Tea Kettle Quotes

We had a kettle; we let it leak: Our not repairing made it worse. We haven't had any tea for a week... The bottom is out of the Universe.

Meanwhile, let us have a sip of tea. The afternoon glow is brightening the bamboos, the fountains are bubbling with delight, the soughing of the pines is heard in our kettle. Let us dream of evanescence and linger in the beautiful foolishness of things.

Come oh come ye tea-thirsty restless ones -- the kettle boils, bubbles and sings, musically.

a hardened and shameless tea-drinker, who has, for twenty years, diluted his meals with only the infusion of this fascinating plant; whose kettle has scarcely time to cool; who with tea amuses the evening, with tea solaces the midnight, and, with tea, welcomes the morning.

Cruel Prince James strode into the chamber, his cape flashing behind him and his terrible, terrible mustache askew with rage,” Lucie narrated the moment James walked through the door. “Does it need be said twice that it’s terrible?” James said. “He required a hot beverage to soothe his throat, parched from barking out his wicked commands all day. Tea, he thought, yes, tea and revenge.” “I’ll just go put the kettle on,” James sighed.

He fell ass over tea Kettle

A man who wishes to make his way in life could do no better than go through the world with a boiling tea-kettle in his hand.

Being tender and open is beautiful. As a woman, I feel continually shhh’ed. Too sensitive. Too mushy. Too wishy washy. Blah blah. Don’t let someone steal your tenderness. Don’t allow the coldness and fear of others to tarnish your perfectly vulnerable beating heart. Nothing is more powerful than allowing yourself to truly be affected by things. Whether it’s a song, a stranger, a mountain, a rain drop, a tea kettle, an article, a sentence, a footstep, feel it all – look around you. All of this is for you. Take it and have gratitude. Give it and feel love.

My flat's about half a mile away, and you know what I'd like most of all in the world? I'd like a cup of tea. Come on, let's go and put the kettle on.

That is the only way to get a kettle to boil up the river. If it sees that you are waiting for it and are anxious, it will never even sing. You have to go away and begin your meal, as if you were not going to have any tea at all. You must not even look round at it. Then you will soon hear it sputtering away, mad to be made into tea.

Rosalind exploded with a shriek worthy of a tea-kettle.

so it was just me and the tea kettle, screaming to ourselves at midnight.

Theo looked away first, turning back to the tea-kettle. The firelight pocked and hollowed his face. 'Do you have a preference? Between men and women?' 'I feel equally comfortable as either.' 'No, I don't mean . . . not all of us can change our gender at will.' 'I don't change my gender. I exist as both.' 'You're not . . . That doesn't make sense.' 'It does to me.

I. At Tea THE kettle descants in a cosy drone, And the young wife looks in her husband's face, And then in her guest's, and shows in her own Her sense that she fills an envied place; And the visiting lady is all abloom, And says there was never so sweet a room. And the happy young housewife does not know That the woman beside her was his first choice, Till the fates ordained it could not be so.... Betraying nothing in look or voice The guest sits smiling and sips her tea, And he throws her a stray glance yearningly.

Jin made a sound as high pitched as a tea kettle as his spherical body vibrated with excitement. "Pirate hunters. We're going to be pirate hunters." Damn it. She'd lost him. Jin bobbed up and down, looking like a jack in the box. "I never say this, but be yourself, Kira, and we can realize our lifelong dream." Jin screamed to himself as he careened in a circle. "We'll get a big fancy hat and an artificial leg. This is going to be great.

Alternative Anthem. Put the kettle on Put the kettle on It is the British answer to Armageddon. Never mind taxes rise Never mind trains are late One thing you can be sure of and that’s the kettle, mate. It’s not whether you lose It’s not whether you win It’s whether or not you’ve plugged the kettle in. May the kettle ever hiss May the kettle ever steam It is the engine that drives our nation’s dream. Long live the kettle that rules over us May it be limescale free and may it never rust. Sing it on the beaches Sing it from the housetops The sun may set on empire but the kettle never stops.

The order never varies. Two slices of bread-and-butter each, and China tea. What a hide-bound couple we must seem, clinging to custom because we did so in England. Here, on this clean balcony, white and impersonal with centuries of sun, I think of half-past-four at Manderley, and the table drawn before the library fire. The door flung open, punctual to the minute, and the performance, never-varying, of the laying of the tea, the silver tray, the kettle, the snowy cloth.

Should trouble come, in the dark of night, be it fire or war or black plague, save my children, then my wife, then my tea chest and kettle. With these I can live, quite contentedly. I need nothing else on my estates.

Making tea is a ritual that stops the world from falling in on you. Everything pauses while you do familiar things with taps and kettles; it allows you to catch your breath and become calm.

You’re right, pup. So I’ll be sending you over to the Ishtar for sin to babysit until I get back. That’ll make sure nothing bad happens to you.” ‘Now, that was a nice shade of indignation mottling the boy’s skin. Quite impressive, really. If he were a tea kettle, he’d be whistling like a train.’ – Sundown

Cup of tea?' Lupin said, looking around for his kettle. 'I was just thinking of making one.' 'All right,' said Harry, awkwardly. Lupin tapped the kettle with his wand and a blast of steam issued suddenly from the spout. 'Sit down,' said Lupin, taking the lid off a dusty tin. 'I've only got teabags, I'm afraid-but I daresay you've had enough of tea leaves?' Harry looked at him. Lupin's eyes were twinkling. 'How did you know that?' Harry asked. 'Professor McGonagall told me,' said Lupin, passing Harry a chipped mug of tea. 'You're not worried, are you?

She had a horror he would die at night. And sometimes when the light began to fade She could not keep from noticing how white The birches looked — and then she would be afraid, Even with a lamp, to go about the house And lock the windows; and as night wore on Toward morning, if a dog howled, or a mouse Squeaked in the floor, long after it was gone Her flesh would sit awry on her. By day She would forget somewhat, and it would seem A silly thing to go with just this dream And get a neighbor to come at night and stay. But it would strike her sometimes, making tea: _She had kept that kettle boiling all night long, for company._

There's no 'I' in team. But there is 'tea'. So put the kettle on,

An hour later, we’d indulged in the traditional St Mary’s ritual for dealing with any sort of crisis, which is to imbibe vast reservoirs of tea. People laugh, but it works. By the time the kettle has boiled, the tea made, the amount of sugar added has been silently criticised, the tea blown on and finally drunk … all this takes time, and if you’re a member of St Mary’s with the attention-span of a privet hedge, then you’ve forgotten what you were arguing about in the first place.

Shall I make you a cup of tea? He asked. It was the classic response to crisis practiced throughout these islands—in England, Scotland, and elsewhere. Emotional turmoil, danger, even disaster could be faced with far greater equanimity if the kettle was switched on. War has been declared! There’s been a major earthquake! The stock market has collapsed! Oh really? Let me put the kettle on….

Truth can only be served from a scalding kettle; whether you blister or make tea is up to you.

If I only had a kettle and a cat here, she said to herself, I'd be a perfect picture of a useless old lady.

The smoke rolls along the low ceiling and pours up into the night - a reverse waterfall - like when the kettle boils beneath the plate cupboard.

I do love a hotel room: adore it. What's not to love about everything you need in one room? Would you have a kettle on a tea tray with biscuits in a packet in your bedroom at home? No, you very likely wouldn't. And – please excuse me, MDRC, I'm getting a little giddy here – the kettle. The little tiny kettle on a little tiny stand! Admittedly it's hard to fill as it never quite fits under the basin taps, but that's all just part of the fun.

I have visited lairs, burrows and nests across five continents, observed the curious habits of magical beasts in a hundred countries, witnessed their powers, gained their trust and, on occasion, beaten them off with my travelling kettle. — newt scamander

Tea. Why are the Brits so obsessed with tea? Anything happens... "Put the kettle on." A death in the family. "Put the kettle on." Tornado. "Put the kettle on." Nuclear war. "Put the kettle on.

The tea kettle whistled, and Melissa poured it over the tea at the bottom of the glass pot. While it steeped, Melissa opened the back door to her favorite sight in her corner of the world—her herb and butterfly garden. Blue and purple lupine, shocking pink four o’clocks, orange poppies, and sunny-yellow damiana greeted her, still shaded by the fig tree on the east side of the garden.

The whistling of a ghost is like no other sound in a fistful of universes, because it is woven of all the whistles the ghost has ever heard, and so it usually includes train moans, lunch whistles, fire alarms, and the affronted-virgin screaming of tea kettles.

The magic in that country was so thick and tenacious that it settled over the land like chalk-dust and over floors and shelves like sticky plaster-dust. (House-cleaners in that country earned unusually good wages.) If you lived in that country, you had to de-scale your kettle of its encrustation of magic at least once a week, because if you didn't, you might find yourself pouring hissing snakes or pond slime into your teapot instead of water. (It didn't have to be anything scary or unpleasant, especially in a cheerful household - magic tended to reflect the atmosphere of the place in which it found itself -- but if you want a cup of tea, a cup of lavender-and-gold pansies or ivory thimbles is unsatisfactory.)

I can’t talk, I’m busy making you tea,” I grumbled. I flicked the kettle on, hoping the noise would drown him out. William stared at me for a second, blinking slowly. “Are you passively-aggressively making me tea?” “Correct.

That is the only way to get a kettle to boil up the river.  If it sees that you are waiting for it and are anxious, it will never even sing.  You have to go away and begin your meal, as if you were not going to have any tea at all.  You must not even look round at it.  Then you will soon hear it sputtering away, mad to be made into tea. It is a good plan, too, if you are in a great hurry, to talk very loudly to each other about how you don’t need any tea, and are not going to have any.  You get near the kettle, so that it can overhear you, and then you shout out, “I don’t want any tea; do you, George?” to which George shouts back, “Oh, no, I don’t like tea; we’ll have lemonade instead—tea’s so indigestible.”  Upon which the kettle boils over, and puts the stove out. We adopted this harmless bit of trickery, and the result was that, by the time everything else was ready, the tea was waiting.  Then we lit the lantern, and squatted down to supper.

There are three stages of boiling: the first boil is when the little bubbles like the eye of fishes swim on the surface; the second boil is when the bubbles are like crystal beads rolling in a fountain; the third boil is when the billows surge wildly in the kettle.

It's hot rain and humid days and broken thermostats. It's screaming tea kettles and raging steam engines and wanting to take your clothes off just to feel a breeze.

I tell my kinner all the time, ‘Be like the tea kettle; when it’s up to its neck in hot water, it sings.

I amused myself with mental games in which I changed the focus, deceived myself, forgot altogether what had been troubling me or wrapped in a mysterious haze. We might call this confused, hazy state melancholy, or perhaps we should call it by its Turkish name, hüzün, which denotes a melancholy that is communal rather than private. Offering no clarity; veiling reality instead, hüzün brings us comfort, softening the view like the condensation on a window when a tea kettle has been spouting steam on winters day. Steamed-up windows make me feel hüzün, and I still love getting up and walking over to those windows to trace words on them with my finger. As I trace out words and figures on the steamy window, the hüzün inside me dissipates, and I can relax; after I have done all my writing and drawings, I can erase it all with the back of my hand and look outside. But the view itself can bring its own hüzün. The time has come to move towards a better understanding of this feeling that the city of Istanbul carries as its fate.

Henry: How does it feel? How does it feel? Sometimes it feels as though your attention has wandered for just an instant. Then, with a start, you realize that the book you were holding, the red plaid cotton shirt with white buttons, the favorite black jeans and the maroon socks with an almost-hole in one heel, the living room, the about-to-whistle tea kettle in the kitchen: all of these have vanished. You are standing, naked as a jaybird, up to your ankles in ice water in a ditch along an unidentified rural route. You wait a minute to see if maybe you will just snap right back to your book, your apartment, et cetera. After about five minutes of swearing and shivering and hoping to hell you can just disappear, you start walking in any direction, which will eventually yield a farmhouse, where you have the option of stealing or explaining. Stealing will sometimes land you in jail, but explaining is more tedious and time consuming and involves lying anyway, and also sometimes results in being hauled off to jail, so what the hell.

I like staying home, thank-you-very-much, where I know I can always find a plug point for my laptop, I'm never ten steps from a kettle to boil for tea, and I can go to sleep wrapped up in the comfort of my own duvet.

The various objects for the decoration of a room should be so selected that no colour or design shall be repeated. If you have a living flower, a painting of flowers is not allowable. If you are using a round kettle, the water pitcher should be angular. A cup with a black glaze should not be associated with a tea-caddy of black lacquer. In placing a vase of an incense burner on the tokonoma, care should be taken not to put it in the exact centre, lest it divide the space into equal halves. The pillar of the tokonoma should be of a different kind of wood from the other pillars, in order to break any suggestion of monotony in the room.

It is the way in which the Dark returns, Harrier. I will explain, if you like." "Oh, no," Harrier said. "I'd much rather not know a thing about what we're facing. Let me get dressed first." A few minutes later Harrier came back, dressed for the day. He made another cup of hot cordial for Tiercel, refilled the kettle and started the water brewing for tea, and set some dried fruit to soak for griddle-cakes. "Okay. Now. Ruin my day," he invited.

I went back into the house and had put on the kettle for another cup of tea when my attention was caught by a spider on the kitchen wall. As I drew nearer to look at it, the spider called out, “Hello!” It did not seem at all strange to me that a spider should say hello (any more than it seemed strange to Alice when the White Rabbit spoke). I said, “Hello, yourself,” and with this we started a conversation, mostly on rather technical matters of analytic philosophy. Perhaps this direction was suggested by the spider’s opening comment: did I think that Bertrand Russell had exploded Frege’s paradox? Or perhaps it was its voice—pointed, incisive, and just like Russell’s voice (which I had heard on the radio, but also—hilariously—as it had been parodied in Beyond the Fringe).9 D

If you are in difficulties with a book,” suggested H. G. Wells, “try the element of surprise: attack it at an hour when it isn’t expecting it.” This was one way Gail Godwin learned to outfox her “watcher” (the inner critic who kept an eye on her as she worked): looking for times to write when she was off guard. Other tactics Godwin found helpful included writing too fast and in unexpected places and times; working when tired; writing in purple ink on the back of charge card statements; and jotting down whatever came to mind while a tea kettle boiled, using its whistle as a deadline. “Deadlines are a great way to outdistance the watcher,” advised Godwin.

The children do not doubt the evidence of their own bodies. They see what the adults cannot: that one is responsible to a beating heart, that the simple act of walking means moving forward in more than just the literal sense, and that even the act of reaching into the wreckage of a house to save a book or a tea kettle is a kind of beginning.

I am certainly intrepid and splendid and sordid and strong; I can see why you'd want me! But I'm afraid I've left the kettle on or whatever it is people say when they're bored.

I subscribe to the tea-kettle theory of art,” she’d responded. “Open the valve and the energy escapes.

The one universal balm for the trauma of war was tea. It was the thing that helped people cope. People made tea during air raids and after air raids, and on breaks between retrieving bodies from shattered buildings. Tea bolstered the network of thirty thousand observers who watched for German aircraft over England, operating from one thousand observation posts, all stocked with tea and kettles. Mobile canteens dispensed gallons of it, steaming, from spigots. In propaganda films, the making of tea became a visual metaphor for carrying on. “Tea acquired almost a magical importance in London life,” according to one study of London during the war. “And the reassuring cup of tea actually did seem to help cheer people up in a crisis.” Tea ran through Mass-Observation diaries like a river. “That’s one trouble about the raids,” a female diarist complained. “People do nothing but make tea and expect you to drink it.” Tea anchored the day—though at teatime, Churchill himself did not actually drink it, despite reputedly having said that tea was more important than ammunition. He preferred whiskey and water. Tea was comfort and history; above all, it was English. As long as there was tea, there was England. But now the war and the strict rationing that came with it threatened to shake even this most prosaic of pillars.

It was better to die, like Eugénie and Digby, in the prime of life with all one's faculties about one. But he wasn't like that, she thought, glancing at the press cuttings. 'A man of singularly handsome presence... shot, fished, and played golf.' No, not like that in the least. He had been a curious man; weak; sensitive; liking titles; liking pictures; and often depressed, she guessed , by his wife's exuberance. She pushed the cuttings away and took up her book. It was odd how different the same person seemed to two different people, she thought. There was Martin, liking Eugénie; and she, liking Digby. She began to read. She had always wanted to know about Christianity - how it began; what it meant, originally. God is love, The kingdom of Heaven is within us, sayings like that she thought, turning over the pages, what did they mean? The actual words were very beautiful. But who said them - when? Then the spout of the tea-kettle puffed steam at her and she moved it away. The wind was rattling the windows in the back room; it was bending the little bushes; they still had no leaves on them. It was what a man said under a fig tree, on a hill, she thought. And then another man wrote it down. But suppose that what that man says is just as false as what this man - she touched the press cuttings with her spoon - says about Digby? And here I am, she thought, looking at the china in the Dutch cabinet, in this drawing-room, getting a little spark from what someone said all those years ago - here it comes (the china was changing from blue to livid) skipping over all those mountains, all those seas. She found her place and began to read.

It was precisely midnight when he stepped through the door. Taylor had said he wanted everyone in the Incident Room an hour before first light the next day, but Perez wasn't ready for sleep. As he switched on the kettle to make tea, he remembered he hadn't eaten since lunchtime and stuck sliced bread under the grill, fished margarine and marmalade from the fridge. He'd have breakfast now, save time in the morning.

The East and the West, like two dragons tossed in a sea of ferment, in vain strive to regain the jewel of life. We need a Niuka again to repair the grand devastation; we await the great Avatar. Meanwhile, let us have a sip of tea. The afternoon glow is brightening the bamboos, the fountains are bubbling with delight, the soughing of the pines is heard in our kettle. Let us dream of evanescence and linger in the beautiful foolishness of things.

Kim was back within the allotted time, which was mildly impressive since he looked as if it hurt to move. Will doubted he’d eaten anything. “Tea?” he said, because the kettle was on and he was furious but not a monster. “God, yes.

We put the kettle on to boil, up in the nose of the boat, and went down to the stern and pretended to take no notice of it, but set to work to get the other things out. That is the only way to get a kettle to boil up the river.  If it sees that you are waiting for it and are anxious, it will never even sing.  You have to go away and begin your meal, as if you were not going to have any tea at all.  You must not even look round at it.  Then you will soon hear it sputtering away, mad to be made into tea. It is a good plan, too, if you are in a great hurry, to talk very loudly to each other about how you don’t need any tea, and are not going to have any.  You get near the kettle, so that it can overhear you, and then you shout out, “I don’t want any tea; do you, George?” to which George shouts back, “Oh, no, I don’t like tea; we’ll have lemonade instead—tea’s so indigestible.”  Upon which the kettle boils over, and puts the stove out.

Framed through the hall door Will saw the only theater he cared for now, the familiar stage where sat his father (home already! he and Jim must have run the long way round!) holding a book but reading the empty spaces. In a chair by the fire mother knitted and hummed like a tea-kettle.

If I burst into a house and yell to all assembled, “Put on the kettle!” I have uttered an imperative English sentence, but some will probably infer that I would like to have a cup of tea or other hot beverage, while another may further surmise that I feel myself at home here, and may in fact be the occupant of this house. Yet another person present, a monoglot Hungarian, may infer only that I speak English, and so does whomever I am addressing (well, it sounds like English to her), while somebody really in the know will be instantly informed that I have decided after all to steam open that sealed envelope and surreptitiously read the letter inside in spite of the fact that it isn’t addressed to me; a crime is about to be committed. What semantic information can be gleaned from the event depends on what information the gleaner already has accumulated. Learning that somebody speaks English can be a valuable update to your world knowledge, a design improvement that may someday pay big dividends.

Departure It's little I care what path I take, And where it leads it's little I care, But out of this house, lest my heart break, I must go, and off somewhere! It's little I know what's in my heart, What's in my mind it's little I know, But there's that in me must up and start, And it's little I care where my feet go! I wish I could walk for a day and a night, And find me at dawn in a desolate place, With never the rut of a road in sight, Or the roof of a house, or the eyes of a face. I wish I could walk till my blood should spout, And drop me, never to stir again, On a shore that is wide, for the tide is out, And the weedy rocks are bare to the rain. But dump or dock, where the path I take Brings up, it's little enough I care, And it's little I'd mind the fuss they'll make, Huddled dead in a ditch somewhere. "Is something the matter, dear," she said, "That you sit at your work so silently?" "No, mother, no—'twas a knot in my thread. There goes the kettle—I'll make the tea.

There was a jug of creamy milk for the children (Mr Beaver stuck to beer) and a great lump of deep yellow butter in the middle of the table from which everyone took as much as he wanted to go with his potatoes, and all the children thought- and I agree with them- that there's nothing to beat good freshwater fish if you eat it when it has been alive half an hour ago and has come out of the pan half a minute ago. And when they had finished the fish Mrs. Beaver brought unexpectedly out of the oven a great and gloriously sticky marmalade roll, steaming hot, and at the same time moved the kettle onto the fire, so that when they had finished the marmalade roll the tea was made and ready to be poured out.

Rummaging through the cupboard like a wartime surgeon frantically searching for the right bandage, Peter swept aside Yogi Tea and Harmony Herbal Blend, though he hesitated for a second over chamomile. But no. Stay focused, he admonished himself. He knew it was there, that opiate of the Anglos. And his hand clutched the box just as the kettle whistled. Violent death demanded Earl Grey.

The slight pull was all it took to completely unbalance his precarious load and dump the manure - all atop her boots. "Bloody hell! Look what ye done!" the boy cried...If ye hadn't come along and pulled me o'er it ne'er would have happened.But now ye'd best clean it up afore Devington or Jeffries comes along." "Me?" she replied incredulously. "I'm not the clumsy oaf who dumped it. It's not my mess to clean." "Well, I ain't about to be the last to finish my chores. Devington will have me turning over the reeking dung pit instead of breaking me fast wi' the other chaps." "That's nothing compared to my boots, you ham-fisted lout!" "Tweren't me what pulled the wheelbarrow arse over tea kettle, ye wantwit! Go bugger yer mother and lick yer boots clean!" "I'll box your ears, you brazen-faced little jackanapes!...

It is pure shite the tea that fella make and I can't get to the kettle so easy to fix it, Tomás complained. The wrong cup of tea can make a body very miserable. It's not that you'd need the right cup of tea all day long. You can bypass a few cups. An average or passable six of them. But about every twelve there's a long thirst only ever relieved by the right cup. Am I right? Oh you are. You're absolutely right.

My Mother They are killing her again. She said she did it One year in every ten, But they do it annually, or weekly, Some even do it daily, Carrying her death around in their heads And practicing it. She saves them The trouble of their own; They can die through her Without ever making The decision. My buried mother Is up-dug for repeat performances. Now they want to make a film For anyone lacking the ability To imagine the body, head in oven, Orphaning children. Then It can be rewound So they can watch her die Right from the beginning again. The peanut eaters, entertained At my mother’s death, will go home, Each carrying their memory of her, Lifeless – a souvenir. Maybe they’ll buy the video. Watching someone on TV Means all they have to do Is press ‘pause’ If they want to boil a kettle, While my mother holds her breath on screen To finish dying after tea. The filmmakers have collected The body parts, They want me to see. They require dressings to cover the joins And disguise the prosthetics In their remake of my mother; They want to use her poetry As stitching and sutures To give it credibility. They think I should love it – Having her back again, they think I should give them my mother’s words To fill the mouth of their monster, Their Sylvia Suicide Doll, Who will walk and talk And die at will, And die, and die And forever be dying.

My despair liked a sunny day, windless, a day warmer than it should be, a day that would bring delight to most other people. It would hang in this air and then creep inside me so I felt a bit off, as if infected by a virus, but was not quite sure what was wrong until it had settled in for good and it was too late to fight it back. Soon, my vision would be warped, my head and thighs heavy, my gait lumbering. It kept both fatigue and rest at bay, so I’d wander through day and night as if sleepwalking through water. And I would wander. Around and around the house I’d go, trying to find something to hold my attention, something that felt important and necessary to do. I’d pick up the broom, the rake, the checkbook, the telephone, the pen, but the vapor had penetrated everything, rendering each object weightless and irrelevant. The lamp, the tea kettle, the books on the shelf, the notes I’d written to myself and stuck on the wall: all had been compressed from 3-D to 2-D, like flimsy cartoon versions of themselves.

Happily, there is an effective method to get to the heart of any problem called The Five Whys. You identify a problem and then drill down into The Five Whys behind it. I’ll give you are very simplistic example to illustrate how this works. Problem: My tea was cold. Why #1 The kettle didn’t heat the water. Why #2 There was no power. Why #3 The fuse in the plug was blown. Why #4 An incorrect fuse was being used. Why #5 The required fuse was not specified. Solution: We need to get the right fuse to use in the future.

A high-pitched sound, like steam escaping from a kettle whistles through the dark room. But nobody’s making tea. We both turn toward the source of the eerie noise. A weak stream of unearthly light seeps through the window near the corner of the room and pours onto the floor. Its consistency seems to lie somewhere between a liquid and a solid, like mercury, only blue. Out of the gleaming, wobbly puddle, a phosphorescent vapor rises up. The ghost we thought was Daniel materializes and looms over us for two seconds before he lunges and wraps his hands around Wyatt’s neck.

I’m not sure what I believe, I say, sharply. No one deserves to go through this. That’s all I know. You’re lovely. I leave the room. I take my rage out on the kettle and cutlery drawer. The nurses can hear me make the tea, fucking London can hear me make the tea. Onto a plate, I pile biscuits that I don’t even feel like eating, and return to his room. How are you with food? I ask him. Not too good right now, he says. These are mine then, I say, and I sit down and place the chocolate bourbons on my lap. You’ll get fat, he says. I am fat, and I lift up my jumper. This wasn’t here yesterday, I say. This is trespassing.

It’s actually entertaining.” “You say that like you’re surprised.” He looked like a deer caught in the headlights of an oncoming eighteen-wheeler, and I realized I’d really put him on the spot. What could he say to that? Based on our numerous conversations, I was under the impression communication wasn’t your strong suit? “Never mind,” I said, taking the steam kettle off the stove and filling it with water. I was a British-breakfast-tea-in-the-morning girl, and I made it using a real teapot and everything. “I’m not fishing for compliments.” Okay, I was a little. “I just…I just didn’t expect it to be so funny,” Jason said. “You wanted a serious column about hot dogs?

Sue stepped into a haven that smelled of candles and lemon-scented dish soap, a cabinet of curiosities, one of which was the bathtub smack dab in the middle of the small kitchen. Bob Roy’s railroad flat was four tight, connected rooms, each stuffed with koombies, knickknacks, doodads, furniture pieces of any style, shelves, books, photos in frames, trophies bought from flea markets, old records, small lamps, and calendars from decades before. “I know,” he said. “It looks like I sell magic potions in here, like I’m an animated badger from a Disney cartoon.” He lit a burner on the stove with a huge kitchen match, then filled a shiny, Olde English–style kettle with water from the tap. As he prepared cups on a tray he said, “Tea in minutes, titmouse. Make a home for yourself.

She'd gone and let her hair loose, he thought. Why did she have to do that? It made his hands hurt, actually hurt with wanting to slide into it. "That's good." She stepped in, shut the door. And because it seemed too perfect not to, audibly flipped the lock. Seeing a muscle twitch in his jaw was incredibly satisfying. He was a drowning man, and had just gone under the first time. "Keeley, I've had a long day here.I was just about to-" "Have a nightcap," she finished. She'd spotted the teapot and the bottle of whiskey on the kitchen counter. "I wouldn't mind one myself." She breezed past him to flip off the burner under the now sputtering kettle. She'd put on different perfume, he thought viciously. Put it on fresh, too, just to torment him. He was damn sure of it.It snagged his libido like a fish-hook. "I'm not really fixed for company just now." "I don't think I qualify as company." Competently she warmed the pot, measured out the tea and poured the boiling water in. "I certainly won't be after we're lovers." He went under the second time without even the chance to gulp in air. "We're not lovers." "That's about to change." She set the lid on the pot, turned. "How long do you like it to steep?" "I like it strong, so it'll take some time. You should go on home now." "I like it strong, too." Amazing, she thought,she didn't feel nervous at all. "And if it's going to take some time, we can have it afterward." "This isn't the way for this." He said it more to himself than her. "This is backward, or twisted.I can't get my mind around it. no,just stay back over there and let me think a minute." But she was already moving toward him, a siren's smile on her lips. "If you'd rather seduce me, go ahead." "That's exactly what I'm not going to do." Thought the night was cool and his windows were open to it, he felt sweat slither down his back. "If I'd known the way things were, I'd never have started this." That mouth of his, she thought. She really had to have that mouth. "Now we both know the way things are, and I intend to finish it.It's my choice." His blood was already swimming. Hot and fast. "You don't know anything, which is the whole flaming problem." "Are you afraid of innocence?" "Damn right." "It doesn't stop you from wanting me. Put your hands on me,Brian." She took his wrist,pressed his hand to her breast. "I want your hands on me." The boots clattered to the floor as he went under for the third time.

The one universal balm for the trauma of war was tea. It was the thing that helped people cope. People made tea during air raids and after air raids, and on breaks between retrieving bodies from shattered buildings. Tea bolstered the network of thirty thousand observers who watched for German aircraft over England, operating from one thousand observation posts, all stocked with tea and kettles. Mobile canteens dispensed gallons of it, steaming, from spigots. In propaganda films, the making of tea became a visual metaphor for carrying on. “Tea acquired almost a magical importance in London life,” according to one study of London during the war. “And the reassuring cup of tea actually did seem to help cheer people up in a crisis.” Tea ran through Mass-Observation diaries like a river. “That’s one trouble about the raids,” a female diarist complained. “People do nothing but make tea and expect you to drink it.

BITCH THE POT Tea and gossip go together. At least, that’s the stereotypical view of a tea gathering: a group of women gathered around the teapot exchanging tittle-tattle. As popularity of the beverage imported from China (‘tea’ comes from the Mandarin Chinese cha) increased, it became particularly associated with women, and above all with their tendency to gossip. Francis Grose’s Classical Dictionary of the Vulgar Tongue lists various slang terms for tea, including ‘prattle-broth’, ‘cat-lap’ (‘cat’ being a contemporary slang for a gossipy old woman), and ‘scandal broth’. To pour tea, meanwhile, was not just to ‘play mother’, as one enduring English expression has it, but also to ‘bitch the pot’ – to drink tea was to simply ‘bitch’. At this time a bitch was a lewd or sensual woman as well as a potentially malicious one, and in another nineteenth-century dictionary the phraseology is even more unguarded, linking tea with loose morals as much as loquaciousness: ‘How the blowens [whores] lush the slop. How the wenches drink tea!’ The language of tea had become another vehicle for sexism, and a misogynistic world view in which the air women exchanged was as hot as the beverage they sipped. ‘Bitch party’ and ‘tabby party’ (again the image of cattiness) were the terms of choice for such gossipy gatherings. Men, it seems, were made of stronger stuff, and drank it too. Furthermore, any self-respecting man would ensure his wife and daughters stayed away from tea. The pamphleteer and political writer William Cobbett declared in 1822: The gossip of the tea-table is no bad preparatory school for the brothel. The girl that has been brought up, merely to boil the tea kettle, and to assist in the gossip inseparable from the practice, is a mere consumer of food, a pest to her employer, and a curse to her husband, if any man be so unfortunate as to affix his affections upon her. In the twenty-first century, to ‘spill the T’ has become a firm part of drag culture slang for gossiping. T here may stand for either ‘truth’ or the drink, but either way ‘weak tea’ has come to mean a story that doesn’t quite hold up – and it’s often one told by women. Perhaps it’s time for bitches to make a fresh pot.

may sound strange to American readers that by “eating their own lambs” the Heddles were breaking the law. The fact is that during the war, and for several years after, the people of Britain were strictly rationed. Each person was provided with a book containing coupons for food and clothing. Rationed food included meat, eggs, bacon, cheese, sugar, tea, butter, and fats, etc., etc. The coupons were given up every week for the food. In this way everyone was able to obtain a fair share of the very limited supply of necessary food. Greedy people who had no conscience and plenty of money were able to obtain extra food “under the counter” but the law was strictly enforced. Even farmers were not allowed to kill and eat their own animals, so by killing and eating their lambs the Heddles were liable to severe penalties. The rations allowed by law were very frugal and everybody lost weight but it did us no harm and we were doing it as part of the war effort so nobody grumbled. Many factories in Britain were requisitioned to make precision instruments and other articles which were needed for the war so it soon became impossible to buy clocks and kettles and pots and pans and hairpins. D.

Unamused, Ushara went to pull the kettle from the stove and pour the tea. “That’s beside the point. And you forget that we’re Andarion. We don’t like scars on our males. They’re hideous and gross.” As she turned back, she caught the hurt and stricken expression on Jullien’s face. Too late, she remembered how many scars lined his body. “Jules…” Completely somber, he moved away from her. “I should be going. I have an early shift.” “Jullien?” But it was too late. He was out of her home before she could apologize. “Mum? What happened?” Furious at herself for being so thoughtless, she cupped her son’s chin and sighed. “I accidentally hurt his feelings. I forgot that Jullien has a lot of scars that bother him.” “How could you forget?” “’Cause I don’t see them, Vas. They don’t matter to me.” She brushed the hair back to look at his brow and was about to take him to the doctor to have it stitched when she realized that Jullien had already done it. “He stitched you?” Vas nodded. “He did it so fast, I barely felt it.” She should have known that Jullien wouldn’t have left with it unfinished. Sighing, she kissed Vas’s bandage and hated that she’d hurt Jullien’s feelings. “Come on, honey. Let’s get you cleaned up and ready for bed.

From Tomorrow to Yesterday The tree trunks move in time with the rhythm of her rubber soles on the wet path, where the air is still cool after the night rain. The woodland floor is white with anemones; in one place, growing close to the roots of an ancient tree, they make her think of an old, wrinkled hand. She could go on and on without getting tired, without meeting anyone or thinking of anything in particular, and without coming to the edge of the woods. As if the town did not begin just behind the trees, the leafy suburb with its peaceful roads and its houses hidden behind close-trimmed hedges. She doesn't want to think about anything, and almost succeeds; her body is no more than a porous, pulsating machine. The sun breaks through the clouds as she runs back, its light diffused on the gravel drive and the magnolia in front of the kitchen window. His car is no longer parked beside hers, he must have left while she was in the woods. He hadn't stirred when she rose, and she'd already been in bed when he came home late last night. She lay with her back turned, eyes closed, as he undressed, taking care not to wake her. She leans against one of the pillars of the garage and stretches, before emptying the mailbox and letting herself into the house. She puts the mail on the kitchen table. The little light on the coffeemaker is on; she switches it off. Not so long ago, she would have felt a stab of irritation or a touch of tenderness, depending on her mood. He always forgets to turn off that machine. She puts the kettle on, sprinkles tea leaves into the pot, and goes over to the kitchen window. She observes the magnolia blossoms, already starting to open. They'll have to talk about it, of course, but neither of them seems able to find the right words, the right moment. She pauses on her way through the sitting room. She stands amid her furniture looking out over the lawn and the pond at the end of the garden. The canopies of the trees are dimly reflected in the shining water. She goes into the bathroom. The shower door is still spotted with little drops. As time went on they have come to make contact during the day only briefly, like passing strangers. But that's the way it has been since the children left home, nothing unusual in that. She takes off her clothes and stands in front of the mirror where a little while ago he stood shaving. She greets her reflection with a wry smile. She has never been able to view herself in a mirror without this moue, as if demonstrating a certain guardedness about what she sees. The dark green eyes and wavy black hair, the angularity of her features. She dyes her hair exactly the color it would have been if she hadn't begun to go gray in her thirties, but that's her only protest against age.

HEART OF TEA DEVOTION Now stir the fire, and close the shutters fast, Let fall the curtains, wheel the sofa round, And, while the bubbling and loud hissing urn Throws up a steamy column and the cups That cheer but not inebriate, wait on each, So let us welcome peaceful ev ning in. WILLIAM COWPER Perhaps the idea of a tea party takes you back to childhood. Do you remember dressing up and putting on your best manners as you sipped pretend tea out of tiny cups and shared pretend delicacies with your friends, your parents, or your teddy bears? Were you lucky enough to know adults who cared enough to share tea parties with you? And are you lucky enough to have a little person with whom you could share a tea party today? Is there a little girl inside you who longs for a lovely time of childish imagination and "so big" manners? It could be that the mention of teatime brings quieter memories-cups of amber liquid sipped in peaceful solitude on a big porch, or friendly confidences shared over steaming cups. So many of my own special times of closeness-with my husband, my children, my friends-have begun with putting a kettle on to boil and pulling out a tea tray. But even if you don't care for tea-if you prefer coffee or cocoa or lemonade or ice water, or if you like chunky mugs better than gleaming silver or delicate china, or if you find the idea of traditional tea too formal and a bit intimidating-there's still room for you at the tea table, and I think you would love it there! I have shared tea with so many people-from business executives to book club ladies to five-year-old boys. And I have found that few can resist a tea party when it is served with the right spirit. You see, it's not tea itself that speaks to the soul with such a satisfying message-although I must confess that I adore the warmth and fragrance of a cup of Earl Grey or Red Zinger. And it's not the teacups themselves that bring such a message of beauty and serenity and friendship-although my teacups do bring much pleasure. It's not the tea, in other words, that makes teatime special, it's the spirit of the tea party. It's what happens when women or men or children make a place in their life for the

Sophie!” Val spotted her first and abandoned all ceremony to wrap his arms around her. “Sophie Windham, I have missed you and missed you.” He held her tightly, so tightly Sophie could hide her face against his shoulder and swallow back the lump abruptly forming in her throat. “I have a new étude for you to listen to. It’s based on parallel sixths and contrary motion—it’s quite good fun.” He stepped back, his smile so dear Sophie wanted to hug him all over again, but St. Just elbowed Val aside. “Long lost sister, where have you been?” His hug was gentler but no less welcome. “I’ve traveled half the length of England to see you, you know.” He kissed her cheek, and Sophie felt a blush creeping up her neck. “You did not. You’ve come south because Emmie said you must, and you want to check on your ladies out in Surrey.” Westhaven waited until St. Just had released her. “I wanted to check on you.” His hug was the gentlest of all. “But you were not where you were supposed to be, Sophie. You have some explaining to do if we’re to get the story straight before we face Her Grace.” The simple fact of his support undid her. Sophie pressed her face to his shoulder and felt a tear leak from her eye. “I have missed you so, missed all of you so much.” Westhaven patted her back while Valentine stuffed a cold, wrinkled handkerchief into her hand. “We’ve made her cry.” St. Just did not sound happy. “I’m just…” Sophie stepped away from Westhaven and dabbed at her eyes. “I’m a little fatigued is all. I’ve been doing some baking, and the holidays are never without some challenges, and then there’s the baby—” “What baby?” All three men spoke—shouted, more nearly—as one. “Keep your voices down, please,” Sophie hissed. “Kit isn’t used to strangers, and if he’s overset, I’ll be all night dealing with him.” “And behold, a virgin shall conceive,” Val muttered as Sophie passed him back his handkerchief. St. Just shoved him on the shoulder. “That isn’t helping.” Westhaven went to the stove and took the kettle from the hob. “What baby, Sophie? And perhaps you might share some of this baking you’ve been doing. The day was long and cold, and our brothers grow testy if denied their victuals too long.” He sent her a smile, an it-will-be-all-right smile that had comforted her on many an occasion. Westhaven was sensible. It was his surpassing gift to be sensible, but Sophie found no solace from it now. She had not been sensible, and worse yet, she did not regret the lapse. She would, however, regret very much if the lapse did not remain private. “The tweenie was anticipating an interesting event, wasn’t she?” Westhaven asked as he assembled a tea tray. While Sophie took a seat at the table, St. Just hiked himself onto a counter, and Val took the other bench. “Joleen,” Sophie said. “Her interesting event is six months old, a thriving healthy child named… Westhaven, what are you doing?” “He’s making sure he gets something to eat under the guise of looking after his siblings,” St. Just said, pushing off the counter. “Next, he’ll fetch the cream from the window box while I make us some sandwiches. Valentine find us a cloth for the table.” “At once, Colonel.” Val snapped a salute and sauntered off in the direction of the butler’s pantry, while Westhaven headed for the colder reaches of the back hallway. “You

that arguments like yours cannot establish whether the first cause was, or is, alive or conscious—‘and,’ he says, ‘an inanimate, unconscious god is of little use to theism.’ 29 He has a point there, doesn’t he?” “No, I don’t think so,” said Craig. “One of the most remarkable features of the kalam argument is that it gives us more than just a transcendent cause of the universe. It also implies a personal Creator.” “How so?” Craig leaned back into his chair. “There are two types of explanations—scientific and personal,” he began, adopting a more professorial tone. “Scientific explanations explain a phenomenon in terms of certain initial conditions and natural laws, which explain how those initial conditions evolved to produce the phenomenon under consideration. By contrast, personal explanations explain things by means of an agent and that agent’s volition or will.” I interrupted to ask Craig for an illustration. He obliged me by saying: “Imagine you walked into the kitchen and saw the kettle boiling on the stove. You ask, ‘Why is the kettle boiling?’ Your wife might say, ‘Well, because the kinetic energy of the flame is conducted by the metal bottom of the kettle to the water, causing the water molecules to vibrate faster and faster until they’re thrown off in the form of steam.’ That would be a scientific explanation. Or she might say, ‘I put it on to make a cup of tea.’ That would be a personal explanation. Both are legitimate, but they explain the phenomenon in different ways.” So far, so good. “But how does this relate to cosmology?” “You see, there cannot be a scientific explanation of the first state of the universe. Since it’s the first state, it simply cannot be explained in terms of earlier

Edith had boiled the kettle and was pouring cups of tea into fine Wedgewood porcelain.

In amongst this welter of slightly scruffy but undoubtedly high-tech equipment, I was amazed to see a small kettle and two mugs nestling quietly on a shelf under a rather large first aid locker. "Yes," he said, resigned. "Show me a cup of tea and I'll show you at least two historians attached to it.

As much as life hacking promises, it obscures. The hope that a robotic kettle will shave a few minutes off a busy morning can all too easily eclipse the simple pleasure of a cup of tea. (*Hacking Life*, p. 12)

The heaven of modern humanity is indeed shattered in the Cyclopean struggle for wealth and power. The world is groping in the shadow of egotism and vulgarity. Knowledge is bought through a bad conscience, benevolence practiced for the sake of utility. The East and West, like two dragons tossed in a sea of ferment, in vain strive to regain the jewel of life.. Meanwhile, let us have a sip of tea. The afternoon glow is brightening the bamboos, the fountains are bubbling with delight, the soughing of the pines is heard in our kettle. Let us dream of evanescence, and linger in the beautiful foolishness of things.

I daresay. It’s not hard, if you get your mind right.” “Can you teach me?” “I just have. I showed you.” “No, Granny, you just showed me how to do it, not . . . how to do it!” “Can’t tell you that. I know how I do it. How you do it’ll be different. You’ve just got to get your mind right.” “How do I do that?” “How should I know? It’s your mind,” snapped Granny. “Put the kettle on again, will you? My tea’s gone cold.

Can’t tell you that. I know how I do it. How you do it’ll be different. You’ve just got to get your mind right.” “How do I do that?” “How should I know? It’s your mind,” snapped Granny. “Put the kettle on again, will you? My tea’s gone cold.

The pupils of Yukina's eyes dilated as the air around her body got colder. "Test me and I'll have you sent to the Manth sector. You'll do nothing but chase pirates for the rest of your lives." Dead silence came after her words. "Kira!" Jin whispered. "No." "But—" "Don't do it," Kira warned. Jin made a sound as high pitched as a tea kettle as his spherical body vibrated with excitement. "Pirate hunters. We're going to be pirate hunters." Damn it. She'd lost him. Jin bobbed up and down, looking like a jack in the box. "I never say this, but be yourself, Kira, and we can realize our lifelong dream." Jin screamed to himself as he careened in a circle. "We'll get a big fancy hat and an artificial leg. This is going to be great. Kira tilted her face up to the ceiling and sighed.

I’m not long for this world. I’m not long for this world. That’s something I grew accustomed to hearing my grandmother avow while waiting for instance for the kettle to boil. The dull infinite rumbling sound of water shuddering to vapour heaven knows can all of a sudden bring on such celestial yearnings. Or perhaps after, seated. While she stirred sugar into her tea and I herded cake crumbs about the tea plate on my knee with the small engrossed pad of my middle finger. She said it one day while we were both sat waiting for pudding in the living room of my aunt’s house near the brook and my aunt came flying in from the kitchen holding up a large steaming spoon and said very crossly, “Mum! Don’t say things like that in front of her.” But I didn’t mind, I didn’t mind one bit. In fact I rather liked it when she said that and said it myself later on when I got home and was sitting on the edge of my bed. I am not long for this world. I am not long for this world. I was already experiencing the sensation by this time that I was outside of the world, looking in, and the feelings that sense mostly gave rise to were ones of forlornness and anguish. Sat on the edge of my rosebud-patterned bed, repeating my grandmother’s mantra, however, I felt noble, mysterious, and independent. As if I were only visiting this world in any case and had somewhere a million times better to return to. I am not long for this world. I am not long for this world.

Sometimes, something as simple as putting a kettle on and finding mugs was calming. It was a familiar ritual that grounded a person, bringing order to a chaotic day. One might not be able to control the world, but one could at least control a cup of tea.

left the basket on the doorstep. Clearly, he wanted to be left alone. After last night, she was happy to oblige. Back in her kitchen, she filled the electric kettle and flicked on its switch. She put a scoop of tea leaves in her teapot. The kettle clicked off as the water came to a boil and she went to fetch it. When she turned around, Alec was standing in the doorway. “Hello, you,” he said. “Hi.” They stood looking at each other, smiling shyly. Fiona broke the silence. “You will have noted,” she needled, “that my interpretation of the marine weather forecast yesterday was correct.” “I did, yes. Not a great day to give the mountain another try.” “I shouldn’t think so, given your last attempt.” Alec was about to protest, but there was a knock at the back door. Fiona went to open it. “Oh hello, Owen; come in and have a cuppa.” Owen followed her into the kitchen. “Morning, Alec,” he said. Fiona poured a cup of tea and gestured for Owen to sit. “What do you need, Owen?” Owen hesitated, as if searching for the right words. “David’s already gone back to his cottage. Looked done in when he arrived this morning and left after a

You know what Mum said to me before she died?” Penny asked, and I shook my head. “She told me to make sure you found someone to love you because she couldn’t stand to think of you alone. She said you’d be stubborn, but when the time came, she told me to tell you to snap out of it or else.” “Or else what?” I asked, surprised that I had never heard this story. “She would haunt the kettle until it broke and every single kettle after that until you couldn’t make a cup of tea again.” Penny burst into sobbing laughter. “She said that…”—she gasped for air—“with a straight face!

And lastly, thank you to the kettle I keep in my bedroom. I have named him Steve. I have boiled many a tea, and you have supported me through very tough times.

The magician shrugged and doffed his own hat, and a small tendril of steam poured out with a whistle like a tea-kettle.

And then, because they were both Englishwomen and their hearts were somewhat broken, they turned back into the room and put on the kettle and made themselves a cup of tea.

When I judged it to be tea-time I sat on an old stone wall and opened my tin of treacle biscuits. As I ate them I could hear mother banging the kettle on the hob and my brothers rattling their tea-cups. The biscuits tasted sweetly of the honeyed squalor of home – still only a dozen miles away.

I hustled back to the kitchen to prepare some salabat. The hot ginger tea would cure anything that ailed you, and I'd made a few modifications to boost the flavor and health profile. I set the electric kettle and pulled out the jar of ginger, turmeric, honey, cayenne, and calamansi, the last ingredient adding a refreshing hit of citrus tang.

When people go, the things they leave behind can feel haunted. A father can take your left ventricle and a husband can take your frontal lobe, leaving behind a tea kettle, a lamp shade from Bed Bath & Beyond. A wooden spoon can hold the existential weight of a family Bible while you turn into a shell.

Kettle or desi?’ I ask. Different occasions call for different types of tea. Standard tea – a teabag and boiling water – is for when you’re in a rush or feeling lazy, and desi is for cold mornings and chilly autumn days like today when only a mug of strong, peppery tea will do.

Sushila softly kisses my left eye. She says, “Why don’t I make us some tea,” and I say, “Thank you, that would be wonderful,” and she answers, “You’re not the last rhino.” Then off she goes, to the kettle, on one of those tiny domestic expeditions that, when combined and viewed as a single journey, constitute the great trek of love.

Dex had acquired a few things for the day: a folding table, a red cloth to cover it, an assortment of mugs, six tins of tea, and a colossal electric kettle. The kettle was the most important bit, and Dex was happy with the one they’d found. It was joyfully chubby, with copper plating and a round glass window in both sides, so you could watch the boiling bubbles dance.

Holly went up to her room, switched on the kettle and made a mug of herbal tea. She never travelled without teabags these days. Orange and cranberry, her favourite flavour. She sent an email to the boss and to Joe, describing her conversation with Robson and the barmaid’s description of the people in the Seahorse. She ate the salad she’d made, and then, guiltily, the packet of biscuits that was on the tray next to the kettle.

I thought I might have the energy to perform every action required to make a cup of tea, but I was surprised to remember how many there were: kettle boiling, mug fetching, milk sniffing, tea bag choosing, teaspoon handling. I poured a glass of tap water and sat at the kitchen table, staring into the soggy garden.