Tattoos About Healing Quotes

Compassion isn't just about feeling the pain of others; it's about bringing them in toward yourself. If we love what God loves, then, in compassion, margins get erased. 'Be compassionate as God is compassionate,' means the dismantling of barriers that exclude. In Scripture, Jesus is in a house so packed that no one can come through the door anymore. So the people open the roof and lower this paralytic down through it, so Jesus can heal him. The focus of the story is, understandably, the healing of the paralytic. But there is something more significant than that happening here. They're ripping the roof off the place, and those outside are being let in.

We have gone sick by following a path of untrammelled rationalism, male dominance, attention to the visible surface of things, practicality, bottom-line-ism. We have gone very, very sick. And the body politic, like any body, when it feels itself to be sick, it begins to produce antibodies, or strategies for overcoming the condition of dis-ease. And the 20th century is an enormous effort at self-healing. Phenomena as diverse as surrealism, body piercing, psychedelic drug use, sexual permissiveness, jazz, experimental dance, rave culture, tattooing, the list is endless. What do all these things have in common? They represent various styles of rejection of linear values. The society is trying to cure itself by an archaic revival, by a reversion to archaic values. So when I see people manifesting sexual ambiguity, or scarifying themselves, or showing a lot of flesh, or dancing to syncopated music, or getting loaded, or violating ordinary canons of sexual behaviour, I applaud all of this; because it's an impulse to return to what is felt by the body -- what is authentic, what is archaic -- and when you tease apart these archaic impulses, at the very centre of all these impulses is the desire to return to a world of magical empowerment of feeling. And at the centre of that impulse is the shaman: stoned, intoxicated on plants, speaking with the spirit helpers, dancing in the moonlight, and vivifying and invoking a world of conscious, living mystery. That's what the world is. The world is not an unsolved problem for scientists or sociologists. The world is a living mystery: our birth, our death, our being in the moment -- these are mysteries. They are doorways opening on to unimaginable vistas of self-exploration, empowerment and hope for the human enterprise. And our culture has killed that, taken it away from us, made us consumers of shoddy products and shoddier ideals. We have to get away from that; and the way to get away from it is by a return to the authentic experience of the body -- and that means sexually empowering ourselves, and it means getting loaded, exploring the mind as a tool for personal and social transformation. The hour is late; the clock is ticking; we will be judged very harshly if we fumble the ball. We are the inheritors of millions and millions of years of successfully lived lives and successful adaptations to changing conditions in the natural world. Now the challenge passes to us, the living, that the yet-to-be-born may have a place to put their feet and a sky to walk under; and that's what the psychedelic experience is about, is caring for, empowering, and building a future that honours the past, honours the planet and honours the power of the human imagination. There is nothing as powerful, as capable of transforming itself and the planet, as the human imagination. Let's not sell it straight. Let's not whore ourselves to nitwit ideologies. Let's not give our control over to the least among us. Rather, you know, claim your place in the sun and go forward into the light. The tools are there; the path is known; you simply have to turn your back on a culture that has gone sterile and dead, and get with the programme of a living world and a re-empowerment of the imagination. Thank you very, very much.

I thought about what an intensely human act it was to get a tattoo, taking an image or a slogan, some stray momentary emotion, and cutting it into your body so that it could never heal and never be erased.

Again,” Azriel reminded them, “her knees have healed.” Bryce glanced at the thick scarring over his fingers. What—who—had done such a brutal thing to him? And though she knew it was dumb to open up, to show any vulnerability, she said quietly, “The male who fathered me … he used to burn my brother to punish him. The scars never healed for him, either.” Ruhn had just tattooed over them. A fact she’d only learned right before she’d come here, and knowing about the pain he’d suffered—

How I picture it: A scar is a story about pain, injury, healing. Years, too, are scars we wear. I remember their stories. The year everything changed. Kindergarten, fourth grade. The year of the pinecone, the postcard, the notebook. The year of waking in the night, sweating, heart racing. The year of being the only adult in the house, one baseball bat by the front door and another one under the bed. Or the year the divorce was finalized. First grade, fifth grade. Two houses, two beds, two Christmases, two birthdays. The year of where are your rain boots, they must be at Dad’s house. The year of who signed the permission slip? The year of learning to mow the lawn. The year of fixing the lawn mower, unclogging the toilets. The year I was tattooed with lemons. The year of sleeping with the dog instead of a husband. (The dog snores more quietly. The dog takes up less space.) The year of tweeting a note-to-self every day to keep myself moving. The year I kept moving. The year of sitting up at night, forgetting whether the kids were asleep in their beds or not. The year of waking in the morning and having to remember whether they were with me. The year I feared I would lose the house, and the year I did not lose the house. The year I wanted to cut a hole in the air and climb inside, and the year I didn’t want that at all. The year I decided not to disappear. The year I decided not to be small. The year I lived.

Seas was the one who'd urged her to tattoo the scars she'd cut with the razor blade. the serpent- sign of transformation and healing. The quote, from Rita Dove's poem "Dawn Revisited." About second chances. The whole sky is yours to write on, blown open

I love you, Harper.” His hands reached up but he only cupped her hips, letting her continue on her journey. She pressed a kiss to the scar across his right deltoid, an old injury from one of his first deployments, then his left collarbone, broken on a training trip to California. Then, moving carefully, she pressed kisses to the new scar still healing on his chest. That one had been too close to taking his life. Thank goodness he had been able to receive medical care as quickly as he did. Cat moved down Harper’s muscled abs and the slim line of black hair there. “I think everything about you is beautiful.” He puffed out a little laugh but she looked up at him with reproach. “I do. Your body is superb, even wounded. It always has been. That’s why I always have to beat the nurses off you.” She flashed him a grin. “Your mind is devious and brilliant, but I love that. The loyalty to your family and your men is humbling.” She stroked a finger over the tattoo that echoed those sentiments on his right pectoral. “Your unfailing courage in the face of everything that has happened is astounding. I know whatever we have to face you will conquer with that same indomitable, dogged, Navy SEAL will. And your heart,” she moved back up his chest to press a kiss to his sternum, “your heart is more loving and willing to try than I ever could have hoped. We’re going to put our family back together,” she promised. Harper stared up at her for several long seconds before he closed his eyes, but not before she’d seen the shine of moisture in their depths. He pulled her down on top of him, burying his face into her neck. “You are every bit the woman you’ve always been, calm and understanding, willing to put up with my shit. And I have to tell you. All of those things you see in me? I wouldn’t be any of them without you. And I mean that. You’ve supported me through everything. You flew across the country to be at my bedside even though you didn’t know the kind of reaction you’d receive. It amazes me that you would take that chance. But I’m so glad you did. I love you, Catherine Marie Preston. I always have.” She flashed a smile at the use of her full name. “And I love you, Harper Broderick Preston. I always will.” They

Narian was walking restlessly around his parlor when I entered, and my worry increased tenfold. Was he moving about because he was in pain? I glanced around the room, noticing an empty wineglass and a half-eaten bowl of soup. “You’re out of breath, Alera,” he said with a smile. “I hope that means your conversation with Nantilam went well.” I hesitated, unsure how to begin, unsure how to tell him what she was demanding, what she had done to him. Unsure how to tell him she had meted out one last betrayal. “How are you feeling?” I blurted, and he laughed. “I’m fine, but you don’t seem to be. Come and talk to me.” He took my hand and led me to the sofa, pulling me down to sit beside him. He winced as he did so, an indication he was experiencing some discomfort. I brushed his hair off his forehead, subtly checking for a fever, then told him of the High Priestess’s desires. “The terms of the actual treaty are not a problem, Narian, but Nantilam won’t enter into it unless you agree to make Cokyri your home. She wants to control your power, now and in the future, even to the point of progeny.” “Alera,” he calmly said, taking both my hands in his. “Those decisions are not hers to make. Besides, she’s a little late.” “I don’t understand.” He looked at me, bemused, then rolled up his right shirtsleeve, revealing an intricate tattoo encircling his forearm just below the elbow--the Cokyrian symbol that a man was voluntarily bound to a woman. I stared at it; I stared at him; and I burst into tears. His eyebrows rose in surprise, but he nonetheless took me into his arms. “That’s not the reaction I expected,” he drolly commented, “but it’s convinced me something is wrong.” “How….are…you…feeling?” I managed between sobs. “You’ve already asked me that, and I’m fine.” When I finally had my weeping under control, words tumbled from my mouth. “Even if the revolt has been successful, the High Priestess won’t enter into a treaty unless you stay in Cokyri. Otherwise, she’ll attack Hytanica again, and this time she will kill all of our military leaders and enslave my people. And she wants you to bind yourself to a woman of her choosing because if your powers pass to a child, she wants the child to be Cokyrian.” “That’s all well and good, but this time, she won’t be able to have things her way. There’s no need for you to worry about this. We are strong enough to take her on, Alera.” “But we’re not.” I glanced once more toward the food he had been given, and a flicker of understanding appeared in his eyes. “We have no choice, Narian, because she’s poisoned your food and drink and only she can heal you. And I don’t know what to do, only that I cannot let you die!” “Shhh,” he soothed, holding me close, and I couldn’t understand how he could be so calm. Not when panic rose higher inside me with each passing moment. When I had quieted, resting with my head cradled against his chest, he tried to sort through the things I had said. “So Nantilam, in her wisdom, has linked Hytanican’s freedom to my willingness to stay in Cokyri, and she has effectively taken me out of the fighting by poisoning my food?” I shudder, then nodded. “If I stay here, she is willing to sign a treaty, but if I’m not, she will never relinquish Hytanica and I won’t be around to prevent it.” “Yes,” I murmured. “So she is tearing us apart, dictating the rest of my life and we have to go along with it or she will destroy Hytanica?” “Yes. And we’re running out of time.” He shook his head in awe. “I have to hand it to her, Alera. She’s ruthless in pursuing what she wants.” “This is serious, Narian.” I found his attitude almost irritating. He obviously understood the direness of his situation, yet was acting like it was only a game. “I know it’s serious, but there is only one choice as far as I’m concerned. I don’t want to live without you, Alera. I won’t live without you.

A wandering Taoist who for sake of this story we shall call Golden Sunlight At Deaths Dawn arrived in a town in the state of Wu. He was dressed quite shabbily. He looked a sorry thing. His hair was unkempt and his strange tattoos could hardly be seen for need of a wash. When he looked at people it was as if he could see right through them. Rumours of his mysterious abilities travelled afar. It was said that he could heal the sick, that he could catch ghosts, that he could read minds and that he could kill with just a look. One day he even defeated a master swordsman with just a tea cup held in his hand. The sword made from a long-lost art of metal forging was unbreakable they said, but the cup was slid only once along the blade guiding the sword tip into the ground, then with a slight tap of the cup the blade was shattered. He would teach those who would listen and ignore those who didn’t. One day he was approached by a rich merchant who threw a bag of silver at his feet, ‘Tell me about the art of effortless living,’ he said. Golden Sunlight At Deaths Dawn sat down and opened the bag of silver. He gazed at the money for some time, and with a heavy sigh he replied, ‘Only the dead know of this art.’ ‘Is that it? That is your answer?’ the merchant replied sharply. Not wanting to be outdone he then asked, ‘Do the dead know the highest Truth?’ ‘A blind man fights ghosts in daylight. The dead don’t know of death. The Truth remains silent,’ replied the Taoist as he handed the bag of silver back to the merchant.