Tehanu Quotes

I think," Tehanu said in her soft, strange voice, "that when I die, I can breathe back the breath that made me live. I can give back to the world all that I didn't do. All that I might have been and couldn't be. All the choices I didn't make. All the things I lost and spent and wasted. I can give them back to the world. To the lives that haven't been lived yet. That will be my gift back to the world that gave me the life I did live, the love I loved, the breath I breathed.

What is a woman's power then?" she asked. "I don't think we know." "When has a woman power because she's a woman? With her children, I suppose. For a while..." "In her house, maybe." She looked around the kitchen. "But the doors are shut," she said, "the doors are locked." "Because you're valuable." "Oh yes. We're precious. So long as we're powerless.

You are beautiful," Tenar said in a different tone. "Listen to me, Therru. Come here. You have scars, ugly scars, because an ugly, evil thing was done to you. People see the scars. But they see you, too, and you aren't the scars. You aren't ugly. You aren't evil. You are Therru, and beautiful. You are Therru who can work, and walk, and run, and dance, beautifully, in a red dress.

If your strength is only the other’s weakness, you live in fear,

Ours is only a little power, seems like, next to theirs," Moss said. "But it goes down deep. It's all roots. It's like an old blackberry thicket. And a wizard's power's like a fir tree, maybe, great and tall and grand, but it'll blow right down in a storm. Nothing kills a blackberry bramble.

If women had power what would men be but women who can't bear children? And what would women be but men who can?

Why are men afraid of women?" "If your strength is only the other's weakness, you live in fear," Ged said. "Yes; but women seem to fear their own strength, to be afraid of themselves." "Are they ever taught to trust themselves?" Ged asked, and as he spoke Therru came in on her work again. His eyes and Tenar's met. "No," she said. "Trust is not what we're taught." She watched the child stack the wood in the box. "If power were trust," she said. "I like that word. If it weren't all these arrangements - one above the other - kings and masters and mages and owners - It all seems so unnecessary. Real power, real freedom, would lie in trust, not force." "As children trust their parents," he said.

If we hide, Therru, we feed him. We will eat. And we will starve him. Come with me.

She thought about how it was to have been a woman in the prime of life, with children and a man, and then to lose all that, becoming old and a widow, powerless. But even so she did not feel she understood his shame, his agony of humiliation. Perhaps only a man could feel so. A woman got used to shame.

wrong that cannot be repaired must be transcended

If women had power, what would men be but women who can't bear children? And what would women be but men who can?" "Hah!" went Tenar; and presently, with some cunning, she said, "Haven't there been queens? Weren't they women of power?" "A queen's only a she-king," said Ged. She snorted. "I mean, men give her power. They let her use their power. But it isn't hers, is it? It isn't because she's a woman that she's powerful, but despite it.

The best I can say, it's like this. A man's in his skin, see, like a nut in its shell ... It's hard and strong, that shell, and it's all full of him. Full of grand man-meat, man-self. And that's all. That's all there is. A woman's a different thing entirely. Who knows where a woman begins and ends? Listen mistress, I have roots, I have roots deeper than this island. Deeper than the sea, older than the raising of the lands. I go back into the dark ... I go back into the dark! Before the moon I am, what a woman is, a woman of power, a woman's power, deeper than the roots of trees, deeper than the roots of islands, older than the Making, older than the moon. Who dares ask questions of the dark? Who'll ask the dark its name?

A man gives out, dearie. A woman takes in.

Which of us saved the other from the Labyrinth, Ged?

You're a respectable woman, dearie, and her reputation is a woman's wealth." "Her wealth," Tenar repeated in the same blank way; then she said it again: "Her wealth. Her treasure. Her hoard. Her value...

By the time I wrote this book I needed to look at heroics from outside and underneath, from the point of view of the people who are not included. The ones who can’t do magic. The ones who don’t have shining staffs or swords. Women, kids, the poor, the old, the powerless. Unheroes, ordinary people—my people. I didn’t want to change Earthsea, but I needed to see what Earthsea looked like to us.

He was so intense, so serious, armored in the formality of his rank and yet vulnerable in his honesty, the purity of his will. Her heart yearned to him. He thought he had learned pain, but he would learn it again and again, all his life, and forget none of it.

What's wrong with men?" Tenar inquired cautiously. As cautiously, lowering her voice, Moss replied, "I don't know, my dearie. I've thought on it. Often I've thought on it. The best I can say it is like this. A man's in his skin, see, like a nut in its shell." She held up her long, bent, wet fingers as if holding a walnut. "It's hard and strong, that shell, and it's all full of him. Full of grand man-meat, man-self. And that's all. That's all there is. It's all him and nothing else, inside.

What are we so afraid of? Why don't we let 'em tell us we're afraid? What is it they're afraid of?" She picked up the stocking she had been darning, turned it in her hands, was silent awhile; finally she said, "What are they afraid of us for?

The heavy work requiring muscle and the skilled work with crops and sheep was done by Ged, Shandy, and Tenar, while the two old men who had been there all their lives, his father's men took him about and told him how they managed it all, and truly believed they were managing it all, and shared their believe with him.

The child stared at her or at nothing, trying to breathe, and trying again to breathe, and trying again to breathe.

But because she was not a girl now, she was not awed, but only wondered at how men ordered their world into this dance of masks, and how easily a woman might learn to dance it.

I think,” Tehanu said in her soft, strange voice, “that when I die, I can breathe back the breath that made me live. I can give back to the world all that I didn’t do. All that I might have been and couldn’t be. All the choices I didn’t make. All the things I lost and spent and wasted. I can give them back to the world. To the lives that haven’t been lived yet. That will be my gift back to the world that gave me the life I did live, the love I loved, the breath I breathed.

But in time nothing can be without becoming.

You seemed, in your power, as free as man can be. But at what cost? What made you free? And I... I was made, moulded like clay, by the will of the women serving the Old Powers, or serving the men who made all services and ways and places, I no longer know which. Then I went free, with you, for a moment, and with Ogion. But it was not my freedom. Only it gave me a choice; and I chose. I chose to mould myself like clay to the use of a farm and a farmer and our children. I made myself a vessel. I know its shape. But not the clay. Life danced me. I know the dances. But I don't know who the dancer is.

..all I understand about living is having your work to do, and being able to do it. That's the pleasure, and the glory, and all. And if you can't do the work, or it's taken from you, then what's any good? You have to have something...

Like most people, Tiff believed that you are what happens to you. The rich and strong must have virtue; one to whom evil has been done must be bad, and may rightly be punished.

Only in silence the word, only in dark the light, only in dying life: bright the hawk’s flight on the empty sky. —The Creation of Éa

Tienes cicatrices, cicatrices feas, porque te hicieron algo feo, algo malvado. La gente ve las cicatrices. Pero también te ve a ti y tú no eres esas cicatrices. No eres fea. No eres malvada. Eres Therru y eres hermosa. Eres Therru, que puede trabajar y caminar y correr y bailar, hermosamente, con un vestido rojo.

But I know him, Moss. It’s Sparrowhawk.” Saying the name, Ged’s use-name, released a tenderness in her, so that for the first time she thought and felt that this was he indeed, and that all the years since she had first seen him were their bond. She saw a light like a star in darkness, underground, long ago, and his face in the light.

A woman's a different thing entirely. Who knows where a woman begins and ends? Listen, mistress, I have roots, I have roots deeper than this island. Deeper than the sea, older than the raising of the lands. I go back into the dark.

She found that their company revived her, carried her away from the constant presence of last night's terror, little by little, till she could begin to look back on it as something that had happened, not something that was happening, that must always be happening to her.

Life-giver,” he said and leaned forward, kissing her breast and mouth. She held him a moment. They got up, and waked Therru, and went on their way; but as they entered the trees Tenar looked back once at the little meadow as if charging it to keep faith with her happiness there.

The fire danced in her eyes. The flames swam, flared up, sank away, brightened again against the sooty stone, against the dark sky, against the pale sky, the gulfs of evening, the depths of air and light beyond the world. Flames of yellow, orange, orange-red, red tongues of flame, flame-tongues, the words she could not speak.

A thief and worse', you say, but slander's cheap, and a woman's tongue worse than any thief. You come up here to make bad blood among the field hands, casting calumny and lies, the dragonseed every witch sows behind her. Did you think I did not know you for a witch? When I saw that foul imp that clings to you, do you think I did not know how it was begotten, and for what purposes? The man did well who tried to destroy that creature, but the job should be completed. You defied me once, across the body of the old wizard, and I forbore to punish you then, for his sake and in the presence of others. But now you've come too far, and I warn you, woman! I will not have you set foot on this domain. And if you cross my will or dare so much as to speak to me again, I will have you driven from Re Albi, and off the Overfell, with the dogs at your heels. Have you understood me?" "No," Tenar said. "I have never understood men like you.

As a child in Atuan, Tenar had learned how to learn. There seemed always to be a great deal to be learned, more than she would have believed when she was a prentice-priestess or the pupil of a mage.

So the winter passed, till lambing season was on them, and the work got very heavy for a while as the days lengthened and grew bright. Then the swallows came from the isles under the sun, from the South Reach, where the star Gobardon shines in the constellation of Ending; but all the swallows’ talk with one another was about beginning.

I go back into the dark! Before the moon I was. No one knows, no one knows, no one can say what I am, what a woman is, a woman of power, a woman’s power, deeper than the roots of trees, deeper than the roots of islands, older than the Making, older than the moon. Who dares ask questions of the dark? Who’ll ask the dark its name?' The old woman was rocking, chanting, lost in her incantation; but Tenar sat upright, and split a reed down the center with her thumbnail. 'I will,' she said. She split another reed. 'I lived long enough in the dark,' she said

Oh, well, dearie, a woman's a different thing entirely! Who knows where a woman begins and ends? Listen, mistress, I have roots, I have roots deeper than this island. Deeper than the sea, older than the raising of the lands. I go back into the dark." Moss's eyes shone with a weird brightness in their red rims and her voice sang like an instrument. "I go back into the dark! Before the moon I was. No one knows, no one knows, no one can say what I am, what a woman is, a woman of power, a woman's power, deeper than the roots of trees, deeper than the roots of islands, older than the Making, older than the moon. Who dares ask questions of the dark? Who'll ask the dark its name?

İstediğin kadar bir taşı sula, taş büyümez.

She heard Ged speak. He said, “In dying is life.

- La voz del mar (...) - ¿Cómo la oyes tú? - Como diciendo el sonido ahm. - En el Habla Arcana significa el principio, o hace mucho tiempo. Pero yo oigo ohb, que es una forma de decir el fin.

- Un falso rey reinando. Reinando para siempre. Y sobre los mismos súbditos para siempre. No más nacimientos, no más vidas nuevas. No más niños. Solo lo que es mortal engendra vida, Arren. Solo en la muerte hay renacimiento. El Equilibrio no es inmovilidad. Es un movimiento...un eterno devenir.

¿Quién de nosotros sacó al otro del Laberinto, Ged?

Tienes fuerza, Therru, y la fuerza acompañada de ignorancia es peligrosa.

si un hechicero quisiera cruzar el mar y no tuviese una barca podría convertirse en una gaviota y atravesarlo volando. Pero tiene que tener cuidado. Si se queda convertido en pájaro, comienza a pensar lo que piensa un pájaro y se olvida de lo que piensa un hombre, y puede lanzarse a volar y ser una gaviota, y no volver a ser un hombre nunca más.

What's a child for? What's it there for? To be used. To be raped, to be gelded- Listen, Moss. When I lived in the dark places, that is what they did there. And when I came here, I thought I'd come out into the light. I learned the true words. And I had my man, I bore my children, I lived well. In the broad daylight. And in the broad daylight, they did that-to the child. In the meadows by the river. The river that rises from the spring where Ogion named my daughter. In the sunlight. I am trying to find out where I can live, Moss. Do you know what I mean? What I'm trying to say? "Well, well," the older woman said; and after a while, "Dearie, there's misery enough without going looking for it." And seeing Tenar's hands shake as she tried to split a stubborn reed, she said again, "Don't cut your thumb on 'em dearie.

I chose to mould myself like clay to the use of a farm and a farmer and our children. I made myself a vessel. I know its shape. But not the clay. Life danced me. I know the dances. But I don't know who the dancer is.

Healing befits a woman. It comes natural to her.

So she talked along, woman’s babble, saving him from having to make any answer or misread any silence, until he had got over the crisis of shame, and eaten a little, and drunk a glass of the old, soft, red wine.

—¿Te quedarás cerca de la casa? —le preguntó desde lejos. Therru duerme. Quiero caminar un poco. —Sí. Ve—le dijo y ella se echó a andar, meditando en la indiferencia de un hombre ante las exigencias que regían a una mujer: que hubiera alguien cerca de un niño dormido, que la libertad de uno supusiera la falta de libertad de otro, a menos que se llegara a un equilibrio en perpetuo cambio, en perpetuo movimiento, como el equilibrio de un cuerpo que avanza, como avanzaba ella ahora, con las dos piernas, primero una, luego la otra, en la práctica de ese arte extreordinario, el caminar...

What cannot be mended must be transcended.

Despair speaks evenly, in a quiet voice.

Well, what if they do come? What will they want of you?" "To be what I was." The desolation of his voice chilled her. She was silent, trying to remember what it was like to have been powerful, to be the Eaten One, the One Priestess of the Tombs of Atuan, and then to lose that, throw it away, become only Tenar, only herself. She thought about how it was to have been a woman in the prime of life, with children and a man, and then to lose all that, becoming old and a widow, powerless. But even so she did not feel she understood his shame, his agony of humiliation. Perhaps only a man could feel so. A woman got used to shame.

Ahora estoy a la luz del día, frente a mi propia muerte. Y sé que no hay un solo poder que valga la pena tener. Y ese es el poder, no de tomar, sino de aceptar. No de tener, sino de dar.

You can water a stone," she said, "but it won't grow

A wrong that cannot be repaired must be transcended.

Oh, well, dearie, a woman’s a different thing entirely. Who knows where a woman begins and ends? Listen, mistress, I have roots, I have roots deeper than this island. Deeper than the sea, older than the raising of the lands. I go back into the dark.

The ordinary village witch, like Moss, lived on a few words of the True Speech handed down as great treasures from older witches or bought at high cost from sorcerers, and a supply of common spells of finding and mending, much meaningless ritual and mystery-making and gibberish, a solid experiential training in midwifery, bonesetting, and curing animal and human ailments, a good knowledge of herbs mixed with a mess of superstitions – all this built up on whatever native gift she might have of healing, chanting, changing, or spellcasting. Such a mixture might be a good one or a bad one. Some witches were fierce, bitter women, ready to do harm and knowing no reason not to do harm. Most were midwives and healers with a few love potions, fertility charms, and potency spells on the side, and a good deal of quiet cynicism about them. A few, having wisdom though no learning, used their gift purely for good, though they could not tell, as any prentice wizard could, the reason for what they did, and prate of the Balance and the Way of Power to justify their action or abstention. ‘I follow my heart,’ one of these women had said to Tenar when she was Ogion’s ward and pupil. ‘Lord Ogion is a great mage. He does you great honour, teaching you. But look and see, child, if all he’s taught you isn’t finally to follow your heart.

Who know where a woman begins and ends? Listen, mistress, I have roots, I have roots deeper than this island. Deeper than the sea, older than the rising of the lands. I go back into the dark. I go back into the dark! Before the moon I was. No one knows, no one knows, no one can say what I am, what a woman is, a woman of power, a woman's power, deeper than the roots of trees, deeper than the roots of islands, older than the Making, older than the moon. Who dares asks questions of the dark? Who'll ask the dark its name?

sé que lo único que entiendo de la vida es que uno tiene que tener una tarea que hacer, y ser capaz de hacerla. Ahí está la satisfacción y la gloria y todo. Y si no puedes hacer esa tarea, o si te la arrebatan, entonces ¿de qué sirve nada? Tienes que tener algo… Tehanu

They will fear her,” Tenar whispered. Then the child came back in, and the conversation turned to the bread dough raising in the box by the stove. They talked so, quietly and long, passing from one thing to another and round and back, for half the brief day, often, spinning and sewing their lives together with words, the years and the deeds and the thoughts they had not shared. Then again they would be silent, working and thinking and dreaming, and the silent child was with them.

You are beautiful,” Tenar said in a different tone. “Listen to me, Therru. Come here. You have scars, ugly scars, because an ugly, evil thing was done to you. People see the scars. But they see you, too, and you aren’t the scars. You aren’t ugly. You aren’t evil. You are Therru, and beautiful. You are Therru who can work, and walk, and run, and dance, beautifully, in a red dress.

Tăcerea era ca o prezență între ei. Femeia înălță capul și se uită la Șoiman. - Ei - vorbi ea - în care pat să dorm, Ged? Al copilului sau al tău? El își trase răsuflarea. Vorbi cu glas scăzut. - Al meu, dacă vrei. - Vreau. Tăcerea îl stăpânea. Tenar putea vedea efortul pe care-l făcea ca să se smulgă din ea. - Dacă o să ai răbdare cu mine ... - Am avut răbdare cu tine vreme de douăzeci și cinci de ani - zise ea. Se uită la el și începu să râdă.

What’s wrong with men?” Tenar inquired cautiously. As cautiously, lowering her voice, Moss replied, “I don’t know, my dearie. I’ve thought on it. Often I’ve thought on it. The best I can say it is like this. A man’s in his skin, see, like a nut in its shell.” She held up her long, bent, wet fingers as if holding a walnut. “It’s hard and strong, that shell, and it’s all full of him. Full of grand man-meat, man-self. And that’s all. That’s all there is. It’s all him and nothing else, inside.