Ted Chiang Quotes

We've searched our database for all the quotes and captions related to Ted Chiang. Here they are! All 100 of them:

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Nothing erases the past. There is repentance, there is atonement, and there is forgiveness. That is all, but that is enough.
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Ted Chiang (The Merchant and the Alchemist's Gate)
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Four things do not come back: the spoken word, the sped arrow, the past life, and the neglected opportunity.
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Ted Chiang (The Merchant and the Alchemist's Gate)
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Despite knowing the journey and where it leads, I embrace it and welcome every moment
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Ted Chiang (Stories of Your Life and Others)
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My message to you is this: pretend that you have free will. It's essential that you behave as if your decisions matter, even though you know they don't. The reality isn't important: what's important is your belief, and believing the lie is the only way to avoid a waking coma. Civilization now depends on self-deception. Perhaps it always has.
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Ted Chiang (Stories of Your Life and Others)
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unconditional love asks nothing, not even that it be returned.
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Ted Chiang (Stories of Your Life and Others)
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Science fiction is very well suited to asking philosophical questions; questions about the nature of reality, what it means to be human, how do we know the things that we think we know.
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Ted Chiang
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Four things do not come back: the spoken word, the sped arrow, the past life, and the neglected opportunity,
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Ted Chiang (The Merchant and the Alchemist's Gate)
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None of us are saints, but we can all try to be better. Each time you do something generous, you're shaping yourself into someone who's more likely to be generous next time, and that matters.
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Ted Chiang (Anxiety Is the Dizziness of Freedom)
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Contemplate the marvel that is existence, and rejoice that you are able to do so. I feel I have the right to tell you this because, as I am inscribing these words, I am doing the same.
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Ted Chiang (Exhalation)
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People are made of stories. Our memories are not the impartial accumulation of every second weโ€™ve lived; theyโ€™re the narrative that we assembled out of selected moments.
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Ted Chiang (The Best of Subterranean)
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The universe began as an enormous breath being held. Who knows why, but whatever the reason, I'm glad it did, because I owe my existence to that fact. All my desires and ruminations are no more and no less than eddy currents generated by the gradual exhalation of our universe. And until this great exhalation is finished, my thoughts live on.
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Ted Chiang (Exhalation)
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It is no coincidence that "aspiration" means both hope and the act of breathing.
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Ted Chiang (The Great Silence)
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Women who work with animals hear this all the time: that their love for animals must arise out of a sublimated child-rearing urge. Ana's tired of the stereotype. She likes children just fine, but they're not the standard against which all other accomplishments should be measured. Caring for animals is worthwhile in and of itself, a vocation that need offer no apologies.
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Ted Chiang (The Lifecycle of Software Objects)
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Experience is algorithmically incompressible.
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Ted Chiang (The Lifecycle of Software Objects)
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Well if you already know how the story goes, why do you need me to read it to you?" " 'Cause I wanna hear it!
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Ted Chiang (Stories of Your Life and Others)
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I knew it was foolhardy; men of experience say, "Four things do not come back: the spoken word, the sped arrow, the past life, and the neglected opportunity,
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Ted Chiang (Stories of Your Life and Others)
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Low expectations are a self-fulfilling prophecy. If we aim high, weโ€™ll get better results.
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Ted Chiang (The Lifecycle of Software Objects)
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Some humans theorize that intelligent species go extinct before they can expand into outer space. If they're correct, then the hush of the night sky is the silence of the graveyard.
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Ted Chiang (The Great Silence)
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Past and future are the same, and we cannot change either, only know them more fully.
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Ted Chiang (The Merchant and the Alchemist's Gate)
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We like the idea that there's always someone responsible for any given event, because it helps us make sense of the world. We like that so much that sometimes we blame ourselves, just so that there's someone to blame. But not everything is under our control, or even anyone's control.
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Ted Chiang (Anxiety Is the Dizziness of Freedom)
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Be patient. Your future will come to you and lie down at your feet like a dog who knows and loves you no matter what you are.โ€™โ€‰
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Ted Chiang (Stories of Your Life and Others)
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My message to you is this: Pretend that you have free will. Itโ€™s essential that you behave as if your decisions matter, even though you know they donโ€™t. The reality isnโ€™t important; whatโ€™s important is your belief, and believing the lie is the only way to avoid a waking coma. Civilization now depends on self-deception. Perhaps it always has. (story: What's Expected of Us)
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Ted Chiang (What's Expected of Us)
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Brain damage is never a good idea, no matter what your friends say.
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Ted Chiang (Mind-Rain: Your Favorite Authors on Scott Westerfeld's Uglies Series)
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It is a misconception to think that during evolution humans sacrificed physical skill in exchange for intelligence: wielding one's body is a mental activity.
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Ted Chiang (Stories of Your Life and Others)
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Sex isnโ€™t what makes a relationship real; the willingness to expend effort maintaining it is.
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Ted Chiang (The Lifecycle of Software Objects)
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Thereโ€™s a joke that I once heard a comedienne tell. It goes like this: โ€œIโ€™m not sure if Iโ€™m ready to have children. I asked a friend of mine who has children, โ€˜Suppose I do have kids. What if when they grow up, they blame me for everything thatโ€™s wrong with their lives?โ€™ She laughed and said, โ€˜What do you mean, if?โ€™โ€‰
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Ted Chiang (Stories of Your Life and Others)
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The physical universe was a language with a perfectly ambiguous grammar. Every physical event was an utterance that could be parsed in two entirely different ways, one casual and the other teleological, both valid, neither one disqualifiable no matter how much context was available.
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Ted Chiang (Stories of Your Life and Others)
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..through the act of reading my words, the patterns that form your thoughts become an imitation of the patterns that once formed mine. And in that way I live again, through you.
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Ted Chiang (Eclipse Two)
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Girls have always been told that their value is tied to their appearance; their accomplishments are always magnified if they're pretty and diminished if they're not. Even worse, some girls get the message that they can get through life relying on just their looks, and then they never develop their minds. [...] Being pretty is fundamentally a passive quality; even what you work at it, you're working at being passive.
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Ted Chiang (Stories of Your Life and Others)
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People are made of stories. Our memories are not the impartial accumulation of every second weโ€™ve lived; theyโ€™re the narrative that we assembled out of selected moments. Which is why, even when weโ€™ve experienced the same events as other individuals, we never constructed identical narratives: the criteria used for selecting moments were different for each of us, and a reflection of our personalities. Each of us noticed the details that caught our attention and remembered what was important to us, and the narratives we built shaped our personalities in turn. But, I wondered, if everyone remembered everything, would our differences get shaved away? What would happen to our sense of self? It seemed to me that a perfect memory couldnโ€™t be a narrative any more than unedited security-cam footage could be a feature film. ยท
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Ted Chiang (The Truth of Fact, The Truth of Feeling (Exhalation))
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[T]hey gave thanks that they were permitted to see so much, and begged for forgiveness for their desire to see more.
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Ted Chiang (Stories of Your Life and Others)
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True beauty is what you see with the eyes of love,
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Ted Chiang (Stories of Your Life and Others)
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Living with you will be like aiming for a moving target; you'll always be further along than I expect.
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Ted Chiang (Stories of Your Life and Others)
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When we speak, we use the breath in our lungs to give our thoughts a physical form. The sounds we make are simultaneously our intentions and our life force.
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Ted Chiang (The Great Silence)
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Freedom isn't an illusion; it's perfectly real in the context of sequential consciousness. Within the context of simultaneous consciousness, freedom is not meaningful, but neither is coercion; it's simply a different context, no more or less valid than the other. It's like that famous optical illusion, the drawing of either an elegant young woman, face turned away from the viewer, or a wart-nosed crone, chin tucked down on her chest. There's no โ€œcorrectโ€ interpretation; both are equally valid. But you can't see both at the same time. โ€œSimilarly, knowledge of the future was incompatible with free will. What made it possible for me to exercise freedom of choice also made it impossible for me to know the future. Conversely, now that I know the future, I would never act contrary to that future, including telling others what I know: those who know the future don't talk about it. Those who've read the Book of Ages never admit to it.
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Ted Chiang (Stories of Your Life and Others)
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Though I am long dead as you read this, explorer, I offer to you a valediction. Contemplate the marvel that is existence, and rejoice that you are able to do so. I feel I have the right to tell you this because, as I am inscribing these words, I am doing the same.
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Ted Chiang (Exhalation)
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Every decision you make contributes to your character and shapes the kind of person you are.
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Ted Chiang (Anxiety Is the Dizziness of Freedom)
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For a mind to even approach its full potential, it needs cultivation by other minds.
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Ted Chiang (The Lifecycle of Software Objects)
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At the base of the immense pillar, tiny Babylon was in shadow. Then the darkness climbed the tower, like a canopy unfurling upward. It moved slowly enough that Hillalum felt he could count the moments passing, but then it grew faster as it approached, until it raced past them faster than he could blink, and they were in twilight... For the first time, he knew night for what it was: the shadow of the earth itself, cast against the sky.
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Ted Chiang (Stories of Your Life and Others)
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The familiar was far away, while the bizarre was close at hand.
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Ted Chiang
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Living with you will be like aiming for a moving target; you'll always be further along that I expect.
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Ted Chiang (Stories of Your Life and Others)
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If you could see your whole life laid out in front of you, would you change things?
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Ted Chiang (Stories of Your Life and Others)
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If you want to create the common sense that comes from twenty years of being in the world, you need to devote twenty years to the task. You can't assemble an equivalent collection of heuristics in less time; experience is algorithmically incompressible.
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Ted Chiang (The Lifecycle of Software Objects)
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We experienced events in an order, and perceived their relationship as cause and effect. They experienced all events at once, and perceived a purpose underlying them all. A minimizing, maximizing purpose.
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Ted Chiang (Stories of Your Life and Others)
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As he practiced his writing, Jijingi came to understand what Moseby had meant: writing was not just a way to record what someone said; it could help you decide what you would say before you said it. And words were not just the pieces of speaking; they were the pieces of thinking. When you wrote them down, you could grasp your thoughts like bricks in your hands and push them into different arrangements. Writing let you look at your thoughts in a way you couldnโ€™t if you were just talking, and having seen them, you could improve them, make them stronger and more elaborate.
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Ted Chiang (The Truth of Fact, The Truth of Feeling (Exhalation))
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And I think Iโ€™ve found the real benefit of digital memory. The point is not to prove you were right; the point is to admit you were wrong.
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Ted Chiang (The Truth of Fact, The Truth of Feeling (Exhalation))
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Coincidence and intention are two sides of a tapestry, my lord. You may find one more agreeable to look at, but you cannot say one is true and the other is false.
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Ted Chiang (The Merchant and the Alchemist's Gate)
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Itโ€™s no coincidence that โ€œaspirationโ€ means both hope and the act of breathing.
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Ted Chiang (The Great Silence)
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It'll be when you first learn to walk that I get daily demonstrations of the asymmetry in our relationship. You'll be incessantly running off somewhere, and each time you walk into a door frame or scrape your knee, the pain feels like it's my own. It'll be like growing an errant limb, an extension of myself whose sensory nerves report pain just fine, but whose motor nerves don't convey my commands at all. It's so unfair: I'm going to give birth to an animated voodoo doll of myself. I didn't see this in the contract when I signed up. Was this part of the deal?
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Ted Chiang (Stories of Your Life and Others)
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Think of cocaine. In its natural form, as coca leaves, it's appealing, but not to an extent that it usually becomes a problem. But refine it, purify it, and you get a compound that hits your pleasure receptors with an unnatural intensity. That's when it becomes addictive. Beauty has undergone a similar process, thanks to advertisers. Evolution gave us a circuit that responds to good looks - call it the pleasure receptor for our visual cortex - and in our natural environment, it was useful to have. But take a person with one-in-a-million skin and bone structure, add professional makeup and retouching, and you're no longer looking at beauty in its natural form. You've got pharmaceutical-grade beauty, the cocaine of good looks. Biologists call this "supernormal stimulus" [...] Our beauty receptors receive more stimulation than they were evolved to handle; we're seeing more beauty in one day than our ancestors did in a lifetime. And the result is that beauty is slowly ruining our lives. How? The way any drug becomes a problem: by interfering with our relationships with other people. We become dissatisfied with the way ordinary people look because they can't compare to supermodels.
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Ted Chiang (Stories of Your Life and Others)
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The difference is that the heat energy we radiate is a high-entropy form of energy, meaning itโ€™s disordered. The chemical energy we absorb is a low-entropy form of energy, meaning itโ€™s ordered. In effect, we are consuming order and generating disorder; we live by increasing the disorder of the universe. Itโ€™s only because the universe started in a highly ordered state that we are able to exist at all.
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Ted Chiang (Exhalation)
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In the Principia Mathematica, Bertrand Russell and Alfred Whitehead attempted to give a rigorous foundation to mathematics using formal logic as their basis. They began with what they considered to be axioms, and used those to derive theorems of increasing complexity. By page 362, they had established enough to prove "1 + 1 = 2.
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Ted Chiang (Stories of Your Life and Others)
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In most cases we have to forget a little bit before we can forgive; when we no longer experience the pain as fresh, the insult is easier to forgive, which in turn makes it less memorable, and so on. Itโ€™s this psychological feedback loop that makes initially infuriating offenses seem pardonable in the mirror of hindsight.
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Ted Chiang (The Truth of Fact, The Truth of Feeling (Exhalation))
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The ray of light has to know where it will ultimately end up before it can choose the direction to begin moving in" "Fermat's principle sounds weird because it describes light's behavior in goal-oriented terms. It sounds like a commandment to a light beam: "Thou shalt minimize or maximize the time taken to reach thy destination.
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Ted Chiang (Stories of Your Life and Others)
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Pragmatism avails a savior far more than aestheticism.
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Ted Chiang (Stories of Your Life and Others)
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From the beginning I knew my destination, and I chose my route accordingly. But am I working toward an extreme of joy, or of pain? Will I achieve a minimum, or a maximum?
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Ted Chiang (Stories of Your Life and Others)
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We human beings may not be the answer to the question why, but I will keep looking for the answer to how. This search is my purpose; not because you chose it for me, Lord, but because I chose it for myself. Amen.
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Ted Chiang (Omphalos)
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Similarly, knowledge of the future was incompatible with free will. What made it possible for me to exercise freedom of choice also made it impossible for me to know the future. Conversely, now that I know the future, I would never act contrary to that future, including telling others what I know: those who know the future donโ€™t talk about it. Those whoโ€™ve read the Book of Ages never admit to it.
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Ted Chiang (Stories of Your Life and Others)
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Physics admits of a lovely unification, not just at the level of fundamental forces, but when considering its extent and implications. Classifications like "optics" or "thermodynamics" are just straitjackets, preventing physicists from seeing countless intersections.
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Ted Chiang (Stories of Your Life and Others)
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I understand the mechanism of my own thinking. I know precisely how I know, and my understanding is recursive. I understand the infinite regress of this self-knowing, not by proceeding step by step endlessly, but by apprehending the limit. The nature of recursive cognition is clear to me. A new meaning of the term "self-aware." Fiat logos. I know my mind in terms of a language more expressive than any I'd previously imagined. Like God creating order from chaos with an utterance, I make myself anew with this language. It is meta-self-descriptive and self-editing; not only can it describe thought, it can describe and modify its own operations as well, at all levels. What Gรถdel would have given to see this language, where modifying a statement causes the entire grammar to be adjusted. With this language, I can see how my mind is operating. I don't pretend to see my own neurons firing; such claims belong to John Lilly and his LSD experiments of the sixties. What I can do is perceive the gestalts; I see the mental structures forming, interacting. I see myself thinking, and I see the equations that describe my thinking, and I see myself comprehending the equations, and I see how the equations describe their being comprehended. I know how they make up my thoughts. These thoughts.
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Ted Chiang (Stories of Your Life and Others)
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Past and future are the same, and we cannot change either, only know them more fully. My journey to the past had changed nothing, but what I had learned had changed everything, and I understood that it could not have been otherwise. If our lives are tales that Allah tells, then we are the audience as well as the players, and it is by living these tales that we receive their lessons.
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Ted Chiang (The Merchant and the Alchemist's Gate)
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Sometimes, it's good to wait. The anticipation makes it more fun when you get there.
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Ted Chiang (Stories of Your Life and Others)
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Past and future are the same, and we cannot change either, only know them more fully. My journey to the past had changed nothing, but what I had learned had changed everything.
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Ted Chiang (The Merchant and the Alchemist's Gate)
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Science is not just the search for the truth,โ€ he said. โ€œItโ€™s the search for purpose
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Ted Chiang (Omphalos)
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Of course beauty has been used as a tool of oppression, but eliminating beauty is not the answer; you canโ€™t liberate people by narrowing the scope of their experiences.
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Ted Chiang (Arrival)
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I'm not sure if I'm ready to have children. I asked a friend of mine who has children, "Suppose I do have kids. What if when they grow up they blame me for everything that's wrong with their lives?" She laughed and said "What do you mean if?
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Ted Chiang (Stories of Your Life and Others)
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The idea of thinking in a linguistic yet nonphonological mode always intrigued me. I had a friend born of deaf parents; he grew up using American Sign Language, and he told me that he often thought in ASL instead of English. I used to wonder what it was like to have oneโ€™s thoughts be manually coded, to reason using an inner pair of hands instead of an inner voice. With Heptapod B, I was experiencing something just as foreign: my thoughts were becoming graphically coded. There were trance-like moments during the day when my thoughts werenโ€™t expressed with my internal voice; instead, I saw semagrams with my mindโ€™s eye, sprouting like frost on a windowpane. As
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Ted Chiang (Stories of Your Life and Others)
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We donโ€™t normally think of it as such, but writing is a technology, which means that a literate person is someone whose thought processes are technologically mediated. We became cognitive cyborgs as soon as we became fluent readers, and the consequences of that were profound.
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Ted Chiang (The Best of Subterranean)
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When you watch Olympic athletes in competition, does your self-esteem plummet? Of course not. On the contrary, you feel wonder and admiration; you're inspired that such exceptional individuals exist. So why can't we feels the same way about beauty?
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Ted Chiang (Stories of Your Life and Others)
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You'll do what makes you happy, and that'll be all I ask for.
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Ted Chiang (Stories of Your Life and Others)
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Maturity means seeing the differences, but realizing they donโ€™t matter. Thereโ€™s no technological shortcut.
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Ted Chiang (Stories of Your Life and Others)
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The individuals are tragically like marionettes, independently animate but bound by a web they choose not to see; they could resist if they wished, but so few of them do. At
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Ted Chiang (Stories of Your Life and Others)
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The answer was simple. It was the difference between sympathy and empathy. Carl
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Ted Chiang (Stories of Your Life and Others)
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We donโ€™t normally think of it as such, but writing is a technology, which means that a literate person is someone whose thought processes are technologically mediated.
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Ted Chiang (The Truth of Fact, The Truth of Feeling (Exhalation))
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For the first time, he knew night for what it was: the shadow of the earth itself, cast against the sky.
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Ted Chiang (Tower of Babylon)
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men of experience say, "Four things do not come back: the spoken word, the sped arrow, the past life, and the neglected opportunity.
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Ted Chiang (The Merchant and the Alchemist's Gate)
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Her concentration was gone, and last night she had had a nightmare about discovering a formalism that let her translate arbitrary concepts into mathematical expressions: then she had proven that life and death were equivalent.
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Ted Chiang (Stories of Your Life and Others)
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There have always been arguments showing that free will is an illusion, some based on hard physics, others based on pure logic. Most people agree these arguments are irrefutable, but no one ever really accepts the conclusion. The experience of having free will is too powerful for an argument to overrule.
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Ted Chiang (What's Expected of Us)
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Hillalum wondered what sort of people were forged by living under such conditions; did they escape madness? Did they grow accustomed to this? Would the children born under a solid sky scream if they saw the ground beneath their feet?
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Ted Chiang (Stories of Your Life and Others)
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The hush of the night sky is the silence of a graveyard.
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Ted Chiang (The Great Silence)
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The prospect of living without interference, living in a world where windfalls and misfortunes were never by design, held no terror for him.
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Ted Chiang (Stories of Your Life and Others)
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She, like many, had always thought that mathematics did not derive its meaning from the universe, but rather imposed some meaning onto the universe.
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Ted Chiang (Stories of Your Life and Others)
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He understood how life was an undeserved bounty, how even the most virtuous were not worthy of the glories of the mortal plane. For him the mystery was solved, because he understood that everything in life is love, even pain, especially pain.
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Ted Chiang (Stories of Your Life and Others)
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It's funny: when you're tranquil, you will seem to radiate light, and if someone were to paint a portrait of you like that, I'd insist that they include the halo. But when you're unhappy, you will become a klaxon, built for radiating sound; a portrait of you then could simply be a fire alarm bell.
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Ted Chiang (Stories of Your Life and Others)
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She wants to tell them that Blue Gamma was more right than it knew: experience isnโ€™t merely the best teacher; itโ€™s the only teacher. If sheโ€™s learned anything raising Jax, itโ€™s that there are no shortcuts; if you want to create the common sense that comes from twenty years of being in the world, you need to devote twenty years to the task. You canโ€™t assemble an equivalent collection of heuristics in less time; experience is algorithmically incompressible.
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Ted Chiang (The Lifecycle of Software Objects)
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Itโ€™s no coincidence that โ€œaspirationโ€ means both hope and the act of breathing. When we speak, we use the breath in our lungs to give our thoughts a physical form. The sounds we make are simultaneously our intentions and our life force. I speak, therefore I am.
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Ted Chiang (The Great Silence)
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Raising a child puts you in touch, deeply, inescapably, daily, with some pretty heady issues: What is love and how do we get ours? Why does the world contain evil and pain and loss? How can we discover dignity and tolerance? Who is in power and why? Whatโ€™s the best way to resolve conflict? If we want to give an AI any major responsibilities, then it will need good answers to these questions. Thatโ€™s not going to happen by loading the works of Kant into a computerโ€™s memory; itโ€™s going to require the equivalent of good parenting.
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Ted Chiang (The Lifecycle of Software Objects)
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Human activity has brought my kind to the brink of extinction, but I donโ€™t blame them for it. They didnโ€™t do it maliciously. They just werenโ€™t paying attention. And humans create such beautiful myths; what imaginations they have. Perhaps thatโ€™s why their aspirations are so immense. Look at Arecibo. Any species who can build such a thing must have greatness within them. My species probably wonโ€™t be here for much longer; itโ€™s likely that weโ€™ll die before our time and join the Great Silence. But before we go, we are sending a message to humanity. We just hope the telescope at Arecibo will enable them to hear it. The message is this: You be good. I love you.
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Ted Chiang (The Great Silence)
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Some lovers break up with each other the first time they have a big argument; some parents do as little for their children as they can get away with; some pet owners ignore their pets whenever they become inconvenient. In all of those cases, the people are unwilling to make an effort. Having a real relationship, whether with a lover or a child or a pet, requires that you be willing to balance the other partyโ€™s wants and needs with your own.
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Ted Chiang (The Lifecycle of Software Objects)
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You, I hope, are one of those explorers. You, I hope, found these sheets of copper and deciphered the words engraved on their surfaces. And whether or not your brain is impelled by the air that once impelled mine, through the act of reading my words, the patterns that form your thoughts become an imitation of the patterns that once formed mine. And in that way I live again, through you.
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Ted Chiang (ื ืฉื™ืคื”)
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Right now each of us is a private oral culture. We rewrite our pasts to suit our needs and support the story we tell about ourselves. With our memories we are all guilty of a Whig interpretation of our personal histories, seeing our former selves as steps toward our glorious present selves.
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Ted Chiang (The Best of Subterranean)
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Science fiction and fantasy are very closely related genres, and a lot of people say that the genres are so close that there's actually no meaningful distinction to be made between the two. But I think that there does exist an useful distinction to be made between magic and science. One way to look at it is in terms of whether a given phenomenon can be mass-produced.
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Ted Chiang
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According to Hindu mythology, the universe was created with a sound: โ€œom.โ€ It is a syllable that contains within it everything that ever was and everything that will be. When the Arecibo telescope is pointed at the space between stars, it hears a faint hum. Astronomers call that the cosmic microwave background. Itโ€™s the residual radiation of the Big Bang, the explosion that created the universe fourteen billion years ago. But you can also think of it as a barely audible reverberation of that original โ€œom.โ€ That syllable was so resonant that the night sky will keep vibrating for as long as the universe exists. When Arecibo is not listening to anything else, it hears the voice of creation.
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Ted Chiang (The Great Silence)
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I wish you well, explorer, but I wonder: Does the same fate that befell me await you? I can only imagine that it must, that the tendency toward equilibrium is not a trait peculiar to our universe but inherent in all universes. Perhaps that is just a limitation of my thinking, and your people have discovered a source of pressure that is truly eternal. But my speculations are fanciful enough already. I will assume that one day your thoughts too will cease, although I cannot fathom how far in the future that might be. Your lives will end just as ours did, just as everyoneโ€™s must. No matter how long it takes, eventually equilibrium will be reached. I hope you are not saddened by that awareness. I hope that your expedition was more than a search for other universes to use as reservoirs. I hope that you were motivated by a desire for knowledge, a yearning to see what can arise from a universeโ€™s exhalation. Because even if a universeโ€™s life span is calculable, the variety of life that is generated within it is not. The buildings we have erected, the art and music and verse we have composed, the very lives weโ€™ve led: none of them could have been predicted, because none of them was inevitable. Our universe might have slid into equilibrium emitting nothing more than a quiet hiss. The fact that it spawned such plenitude is a miracle, one that is matched only by your universe giving rise to you.
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Ted Chiang (Exhalation)
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Iโ€™ve gone into the outside world to reobserve society. The sign language of emotion I once knew has been replaced by a matrix of interrelated equations. Lines of force twist and elongate between people, objects, institutions, ideas. The individuals are tragically like marionettes, independently animate but bound by a web they choose not to see; they could resist if they wished, but so few of them do. At
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Ted Chiang (Stories of Your Life and Others)
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And then there will be the times when I see you laughing. Like the time youโ€™ll be playing with the neighborโ€™s puppy, poking your hands through the chain-link fence separating our back yards, and youโ€™ll be laughing so hard youโ€™ll start hiccupping. The puppy will run inside the neighborโ€™s house, and your laughter will gradually subside, letting you catch your breath. Then the puppy will come back to the fence to lick your fingers again, and youโ€™ll shriek and start laughing again. It will be the most wonderful sound I could ever imagine, a sound that makes me feel like a fountain, or a wellspring.
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Ted Chiang (Lightspeed Magazine, December 2012)
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Dividing a number by zero doesnโ€™t produce an infinitely large number as an answer. The reason is that division is defined as the inverse of multiplication; if you divide by zero, and then multiply by zero, you should regain the number you started with. However, multiplying infinity by zero produces only zero, not any other number. There is nothing which can be multiplied by zero to produce a nonzero result; therefore, the result of a division by zero is literally โ€œundefined.โ€ 1A
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Ted Chiang (Stories of Your Life and Others)
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Think of cocaine. In its natural form, as coca leaves, it's appealing, but not to an extent that it usually becomes a problem. But refine it, purify it, and you get a compound that hits your pleasure receptors with an unnatural intensity. That's when it becomes addictive. Beauty has undergone a similar process, thanks to advertisers.Evolution gave us a circuit that responds to good looks--call it the pleasure receptor for our visual cortex--and in our natural environment, it was useful to have. But take a person with one-in-a-million skin and bone structure, add professional makeup and retouching, and you're no longer looking at beauty in its natural form. You've got pharmaceutical grade beauty, the cocaine of good looks.
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Ted Chiang
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No matter what I study, I can see patterns. I see the gestalt, the melody within the notes, in everything: mathematics and science, art and music, psychology and sociology. As I read the texts, I can think only that the authors are plodding along from one point to the next, groping for connections that they canโ€™t see. Theyโ€™re like a crowd of people unable to read music, peering at the score for a Bach sonata, trying to explain how one note leads to another. As glorious as these patterns are, they also whet my appetite for more. There are other patterns waiting to be discovered, gestalts of another scale entirely. With respect to those, Iโ€™m blind myself; all my sonatas are just isolated data points by comparison. I have no idea what form such gestalts might assume, but thatโ€™ll come in time. I want to find them, and comprehend them. I want this more than anything Iโ€™ve ever wanted before.
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Ted Chiang
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Carl had met Renee at a party given by a colleague of his. He had been taken with her face. Hers was a remarkably plain face, and it appeared quite somber most of the time, but during the party he saw her smile twice and frown once; at those moments, her entire countenance assumed the expression as if it had never known another. Carl had been caught by surprise: he could recognize a face that smiled regularly, or a face that frowned regularly, even if it were unlined. He was curious as to how her face had developed such a close familiarity with so many expressions, and yet normally revealed nothing. It took a long time for him to understand Renee, to read her expressions. But it had definitely been worthwhile. Now
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Ted Chiang (Stories of Your Life and Others)