Tate Quotes

We've searched our database for all the quotes and captions related to Tate. Here they are! All 100 of them:

The pain will always be there. So will the fear. But the pain and fear are no longer my life. They're only moments.
Colleen Hoover (Ugly Love)
Whoever coined the phrase, I love you to death obviously never experienced the kind of love Tate and I share. If that were the case, the phrase would be I love you to life. Because that’s exactly what Tate did. She loved me back to life.
Colleen Hoover (Ugly Love)
Hearts get infiltrated. Promises get broken. Rules get shattered. Love gets ugly.
Colleen Hoover (Ugly Love)
Listen, Tate. I want your mess. I want your clothes on my bedroom floor. I want your toothbrush in my bathroom. I want your shoes in my closet. I want your mediocre leftovers in my fridge.
Colleen Hoover (Ugly Love)
Then you shouldn't have thrown her away when she was your wife. Now she ain't. Now she's somethin' to me and I don't let men I don't like get close to her and I gotta tell you man, I do not like you.
Kristen Ashley (Sweet Dreams (Colorado Mountain, #2))
Tate, you’re mine, and I’m yours. Every day you’re going to realize that more and more. When you believe it without a doubt, then I’ll have earned your trust.
Penelope Douglas (Bully (Fall Away, #1))
Love isn’t always pretty, Tate. Sometimes you spend all your time hoping it’ll eventually be something different. Something better. Then, before you know it, you’re back to square one, and you lost your heart somewhere along the way.
Colleen Hoover (Ugly Love)
You want sweet dreams, lose the attitude and you might find I'll give you reason to have them. Tate to Lauren
Kristen Ashley (Sweet Dreams (Colorado Mountain, #2))
Wrong way, Bones. The men's showers are in the opposite direction." I'll file that away with all the other information that doesn't pertain to me" was Bones' mocking reply.
Jeaniene Frost (One Foot in the Grave (Night Huntress, #2))
Ahhh. Bed, book, kitten, sandwich. All one needed in life, really.
Jacqueline Kelly (The Evolution of Calpurnia Tate (Calpurnia Tate, #1))
He is the most beautiful creature I have ever seen and it's not about his face, but the life force I can see in him. It's the smile and the pure promise of everything he has to offer. Like he's saying, 'Here I am world, are you ready for so much passion and beauty and goodness and love and every other word that should be in the dictionary under the word life?' Except this boy is dead, and the unnaturalness of it makes me want to pull my hair out with Tate and Narnie and Fitz and Jude's grief all combined. It makes me want to yell at the God that I wish I didn't believe in. For hogging him all to himself. I want to say, 'You greedy God. Give him back. I needed him here.
Melina Marchetta (On the Jellicoe Road)
Should I ask about the handcuffs? (Tate) Not unless you want to live...otherwise if anyone asks, tell them I died of a heart attack during a wild sexcapade with her. (Kyrian)
Sherrilyn Kenyon (Night Pleasures (Dark-Hunter #1))
Girlfriend isn’t enough to describe you, Tate. That term is disposable. You’re not my girlfriend, my girl, or my woman. You’re. Just. Mine,” I bit out every syllable, so she would fucking understand. “And I’m yours,” I added, a little calmer.
Penelope Douglas (Until You (Fall Away, #1.5))
You buy me sheets. You paint my room. What's next? You gonna wash my balls?" -Tate
Kristen Ashley (Sweet Dreams (Colorado Mountain, #2))
Guess what?' Fitz said. 'I don't know,' Jude said. 'What? Narnie smiled?' He glanced at her for the first time. 'When you guys see a Narnie smile, it's like a revelation,' Webb said, gathering her towards him. Jude stopped in front of her and, with both hands cupping her face, tried to make a smile. Narnie flinched. 'Leave her alone,' Tate said. 'I need a revelation,' Jude said. 'And you're the only one that can give me one, Narns.
Melina Marchetta (On the Jellicoe Road)
What d'ya mean, where the crawdads sing? Ma used to say that." Kya remembered Ma always encouraging her to explore the marsh: "Go as far as you can --- way out yonder where the crawdads sing." Tate said, "Just means far in the bush where critters are wild, still behaving like critters.
Delia Owens (Where the Crawdads Sing)
One day I would have all the books in the world, shelves and shelves of them. I would live my life in a tower of books. I would read all day long and eat peaches. And if any young knights in armor dared to come calling on their white chargers and plead with me to let down my hair, I would pelt them with peach pits until they went home.
Jacqueline Kelly (The Evolution of Calpurnia Tate (Calpurnia Tate, #1))
Two kinds of women get under your skin. The ones who do damage, they don't feel good there but once you're fuckin' stupid enough to let them in you got no choice but to take the time it takes to work them out. Then there are the ones who don't do damage, who feel good there, feed the muscle, the bone, the soul, not rip it or break it or burn it. The ones you don't wanna work out.
Kristen Ashley (Sweet Dreams (Colorado Mountain, #2))
Dave and Tate were dressed with equal heinousness. More black leather, chains, and whips. Either Don’s staff truly had costumes for all possible occasions on hand, or someone at wardrobe had a lot of explaining to do.
Jeaniene Frost (At Grave's End (Night Huntress, #3))
It isn't that it's too soon, you're on the back of my bike, it ain't too soon. You can buy sheets. You cannot install blinds." "um..." I mumbled. "Can you explain the difference?" "Sheets are chick territory," he said without delay. "You gotta use tools, that's dick territory." "Oh," I whispered. "Don't tread on dick territory," he advised. "So, um... is a paintbrush a tool?" I asked cautiously. "If you're paintin' the side of the house, yeah. If you're painting mud colored paint in a room, no." "It's terracotta," I said softly. "Whatever," he muttered, his mouth twitching. "Or, the paint chip called it Mexican horizon. The blue is dawn sky." "Definitely chick territory," Tate replied, losing the fight with his grin. "What about...pictures for the walls?" I asked. "Chick," he answered instantly. "Um...could I ask that, instead of you getting angry and being a jerk, maybe you give me a head's up when I'm doing something stupid?
Kristen Ashley (Sweet Dreams (Colorado Mountain, #2))
If being with Tate for a few short months can make that pain bearable enough for you to answer with maybe, imagine what a lifetime with her could do for you.
Colleen Hoover (Ugly Love)
Atticus sat looking at the floor for a long time. Finally he raised his head. “Scout,” he said, “Mr. Ewell fell on his knife. Can you possibly understand?” Atticus looked like he needed cheering up. I ran to him and hugged him and kissed him with all my might. “Yes sir, I understand,” I reassured him. “Mr. Tate was right.” Atticus disengaged himself and looked at me. “What do you mean?” “Well, it’d be sort of like shootin’ a mockingbird, wouldn’t it?” Atticus put his face in my hair and rubbed it. When he got up and walked across the porch into the shadows, his youthful step had returned. Before he went inside the house, he stopped in front of Boo Radley. “Thank you for my children, Arthur.” he said.
Harper Lee (To Kill a Mockingbird)
Wow,” Tate whispered. “They’re fucking right on the dance floor. ” “I see that.” There was an edge to my words. Dave gave me a sideways grin. “Juan will cry at being stuck in the van. If he were here, he’d be screaming 'Authenticity’s imperative!' and taking his pants down.
Jeaniene Frost (At Grave's End (Night Huntress, #3))
So… what’s your truth, Logan?” Logan stared at him so intently that Tate wondered what was going on inside his head before he replied, “I think you are,” leaving Tate speechless.
Ella Frank (Try (Temptation, #1))
I’m sorry it took me so long,” he says with a voice full of remorse. “But I’ll never be able to thank you enough for not giving up on me. You saw something in me that gave you hope in us, and you didn’t give up on that. And Tate? That means more to me than anything anyone’s ever done.
Colleen Hoover (Ugly Love)
Sometimes not speaking says more than all the words in the world. Sometimes my silence is saying, I don't know how to speak to you. I don't know what you're thinking. Talk to me. Tell me everything you've ever said. All the words. Starting form the very first one.
Colleen Hoover (Ugly Love)
Most people think of themselves as individuals, that there's no one on the planet like them. This thought motivates them to get out of bed, eat food and walk around like nothing's wrong. My name is Oliver Tate.
Joe Dunthorne (Submarine)
Tate lays her head on my arm, and we both watch her. Our daughter. I love you so much, Sam. I’m looking down at the perfection we created when it hits me. It’s all worth it. It’s the beautiful moments like these that make up for the uglylove.
Colleen Hoover (Ugly Love)
It's love in general I don't want, Tate. Ever. It's you specifically that I just...want.
Colleen Hoover (Ugly Love)
Her lips full and inviting, she has an infectious laugh and glassy cackle in her eyes, and a 2000 volt sexual charisma that beckons me like a fluff girl on scuffed knees.
Brett Tate
She doesn’t look like a Buster,” I declared, “more like a Princess Fancy Pants.” Tate was bent and pulling a skilled out of a cupboard. His head tipped back and his eyes locked on mine. “You call my cat Princess Fancy Pants, Ace, we got problems.
Kristen Ashley (Sweet Dreams (Colorado Mountain, #2))
I’m never letting you go again, Tate,” I whispered, almost desperate. “I’m your friend forever, and if that’s all I get, then that’s what I’m taking, because only when you’re here”—I took her hand and placed it on my heart—“do I feel like my life is worth a damn.
Penelope Douglas (Aflame (Fall Away #4))
It's amazing what you can see when you just sit quietly and look.
Jacqueline Kelly (The Evolution of Calpurnia Tate (Calpurnia Tate, #1))
Exercise II. Write a diary, imagining that you are trying to make an old person jealous. I have written an example to get you started: Dear Diary, I spent the morning admiring my skin elasticity. God alive, I feel supple.
Joe Dunthorne (Submarine)
I don't know if I've come of age, but I'm certainly older now. I feel shrunken, as if there's a tiny ancient Oliver Tate inside me operating the levers of a life-size Oliver-shaped shell. A shell on which a decrepit picture show replays the same handful of images. Every night I come to the same place and wait till the sky catches up with my mood. The pattern is set. This is, no doubt, the end.
Joe Dunthorne (Submarine)
Jesus Christ, Tate, you’re staring at his damn crotch!
Colleen Hoover (Ugly Love)
Remington Tate, I swear to you—I swear—that when I’m able to get up from this stupid bed and run again, you’re always, always, going to be the one thing I’ll run straight to.
Katy Evans (Mine (Real, #2))
I want you. Am I supposed to walk away because you're a man? Maybe. They'll say yes for sure. But I'm sick of all the questions running around in my head." Tate stopped and licked his lips. "I want the man who sat down across from me and changed the way I look at the world. And if that's wrong, then I'm confused because when I'm near you, it feels so damn right.
Ella Frank (Try (Temptation, #1))
But breaking was beautiful. It hurt, and it was an uphill climb back to sanity, but you came back stronger, fiercer, and more solid than you were before. Tate had obviously been through it, I had, and eventually so would K.C., I thought.
Penelope Douglas (Rival (Fall Away, #3))
You have every right not to trust me, Tate. I know that. My fucking heart is ripping open right now. I can’t stand the way you’re looking at me. I could never hurt you again. Please…let’s try to fix this together.
Penelope Douglas (Until You (Fall Away, #1.5))
I like storms. Thunder torrential rain, puddles, wet shoes. When the clouds roll in, I get filled with this giddy expectation. Everything is more beautiful in the rain. Don't ask me why. But it’s like this whole other realm of opportunity. I used to feel like a superhero, riding my bike over the dangerously slick roads, or maybe an Olympic athlete enduring rough trials to make it to the finish line. On sunny days, as a girl, I could still wake up to that thrilled feeling. You made me giddy with expectation, just like a symphonic rainstorm. You were a tempest in the sun, the thunder in a boring, cloudless sky. I remember I’d shovel in my breakfast as fast as I could, so I could go knock on your door. We’d play all day, only coming back for food and sleep. We played hide and seek, you’d push me on the swing, or we’d climb trees. Being your sidekick gave me a sense of home again. You see, when I was ten, my mom died. She had cancer, and I lost her before I really knew her. My world felt so insecure, and I was scared. You were the person that turned things right again. With you, I became courageous and free. It was like the part of me that died with my mom came back when I met you, and I didn’t hurt if I knew I had you. Then one day, out of the blue, I lost you, too. The hurt returned, and I felt sick when I saw you hating me. My rainstorm was gone, and you became cruel. There was no explanation. You were just gone. And my heart was ripped open. I missed you. I missed my mom. What was worse than losing you, was when you started to hurt me. Your words and actions made me hate coming to school. They made me uncomfortable in my own home. Everything still hurts, but I know none of it is my fault. There are a lot of words that I could use to describe you, but the only one that includes sad, angry, miserable, and pitiful is “coward.” I a year, I’ll be gone, and you’ll be nothing but some washout whose height of existence was in high school. You were my tempest, my thunder cloud, my tree in the downpour. I loved all those things, and I loved you. But now? You’re a fucking drought. I thought that all the assholes drove German cars, but it turns out that pricks in Mustangs can still leave scars.
Penelope Douglas (Bully (Fall Away, #1))
I’m not Tate when I’m near Miles. I’m liquid, and liquid doesn’t know how to be firm or stand up for itself. Liquid flows. That’s all I want to do with Miles. Flow.
Colleen Hoover (Ugly Love)
Tates response, Babe.
Kristen Ashley (Sweet Dreams (Colorado Mountain, #2))
I tried to imagine Tate on ice skates. This vision didn’t form in my brain likely because Tate’s badassness reached across four states and halted such activity.
Kristen Ashley (Sweet Dreams (Colorado Mountain, #2))
Love isn't always pretty, Tate. Sometimes you spend all your time hoping it'll eventually be something different. Something better. Then, before you know it, you're back to square one, and you lost you heart somewhere along the way
Colleen Hoover (Ugly Love)
If I die, I just want you to know that you have never looked hotter than you do right now, and that is the only reason I’m about to risk my life.” Tate raised a hand, and before he shut the visor, he promised, “I’ll look even hotter in fifteen minutes when I’m naked. So, quit bitching, and get on the bike, Logan.
Ella Frank (Try (Temptation, #1))
Jonas, Tate’s teenaged son … looking like mini-Tate, giving me the understanding that in a few years, me and every woman over twenty-five years of age in Carnal would be moved to become a cougar.
Kristen Ashley (Breathe (Colorado Mountain, #4))
Don’t mind us,” Mack called. “They probably don’t get a lot of foreplay in hospital waiting rooms. You’re breakin’ the monotony of tears and tantrums. “Mack!” Carrie hissed. “Tate just kissed her, that’s hardly foreplay.” “You weren’t watchin’ close enough, honey. That was definitely foreplay.
Kristen Ashley (Sweet Dreams (Colorado Mountain, #2))
The first time I met you, you told me you grew up here, I’d call you a liar,” Tate informed me. I tipped my head to the side and asked, “Really?” “Really.” “Why?” “High-class,” he replied. “Sorry?” “You looked high-class,” he semi-repeated. “I’m not,” I stated. “No, Ace, you’re not. You’re a different kind of class.” “Farmer class.” “Pure class.
Kristen Ashley (Sweet Dreams (Colorado Mountain, #2))
Bastard hits harder than a fucking freight train." I just smiled. "I know.
Jeaniene Frost (One Foot in the Grave (Night Huntress, #2))
Whose SUV is this?” I asked once we were out of Carnal. “Mine.” He answered. I looked at him. “You drive a Harley.” “Not big on puttin’ bad guys on the back of my bike when I hunt them down, Ace. Fucks with my street cred.
Kristen Ashley (Sweet Dreams (Colorado Mountain, #2))
Girlfriend isn’t enough to describe you, Tate. That term is disposable. You’re not my girlfriend, my girl, or my woman. You’re. Just. Mine,
Penelope Douglas (Until You (Fall Away, #1.5))
Tate?" "What?" he barked at him. Logan couldn't help the way his dick reacted to it. "I can't even remember what he looks like because all I can picture is you.
Ella Frank (Try (Temptation, #1))
What I have a problem with is not so much religion or god, but faith. When you say you believe something in your heart and therefore you can act on it, you have completely justified the 9/11 bombers. You have justified Charlie Manson. If it's true for you, why isn't it true for them? Why are you different? If you say "I believe there's an all-powerful force of love in the universe that connects us all, and I have no evidence of that but I believe it in my heart," then it's perfectly okay to believe in your heart that Sharon Tate deserves to die. It's perfectly okay to believe in your heart that you need to fly planes into buildings for Allah.
Penn Jillette
This felt like an end. I'm not sure I was ready for this to be end. I'm not sure I was ready for there ever to be an end, and I hate myself for allowing my feelings to get to that point.
Colleen Hoover (Ugly Love)
You give me a water board, Dick Cheney and one hour, and I'll have him confess to the Sharon Tate murders." (Larry King Live, May 11, 2009)
Jesse Ventura
but please allow me to introduce myself. I’m Logan Mitchell, and this is Tate Morrison, and he is my partner.
Ella Frank (Take (Temptation, #2))
It’s alright, Kitten,” Bones said. “He won’t shoot.” Tate lowered his gun, even as the sudden dizziness from blood-loss made me sway. Bones took my gun and casually handed it to Juan, who gapped at him in amazement. “You called her Kitten? And she let you? She put me in a coma for three days when I called her that. My balls never recovered from her smashing them into my spine.” “And well she should have,” Bones agreed. “She’s mine. Kitten, and no one else’s.
Jeaniene Frost (Halfway to the Grave (Night Huntress, #1))
NOTHING goes exactly as planned. Make your OWN destiny
Tate Hallaway (Almost to Die For (Vampire Princess of St. Paul, #1))
His smile got even bigger. "Yeah, Ace, a day of you cryin' in my arms, sleepin' in my arms, kissin' you, feelin' your body, smellin' your hair, your perfume, only so much a man can take. I ran for an hour, hard, didn't even fuckin' warm up, it didn't touch it. Come back, deal with that fuckwad, (that's her ex) and you're standin' there, all legs and hair, wearin' my shirt. Seriously. Only so much a man can take.
Kristen Ashley (Sweet Dreams (Colorado Mountain, #2))
I'm not normal, Tate." "I know." Her hand was working its way under my shirt, then touching my skin, sliding over my chest and stomach. "Does this feel good?" I closed my eyes and nodded. "You're normal enough.
Brenna Yovanoff (The Replacement)
I feel claimed and bonded to him like animals do. I feel like I've already been caught and trapped and he's merely priming me, leaving me to simmer in my juices, anxiously waiting for the moment when he takes his first bite of me.
Katy Evans (Real (Real, #1))
There he is, a woman's living, breathing fantasy, doing his slow, cocky turn, spiky black hair, darkly tanned chest, dimpled smile-killer smile-all in the package of Remington Tate. He's perfection itself, and a new surge of hormones sweeps through me as I do what the rest of the crowd does and take in his visual, so blatantly on display in those low riding boxing shorts and so strikingly sexy, he becomes the center of my attention. The center. Of my. World.
Katy Evans (Real (Real, #1))
Can you just saw his arm off while we're here and get me loose? (Amanda) I could do that, but he needs his more. I'd cut yours off before I did his. (Tate) Oh, great, what are you, his Igor? (Amanda) Wrong movie, Igor was Frankenstein's flunky. Renfield is the one you're thinking of, and no, I'm not Renfield. Name's Tate Bennett. Parish coroner. (Tate)
Sherrilyn Kenyon (Night Pleasures (Dark-Hunter #1))
...I want to grab her collarbones as if they were handlebars.
Joe Dunthorne (Submarine)
You’re gonna find special, Ace.” … “Sometimes special doesn’t exist, Tate,” I told him. “And I’m okay with that.” His lips came back to mine and when he spoke, he did it gently. “It will for you baby.
Kristen Ashley (Sweet Dreams (Colorado Mountain, #2))
I stopped looking around when I heard a soft “mew” and I looked toward Tate to see he was crouched. He straightened and turned to me. I froze and stared. Tatum Jackson, ex-pro football player, ex-cop, now bartender/bounty hunter, tall, beautiful and more man than I’d ever experienced in my life was standing on the edge of his kitchen holding a cat. And it wasn’t just any cat and he wasn’t just holding it. He was cradling it.
Kristen Ashley (Sweet Dreams (Colorado Mountain, #2))
Another reason to watch him avidly for he might pull himself out of the pool, his whole body slick and those shorts plastered on him was not a sight to see. It was a sight to prove there was a God and that God might just be Tate.
Kristen Ashley (Sweet Dreams (Colorado Mountain, #2))
Es asombroso lo que uno puede ver cuando se sienta a mirar.
Jacqueline Kelly (The Evolution of Calpurnia Tate (Calpurnia Tate, #1))
You have a bad temper, Mr. Morrison.” “Get the hell off me,” Tate snarled through his teeth. “I’m not on you.” “Yes, you fucking are.” “I’m against you. There’s a mighty big difference. Take last night, for example, when you were lying on my bed, naked, with your legs spread and me in between them—that was me on you.
Ella Frank (Try (Temptation, #1))
Which one are you?" I whispered. "What?" he asked. "Are you the good guy, the sweet guy who takes care of me or are you this guy who's kind of a jerk?" His answer was instantaneous. "I'm both those guys, babe. Your job is to get used to it." There it was, another order. Not even an ultimatum. Just, "get used to it".
Kristen Ashley (Sweet Dreams (Colorado Mountain, #2))
Jesus, Laurie, baby, look at you." My eyes followed his, mainly because I wanted him to keep at me and I'd do just about anything he told me to do to get it. But what I saw made my heart skip and my legs fail. Tate, dark, tall, behind me, his hands on me; me, blonde, my face flushed, my eyes hooded, tucked tight against him. A perfect fit, made to be there. A perfect match, made to be together. Made to be there. Made to be together. We looked great. We looked hot. We looked beautiful. My eyes went to his in the mirror.
Kristen Ashley (Sweet Dreams (Colorado Mountain, #2))
So give it up. You give it all up. You never want love again, no matter what kind it is, because no type of love will ever be worth living through the ugly love again.
Colleen Hoover (Ugly Love)
Most of what she knew, she'd learned from the wild. Nature had nurtured, tutored, and protected her when no one else would. If consequences resulted from her behaving differently then they too were functions of life's fundamental core. Tate's devotion eventually convinced her that human love is more than the bizarre mating competitions of the marsh creatures. But life also taught her than ancient genes for survival still persist in undesirable forms among the twists and turns of man's genetic code. For Kya it was enough to be part of this natural sequence as sure as the tides. Kya was bonded to her planet and its life in a way few people are. Rooted solid in this earth. Born of this mother.
Delia Owens (Where the Crawdads Sing)
I can’t change the past, Tate. I wish I could, because I’d go back and relive every day that I existed without you, and I’d make sure that you smiled.” My eyes burned with regret, and I saw the pools in her beautiful blues, too. “Every minute of my future belongs to you.
Penelope Douglas (Until You (Fall Away, #2))
Quit it! Tate, enough of the taunts, and Bones, how old are you? Why don't I just give you a pair of my panties to hang around your neck? Then whenever you feel jealous, you can wave them at whoever's pissing you off." "Like you wear panties," Tate muttered.
Jeaniene Frost (One Foot in the Grave (Night Huntress, #2))
Hannah, do you think that your mum and dad and Tate's mum and dad and my mum and dad and Webb and Tate are all together someplace?' she asks earnestly. I look at Hannah, waiting for the answer. And then she smiles. Webb once said that a Narnie smile was a revelation and, at this moment, I need a revelation. And I get one. 'I wonder,' Hannah says.
Melina Marchetta (On the Jellicoe Road)
You’re stuck,” I blurted, his grin died and he blinked. “Come again?” I swallowed, sucked in breath and forged ahead. “I was lost but you… Tate, you got stuck,” I told him. He stared at me and it took a lot but I braved his stare. Then he asked, “You up for the job of pullin’ me out?” “I…” I swallowed again. “No,” I answered truthfully. “No?” he asked, his eyebrows lifting, his face getting dark, his arms growing tighter. “I…” I pulled in breath then whispered, “I kinda like it here.
Kristen Ashley (Sweet Dreams (Colorado Mountain, #2))
the greatest blessing can come wrapped up in the worst trouble
ReShonda Tate Billingsley (Blessings in Disguise (Good Girlz, #2))
So what if my life isn’t turning out exactly the way I’d planned? It’s not ruined, it’ll just be different.
Katherine Allred (What Price Paradise)
It was too bad, but sometimes a little knowledge could ruin your whole day, or at least take off some of the shine.
Jacqueline Kelly (The Evolution of Calpurnia Tate (Calpurnia Tate, #1))
Ace!" Tate shouted, both Wendy and I jumped and twisted our necks to look his way. "You cashed out or what?" Tate asked still in a shout. "I'm cashed out," I shouted back. "You wanna socialize for the next hour or are we gonna go?" He was still shouting and I was acutely aware, due to the fact that the noise level declined significantly, that the entire bar was listening. "Keep your pants on!" I yelled. The noise level disappeared. "Babe, get your ass over here," Tate ordered. "Patience, Captain, I'm talking to Wendy," I shot back. "Ass. Over. Here!" Tate commanded. I looked at Wendy and snapped loudly, "He's so darned bossy!" Two men and a woman sitting at the bar close to us burst out laughing. "You better get your ass over there," Wendy advised, I rolled my eyes and stomped across the bar.
Kristen Ashley (Sweet Dreams (Colorado Mountain, #2))
If you want more people to come to the theatre, don't put the prices at £50. You have to make theatre inclusive, and at the moment the prices are exclusive. Putting TV stars in plays just to get people in is wrong. You have to have the right people in the right parts. Stunt casting and being gimmicky does the theatre a great disservice. You have to lure people by getting them excited about a theatrical experience.
Catherine Tate
So I’m daring you. Wake up. Wake up and tell me that you were right. That you’re the best thing that has ever happened to me.” Logan sucked in a shaky breath and then let it out as he ran his eyes over Tate’s body. “And that I never stood a chance. I love you, and I’m not letting you go. Not now, not ever. I can be stubborn too. Got it?
Ella Frank (Trust (Temptation, #3))
As soon as he comes into view, I lose the war. The war I didn't even know I was fighting. It doesn't happen often, but when I do find a guy attractive, it's better when it happens with a person I want it to happen with
Colleen Hoover (Ugly Love)
Hey, Tate. Do you just screw in the locker room or do you do blowjobs as well?” Hannah Forrest, queen bee of the mean girls, shouted to my back while I walked to Calculus. Her drones laughed with her. I spun around to face them and held my hand to my heart. “And steal all of your business?” I took the time to enjoy their dumbstruck looks before I twisted on my heel and headed to class.
Penelope Douglas (Bully (Fall Away, #1))
What do I need to get you into my bed?" Logan asked boldly. Tate couldn't help the laugh escaping his mouth at Logan's directness. "A vagina?" He raised a brow at the man. Releasing his arm, Logan took a step back and removed his cell phone from his pocket. He dialed a number and placed the phone to his ear. "Hi hon." He then met Tate's eyes and smirked as he mouthed, A vagina I can get.
Ella Frank (Try (Temptation, #1))
After more of his sweet torture, I called, “Tate, honey?” “Yeah, baby,” he answered. “Am I under your skin?” I whispered as my hips moved with his hand. He replied instantly, “Oh yeah.” His thumb tweaked my clit harder, my hips jerked and a low mew slid out of my throat as the fingers of one of my hands slid into his hair and the other arm held on tighter. “Fuck yeah,” he growled and his lips left my ear, his mouth found mine and he kissed me, wet and deep.
Kristen Ashley (Sweet Dreams (Colorado Mountain, #2))
The first thing that came to mind was an angel. Her hair flowing and shiny. Her legs dangling, long and smooth. She looked perfect where she was, like a painting. And then I remembered that Satan was also an angel.
Penelope Douglas (Until You (Fall Away, #2))
If I had to wish for something, just one thing, it would be that Hannah would never see Tate the way I did. Never see Tate's beautiful, lush hair turn brittle, her skin sallow, her teeth ruined by anything she could get her hands on that would make her forget. That Hannah would never count how many men there were, or how vile humans can be to one another. That she would never see the moments in my life that were full of neglect, and fear, and revulsion, moments I can never go back to because I know they will slow me down for the rest of my life if I let myself remember them for one moment. Tate, who had kept Hannah alive that night, reading her the story of Jem Finch and Mrs. Dubose. And suddenly I know I have to go. But this time without being chased by the Brigadier, without experiencing the kindness of a postman from Yass, and without taking along a Cadet who will change the way I breath for the rest of my life.
Melina Marchetta (On the Jellicoe Road)
Tate’s kiss… There was no describing it. It didn’t start slow, it started hard and wet and so demanding I had no choice but to give back what I got. And I did. Our tongues sparred then our teeth bit at each other’s lips and our heads twisted this way and that, all of it a mindless, sexy dance that was all-consuming. There was nothing but his mouth and my mouth, what they were doing and what they were making me feel. Nothing. Not in the whole universe.
Kristen Ashley (Sweet Dreams (Colorado Mountain, #2))
He grabbed my calves and yanked them apart, then pushed them up so my knees were bent. He put a knee to the bed and moved forward, releasing one of my calves, his hand wrapped around his cock and I felt his weight begin to hit me. “You come with me inside you, Ace,” he gritted and then he was inside me, filling me, beautiful. At the feel of him, so hard, making me so full, my back left the bed again. “Tate.” He moved, driving deep, fast, hard. Our mouths attached, our tongues clashed. His hand went between us and he touched me and that was it. It hit me like a rocket and I combusted, my world exploding, taking me with it and I loved every nanosecond.
Kristen Ashley (Sweet Dreams (Colorado Mountain, #2))
<…>Tate fell silent. Ty didn't. "Since the day I was released, you knocked yourself out. You had my back, you took care of Lexie when we had our thing then you did what you could to help me sort that. It's important to me that you know I'm grateful. I've been tryin' to figure out how I can show how much but, keep thinkin' on it, nothin' comes to mind and I know why. I get it. You're a man who has everything so there is nothing I can hand you that you want or need. And I get that because I am now that same man. So the only thing I can give you are words and, my guess is, that'll be enough. If it isn't, you name it and it's yours." "Friends do what I did for friends," Tate returned. "No they don't, Tate. You did what you did for me because you're you. That's what I'm talkin' about." Tate ws silent a moment then he said, "Well then, you guessed right. Words are enough." Ty nodded. Tate tipped his head to the side and asked jokingly, "We done with the near-midnight in the middle of fuckin' nowhere heart-to-heart?" Ty didn't feel like joking and answered, "No." "Then what -?" "Love you, man," Ty interrupted quietly. "Learned the hard way not to delay in expressing that sentiment so I'm not gonna delay. You call me brother and I got one who's blood who don't mean shit to me and today, all this shit done, rejoicing and reflecting, it hit me that I got two who aren't blood but who do mean something. And you're one of those two." "Ty-" Tate murmured. "I will never forget, until I die, what you did for me and my wife and until that day I will never stop bein' grateful." "Fuck man," Tate whispered. "Now, do those words work so you get what you did mean to me?" Silence then, "Yeah, they work." "Good, then now we're done with our near-midnight, middle of fuckin' nowhere heart-to-heart," Ty declared, turned, opened the door to the Viper and started folding in. He stopped with his ass nearly to the seat and looked up over the door when Tate called his name. "I don't have a blood brother," Tate said. "But you should know there's a reason I call you that."<…>
Kristen Ashley (Lady Luck (Colorado Mountain, #3))
It is better to travel with hope in one's heart than to arrive in safety. . . . We should celebrate today's failure because it is a clear sign that our voyage of discovery is not yet over. The day the experiment succeeds is the day the experiment ends. And I inevitably find that the sadness of ending outweighs the celebration of success.
Jacqueline Kelly (The Evolution of Calpurnia Tate (Calpurnia Tate, #1))
Brad (Lauren's ex) ignored Hayley (she's Brad's ex girlfriend) and looked at me, he did a top to toe and back again then his gaze moved to Tate. "I'm here to tell you I'm suing you," he announced. Jim-Billy, Nadine, Steg, Wing and my eyes moved to Tate. Tate stared at Brad then he said, "Come again?" "I'm suing you," Brad repeated. "For what?" Tate asked. "Alienation of affection," Brad answered. Without hesitation, Tate threw his head back and burst out laughing. Then he looked at me and remarked, "You're right, babe, this is fun." Ignoring Tate's comment, Brad declared, "You stole my wife." Tate looked back at Brad. "Yeah, bud, I did." Brad pointed at Tate and his voice was raised when he proclaimed, "See? You admit it." He threw his arm out. "I have witnesses." "Not that any judge'll hear your case, seein' as Lauren divorced your ass before I alienated her affection, but you manage it, I'll pay the fine. In the meantime, I'll keep alienating her affection. You should know, and feel free to share it with your lawyers," Tate continued magnanimously, "schedule's comin' out mornin' and night. Usually, in the mornin', she sucks me off or I make her come in the shower. Night, man…shit, that's even better. Definitely worth the fine." Sorry, it's just too long; I have to cut it off. But it continues…like that: "This is the good life?" (Brad) "Part of it," Tate replied instantly, taking his fists from the bar, leaning into his forearms and asking softly, in a tone meant both to challenge and provoke, "She ever ignite, lose so much control she'd attack you? Climb on top and fuck you so hard she can't breathe?" I watched Brad suffer that blow because I hadn't, not even close. We'd had good sex but not that good and Brad was extremely proud of his sexual prowess. He was convinced he was the best. And he knew, with Tate's words, he was wrong. "Jesus, you're disgusting," Brad muttered, calling up revulsion to save face. "She does that to me," Tate continued. "Fuck off," Brad snapped. "All the fuckin' time," Tate pushed. "Fuck off," Brad repeated. "It's fuckin' magnificent," Tate declared. "Thanks, honey," I whispered and grinned at him when his eyes came to me. I was actually expressing gratitude, although embarrassed by his conversation, but I was also kind of joking to get in Brad's face. Tate wasn't. His expression was serious when he said, "You are, Ace. Fuckin' magnificent.
Kristen Ashley (Sweet Dreams (Colorado Mountain, #2))
It's inevitable. He's so adamant about the things he doesn't want out of life, and I'm starting to understand just how serious he is. So much as I want to protect my heart from him, it's pointless. He's going to break it eventually, yet I continue to allow him to fill it. Every time I'm with him, he fills my heart up more and more,and the more it's filled with pieces of him, the more painful it'll be when he rips it out of my chest as though it never belonged there in the first place.
Colleen Hoover (Ugly Love)
You look up and think, I wish I was up there. But you're not. Ugly becomes you. Consumes you. Makes you hate it all. Makes you realize that all the beautiful parts aren't even worth it. Without the beautiful, you'll never risk feeling this. You'll never risk the ugly feeling. So give it up. You give it all up. You never want love again, no matter what kind it is, because no type of love will ever be worth living through the ugly love again.
Colleen Hoover (Ugly Love)
Three weeks, after fuckin' you, knowin' what you taste like, what you feel like, the sounds you make when you come, three weeks I'm on the road and all I got is a couple minutes of your voice on the phone every night. Fuckin' you, that's all I can think about, like a teenager, at night in the dark, it's the only thing in my goddamned head. So I jack off, hopin' to cut through it, but nothin' compares to you. Then I know you can't sleep so I can't fuckin' sleep wonderin' if you're sleepin'. That shit's whacked and I come home, fuckin' beside myself it's over." "So we find out about each other and who we are together. I'm gonna piss you off 'cause I can be a dick. That's who I am. And you're gonna piss me off 'cause, babe, you got attitude. That's who you are. And that's who we're comin' out to be together. And I'm all right with that because, with what I had before, even when you're a bitch, I like it. But when you're not, it's a sweetness the like I've never tasted." "You said you were waitin' for something special and he took away your chance to figure out that you were carryin' it with you all this time. You are special, Laurie.
Kristen Ashley (Sweet Dreams (Colorado Mountain, #2))
Two of us in this room, Ace, two keycards," he said and my eyes went to him. When they did, he jerked his hand, finger extended to the door. "Know what this is?" "A door?" I asked stupidly. "A peephole," he bit back then moved his hand to flick the security latch closed. "Know what that is?" "Captain -" He advanced and the aggressive way he did it made me retreat. It was dawning on me he was pissed and he wasn't pissed at Brad (that's her ex). He was pissed at me. I stopped when my legs hit the chair to the desk. He stopped when he was in my space. I tilted my head way back to look at him. "You got great hair, babe." "Tate -" "Thick." "Tate -" "Soft." "Tate," I whispered. "Shame it gets hacked off with a knife after some guy rapes you with that knife!" He finished on a roar. My body jolted. "Tate!" "There's bad guys out there, Ace. Bad. Do things to you that'll make you glad you end up dead. You don't open a goddamned door not knowin' who's behind it." "I thought it was you." "Well it wasn't." "Tate -
Kristen Ashley (Sweet Dreams (Colorado Mountain, #2))
Like I said, when I get pissed I say a lotta shit I don't mean and what I said about you I didn't mean," he repeated, beginning to look as impatient as he sounded. "And like I said, you're old enough to learn you shouldn't do that," I repeated too, probably also looking impatient. "That isn't me," he replied. "Well, then, this obviously is eating you and that's your consequence because I have feelings and you walked all over them and you can't order me to shake it off so you can feel better. It's there, burned in my brain and I can't just forget it because you tell me to. So you have to live with that. You can't and want me gone, say it now because I'm beginning to like Betty and I met Shambles and Sunny and I'm having dinner with them tomorrow night and I'd rather not make ties when I'm going to need to hit the road because my boss is going to get rid of me." "Shambles and Sunny?" he asked. "Shambles and Sunny," I answered but didn't share more. "Now, can we just move on and do our best to work together and all other times avoid each other or do you want me to go?" He moved forward an inch and I again fought the urge to retreat. "Forgiveness is divine," he said softly and I'd never heard him talk soft. He had a very nice voice but when it went soft, it was beautiful. This also sucked. (BTW, in the beginning a lot of things sucked! :D) I mean Lauren uses this word 'sucks'. "I'm not divine," I returned. "I'm also not Ace and I'm not Babe. I'm Lauren. You don't like my name, don't call me anything at all. Now can I clean the danged table?" I had my head tipped back to look him in the eye but I could tell he was expending effort to hold his whole body still. Then he said in that soft voice, "I'm sorry, Ace." "Me too," I replied instantly being clear I didn't accept his apology...
Kristen Ashley (Sweet Dreams (Colorado Mountain, #2))