Tea Kettle Quotes

We've searched our database for all the quotes and captions related to Tea Kettle. Here they are! All 100 of them:

We had a kettle; we let it leak: Our not repairing made it worse. We haven't had any tea for a week... The bottom is out of the Universe.
Rudyard Kipling (The Collected Poems of Rudyard Kipling)
Meanwhile, let us have a sip of tea. The afternoon glow is brightening the bamboos, the fountains are bubbling with delight, the soughing of the pines is heard in our kettle. Let us dream of evanescence and linger in the beautiful foolishness of things.
Kakuzō Okakura (The Book of Tea)
Come oh come ye tea-thirsty restless ones -- the kettle boils, bubbles and sings, musically.
Rabindranath Tagore (Collected Poems and Plays of Rabindranath Tagore)
a hardened and shameless tea-drinker, who has, for twenty years, diluted his meals with only the infusion of this fascinating plant; whose kettle has scarcely time to cool; who with tea amuses the evening, with tea solaces the midnight, and, with tea, welcomes the morning.
Samuel Johnson
Cruel Prince James strode into the chamber, his cape flashing behind him and his terrible, terrible mustache askew with rage,” Lucie narrated the moment James walked through the door. “Does it need be said twice that it’s terrible?” James said. “He required a hot beverage to soothe his throat, parched from barking out his wicked commands all day. Tea, he thought, yes, tea and revenge.” “I’ll just go put the kettle on,” James sighed.
Cassandra Clare (Chain of Gold (The Last Hours, #1))
He fell ass over tea Kettle
C.E. Murphy (Urban Shaman (Walker Papers, #1))
A man who wishes to make his way in life could do no better than go through the world with a boiling tea-kettle in his hand.
Sydney Smith (A Memoir of the Rev. Sydney Smith; 2 volume set)
Being tender and open is beautiful. As a woman, I feel continually shhh’ed. Too sensitive. Too mushy. Too wishy washy. Blah blah. Don’t let someone steal your tenderness. Don’t allow the coldness and fear of others to tarnish your perfectly vulnerable beating heart. Nothing is more powerful than allowing yourself to truly be affected by things. Whether it’s a song, a stranger, a mountain, a rain drop, a tea kettle, an article, a sentence, a footstep, feel it all – look around you. All of this is for you. Take it and have gratitude. Give it and feel love.
Zooey Deschanel
My flat's about half a mile away, and you know what I'd like most of all in the world? I'd like a cup of tea. Come on, let's go and put the kettle on.
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
That is the only way to get a kettle to boil up the river. If it sees that you are waiting for it and are anxious, it will never even sing. You have to go away and begin your meal, as if you were not going to have any tea at all. You must not even look round at it. Then you will soon hear it sputtering away, mad to be made into tea.
Jerome K. Jerome (Three Men in a Boat (Three Men, #1))
Rosalind exploded with a shriek worthy of a tea-kettle.
Emma Clifton (Five Glass Slippers)
so it was just me and the tea kettle, screaming to ourselves at midnight.
Harper Hawthorne (Of Blood and Aether (Harbingers, #1))
Theo looked away first, turning back to the tea-kettle. The firelight pocked and hollowed his face. 'Do you have a preference? Between men and women?' 'I feel equally comfortable as either.' 'No, I don't mean . . . not all of us can change our gender at will.' 'I don't change my gender. I exist as both.' 'You're not . . . That doesn't make sense.' 'It does to me.
Mackenzi Lee (Loki: Where Mischief Lies)
I. At Tea THE kettle descants in a cosy drone, And the young wife looks in her husband's face, And then in her guest's, and shows in her own Her sense that she fills an envied place; And the visiting lady is all abloom, And says there was never so sweet a room. And the happy young housewife does not know That the woman beside her was his first choice, Till the fates ordained it could not be so.... Betraying nothing in look or voice The guest sits smiling and sips her tea, And he throws her a stray glance yearningly.
Thomas Hardy (Satires of Circumstances: Lyrics and Reveries with Miscellaneous Pieces)
Jin made a sound as high pitched as a tea kettle as his spherical body vibrated with excitement. "Pirate hunters. We're going to be pirate hunters." Damn it. She'd lost him. Jin bobbed up and down, looking like a jack in the box. "I never say this, but be yourself, Kira, and we can realize our lifelong dream." Jin screamed to himself as he careened in a circle. "We'll get a big fancy hat and an artificial leg. This is going to be great.
T.A. White (Threshold of Annihilation (The Firebird Chronicles, #3))
The order never varies. Two slices of bread-and-butter each, and China tea. What a hide-bound couple we must seem, clinging to custom because we did so in England. Here, on this clean balcony, white and impersonal with centuries of sun, I think of half-past-four at Manderley, and the table drawn before the library fire. The door flung open, punctual to the minute, and the performance, never-varying, of the laying of the tea, the silver tray, the kettle, the snowy cloth.
Daphne du Maurier (Rebecca)
Alternative Anthem. Put the kettle on Put the kettle on It is the British answer to Armageddon. Never mind taxes rise Never mind trains are late One thing you can be sure of and that’s the kettle, mate. It’s not whether you lose It’s not whether you win It’s whether or not you’ve plugged the kettle in. May the kettle ever hiss May the kettle ever steam It is the engine that drives our nation’s dream. Long live the kettle that rules over us May it be limescale free and may it never rust. Sing it on the beaches Sing it from the housetops The sun may set on empire but the kettle never stops.
John Agard (Alternative Anthem: Selected Poems (with DVD))
Should trouble come, in the dark of night, be it fire or war or black plague, save my children, then my wife, then my tea chest and kettle. With these I can live, quite contentedly. I need nothing else on my estates.
Bernard-Paul Heroux
Cup of tea?' Lupin said, looking around for his kettle. 'I was just thinking of making one.' 'All right,' said Harry, awkwardly. Lupin tapped the kettle with his wand and a blast of steam issued suddenly from the spout. 'Sit down,' said Lupin, taking the lid off a dusty tin. 'I've only got teabags, I'm afraid-but I daresay you've had enough of tea leaves?' Harry looked at him. Lupin's eyes were twinkling. 'How did you know that?' Harry asked. 'Professor McGonagall told me,' said Lupin, passing Harry a chipped mug of tea. 'You're not worried, are you?
J.K. Rowling (Harry Potter and the Prisoner of Azkaban (Harry Potter, #3))
Making tea is a ritual that stops the world from falling in on you. Everything pauses while you do familiar things with taps and kettles; it allows you to catch your breath and become calm.
Jonathan Stroud (The Creeping Shadow (Lockwood & Co., #4))
You’re right, pup. So I’ll be sending you over to the Ishtar for sin to babysit until I get back. That’ll make sure nothing bad happens to you.” ‘Now, that was a nice shade of indignation mottling the boy’s skin. Quite impressive, really. If he were a tea kettle, he’d be whistling like a train.’ – Sundown
Sherrilyn Kenyon (Retribution (Dark-Hunter, #19))
She had a horror he would die at night. And sometimes when the light began to fade She could not keep from noticing how white The birches looked — and then she would be afraid, Even with a lamp, to go about the house And lock the windows; and as night wore on Toward morning, if a dog howled, or a mouse Squeaked in the floor, long after it was gone Her flesh would sit awry on her. By day She would forget somewhat, and it would seem A silly thing to go with just this dream And get a neighbor to come at night and stay. But it would strike her sometimes, making tea: _She had kept that kettle boiling all night long, for company._
Edna St. Vincent Millay
There's no 'I' in team. But there is 'tea'. So put the kettle on,
Dave Turner (How To Be Dead)
An hour later, we’d indulged in the traditional St Mary’s ritual for dealing with any sort of crisis, which is to imbibe vast reservoirs of tea. People laugh, but it works. By the time the kettle has boiled, the tea made, the amount of sugar added has been silently criticised, the tea blown on and finally drunk … all this takes time, and if you’re a member of St Mary’s with the attention-span of a privet hedge, then you’ve forgotten what you were arguing about in the first place.
Jodi Taylor (A Trail Through Time (The Chronicles of St Mary's, #4))
Shall I make you a cup of tea? He asked. It was the classic response to crisis practiced throughout these islands—in England, Scotland, and elsewhere. Emotional turmoil, danger, even disaster could be faced with far greater equanimity if the kettle was switched on. War has been declared! There’s been a major earthquake! The stock market has collapsed! Oh really? Let me put the kettle on….
Alexander McCall Smith (The Revolving Door of Life (44 Scotland Street, #10))
The smoke rolls along the low ceiling and pours up into the night - a reverse waterfall - like when the kettle boils beneath the plate cupboard.
Joe Dunthorne (Submarine)
Truth can only be served from a scalding kettle; whether you blister or make tea is up to you.
Neal Shusterman (Antsy Does Time (Antsy Bonano, #2))
If I only had a kettle and a cat here, she said to herself, I'd be a perfect picture of a useless old lady.
Gwen Bristow
I do love a hotel room: adore it. What's not to love about everything you need in one room? Would you have a kettle on a tea tray with biscuits in a packet in your bedroom at home? No, you very likely wouldn't. And – please excuse me, MDRC, I'm getting a little giddy here – the kettle. The little tiny kettle on a little tiny stand! Admittedly it's hard to fill as it never quite fits under the basin taps, but that's all just part of the fun.
Miranda Hart (Is It Just Me?)
I have visited lairs, burrows and nests across five continents, observed the curious habits of magical beasts in a hundred countries, witnessed their powers, gained their trust and, on occasion, beaten them off with my travelling kettle. — newt scamander
Newt Scamander (Fantastic Beasts and Where to Find Them)
Tea. Why are the Brits so obsessed with tea? Anything happens... "Put the kettle on." A death in the family. "Put the kettle on." Tornado. "Put the kettle on." Nuclear war. "Put the kettle on.
Andrea Portes (This Is Not a Ghost Story)
The tea kettle whistled, and Melissa poured it over the tea at the bottom of the glass pot. While it steeped, Melissa opened the back door to her favorite sight in her corner of the world—her herb and butterfly garden. Blue and purple lupine, shocking pink four o’clocks, orange poppies, and sunny-yellow damiana greeted her, still shaded by the fig tree on the east side of the garden.
Leslie Leigh (Murder & Moonflowers (The Herbalist #1))
The whistling of a ghost is like no other sound in a fistful of universes, because it is woven of all the whistles the ghost has ever heard, and so it usually includes train moans, lunch whistles, fire alarms, and the affronted-virgin screaming of tea kettles.
Peter S. Beagle (A Fine and Private Place)
The magic in that country was so thick and tenacious that it settled over the land like chalk-dust and over floors and shelves like sticky plaster-dust. (House-cleaners in that country earned unusually good wages.) If you lived in that country, you had to de-scale your kettle of its encrustation of magic at least once a week, because if you didn't, you might find yourself pouring hissing snakes or pond slime into your teapot instead of water. (It didn't have to be anything scary or unpleasant, especially in a cheerful household - magic tended to reflect the atmosphere of the place in which it found itself -- but if you want a cup of tea, a cup of lavender-and-gold pansies or ivory thimbles is unsatisfactory.)
Robin McKinley (Spindle's End)
I can’t talk, I’m busy making you tea,” I grumbled. I flicked the kettle on, hoping the noise would drown him out. William stared at me for a second, blinking slowly. “Are you passively-aggressively making me tea?” “Correct.
Laura Greenwood (Fangs For All (The Vampire Detective, #3))
There are three stages of boiling: the first boil is when the little bubbles like the eye of fishes swim on the surface; the second boil is when the bubbles are like crystal beads rolling in a fountain; the third boil is when the billows surge wildly in the kettle.
Kakuzō Okakura (The Book of Tea)
It's hot rain and humid days and broken thermostats. It's screaming tea kettles and raging steam engines and wanting to take your clothes off just to feel a breeze.
Tahereh Mafi (Unravel Me (Shatter Me, #2))
I tell my kinner all the time, ‘Be like the tea kettle; when it’s up to its neck in hot water, it sings.
Karen Anna Vogel (Amish Friends Knitting Circle (Smicksburg Tales, #2))
That is the only way to get a kettle to boil up the river.  If it sees that you are waiting for it and are anxious, it will never even sing.  You have to go away and begin your meal, as if you were not going to have any tea at all.  You must not even look round at it.  Then you will soon hear it sputtering away, mad to be made into tea. It is a good plan, too, if you are in a great hurry, to talk very loudly to each other about how you don’t need any tea, and are not going to have any.  You get near the kettle, so that it can overhear you, and then you shout out, “I don’t want any tea; do you, George?” to which George shouts back, “Oh, no, I don’t like tea; we’ll have lemonade instead—tea’s so indigestible.”  Upon which the kettle boils over, and puts the stove out. We adopted this harmless bit of trickery, and the result was that, by the time everything else was ready, the tea was waiting.  Then we lit the lantern, and squatted down to supper.
Jerome K. Jerome (Three Men in a Boat (To Say Nothing of the Dog))
I amused myself with mental games in which I changed the focus, deceived myself, forgot altogether what had been troubling me or wrapped in a mysterious haze. We might call this confused, hazy state melancholy, or perhaps we should call it by its Turkish name, hüzün, which denotes a melancholy that is communal rather than private. Offering no clarity; veiling reality instead, hüzün brings us comfort, softening the view like the condensation on a window when a tea kettle has been spouting steam on winters day. Steamed-up windows make me feel hüzün, and I still love getting up and walking over to those windows to trace words on them with my finger. As I trace out words and figures on the steamy window, the hüzün inside me dissipates, and I can relax; after I have done all my writing and drawings, I can erase it all with the back of my hand and look outside. But the view itself can bring its own hüzün. The time has come to move towards a better understanding of this feeling that the city of Istanbul carries as its fate.
Orhan Pamuk (Istanbul: Memories and the City)
Henry: How does it feel? How does it feel? Sometimes it feels as though your attention has wandered for just an instant. Then, with a start, you realize that the book you were holding, the red plaid cotton shirt with white buttons, the favorite black jeans and the maroon socks with an almost-hole in one heel, the living room, the about-to-whistle tea kettle in the kitchen: all of these have vanished. You are standing, naked as a jaybird, up to your ankles in ice water in a ditch along an unidentified rural route. You wait a minute to see if maybe you will just snap right back to your book, your apartment, et cetera. After about five minutes of swearing and shivering and hoping to hell you can just disappear, you start walking in any direction, which will eventually yield a farmhouse, where you have the option of stealing or explaining. Stealing will sometimes land you in jail, but explaining is more tedious and time consuming and involves lying anyway, and also sometimes results in being hauled off to jail, so what the hell.
Audrey Niffenegger (The Time Traveler's Wife)
I like staying home, thank-you-very-much, where I know I can always find a plug point for my laptop, I'm never ten steps from a kettle to boil for tea, and I can go to sleep wrapped up in the comfort of my own duvet.
Amy Alward (Madly (Potion, #1))
The various objects for the decoration of a room should be so selected that no colour or design shall be repeated. If you have a living flower, a painting of flowers is not allowable. If you are using a round kettle, the water pitcher should be angular. A cup with a black glaze should not be associated with a tea-caddy of black lacquer. In placing a vase of an incense burner on the tokonoma, care should be taken not to put it in the exact centre, lest it divide the space into equal halves. The pillar of the tokonoma should be of a different kind of wood from the other pillars, in order to break any suggestion of monotony in the room.
Kakuzō Okakura (The Book of Tea)
I went back into the house and had put on the kettle for another cup of tea when my attention was caught by a spider on the kitchen wall. As I drew nearer to look at it, the spider called out, “Hello!” It did not seem at all strange to me that a spider should say hello (any more than it seemed strange to Alice when the White Rabbit spoke). I said, “Hello, yourself,” and with this we started a conversation, mostly on rather technical matters of analytic philosophy. Perhaps this direction was suggested by the spider’s opening comment: did I think that Bertrand Russell had exploded Frege’s paradox? Or perhaps it was its voice—pointed, incisive, and just like Russell’s voice (which I had heard on the radio, but also—hilariously—as it had been parodied in Beyond the Fringe).9 D
Oliver Sacks (Hallucinations)
If you are in difficulties with a book,” suggested H. G. Wells, “try the element of surprise: attack it at an hour when it isn’t expecting it.” This was one way Gail Godwin learned to outfox her “watcher” (the inner critic who kept an eye on her as she worked): looking for times to write when she was off guard. Other tactics Godwin found helpful included writing too fast and in unexpected places and times; working when tired; writing in purple ink on the back of charge card statements; and jotting down whatever came to mind while a tea kettle boiled, using its whistle as a deadline. “Deadlines are a great way to outdistance the watcher,” advised Godwin.
Ralph Keyes (The Courage to Write: How Writers Transcend Fear)
The children do not doubt the evidence of their own bodies. They see what the adults cannot: that one is responsible to a beating heart, that the simple act of walking means moving forward in more than just the literal sense, and that even the act of reaching into the wreckage of a house to save a book or a tea kettle is a kind of beginning.
Kate Southwood (Falling to Earth)
I subscribe to the tea-kettle theory of art,” she’d responded. “Open the valve and the energy escapes.
Ellen Datlow (Some of the Best from Tor.com, 2014 Edition)
I am certainly intrepid and splendid and sordid and strong; I can see why you'd want me! But I'm afraid I've left the kettle on or whatever it is people say when they're bored.
Catherynne M. Valente (The Girl Who Soared Over Fairyland and Cut the Moon in Two (Fairyland, #3))
The one universal balm for the trauma of war was tea. It was the thing that helped people cope. People made tea during air raids and after air raids, and on breaks between retrieving bodies from shattered buildings. Tea bolstered the network of thirty thousand observers who watched for German aircraft over England, operating from one thousand observation posts, all stocked with tea and kettles. Mobile canteens dispensed gallons of it, steaming, from spigots. In propaganda films, the making of tea became a visual metaphor for carrying on. “Tea acquired almost a magical importance in London life,” according to one study of London during the war. “And the reassuring cup of tea actually did seem to help cheer people up in a crisis.” Tea ran through Mass-Observation diaries like a river. “That’s one trouble about the raids,” a female diarist complained. “People do nothing but make tea and expect you to drink it.” Tea anchored the day—though at teatime, Churchill himself did not actually drink it, despite reputedly having said that tea was more important than ammunition. He preferred whiskey and water. Tea was comfort and history; above all, it was English. As long as there was tea, there was England. But now the war and the strict rationing that came with it threatened to shake even this most prosaic of pillars.
Erik Larson (The Splendid and the Vile: A Saga of Churchill, Family, and Defiance During the Blitz)
It was better to die, like Eugénie and Digby, in the prime of life with all one's faculties about one. But he wasn't like that, she thought, glancing at the press cuttings. 'A man of singularly handsome presence... shot, fished, and played golf.' No, not like that in the least. He had been a curious man; weak; sensitive; liking titles; liking pictures; and often depressed, she guessed , by his wife's exuberance. She pushed the cuttings away and took up her book. It was odd how different the same person seemed to two different people, she thought. There was Martin, liking Eugénie; and she, liking Digby. She began to read. She had always wanted to know about Christianity - how it began; what it meant, originally. God is love, The kingdom of Heaven is within us, sayings like that she thought, turning over the pages, what did they mean? The actual words were very beautiful. But who said them - when? Then the spout of the tea-kettle puffed steam at her and she moved it away. The wind was rattling the windows in the back room; it was bending the little bushes; they still had no leaves on them. It was what a man said under a fig tree, on a hill, she thought. And then another man wrote it down. But suppose that what that man says is just as false as what this man - she touched the press cuttings with her spoon - says about Digby? And here I am, she thought, looking at the china in the Dutch cabinet, in this drawing-room, getting a little spark from what someone said all those years ago - here it comes (the china was changing from blue to livid) skipping over all those mountains, all those seas. She found her place and began to read.
Virginia Woolf (The Years)
It was precisely midnight when he stepped through the door. Taylor had said he wanted everyone in the Incident Room an hour before first light the next day, but Perez wasn't ready for sleep. As he switched on the kettle to make tea, he remembered he hadn't eaten since lunchtime and stuck sliced bread under the grill, fished margarine and marmalade from the fridge. He'd have breakfast now, save time in the morning.
Ann Cleeves (Raven Black (Shetland Island, #1))
It is the way in which the Dark returns, Harrier. I will explain, if you like." "Oh, no," Harrier said. "I'd much rather not know a thing about what we're facing. Let me get dressed first." A few minutes later Harrier came back, dressed for the day. He made another cup of hot cordial for Tiercel, refilled the kettle and started the water brewing for tea, and set some dried fruit to soak for griddle-cakes. "Okay. Now. Ruin my day," he invited.
Mercedes Lackey (The Phoenix Endangered (Enduring Flame, #2))
The East and the West, like two dragons tossed in a sea of ferment, in vain strive to regain the jewel of life. We need a Niuka again to repair the grand devastation; we await the great Avatar. Meanwhile, let us have a sip of tea. The afternoon glow is brightening the bamboos, the fountains are bubbling with delight, the soughing of the pines is heard in our kettle. Let us dream of evanescence and linger in the beautiful foolishness of things.
Kakuzō Okakura (The Book of Tea)
Kim was back within the allotted time, which was mildly impressive since he looked as if it hurt to move. Will doubted he’d eaten anything. “Tea?” he said, because the kettle was on and he was furious but not a monster. “God, yes.
K.J. Charles (The Sugared Game (The Will Darling Adventures, #2))
We put the kettle on to boil, up in the nose of the boat, and went down to the stern and pretended to take no notice of it, but set to work to get the other things out. That is the only way to get a kettle to boil up the river.  If it sees that you are waiting for it and are anxious, it will never even sing.  You have to go away and begin your meal, as if you were not going to have any tea at all.  You must not even look round at it.  Then you will soon hear it sputtering away, mad to be made into tea. It is a good plan, too, if you are in a great hurry, to talk very loudly to each other about how you don’t need any tea, and are not going to have any.  You get near the kettle, so that it can overhear you, and then you shout out, “I don’t want any tea; do you, George?” to which George shouts back, “Oh, no, I don’t like tea; we’ll have lemonade instead—tea’s so indigestible.”  Upon which the kettle boils over, and puts the stove out.
Jerome K. Jerome (Three Men in a Boat (To Say Nothing of the Dog))
Framed through the hall door Will saw the only theater he cared for now, the familiar stage where sat his father (home already! he and Jim must have run the long way round!) holding a book but reading the empty spaces. In a chair by the fire mother knitted and hummed like a tea-kettle.
Ray Bradbury (Something Wicked This Way Comes (Green Town, #2))
If I burst into a house and yell to all assembled, “Put on the kettle!” I have uttered an imperative English sentence, but some will probably infer that I would like to have a cup of tea or other hot beverage, while another may further surmise that I feel myself at home here, and may in fact be the occupant of this house. Yet another person present, a monoglot Hungarian, may infer only that I speak English, and so does whomever I am addressing (well, it sounds like English to her), while somebody really in the know will be instantly informed that I have decided after all to steam open that sealed envelope and surreptitiously read the letter inside in spite of the fact that it isn’t addressed to me; a crime is about to be committed. What semantic information can be gleaned from the event depends on what information the gleaner already has accumulated. Learning that somebody speaks English can be a valuable update to your world knowledge, a design improvement that may someday pay big dividends.
Daniel C. Dennett (From Bacteria to Bach and Back: The Evolution of Minds)
There was a jug of creamy milk for the children (Mr Beaver stuck to beer) and a great lump of deep yellow butter in the middle of the table from which everyone took as much as he wanted to go with his potatoes, and all the children thought- and I agree with them- that there's nothing to beat good freshwater fish if you eat it when it has been alive half an hour ago and has come out of the pan half a minute ago. And when they had finished the fish Mrs. Beaver brought unexpectedly out of the oven a great and gloriously sticky marmalade roll, steaming hot, and at the same time moved the kettle onto the fire, so that when they had finished the marmalade roll the tea was made and ready to be poured out.
C.S. Lewis (The Lion, the Witch and the Wardrobe (Chronicles of Narnia, #1))
Rummaging through the cupboard like a wartime surgeon frantically searching for the right bandage, Peter swept aside Yogi Tea and Harmony Herbal Blend, though he hesitated for a second over chamomile. But no. Stay focused, he admonished himself. He knew it was there, that opiate of the Anglos. And his hand clutched the box just as the kettle whistled. Violent death demanded Earl Grey.
Louise Penny (Still Life (Chief Inspector Armand Gamache, #1))
The slight pull was all it took to completely unbalance his precarious load and dump the manure - all atop her boots. "Bloody hell! Look what ye done!" the boy cried...If ye hadn't come along and pulled me o'er it ne'er would have happened.But now ye'd best clean it up afore Devington or Jeffries comes along." "Me?" she replied incredulously. "I'm not the clumsy oaf who dumped it. It's not my mess to clean." "Well, I ain't about to be the last to finish my chores. Devington will have me turning over the reeking dung pit instead of breaking me fast wi' the other chaps." "That's nothing compared to my boots, you ham-fisted lout!" "Tweren't me what pulled the wheelbarrow arse over tea kettle, ye wantwit! Go bugger yer mother and lick yer boots clean!" "I'll box your ears, you brazen-faced little jackanapes!...
Emery Lee (The Highest Stakes)
It is pure shite the tea that fella make and I can't get to the kettle so easy to fix it, Tomás complained. The wrong cup of tea can make a body very miserable. It's not that you'd need the right cup of tea all day long. You can bypass a few cups. An average or passable six of them. But about every twelve there's a long thirst only ever relieved by the right cup. Am I right? Oh you are. You're absolutely right.
Anakana Schofield (Bina)
My Mother They are killing her again. She said she did it One year in every ten, But they do it annually, or weekly, Some even do it daily, Carrying her death around in their heads And practicing it. She saves them The trouble of their own; They can die through her Without ever making The decision. My buried mother Is up-dug for repeat performances. Now they want to make a film For anyone lacking the ability To imagine the body, head in oven, Orphaning children. Then It can be rewound So they can watch her die Right from the beginning again. The peanut eaters, entertained At my mother’s death, will go home, Each carrying their memory of her, Lifeless – a souvenir. Maybe they’ll buy the video. Watching someone on TV Means all they have to do Is press ‘pause’ If they want to boil a kettle, While my mother holds her breath on screen To finish dying after tea. The filmmakers have collected The body parts, They want me to see. They require dressings to cover the joins And disguise the prosthetics In their remake of my mother; They want to use her poetry As stitching and sutures To give it credibility. They think I should love it – Having her back again, they think I should give them my mother’s words To fill the mouth of their monster, Their Sylvia Suicide Doll, Who will walk and talk And die at will, And die, and die And forever be dying.
Frieda Hughes (The Book of Mirrors)
My despair liked a sunny day, windless, a day warmer than it should be, a day that would bring delight to most other people. It would hang in this air and then creep inside me so I felt a bit off, as if infected by a virus, but was not quite sure what was wrong until it had settled in for good and it was too late to fight it back. Soon, my vision would be warped, my head and thighs heavy, my gait lumbering. It kept both fatigue and rest at bay, so I’d wander through day and night as if sleepwalking through water. And I would wander. Around and around the house I’d go, trying to find something to hold my attention, something that felt important and necessary to do. I’d pick up the broom, the rake, the checkbook, the telephone, the pen, but the vapor had penetrated everything, rendering each object weightless and irrelevant. The lamp, the tea kettle, the books on the shelf, the notes I’d written to myself and stuck on the wall: all had been compressed from 3-D to 2-D, like flimsy cartoon versions of themselves.
Frances Lefkowitz (To Have Not)
Happily, there is an effective method to get to the heart of any problem called The Five Whys. You identify a problem and then drill down into The Five Whys behind it. I’ll give you are very simplistic example to illustrate how this works. Problem: My tea was cold. Why #1 The kettle didn’t heat the water. Why #2 There was no power. Why #3 The fuse in the plug was blown. Why #4 An incorrect fuse was being used. Why #5 The required fuse was not specified. Solution: We need to get the right fuse to use in the future.
Ari R. Meisel (The Art Of Less Doing: One Entrepreneur's Formula for a Beautiful Life)
A high-pitched sound, like steam escaping from a kettle whistles through the dark room. But nobody’s making tea. We both turn toward the source of the eerie noise. A weak stream of unearthly light seeps through the window near the corner of the room and pours onto the floor. Its consistency seems to lie somewhere between a liquid and a solid, like mercury, only blue. Out of the gleaming, wobbly puddle, a phosphorescent vapor rises up. The ghost we thought was Daniel materializes and looms over us for two seconds before he lunges and wraps his hands around Wyatt’s neck.
Alyson Larrabee (Enter If You Dare)
I’m not sure what I believe, I say, sharply. No one deserves to go through this. That’s all I know. You’re lovely. I leave the room. I take my rage out on the kettle and cutlery drawer. The nurses can hear me make the tea, fucking London can hear me make the tea. Onto a plate, I pile biscuits that I don’t even feel like eating, and return to his room. How are you with food? I ask him. Not too good right now, he says. These are mine then, I say, and I sit down and place the chocolate bourbons on my lap. You’ll get fat, he says. I am fat, and I lift up my jumper. This wasn’t here yesterday, I say. This is trespassing.
Sarah Winman (When God was a Rabbit / A Year of Marvellous Ways / Tin Man)
It’s actually entertaining.” “You say that like you’re surprised.” He looked like a deer caught in the headlights of an oncoming eighteen-wheeler, and I realized I’d really put him on the spot. What could he say to that? Based on our numerous conversations, I was under the impression communication wasn’t your strong suit? “Never mind,” I said, taking the steam kettle off the stove and filling it with water. I was a British-breakfast-tea-in-the-morning girl, and I made it using a real teapot and everything. “I’m not fishing for compliments.” Okay, I was a little. “I just…I just didn’t expect it to be so funny,” Jason said. “You wanted a serious column about hot dogs?
Rachel Hawthorne (The Boyfriend League)
Sue stepped into a haven that smelled of candles and lemon-scented dish soap, a cabinet of curiosities, one of which was the bathtub smack dab in the middle of the small kitchen. Bob Roy’s railroad flat was four tight, connected rooms, each stuffed with koombies, knickknacks, doodads, furniture pieces of any style, shelves, books, photos in frames, trophies bought from flea markets, old records, small lamps, and calendars from decades before. “I know,” he said. “It looks like I sell magic potions in here, like I’m an animated badger from a Disney cartoon.” He lit a burner on the stove with a huge kitchen match, then filled a shiny, Olde English–style kettle with water from the tap. As he prepared cups on a tray he said, “Tea in minutes, titmouse. Make a home for yourself.
Tom Hanks (Uncommon Type: Some Stories)
She'd gone and let her hair loose, he thought. Why did she have to do that? It made his hands hurt, actually hurt with wanting to slide into it. "That's good." She stepped in, shut the door. And because it seemed too perfect not to, audibly flipped the lock. Seeing a muscle twitch in his jaw was incredibly satisfying. He was a drowning man, and had just gone under the first time. "Keeley, I've had a long day here.I was just about to-" "Have a nightcap," she finished. She'd spotted the teapot and the bottle of whiskey on the kitchen counter. "I wouldn't mind one myself." She breezed past him to flip off the burner under the now sputtering kettle. She'd put on different perfume, he thought viciously. Put it on fresh, too, just to torment him. He was damn sure of it.It snagged his libido like a fish-hook. "I'm not really fixed for company just now." "I don't think I qualify as company." Competently she warmed the pot, measured out the tea and poured the boiling water in. "I certainly won't be after we're lovers." He went under the second time without even the chance to gulp in air. "We're not lovers." "That's about to change." She set the lid on the pot, turned. "How long do you like it to steep?" "I like it strong, so it'll take some time. You should go on home now." "I like it strong, too." Amazing, she thought,she didn't feel nervous at all. "And if it's going to take some time, we can have it afterward." "This isn't the way for this." He said it more to himself than her. "This is backward, or twisted.I can't get my mind around it. no,just stay back over there and let me think a minute." But she was already moving toward him, a siren's smile on her lips. "If you'd rather seduce me, go ahead." "That's exactly what I'm not going to do." Thought the night was cool and his windows were open to it, he felt sweat slither down his back. "If I'd known the way things were, I'd never have started this." That mouth of his, she thought. She really had to have that mouth. "Now we both know the way things are, and I intend to finish it.It's my choice." His blood was already swimming. Hot and fast. "You don't know anything, which is the whole flaming problem." "Are you afraid of innocence?" "Damn right." "It doesn't stop you from wanting me. Put your hands on me,Brian." She took his wrist,pressed his hand to her breast. "I want your hands on me." The boots clattered to the floor as he went under for the third time.
Nora Roberts (Irish Rebel (Irish Hearts, #3))
The one universal balm for the trauma of war was tea. It was the thing that helped people cope. People made tea during air raids and after air raids, and on breaks between retrieving bodies from shattered buildings. Tea bolstered the network of thirty thousand observers who watched for German aircraft over England, operating from one thousand observation posts, all stocked with tea and kettles. Mobile canteens dispensed gallons of it, steaming, from spigots. In propaganda films, the making of tea became a visual metaphor for carrying on. “Tea acquired almost a magical importance in London life,” according to one study of London during the war. “And the reassuring cup of tea actually did seem to help cheer people up in a crisis.” Tea ran through Mass-Observation diaries like a river. “That’s one trouble about the raids,” a female diarist complained. “People do nothing but make tea and expect you to drink it.
Erik Larson (The Splendid and the Vile: A Saga of Churchill, Family, and Defiance During the Blitz)
Departure It's little I care what path I take, And where it leads it's little I care, But out of this house, lest my heart break, I must go, and off somewhere! It's little I know what's in my heart, What's in my mind it's little I know, But there's that in me must up and start, And it's little I care where my feet go! I wish I could walk for a day and a night, And find me at dawn in a desolate place, With never the rut of a road in sight, Or the roof of a house, or the eyes of a face. I wish I could walk till my blood should spout, And drop me, never to stir again, On a shore that is wide, for the tide is out, And the weedy rocks are bare to the rain. But dump or dock, where the path I take Brings up, it's little enough I care, And it's little I'd mind the fuss they'll make, Huddled dead in a ditch somewhere. "Is something the matter, dear," she said, "That you sit at your work so silently?" "No, mother, no—'twas a knot in my thread. There goes the kettle—I'll make the tea.
Edna St. Vincent Millay
BITCH THE POT Tea and gossip go together. At least, that’s the stereotypical view of a tea gathering: a group of women gathered around the teapot exchanging tittle-tattle. As popularity of the beverage imported from China (‘tea’ comes from the Mandarin Chinese cha) increased, it became particularly associated with women, and above all with their tendency to gossip. Francis Grose’s Classical Dictionary of the Vulgar Tongue lists various slang terms for tea, including ‘prattle-broth’, ‘cat-lap’ (‘cat’ being a contemporary slang for a gossipy old woman), and ‘scandal broth’. To pour tea, meanwhile, was not just to ‘play mother’, as one enduring English expression has it, but also to ‘bitch the pot’ – to drink tea was to simply ‘bitch’. At this time a bitch was a lewd or sensual woman as well as a potentially malicious one, and in another nineteenth-century dictionary the phraseology is even more unguarded, linking tea with loose morals as much as loquaciousness: ‘How the blowens [whores] lush the slop. How the wenches drink tea!’ The language of tea had become another vehicle for sexism, and a misogynistic world view in which the air women exchanged was as hot as the beverage they sipped. ‘Bitch party’ and ‘tabby party’ (again the image of cattiness) were the terms of choice for such gossipy gatherings. Men, it seems, were made of stronger stuff, and drank it too. Furthermore, any self-respecting man would ensure his wife and daughters stayed away from tea. The pamphleteer and political writer William Cobbett declared in 1822: The gossip of the tea-table is no bad preparatory school for the brothel. The girl that has been brought up, merely to boil the tea kettle, and to assist in the gossip inseparable from the practice, is a mere consumer of food, a pest to her employer, and a curse to her husband, if any man be so unfortunate as to affix his affections upon her. In the twenty-first century, to ‘spill the T’ has become a firm part of drag culture slang for gossiping. T here may stand for either ‘truth’ or the drink, but either way ‘weak tea’ has come to mean a story that doesn’t quite hold up – and it’s often one told by women. Perhaps it’s time for bitches to make a fresh pot.
Susie Dent (Word Perfect: Etymological Entertainment For Every Day of the Year)
may sound strange to American readers that by “eating their own lambs” the Heddles were breaking the law. The fact is that during the war, and for several years after, the people of Britain were strictly rationed. Each person was provided with a book containing coupons for food and clothing. Rationed food included meat, eggs, bacon, cheese, sugar, tea, butter, and fats, etc., etc. The coupons were given up every week for the food. In this way everyone was able to obtain a fair share of the very limited supply of necessary food. Greedy people who had no conscience and plenty of money were able to obtain extra food “under the counter” but the law was strictly enforced. Even farmers were not allowed to kill and eat their own animals, so by killing and eating their lambs the Heddles were liable to severe penalties. The rations allowed by law were very frugal and everybody lost weight but it did us no harm and we were doing it as part of the war effort so nobody grumbled. Many factories in Britain were requisitioned to make precision instruments and other articles which were needed for the war so it soon became impossible to buy clocks and kettles and pots and pans and hairpins. D.
D.E. Stevenson (Shoulder the Sky (Dering Family #3))
Unamused, Ushara went to pull the kettle from the stove and pour the tea. “That’s beside the point. And you forget that we’re Andarion. We don’t like scars on our males. They’re hideous and gross.” As she turned back, she caught the hurt and stricken expression on Jullien’s face. Too late, she remembered how many scars lined his body. “Jules…” Completely somber, he moved away from her. “I should be going. I have an early shift.” “Jullien?” But it was too late. He was out of her home before she could apologize. “Mum? What happened?” Furious at herself for being so thoughtless, she cupped her son’s chin and sighed. “I accidentally hurt his feelings. I forgot that Jullien has a lot of scars that bother him.” “How could you forget?” “’Cause I don’t see them, Vas. They don’t matter to me.” She brushed the hair back to look at his brow and was about to take him to the doctor to have it stitched when she realized that Jullien had already done it. “He stitched you?” Vas nodded. “He did it so fast, I barely felt it.” She should have known that Jullien wouldn’t have left with it unfinished. Sighing, she kissed Vas’s bandage and hated that she’d hurt Jullien’s feelings. “Come on, honey. Let’s get you cleaned up and ready for bed.
Sherrilyn Kenyon (Born of Legend (The League: Nemesis Rising, #9))
Think about it, Tilda,’ he says, throwing his arms in the air. ‘All that stuff, that madness, that heartbreak. It’s all about love. It makes you crazy and you can end up acting like an idiot. Oh yes, love might be “a many splendoured thing”, but it’s also a right royal pain in the arse!’ I’m stunned, and Eli has tipped his head to one side in apparent confusion, but Daniel is warming to his subject now and adds striding about to his arm-waving. ‘Look – Gracie loved you and she loved Stevie. But she loved too hard, and it drove her crazy because she didn’t love herself and so she didn’t think that anyone else could. She gave up everything for love but didn’t feel loved in return. And yes, she was ill and thought God had disowned her, which probably didn’t help, but in the end it was all about love.’ Even in my slightly befuddled state Daniel’s words strike home. Sometimes a simple truth is like a hammer blow. Daniel sits down again and checks his mug for tea. It’s empty. ‘And at this point, I’d also like to take issue with Lennon and McCartney for propagating the ridiculous notion that all we need is love. I can think of at least five more things just off the top of my head, and given more time for proper consideration I’d probably come up with a few more.’ He looks sorrowfully into his empty mug. ‘And one of them is definitely tea.’ I get up and put the kettle on.
Ruth Hogan (Queenie Malone's Paradise Hotel)
From Tomorrow to Yesterday The tree trunks move in time with the rhythm of her rubber soles on the wet path, where the air is still cool after the night rain. The woodland floor is white with anemones; in one place, growing close to the roots of an ancient tree, they make her think of an old, wrinkled hand. She could go on and on without getting tired, without meeting anyone or thinking of anything in particular, and without coming to the edge of the woods. As if the town did not begin just behind the trees, the leafy suburb with its peaceful roads and its houses hidden behind close-trimmed hedges. She doesn't want to think about anything, and almost succeeds; her body is no more than a porous, pulsating machine. The sun breaks through the clouds as she runs back, its light diffused on the gravel drive and the magnolia in front of the kitchen window. His car is no longer parked beside hers, he must have left while she was in the woods. He hadn't stirred when she rose, and she'd already been in bed when he came home late last night. She lay with her back turned, eyes closed, as he undressed, taking care not to wake her. She leans against one of the pillars of the garage and stretches, before emptying the mailbox and letting herself into the house. She puts the mail on the kitchen table. The little light on the coffeemaker is on; she switches it off. Not so long ago, she would have felt a stab of irritation or a touch of tenderness, depending on her mood. He always forgets to turn off that machine. She puts the kettle on, sprinkles tea leaves into the pot, and goes over to the kitchen window. She observes the magnolia blossoms, already starting to open. They'll have to talk about it, of course, but neither of them seems able to find the right words, the right moment. She pauses on her way through the sitting room. She stands amid her furniture looking out over the lawn and the pond at the end of the garden. The canopies of the trees are dimly reflected in the shining water. She goes into the bathroom. The shower door is still spotted with little drops. As time went on they have come to make contact during the day only briefly, like passing strangers. But that's the way it has been since the children left home, nothing unusual in that. She takes off her clothes and stands in front of the mirror where a little while ago he stood shaving. She greets her reflection with a wry smile. She has never been able to view herself in a mirror without this moue, as if demonstrating a certain guardedness about what she sees. The dark green eyes and wavy black hair, the angularity of her features. She dyes her hair exactly the color it would have been if she hadn't begun to go gray in her thirties, but that's her only protest against age.
Jens Christian Grøndahl (An Altered Light)
HEART OF TEA DEVOTION Now stir the fire, and close the shutters fast, Let fall the curtains, wheel the sofa round, And, while the bubbling and loud hissing urn Throws up a steamy column and the cups That cheer but not inebriate, wait on each, So let us welcome peaceful ev ning in. WILLIAM COWPER Perhaps the idea of a tea party takes you back to childhood. Do you remember dressing up and putting on your best manners as you sipped pretend tea out of tiny cups and shared pretend delicacies with your friends, your parents, or your teddy bears? Were you lucky enough to know adults who cared enough to share tea parties with you? And are you lucky enough to have a little person with whom you could share a tea party today? Is there a little girl inside you who longs for a lovely time of childish imagination and "so big" manners? It could be that the mention of teatime brings quieter memories-cups of amber liquid sipped in peaceful solitude on a big porch, or friendly confidences shared over steaming cups. So many of my own special times of closeness-with my husband, my children, my friends-have begun with putting a kettle on to boil and pulling out a tea tray. But even if you don't care for tea-if you prefer coffee or cocoa or lemonade or ice water, or if you like chunky mugs better than gleaming silver or delicate china, or if you find the idea of traditional tea too formal and a bit intimidating-there's still room for you at the tea table, and I think you would love it there! I have shared tea with so many people-from business executives to book club ladies to five-year-old boys. And I have found that few can resist a tea party when it is served with the right spirit. You see, it's not tea itself that speaks to the soul with such a satisfying message-although I must confess that I adore the warmth and fragrance of a cup of Earl Grey or Red Zinger. And it's not the teacups themselves that bring such a message of beauty and serenity and friendship-although my teacups do bring much pleasure. It's not the tea, in other words, that makes teatime special, it's the spirit of the tea party. It's what happens when women or men or children make a place in their life for the
Emilie Barnes (The Tea Lover's Devotional)
Sophie!” Val spotted her first and abandoned all ceremony to wrap his arms around her. “Sophie Windham, I have missed you and missed you.” He held her tightly, so tightly Sophie could hide her face against his shoulder and swallow back the lump abruptly forming in her throat. “I have a new étude for you to listen to. It’s based on parallel sixths and contrary motion—it’s quite good fun.” He stepped back, his smile so dear Sophie wanted to hug him all over again, but St. Just elbowed Val aside. “Long lost sister, where have you been?” His hug was gentler but no less welcome. “I’ve traveled half the length of England to see you, you know.” He kissed her cheek, and Sophie felt a blush creeping up her neck. “You did not. You’ve come south because Emmie said you must, and you want to check on your ladies out in Surrey.” Westhaven waited until St. Just had released her. “I wanted to check on you.” His hug was the gentlest of all. “But you were not where you were supposed to be, Sophie. You have some explaining to do if we’re to get the story straight before we face Her Grace.” The simple fact of his support undid her. Sophie pressed her face to his shoulder and felt a tear leak from her eye. “I have missed you so, missed all of you so much.” Westhaven patted her back while Valentine stuffed a cold, wrinkled handkerchief into her hand. “We’ve made her cry.” St. Just did not sound happy. “I’m just…” Sophie stepped away from Westhaven and dabbed at her eyes. “I’m a little fatigued is all. I’ve been doing some baking, and the holidays are never without some challenges, and then there’s the baby—” “What baby?” All three men spoke—shouted, more nearly—as one. “Keep your voices down, please,” Sophie hissed. “Kit isn’t used to strangers, and if he’s overset, I’ll be all night dealing with him.” “And behold, a virgin shall conceive,” Val muttered as Sophie passed him back his handkerchief. St. Just shoved him on the shoulder. “That isn’t helping.” Westhaven went to the stove and took the kettle from the hob. “What baby, Sophie? And perhaps you might share some of this baking you’ve been doing. The day was long and cold, and our brothers grow testy if denied their victuals too long.” He sent her a smile, an it-will-be-all-right smile that had comforted her on many an occasion. Westhaven was sensible. It was his surpassing gift to be sensible, but Sophie found no solace from it now. She had not been sensible, and worse yet, she did not regret the lapse. She would, however, regret very much if the lapse did not remain private. “The tweenie was anticipating an interesting event, wasn’t she?” Westhaven asked as he assembled a tea tray. While Sophie took a seat at the table, St. Just hiked himself onto a counter, and Val took the other bench. “Joleen,” Sophie said. “Her interesting event is six months old, a thriving healthy child named… Westhaven, what are you doing?” “He’s making sure he gets something to eat under the guise of looking after his siblings,” St. Just said, pushing off the counter. “Next, he’ll fetch the cream from the window box while I make us some sandwiches. Valentine find us a cloth for the table.” “At once, Colonel.” Val snapped a salute and sauntered off in the direction of the butler’s pantry, while Westhaven headed for the colder reaches of the back hallway. “You
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
You need tea and cake?" "I'm not hungry," Cora says, following Etta upstairs. "Oh, my dear." Etta laughs, the sound humming around her. "When is cake ever for hunger? It's for flavor and, in this case, comfort." Behind her grandmother, Cora smiles. They walk into the kitchen and Etta flicks on the kettle. On the counter sits a large chocolate cake, icing shining and dotted with cherries. The room is filled with the thick scent of chocolate. "It's beautiful," Cora says. "You're the best grandma a girl could hope for." "Hardly." Etta sets out two plates and begins cutting the cake. "Anyway, it's not that cherry pie you love so much, but it will have to do.
Menna Van Praag (The Dress Shop of Dreams)
She opened her eyes and then frowned. “Why are you dressed?” “Because I got up and got dressed so I could find some coffee, but I changed my mind and I’m coming back to bed.” “Fully dressed?” “Yes. No shoes, though.” It was too early to follow along with his crazy bouncing ball of logic. “Did Gram put a pot of coffee on yet?” He groaned and threw his arm over his eyes. “Not exactly.” “What is wrong with you this morning?” “I just ran into your grandmother. She was sneaking into the house…in the same dress she wore last night.” “What?” Emma sat up, aches and pains forgotten. “You caught Gram doing the walk of shame?” “Yes, and it was awkward and now I’m going back to bed.” She pushed his arm off his face. “What did she say?” “She said good-morning and told me she was going to take a quick shower and then start breakfast.” “And what did you say?” “I muttered something about taking her time and then ran like a girl.” Emma flopped back onto her pillow and stare at the ceiling. “Wow.” “I probably should have broken it to you better, but I’m not sure how I could have.” She didn’t know what to say. Go, Gram, a part of her was thinking, but another part wanted to hide under the covers with Sean and not deal with the fact her grandmother was currently taking a shower after doing the walk of shame. That was obviously the side of himself Sean was currently listening to. “We have to go down eventually,” she said. “I need coffee. And food.” “I’ll wait here. Bring some back.” She laughed and slapped his thigh. “If I can face her, so can you. She’s not your grandmother.” “It was awkward.” “I’m sure it’s awkward for her, knowing we’re having sex, but she’s an adult about it.” That just made him cover his face with his arm again. “That’s different.” “Why? Because she’s sixty-five?” “No. Because, as you just said, she’s a grandmother. Your grandmother.” “Come on. We’ll go down together.” She slid out of bed and walked toward the bathroom. “Stop making it such a big deal.” Gram was still in the shower when they went past the bathroom on their way down the hall. They could tell because she was whistling a very cheery tune that made Sean wince. Emma grabbed his arm and tugged him toward the stairs. “Coffee.” They got a pot going and sat at the table in silence until enough had brewed to sneak two cups from it. Emma put the kettle on and dropped a tea bag into Gram’s mug. The woman of the hour appeared just as it whistled, looking refreshed and cheerful. “Good morning.” “Good morning,” they both mumbled.
Shannon Stacey (Yours to Keep (Kowalski Family, #3))
I hate about being kept a prisoner is not being able to make myself a cup of tea whenever I want and I miss my kettle and the regular supply of teabags and milk I used to have.
B.A. Paris (Behind Closed Doors)
The heaven of modern humanity is indeed shattered in the Cyclopean struggle for wealth and power. The world is groping in the shadow of egotism and vulgarity. Knowledge is bought through a bad conscience, benevolence practiced for the sake of utility. The East and West, like two dragons tossed in a sea of ferment, in vain strive to regain the jewel of life.. Meanwhile, let us have a sip of tea. The afternoon glow is brightening the bamboos, the fountains are bubbling with delight, the soughing of the pines is heard in our kettle. Let us dream of evanescence, and linger in the beautiful foolishness of things.
Kazuko Okakura
Every day, after our meal, I’d go to straighten up his room, putting away his bowl and robes, setting out his bedding, his sitting cloth, his spittoon, his tea kettle, pillow, etc. I had to have everything in order before he entered the room. When I had finished, I’d take note of where I had placed things, hurry out of the room, and go to my own room, which was separated from his by a wall of banana leaves. I had made a small hole in the wall so that I could peek through and see both Ajaan Mun and his belongings. When he came into the room, he’d look up and down, inspecting his things. Some of them he’d pick up and move; others he’d leave where they were. I had to watch carefully and take note of where things were put.
Ajaan Lee (The Autobiography of Phra Ajaan Lee)
And lastly, thank you to the kettle I keep in my bedroom. I have named him Steve. I have boiled many a tea, and you have supported me through very tough times.
Faridah Àbíké-Íyímídé (Ace of Spades)
I thought I might have the energy to perform every action required to make a cup of tea, but I was surprised to remember how many there were: kettle boiling, mug fetching, milk sniffing, tea bag choosing, teaspoon handling. I poured a glass of tap water and sat at the kitchen table, staring into the soggy garden.
Kaliane Bradley (The Ministry of Time)
Dex had acquired a few things for the day: a folding table, a red cloth to cover it, an assortment of mugs, six tins of tea, and a colossal electric kettle. The kettle was the most important bit, and Dex was happy with the one they’d found. It was joyfully chubby, with copper plating and a round glass window in both sides, so you could watch the boiling bubbles dance.
Becky Chambers (A Psalm for the Wild-Built (Monk & Robot, #1))
Cam wiped all expression from his face as he discovered he had been seated next to the vicar’s wife, whom he had met on previous visits to Stony Cross Park. The woman was terrified of him. Whenever he looked at her, tried to talk to her, she cleared her throat incessantly. Her sputtery noises brought to mind a tea kettle with an ill-fitting lid. No doubt the vicar’s wife had heard one too many stories of Gypsies stealing children, placing curses on people, and attacking helpless females in a frenzy of uncontrolled lust. Cam was tempted to inform the woman that, as a rule, he never kidnapped or pillaged before the second course. But he kept silent and tried to look as unthreatening as possible, while she shrank in her chair and made desperate conversation with the man at her left. Turning to his right, Cam found himself staring into Amelia Hathaway’s blue eyes. They had been seated next to each other. Pleasure unfolded inside him. Her hair shone like satin, and her eyes were bright, and her skin looked like it would taste of some dessert made with milk and sugar. The sight of her reminded him of an old-fashioned gadjo word that had amused him when he had first heard it. Toothsome. The word was used for something appetizing, conveying the pleasure of taste, but also sexual allure. He found Amelia’s naturalness a thousand times more appealing than the powdered and bejeweled sophistication of other women present. “If you’re trying to look meek and civilized,” Amelia said, “it’s not working.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
I remember many of us getting together where we sat, each of us holding our cup and mixing the coffee powder with a little bit of water or milk inside. The more you swirled, the better the foam created in the cup. We preferred the tube milk over the fresh milk of the Kibbutz. Mixing coffee with our hands till it foamed  was a kind of a ceremony. Over time it became something of a ritual. I think in those days, there was intense activity of the commercial companies distributing instant coffee among consumers. “Ness café”, they called it. There was a great demand for milk, which arrived to us in tubes. It was imported. Maybe they were manufactured in Holland. Drinking instant coffee with that milk and the foam we created with our own hands using a simple spoon, was the heart's desire of all coffee lovers in the nest. I was moved by the very simple preparation of it – boiling water in an electric kettle, one teaspoon of this new wonder, the instant coffee in the cup, and you have your coffee. It was amazing. I used to compare this action to the method of tea preparation by my mother at home, or the rare preparing of the black coffee for guests, and suddenly I realized how debilitating and complex her job was compared to what we were doing. There in Shomrat Kibbutz I learned to drink and enjoy instant coffee.
Nahum Sivan (Till We Say Goodbye)
be. Shall I make us some tea or coffee?’ While Maria boiled the kettle, I
Kathryn Croft (The Girl With No Past)
The prescribed setting is removed from the everyday world, but reminiscent of it in essentials: a tea house, just three meters square, set in a garden, with a stone water basin, lantern, and toilet. Entering the room, one becomes not a spectator but a participant. The smell of incense, the sight of a scroll hung in an alcove with a simple flower arrangement below, subtly stimulate the senses. The simmering of the iron kettle over a charcoal fire is likened to the sound of the wind in the pine trees. Tea—thick, green, and bitter—is made with the utmost economy of movement. After each participant has sipped a bowl of tea, the conversation turns to the quality of the tea bowl itself and associated subjects.
Richard H.P. Mason (History of Japan)
EXCERPT: THREE A.M.– …AND JARRED OUT OF SLEEP…. “Roan snapped awake. It took a millisecond for him to key his hearing. Moonlight filtered weakly through the semi-opaque curtains pulled across both windows. His six senses were online and he quietly moved out of bed. He wore only a pair of dark blue cotton pajama bottoms, his upper body naked. Twisting the door knob, the door quietly opened. Slipping like a shadow into the darkened hall, he sensed someone moving around out in the kitchen. Shiloh? He glanced at the watch on his wrist. Three a.m. Halting in the living room, he saw Shiloh in the kitchen, putting a copper tea kettle on the stove. Her hair was unruly and she was wearing pale pink silky pajama bottoms and a pink cotton tee that outlined her breasts to perfection. Hell. She looked sleepy, hair tangled and wasn’t exactly graceful with her movements. The sense that she could not really take care of herself came across strongly to Roan. It wasn’t that Shiloh was weak or stupid. And maybe because of his black ops training, he was at the other end of the spectrum; too alert and having that situational awareness that could help save his life. She was obviously sleepy, rubbing her eyes, yawning. There wasn’t anything to dislike about her and Roan’s mouth flexed downward and thinned. Shiloh wasn’t helpless, just not aware of her surroundings. Maybe he could help her open up her awareness a little more since she was being stalked. It could save her life some day.
Lindsay McKenna (Wind River Wrangler (Wind River Valley, #1))
It's a huge hole in the ground. No reported casualties. Not humanoids, anyway. Did vampires die?" Karzac lifted the boiling kettle off the flame and poured hot water over tea leaves in both cups. "A few," I said, watching him calmly make tea. He set a cup in front of me and we both waited for it to steep. "The bad ones," I continued when Karzac didn't say anything. "I got the rest out." "And how many was that?" "More than five hundred, I think." Karzac is a good physician, even if he is a little on the curmudgeonly side. "Are you well? Do you need assistance?" he asked, doing his best to give me a visual once over without appearing too obvious about it. "I'm okay," I said, sipping my tea. "There were a few broken bones among the others, but there were enough vamps there that had experience with that, so the injured vampires were taken care of. They'll heal with a good sleep." "How did you get that many out?" "By turning them to mist.
Connie Suttle (Blood Domination (Blood Destiny, #4))
Hang Gliding Jim Bob had always wanted to try hang gliding, but it was pretty expensive. So he worked hard and over time was able to save enough money to buy his new toy.  When he got home, he read through the manual and quickly assembled his glider.  Then he took it up the highest mountain, near his home.  He readied everything for his first flight and got strapped in.    Just like he had learned, he ran as fast as he could to the edge of the cliff and jumped into the wind.  He was flying! Around that same time Ma and Pa Kettle were sitting on their front porch enjoying some tea together.  Pa was looking up into the sky, enjoying the calm of the early evening, when he suddenly let out a gasp and said, “That has got to be the biggest bird I have ever seen!”  “I need my rifle, can you get it for me Ma?” he asked his wife. Ma Kettle ran into the house and returned shortly with a long rifle.  She handed it to Pa.  He took aim and fired twice at the big bird.  The bird kept sailing through the sky.  “It looks like you missed,” Ma said. “Yes, but at least that bird let go of Jim Bob.
Peter Jenkins (Funny Jokes for Adults: All Clean Jokes, Funny Jokes that are Perfect to Share with Family and Friends, Great for Any Occasion)
How might you put this into practice? Here are a few things I’ve done repeatedly for 3 to 14 days at a time to simulate losing all my money: Sleeping in a sleeping bag, whether on my living room floor or outside Wearing cheap white shirts and a single pair of jeans for the entire 3 to 14 days Using CouchSurfing.com or a similar service to live in hosts’ homes for free, even if in your own city Eating only A) instant oatmeal and/or B) rice and beans Drinking only water and cheap instant coffee or tea Cooking everything using a Kelly Kettle. This is a camping device that can generate heat from nearly anything
Timothy Ferriss (Tools of Titans: The Tactics, Routines, and Habits of Billionaires, Icons, and World-Class Performers)
The magician shrugged and doffed his own hat, and a small tendril of steam poured out with a whistle like a tea-kettle.
Sarah Jean Horwitz (The Wingsnatchers (Carmer and Grit, #1))
left the basket on the doorstep. Clearly, he wanted to be left alone. After last night, she was happy to oblige. Back in her kitchen, she filled the electric kettle and flicked on its switch. She put a scoop of tea leaves in her teapot. The kettle clicked off as the water came to a boil and she went to fetch it. When she turned around, Alec was standing in the doorway. “Hello, you,” he said. “Hi.” They stood looking at each other, smiling shyly. Fiona broke the silence. “You will have noted,” she needled, “that my interpretation of the marine weather forecast yesterday was correct.” “I did, yes. Not a great day to give the mountain another try.” “I shouldn’t think so, given your last attempt.” Alec was about to protest, but there was a knock at the back door. Fiona went to open it. “Oh hello, Owen; come in and have a cuppa.” Owen followed her into the kitchen. “Morning, Alec,” he said. Fiona poured a cup of tea and gestured for Owen to sit. “What do you need, Owen?” Owen hesitated, as if searching for the right words. “David’s already gone back to his cottage. Looked done in when he arrived this morning and left after a
Will North (The Long Walk Home)
You know what Mum said to me before she died?” Penny asked, and I shook my head. “She told me to make sure you found someone to love you because she couldn’t stand to think of you alone. She said you’d be stubborn, but when the time came, she told me to tell you to snap out of it or else.” “Or else what?” I asked, surprised that I had never heard this story. “She would haunt the kettle until it broke and every single kettle after that until you couldn’t make a cup of tea again.” Penny burst into sobbing laughter. “She said that…”—she gasped for air—“with a straight face!
C.C. Gedling (Sweet Treats (Steel Ventures #2.5))
Sushila softly kisses my left eye. She says, “Why don’t I make us some tea,” and I say, “Thank you, that would be wonderful,” and she answers, “You’re not the last rhino.” Then off she goes, to the kettle, on one of those tiny domestic expeditions that, when combined and viewed as a single journey, constitute the great trek of love.
Joseph O'Neill (Godwin: A Novel)
Kettle or desi?’ I ask. Different occasions call for different types of tea. Standard tea – a teabag and boiling water – is for when you’re in a rush or feeling lazy, and desi is for cold mornings and chilly autumn days like today when only a mug of strong, peppery tea will do.
Sukh Ojla (Sunny: Heartwarming and utterly relatable - the dazzling debut novel by comedian, writer and actor Sukh Ojla)
I see that.” He nodded and gazed down the long garden. “This is all edible?” “You can ingest it all, yes.” He pushed his glasses up his nose and frowned at me. “What’s that mean?” I laughed and poked his hard chest. “It means, if you want to steal from my garden, you best know your plants. You might end up eating something you shouldn’t.” “Eisley.” His expression darkened. “Are you hoarding…” “It’s fine. It’s a comfort thing. It keeps the dark thoughts away.” “The idea of poisoning someone keeps the dark thoughts away?” He followed me back inside. I put the tea kettle on the stove and turned the burner on. I turned back to him and grinned. “Exactly.
Tylor Paige (Slash or Pass (Final Girls))