β
The wounded recognized the wounded.
β
β
Nora Roberts (Rising Tides (Chesapeake Bay Saga, #2))
β
There was nothing like a Saturday - unless it was the Saturday leading up to the last week of school and into summer vacation. That of course was all the Saturdays of your life rolled into one big shiny ball.
β
β
Nora Roberts (Rising Tides (Chesapeake Bay Saga, #2))
β
Please let me go."
"Anna." He lowered his brow to hers. "Don't ask me to do that, because I don't think I can live without you. Take a chance, roll the dice. Come with me.
β
β
Nora Roberts (Sea Swept (Chesapeake Bay Saga, #1))
β
Up to this point your life has pretty much sucked. Youβre not responsible for that. But you are responsible for what happens from here on.
β
β
Nora Roberts (Inner Harbor (Chesapeake Bay Saga, #3))
β
You mess with one Quinn, you mess with them all.
β
β
Nora Roberts (Sea Swept (Chesapeake Bay Saga, #1))
β
Sometimes itβs all you can do,β he murmured. βFight back; run wild, until you get it all out.β
βSometimes there is nothing to fight and nowhere to run.
β
β
Nora Roberts (Sea Swept (Chesapeake Bay Saga, #1))
β
You did that on purpose."
"Did what on purpose?"
"Wore the don't-touch suit and the sex goddess perfume at the same time just to drive me crazy."
"Listen to the suit, Quinn. Dream about the perfume.
β
β
Nora Roberts (Sea Swept (Chesapeake Bay Saga, #1))
β
You donβt want to get in the habit of overusing the word βfuckβ as an adjective. Youβll miss the vast variety of its uses.
β
β
Nora Roberts (Sea Swept (Chesapeake Bay Saga, #1))
β
He had realised that most vital of humanities. he had touched lives.
And he had raised three boys that no one had wanted into men.
β
β
Nora Roberts (Sea Swept (Chesapeake Bay Saga, #1))
β
She pressed her mouth to his throat, his shoulder, would have absorbed him into her skin if she'd known a way.
β
β
Nora Roberts (Sea Swept (Chesapeake Bay Saga, #1))
β
Can't choose where you come from, Seth. My boys and you know that better than anyone. But you can choose where you end up, and how you get there.
β
β
Nora Roberts (Chesapeake Blue (Chesapeake Bay Saga, #4))
β
She stared at him. "You'd be willing to change your life so dramatically?"
"Ray and Stella Quinn changed my life.
β
β
Nora Roberts (Sea Swept (Chesapeake Bay Saga, #1))
β
I can't say I cared much for you when I first came back. There's that crappy attitude of yours, and you're ugly, but you kind of grow on a guy."
Immensely cheered, Seth snickered. "You're uglier."
"I'm bigger, I'm entitled. So I guess I'll hang around to see if you get any prettier as time goes on."
"I didn't really want you to go," Seth said under his breath after a long moment. It was the closest he could get to speaking his heart.
"I know.
β
β
Nora Roberts (Sea Swept (Chesapeake Bay Saga, #1))
β
You said you survived, Anna, but you didn't. You triumphed. Everything about you is a testament to courage and strength."
When she stared at him, obviously stunned, he smiled a little. "You didn't get either from a social worker or a counselor. They just helped you figure out how to use it. I figure you got it from your mother. She must have been a hell of a woman."
"She was," Anna murmured, near tears again.
"So are you.
β
β
Nora Roberts (Sea Swept (Chesapeake Bay Saga, #1))
β
He'd done as he'd pleased and even had often enjoyed long runs of luck where he hadn't been caught. But the luckiest moment of his life had been being caught.
β
β
Nora Roberts (Sea Swept (Chesapeake Bay Saga, #1))
β
The outward appearance would never indicate they were brothers. (...) But she could see that at the moment they were as united as triplets in the womb.
β
β
Nora Roberts (Sea Swept (Chesapeake Bay Saga, #1))
β
Donβt mix up who I am and what I am,β she told him quietly. βYou have to be honest with me, or the rest of it means nothing.
β
β
Nora Roberts (Sea Swept (Chesapeake Bay Saga, #1))
β
You should appreciate those things while you have them, but you never do. Not all the way. Too busy living. Now and again, you should try to stop to appreciate the little things. They'll build up if you do.
β
β
Nora Roberts (Sea Swept (Chesapeake Bay Saga, #1))
β
It's not an exaggeration to say that they saved my life. Ray Quinn, then Cam and Ethan and Phil. They turned their world around for me, and because of it, turned mine around with it. Anna and Grace and Sybill, Aubrey too. They made a home for me, and nothing that happened before matters nearly as much as everything that came after.
β
β
Nora Roberts (Chesapeake Blue (Chesapeake Bay Saga, #4))
β
The kid's driving me bat-shit," Cam complained as he stalked into the kitchen. "You can't say boo to him without him squaring up for a fight."
"Mm-hmm."
"Argumentative, smart-mouthed, troublemaker."
"Must be like looking in a mirror."
"Like hell."
"Don't know what I was thinking of. You're such a peaceable soul.
β
β
Nora Roberts (Sea Swept (Chesapeake Bay Saga, #1))
β
You belong with us," he said quietly. "Nothing's going to change that.
β
β
Nora Roberts (Inner Harbor (Chesapeake Bay Saga, #3))
β
Tell me what's the hardest thing about living on a small, marshy island in Chesapeake Bay.
I know that and it didn't take sixty three years to figure it out... Having the gumption to live different and the sense to let everybody else live different. That's the hardest thing, hands down.
β
β
William Least Heat-Moon (Blue Highways)
β
Phillip look into Ray's eyes. He saw compassion and hope. And he saw himself mirrored back, bleeding in a dirty gutter on a street where life was worth less than a dime bag.
Sick, tired, petrified, Phillip dropped his head into his hands.
"What's the point?"
"You're the point, son." Ray ran his hand over Phillip's hair. "You're the point.
β
β
Nora Roberts (Inner Harbor (Chesapeake Bay Saga, #3))
β
Sometimes, she thought, you had to go with your instincts, with your cravings. At that moment hers, all of hers, centered on him.
β
β
Nora Roberts (Sea Swept (Chesapeake Bay Saga, #1))
β
Cut it out!" Phillip exploded. "Cut it out right now or I swear I'm going to pull over and knock your heads together. Oh, my God." He took one hand off the wheel to drag it down his face. "I sound like Mom. Forget it. Just forget it. Kill each other. I'll dump the bodies in the mall parking lot and drive to Mexico. I'll learn how to weave mats and sell them on the beach at Cozumel. I'll be quiet, it'll be peaceful. I'll change my name to Raoul, and no one will know I was ever related to a bunch of fools."
Seth scratched his belly and turned to Cam. "Does he always talk like that?"
"Yeah, mostly. Sometimes he's going to be Pierre and live in a garret in Paris, but it's the same thing."
"Weird," was Seth's only comment. (...) Getting new shows was turning into a new adventure.
β
β
Nora Roberts (Sea Swept (Chesapeake Bay Saga, #1))
β
Education's supposed to be more than learning--leastways that's how we were taught. It's supposed to help build your character and help teach you how to get on in the world. If it tells you that you get booted for doing what you had to do, for standing up for yourself, then something's wrong with the system.
β
β
Nora Roberts (Sea Swept (Chesapeake Bay Saga, #1))
β
He matters to me, too."
"I know he does."
"He didn't." Phillip pulled out his hammer to nail the laps. "Not as much as he did to you. Not enough. It's different now."
"I know that, too." For the next few minutes they worked in tandem, without words. "You stood up for him anyway," Cam added when the plank was in place. "Even when he didn't matter enough."
"I did it for Dad."
"We all did it for Dad. Now we're doing it for Seth.
β
β
Nora Roberts (Inner Harbor (Chesapeake Bay Saga, #3))
β
Within months, Ray Quinn had died, but he'd kept his word. He'd kept it through the three men he'd made his sons. Those men had given the scrawny, suspicious, and scarred young boy a life.
They had given him a home, and made him a man.
Cameron, the edgy, quick-tempered gypsy; Ethan, the patient, steady waterman; Phillip, the elegant, sharp-minded executive. They had stood for him, fought for him. They had saved him.
His brothers.
β
β
Nora Roberts (Chesapeake Blue (Chesapeake Bay Saga, #4))
β
I want to come home. Not just for a few days or a couple weeks. I want to stay. Can I stay?"
Cam drew off his sunglasses, and his eyes, smoke-gray, met Seth's. "What the hell's the matter with you that you think you have to ask? You trying to piss me off?"
"I never had to try, nobody does with you. Anyway, I'll pull my weight."
"You always pulled your weight. And we missed seeing your ugly face around here."
And that, Seth thought as they walked to the car, was all the welcome he needed from Cameron Quinn.
β
β
Nora Roberts (Chesapeake Blue (Chesapeake Bay Saga, #4))
β
I've got something for you inside me, Anna." He forgot his hands were grimy and laid them on her shoulders. "I haven't used it up yet. This thing with you, it's one of the first times I haven't wanted to rush to the finish line.
β
β
Nora Roberts (Sea Swept (Chesapeake Bay Saga, #1))
β
She hoped the Quinns would allow her a few moments alone with Seth, so she could judge for herself, without influence, how he was feeling.
She hoped she could steal a few moments alone with Cam, so she could judge for herself how she was feeling.
β
β
Nora Roberts (Sea Swept (Chesapeake Bay Saga, #1))
β
My mother said once that we were all hers already. We just hadn't found each other before.
β
β
Nora Roberts (Inner Harbor (Chesapeake Bay Saga, #3))
β
Flowers, champagne, caviar. Do you usually come so well equipped when you break and enter?"
"Only when I want to apologize and throw myself on the mercy of a beautiful woman.
β
β
Nora Roberts (Inner Harbor (Chesapeake Bay Saga, #3))
β
Everything sheβd ever read about love was true, she discovered. The sun shined brighter, the air smelled fresher. Flowers were more colorful, the songs of birds more musical.
β
β
Nora Roberts (Rising Tides (Chesapeake Bay Saga, #2))
β
The Karmic Philharmonic of Chesapeake Bay [10w]
The Philharmonic's evil second violin
reincarnated as a fiddler crab.
β
β
Beryl Dov
β
I'm wanting the hell out of you. Day and night."
Her voice was throaty now, dark with need. "I guess that makes it handy, since I want the hell out of you too."
"It doesn't scare you?"
"Nothing about you and me scares me."
"And what if I said I want you to let me do anything I want to you? Everything?"
Her heart fluttered to her throat, but her eyes stayed steady. "I'd say who's stopping you?
β
β
Nora Roberts (Sea Swept (Chesapeake Bay Saga, #1))
β
If you take your time about things, you end up with the best at the end of the day." He buried his face in her hair, wanting the scent and the texture. "Now, I've got the best. Good, solid stoneware.
β
β
Nora Roberts (Rising Tides (Chesapeake Bay Saga, #2))
β
I don't want to marry her, I just want to have a nice, civilized dinner with her."
"Then bounce on her," Seth finished.
"Christ. He gets that from you," Philip accused Cam.
"He came that way," Cam wrapped an arm around Seth's neck. "Didn't you, brat?"
The panic didn't come now, as it used to whenever Seth was touched or held. Instead he wriggled and grinned.
β
β
Nora Roberts (Inner Harbor (Chesapeake Bay Saga, #3))
β
When the couple rode by the shore one day, John became so enraged at Fidelia that he drove their carriage straight into Chesapeake Bay. When Fidelia asked where he was going, John replied with a sneer, βTo hell, Madam.β To which she retorted boldly, βDrive on, sir.
β
β
Ron Chernow (Washington: A Life)
β
It was different with Seth," Anna went on. "Right from the first minute, everything about him pulled at me. I couldn't stop it. I tried, but I couldn't. I've thought about that, and I believe, sincerely, that my feelings for him were there, just there, even before I met him. We were meant to be part of each other's lives. He was meant to be part of this family, and this family was meant to be mine.
β
β
Nora Roberts (Inner Harbor (Chesapeake Bay Saga, #3))
β
Scholarships allowed her to study at Woods Hole Biological Laboratory, where she fell in love with the sea, and at Johns Hopkins University, where she was isolated, one of a handful of women in marine biology. She had no mentors and no money to continue in graduate school after completing an M.A. in zoology in 1932. Along the way she worked as a laboratory assistant in the school of public health, where she was lucky enough to receive some training in experimental genetics. As employment opportunities in science dwindled, she began writing articles about the natural history of Chesapeake Bay for the Baltimore Sun. Although these were years of financial and emotional struggle, Carson realized that she did not have to choose between science and writing, that she had the talent to do both. From childhood on, Carson was interested in
β
β
Rachel Carson (Silent Spring)
β
Gaia giveth even as she taketh away.
The warming of the global climate over the past century had melted permafrost and glaciers, shifted rainfall patterns, altered animal migratory routes, disrupted agriculture, drowned cities, and similarly necessitated a thousand thousand adjustments, recalibrations and hasty retreats. But humanity's unintentional experiment with the biosphere had also brought some benefits.
Now we could grow oysters in New England.
Six hundred years ago, oysters flourished as far north as the Hudson. Native Americans had accumulated vast middens of shells on the shores of what would become Manhattan. Then, prior to the industrial age, there was a small climate shift, and oysters vanished from those waters.
Now, however, the tasty bivalves were back, their range extending almost to Maine.
The commercial beds of the Cape Cod Archipelago produced shellfish as good as any from the heyday of Chesapeake Bay. Several large wikis maintained, regulated and harvested these beds, constituting a large share of the local economy.
But as anyone might have predicted, wherever a natural resource existed, sprawling and hard of defense, poachers would be found.
β
β
Paul Di Filippo (Wikiworld)
β
And he chose his subjects with great care: the South Pacific (Tales of the South Pacific, Return to Paradise), Judaism (The Source), South Africa (The Covenant), the West Indies (Caribbean), the American West (Centennial), the Chesapeake Bay (Chesapeake), Texas, Alaska, Spain (Iberia), Mexico, Poland, the Far East.
β
β
James A. Michener (Texas)
β
It wasn't the paramedics or the surgical team that saved my life. It was Ray and Stella Quinn.
β
β
Nora Roberts (Inner Harbor (Chesapeake Bay Saga, #3))
β
Much like crossing the Bay Bridge when there is a storm over the Chesapeake, one may be terrified to go forward, but there is no question of going back.
β
β
Kay Redfield Jamison (An Unquiet Mind)
β
Love doesnβt require payment. Camβs right about that. There are no checks and balances here.
β
β
Nora Roberts (Chesapeake Blue (Chesapeake Bay Saga, #4))
β
His eyes were anything but friendly, the color of bitter storms.
β
β
Nora Roberts (Sea Swept (Chesapeake Bay Saga, #1))
β
When a woman had eyes that big, that brown, that beautiful, she probably got whatever she wanted without saying a word.
β
β
Nora Roberts (Sea Swept (Chesapeake Bay Saga, #1))
β
Look, pal, he who goes to the store buys what he damn well pleases. Thatβs a new rule around here.
β
β
Nora Roberts (Sea Swept (Chesapeake Bay Saga, #1))
β
Weβll be okay. Luckβs starting to move in our direction.
β
β
Nora Roberts (Sea Swept (Chesapeake Bay Saga, #1))
β
Itβs not a matter of jealousy. Itβs a matter of courtesy.
β
β
Nora Roberts (Sea Swept (Chesapeake Bay Saga, #1))
β
He felt as if heβd tumbled off a cliff and fallen hard on his heart. Now his heart was swollen, exposed. And it was hers.
β
β
Nora Roberts (Sea Swept (Chesapeake Bay Saga, #1))
β
There were only two men in her life she had ever really loved. It seemed neither of them could want her as she needed them to want her.
β
β
Nora Roberts (Rising Tides (Chesapeake Bay Saga, #2))
β
Fate takes its own sweet time, but it always finds a way.
β
β
Nora Roberts (Rising Tides (Chesapeake Bay Saga, #2))
β
When people break your heart, prideβs all youβve got left.
β
β
Nora Roberts (Rising Tides (Chesapeake Bay Saga, #2))
β
When people break your heart, prideβs all youβve got left.
And pride, could turn cold and bitter without heart.
β
β
Nora Roberts (Rising Tides (Chesapeake Bay Saga, #2))
β
You donβt treat your family like this. Like a goddamn convenience.
β
β
Nora Roberts (Chesapeake Blue (Chesapeake Bay Saga, #4))
β
Sundays were knowing absolutely nothing had to be done, and countless things could be.
β
β
Nora Roberts (Chesapeake Blue (Chesapeake Bay Saga #4))
β
He'd learned quickly enough that when you cooked for a family, everybody was a critic.
β
β
Nora Roberts (Rising Tides (Chesapeake Bay Saga, #2))
β
Life's a gift. It doesn't always fit comfortably, but it's precious. I wouldn't have hurt you and your brothers by throwing mine away.
β
β
Nora Roberts (Sea Swept (Chesapeake Bay Saga, #1))
β
Only as the local train shambled into the low-forested clayland of Westmoreland County, did he feel once more identified with his surroundings; at the station he saw a star he knew, and a cold moon bright over Chesapeake bay; he heard the rasping wheels of buckboards turning, the lovely fatuous voices, the sound of sluggish primeval rivers flowing softly under soft Indian names.
β
β
F. Scott Fitzgerald (Tender Is the Night)
β
Today's water arguments reflect a growing unease about how to proceed when old certainties are being pushed aside and new options seem limited or unappealing. But the stark warnings implicit in Wisconsin's poisoned wells, the intersex and dying fish of Chesapeake Bay, Lake Mead's recored-low waterline, the decay of levees across the country, and the resource war in Alaska's Bristol Bay, cannot be ignored.
β
β
Alex Prud'Homme (The Ripple Effect: The Fate of Fresh Water in the Twenty-First Century)
β
We will make land at Norfolk,' Titch said, as if this was some reassurance.
It meant little to me, of course. Titch explained we would be entering Chesapeake Bay, and would therefore soon be leaving the ship. We would also, however, find ourselves subject to the laws of American freedom. 'Freedom, Wash, is a word with different meanings to different people,' he said, as though I did not know the truth of this better than he.
β
β
Esi Edugyan (Washington Black)
β
So how does the United States of America relate to the Chesapeake Bay Watershed Network?β Rhamnetin asked. Right. Awkward questions. Bakkalian smiled sweetly and said, βTechnically, this is U.S. territory. A national park. Weβre sorry we didnβt get here earlier to welcome you properly.β βThe Chesapeake doesnβt claim specific territory,β I said. βWe claim our actions. We take care of everything in the watershed, every place where the river acts.
β
β
Ruthanna Emrys (A Half-Built Garden)
β
Cam gave him a halfhearted boot on the top of his head with the heel of one hand. "Why don't you shut
up until I say what I have to say?"
The painless smack and impatient order were more comforting to Seth than a thousand promises.
β
β
Nora Roberts (Sea Swept (Chesapeake Bay Saga, #1))
β
Aboard a Chesapeake Bay steamer, not long after his surrender, the general heard a fellow passenger insisting that the South had been βconquered but not subdued.β Asked in what command he had served, the bellicose young man β one of those stalwarts later classified as βinvisible in war and invincible in peaceβ β replied that, unfortunately, circumstances had made it impossible for him to be in the army. βWell, sir, I was,β Johnston told him. βYou may not be subdued, but I am.
β
β
Shelby Foote (The Civil War, Vol. 3: Red River to Appomattox)
β
How do you feel about me?"
"Tired of you!" she shouted. "Tired of me, tired of us. Sick and tired of telling myself fun and games
could be enough. Well, it's not. Not nearly, and I want you out"
He felt the temper and panic that had gripped him ease back into delight. "You're in love with me, aren't
you?"
He'd never seen a woman go from simmer to boil so fast. And seeing it, he wondered why it had taken
him so long to realize he adored her. She whirled, grabbed a lamp, and hurled it.
β
β
Nora Roberts (Sea Swept (Chesapeake Bay Saga, #1))
β
He loved his job. What was advertising, anyway, but a knowledge of people and of which buttons to push to nudge them into opening their wallets?
It was, he often though, an accepted, creative, even expected twist on picking those wallets. For a man who had spent the first half of his life as a thief, it was the perfect career.
β
β
Nora Roberts (Rising Tides (Chesapeake Bay Saga, #2))
β
He loved his job. What was advertising, anyway, but a knowledge of people and of which buttons to push to nudge them into opening their wallets?
It was, he often thought, an accepted, creative, even expected twist on picking those wallets. For a man who had spent the first half of his life as a thief, it was the perfect career.
β
β
Nora Roberts (Rising Tides (Chesapeake Bay Saga, #2))
β
Our house stood within a few rods of the Chesapeake Bay, whose broad bosom was ever white with sails from every quarter of the habitable globe. Those beautiful vessels, robed in purest white, so delightful to the eye of freemen, were to me so many shrouded ghosts, to terrify and torment me with thoughts of my wretched condition. I have often, in the deep stillness of a summer's Sabbath, stood all alone upon the lofty banks of that noble bay, and traced, with saddened heart and tearful eye, the countless number of sails moving off to the mighty ocean. The sight of these always affected me powerfully. My thoughts would compel utterance; and there, with no audience but the Almighty,
β
β
Frederick Douglass (Narrative Of The Life Of Frederick Douglass: By Frederick Douglass & Illustrated)
β
I continue to have concerns about my decision to be public about my illness, but one of the advantages of having had manic-depressive illness for more than thirty years is that very little seems insurmountably difficult. Much like crossing the Bay Bridge when there is a storm over the Chesapeake, one may be terrified to go forward, but there is no question of going back.
β
β
Kay Redfield Jamison (An Unquiet Mind: A Memoir of Moods and Madness)
β
Jake eyed his brother. "I never forget. All data is stored in my memory banks. And one day, candy pig, you will pay."
"You 're such a geek."
"Thesbo."
"That's Jack's latest insult."
Seth gestured with his wine-glass. "A play on thespian, since Kev's into that."
"Rhymes with lesbo," Jake explained helpfully while Anna stifled a groan. "It's a slick way of calling him a girl.
β
β
Nora Roberts (Chesapeake Blue (Chesapeake Bay Saga, #4))
β
I canβt recapture that feeling of euphoric gratitude any more than I can really remember the mortal terror I felt when I was pretty sure I had about four minutes to live. But I know that it really happened, that that state of grace is accessible to us, even if I only blundered across it once and never find my way back. At my cabin on the Chesapeake Bay Iβll see bald eagles swoop up from the water with wriggling little fish in their talons, and whenever they accidentally drop their catch, I like to imagine that fish trying to tell his friends about his own near-death experience, a perspective so unprecedented there are no words in the fish language to describe it: for a short time he was outside the world, he could see forever, thereβs so much more than they knew, but heβs glad to be back.
β
β
Tim Kreider (We Learn Nothing)
β
Sorry. Bad joke. I didn't know things were serious between you."
"I never said they were serious."
Phillip laughed, then winced as his lip wept. "Brother, did you ever. I guess I never figured you'd be the
first of us to fall in love with a woman."
The stomach that Phillip's fists had abused jittered wildly. "Who said I'm in love with her?"
"You didn't punch me in the face because you're in like." He looked down at his pleated slacks. "Shit.
Do you know how hard it is to get bloodstains out of a cotton blend
β
β
Nora Roberts (Sea Swept (Chesapeake Bay Saga, #1))
β
know what's going on."
Cam looked up in time to see both of his brothers' eyes focus on him. "Oh, come on. Why does it have
to be me?"
"You're the oldest." Phillip grinned at him. "Besides, it'll take your mind off Anna."
"I'm not brooding about herβor any woman."
"Been edgy and broody all week," Ethan mumbled. "Making me nuts."
"Who asked you? We had a little disagreement, that's all. I'm giving her time to simmer down."
"Seems to me she'd simmered down to frozen the last time I saw her." Phillip examined his beer. "That
was a week ago.
β
β
Nora Roberts (Sea Swept (Chesapeake Bay Saga, #1))
β
Huzzah! Free Trade and Sailors' Rights! But instead American ships are captured and sailors impressed by the thousands into the British Navy, becoming slaves to the lash, while the United States has virtually no navy to back them up. Baltimore native, Nathan Jeffries, son of an American hero, Captain William Jeffries, and his Quaker wife, Amy, is haunted by the memories of his fiancee, his best friend, his enemy's woman and his betrayal. Chesapeake Bay is no refuge aboard his father's brig Bucephalus;facing his worst fears, he is chased and captured by armed privateer schooner Scourge. In a violent world at war, Nathan must break his most solemn promise to his mother. For Nathan and the young United States, 1812 would severely challenge rights of passage.
β
β
Bert J. Hubinger (1812: Rights of Passage (War of 1812 Trilogy))
β
Civil War, the largest contingent of blacks from the South. Of those whose nativity is known, about 35 percent were from the Chesapeake Bay region. Refugee camps behind Union lines and recruiting stations along the Carolina coast also provided the navy with many black recruits, but it was the rivers and inlets
β
β
Peter Kurtz (Bluejackets in the Blubber Room: A Biography of the William Badger, 1828-1865)
Nora Roberts (Nora Roberts' Chesapeake Bay Saga 1-4)
β
Finally, he's back in the little blue-and-white house where there's always a boat at the dock, a rocker on the porch, and a dog in the yard.
β
β
Nora Roberts (Chesapeake Blue (Chesapeake Bay Saga, #4))
β
At its lowest point, the roadway is 98 feet below mean low water.
β
β
John Warren (Chesapeake Bay Bridge-Tunnel (Images of America: Virginia))
β
By 1700, English colonies were studded along the Atlantic shore from what would become Maine to what would become South Carolina. Northern colonies coexisted with Algonkian-speaking Indian societies that had few slaves and little interest in buying and selling captives; southern colonies coexisted with former Mississippian societies with many slaves and considerable experience in trading them. Roughly speaking, the boundary between these two types of society was Chesapeake Bay, not far from what would become the boundary between slave and non-slave states in the United States.
β
β
Charles C. Mann (1493: Uncovering the New World Columbus Created)
β
You drag us all out of bed at two in the morning, youβve got a reason.β
βYou kill somebody? Because if weβve got to dispose of a body this time of night, weβd better get started.
β
β
Nora Roberts (Chesapeake Blue (Chesapeake Bay Saga, #4))
β
Doing it right, is more important than doing it fast."
"I can do it fast and right.
β
β
Nora Roberts (Rising Tides (Chesapeake Bay Saga, #2))
β
Women make a man want to shoot himself in the head and be done with it.
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Nora Roberts (Rising Tides (Chesapeake Bay Saga, #2))
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People like to say theyβve given somebody a choice when what theyβre really saying is βdo this my wayβ.
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Nora Roberts (Rising Tides (Chesapeake Bay Saga, #2))
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Temper was a vicious dog that snapped at both their throats.
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Nora Roberts (Chesapeake Blue (Chesapeake Bay Saga, #4))
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I wouldnβt have a now without you.
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Nora Roberts (Chesapeake Blue (Chesapeake Bay Saga, #4))
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By the numbers, Accomack could look like a desolate place to live. The Opportunity Index, a nonprofit measurement of sixteen different indicators of success in every county in America, gives it a forty-three out of one hundred. But numbers can be misleading. To residents, statistics could not account for the deep feeling of belonging that came from being able to find your surname in three hundred-year-old county records. They couldnβt account for how clean the air felt and how orange the sun was setting over the Chesapeake Bay. How do you calculate fish fries in the backyard, kiddie pools in the front yard, and unfettered views of a thousand stars in the night sky? So much of life is intangible, and places donβt feel like theyβre disappearing to the people who are living there.
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Monica Hesse (American Fire: Love, Arson, and Life in a Vanishing Land)
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Chebeague Island is the largest of the islands in Casco Bay, near Portland Maine. Everyone knew everybody else on the island, and if they were not related, they were friends, or at the very least knew everything there was to know about each other, including what they had in their stew pot at any given time. Most of the islanders, including the Kimberly family, were descendants of the βStone Sloopers.β On Chebeague Island they built three wharves. The Stone Wharf, or Hamilton Landing as it was known, is still in use today. The one masted sloops, sometimes known as Chebacco Boats, sailed along the rocky Maine coast transporting granite and stone from Maineβs coastal quarries, to east coast cities as far south as Chesapeake Bay. The Washington Monument and many of the governmental buildings in Washington, D.C., were built of granite brought up the Potomac River by the Stone Sloopers. During the 19th Century, they also supplied rock ballast for the sailing ships that came into New England ports. The Stone Sloopers are also remembered for building Greek revival homes, which can still be seen on the island.
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Hank Bracker
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Things... are not always what they seem." the first quotes comes to us in chapter 2: Conspiracy Theory, By Officer Duke Agnew investigating a drowning death on the western shore in the shadow of the Chesapeake Bay bridge.
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James Carrol (In Search of the Dragon Blanco: El Mision)
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By the numbers, Accomack could look like a desolate place to live. The Opportunity Index, a nonprofit measurement of sixteen different indicators of success in every county in America, gives it a forty-three out of one hundred. But numbers can be misleading. To residents, statistics could not account for the deep feeling of belonging that came from being able to find your surname in three hundred-year-old county records. They couldn't account for how clean the air felt and how orange the sun was setting over the Chesapeake Bay.
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Monica Hesse (American Fire: Love, Arson, and Life in a Vanishing Land)
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Chef Frank Clark knows this recipe wellβthereβs even a video on Youtube of Clark, in eighteenth-century garb, capably preparing the dish. Clearly, Clark is no ordinary chef. As the head of Colonial Williamsburgβs respected Historic Foodways department, he oversees a staff of five interpreters who research and replicate eighteenth-century
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Kate Livie (Chesapeake Oysters: The Bay's Foundation and Future (American Palate))
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Because it was right. Seth had mulled it over for a while and had decided thatβs what a hero was. Somebody who just did what was right.
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Nora Roberts (Nora Roberts' Chesapeake Bay Saga 1-4)
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Jack Harveyβs Adventures; or, The Rival Campers Among the Oyster Pirates. By Ruel Perley Smith. Illustrated $1.50 In βJack Harveyβs Adventures,β Mr. Smith has shifted the scene of his story from the Maine coast to the shores of Chesapeake Bay; and has chosen for its main theme the evil deeds of the notorious oyster pirates of that region.
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Ruel Perley Smith (Jack Harvey's Adventures or, The Rival Campers Among the Oyster Pirates)
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In 1844 the 10th US president, John Tyler, invited members of his cabinet aboard a new warship called the Princeton for a cruise on the Potomac, the river that runs through Washington and leads out into the Chesapeake Bay. The ship had a 12-inch cannon aboard, which someone had seen fit to call the Peacemaker. And throughout this happy little voyage, the big gun was fired ceremoniously to the delight of onlookers lining the banks of the river. Drink was consumed, and there was an atmosphere of celebration. After several hours, and several toasts, the captain of the ship, one Robert F. Stockton, was persuaded to fire the cannon one last time β only for the gun to explode, sending white hot metal scattering across the deck and killing eight people including two cabinet members, Secretary of State Abel Upshur and Navy Secretary Thomas Gilmer. Tyler, who was below deck at the time, was unhurt. Well, thatβs one way to create the need for a cabinet reshuffle.
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Jon Sopel (A Year At The Circus: Inside Trump's White House)
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Chesapeake Bay is like a beautiful woman. Thereβs no humiliation from which she cannot recover.
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James A. Michener (Chesapeake)
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Yeah.β It was all Cam could say.
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Nora Roberts (Nora Roberts' Chesapeake Bay Saga 1-4)
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Lighting the Way for Sailors SENTINEL Hamiltonβs lighthouse at Cape Hatteras was rebuilt after the original succumbed to erosion. As his storm-tossed brig passed North Carolinaβs Cape Hatteras on the way to New York in the early 1770s, a fearful Hamilton vowed to someday build a way-finding lighthouse there. In 1789, Congress passed An Act for the Establishment and support of Lighthouse, Beacons, Buoys, and Public Piers, and the job of maintaining those structures was given to the Department of the Treasury. Thus did Hamilton find himself the βSuperintendentβ of Lighthouses. His first commission, which rose near the entrance to the Chesapeake Bay, was designed by John McComb Jr., who would one day build the Grange, Hamiltonβs New York home. And in 1803 a promise was kept, as βMr.Β Hamiltonβs Lightβ opened on CapeΒ Hatteras.
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Time-Life Books (TIME Alexander Hamilton: A Founding Father's Visionary Genius and His Tragic Fate)
Nora Roberts (Rising Tides (Chesapeake Bay Saga, #2))
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While she would have loved to
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Nora Roberts (Nora Roberts' Chesapeake Bay Saga 1-4)