Taxis Near Me Quotes

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So, putting my faith in other passengers who told me it was definitely going to the city, I boarded a bus and spent well over an hour standing, swaying and trying to look out of the window to guess where we were. Traffic was solid, as expected. When we moved, we crawled. Eventually the bus reached somewhere that seemed significant – at least, somewhere a lot of people were getting off – and, sure enough, I was in the city, and there were taxis. The wrong side of the city, as it transpired, so a long taxi ride ensued. Nearly four hours from leaving the factory to reaching the hotel. I wasn’t doing that again.
Oliver Dowson (There's No Business Like International Business: Business Travel – But Not As You Know It)
Sometimes it’s the place where you grew up that says, You belong to me. No matter how long I’ve been away, when I come back to New York City in a taxi over the Triborough Bridge and the afternoon sun shifts off the steel skyline and blinds me, I feel it. In the heavy July of privet tinged with sea salt on the East End of Long Island, where I spent nearly every summer until I was twenty and many since, I know it. And in an empty theater, with the ghost light on and the darkness, warm and velvet like a dinner jacket my father once wore, it’s mine.
Christina Haag (Come to the Edge)
If I set my stones, my mum would be an opal, all swirly colours and clashy statements. I would put her at the north point of my stone compass and be grateful to her for my brains, and the fact that I stand up for myself. I'd be grateful to her for the ease with which I laugh, although I wish she'd rein in her own guffaws sometimes because really, who needs to be that loud? I was grateful that she didn't hover over me like some parents who couldn't seem to let their (nearly adult) children out of their sight without keeping constant telephone contact. He'll, I was even grateful that she had strict house rules that were a pain in the arse, because we both knew it would be much easier if she said yes, but she did no because she really believed no was the right answer.
Gabrielle Williams (The Reluctant Hallelujah)
STAINS With red clay between my toes, and the sun setting over my head, the ghost of my mother blows in, riding on a honeysuckle breeze, oh lord, riding on a honeysuckle breeze. Her teeth, the keys of a piano. I play her grinning ivory notes with cadenced fumbling fingers, splattered with paint, textured with scars. A song rises up from the belly of my past and rocks me in the bosom of buried memories. My mama’s dress bears the stains of her life: blueberries, blood, bleach, and breast milk; She cradles in her arms a lifetime of love and sorrow; Its brilliance nearly blinds me. My fingers tire, as though I've played this song for years. The tune swells red, dying around the edges of a setting sun. A magnolia breeze blows in strong, a heavenly taxi sent to carry my mother home. She will not say goodbye. For there is no truth in spoken farewells. I am pregnant with a poem, my life lost in its stanzas. My mama steps out of her dress and drops it, an inheritance falling to my feet. She stands alone: bathed, blooming, burdened with nothing of this world. Her body is naked and beautiful, her wings gray and scorched, her brown eyes piercing the brown of mine. I watch her departure, her flapping wings: She doesn’t look back, not even once, not even to whisper my name: Brenda. I lick the teeth of my piano mouth. With a painter’s hands, with a writer’s hands with rusty wrinkled hands, with hands soaked in the joys, the sorrows, the spills of my mother’s life, I pick up eighty-one years of stains And pull her dress over my head. Her stains look good on me.
Brenda Sutton Rose
Sally's father,' explained Walter, 'got me a job in a bank. I can't tell you what I suffered for three whole days. It was like a PG Wodehouse novel, only not funny at all, or perhaps I've no sense of humour. To begin with, I had to get up at eight every morning. One had much better be dead, you know. Then, my dear, the expense! I can't tell you what it cost me in taxis alone, not to mention the suit I had to buy - a most lugubrious black affair. There was no time to get back here for luncheon, and I couldn't go all day without seeing Sally, so we went to a restaurant that was recommended to us called "Simkins," too putting off. Sally was given some perfectly raw meat with blood instead of gravy, and naturally she nearly fainted, and she had to have brandy before I could get her out of the place. By then we were so upset that we felt we must go to the Ritz in order to be soothed, which meant more taxis. In the end we reckoned that those three days had cost me every penny of thirty pounds, so I gave it up. I can't afford that sort of thing, you know.
Nancy Mitford (Highland Fling)
They heard Hugo ask if the plan for the hors d'oeuvres was still in operation, and they heard Colette ask about plucking the feathers off crows, and they heard Kevin complain that he didn't know whether to hold the birdpaper in his right hand or his left hand, and they heard Mr. Lesko insult Mrs. Morrow, and the bearded man sing a song to the woman with the crow-shaped hat, and they heard a man call for Bruce and a woman call for her mother and dozens of people whisper to and shout at, argue with and agree upon, angrily accuse and meekly defend, furiously compliment and kindly insult dozens of other people, both inside and outside the Hotel Denouement, whose names the Baudelaires recognized, forgot, and had never heard before. Each story had its story, and each story's story was unfathomable in the Baudelaire orphans' short journey, and many of the stories' stories are unfathomable to me, even after all these lonely years and all this lonely research. Perhaps some of these stories are clearer to you, because you have spied upon the people involved. Perhaps Mrs. Bass has changed her name and lives near you, or perhaps Mr. Remora's name is the same, and he lives far away. Perhaps Nero now works as a grocery store clerk, or Geraldine Julienne now teaches arts and crafts. Perhaps Charles and Sir are no longer partners, and you have had the occasion to study one of them as he sat across from you on a bus, or perhaps Hugo, Colette, and Kevin are still comrades, and you have followed these unfathomable people after noticing that one of them used both hands equally. Perhaps Mr. Lesko is now your neighbor, or Mrs. Morrow is now your sister, or your mother, or your aunt or wife or even your husband. Perhaps the noise you hear outside your door is a bearded man trying to climb into your window, or perhaps it is a woman in a crow-shaped hat hailing a taxi. Perhaps you have spotted the managers of the Hotel Denouement, or the judges of the High Court, or the waiters of Cafe Salmonella or the Anxious Clown, or perhaps you have met an expert on injustice or become one yourself. Perhaps the people in your unfathomable life, and their unfathomable stories, are clear to you as you make your way in the world, but when the elevator stopped for the last time, and the doors slid open to reveal the tilted roof of the Hotel Denouement, the Baudelaires felt as if they were balancing very delicately on a mysterious and perplexing heap of unfathomable mysteries.
Lemony Snicket (The Penultimate Peril (A Series of Unfortunate Events, #12))
concentrate on my deep breathing and the whole mindfulness shtick and on trying not to casually squeeze the contents of a taxiing aluminum tube of intercontinental goodness into my imaginary mouth—it’s a Boeing 777 or Airbus A330 and it’s nearly two miles away, a distantly rational part of me realizes—
Charles Stross (The Delirium Brief (Laundry Files, #8))
They are loud and boisterous, skylarking in the way that so many men in their twenties do – only just making the train, with the plumped-up platform guard blowing his whistle in furious disapproval. After messing about with the automatic door – open, shut, open, shut – which they inevitably find hilarious beyond the facts, they settle into the seats nearest the luggage racks. But then, apparently spotting the two girls from Cornwall, they glance knowingly at each other and head further down the carriage to the seats directly behind them. I smile to myself. See, I’m no killjoy. I was young once. I watch the girls go all quiet and shy, one widening her eyes at her friend – and yes, one of the men is especially striking, like a model or a member of a boy band. And it all reminds me of that very particular feeling in your tummy. You know. So I am not at all surprised or in the least bit disapproving when the men stand up and the good-looking one then leans over the top of the dividing seats, wondering if he might fetch the girls something from the buffet, ‘. . . seeing as I’m going?’ Next there are name swaps and quite a bit of giggling, and the dance begins. Two coffees and four lagers later, the young men have joined the girls – all seated near enough for me to follow the full conversation. I know, I know. I really shouldn’t be listening, but we’ve been over this. I’m bored, remember. They’re loud. So then. The girls repeat what I have already gleaned from their earlier gossiping. This trip to London is their first solo visit to the capital – a gift from their parents to celebrate the end of GCSEs. They are booked into a budget hotel, have tickets for Les Misérables and have never been this excited. ‘You kidding me? You really never been to London on your own before?’ Karl, the boy-band lookalike, is amazed. ‘Can be a tricky place, you know, girls. London. You need to watch yourselves. Taxi not tube when you get out of the theatre. You hear me?’ I am liking Karl now. He is recommending shops and market stalls – also a club where he says they will be safe if they fancy some decent music and dancing after the show. He is writing down the name on a piece of paper for them. Knows the bouncer. ‘Mention my name, OK?’ And then Anna, the taller of the two friends from Cornwall, is wondering about the black bags and I am secretly delighted that she has asked, for I am curious also, smiling in anticipation of the teasing. Boys. So disorganised. What are you like, eh?
Teresa Driscoll (I Am Watching You)
We met in the middle of a blackout. It was searing hot and there wasn’t any running water and New York City had lost its mind. People were sweaty and edgy, thronging the streets, leaking heat and anxiety. Traffic lights dangled dead over the intersections; taxis lurched through the dark. The ATMs didn’t work and bodegas were charging insane amounts for bottled water and I was thirsty, hungover, and almost out of cash. I felt defenseless every time I walked up the ten flights to my apartment, carrying a lit candle in the ghostly stairwell. I was nearing panic when a friend called and told me he had the water back on in his building down by City Hall, and a grill out on the balcony. As I walked there, on the cobblestone street just north of Washington Square Park, past an intersection where a woman in a sundress was directing traffic, down into the lighting district—window after window teaming with powerless, shimmering chandeliers, the people in the apartments above drinking beer on their fire escapes—the city seemed less like a nightmare and more like a carnival. My friend had said he had a houseguest in town, visiting from California: Lucy. She was golden-skinned and green-eyed in her white shirt, and she smiled with all the openness in the world when I walked in the door. She had the radiant decency of a sunflower.
Ariel Levy (The Rules Do Not Apply)
Ruling Venezuela as the unelected military strongman from 1948 to 1950 and as President from 1952 to 1958. The President of Venezuela was Marcos Pérez Jiménez, a Venezuelan General, who also considered himself to be a civil engineer. He spent much of the country’s oil profits modernizing the infrastructure, including the construction of the new Caracas to La Guaira highway. The new road was terribly expensive requiring bridges and tunnels. Two tunnels alone cost $20,000,000 and nearly broke the State Treasury, but the road was completed in 1953, just in time for me to ride on it up the mountains to Caracas. The old taxi went uphill at very steep angles, reaching an altitude of 7,400 feet before dipping back down into the city. Looking into the deep ravines next to what had been the old road, I could see wrecks of the vehicles that were unlucky enough to have gone off the road. Finally crossing the top of the Coastal ridge, we followed the winding road down into the extinct volcanic basin that housed the capital city. As we got closer to the downtown district, I noticed that the Guardia National police were everywhere! The traffic was horrendous and there was a layer of smog in the valley, but everything was reasonably quiet except for loud banging sounds. Since there was a noise ordinance in Caracas, cars were not permitted to blow their horns. Instead, the cabdrivers banged the side of their car door with their hand.
Hank Bracker
Shall we go get gelato to celebrate?” Stu asks. “Yeah! Gelato!” Andi says enthusiastically. “We’ve been eating gelato all over Italy, haven’t we, Stu? What’s the best place to get some in Venice?” “Near here, it is Gelato Fantasy,” Luca says. “I can take you.” “Don’t you need to get back to the airport?” Evan says, the first time he’s spoken since Luca and Kelly got out of the water taxi. “I mean, if you’ve got somewhere you need to be…” Luca turns to flash him the most dazzling of smiles, pushing back his black hair with his long pale fingers. “Ma no!” he says, so charmingly that I know he’s being totally fake. “Per niente! Now it is too late, my flight has gone. And I am very happy to show you all where to find some good gelato. Andiamo!” “Wow,” Andi sighs as Luca leads us into the piazza. “Luca’s hot. I mean, I love you, Stu, but that’s just how I pictured Italian men. So handsome and sophisticated.” “He’s a prince, too!” Paige says enthusiastically. “Oh my God, you’re kidding!” Andi exclaims. “Kelly, you got rescued by a prince! That’s crazy!” “I was so lucky he was at the airport,” Kelly says in heartfelt tones. “I don’t know what I’d’ve done without him.” “We’d have turned up!” I say, for some reason finding it almost intolerable to hear Luca praised to the skies. “Kendra would’ve got a taxi, and we’d have come and found you. You would’ve been okay.” “I’m just saying he was really nice,” Kelly says quietly to me.
Lauren Henderson (Kissing in Italian (Flirting in Italian, #2))
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Manpreet Singh
Fine, maybe you’re a bit of a Neanderthal when it comes to relationships. You’re not perfect. Great. I get it. But, Ghost, you are romantic.” When Ghost began to shake his head in denial, or disgust, Rayne wasn’t sure which, she put her hand on his knee. “Let me finish.” Waiting until he finally nodded, she continued. “You’ve paid for every single thing we’ve done today, from the taxi, to lunch, to tipping the concierge at the hotel. When we were walking to the subway station, you put yourself between the traffic and me when we were on the sidewalk. You protected me from the crowds as we got in and out of the subway. You let me sit, while you stood near me, making sure no one got too close. You even carried my suitcase from the taxi to the hotel. Seriously, Ghost, you do these things and don’t even realize you’re doing them. That is a sign of a man who knows how to treat a woman. That’s what women think is romantic. Screw flowers, they’ll just die sooner rather than later. And even if you leave without saying goodbye to a woman, I’ll bet everything I own you take very good care of her before you take off…don’t you?
Susan Stoker (Rescuing Rayne (Delta Force Heroes, #1))