“
You see, wire telegraph is a kind of a very, very long cat. You pull his tail in New York and his head is meowing in Los Angeles. Do you understand this? And radio operates exactly the same way: you send signals here, they receive them there. The only difference is that there is no cat.
”
”
Albert Einstein
“
These times are too progressive. Everything has changed too fast. Railroads and telegraphs and kerosene and coal stoves -- they're good to have but the trouble is, folks get to depend on 'em.
”
”
Laura Ingalls Wilder (The Long Winter (Little House, #6))
“
Then I dropped my forehead against his and sat there for a long time, as if I could telegraph a message through our two skulls, from my brain to his. I wanted to make him understand some things.
You know all that stuff we’ve always said about you?” I whispered. “What a total pain you are? Don’t believe it. Don’t believe it for a minute, Marley.” He needed to know that, and something more, too. There was something I had never told him, that no one ever had. I wanted him to hear it before he went.
Marley,” I said. “You are a great dog.
”
”
John Grogan (Marley and Me: Life and Love With the World’s Worst Dog)
“
Haven’t you ever wondered what it would be like to have nothing keeping you attached to the ground?
”
”
Malinda Lo (Last Night at the Telegraph Club)
“
She’s having a hard time right now because you’re not what she expected. But we’re never what our parents expected. They have to learn that lesson.
”
”
Malinda Lo (Last Night at the Telegraph Club)
“
Our inventions are wont to be pretty toys, which distract our attention from serious things. They are but improved means to an unimproved end, an end which it was already but too easy to arrive at; as railroads lead to Boston or New York. We are in great haste to construct a magnetic telegraph from Maine to Texas; but Maine and Texas, it may be, have nothing important to communicate.
”
”
Henry David Thoreau (Walden)
“
Are you like the girls in the book too? Because I think I am.
”
”
Malinda Lo (Last Night at the Telegraph Club)
“
Three or four threads may be agitated, like telegraph wires, at the same time, and if I were to tap them all I would reveal such a mixture of innocence and duplicity, generosity and calculation, fear and courage, I cannot tell the whole truth simply because I would have to write four journals at once.
”
”
Anaïs Nin (The Journals of Anais Nin)
“
I also believe in cigarettes, cholesterol, alcohol, carbon monoxide, masturbation, the Arts Council, nuclear weapons, the Daily Telegraph, and not properly labeling fatal poisons, but above all else, most of all, I believe in the one thing that can come out of people's mouths: vomit.
”
”
Dennis Potter (The Singing Detective)
“
We are in great haste to construct a magnetic telegraph from Maine to Texas; but Maine and Texas, it may be, have nothing important to communicate... We are eager to tunnel under the Atlantic and bring the old world some weeks nearer to the new; but perchance the first news that will leak through into the broad flapping American ear will be that Princess Adelaide has the whooping cough.
”
”
Henry David Thoreau (Walden)
“
I've proved my point. I've demonstrated there's no difference between me and everyone else! All it takes is one bad day to reduce the sanest man alive to lunacy. That's how far the world is from where I am. Just one bad day. You had a bad day once, am I right? I know I am. I can tell. You had a bad day and everything changed. Why else would you dress up as a flying rat? You had a bad day, and it drove you as crazy as everybody else... Only you won't admit it! You have to keep pretending that life makes sense, that there's some point to all this struggling! God you make me want to puke. I mean, what is it with you? What made you what you are? Girlfriend killed by the mob, maybe? Brother carved up by some mugger? Something like that, I bet. Something like that... Something like that happened to me, you know. I... I'm not exactly sure what it was. Sometimes I remember it one way, sometimes another... If I'm going to have a past, I prefer it to be multiple choice! Ha ha ha! But my point is... My point is, I went crazy. When I saw what a black, awful joke the world was, I went crazy as a coot! I admit it! Why can't you? I mean, you're not unintelligent! You must see the reality of the situation. Do you know how many times we've come close to world war three over a flock of geese on a computer screen? Do you know what triggered the last world war? An argument over how many telegraph poles Germany owed its war debt creditors! Telegraph poles! Ha ha ha ha HA! It's all a joke! Everything anybody ever valued or struggled for... it's all a monstrous, demented gag! So why can't you see the funny side? Why aren't you laughing?
”
”
Alan Moore (Batman: The Killing Joke)
“
If only I had some grease I could fix some kind of a light," Ma considered. "We didn't lack for light when I was a girl before this newfangled kerosene was ever heard of."
"That's so," said Pa. "These times are too progressive. Everything has changed too fast. Railroads and telegraph and kerosene and coal stoves--they're good things to have, but the trouble is, folks get to depend on 'em.
”
”
Laura Ingalls Wilder (The Long Winter (Little House, #6))
“
The greatest book is not the one whose message engraves itself on the brain, as a telegraphic message engraves itself on the ticker-tape, but the one whose vital impact opens up other viewpoints, and from writer to reader spreads the fire that is fed by the various essences, until it becomes a vast conflagration leaping from forest to forest.
”
”
Romain Rolland
“
She wondered where Kath was. She wondered if Kath could sense her, sitting here on this train as it took her away. Perhaps it was possible, if she closed her eyes and sent out her thoughts along the steel track like a message along a telegraph wire.
I love you. I love you.
The train swayed gently beneath her, and she leaned against the window to feel the cool glass against her cheek, and she was sure that Kath had heard her, she was sure.
”
”
Malinda Lo (Last Night at the Telegraph Club)
“
Here was her mother sitting down across from her, reaching for her hands and chafing them as if she were frozen. She felt the rub of her mother’s wedding ring against her skin, and her mother’s face swam into focus, her brown eyes full of the sharp worry of love, and Lily thought, You will never look at me like this again.
”
”
Malinda Lo (Last Night at the Telegraph Club)
“
Perhaps that was the most perverse part of this: the inside-outness of everything, as if denial would make it go away, when it only made the pain in her chest tighten, when it only made her emotions clearer.
”
”
Malinda Lo (Last Night at the Telegraph Club)
“
It wasn’t like chocolate, Lily thought. It was like finding water after a drought. She couldn’t drink enough, and her thirst made her ashamed, and the shame made her angry.
”
”
Malinda Lo (Last Night at the Telegraph Club)
“
A brand is two words: the ‘Promise’ you telegraph, and the ‘Experience’ you deliver.
”
”
Donald J. Trump (Midas Touch)
“
The great trains howling from track to track all night. The taut and telegraphic murmur of ten thousand city wires, drawn most cruelly against a city sky. The rush of city waters, beneath the city streets. The passionate passing of the night's last El.
”
”
Nelson Algren (Never Come Morning)
“
Some copywriters write tricky headlines – double meanings, puns and other obscurities. This is counter-productive. In the average newspaper your headline has to compete with 350 others. Readers travel fast through this jungle. Your headline should telegraph what you want to say.
”
”
David Ogilvy (Ogilvy on Advertising)
“
Walter broke off a piece of a smile and tucked it into his left cheek as if reserving it for future use.
”
”
Michael Chabon (Telegraph Avenue)
“
There are no telegraphs on Tralfamadore. But you're right: each clump of symbols is a brief, urgent message-- describing a situation, a scene. We Tralfamadorians read them all at once, not one after the other. There isn't any particular relationship between all the messages, except that the author has chosen them carefully, so that, when seen all at once, they produce an image of life that is beautiful and surprising and deep. There is no beginning, no middle, no end, no suspense, no moral, no causes, no effects. What we love in our books are the depths of many marvelous moments seen all at one time.
”
”
Kurt Vonnegut Jr. (Slaughterhouse-Five)
“
Now she was confused, as if she’d been reading a book that had several pages removed, but hadn’t realized the pages were gone until this moment.
”
”
Malinda Lo (Last Night at the Telegraph Club)
“
The word felt dangerous, and also powerful, as if uttering it would summon someone or something
”
”
Malinda Lo (Last Night at the Telegraph Club)
“
Holmes was charming and gracious, but something about him made Belknap uneasy. He could not have defined it. Indeed, for the next several decades alienists and their successors would find themselves hard-pressed to describe with any precision what it was about men like Holmes that could cause them to seem warm and ingratiating but also telegraph the vague sense that some important element of humanness was missing.
”
”
Erik Larson (The Devil in the White City)
“
A book is an attempt to make through permanent and to contribute to the great conversation conducted by authors of the past. […] The telegraph is suited only to the flashing of messages, each to be quickly replaced by a more up-to-date message. Facts push other facts into and then out of consciousness at speeds that neither permit nor require evaluation. (70)
”
”
Neil Postman (Amusing Ourselves to Death: Public Discourse in the Age of Show Business)
“
I was thankful that nobody was there to meet me at the airport.
We reached Paris just as the light was fading. It had been a soft, gray March day, with the smell of spring in the air. The wet tarmac glistened underfoot; over the airfield the sky looked very high, rinsed by the afternoon's rain to a pale clear blue. Little trails of soft cloud drifted in the wet wind, and a late sunbeam touched them with a fleeting underglow. Away beyond the airport buildings the telegraph wires swooped gleaming above the road where passing vehicles showed lights already.
”
”
Mary Stewart (Nine Coaches Waiting)
“
It takes a thousand men to invent a telegraph, or a steam engine, or a phonograph, or a photograph, or a telephone or any other important thing—and the last man gets the credit and we forget the others. He added his little mite — that is all he did. These object lessons should teach us that ninety-nine parts of all things that proceed from the intellect are plagiarisms, pure and simple; and the lesson ought to make us modest. But nothing can do that.
”
”
Mark Twain
“
An unfamiliar emotion swelled inside her at this image. A strangely sharp pang for a place she had never visited. For a people she resembled but did not know.
”
”
Malinda Lo (Last Night at the Telegraph Club)
“
The lieutenant’s fooling around again with the telegraph girl at the station,” said the corporal, after he had gone. “He’s been running after her for a fortnight and he’s always frightfully furious when he comes from the telegraph office and he says about her: “She’s a whore. She won’t sleep with me!
”
”
Jaroslav Hašek (The Good Soldier Švejk)
“
Her hair was a glory of tendrils for the snaring of husbands.
”
”
Michael Chabon (Telegraph Avenue)
“
Fathering imposed an obligation that was more than your money, your body, or your time, a presence neither physical nor measurable by clocks: open-ended, eternal, and invisible, like the commitment of gravity to the stars.
”
”
Michael Chabon (Telegraph Avenue)
“
The evening laid its cool palm against his weary brow as if feeling for a temperature.
”
”
Michael Chabon (Telegraph Avenue)
“
and damned nomads in Mesopotamia have again cut the telegraph—another expeditionary force is being organized to deal with them once and for all!
”
”
James Clavell (Gai-Jin (Asian Saga Book 3))
“
Do what you gotta do and stay fly
”
”
Michael Chabon (Telegraph Avenue)
“
I recall one particular sunset. It lent an ember to my bicycle hell. Overhead, above the black music of telegraph wires, a number of long, dark-violet clouds lined with flamingo pink hung motionless in a fan-shaped arrangement; the whole thing was like some prodigious ovation in terms of color and form! It was dying, however, and everything else was darkening, too; but just above the horizon, in a lucid, turquoise space, beneath a black stratus, the eye found a vista that only a fool could mistake for the square parts of this or any other sunset. It occupied a very small sector of the enormous sky and had the peculiar neatness of something seen through the wrong end of a telescope. There it lay in wait, a brilliant convolutions, anachronistic in their creaminess and extremely remote; remote but perfect in every detail; fantastically reduced but faultlessly shaped; my marvelous tomorrow ready to be delivered to me.
”
”
Vladimir Nabokov (Speak, Memory)
“
For the most part, Ranger had a consistent personality.
He wasn't a guy who wasted a lot of unnecessary energy and effort. He moved and he spoke with an efficient ease that was more animal than human. And he didn't telegraph his emotions. Unless Ranger had his tongue in my mouth it was usually impossible to tell what he was thinking. But every now and then, Ranger would step out of the box, and like a little treat that was doled out on special occasions, Ranger would make an entirely outrageous sexual statement.
At least it would be outrageous coming from an ordinary guy... from Ranger it seemed on the mark.
”
”
Janet Evanovich (Eleven on Top (Stephanie Plum, #11))
“
I think something more mysterious might be happening, less articulate than any of the captioned and numeraled drawings in the 'The Spiritist's Telegraph.' Mothers burning inside the risen suns of their children.
”
”
Karen Russell (Swamplandia!)
“
A high point in a life lived at sea level, prone to flooding.
”
”
Michael Chabon (Telegraph Avenue)
“
Trying to get more learning out of the present system is like trying to get the Pony Express to compete with the telegraph by breeding faster ponies.
”
”
null
“
The audacious telegraph operator took the flower from his buttonhole and said to her: "I give you my life in this rose.
”
”
Gabriel García Márquez (Living to Tell the Tale)
“
They had hugged each other quickly, and Lily realized then and there that they'd never be able to kiss goodbye in public. (A tightening in her chest as she reluctantly turned away.)
”
”
Malinda Lo (Last Night at the Telegraph Club)
“
A few hours at home and the Telegraph Club seemed more like a fantasy than a real thing. This troubled her. It felt as if someone had taken an eraser to her memory - to her very self - and rubbed at it, then blown away the remains.
”
”
Malinda Lo (Last Night at the Telegraph Club)
“
He addressed the class...in a soft, stupefied, increasingly breathless tone like an astronaut pleading with a mad supercomputer to open an airlock.
”
”
Michael Chabon (Telegraph Avenue)
“
To all the butches and femmes, past, present, and future.
”
”
Malinda Lo (Last Night at the Telegraph Club)
“
Combing her thoughts, yanking them into a pigtail.
”
”
Michael Chabon (Telegraph Avenue)
“
There is nothing wrong with entertainment. As some psychiatrist once put it, we all build castles in the air. The problems come when we try to live in them. The communications media of the late nineteenth and early twentieth centuries, with telegraphy and photography at their center, called the peek-a-boo world into existence, but we did not come to live there until television. Television gave the epistemological biases of the telegraph and the photograph their most potent expression, raising the interplay of image and instancy to an exquisite and dangerous perfection. And it brought them into the home. We are by now well into a second generation of children for whom television has been their first and most accessible teacher and, for many, their most reliable companion and friend. To put it plainly, television is the command center of the new epistemology. There is no audience so young that it is barred from television. There is no poverty so abject that it must forgo television. There is no education so exalted that it is not modified by television. And most important of all, there is no subject of public interest—politics, news, education, religion, science, sports—that does not find its way to television. Which means that all public understanding of these subjects is shaped by the biases of television.
”
”
Neil Postman (Amusing Ourselves to Death: Public Discourse in the Age of Show Business)
“
It was him, thirty years too old, twenty pounds too light, & forty watts too dim maybe, but him.
”
”
Michael Chabon (Telegraph Avenue)
“
How am I supposed to know?” she asked instead. “What’s it supposed to be like?”
Lana and Claire traded tiny smiles, and Claire asked gently, “What’s what supposed to be like?”
Lily slumped back against the sofa, feeling boneless and muddled. “Falling in love, I guess.”
“You’ll know,” Claire said. “It’s unmistakable.”
(How she could recognize Kath at the other end of a crowded Galileo hallway by the way she walked.)
“It’s like . . . well, it’s like falling,” Lana said. “Falling, or floating, or sinking.”
(Every time they kissed.)
“You won’t know which way is up.”
“It’s like having a fever.”
(The way the world seemed to narrow down to the tips of Kath’s fingers.)
“It’s like being drunk—drunk for days.
”
”
Malinda Lo (Last Night at the Telegraph Club)
“
Dim loneliness came imperceivably into the fields and he turned back. The birds piped oddly; some wind was caressing the higher foliage, turning it all one way, the way home. Telegraph poles ahead looked like half-used pencils; the small cross on the steeple glittered with a sharp and shapely permanence.
”
”
A.E. Coppard (Dusky Ruth and Other Stories)
“
The more men are freed from privation; the more telegraphs, telephones, books, papers, and journals there are; the more means there will be of diffusing inconsistent lies and hypocrisies, and the more disunited and consequently miserable will men become, which indeed is what we see actually taking place.
”
”
Leo Tolstoy (The Kingdom of God Is Within You)
“
It would stay with him always as everything you ever did stayed with you, every horse you ever saddled, every morning he awoke with Maria Luisa beside him, and every slap of the paten on fresh paper, every time he had thrown open the shutters in the Betancort house, and his captain dying under his hands, always there like a tangle of telegraph wires in the brain where no dispatch was ever lost, what an odd thing, an odd thing.
”
”
Paulette Jiles (News of the World)
“
The lucky ones are the people like your husband there. The ones who find work that means something to them. That they can really put their heart into, however foolish it might look to other people.
”
”
Michael Chabon (Telegraph Avenue)
“
She was getting used to his rhythms and his moods, recognizing the quiet signals that telegraphed who he was. Good and bad, strengths and faults, he was hers forever.
As she pulled into the driveway, she spotted Logan coming down the steps from the house, and she waved.
She was his forever, too—imperfect as she was. Take it or leave it, she thought. She was who she was.
As Logan walked toward her, he smiled as if reading her mind and opened his arms.
”
”
Nicholas Sparks
“
Traditional histories of technology do not pay much attention to food. They tend to focus on hefty industrial and military developments: wheels and ships, gunpowder and telegraphs, airships and radio. When food is mentioned, it is usually in the context of agriculture—systems of tillage and irrigation—rather than the domestic work of the kitchen. But there is just as much invention in a nutcracker as in a bullet.
”
”
Bee Wilson (Consider the Fork: A History of How We Cook and Eat)
“
The hurt felt real - much more real than the entire afternoon of staying silent. So she lay on the hard wooden floor between her brothers' beds and let that ache fill her.
”
”
Malinda Lo (Last Night at the Telegraph Club)
“
Did that mean that she had always been destined to come here? To this city and this land so far from her home?
”
”
Malinda Lo (Last Night at the Telegraph Club)
“
Snow... blots and softens the top of every object like ice on a plum pudding. Hedges, telegraph wires, cars, postboxes, recycling bins. The world is losing its edges. Look upwards and it seems as if the stars themselves are being poured from the sky and turn out not to be vast and fiery globes after all but tiny, frozen things which melt in the palm of your hand.
”
”
Mark Haddon (The Pier Falls: And Other Stories)
“
The general’s daughter swept into the room like an angelic visitation. Never seen such a vision of the feminine in my life. It hit me between the eyes like someone pressed a live telegraph wire to the back of my head. She came amongst us boys so coquettish and alight with laughter that we all took on dumbfounded stupidity, not quite knowing what to say or how to act.
”
”
Phil Truman (Dire Wolf of the Quapaw: a Jubal Smoak Mystery (Jubal Smoak Mysteries Book 1))
“
Don't tell me about the Press. I know *exactly* who reads the papers. The Daily Mirror is read by the people who think they run the country. The Guardian is read by people who think they *ought* to run the country. The Times is read by the people who actually *do* run the country. The Daily Mail is read by the wives of the people who run the country. The Financial Times is read by people who *own* the country. The Morning Star is read by people who think the country ought to be run by *another* country. The Daily Telegraph is read by the people who think it is.'
"Prime Minister, what about the people who read The Sun?"
"Sun readers don't care *who* runs the country - as long as she's got big tits.
”
”
Antony Jay (Yes Prime Minister: The Diaries of the Right Hon. James Hacker)
“
The little boy had wandered away from his mother, tacking across the grass to the play structure. His mother watched him go, proud, tickled, unaware that every time they toddled away from you, they came back a little different, ten seconds older and nearer to the day when they left you for good. Pearl divers in training, staying under a few seconds longer every time.
”
”
Michael Chabon (Telegraph Avenue)
“
Up till now it has been thought that the growth of the Christian myths during the Roman Empire was possible only because printing was not yet invented. Precisely the contrary. The daily press and the telegraph, which in a moment spreads inventions over the whole earth, fabricate more myths (and the bourgeois cattle believe and enlarge upon them) in one day than could have formerly been done in a century.
”
”
Karl Marx (Marx-Engels-Jahrbuch 2003. Die Deutsche Ideologie: Artikel, Druckvorlagen, Entwürfe, Reinschriftenfragmente und Notizen zu "I. Feuerbach" und "II. Sankt Bruno" (German Edition))
“
She felt a bored indifference toward the immediate world around her, toward other children and adults alike. She took it as a regrettable accident, to be borne patiently for a while, that she happened to be imprisoned among people who were dull. She had caught a glimpse of another world and she knew that it existed somewhere, the world that had created trains, bridges, telegraph wires and signal lights winking in the night. She had to wait, she thought, and grow up to that world.
”
”
Ayn Rand (Atlas Shrugged)
“
The instructor, Ms. Pease, also taught in the church's religious school, and she had a Sunday school manner at once saccharine and condemnatory.
”
”
Michael Chabon (Telegraph Avenue)
“
Mirror, Standard, Telegraph, Birmingham Post, Sketch, all careful to report accurately the events without editorial comment. Unlike some countries, the British press must be exceedingly careful not to try a man in the newspapers and magazines before he comes to court. In such cases when a newspaper becomes an accuser or prejudger, turning public sentiment, the paper can be named as a defendant to the action. It keeps journalism honest.
”
”
Leon Uris (QB VII)
“
The line-by-line, sequential, continuous form of the printed page slowly began to lose its resonance as a metaphor of how knowledge was to be acquired and how the world was to be understood. "Knowing" the facts took on a new meaning, for it did not imply that one understood implications, background, or connections. Telegraphic discourse permitted no time for historical perspectives and gave no priority to the qualitative. To the telegraph, intelligence meant knowing of lots of things, not knowing about them.
”
”
Neil Postman (Amusing Ourselves to Death: Public Discourse in the Age of Show Business)
“
You never would get through to the end of being a father, no matter where you stored your mind or how many steps in the series you followed. Not even if you died. Alive or dead a thousand miles distant, you were always going to be on the hook for work that was neither a procedure nor a series of steps but, rather, something that demanded your full, constant attention without necessarily calling you to do, perform, or say anything at all.
”
”
Michael Chabon (Telegraph Avenue)
“
You're afraid of smart women, aren't you?'
She had used this ploy before, having heard via the female bush telegraph that it was unanswerable. She was right though. I was leery of them. Art and Mike said taking an intellectual woman into your home was like taking in a baby raccoon. They were both amusing for a while but soon became randomly vicious and learned how to open the refrigerator.
”
”
Charles Portis (Gringos)
“
In that memorable year, 1822: Oersted, a Danish physicist, held in his hands a piece of copper wire, joined by its extremities to the two poles of a Volta pile. On his table was a magnetized needle on its pivot, and he suddenly saw (by chance you will say, but chance only favours the mind which is prepared) the needle move and take up a position quite different from the one assigned to it by terrestrial magnetism. A wire carrying an electric current deviates a magnetized needle from its position. That, gentlemen, was the birth of the modern telegraph.
”
”
Louis Pasteur
“
When the Word became flesh and dwelt among us, he was a carpenter crafting works of wood with his hands, revealing to us the essence of his nature. The miracles he performed demonstrated that he had the power to mend and manipulate the architecture of matter, which he himself had designed. He was telling us who he was, telegraphing to the crowds that followed him, the Maker is walking in your midst.
”
”
Timothy Alberino (Birthright: The Coming Posthuman Apocalypse and the Usurpation of Adam's Dominion on Planet Earth)
“
True, hundreds of millions may nevertheless go on believing in Islam, Christianity or Hinduism. But numbers alone don’t count for much in history. History is often shaped by small groups of forward-looking innovators rather than by the backward-looking masses. Ten thousand years ago most people were hunter-gatherers and only a few pioneers in the Middle East were farmers. Yet the future belonged to the farmers. In 1850 more than 90 per cent of humans were peasants, and in the small villages along the Ganges, the Nile and the Yangtze nobody knew anything about steam engines, railroads or telegraph lines. Yet the fate of those peasants had already been sealed in Manchester and Birmingham by the handful of engineers, politicians and financiers who spearheaded the Industrial Revolution. Steam engines, railroads and telegraphs transformed the production of food, textiles, vehicles and weapons, giving industrial powers a decisive edge over traditional agricultural societies.
”
”
Yuval Noah Harari (Homo Deus: A History of Tomorrow)
“
Stanley’s Congo expedition fired the starting gun for the Scramble for Africa. Before his trip, white outsiders had spent hundreds of years nibbling at Africa’s edges, claiming land around the coastline, but rarely venturing inland. Disease, hostile tribes and the lack of any clear commercial potential in Africa meant that hundreds of years after white explorers first circumnavigated its coastline, it was still referred to in mysterious terms as the Dark Continent, a source of slaves, ivory and other goods, but not a place white men thought worthy of colonisation. It was Leopold’s jostling for the Congo that forced other European powers to stake claims to Africa’s interior, and within two decades the entire continent had effectively been carved up by the white man. The modern history of Africa – decades of colonial exploitation and post-independence chaos – was begun by a Telegraph reporter battling down the Congo River.
”
”
Tim Butcher (Blood River: A Journey to Africa's Broken Heart)
“
He reached up and out with both arms to shoot his cuffs, and for an instant he might have served to illustrate the crucial step in a manual on the seizing of days. He had already seized this particular day once, but he was prepared, if need be, to go ahead and seize the motherfucker all over again.
”
”
Michael Chabon (Telegraph Avenue)
“
Perhaps one day she’d get used to the way it made her feel: dislocated and dazed, never quite certain if the other half of her would stay offstage as directed. But tonight she felt as if she were constantly on the edge of saying or doing something wrong, and the effort of keeping that unwelcome half silent was making her sick.
”
”
Malinda Lo (Last Night at the Telegraph Club)
“
One can think about someone far away and one can hold on to someone nearby; everything else is beyond human power. Writing letters, on the other hand, means exposing oneself to the ghosts, who are greedily waiting precisely for that. Written kisses never arrive at their destination; the ghosts drink them up along the way. It is this ample nourishment which enables them to multiply so enormously. People sense this and struggle against it; in order to eliminate as much of the ghosts’ power as possible and to attain a natural intercourse, a tranquility of soul, they have invented trains, cars, aeroplanes—but nothing helps anymore: These are evidently inventions devised at the moment of crashing. The opposing side is so much calmer and stronger; after the postal system, the ghosts invented the telegraph, the telephone, the wireless. They will not starve, but we will perish.
”
”
Franz Kafka (Letters to Milena)
“
We may say then that the contribution of the telegraph to public discourse was to dignify irrelevance and amplify impotence. But this was not all: Telegraphy also made public discourse essentially incoherent. It brought into being a world of broken time and broken attention, to use Lewis Mumford's phrase. The principle strength of the telegraph was its capacity to move information, not collect it, explain it or analyze it. In this respect, telegraphy was the exact opposite of typography.
”
”
Neil Postman (Amusing Ourselves to Death: Public Discourse in the Age of Show Business)
“
The truth is that exploration and enlargement make the world smaller. The telegraph and the steamboat make the world smaller. The telescope makes the world smaller; it is only the microscope that makes it larger. Before long the world will be cloven with a war between the telescopists and the microscopists. The first study large things and live in a small world; the second study small things and live in a large world. It is inspiriting without doubt to whizz in a motor-car round the earth, to feel Arabia as a whirl of sand or China as a flash of rice-fields. But Arabia is not a whirl of sand and China is not a flash of rice-fields. They are ancient civilizations with strange virtues buried like treasures. If we wish to understand them it must not be as tourists or inquirers, it must be with the loyalty of children and the great patience of poets. To conquer these places is to lose them.
”
”
G.K. Chesterton (Heretics)
“
In saying no one knew about the ideas implicit in the telegraph, I am not quite accurate. Thoreau knew. Or so one may surmise. It is alleged that upon being told that through the telegraph a man in Maine could instantly send a message to a man in Texas, Thoreau asked, "But what do they have to say to each other?" In asking this question, to which no serious interest was paid, Thoreau was directing attention to the psychological and social meaning of the telegraph, and in particular to its capacity to change the character of information -- from the personal and regional to the impersonal and global.
”
”
Neil Postman (The Disappearance of Childhood)
“
There was a huge wire fence that ran along the length of the house and turned in at the top, extending further along in either direction, further than she could possibly see. The fence was very high, higher even than the house they were standing in, and there were huge wooden posts, like telegraph poles, dotted along it, holding it up. At the top of the fence enormous bales of barbed wire were tangled in spirals, and Gretel felt an unexpected pain inside her as she looked at the sharp spikes sticking out all the way round it.
”
”
John Boyne (The Boy in the Striped Pyjamas)
“
In the past when I was younger my friends and relations had known what to do with me: some of them used to advise me to volunteer for the army, others to get a job in a pharmacy, and others in the telegraph department; now that I am over twenty-five, that grey hairs are beginning to show on my temples, and that I have been already in the army, and in a pharmacy, and in the telegraph department, it would seem that all earthly possibilities have been exhausted, and people have given up advising me, and merely sigh or shake their heads.
”
”
Anton Chekhov (My Life (The Art of the Novella series))
“
MY WOMAN
My woman came with me as far as Brest,
she got off the train and stayed on the platform,
she grew smaller and smaller,
she became a kernel of wheat in the infinite blue,
then all I could see were the tracks.
Then she called out from Poland, but I couldn't answer,
I couldn't ask, "Where are you, my rose, where are you?"
"Come," she said, but I couldn't reach her,
the train was going like it would never stop,
I was choking with grief.
Then patches of snow were rotting on sandy earth,
and suddenly I knew my woman was watching :
"Did you forget me," she asked, "did you forget me?"
Spring marched with muddy bare feet on the sky.
Then stars lighted on the telegraph wires,
darkness dashed the train like rain,
my woman stood under the telegraph poles,
her heart pounding as if she were in my arms,
the poles kept disappearing, she didn't move,
the train was going like it would never stop,
I was choking with grief.
Then suddenly I knew I'd been on that train for years
- I'm still amazed at how or why I knew it -
and always singing the same great song of hope,
I'm forever leaving the cities and women I love,
and carrying my losses like wounds opening inside me,
I'm getting closer, closer to somewhere.
”
”
Nâzım Hikmet
“
David and Eva kissed again, their eyes telegraphing something about how it would be later that night when they were alone. Then Eva took Magnus' hand and they walked off, waving one last time. David remained on the sidewalk, watching them.
What if I never see them again...
The usual fear gripped him. God had been too good to him, there'd been a mistake, he had got more than he deserved. Now it would all be taken away. Eva and Magnus disappeared around the corner and an impulse told him to run after them, stop them. Say, "Come on. Let's go home. We'll watch Shrek, we'll play Monopoly, we...can't let ourselves be separated."
The usual fears, but worse than usual.
”
”
John Ajvide Lindqvist
“
The following obituary appeared in the Pittsburgh Sun-Telegraph of Sept. 16, 1958:
A GREAT POET died last week in Lancieux, France, at the age of 84.
He was not a poet's poet. Fancy-Dan dilletantes will dispute the description "great."
He was a people's poet. To the people he was great. They understood him, and knew that any verse carrying the by-line of Robert W. Service would be a lilting thing, clear, clean and power-packed, beating out a story with a dramatic intensity that made the nerves tingle.
And he was no poor, garret-type poet, either. His stuff made money hand over fist. One piece alone, The Shooting of Dan McGrew, rolled up half a million dollars for him. He lived it up well and also gave a great deal to help others.
"The only society I like," he once said, "is that which is rough and tough - and the tougher the better. That's where you get down to bedrock and meet human people."
He found that kind of society in the Yukon gold rush, and he immortalized it.
”
”
Robert W. Service
“
The only acceptable hobby, throughout all stages of life, is cookery. As a child: adorable baked items. Twenties: much appreciated spag bol and fry-ups. Thirties and forties: lovely stuff with butternut squash and chorizo from the Guardian food section. Fifties and sixties: beef wellington from the Sunday Telegraph magazine. Seventies and eighties: back to the adorable baked items. Perfect. The only teeny tiny downside of this hobby is that I HATE COOKING.
Don't get me wrong; I absolutely adore the eating of the food. It's just the awful boring, frightening putting together of it that makes me want to shove my own fists in my mouth. It's a lovely idea: follow the recipe and you'll end up with something exactly like the pretty picture in the book, only even more delicious. But the reality's rather different. Within fifteen minutes of embarking on a dish I generally find myself in tears in the middle of what appears to be a bombsite, looking like a mentally unstable art teacher in a butter-splattered apron, wondering a) just how I am supposed to get hold of a thimble and a half of FairTrade hazelnut oil (why is there always the one impossible-to-find recipe ingredient? Sesame paste, anyone?) and b) just how I managed to get flour through two closed doors onto the living-room curtains, when I don't recall having used any flour and oh-this-is-terrible-let's-just-go-out-and-get-a-Wagamama's-and-to-hell-with-the-cost, dammit.
”
”
Miranda Hart (Is It Just Me?)
“
Holmes was charming and gracious, but something about him made Belknap uneasy. He could not have defined it. Indeed, for the next several decades alienists and their successors would find themselves hard-pressed to describe with any precision what it was about men like Holmes that could cause them to seem warm and ingratiating but also telegraph the vague sense that some important element of humanness was missing. At first alienists described this condition as “moral insanity” and those who exhibited the disorder as “moral imbeciles.” They later adopted the term “psychopath,” used in the lay press as early as 1885 in William Stead’s Pall Mall Gazette, which described it as a “new malady” and stated, “Beside his own person and his own interests, nothing is sacred to the psychopath.” Half a century later, in his path-breaking book The Mask of Sanity, Dr. Hervey Cleckley described the prototypical psychopath as “a subtly constructed reflex machine which can mimic the human personality perfectly. … So perfect is his reproduction of a whole and normal man that no one who examines him in a clinical setting can point out in scientific or objective terms why, or how, he is not real.
”
”
Erik Larson (The Devil in the White City)
“
Eiffel Tower"
To Robert Delaunay
Eiffel Tower
Guitar of the sky
Your wireless telegraphy
Attracts words
As a rosebush the bees
During the night
The Seine no longer flows
Telescope or bugle
EIFFEL TOWER
And it's a hive of words
Or an inkwell of honey
At the bottom of dawn
A spider with barbed-wire legs
Was making its web of clouds
My little boy
To climb the Eiffel Tower
You climb on a song
Do
re
mi
fa
sol
la
ti
do
We are up on top
A bird sings
in the telegraph
antennae
It's the wind
Of Europe
The electric wind
Over there
The hats fly away
They have wings but they don't sing
Jacqueline
Daughter of France
What do you see up there
The Seine is asleep
Under the shadow of its bridges
I see the Earth turning
And I blow my bugle
Toward all the seas
On the path
Of your perfume
All the bees and the words go their way
On the four horizons
Who has not heard this song
I AM THE QUEEN OF THE DAWN OF THE POLES
I AM THE COMPASS THE ROSE OF THE WINDS THAT FADES
EVERY FALL
AND ALL FULL OF SNOW
I DIE FROM THE DEATH OF THAT ROSE
IN MY HEAD A BIRD SINGS ALL YEAR LONG
That's the way the Tower spoke to me one day
Eiffel Tower
Aviary of the world
Sing Sing
Chimes of Paris
The giant hanging in the midst of the void
Is the poster of France
The day of Victory
You will tell it to the stars
”
”
Vicente Huidobro (The Cubist Poets in Paris: An Anthology (French Modernist Library))
“
Knowing he had done wrong, prepared to make amends, settle his business. Determined to return to Brokeland, open the doors wide to the angel of retail death, and run the place into the ground all by himself, if that was what it took-but to fail calmly, to fail with style, to fail above all with that true dignity, unknown to his wife or his partner, which lay in never tripping out, never showing offense or hurt to those who had offended or hurt you.
”
”
Michael Chabon (Telegraph Avenue)
“
Jane Austen knew about money and power, too, Mimi reminded herself, in the specialness of her surroundings that night. Austin saw what lack of money meant for the women in her life, and this consuming fear was what was telegraphed most loudly in all her books, hidden behind the much more palatable workings of the marriage plot. Austin knew that no amount of charity or largesse from their male relatives could ever grant women real independence. Yet, through her genius - - a genius no amount of money or power could buy because it was all inside her head, completely her own - - she had accrued some small degree of autonomy by the end. Enough to work, live, and die on her own terms. It really was a most remarkable achievement, the legacy of those six books, revised and spurred on and cast soley by her own two hands, with no man with inevitably more power or money getting in the way.
”
”
Natalie Jenner (The Jane Austen Society)
“
The Chicago literary tradition is born not out of its Universities, but out of the sports desk and the city desk of its newspapers. Hemingway revolutionized English prose. His inspiration was the telegraph, whose use, at Western Union, taught this: every word costs something,
This, of course, is the essence of poetry, which is the essence of great prose. Chicagoan literature came from the newspaper, whose purpose, in those days, was to Tell What Happened. Hemingway's epiphany was reported, earlier, by Keats as " 'Beauty is truth, truth beauty' --that is all ye know earth, and all ye need to know." I would add to Keats' summation only this: "Don't let the other fellow piss on your back and tell you it's raining."
I believe one might theoretically forgive one who cheats at business, but never one who cheats at cards; for business adversaries operate at arm's length, the cardplayer under the strict rules of the game, period.
That was my first political epiphany.
And now, I have written a political book.
What are the qualifications for a Political Writer?
They are, I believe, the same as those of an aspiring critic: an inability to write for the Sports Page.
”
”
David Mamet
“
In the early twenty-first century the train of progress is again pulling out of the station – and this will probably be the last train ever to leave the station called Homo sapiens. Those who miss this train will never get a second chance. In order to get a seat on it you need to understand twenty-first-century technology, and in particular the powers of biotechnology and computer algorithms. These powers are far more potent than steam and the telegraph, and they will not be used merely for the production of food, textiles, vehicles and weapons. The main products of the twenty-first century will be bodies, brains and minds, and the gap between those who know how to engineer bodies and brains and those who do not will be far bigger than the gap between Dickens’s Britain and the Mahdi’s Sudan. Indeed, it will be bigger than the gap between Sapiens and Neanderthals. In the twenty-first century, those who ride the train of progress will acquire divine abilities of creation and destruction, while those left behind will face extinction.
”
”
Yuval Noah Harari (Homo Deus: A History of Tomorrow)
“
Tell me, Blaise, are we very far from Montmartre?'
Worries
Forget your worries
All the stations full of cracks tilted along the way
The telegraph wires they hang from
The grimacing poles that gesticulate and strangle them
The world stretches lengthens and folds in like an accordion tormented by a sadistic hand
In the cracks of the sky the locomotives in anger
Flee
And in the holes,
The whirling wheels the mouths the voices
And the dogs of misfortune that bark at our heels
The demons are unleashed
Iron rails
Everything is off-key
The broun-roun-roun of the wheels
Shocks
Bounces
We are a storm under a deaf man's skull...
'Tell me, Blaise, are we very far from Montmartre?'
Hell yes, you're getting on my nerves you know very well we're far away
Overheated madness bellows in the locomotive
Plague, cholera rise up like burning embers on our way
We disappear in the war sucked into a tunnel
Hunger, the whore, clings to the stampeding clouds
And drops battle dung in piles of stinking corpses
Do like her, do your job
'Tell me, Blaise, are we very far from Montmartre?
”
”
Blaise Cendrars (Prose of the Trans-Siberian and of the Little Jeanne de France)
“
We read a good novel not in order to know more people, but in order to know fewer. Instead of the humming swarm of human beings, relatives, customers, servants, postmen, afternoon callers, tradesmen, strangers who tell us the time, strangers who remark on the weather, beggars, waiters, and telegraph-boys--instead of this bewildering human swarm which passes us every day, fiction asks us to follow one figure (say the postman) consistently through his ecstasies and agonies. That is what makes one impatient with that type of pessimistic rebel who is always complaining of the narrowness of his life and demanding a larger sphere. Life is too large for us as it is: we have all too many things to attend to. All true romance is an attempt to simplify it, to cut it down to plainer and more pictorial proportions. What dullness there is in our life arises mostly from its rapidity; people pass us too quickly to show us their interesting side. By the end of the week we have talked to a hundred bores; whereas, if we had stuck to one of them, we might have found ourselves talking to a new friend, or a humorist, or a murderer, or a man who had seen a ghost.
”
”
G.K. Chesterton (The Glass Walking Stick)
“
From a Berkeley Notebook'
~Denis Johnson
One changes so much
from moment to moment
that when one hugs
oneself against the chill
air at the inception
of spring, at night,
knees drawn to chin,
he finds himself in the arms
of a total stranger,
the arms of one he might move
away from on the dark playground.
Also, it breaks the heart
that the sign revolving like
a flame above the gas
station remembers the price
of gas, but forgets entirely
this face it has been
looking at all day.
And so the heart is exhausted
that even the face
of the dismal facts we wait
for the loves of the past
to come walking from the fire,
the tree, the stone, tangible
and unchanged and repentant
but what can you do.
Half the time I think
about my wife and child,
the other half I think how
to become a citizen
with an apartment, and sex
too is quite on my mind,
though it seems the women
have no time for you here,
for which in my larger, more
mature moments I can’t blame them.
These are the absolute
Pastures I am led to:
I am in Berkeley, California,
trapped inside my body,
I am the secret my body
is going to keep forever,
as if its secret were
merely silence. It lies
between two mistakes
of the earth,
the San Andreas
and Hayward faults,
and at night from
the hill above the stadium
where I sleep,
I can see the yellow
aurora of Telegraph
Avenue uplifted
by the holocaust.
My sleeping
bag has little
cowboys lassoing bulls
embroidered all over
its pastel inner
lining, the pines are tall
and straight, converging
in a sort of roof
above me, it’s nice,
oh loves, oh loves, why
aren’t you here? Morgan,
my pyjamas are so
lonesome without
the orangutans—I write
and write, and transcend
nothing, escape
nothing, nothing
is truly born from me,
yet magically it’s better
than nothing—I know
you must be quite
changed by now, but you
are just the same, too,
like those stars that keep
shining for a long time after
they go out—but it’s just a light
they touch us with this
evening amid the fine
rain like mist, among the pines.
”
”
Denis Johnson (The Incognito Lounge: And Other Poems)
“
Haven’t you ever wondered what it would be like to have nothing keeping you attached to the ground? When we were taking off, the plane was rolling along the runway on its wheels, right? You could feel every bump and every jolt. And it went faster and faster and then all of a sudden—nothing.” Kath snapped her fingers, the excitement of the memory suffusing her face in a rosy glow. “The wheels lift off the ground, and you don’t feel it anymore. There are no more bumps. Everything is miraculously smooth. You feel like—well, like a bird! Nothing’s holding you down. You’re floating. You’re flying. And the ground just falls away below you, and you look out the window and everything becomes more and more distant, and none of it matters anymore. You’re up in the air.
”
”
Malinda Lo (Last Night at the Telegraph Club)
“
From a very early age Edison became used to doing things for himself, by necessity. His family was poor, and by the age of twelve he had to earn money to help his parents. He sold newspapers on trains, and traveling around his native Michigan for his job, he developed an ardent curiosity about everything he saw. He wanted to know how things worked—machines, gadgets, anything with moving parts. With no schools or teachers in his life, he turned to books, particularly anything he could find on science. He began to conduct his own experiments in the basement of his family home, and he taught himself how to take apart and fix any kind of watch. At the age of fifteen he apprenticed as a telegraph operator, then spent years traveling across the country plying his trade. He had no chance for a formal education, and nobody crossed his path who could serve as a teacher or mentor. And so in lieu of that, in every city he spent time in, he frequented the public library. One book that crossed his path played a decisive role in his life: Michael Faraday’s two-volume Experimental Researches in Electricity. This book became for Edison what The Improvement of the Mind had been for Faraday. It gave him a systematic approach to science and a program for how to educate himself in the field that now obsessed him—electricity. He could follow the experiments laid out by the great Master of the field and absorb as well his philosophical approach to science. For the rest of his life, Faraday would remain his role model. Through books, experiments, and practical experience at various jobs, Edison gave himself a rigorous education that lasted about ten years, up until the time he became an inventor. What made this successful was his relentless desire to learn through whatever crossed his path, as well as his self-discipline. He had developed the habit of overcoming his lack of an organized education by sheer determination and persistence. He worked harder than anyone else. Because he was a consummate outsider and his mind had not been indoctrinated in any school of thought, he brought a fresh perspective to every problem he tackled. He turned his lack of formal direction into an advantage. If you are forced onto this path, you must follow Edison’s example by developing extreme self-reliance. Under these circumstances, you become your own teacher and mentor. You push yourself to learn from every possible source. You read more books than those who have a formal education, developing this into a lifelong habit. As much as possible, you try to apply your knowledge in some form of experiment or practice. You find for yourself second-degree mentors in the form of public figures who can serve as role models. Reading and reflecting on their experiences, you can gain some guidance. You try to make their ideas come to life, internalizing their voice. As someone self-taught, you will maintain a pristine vision, completely distilled through your own experiences—giving you a distinctive power and path to mastery.
”
”
Robert Greene (Mastery (The Modern Machiavellian Robert Greene Book 1))
“
hawing, let us ask of the starling (who is a more sociable bird than the lark) what he may think on the brink of the dustbin, whence he picks among the sticks combings of scullion’s hair. What’s life, we ask, leaning on the farmyard gate; Life, Life, Life! cries the bird, as if he had heard, and knew precisely, what we meant by this bothering prying habit of ours of asking questions indoors and out and peeping and picking at daisies as the way is of writers when they don’t know what to say next. Then they come here, says the bird, and ask me what life is; Life, Life, Life! We trudge on then by the moor path, to the high brow of the wine-blue purple-dark hill, and fling ourselves down there, and dream there and see there a grasshopper, carting back to his home in the hollow, a straw. And he says (if sawings like his can be given a name so sacred and tender) Life’s labour, or so we interpret the whirr of his dust-choked gullet. And the ant agrees and the bees, but if we lie here long enough to ask the moths, when they come at evening, stealing among the paler heather bells, they will breathe in our ears such wild nonsense as one hears from telegraph wires in snow storms; tee hee, haw haw. Laughter, Laughter! the moths say. Having asked then of man and of bird and the insects, for fish, men tell us, who have lived in green caves, solitary for years to hear them speak, never, never say, and so perhaps know what life is — having asked them all and grown no wiser, but only older and colder (for did we not pray once in a way to wrap up in a book something so hard, so rare, one could swear it was life’s meaning?) back we must go and say straight out to the reader who waits a-tiptoe to hear what life is — alas, we don’t know.
”
”
Virginia Woolf (Orlando (Illustrated))
“
We have now reached a level in which many people are not merely unacquainted with the fundamentals of punctuation, but don’t evidently realize that there are fundamentals. Many people—people who make posters for leading publishers, write captions for the BBC, compose letters and advertisements for important institutions—seem to think that capitalization and marks of punctuation are condiments that you sprinkle through any collection of words as if from a salt shaker. Here is a headline, exactly as presented, from a magazine ad for a private school in York: “Ranked by the daily Telegraph the top Northern Co-Educational day and Boarding School for Academic results.” All those capital letters are just random. Does anyone really think that the correct rendering of the newspaper is “the daily Telegraph”? Is it really possible to be that unobservant? Well, yes, as a matter of fact. Not long ago, I received an e-mail from someone at the Department for Children, Schools and Families asking me to take part in a campaign to help raise appreciation for the quality of teaching in Great Britain. Here is the opening line of the message exactly as it was sent to me: “Hi Bill. Hope alls well. Here at the Department of Children Schools and Families…” In the space of one line, fourteen words, the author has made three elemental punctuation errors (two missing commas, one missing apostrophe; I am not telling you more than that) and gotten the name of her own department wrong—this from a person whose job is to promote education. In a similar spirit, I received a letter not long ago from a pediatric surgeon inviting me to speak at a conference. The writer used the word “children’s” twice in her invitation, spelling it two different ways and getting it wrong both times. This was a children’s specialist working in a children’s hospital. How long do you have to be exposed to a word, how central must it be to your working life, to notice how it is spelled?
”
”
Bill Bryson (The Road to Little Dribbling: More Notes from a Small Island)
“
Telegraph Road
A long time ago came a man on a track
Walking thirty miles with a pack on his back
And he put down his load where he thought it was the best
Made a home in the wilderness
He built a cabin and a winter store
And he ploughed up the ground by the cold lake shore
And the other travellers came riding down the track
And they never went further, no, they never went back
Then came the churches, then came the schools
Then came the lawyers, then came the rules
Then came the trains and the trucks with their loads
And the dirty old track was the telegraph road
Then came the mines - then came the ore
Then there was the hard times, then there was a war
Telegraph sang a song about the world outside
Telegraph road got so deep and so wide
Like a rolling river ...
And my radio says tonight it's gonna freeze
People driving home from the factories
There's six lanes of traffic
Three lanes moving slow ...
I used to like to go to work but they shut it down
I got a right to go to work but there's no work here to be found
Yes and they say we're gonna have to pay what's owed
We're gonna have to reap from some seed that's been sowed
And the birds up on the wires and the telegraph poles
They can always fly away from this rain and this cold
You can hear them singing out their telegraph code
All the way down the telegraph road
You know I'd sooner forget but I remember those nights
When life was just a bet on a race between the lights
You had your head on my shoulder, you had your hand in my hair
Now you act a little colder like you don't seem to care
But believe in me baby and I'll take you away
From out of this darkness and into the day
From these rivers of headlights, these rivers of rain
From the anger that lives on the streets with these names
'Cos I've run every red light on memory lane
I've seen desperation explode into flames
And I don't want to see it again ...
From all of these signs saying sorry but we're closed
All the way down the telegraph road
”
”
Mark Knopfler (Dire Straits - 1982-91)
“
The Ideal Man! Oh, the Ideal Man should talk to us as if we were goddesses, and treat us as if we were children. He should refuse all our serious requests, and gratify every one of our whims. He should encourage us to have caprices, and forbid us to have missions. He should always say much more than he means, and always mean much more than he says.
He should never run down other pretty women. That would show he had no taste, or make one suspect that he had too much. No; he should be nice about them all, but say that somehow they don't attract him.
If we ask him a question about anything, he should give us an answer all about ourselves. He should invariably praise us for whatever qualities he knows we haven't got. But he should be pitiless, quite pitiless, in reproaching us for the virtues that we have never dreamed of possessing. He should never believe that we know the use of useful things. That would be unforgiveable. But he should shower on us everything we don't want.
He should persistently compromise us in public, and treat us with absolute respect when we are alone. And yet he should be always ready to have a perfectly terrible scene, whenever we want one, and to become miserable, absolutely miserable, at a moment's notice, and to overwhelm us with just reproaches in less than twenty minutes, and to be positively violent at the end of half an hour, and to leave us for ever at a quarter to eight, when we have to go and dress for dinner. And when, after that, one has seen him for really the last time, and he has refused to take back the little things he has given one, and promised never to communicate with one again, or to write one any foolish letters, he should be perfectly broken-hearted, and telegraph to one all day long, and send one little notes every half-hour by a private hansom, and dine quite alone at the club, so that every one should know how unhappy he was. And after a whole dreadful week, during which one has gone about everywhere with one's husband, just to show how absolutely lonely one was, he may be given a third last parting, in the evening, and then, if his conduct has been quite irreproachable, and one has behaved really badly to him, he should be allowed to admit that he has been entirely in the wrong, and when he has admitted that, it becomes a woman's duty to forgive, and one can do it all over again from the beginning, with variations.
His reward? Oh, infinite expectation. That is quite enough for him.
”
”
Oscar Wilde (A Woman of No Importance)
“
Roosevelt fought hard for the United States to host the opening session [of the United Nations]; it seemed a magnanimous gesture to most of the delegates. But the real reason was to better enable the United States to eavesdrop on its guests. Coded messages between the foreign delegations and their distant capitals passed through U.S. telegraph lines in San Francisco. With wartime censorship laws still in effect, Western Union and the other commercial telegraph companies were required to pass on both coded and uncoded telegrams to U.S. Army codebreakers. Once the signals were captured, a specially designed time-delay device activated to allow recorders to be switched on. Devices were also developed to divert a single signal to several receivers. The intercepts were then forwarded to Arlington Hall, headquarters of the Army codebreakers, over forty-six special secure teletype lines. By the summer of 1945 the average number of daily messages had grown to 289,802, from only 46,865 in February 1943. The same soldiers who only a few weeks earlier had been deciphering German battle plans were now unraveling the codes and ciphers wound tightly around Argentine negotiating points.
During the San Francisco Conference, for example, American codebreakers were reading messages sent to and from the French delegation, which was using the Hagelin M-209, a complex six-wheel cipher machine broken by the Army Security Agency during the war. The decrypts revealed how desperate France had become to maintain its image as a major world power after the war. On April 29, for example, Fouques Duparc, the secretary general of the French delegation, complained in an encrypted note to General Charles de Gaulle in Paris that France was not chosen to be one of the "inviting powers" to the conference. "Our inclusion among the sponsoring powers," he wrote, "would have signified, in the eyes of all, our return to our traditional place in the world." In charge of the San Francisco eavesdropping and codebreaking operation was Lieutenant Colonel Frank B. Rowlett, the protégé of William F. Friedman. Rowlett was relieved when the conference finally ended, and he considered it a great success. "Pressure of work due to the San Francisco Conference has at last abated," he wrote, "and the 24-hour day has been shortened. The feeling in the Branch is that the success of the Conference may owe a great deal to its contribution."
The San Francisco Conference served as an important demonstration of the usefulness of peacetime signals intelligence. Impressive was not just the volume of messages intercepted but also the wide range of countries whose secrets could be read. Messages from Colombia provided details on quiet disagreements between Russia and its satellite nations as well as on "Russia's prejudice toward the Latin American countries." Spanish decrypts indicated that their diplomats in San Francisco were warned to oppose a number of Russian moves: "Red maneuver . . . must be stopped at once," said one. A Czechoslovakian message indicated that nation's opposition to the admission of Argentina to the UN.
From the very moment of its birth, the United Nations was a microcosm of East-West spying. Just as with the founding conference, the United States pushed hard to locate the organization on American soil, largely to accommodate the eavesdroppers and codebreakers of NSA and its predecessors.
”
”
James Bamford (Body of Secrets: Anatomy of the Ultra-Secret National Security Agency from the Cold War Through the Dawn of a New Century)