Teak Quotes

A lot of the stories were highly suspicious, in her opinion. There was the one that ended when the two good children pushed the wicked witch into her own oven...Stories like this stopped people thinking properly, she was sure. She'd read that one and thought, Excuse me? No one has an oven big enough to get a whole person in, and what made the children think they could just walk around eating people's houses in any case? And why does some boy too stupid to know a cow is worth a lot more than five beans have the right to murder a giant and steal all his gold? Not to mention commit an act of ecological vandalism? And some girl who can't tell the difference between a wolf and her grandmother must either have been as dense as teak or come from an extremely ugly family.

She uttered a sound rather like an elephant taking its foot out of a mud hole in a Burmese teak forest.

Women can go mad with insomnia. The sleep-deprived roam houses that have lost their familiarity. With tea mugs in hand, we wander rooms, looking on shelves for something we will recognize: a book title, a photograph, the teak-carved bird -- a souvenir from what place? A memory almost rises when our eyes rest on a painting's grey sweep of cloud, or the curve of a wooden leg in a corner. Fingertips faintly recall the raised pattern on a chair cushion, but we wonder how these things have come to be here, in this stranger's home. Lost women drift in places where time has collapsed. We look into our thoughts and hearts for what has been forgotten, for what has gone missing. What did we once care about? Whom did we love? We are emptied. We are remote. Like night lilies, we open in the dark, breathe in the shadowy world. Our soliloquies are heard by no one.

I stared gravely into the darkness between the trees where Ren had disappeared, but he soon returned unharmed and began rubbing his side on the teak tree. Satisfied with that tree, he moved on to another one, and another one, until he’d rubbed up against every tree that surrounded us. “Gee, Ren. That must be some itch.

After walking for a long time, he finally pulled me near a copse of bamboo that was growing near a large teak tree. He stuck his nose up in the air, smelling for who-knows-what and then wandered over to a grassy area and lay down. “Well, I guess that means this is where we sleep for the night.” I shrugged out of my backpack while grousing. “Great. No, really. It’s a lovely choice. I’d give it four stars if it included a mint.

Did you know your hair is just precisely the same shade as a teak inlaid ceiling in a monastery I once stayed at?

Hävitada on ebaõiglaselt lihtsam kui luua. Aga me kõik käitume, justkui me seda ei teaks.

Things got said, the kinds of embarrassing things that don't go away. Tempers ran high. My paternal grandfather's teak desk required a new panel, which never quite matched the others. Intellectual debate can be very hard on furniture.

A lot of the stories were highly suspicious, in her opinion. There was the one that ended when the two good children pushed the wicked witch into her own oven. Tiffany had worried about that after all that trouble with Mrs. Snapperly. Stories like this stopped people thinking properly, she was sure. She’d read that one and thought, Excuse me? No one has an oven big enough to get a whole person in, and what made the children think they could just walk around eating people’s houses in any case? And why does some boy too stupid to know a cow is worth a lot more than five beans have the right to murder a giant and steal all his gold? Not to mention commit an act of ecological vandalism? And some girl who can’t tell the difference between a wolf and her grandmother must either have been as dense as teak or come from an extremely ugly family. The stories weren’t real.

We sat on low stools under time-darkened timbers, and the steam from our cups rose curling into a sunbeam. I had sailed once with Lark years ago. It sealed us forever, that trip, and also made the sea a thing I loved best at a distance. But safe ashore, who is immune to the warmth of rubbed teak, a gimbled bronze lantern, coffee steam rising in sunlight? I admired Erik. I liked his stories. It felt nice to imagine that I, too, wanted a sailboat. I didn't really. I wanted the twisting steam.

The ancient paused for a moment, as if his strength were failing. Yet I sensed that there was more to tell. Looking deep into my eyes, he whispered: 'The Gond kingdoms have fallen, their people live dispersed in poverty: the teak trees and the jungles have been cleared... but the importance of the Gonds must not be forgotten!

As he dropped the last grisly fragment of the dismembered and mutilated body into the small vat of nitric acid that was to devour every trace of the horrid evidence which might easily send him to the gallows, the man sank weakly into a chair and throwing his body forward upon his great, teak desk buried his face in his arms, breaking into dry, moaning sobs.

Ode to Drowing" If rain signals the lover’s return then I am lost in the desert burning like the brain fever bird looking for images of you through mesquite and teak Because there’s no sign of you or what I know to be as you only clouds adrift in a vanquished sky like vines of throbbing arms and mouths drinking at the shore intoxicated with the night

He was looking at Mr. Nancy, an old black man with a pencil moustache, in his check sports jacket and his lemon yellow gloves, riding a carousel lion as it rose and lowered, high in the air; and, at the same time, in the same place, he saw a jeweled spider as high as a horse, its eyes an emerald nebula, strutting, staring down at him; and simultaneously he was looking at an extraordinarily tall man with teak colored skin and three sets of arms, wearing a flowing ostrich-feather headdress, his face painted with red stripes, riding an irritated golden lion, two of his six hands holding on tightly to the beast’s mane; and he was also seeing a young black boy, dressed in rags, his left foot all swollen and crawling with black flies; and last of all, and behind all these things, Shadow was looking at a tiny brown spider, hiding under a withered ochre leaf. Shadow saw all these things, and he knew they were the same thing.

The doors had not two, but four shutters of paneled teak so that in the old days, ladies could keep the bottom half closed, lean their elbows on the ledge and bargain with visiting vendors without betraying themselves below the waist. Technically, they could buy carpets, or bangles, with their breasts covered and their bottoms bare. Technically.

There’s a real Isle Esme feel to the decor (if you know, you know), with carved bamboo, recycled teak, jellyfish light fixtures, and a massive canopy bed.

I declare it well befits me to thank our God for simpler pleasures than these, than teak or gold or India cloth. Daily, in my youth, should not I have fallen upon my knees and thanked Him who died for us upon the Cross for the warmth of kindled fires, for the freedom to swing my hands in the air? Should I not have praised Him for the liberty to open doors and pass through them, for the escape from drudgery, and most, my mother’s hand to hold?

Amitav Ghosh’s multigenerational saga The Glass Palace, set in colonial Burma, India, and Malaya, tells the story of Rajkumar, once a poor Indian boy, who becomes a wealthy teak trader in Burma, and lovely Dolly, former child-maid to the queen and second princess of Burma.

Diantha came so close to saying she would do whatever Patricia wanted, anything at all. And then it hit her: She was being Trickstered. She’d been this close to becoming a slave to her former best friend. Diantha backed away, almost tipping over a teak side table full of drinks.

...this so-called animisn that not so much the Fan Nannies but everybody else around here subscribes to. can we really just write it off as primitive superstition run amok? Do only human beings have souls, or is that a narcissistic, chauvinistic piece of self-flattery? I mean, can't we look at that great old teak tree over there or at this gulch, and see as much of the divine in them as in some ol' anthropomorphic Sunday school Boom Daddy with imaginary long gray whiskers and a platinum bathrobe? Are we capable of entertaining the possibility that there may have been a holy entity in the cross as well as on it?

When Time Stop Reading Compassion in the Heart of My Beloved I sat in a dark sling, witnessing darkness that slowly revealed: There is no clock capable of calculating this moment of solitude. When a dream kiss is repeated again with open lips and a tongue that is passionate about looking for love. Desires that cannot be held. A long, quiet sleep. Nobody knows where the time has passed. At the present - mid of summer: teak leaves are falling and still like before: Behind the gleam of the gloomy night's eyes there are twinkling of the stars. Behind the fold of silk handkerchief there was your's wrist beat. An instant emotion expressed how much time is never really present among us. We both stand in each corner; but teak leaves still haven't fallen again at that time. It is not yet the time for the season to change. No need for hours now to know each other. But well if I say to you, my love, that we can only have what we remember: seconds that last forever and minutes that slowly rise before then fall asleep in our minds. Like the poor King and Queen of a chess game. Time that never gets along to find out the most beautiful way to unite them. When the rule of the masses becomes increasingly unreasonable; And the teak trees calmly spread their crowns. Purple flowers and brownish leaves. Fallen, to the surface of the fish pond. Forgetting the time that still doesn't stop vibrating.

In his book, Nothing Ever Dies: Vietnam and the Memory of War, Viet Thanh Nguyen writes that immigrant communities like San Jose or Little Saigon in Orange County are examples of purposeful forgetting through the promise of capitalism: “The more wealth minorities amass, the more property they buy, the more clout they accumulate, and the more visible they become, the more other Americans will positively recognize and remember them. Belonging would substitute for longing; membership would make up for disremembering.” One literal example of this lies in the very existence of San Francisco’s Chinatown. Chinese immigrants in California had battled severe anti-Chinese sentiment in the late 1800s. In 1871, eighteen Chinese immigrants were murdered and lynched in Los Angeles. In 1877, an “anti-Coolie” mob burned and ransacked San Francisco’s Chinatown, and murdered four Chinese men. SF’s Chinatown was dealt its final blow during the 1906 earthquake, when San Francisco fire departments dedicated their resources to wealthier areas and dynamited Chinatown in order to stop the fire’s spread. When it came time to rebuild, a local businessman named Look Tin Eli hired T. Paterson Ross, a Scottish architect who had never been to China, to rebuild the neighborhood. Ross drew inspiration from centuries-old photographs of China and ancient religious motifs. Fancy restaurants were built with elaborate teak furniture and ivory carvings, complete with burlesque shows with beautiful Asian women that were later depicted in the musical Flower Drum Song. The idea was to create an exoticized “Oriental Disneyland” which would draw in tourists, elevating the image of Chinese people in America. It worked. Celebrities like Humphrey Bogart, Lauren Bacall, Ronald Reagan and Bing Crosby started frequenting Chinatown’s restaurants and nightclubs. People went from seeing Chinese people as coolies who stole jobs to fetishizing them as alluring, mysterious foreigners. We paid a price for this safety, though—somewhere along the way, Chinese Americans’ self-identity was colored by this fetishized view. San Francisco’s Chinatown was the only image of China I had growing up. I was surprised to learn, in my early twenties, that roofs in China were not, in fact, covered with thick green tiles and dragons. I felt betrayed—as if I was tricked into forgetting myself. Which is why Do asks his students to collect family histories from their parents, in an effort to remember. His methodology is a clever one. “I encourage them and say, look, if you tell your parents that this is an academic project, you have to do it or you’re going to fail my class—then they’re more likely to cooperate. But simultaneously, also know that there are certain things they won’t talk about. But nevertheless, you can fill in the gaps.” He’ll even teach his students to ask distanced questions such as “How many people were on your boat when you left Vietnam? How many made it?” If there were one hundred and fifty at the beginning of the journey and fifty at the end, students may never fully know the specifics of their parents’ trauma but they can infer shadows of the grief they must hold.

Greetings and welcome to The Keltic Woodshop. Established since November of 2003 in Kansas City, Missouri, The Keltic Woodshop specializes in custom cabinetry, furniture, and unique fine wood products in a personalized old fashioned handcrafted way. We are a small shop that strives towards individual attention and detail in every item produced. The Keltic Woodshop of Kansas City specializes in the following products: Custom Cabinets and Furniture: We use worldwide exotic woods. Our custom cabinets and furniture contains Russian Birch, Brazilian Cherry, African Mahogany, Asian Teak, Knotty Pine, Walnut, Red Oak, White Oak, and Bolivian Rosewood just to name a few. Custom orders are available. Handmade Walking Sticks: Our walking sticks include handcrafted, lightweight, strong, durable, handpainted, handcarved, Handapplied finishes and stains, Alaskan Diamond Willow, Hedgeapple, Red Oak, Memosa, Spalted Birch, and Spalted Ash. Custom Made Exotic Wood Display Cases: These are handmade from hardwoods of Knotty Pine, Asian Teak, African Mahogany, Sycamore, Aniegre, African Mahogany, and Black Cherry. We will do custom orders too. Pagan and Specialty Items: We have Red Oak and White Oak Ritual Wands with gems, Washington Driftwood Healing Wands with amethyst, crystaline, and citrine points, handpainted Red Oak and Hedgeapple Viking Runes for devination. We can make custom wood boxes for your tarot cards. Customer satisfaction is our highest priority. If you are looking for unusual or exotic lumbers, then we are the shop you've been searching for. The Keltic Woodshop stands behind and gurantees each item with an owner lifetime warranty on craftsmanship of the product with a replacement, repair, or moneyback in full, no questions asked, policy. We want you happy and completely satisfied with any product you may purchase. We are not a production shop so you will find joinery of woods containing handcut dovetails, as well as mortise and tenon construction. Finishes and stains are never sprayed on, but are applied personally by hand for that quality individual touch. the-tedswoodworking.com

Finally, he allowed me to turn the key in the lock and the front door, with its porthole-shaped window, swung open. I don’t know what I’d expected. I’d tried not to conjure up fantasies of any kind, but what I saw left me inarticulate. The entire apartment had the feel of a ship’s interior. The walls were highly polished teak and oak, with shelves and cubbyholes on every side. The kitchenette was still located to the right where the old one had been, a galley-style arrangement with a pint-size stove and refrigerator. A microwave oven and trash compactor had been added. Tucked in beside the kitchen was a stacking washer-dryer, and next to that was a tiny bathroom. In the living area, a sofa had been built into a window bay, with two royal blue canvas director’s chairs arranged to form a “conversational grouping.” Henry did a quick demonstration of how the sofa could be extended into sleeping accommodations for company, a trundle bed in effect. The dimensions of the main room were still roughly fifteen feet on a side, but now there was a sleeping loft above, accessible by way of a tiny spiral staircase where my former storage space had been. In the old place, I’d usually slept naked on the couch in an envelope of folded quilt. Now, I was going to have an actual bedroom of my own. I wound my way up, staring in amazement at the double-size platform bed with drawers underneath. In the ceiling above the bed, there was a round shaft extending through the roof, capped by a clear Plexiglas skylight that seemed to fling light down on the blue-and-white patchwork coverlet. Loft windows looked out to the ocean on one side and the mountains on the other. Along the back wall, there was an expanse of cedar-lined closet space with a rod for hanging clothes, pegs for miscellaneous items, shoe racks, and floor-to-ceiling drawers. Just off the loft, there was a small bathroom. The tub was sunken with a built-in shower and a window right at tub level, the wooden sill lined with plants. I could bathe among the treetops, looking out at the ocean where the clouds were piling up like bubbles. The towels were the same royal blue as the cotton shag carpeting. Even the eggs of milled soap were blue, arranged in a white china dish on the edge of the round brass sink.

By the old Moulmein Pagoda, lookin' lazy at the sea, There's a Burma girl a-settin', and I know she thinks o' me; For the wind is in the palm-trees, and the temple-bells they say: "Come you back, you British soldier; come you back to Mandalay!" Come you back to Mandalay, Where the old Flotilla lay: Can't you 'ear their paddles chunkin' from Rangoon to Mandalay ? On the road to Mandalay, Where the flyin'-fishes play, An' the dawn comes up like thunder outer China 'crost the Bay! 'Er petticoat was yaller an' 'er little cap was green, An' 'er name was Supi-yaw-lat - jes' the same as Theebaw's Queen, An' I seed her first a-smokin' of a whackin' white cheroot, An' a-wastin' Christian kisses on an 'eathen idol's foot: Bloomin' idol made o' mud Wot they called the Great Gawd Budd Plucky lot she cared for idols when I kissed 'er where she stud! On the road to Mandalay... When the mist was on the rice-fields an' the sun was droppin' slow, She'd git 'er little banjo an' she'd sing "Kulla-lo-lo! With 'er arm upon my shoulder an' 'er cheek agin my cheek We useter watch the steamers an' the hathis pilin' teak. Elephints a-pilin' teak In the sludgy, squdgy creek, Where the silence 'ung that 'eavy you was 'arf afraid to speak! On the road to Mandalay... But that's all shove be'ind me - long ago an' fur away An' there ain't no 'busses runnin' from the Bank to Mandalay; An' I'm learnin' 'ere in London what the ten-year soldier tells: "If you've 'eard the East a-callin', you won't never 'eed naught else." No! you won't 'eed nothin' else But them spicy garlic smells, An' the sunshine an' the palm-trees an' the tinkly temple-bells; On the road to Mandalay... I am sick o' wastin' leather on these gritty pavin'-stones, An' the blasted English drizzle wakes the fever in my bones; Tho' I walks with fifty 'ousemaids outer Chelsea to the Strand, An' they talks a lot o' lovin', but wot do they understand? Beefy face an' grubby 'and - Law! wot do they understand? I've a neater, sweeter maiden in a cleaner, greener land! On the road to Mandalay... Ship me somewheres east of Suez, where the best is like the worst, Where there aren't no Ten Commandments an' a man can raise a thirst; For the temple-bells are callin', an' it's there that I would be By the old Moulmein Pagoda, looking lazy at the sea; On the road to Mandalay, Where the old Flotilla lay, With our sick beneath the awnings when we went to Mandalay! O the road to Mandalay, Where the flyin'-fishes play, An' the dawn comes up like thunder outer China 'crost the Bay !

Vines and Tines carried such distinctive and whimsical merchandise that Sadie came close to forgetting the actual purpose of her visit. A sleek, teak table held a setting for an elegant, upscale dinner; a floral arrangement of ivory roses and bursts of dark red berries matched the silk placemats. An ornate silver wine holder encircled a bottle of Tremiato Pinot Noir, the rich color of the wine echoing the deep colors embedded in the centerpiece, almost as if the berries had been infused with the wine itself. Business cards from a local event planner formed a tiny fan on one corner of the table. Instinctively, Sadie leaned forward to smell the flowers, realizing halfway there that her nose was likely to run into silk. To her surprise, the roses were real.

Shirlee opened the teak doors and ushered me in. A thickset man, 40s, swarthy, unshaven, in a loose v-neck t-shirt and carefully

The pairing of Dick Haymes (who had made his name as a popular singer) and George Fenneman (one of radio’s smoothest announcers) as actors in an adventure series was unusual. As Crane, Haymes played a pilot whose seat-of-the-pants operation included one old DC-4, appropriately named “the Flying Eight-Ball.” The opening signature gave ample evidence of content: Flight 743 calling La Guardia Field … Is that you, Crane? What’re you bringing in, tea, teak, or teepee poles? I got a tradewind tan, a tall tale about a tribal treasure, a tropical tramp, and a torrid Tahitian tomato. You know me—I fly anything!

warehouse. His ears perked at the clack of footsteps growing closer to his office. He looked up and waited. Moments later, a heavy rap sounded on the steel door. “Who’s there?” “It’s Joe.” “Come in.” McKinley sat behind his imported teak desk with paperwork spread out in front of him. As the door pushed inward, he slipped off his

near-deserted parking lot, both buildings looking freshly painted and hopeful for a marina in which there were no yachts. The biggest boat moored at the dock looked to be a forty-footer. Most of the others looked to be lobster boats, aged and constructed of wood. A few of the newer ones were fiberglass. The nicest of those was about thirty-five feet long, the hull painted blue, the wheelhouse painted white, the deck a honey teak. She paid attention to it because her husband stood on it, bathed in their headlights. Caleb exited the car fast. He pointed back at her, told Brian his wife was not taking things well. Rachel was happy to note Caleb limped even as he speed-walked to the boat. She, on the other hand, moved slowly, her eyes on Brian. His gaze barely left hers except for the occasional flicks in the direction of Caleb. If she’d known she’d end up killing him, would she have boarded the boat? She could turn around and go to the police. My husband is an impostor, she’d say. She imagined some smarmy desk sergeant replying, “Aren’t we all, ma’am?” Yes, she was certain, it was a crime to impersonate someone and a crime to keep two wives, but were those serious crimes? In the end, wouldn’t Brian just take a plea and it would all go away? She’d be left the laughingstock never-was, the failed print reporter who’d become a pill-addicted broadcast reporter who’d become a punch line and then a shut-in and who would keep the local comics stocked with weeks of fresh material once it was discovered that Meltdown Media Chick had married a con man with another wife and another life. She followed Caleb up the ramp to the boat. He stepped aboard. When she went to do the same, Brian offered his hand. She stared at it until he dropped it. He noticed the gun she carried. “Should I show you mine? So I feel safer?” “Be my guest.” She stepped aboard. As she did, Brian caught her by the wrist and stripped the gun from her hand in the same motion. He pulled his own gun, a .38 snub-nosed revolver, from under the flaps of his shirt and then laid them both on a table by the

The optimum image is the teak cockpit loaded soft with brown dazed girls while the eagle-eyed skipper on his fly bridge chugs Baby Dear under a lift bridge to keep a hundred cars stalled waiting in the sun, their drivers staring malignantly at the slow passage of the lazy-day sex float and the jaunty brown muscles of the man at the helm. But the more frequent reality is a bust gasket, Baby Dear drifting in a horrid chop, girls sun-poisoned and whoopsing, hero skipper clenching the wrong size wrench in barked hands and raising a greasy scream to the salty demons who are flattening his purse and canceling his marine insurance.

Oh you, the drizzle that falls at dawn. The cold that bites the bones. The light that hangs under the thick blanket. You, the hope of the rising sun. The beauty that rolls like dewdrops over the leaves, more brilliant than jewels. How can my heart not be captivated by your cheerfulness when welcoming the morning? The blossoming petals of the flowers, the dainty stems of the roses blowing in the wind. Enchanted by your crisp laughter, by your personal warmth that shines from deep within. How could I not fall for your graceful, understated beauty? How you spread happiness in ways I don't understand. You vibrate the strings of hope in my weary soul. And you make me think of you, day and night. You lull my restless sleep by reflecting your dazzling light like the neon lights across the street. Your smile is imagined in my dreams like a kite flying in the blue sky in my childhood longing. You stir my heart like a boat tossing on the waves. Waiting for the tide to take me home. Do not break my hope to reach your shores. Let me walk on your soft sand. Take shelter under your umbrella that covers me from the sun's scorching heat. You accept me into your small and simple yet well-organized cottage full of flowers. You welcomed me joyfully at your solid teak door. And you will take care of me no longer as a stranger in your clean home but as my own. In love blossomed by waiting, praying and hoping. In the consolation of the heart in order to realize the eternal dreams.

His subject that day was an African approach to management called ubuntu, which was all about creating a sense of community and shared responsibility in the workplace. Reuben and other prominent South African business thinkers were excited about ubuntu, a distinctly African take on a subject that seemed so very un-African: management. Francine even had the word ubuntu carved into a piece of teak hanging behind her desk. “The West really has so much to learn from Africa,” she frequently reminded me.

Sub-Zero I am a genteel wretch, not without gaiety or self-respect, a ‘ragamuffin top’, so to speak, dining daily off an eclectic tasters menu culled from hunter green dumpsters of Zagat 29s. It’s really not a bad life, a bit of an adventure too, like the time I went fishing for bream from a mokoro in the Okavanga Delta and a hippo nearly tipped my dugout because I inadvertently came between the mom and her calf. I pissed my pants and returned for a change of wardrobe and cocktails to my five star safari tent at Camp Moreni, a charming hideaway with a teak wardrobe, designer linens, woven rugs and en-suite bathroom. Lately, I’ve sought shelter in a Sub-Zero Pro 48 cardboard box which I’ve accented with freshly plucked Lilies of the Valley. Sure, it’s smaller than the GE 25 cubic but you can’t compare the stiffness of the corrugation, the A-fluting and 400# test strength. Hey, without our standards what are we?

Sub-Zero I am a genteel wretch, not without gaiety or self-respect, a ‘ragamuffin top’, so to speak,dining daily off an eclectic tasters menu culled from hunter green dumpsters of Zagat 29s. It’s really not a bad life, a bit of an adventure too, like the time I went fishing for bream from a mokoro in the Okavanga Delta and a hippo nearly tipped my dugout because I inadvertently came between the mom and her calf. I pissed my pants and returned for a change of wardrobe and cocktails to my five star safari tent at Camp Moreni,a charming hideaway with a teak wardrobe, designer linens, woven rugs and en-suite bathroom. Lately, I’ve sought shelter in a Sub-Zero cardboard box which I’ve accented with freshly plucked Lilies of the Valley. Sure, it’s smaller than the GE 25 cubic but you can’t compare the stiffness of the corrugation, the A-fluting and 400# test strength. Hey, without our standards what are we?

Seriously?” Spartacus looked amazed. “I thought this looked the same to everyone. We’re in a massive library that stretches all the way to the sky. It’s beautiful, with oak and teak shelves, gorgeous patterns in the wood, and beautiful books. There’s endless amounts to read and look at.

Tank and Major Timms sat at a wide teak desk in Hayley’s study. She used it as her base to run a re-seller business on the internet, so that she could combine work with being a mother to five-year-old twins. The desk had a thin layer of dust across it, a sign that the study hadn’t been used since the twins were snatched. Thick beige carpet covered the floor and two bookshelves flanked the window. Tank fired the computer up and the screen flickered through a series of different backgrounds as the broadband connected. Hayley’s home page appeared and an automated voice informed them that the e-mail box was full. Tank scanned the headers in the inbox to see if there was anything suspicious in there. It all appeared to be innocent. There were no ransom demands – more is the pity, he thought. A

So,” he said, clearing the roughness out of his throat. “Where should we set up?” There was a narrow galley belowdeck and, he knew from Tom’s brief tour earlier, there was also a small cabin tucked up in front, with a snug queen-size bed wedged inside and a small shower between the two. All completely outfitted, ready for its next occupants. He tried like hell not to think about that. He knew she’d been about to say or do something when she’d closed the lid of the bin, but whatever it was, she let that go. He had no doubt she’d get back to it, if it was important to her. “Foredeck,” she said, motioning with her free hand to the expanse of white fiberglass and sealed teak that formed the raised, flat, front end of the boat, where the thick masts soared upward, rigged out under full sail. “You okay to maneuver up there? I can take the hamper.” “No worries,” he said. “I’ve got it.” Given the way things were going and the war he was waging with his body, better to keep his hands full for as long as humanly possible.

She discreetly set the letter down on the pink velvet love seat and left the room to try to find the princess. Maybe Louise could comfort her. Stepping into a grand black-and-white-tiled entry hall, Louise’s breath got caught in her throat. She was immediately confronted with a gilded arched mirror hung above the teak hall table on the opposite wall.

The Line welcomed rain and sun. Seeds germinated in mass graves, between skulls and femurs and broken pick handles, tendrils rose up alongside dog spikes and clavicles, thrust around teak sleepers and tibias, scapulas, vertebrae, fibulas and femurs.

hatch our survival plan in the coolest place we could find. We made our way into the cluttered room at the windowed front of the deckhouse—what our boat builders back in Hong Kong called the “lavish grand salon” in their sales brochures. With us, it was more like the messy rumpus room. True, the room had, as advertised, “a curved couch, sleek teak paneling, and hardwood cabinetry with a built-in sink.” But the sink had dirty dishes and empty soda bottles in it, the paneled walls were cluttered with a collection of my parents’ favorite treasures (including a conquistador helmet, a rare African tribal mask, a grog jug shaped like a frog, a rusty cannonball from a Confederate gunboat, a bronze clock covered with cherubs that probably belonged to King Louis XIV, and, in a glass shadow box, a rusty steak knife from the Titanic). There were assorted trinkets, necklaces, and coconut heads suspended from the ceiling. Add a heap of scuba and snorkel gear and assorted socks, shoes, and T-shirts on the floor (the floor is our laundry basket), and our grand salon looked more like a live-in recycling bin. “Have we even seen a map for this treasure hunt?” asked Beck. “Nope. Dad just said we needed to be in the Caymans.” “Then we need to find his map.

What was a prisoner of war anyway? Less than a man, just material to be used to make the railway, like the teak sleepers and steel rails and dog spikes.

teak

Here you go,” he says, “the perfect spot to lie in the rain without judgment, without being disturbed.” He nods toward the teak-covered floor. “Does this work?” “This more than works.

The VOC controlled eight different ports east of Cape Town but had access to more than fifteen major commodities that included, but were not limited to, cinnamon, cloves, tea, silk, porcelain, cloth, pepper, tea teak, sandalwood, and camphor.

But though it was to be an economical crossing, one step up from steerage, in the Canadian Pacific offices off Trafalgar Square—more cathedral than bureau, all teak, marble, and hush, and with scale models of famous ocean liners from the old days illuminated in the windows—even this most modest of transactions was handled with dignity and circumstance.

Somewhere on the border of Burma and India is a monument. Carved on a giant teak tree, “preserved for humanity,” are the words BANDOOLA BORN 1897, KILLED IN ACTION 1944. Williams never saw Po Toke again.

Saugandhi wished she could spend all of her life in a box like that so that those on the outside could continue looking for her. sometimes the should be able to find her, so she could in turn become the seeker. The life she had led these last five years also constituted a type of hide-and-seek. Occasionally she found someone and often someone found her -- her life continued to progress in this manner and she was happy. Every night there was a man by her side on the large teak bed ans she, show knew many tricks to keep a man at bay. she who had resolved not to let any man take advantage of her, she, Sangandhi, overcome by emotion, would find her resolve diminishing and would begin to flow with her emotions and this remain, to the end, a woman insatiated.

This chipped quite a bit off the euphoria I was feeling. I had been relying on the story I had prepared to put me over with a bang, carrying me safely through the first awkward moments when the fellow you've called on without an invitation is staring at you as if wondering to what he owes the honour of this visit, and now it would have to remain untold. It was one I had heard from Catsmeat Potter-Pirbright at the Drones and it was essentially a conte whose spiritual home was the smoking-room of a London club or the men's wash-room on an American train – in short, one by no means adapted to the ears of the gentle sex; especially a member of that sex who probably ran the local Watch Committee. It was, consequently, a somewhat damped Bertram Wooster whom the maid ushered into the drawing-room, and my pep was in no way augmented by the first sight I had of mine hostess. Mrs McCorkadale was what I would call a grim woman. Not so grim as my Aunt Agatha, perhaps, for that could hardly be expected, but certainly well up in the class of Jael the wife of Heber and the Madame Whoever-it– was who used to sit and knit at the foot of the guillotine during the French Revolution. She had a beaky nose, tight thin lips, and her eye could have been used for splitting logs in the teak forests of Borneo. Seeing her steadily and seeing her whole, as the expression is, one marvelled at the intrepidity of Mr McCorkadale in marrying her – a man obviously whom nothing could daunt.