his brow, and the rust on his mail: And the tents were all silent, the banners alone, The lances unlifted, the trumpet unblown. And the widows of Ashur are loud in their wail, And the idols are broke in the temple of Baal; And the might of the Gentile, unsmote by the sword, Hath melted like snow in the glance of the Lord!
null
No longer ago than this morning, I was old. I remember looking in the glass, and wondering at my own gray hair, and the wrinkles, many and deep, right across my brow, and the furrows down my cheeks, and the prodigious trampling of crow’s feet about my temples! It was too soon! I could not bear it! Age had no right to come! I had not lived!
Nathaniel Hawthorne (The House of the Seven Gables)
Preparing myself for the ritual, dressing myself in beautiful things in white, blue and gold, and arriving at the doors of the temple, I am always thinking about what I am about to do, the role I am about to step into, and preparing a space in my thoughts for that. When I hear the ritual begin, a deep calm enters me and any thoughts I had of who I am and what I may be doing in my everyday life leave me, making that space for the Goddess. Entering the temple and seeing the assembled congregation sets up a dialogue with them in my actions, it is their presence that elevates me from being a magician seeking a connection with the divine, to a Priestess seeking that connection in the service of others.
Sorita d'Este (Priestesses Pythonesses & Sibyls - A collection of essays on trance, possession and mantic states from women who speak for and with the Gods)
Demetrius the grammarian finding in the temple of Delphos a knot of philosophers set chatting together, said to them, “Either I am much deceived, or by your cheerful and pleasant countenances, you are engaged in no very deep discourse.” To which one of them, Heracleon the Megarean, replied: “ ’Tis for such as are puzzled about inquiring whether the future tense of the verb Ballo be spelt with a double L, or that hunt after the derivation of the comparatives Cheirou and Beltiou, and the superlatives Cheiriotou and Beliotou, to knit their brows whilst discoursing of their science; but as to philosophical discourses, they always divert and cheer up those that entertain them, and never deject them or make them sad.
Michel de Montaigne (The Complete Essays)
There is no doubt that the prehistoric veneration of Mother Earth survived intact up to the time of the worship of Demeter and Persephone in Greece, Ops Consiua in Rome, Nerthus in Germanic lands, Zemyna or Zemes in the Baltic area, Mother Moist Earth in Slavic lands, and elsewhere. Her power was too ancient and deep to be altogether destroyed by succeeding patriarchal religions, including Christianity. She was therefore absorbed, and became known in western Europe as various saints: Radegund, Macrine, Walpurga, Milburga, among others. In many other lands, especially eastern Europe, she fused with the Mother of God, Marija. The Black Madonna is this same Earth Mother, whose blackness represents the color of earth's fertility. The yearly renewal of her fecundity is her fundamental miracle. Ancient mysteries, enacted through prehistoric and historic millennia- in caves, cemeteries, temples, and in the open fields- were for the purpose of expressing gratitude to the source of all life and nourishment, and to ritually participate in the secret of the earth's abundance.
Marija Gimbutas (The Civilization of the Goddess: The World of Old Europe)
Highly complex numbers like the Comma of Pythagoras, Pi and Phi (sometimes called the Golden Proportion), are known as irrational numbers. They lie deep in the structure of the physical universe, and were seen by the Egyptians as the principles controlling creation, the principles by which matter is precipitated from the cosmic mind. Today scientists recognize the Comma of Pythagoras, Pi and the Golden Proportion as well as the closely related Fibonacci sequence are universal constants that describe complex patterns in astronomy, music and physics. ... To the Egyptians these numbers were also the secret harmonies of the cosmos and they incorporated them as rhythms and proportions in the construction of their pyramids and temples.
Jonathan Black
The world of “magick” is, nine times out of ten, a world where people can hide their deep-set insecurity and personal damage behind illusion, constructed identities and claims to privileged knowledge, power or spiritual status. A gaudy carnival magic show, conducted with props that have long since begun to disintegrate with age, that seems to function only to distract people from the real magic that is occurring all around them, in every facet of their lives, every day of their lives. While the rituals and magical techniques of the Temple seem overly simplistic in comparison with the loftier Qabalahs, tables of correspondences and secret formulae of “high” magick, they have one thing which high magick quite often forgets: a concrete function.
Jason Louv (Thee Psychick Bible: Thee Apocryphal Scriptures ov Genesis Breyer P-Orridge and Thee Third Mind ov Thee Temple ov Psychick Youth)
The first warp-spasm seized Cúchulainn, and made him into a monstrous thing, hideous and shapeless, unheard of. His shanks and his joints, every knuckle and angle and organ from head to foot, shook like a tree in the flood or a reed in the stream. His body made a furious twist inside his skin, so that his feet and shins and knees switched to the rear and his heels and calves switched to the front. The balled sinews of his calves switched to the front of his shins, each big knot the size of a warrior’s bunched fist. On his head the temple-sinews stretched to the nape of his neck, each mighty, immense, measureless knob as big as the head of a month-old child. His face and features became a red bowl: he sucked one eye so deep into his head that a wild crane couldn’t probe it onto his cheek out of the depths of his skull; the other eye fell out along his cheek. His mouth weirdly distorted: his cheek peeled back from his jaws until the gullet appeared, his lungs and liver flapped in his mouth and throat, his lower jaw struck the upper a lion-killing blow, and fiery flakes large as a ram’s fleece reached his mouth from his throat.
Thomas Kinsella (The T?in: From the Irish epic Táin Bó Cuailnge)
Looking back to [Christendom's] youth, we recall the emotional stirrings, the deep sense of Christian purpose, when a temple, say, challenged the existing social order... Where is our Christian duty, our Christian aim? We do not know, we cannot say. Yet our ignorance and silence are certainly not due to the fact that the welfare state has made Christian thinking out of date and irrelevant. The reason we have nothing to say to the contemporary situation is that we have not been thinking about the contemporary situation. We stopped thinking about these things long ago. We stopped thinking Christianly outside the scope of personal morals and personal spirituality. We got into the habit of stepping out of our Christian garments whenever we stepped mentally into the field of social and political life. Becuase the subject was social or political, we left all of our well-tried and well-grounded Christian concepts behind us, and adopted the vocabulary of secularism. We put aside all talk of vocation, or God's providence, or man's spiritual destiny, and instead chattered with the rest about productivity, assembly line psychology, and deployment of personnel.
Harry Blamires (The Christian Mind: How Should a Christian Think?)
Mam sits beside me. You can see the bravery in her. You can see how she will not be defeated, how the world has thrown sadness after sadness at her and knocked her down and she’s still getting up, she’s older than she was and there’s these few silver hairs coming at her temples and her eyes have that extra deepness of knowledge that makes her more beautiful in a kind of lasting way. It’s like she’s this eternal Mother, my mam, this wall around me, holding back the sea that keeps coming for me. I can see it in her eyes. I can see the way she’s hoping so hard that this might be the time, this might be Help Coming. She’s hoping and trying not to hope at the same time. And that’s the saddest thing. Hope may or may not be a Thing with Feathers. But it’s definitely a Thing with Claws.
Niall Williams (History of the Rain)
The awfulness of sudden death and the glory of heaven stunned me! The thing that had been mystery at twilight, lay clear, pure, open in the rosy hue of dawn. Out of the gates of the morning poured a light which glorified the palaces and pyramids, purged and purified the afternoon's inscrutable clefts, swept away the shadows of the mesas, and bathed that broad, deep world of mighty mountains, stately spars of rock, sculptured cathedrals and alabaster terraces in an artist's dream of color. A pearl from heaven had burst, flinging its heart of fire into this chasm. A stream of opal flowed out of the sun, to touch each peak, mesa, dome, parapet, temple and tower, cliff and cleft into the new-born life of another day. I sat there for a long time and knew that every second the scene changed, yet I could not tell how. I knew I sat high over a hole of broken, splintered, barren mountains; I knew I could see a hundred miles of the length of it, and eighteen miles of the width of it, and a mile of the depth of it, and the shafts and rays of rose light on a million glancing, many-hued surfaces at once; but that knowledge was no help to me. I repeated a lot of meaningless superlatives to myself, and I found words inadequate and superfluous. The spectacle was too elusive and too great. It was life and death, heaven and hell.
Zane Grey (The Last of the Plainsmen)
What are the temples which Roman robbers have reared—what are the towers in which feudal oppression has fortified itself...to the deep forests which the eye of God has alone pervaded, and where Nature, in her unviolated sanctuary, has for ages laid her fruits and flowers on His altar! What is the echo of roofs...or of aisles that pealed the anthems of painted pomp, to the silence that has reigned in these dim groves since the first fiat of Creation was spoken.
Charles Fenno Hoffman (A Winter in the West)
She asked, “Are you well?” “Yes.” His voice was a deep rasp. “Are you?” She nodded, expecting him to release her at the confirmation. When he showed no signs of moving, she puzzled at it. Either he was gravely injured or seriously impertinent. “Sir, you’re…er, you’re rather heavy.” Surely he could not fail to miss that hint. He replied, “You’re soft.” Good Lord. Who was this man? Where had he come from? And how was he still atop her? “You have a small wound.” With trembling fingers, she brushed a reddish knot high on his temple, near his hairline. “Here.” She pressed her hand to his throat, feeling for his pulse. She found it, thumping strong and steady against her gloved fingertips. “Ah. That’s nice.” Her face blazed with heat. “Are you seeing double?” “Perhaps. I see two lips, two eyes, two flushed cheeks…a thousand freckles.” She stared at him. “Don’t concern yourself, miss. It’s nothing.” His gaze darkened with some mysterious intent. “Nothing a little kiss won’t mend.” And before she could even catch her breath, he pressed his lips to hers. A kiss. His mouth, touching hers. It was warm and firm, and then…it was over. Her first real kiss in all her five-and-twenty years, and it was finished in a heartbeat. Just a memory now, save for the faint bite of whiskey on her lips. And the heat. She still tasted his scorching, masculine heat. Belatedly, she closed her eyes. “There, now,” he murmured. “All better.” Better? Worse? The darkness behind her eyelids held no answers, so she opened them again. Different. This strange, strong man held her in his protective embrace, and she was lost in his intriguing green stare, and his kiss reverberated in her bones with more force than a powder blast. And now she felt different. The heat and weight of him…they were like an answer. The answer to a question Susanna hadn’t even been aware her body was asking. So this was how it would be, to lie beneath a man. To feel shaped by him, her flesh giving in some places and resisting in others. Heat building between two bodies; dueling heartbeats pounding both sides of the same drum. Maybe…just maybe…this was what she’d been waiting to feel all her life. Not swept her off her feet-but flung across the lane and sent tumbling head over heels while the world exploded around her. He rolled onto his side, giving her room to breathe. “Where did you come from?” “I think I should ask you that.” She struggled up on one elbow. “Who are you? What on earth are you doing here?” “Isn’t it obvious?” His tone was grave. “We’re bombing the sheep.” “Oh. Oh dear. Of course you are.” Inside her, empathy twined with despair. Of course, he was cracked in the head. One of those poor soldiers addled by war. She ought to have known it. No sane man had ever looked at her this way. She pushed aside her disappointment. At least he had come to the right place. And landed on the right woman. She was far more skilled in treating head wounds than fielding gentlemen’s advances. The key here was to stop thinking of him as an immense, virile man and simply regard him as a person who needed her help. An unattractive, poxy, eunuch sort of person. Reaching out to him, she traced one fingertip over his brow. “Don’t be frightened,” she said in a calm, even tone. “All is well. You’re going to be just fine.” She cupped his cheek and met his gaze directly. “The sheep can’t hurt you here.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
A Thousand mountains will greet my departing friend, When the spring teas blossom again. With such breadth and wisdom, Serenely picking tea— Through morning mists Or crimson evening clouds— His solitary journey is my envy. We rendezvous at a remote mountain temple, Where we enjoy tea by a clear pebble fountain. In that silent night, Lit only by candlelight, I struck a marble bell— Its chime carrying me A hidden man Deep into thoughts of ages past. — "The Day I Saw Lu Yu off to Pick Tea
Aaron Fisher (The Way of Tea: Reflections on a Life with Tea)
Indian thought has traditionally regarded history and prehistory in cyclical rather than linear terms. In the West time is an arrow -- we are born, we live, we die. But in India we die only to be reborn. Indeed, it is a deeply rooted idea in Indian spiritual traditions that the earth itself and all living creatures upon it are locked into an immense cosmic cycle of birth, growth, fruition, death, rebirth and renewal. Even temples are reborn after they grow too old to be used safely -- through the simple expedient of reconstruction on the same site. Within this pattern of spiralling cycles, where everything that goes around comes around, India conceives of four great epochs of 'world ages' of varying but enormous lengths: the Krita Yuga, the Treta Yuga, the Davapara Yuga and the Kali Yuga. At the end of each yuga a cataclysm, known as pralaya, engulfs the globe in fire or flood. Then from the ruins of the former age, like the Phoenix emerging from the ashes, the new age begins.
Graham Hancock (Underworld: The Mysterious Origins of Civilization)
Dex crouched down next to her, lips level with her ear. "You know, you were a lot more fun three years ago." It was like he wanted her to kill him. She turned, unfazed that their faces were separated by mere centimeters. So close she could see the pores in his caramel skin, the deep brown of his eyes, and the raised scar that rested near his temple. She'd given him that scar. What she also noticed was how her heart no longer fluttered like it used to when he looked at her. She used to love his eyes, their unspoken words. The feel of his skin against hers during their passionate nights, but now those thoughts made her cringe. She guarded herself against those details scrounged from distant memories. They were no longer part of a blissful reality but a hurtful past. "A lot has changed in three years, Dextro," Andi said calmly. "Now if you don't move, I'll give you a new scar, and this time," she said, pointing to his right temple, "it will be across your neck." He put his arms up in defense before rising, distancing himself from her.
Sasha Alsberg (Zenith Part 1)
Thanks for the heavenly message brought by thee, Child of the wandering sea, Cast from her lap, forlorn! From thy dead lips a clearer note is born Than ever Triton blew from wreathèd horn! While on mine ear it rings, Through the deep caves of thought I hear a voice that sings:— Build thee more stately mansions, O my soul, As the swift seasons roll! Leave thy low-vaulted past! Let each new temple, nobler than the last, Shut thee from heaven with a dome more vast, Till thou at length art free, Leaving thine outgrown shell by life’s unresting sea!
Oliver Wendell Holmes Sr.
Beyond the Western Tsaydam, in the solitary passes of Kuen-lun there are several such hiding-places. Along the ridge of Altyn-tag, whose soil no European foot has ever trodden so far, there exists a certain hamlet, lost in a deep gorge. It is a small cluster of houses, a hamlet rather than a monastery, with a poor-looking temple in it, and one old Lama, a hermit, living near by to watch it. Pilgrims say that the subterranean galleries and halls under it contain a collection of books, the number of which, according to the accounts given, is too large to find room even in the British Museum.
Helena Petrovna Blavatsky (The Secret Doctrine (Complete))
Nature is a temple in which living pillars Sometimes give voice to confused words; Man passes there through forests of symbols Which look at him with understanding eyes. Like prolonged echoes mingling in the distance In a deep and tenebrous unity, Vast as the dark of night and as the light of day, Perfumes, sounds, and colors correspond. There are perfumes as cool as the flesh of children, Sweet as oboes, green as meadows — And others are corrupt, and rich, triumphant, With power to expand into infinity, Like amber and incense, musk, benzoin, That sing the ecstasy of the soul and senses.
Charles Baudelaire (Correspondances esthétiques sur Delacroix)
History belongs, above all, to the active and powerful man, the man who fights one great battle, who needs the exemplary men, teachers, and comforters and cannot find them among his contemporary companions. Thus, history belongs to Schiller: for our age is so bad, said Goethe, that the poet no longer encounters any useful nature in the human life surrounding him. Looking back to the active men, Polybius calls political history an example of the right preparation for ruling a state and the most outstanding teacher, something which, through the memory of other people's accidents, advises us to bear with resolution the changes in our happiness. Anyone who has learned to recognize the sense of history in this way must get annoyed to see inquisitive travellers or painstaking micrologists climbing all over the pyramids of the great things of the past. There, in the place where he finds the stimulation to breath deeply and to make things better, he does not wish to come across an idler who strolls around, greedy for distraction or stimulation, as among the accumulated art treasures of a gallery. In order not to despair and feel disgust in the midst of weak and hopeless idlers, surrounded by apparently active, but really only agitated and fidgeting companions, the active man looks behind him and interrupts the path to his goal to take a momentary deep breath. His purpose is some happiness or other, perhaps not his own, often that of a people or of humanity collectively. He runs back away from resignation and uses history as a way of fighting resignation. For the most part, no reward beckons him on, other than fame, that is, becoming a candidate for an honoured place in the temple of history, where he himself can be, in his turn, a teacher, consoler, and advisor for those who come later.
Friedrich Nietzsche (Untimely Meditations)
Breathing deeply, she whispered, "You don't taste the way you smell." Dominic shifted, his own fingers trailing down her neck, skimming a tantalizing path over her breast that made her legs shake. "I'm not sure how to respond to that." His voice was deep. Husky. "The sugar scents cling to your hair and the fibers of your clothes." She moved her head, gently nuzzling into the silvering hair at his temple. "I thought you might taste like cake twenty-four seven." Less husky. "I do brush my teeth." "I know. Minty fresh. Delicious," she assured him. "I'm just saying, I like cake. It would have been nice.
Lucy Parker (Battle Royal (Palace Insiders, #1))
When they rolled to a stop, she found herself pinned by a tremendous, huffing weight. And pierced by an intense green gaze. “Wh-?” Her breath rushed out in question. Boom, the world answered. Susanna ducked her head, burrowing into the protection of what she’d recognized to be an officer’s coat. The knob of a brass button pressed into her cheek. The man’s bulk formed a comforting shield as a shower of dirt clods rained down on them both. He smelled of whiskey and gunpowder. After the dust cleared, she brushed the hair from his brow, searching his gaze for signs of confusion or pain. His eyes were alert and intelligent, and still that startling shade of green-as hard and richly hued as jade. She asked, “Are you well?” “Yes.” His voice was a deep rasp. “Are you?” She nodded, expecting him to release her at the confirmation. When he showed no signs of moving, she puzzled at it. Either he was gravely injured or seriously impertinent. “Sir, you’re…er, you’re rather heavy.” Surely he could not fail to miss that hint. He replied, “You’re soft.” Good Lord. Who was this man? Where had he come from? And how was he still atop her? “You have a small wound.” With trembling fingers, she brushed a reddish knot high on his temple, near his hairline. “Here.” She pressed her hand to his throat, feeling for his pulse. She found it, thumping strong and steady against her gloved fingertips. “Ah. That’s nice.” Her face blazed with heat. “Are you seeing double?” “Perhaps. I see two lips, two eyes, two flushed cheeks…a thousand freckles.” She stared at him. “Don’t concern yourself, miss. It’s nothing.” His gaze darkened with some mysterious intent. “Nothing a little kiss won’t mend.” And before she could even catch her breath, he pressed his lips to hers. A kiss. His mouth, touching hers. It was warm and firm, and then…it was over. Her first real kiss in all her five-and-twenty years, and it was finished in a heartbeat.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
Forgetting herself entirely, Pandora let her head loll back against Gabriel's shoulder. "What kind of glue does Ivo use?" she asked languidly. "Glue?" he echoed after a moment, his mouth close to her temple, grazing softly. "For his kites." "Ah." He paused while a wave retreated. "Joiner's glue, I believe." "That's not strong enough," Pandora said, relaxed and pensive. "He should use chrome glue." "Where would he find that?" One of his hands caressed her side gently. "A druggist can make it. One part acid chromate of lime to five parts gelatin." Amusement filtered through his voice. "Does your mind ever slow down, sweetheart?" "Not even for sleeping," she said. Gabriel steadied her against another wave. "How do you know so much about glue?" The agreeable trance began to fade as Pandora considered how to answer him. After her long hesitation, Gabriel tilted his head and gave her a questioning sideways glance. "The subject of glue is complicated, I gather." I'm going to have to tell him at some point, Pandora thought. It might as well be now. After taking a deep breath, she blurted out, "I design and construct board games. I've researched every possible kind of glue required for manufacturing them. Not just for the construction of the boxes, but the best kind to adhere lithographs to the boards and lids. I've registered a patent for the first game, and soon I intend to apply for two more." Gabriel absorbed the information in remarkably short order. "Have you considered selling the patents to a publisher?" "No, I want to make the games at my own factory. I have a production schedule. The first one will be out by Christmas. My brother-in-law, Mr. Winterborne, helped me to write a business plan. The market in board games is quite new, and he thinks my company will be successful." "I'm sure it will be. But a young woman in your position has no need of a livelihood." "I do if I want to be self-supporting." "Surely the safety of marriage is preferable to the burdens of being a business proprietor." Pandora turned to face him fully. "Not if 'safety' means being owned. As things stand now, I have the freedom to work and keep my earnings. But if I marry you, everything I have, including my company, would immediately become yours. You would have complete authority over me. Every shilling I made would go directly to you- it wouldn't even pass through my hands. I'd never be able to sign a contract, or hire employees, or buy property. In the eyes of the law, a husband and wife are one person, and that person is the husband. I can't bear the thought of it. It's why I never want to marry.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
I have a deep thought for you. Science fiction is just beginning to catch up with the Old Testament. See artificial nitrates run off into the rivers and oceans. See carbon dioxide melt the polar ice caps. See the world's mineral reserves dwindle. See war, famine and plague. See barbaric hordes defile the temple of virgins. See wild stallions mount the prairie dogs. I said science fiction but I guess I meant science. Anyway there's some kind of mythical and/or historic circle-thing being completed here. But I keep smiling. I keep telling myself there's nothing to worry about as long as the youth of America knows what's going on. Brains, brawn, good teeth. tallness.
Don DeLillo (End Zone)
There were poached eggs, broiled grapefruit halves, a rasher of bacon, and a basket of small oblong cakes that appeared to have been twisted and turned partially inside out before they had been deep-fried to golden brown. "What are these?" Cassandra asked the waiter. "Those are called Jersey Wonders, milady. They've been made on the island since before I was a boy." After the waiter had finished setting out the food and left, Cassandra picked up one of the cakes and took a bite. The outside was lightly crisp, the inside soft and flavored with ginger and nutmeg. "Mmm." Tom chuckled. He came to seat her at the table, and bent to kiss her temple. "A cake that's shaped like a shoe," he murmured. "How perfect for you.
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
Body Prayer We must hunker down into the “Body of Hope and Resurrection” (Philippians 3:9–11; 1 Corinthians 15:44) and pray also from below and from within, on a cellular and energetic level too—or the attitude of prayer does not last or go deep. You are not thinking your prayer as much as energetically feeling your prayer. You pay attention from the bottom up and from the inside out. Rest into the Body of Christ energy instead of trying to pull an Infinite God into your finite world. Your body itself receives and knows, and is indeed “a temple” (1 Corinthians 3:16–17) where God dwells in the Spirit. Walking meditation, yoga, and breathing exercises are all helpful here. Body prayer actually works much more quickly and more naturally than thought prayer alone. Body prayer is what we have tried to do with inspiring music, body gestures, and all sacraments, so this is not a new idea. It is what many are seeking in tai chi, pilgrimages, prayer beads, chanting, repeating the Jesus Prayer until it prays itself in us and through us, and so on. To “pray from the clay” will also move you to the shared level of prayer. You will know that “you” are not doing the prayer, but you are falling into the unified field, and the Body of Christ is now praying through you (Romans 8:26–27) and with you. It becomes “our” prayer, and not just my prayer. Now you pray not so much to Christ as much as through Christ, and you will know experientially that you are Christ's Body too.
Richard Rohr (Immortal Diamond: The Search for Our True Self)
The little Otak was hiding in the rafters of the house, as it did when strangers entered. There it stayed while the rain beat on the walls and the fire sank down and the night wearing slowly along left the old woman nodding by the hearthpit. Then the otak crept down and came to Ged where he lay stretched stiff and still upon the bed. It began to lick his hands and wrists, long and patiently, with its dry leaf-brown tongue. Crouching beside his head it licked his temple, his scarred cheek, and softly his closed eyes. And very slowly under that soft touch Ged roused. He woke, not knowing where he had been or where he was or what was the faint grey light in the air about him, which was the light of dawn coming to the world. Then the otak curled up near his shoulder as usual, and went to sleep. Later, when Ged thought back upon that night, he knew that had none touched him when he lay thus spirit-lost, had none called him back in some way, he might have been lost for good. It was only the dumb instinctive wisdom of the beast who licks his hurt companion to comfort him, and yet in that wisdom Ged saw something akin to his own power, something that went as deep as wizardry. From that time forth he believed that the wise man is one who never sets himself apart from other living things, whether they have speech or not, and in later years he strove to learn what can be learned, in silence, from the eyes of animals, the flight of birds, the great slow gestures of trees
Ursula K. Le Guin (A Wizard of Earthsea (Earthsea Cycle, #1))
Ladies and Gentlemen, we deem it the central revelation of Western experience that man cannot ineradicably stain himself, for the wells of regeneration are infinitely deep. No temple has ever been so profaned that it cannot be purified; no man is ever truly lost; no nation is irrevocably dishonored. Khrushchev cannot take permanent advantage of our temporary disadvantage, for it is the West he is fighting. And in the West there lie, however encysted, the ultimate resources, which are moral in nature. Khrushchev is not aware that the gates of hell shall not prevail against us. Even out of the depths of despair, we take heart in the knowledge that it cannot matter how deep we fall, for there is always hope. In the end, we will bury him.
William F. Buckley Jr. (Let Us Talk of Many Things: The Collected Speeches)
I go to one of my favorite Instagram profiles, the.korean.vegan, and I watch her last video, in which she makes peach-topped tteok. The Korean vegan, Joanne, cooks while talking about various things in her life. As she splits open a peach, she explains why she gave up meat. As she adds lemon juice, brown sugar, nutmeg, a pinch of salt, cinnamon, almond extract, maple syrup, then vegan butter and vegan milk and sifted almond and rice flour, she talks about how she worried about whitewashing her diet, about denying herself a fundamental part of her culture, and then about how others don't see her as authentically Korean since she is a vegan. I watch other videos by Joanne, soothed by her voice into feeling human myself, and into craving the experiences of love she talks of and the food she cooks as she does. I go to another profile, and watch a person's hands delicately handle little knots of shirataki noodles and wash them in cold water, before placing them in a clear oden soup that is already filled with stock-boiled eggs, daikon, and pure white triangles of hanpen. Next, they place a cube of rice cake in a little deep-fried tofu pouch, and seal the pouch with a toothpick so it looks like a tiny drawstring bag; they place the bag in with the other ingredients. "Every winter my mum made this dish for me," a voice says over the video, "just like how every winter my grandma made it for my mum when she was a child." The person in the video is half Japanese like me, and her name is Mei; she appears on the screen, rosy cheeked, chopsticks in her hand, and sits down with her dish and eats it, facing the camera. Food means so much in Japan. Soya beans thrown out of temples in February to tempt out demons before the coming of spring bring the eater prosperity and luck; sushi rolls eaten facing a specific direction decided each year bring luck and fortune to the eater; soba noodles consumed at New Year help time progress, connecting one year to the next; when the noodles snap, the eater can move on from bad events from the last year. In China too, long noodles consumed at New Year grant the eater a long life. In Korea, when rice-cake soup is eaten at New Year, every Korean ages a year, together, in unison. All these things feel crucial to East Asian identity, no matter which country you are from.
Claire Kohda (Woman, Eating)
She was halfway to deep sleep when the door creaked, a noise loud enough to rouse her, yet soft enough to doubt her having heard anything. She lay motionless, listening but hearing only the wind outside, the clock, the sounds of an ancient building. Normal sounds, but still her skin prickled. Pressure built in her head. Her pulse beat in her ears. The feeling of pressure thickened, stealing over her, a sense of envelopment, a shift in perception. Not her pulse, but footsteps. Someone pacing. Ten steps toward the fireplace. Ten back to the foot of her bed. The susurration of fabric against fabric. Metal sliding along metal, a low ringing sound, and mixed with that a murmuring. She peered into the darkness but saw nothing. No moving shadows, no figure approaching her bed, just the inert shapes of furniture and the resulting shadows. The resonance in her head grew, half convincing her she heard footsteps and the low, regular sound of breathing. The murmuring began again, a breath, then a whisper. My love. Steps paced near, and she swore she could feel the air thicken. Pain lanced along her temple. My heart. Unendurable pressure. She tried to move, but couldn't. Her limbs were frozen, trapped in her nightmare. More footsteps. A breath on her cheek. Cold air wafted through the room. My own. A face flashed before her eyes. She tried to breathe and couldn't get air into her lungs. She screwed her eyes shut, but the face didn't go away. The features blurred, looming, threatening, laughing. She knew that face, but the recollection refused to come. Terror like she'd known only once before in her life consumed her. Her lungs refused to expand. Or couldn't. She was going to die. She knew it. A scream bubbled in her throat.
Carolyn Jewel (The Spare)
You look at the history of any sentient species and what do you find but tableaux of violence and slaughter. It’s finger-painted on the ceilings of caves and engraved into the walls of temples. Dig a hole deep enough on any world and you’ll find the skulls and bones of adults and children fractured by crude weapons. All of us were fighting long before we were farming and raising livestock.” He held up a hand before anyone could voice an objection. “All of you are exceedingly well educated, and you’re going to start rattling off the names of species and societies where that isn’t the case. And my answer is that those aren’t the beings or the star systems we need to worry about. It’s the rest of them. Violence is hardwired into most of us and there’s no eliminating the impulse—not with an army of stormtroopers or a fleet of Star Destroyers. That’s why we’ve embarked on a path to a different solution. We have a chance to forge a peace that will endure for longer than the Republic was in existence.” “Peace through fear,” Reeva said. “Yes,” Krennic told her, and let it go at that.
James Luceno (Catalyst: A Rogue One Novel)
Az, this one's for you.' The shadowsinger's brows lifted, but his scarred hand extended to take the present. Elain turned from where she'd been spreaking to Nesta. 'Oh, that's from me.' Azriel's face didn't so much as shift at the words. Not even a smile as he opened the present and revealed- 'I had Madja make it for me,' Elain explained. Azriel's brows narrowed at the mention of the family's preferred healer. 'It's a powder to mix in with any drink.' Silence. Elain bit her lip and then smiled sheepishly. 'It's for the headaches everyone always gives you. Since you rub your temples so often.' Silence again. Then Azriel tipped his head back and laughed. I'd never heard such a sound, deep and joyous. Cassian and Rhys joined him, the former grabbing the bottle from Azriel's hand and examining it. 'Brilliant, 'Cassian said. Elain smiled again, ducking her head. Azriel mastered himself enough to say, 'Thank you.' I'd never seen his hazel eyes so bright, the hues of green amid the brown and grey like veins of emerald. 'This will be invaluable.' 'Prick, ' Cassian said, but laughed again.
Sarah J. Maas (A Court of Frost and Starlight (A Court of Thorns and Roses, #3.5))
Salt Marsh Goddess by Michelle Joers "You may need a super-human super-hero super-natural god/dess, hammer or harp in hand, horse-bodied or jackal-headed, Lady of the Lake or Lord of the Seas.* But I have the deep, deep ocean and strong winds driving waves upon the shore driving me to my knees for absolution driving me to oblivion; I have a sun that warms tender shoots, crooning them from the loamy body of a Living Earth; The caress of the Willow branch as I lie beneath her roots, book in hand, and squirmy child in lap. The Salt Marsh Goddess speaks to me in ringing tones, as clear as any god of myth does for you & she speaks in a thousand tongues— Spartina, Juniperus, Myrica, Sesarma, Uca, Littorina, Malaclemys, Ardea, Alligator …just to name a few. I have prayed at her temple as the tide pours into my boots And divined my future with her bones I have bled for her | I have tasted her flesh And drank of her blood | And given her mine While you argue over how to resurrect gods of long passed cultures, I’ll be the one covered in mud and dancing with the rushes, celebrating a goddess born of glaciers.
John Halstead (Godless Paganism: Voices of Non-Theistic Pagans)
I’ll wait for you at the cottage until noon tomorrow.” “I won’t be there.” “I’ll wait until noon,” he insisted. “You will be wasting your time. Let go of me, please. This has all been a mistake!” “Then we may as well make two of them,” he said harshly, and his arm abruptly tightened, bringing her closer to his body. “Look at me, Elizabeth,” he whispered, and his warm breath stirred the hair at her temple. Warning bells screamed through her, belated but loud. If she lifted her head, he was going to kiss her. “I do not want you to kiss me,” she warned him, but it wasn’t completely true. “Then say good-bye to me now.” Elizabeth lifted her head, dragging her eyes past his finely sculpted mouth to meet his gaze. “Good-bye,” she told him, amazed that her voice didn’t shake. His eyes moved down her face as if he were memorizing it, then they fixed on her lips. His hands slid down her arms and abruptly released her as he stepped back. “Good-bye, Elizabeth.” Elizabeth turned and took a step, but the regret in his deep voice made her turn back…or perhaps it had been her own heart that had twisted as if she was leaving something behind-something she’d regret. Separated by less than two feet physically and a chasm socially, they looked at each other in silence. “They’ve probably noticed our absence,” she said lamely, and she wasn’t certain whether she was making excuses for leaving him there or hoping he’d convince her to remain. “Possibly.” His expression was impassive, his voice coolly polite, as if he was already beyond her reach again. “I really must go back.” “Of course.” “You do understand, don’t you…” Elizabeth voice trailed off as she looked at the tall, handsome man whom society deemed unsuitable merely because he wasn’t a blue blood, and suddenly she hated all the restrictions of the stupid social system that was trying to enslave her. Swallowing, she tried again, wishing that he’d either tell her to go or open his arms to her as he had when he’d asked her to dance. “You do understand that I can’t possibly be with you tomorrow…” “Elizabeth,” he interrupted in a husky whisper, and suddenly his eyes were smoldering as he held out his hand, sensing victory before Elizabeth ever realized she was defeated. “Come here.
Judith McNaught (Almost Heaven (Sequels, #3))
Ouch.” The yelp came out by accident as Trent went back over the bumps of her spine. Harper winced. Trent was doing his best to move the needle location around, she could feel that, but it was really starting to hurt. She heard Trent put down his equipment and slide the stool around in front of her. “This is the worst it’s going to be, Harp. You’re being so incredibly brave. I’ve had grown men cry at this point.” He paused for a moment before kissing her gently on the temple. “We have two options. I can stop in a minute and we can pick it up next time, or I can keep going for another twenty minutes and it will be done. The final appointments, then, will be short and sweet. Not to mention a whole lot less painful.” Harper took in a deep breath and blew it out harshly. Determined not to cry, she bit down on her lip hard. It stopped the pending deluge, but the tears still threatened. “Oh darlin’.” Trent kissed her softly. “I’d switch places with you in a heartbeat if I could. I know it hurts where I’m working.” Harper nodded. He understood. “Can you make it fifteen?” Trent kissed the side of her eye, where a single tear was making a break for freedom. “I’ll do it in ten.
Scarlett Cole (The Strongest Steel (Second Circle Tattoos, #1))
The men who had inhabited prehistoric Egypt, who had carved the Sphinx and founded the world‘s oldest civilization, were men who had made their exodus from Atlantis to settle on this strip of land that bordered the Nile. And they had left before their ill-fated continent sank to the bottom of the Atlantic Ocean, a catastrophe which had drained the Sahara and turned it into a desert. The shells which to-day litter the surface of the Sahara in places, as well as the fossil fish which are found among its sands, prove that it was once covered by the waters of a vast ocean. It was a tremendous and astonishing thought that the Sphinx provided a solid, visible and enduring link between the people of to-day and the people of a lost world, the unknown Atlanteans. This great symbol has lost its meaning for the modern world, for whom it is now but an object of local curiosity. What did it mean to the Atlanteans? We must look for some hint of an answer in the few remnants of culture still surviving from peoples whose own histories claimed Atlantean origin. We must probe behind the degenerate rituals of races like the Incas and the Mayas, mounting to the purer worship of their distant ancestors, and we shall find that the loftiest object of their worship was Light, represented by the Sun. Hence they build pyramidal Temples of the Sun throughout ancient America. Such temples were either variants or slightly distorted copies of similar temples which had existed in Atlantis. After Plato went to Egypt and settled for a while in the ancient School of Heliopolis, where he lived and studied during thirteen years, the priest-teachers, usually very guarded with foreigners, favoured the earnest young Greek enquirer with information drawn from their well-preserved secret records. Among other things they told him that a great flat-topped pyramid had stood in the centre of the island of Atlantis, and that on this top there had been build the chief temple of the continent – a sun temple. […] The Sphinx was the revered emblem in stone of a race which looked upon Light as the nearest thing to God in this dense material world. Light is the subtlest, most intangible of things which man can register by means of one of his five senses. It is the most ethereal kind of matter which he knows. It is the most ethereal element science can handle, and even the various kind of invisible rays are but variants of light which vibrate beyond the power of our retinas to grasp. So in the Book of Genesis the first created element was Light, without which nothing else could be created. „The Spirit of God moved upon the face of the Deep,“ wrote Egyptian-trained Moses. „And God said, Let there be Light: and there was Light.“ Not only that, it is also a perfect symbol of that heavenly Light which dawns within the deep places of man‘s soul when he yields heart and mind to God; it is a magnificent memorial to that divine illumination which awaits him secretly even amid the blackest despairs. Man, in turning instinctively to the face and presence of the Sun, turns to the body of his Creator. And from the sun, light is born: from the sun it comes streaming into our world. Without the sun we should remain perpetually in horrible darkness; crops would not grow: mankind would starve, die, and disappear from the face of this planet. If this reverence for Light and for its agent, the sun, was the central tenet of Atlantean religion, so also was it the central tenet of early Egyptian religion. Ra, the sun-god, was first, the father and creator of all the other gods, the Maker of all things, the One, the self-born [...] If the Sphinx were connected with this religion of Light, it would surely have some relationship with the sun.
Paul Brunton (A Search in Secret Egypt)
Load the sailboat with bottles of white wine, olive oil, fishing rods, and yeasty, dark-crusted bread. Work your way carefully out of the narrow channels of the Cabras port on the western shore of Sardinia. Set sail for the open seas. Navigate carefully around the archipelago of small boats fishing for sea bass, bream, squid. Steer clear of the lines of mussel nets swooping in long black arcs off the coastline. When you spot the crumbling stone tower, turn the boat north and nuzzle it gently into the electric blue-green waters along ancient Tharros. Drop anchor. Strip down to your bathing suit. Load into the transport boat and head for shore. After a swim, make for the highest point on the peninsula, the one with the view of land and sea and history that will make your knees buckle. Stay focused. You're not here to admire the sun-baked ruins of one of Sardinia's oldest civilizations, a five-thousand-year-old settlement that wears the footprints of its inhabitants- Phoenicians, Greeks, Romans- like the layers of a cake. You're here to pick herbs growing wildly among the ancient tombs and temples, under shards of broken vases once holding humans' earliest attempts at inebriation. Taste this! Like peppermint, but spicy. And this! A version of wild lemon thyme, perfect with seafood. Pluck a handful of finocchio marino,sea fennel, a bright burst of anise with an undertow of salt. Withfinocchioin fist, reboard the transport vessel and navigate toward the closest buoy. Grab the bright orange plastic, roll it over, and scrape off the thicket of mussels growing beneath. Repeat with the other buoys until you have enough mussels to fill a pot. In the belly of the boat, bring the dish together: Scrub the mussels. Bring a pot of seawater to a raucous boil and drop in the spaghetti- cento grammi a testa. While the pasta cooks, blanch a few handfuls of the wild fennel to take away some of the sting. Remove the mussels from their shells and combine with sliced garlic, a glass of seawater, and a deluge of peppery local olive oil in a pan. Take the pasta constantly, checking for doneness. (Don't you dare overcook it!) When only the faintest resistance remains in the middle, drain and add to the pan of mussels. Move the pasta fast and frequently with a pair of tongs, emulsifying the water and mussel juice with the oil. Keep stirring and drizzling in oil until a glistening sheen forms on the surface of the pasta. This is called la mantecatura, the key to all great seafood pastas, so take the time to do it right.
Matt Goulding (Pasta, Pane, Vino: Deep Travels Through Italy's Food Culture (Roads & Kingdoms Presents))
Jonah ’s Prayer “When my life was ebbing away, I remembered you, LORD, and my prayer rose to you, to your holy temple.” JONAH 2:7 NIV Jonah ran from God. He knew where God had directed him to go, but he refused. He thought he knew better than God. He trusted in his own ways over God’s. Where did it get him? He ended up in the belly of a great fish for three days. This was not a punishment but rather a forced retreat! Jonah needed time to think and pray. He came to the end of himself and remembered his Sovereign God. He describes the depths to which he was cast. This was not just physical but emotional as well. Jonah had been in a deep struggle between God’s call and his own will. In verse 6 of his great prayer from the belly of the fish, we read these words: “But you, LORD my God, brought my life up from the pit.” When Joseph reached a point of desperation, he realized that God was his only hope. Have you been there? Not in the belly of a great fish, but in a place where you are made keenly aware that it is time to turn back to God? God loves His children and always stands ready to receive us when we need a second chance. Father, like Jonah I sometimes think my own ways are better than Yours. Help me to be mindful that Your ways are always good and right. Amen.
Anonymous (Daily Wisdom for Women - 2014: 2014 Devotional Collection)
And you're thinking I just tossed out some casual phrase that you've heard from dozens of guys? Or maybe one in particular,who mattered enough to turn you into a cynic?" At the intensity of his tone she looked up. "Yeah.Something like that.After all, McCord,your reputation precedes you. You're not exactly shy with women. I'm sure you've used plenty of lines like that to get what you want." His eyes,steady on hers,were hot and fierce. His voice was equally fierce. "I'll admit that when I first saw you, my initial reaction was purely physical. A healthy combination of testosterone and lust.What guy could look at you and not feel what I felt? You're beautiful, and bright and independent.And did I mention beautiful?" That brought a smile to her eyes. "But the more I got to know you,the more I realized you weren't just a pretty package.I started learning that you were someone special.Someone I wanted to treat very carefully." "And now?" "I'm still battling lust." There was that grin,sending an arrow straight through her heart. "But there's more here.Much more." He stared at her mouth with naked hunger. "I've waited a long time for this,but now I'm going to have to kiss you.And when I do,I can't promise to stop." She stood very still,heart pounding. "How do you know I'll ask you to?" "Careful.Because unless you tell me to stop,you have to know where this is heading..." In reply she stood on tiptoe to brush her mouth to his,stopping his words. Stopping his heart. He drew in a deep breath and drew her a little away to stare into her eyes. "I hope you meant that." "With all my heart." "Thank God." He dragged her against him and covered her lips with his.Inside her mouth he whispered, "Because, baby,I mean this." She'd waited so long.So long.And it was worth all the time she'd spent waiting and wondering.Here was a man who knew how to kiss a woman and make her feel like the only one in the universe. This kiss was so hot,so hungry, she felt the rush of desire from the top of her head all the way to her toes.And still it spun on and on until she became lost in it. He changed the angle of the kiss and took it deeper until Marilee could feel her flesh heating, her bones melting like hot wax. She wanted to be sensible,to move slowly, but her mind refused to cooperate. With a single kiss her brain had been wiped clear of every thought but one.She wanted this man.Wanted him now.Desperately. When at last they came up for air, she put a hand to his chest. "I need a minute to catch my breath." "Okay." A second later he dragged her close. "Time's up." Her laughter turned into a sigh as he ran nibbling kisses down her throat until the blood was drumming in her temples.
R.C. Ryan (Montana Destiny)
Camille heard the rustle of grass. She opened one eye and saw Oscar settling down beside her. “We can spare a few minutes,” he said. She sat up and cradled her knees in her arms. He plucked a blade of grass and commenced peeling it down the center. They heard the Australian snoring from his spot a few yards away, completely hidden in a blanket of green. “I guess we can spare more than a few minutes.” Oscar smiled and met her gaze, holding it a moment. She suddenly realized how horrible she must look-her hair, her clothes, her skin. “Do you miss him?” he asked, not seeming to notice any of those things. Camille uprooted a purple flower and a white daisy near it. “Of course I do. But I’m hoping with the stone I won’t have to very long.” “Not your father, Camille. Randall.” She took a deep breath, shocked she hadn’t thought of her fiancé for so long. How many days had it been? A full week, maybe more. “Oh. Well…I suppose I do.” Oscar raised an eyebrow and laughed at her clear lack of conviction. Camille shrugged. “What? A lot has happened and right now getting back to San Francisco isn’t something I’m concerned about.” Oscar nodded and chewed on the tip of his blade of grass. “It’s not that Randall isn’t a perfectly good man,” she said, fiddling with the flowers in her hands. The roots crumbled dirt onto her lap. “He’s kind and caring and handsome and an excellent businessman.” Oscar continued to nod. “And he’ll make a fine husband, I’m sure,” she added, knowing he really was all those things. If only all of them combined could make up for what she didn’t feel while with him. “I’m sure,” Oscar repeated. Had he been mocking her? She thought she had caught a trace of sarcasm. All this talk about Randall had her itching. “Why do you ask?” “Just wondered if you missed home,” Oscar answered and threw the mangled blade of grass behind him. “Do you?” she asked, ashamed to her Oscar know how little she desired to return. He thought for a moment, tugging up another switch of grass and rolling it between his fingers. “No,” he answered with stark certainty. “I have everything I’d miss right here.” Every inch of Camille’s body smoldered under Oscar’s gentle, and so very forward, gaze. He’d miss her. She looked into his gray-blue eyes, rimmed by thick, honey-colored lashes-had they always been so full? The bridge of his nose crooked to the left slightly, perhaps broken in a fight after he’d moved from her father’s carriage house to a small apartment along the San Francisco harbor front. She’d never noticed the charming imperfection before. She watched as his eyes traveled over her own features, touching on the wound by her temple and settling on the heart-shaped fullness of her lips. Oscar held his piercing stare. “We probably won’t arrive home in time for your wedding.
Angie Frazier (Everlasting (Everlasting, #1))
Man is always the master, even in his weaker and most abandoned state; but in his weakness and degradation he is the foolish master who misgoverns his "household." When he begins to reflect upon his condition, and to search diligently for the Law upon which his being is established, he then becomes the wise master, directing his energies with intelligence, and fashioning his thoughts to fruitful issues. Such is the conscious master, and man can only thus become by discovering within himself the laws of thought; which discovery is totally a matter of application, self analysis, and experience. Only by much searching and mining, are gold and diamonds obtained, and man can find every truth connected with his being, if he will dig deep into the mine of his soul; and that he is the maker of his character, the moulder of his life, and the builder of his destiny, he may unerringly prove, if he will watch, control, and alter his thoughts, tracing their effects upon himself, upon others, and upon his life and circumstances, linking cause and effect by patient practice and investigation, and utilizing his every experience, even to the most trivial, everyday occurrence, as a means of obtaining that knowledge of himself which is Understanding, Wisdom, Power. In this direction, as in no other, is the law absolute that "He that seeketh findeth; and to him that knocketh it shall be opened;" for only by patience, practice, and ceaseless importunity can a man enter the Door of the Temple of Knowledge.
James Allen (As a Man Thinketh)
Still dark. The Alpine hush is miles deep. The skylight over Holly’s bed is covered with snow, but now that the blizzard’s stopped I’m guessing the stars are out. I’d like to buy her a telescope. Could I send her one? From where? My body’s aching and floaty but my mind’s flicking through the last night and day, like a record collector flicking through a file of LPs. On the clock radio, a ghostly presenter named Antoine Tanguay is working through Nocturne Hour from three till four A.M. Like all the best DJs, Antoine Tanguay says almost nothing. I kiss Holly’s hair, but to my surprise she’s awake: “When did the wind die down?” “An hour ago. Like someone unplugged it.” “You’ve been awake a whole hour?” “My arm’s dead, but I didn’t want to disturb you.” “Idiot.” She lifts her body to tell me to slide out. I loop a long strand of her hair around my thumb and rub it on my lip. “I spoke out of turn last night. About your brother. Sorry.” “You’re forgiven.” She twangs my boxer shorts’ elastic. “Obviously. Maybe I needed to hear it.” I kiss her wound-up hair bundle, then uncoil it. “You wouldn’t have any ciggies left, perchance?” In the velvet dark, I see her smile: A blade of happiness slips between my ribs. “What?” “Use a word like ‘perchance’ in Gravesend, you’d get crucified on the Ebbsfleet roundabout for being a suspected Conservative voter. No cigarettes left, I’m ’fraid. I went out to buy some yesterday, but found a semiattractive stalker, who’d cleverly made himself homeless forty minutes before a whiteout, so I had to come back without any.” I trace her cheekbones. “Semiattractive? Cheeky moo.” She yawns an octave. “Hope we can dig a way out tomorrow.” “I hope we can’t. I like being snowed in with you.” “Yeah well, some of us have these job things. Günter’s expecting a full house. Flirty-flirty tourists want to party-party-party.” I bury my head in the crook of her bare shoulder. “No.” Her hand explores my shoulder blade. “No what?” “No, you can’t go to Le Croc tomorrow. Sorry. First, because now I’m your man, I forbid it.” Her sss-sss is a sort of laugh. “Second?” “Second, if you went, I’d have to gun down every male between twelve and ninety who dared speak to you, plus any lesbians too. That’s seventy-five percent of Le Croc’s clientele. Tomorrow’s headlines would all be BLOODBATH IN THE ALPS AND LAMB THE SLAUGHTERER, and the a vegetarian-pacifist type, I know you wouldn’t want any role in a massacre so you’d better shack up”—I kiss her nose, forehead, and temple—“with me all day.” She presses her ear to my ribs. “Have you heard your heart? It’s like Keith Moon in there. Seriously. Have I got off with a mutant?” The blanket’s slipped off her shoulder: I pull it back. We say nothing for a while. Antoine whispers in his radio studio, wherever it is, and plays John Cage’s In a Landscape. It unscrolls, meanderingly. “If time had a pause button,” I tell Holly Sykes, “I’d press it. Right”—I press a spot between her eyebrows and up a bit—“there. Now.” “But if you did that, the whole universe’d be frozen, even you, so you couldn’t press play to start time again. We’d be stuck forever.” I kiss her on the mouth and blood’s rushing everywhere. She murmurs, “You only value something if you know it’ll end.
David Mitchell (The Bone Clocks)
The day-to-day horror of writing gave me a notion of tournament time. Writing novels is tedious. When will this book be finished, when will it reveal its bright and shining true self? it takes freakin’ years. At the poker table, you’re only playing a fraction of the hands, waiting for your shot. If you keep your wits, can keep from flying apart while those around you are self-destructing, devouring each other, you’re halfway there. … Let them flame out while you develop a new relationship with time, and they drift away from the table. 86-7 Coach Helen’s mantra: It’s OK to be scared, but don’t play scared. 90 [During a young adult trip to Los Vegas] I was contemplating the nickel in my hand. Before we pushed open the glass doors, what the heck, I dropped it into a one-armed bandit and won two dollars. In a dank utility room deep in the subbasements of my personality, a little man wiped his hands on his overalls and pulled the switch: More. Remembering it now, I hear a sizzling sound, like meat being thrown into a hot skillet. I didn't do risk, generally. So I thought. But I see now I'd been testing the House Rules the last few years. I'd always been a goody-goody. Study hard, obey your parents, hut-hut-hut through the training exercises of Decent Society. Then in college, now that no one was around, I started to push the boundaries, a little more each semester. I was an empty seat in lecture halls, slept late in a depressive funk, handed in term papers later and later to see how much I could get away with before the House swatted me down. Push it some more. We go to casinos to tell the everyday world that we will not submit. There are rules and codes and institutions, yes, but for a few hours in this temple of pure chaos, of random cards and inscrutable dice, we are in control of our fates. My little gambles were a way of pretending that no one was the boss of me. … The nickels poured into the basin, sweet music. If it worked once, it will work again. We hit the street. 106-8 [Matt Matros, 3x bracelet winner; wrote The Making of a Poker Player]: “One way or another you’re going to have a read, and you’re going to do something that you didn’t expect you were going to do before, right or wrong. Obviously it’s better if you’re right, but even if you’re wrong, it can be really satisfying to just have a read, a feeling, and go with it. Your gut.” I could play it safe, or I could really play. 180 Early on, you wanted to stay cool and keep out of expensive confrontations, but you also needed to feed the stack. The stack is hungry. 187 The awful knowledge that you did what you set out to do, and you would never, ever top it. It was gone the instant you put your hands on it. It was gambling. 224
Colson Whitehead (The Noble Hustle: Poker, Beef Jerky, and Death)
The temple was in a field of graves suddenly a pitiful-looking skeleton appeared and said: A melancholy autumn wind Blows through the world; the pampas grass waves As we drift to the moor, Drift to the sea. What can be done With the mind of a man That should be clear But though he is dressed up in a monk's robe, Just lets life pass him by? Such deep musings Made me uneasy, I could not sleep. Towards dawn I dozed off... I found myself surrounded by a group of skeletons, acting as they had when they were still alive. One skeleton came over to me and said: Memories Flee and Are no more. All are empty dreams Devoid of meaning. Violate the reality of things And babble about 'God' and 'the Buddha' And you will never find the true Way. Still breathing, You feel animated, So a corpse in a field Seems to be something Apart from you. If chunks of rock Can serve as a memento To the dead A better headstone Would be a simple tea-mortar. Humans are indeed frightful things. A single moon Bright and clear In an unclouded sky; Yet we still stumble In the world's darkness. This world Is but A fleeting dream So why be alarmed At its evanescence? The vagaries of life, Though painful, Teach us Not to cling To this floating world. Why do people Lavish decoration On this set of bones, Destined to disappear Without a trace? The original body Must return to Its original place. Do not search For what cannot be found. No one really knows The nature of birth Nor the true dwelling place. We return to the source And turn to dust. Many paths lead from The foot of the mountain, But at the peak We all gaze at the Single bright moon. If at the end of our journey There is no final Resting place, Then we need not fear Losing our Way. No beginning. No end. Our mind Is born and dies; The emptiness of emptiness! Relax, And the mind Runs wild; Control the world And you can cast it aside. Rain, hail, snow, and ice: All are different But when they fall They become to same water As the valley stream. The ways of proclaiming The Mind all vary, But the same heavenly truth Can be seen In each and every one. Cover your path With fallen pine needles So no one will be able To locate your True dwelling place. How vain, The endless funderals at the Cremation grounds of Mount Toribe! Don't the mourner realize That they will be next? 'Life is fleeeting!' We think at the sight Of smoke drifting from Mount Toribe, But when will we realize That we are in the same boat? All is in vain! This morning, A healthy friend; This evening, A wisp of cremation smoke. What a pity! Evening smoke from Mount Toribe Blown violently To and fro By the wind. When burned We become ashes, and earth when buried. Is it only our sins That remain behind? All the sins Committed In the Three Worlds Will fade away Together with me.
Ikkyu
Sumerian culture -- the society based on me -- was another manifestation of the metavirus. Except that in this case, it was in a linguistic form rather than DNA." "Excuse me," Mr. Lee says. "You are saying that civilization started out as an infection?" "Civilization in its primitive form, yes. Each me was a sort of virus, kicked out by the metavirus principle. Take the example of the bread-baking me. Once that me got into society, it was a self-sustaining piece of information. It's a simple question of natural selection: people who know how to bake bread will live better and be more apt to reproduce than people who don't know how. Naturally, they will spread the me, acting as hosts for this self-replicating piece of information. That makes it a virus. Sumerian culture -- with its temples full of me -- was just a collection of successful viruses that had accumulated over the millennia. It was a franchise operation, except it had ziggurats instead of golden arches, and clay tablets instead of three-ring binders. "The Sumerian word for 'mind,' or 'wisdom,' is identical to the word for 'ear.' That's all those people were: ears with bodies attached. Passive receivers of information. But Enki was different. Enki was an en who just happened to be especially good at his job. He had the unusual ability to write new me -- he was a hacker. He was, actually, the first modern man, a fully conscious human being, just like us. "At some point, Enki realized that Sumer was stuck in a rut. People were carrying out the same old me all the time, not coming up with new ones, not thinking for themselves. I suspect that he was lonely, being one of the few -- perhaps the only -- conscious human being in the world. He realized that in order for the human race to advance, they had to be delivered from the grip of this viral civilization. "So he created the nam-shub of Enki, a countervirus that spread along the same routes as the me and the metavirus. It went into the deep structures of the brain and reprogrammed them. Henceforth, no one could understand the Sumerian language, or any other deep structure-based language. Cut off from our common deep structures, we began to develop new languages that had nothing in common with each other. The me no longer worked and it was not possible to write new me. Further transmission of the metavirus was blocked." "Why didn't everyone starve from lack of bread, having lost the bread-making me?" Uncle Enzo says. "Some probably did. Everyone else had to use their higher brains and figure it out. So you might say that the nam-shub of Enki was the beginnings of human consciousness -- when we first had to think for ourselves. It was the beginning of rational religion, too, the first time that people began to think about abstract issues like God and Good and Evil. That's where the name Babel comes from. Literally it means 'Gate of God.' It was the gate that allowed God to reach the human race. Babel is a gateway in our minds, a gateway that was opened by the nam-shub of Enki that broke us free from the metavirus and gave us the ability to think -- moved us from a materialistic world to a dualistic world -- a binary world -- with both a physical and a spiritual component.
Neal Stephenson (Snow Crash)
The man was naked. He was all bones and ribs and snarling mouth. The front of him was caked in blood, a smear of charcoal black in the dim red glow of Palmer’s dive light. There was just a flash of this grisly image before the man crashed into Palmer, knocking him to the ground, desperate hands clenching around his throat. Palmer saw pops of bright light as his head hit the floor. He couldn’t breathe. He heard his own gurgles mix with the raspy hisses from the man on top of him. A madman. A thin, half-starved, and full-crazed madman. Palmer fought for a breath. His visor was knocked from his head. Letting go of the man’s wrists, he reached for his dive knife, but his leg was pinned, his boot too far away. He pawed behind himself and felt his visor, had some insane plan of getting it to his temples, getting his suit powered on, overloading the air around him, trying to shake the man off. But as his fingers closed on the hard plastic—and as the darkness squeezed in around his vision—he instead swung the visor at the snarling man’s face, a final act before the door to that king’s crypt sealed shut on him. A piercing shriek returned Palmer to his senses. Or it was the hands coming off his neck? The naked man howled and lunged again, but Palmer got a boot up, caught the man in the chest, kicked him. He scrambled backward while the man reeled. The other diver. Brock’s diver. Palmer turned and crawled on his hands and knees to get distance, got around a desk, moving as fast as he could, heart pounding. Two divers. There had been two divers. He waited for the man’s partner to jump onto his back, for the two men to beat him to death for his belly full of jangling coin— —when he bumped into the other diver. And saw by his dive light that he was no threat. And the bib of gore on the man chasing him was given sudden meaning. Palmer crawled away, sickened. He wondered how long the men had been down here, how long one had been eating the other. Hands fell onto his boots and yanked him, dragging him backward. A reedy voice yelled for him to be still. And then he felt a tug as his dive knife was pulled from its sheath, stolen. Palmer spun onto his back to defend himself. His own knife flashed above him traitorously, was brought down by those bone-thin arms, was meant to skewer him. There was a crunch against his belly. A painful blow. The air came out of Palmer. The blade was raised to strike him again, but there was no blood. His poor life had been saved by a fistful of coin. Palmer brought up his knee as the man struck again—and shin met forearm with a crack. A howl, and the knife was dropped. Palmer fumbled for it, his dive light throwing the world into pale reds and deep shadows. Hand on the hilt, his knife reclaimed, he slashed at the air, and the man fell back, hands up, shouting, “Please, please!” Palmer scooted away, keeping the knife in front of him. He was weak from fitful sleep and lack of food, but this poor creature before him seemed even weaker. Enraged and with the element of surprise, the man had nearly killed him, but it had been like fighting off a homeless dune-sleeper who had jumped him for some morsel of bread. Palmer dared to turn his dive light up so he could see the man better. “Sorry. I’m sorry,” the man said. “Thought you were a ghost.” The
Hugh Howey (Sand (The Sand Chronicles, #1))
Jesus, then, went to Jerusalem not just to preach, but to die. Schweitzer was right: Jesus believed that the messianic woes were about to burst upon Israel, and that he had to take them upon himself, solo. In the Temple and the upper room, Jesus deliberately enacted two symbols, which encapsulated his whole work and agenda. The first symbol said: the present system is corrupt and recalcitrant. It is ripe for judgment. But Jesus is the Messiah, the one through whom YHWH, the God of all the world, will save Israel and thereby the world. And the second symbol said: this is how the true exodus will come about. This is how evil will be defeated. This is how sins will be forgiven. Jesus knew—he must have known—that these actions, and the words which accompanied and explained them, were very likely to get him put on trial as a false prophet leading Israel astray, and as a would-be Messiah; and that such a trial, unless he convinced the court otherwise, would inevitably result in his being handed over to the Romans and executed as a (failed) revolutionary king. This did not, actually, take a great deal of “supernatural” insight, any more than it took much more than ordinary common sense to predict that, if Israel continued to attempt rebellion against Rome, Rome would eventually do to her as a nation what she was now going to do to this strange would-be Messiah. But at the heart of Jesus’ symbolic actions, and his retelling of Israel’s story, there was a great deal more than political pragmatism, revolutionary daring, or the desire for a martyr’s glory. There was a deeply theological analysis of Israel, the world, and his own role in relation to both. There was a deep sense of vocation and trust in Israel’s god, whom he believed of course to be God. There was the unshakable belief—Gethsemane seems nearly to have shaken it, but Jesus seems to have construed that, too, as part of the point, part of the battle—that if he went this route, if he fought this battle, the long night of Israel’s exile would be over at last, and the new day for Israel and the world really would dawn once and for all. He himself would be vindicated (of course; all martyrs believed that); and Israel’s destiny, to save the world, would thereby be accomplished. Not only would he create a breathing space for his followers and any who would join them, by drawing on to himself for a moment the wrath of Rome and letting them escape; if he was defeating the real enemy, he was doing so on behalf of the whole world. The servant-vocation, to be the light of the world, would come true in him, and thence in the followers who would regroup after his vindication. The death of the shepherd would result in YHWH becoming king of all the earth. The vindication of the “son of man” would see the once-for-all defeat of evil, the rescue of the true Israel, and the establishment of a worldwide kingdom. Jesus therefore took up his own cross. He had come to see it, too, in deeply symbolic terms: symbolic, now, not merely of Roman oppression, but of the way of love and peace which he had commended so vigorously, the way of defeat which he had announced as the way of victory. Unlike his actions in the Temple and the upper room, the cross was a symbol not of praxis but of passivity, not of action but of passion. It was to become the symbol of victory, but not of the victory of Caesar, nor of those who would oppose Caesar with Caesar’s methods. It was to become the symbol, because it would be the means, of the victory of God.14
N.T. Wright (The Challenge of Jesus)
Christine's heart is thumping wildly. She lets herself be led (her aunt means her nothing but good) into a tiled and mirrored room full of warmth and sweetly scented with mild floral soap and sprayed perfumes; an electrical apparatus roars like a mountain storm in the adjoining room. The hairdresser, a brisk, snub-nosed Frenchwoman, is given all sorts of instructions, little of which Christine understands or cares to. A new desire has come over her to give herself up, to submit and let herself be surprised. She allows herself to be seated in the comfortable barber's chair and her aunt disappears. She leans back gently, and, eyes closed in a luxurious stupor, senses a mechanical clattering, cold steel on her neck, and the easy incomprehensible chatter of the cheerful hairdresser; she breathes in clouds of fragrance and lets aromatic balms and clever fingers run over her hair and neck. Just don't open your eyes, she thinks. If you do, it might go away. Don't question anything, just savor this Sundayish feeling of sitting back for once, of being waited on instead of waiting on other people. Just let our hands fall into your lap, let good things happen to you, let it come, savor it, this rare swoon of lying back and being ministered to, this strange voluptuous feeling you haven't experienced in years, in decades. Eyes closed, feeling the fragrant warmth enveloping her, she remembers the last time: she's a child, in bed, she had a fever for days, but now it's over and her mother brings some sweet white almond milk, her father and her brother are sitting by her bed, everyone's taking care of her, everyone's doing things for her, they're all gentle and nice. In the next room the canary is singing mischievously, the bed is soft and warm, there's no need to go to school, everything's being done for her, there are toys on the bed, though she's too pleasantly lulled to play with them; no, it's better to close her eyes and really feel, deep down, the idleness, the being waited on. It's been decades since she thought of this lovely languor from her childhood, but suddenly it's back: her skin, her temples bathed in warmth are doing the remembering. A few times the brisk salonist asks some question like, 'Would you like it shorter?' But she answers only, 'Whatever you think,' and deliberately avoids the mirror held up to her. Best not to disturb the wonderful irresponsibility of letting things happen to you, this detachment from doing or wanting anything. Though it would be tempting to give someone an order just once, for the first time in your life, to make some imperious demand, to call for such and such. Now fragrance from a shiny bottle streams over her hair, a razor blade tickles her gently and delicately, her head feels suddenly strangely light and the skin of her neck cool and bare. She wants to look in the mirror, but keeping her eyes closed in prolonging the numb dreamy feeling so pleasantly. Meanwhile a second young woman has slipped beside her like a sylph to do her nails while the other is waving her hair. She submits to it all without resistance, almost without surprise, and makes no protest when, after an introductory 'Vous etes un peu pale, Mademoiselle,' the busy salonist, employing all manner of pencils and crayons, reddens her lips, reinforces the arches of her eyebrows, and touches up the color of her cheeks. She's aware of it all and, in her pleasant detached stupor, unaware of it too: drugged by the humid, fragrance-laden air, she hardly knows if all this happening to her or to some other, brand-new self. It's all dreamily disjointed, not quite real, and she's a little afraid of suddenly falling out of the dream.
Stefan Zweig (The Post-Office Girl)