Tat Quotes

We've searched our database for all the quotes and captions related to Tat. Here they are! All 100 of them:

I thawt I thaw a putty tat.” “I did, I did thee a putty tat" Finished with his Tweety Bird imitation, he grinned unpleasantly at me. “Now, then, luv, let’s get down to business
Jeaniene Frost (Halfway to the Grave (Night Huntress, #1))
I'll see you tomorrow, Mare. You know you want to see my ring." "And your tat," she said, a smile in her voice.
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
Not to forgive is to be imprisoned by the past, by old grievances that do not permit life to proceed with new business. Not to forgive is to yield oneself to another's control... to be locked into a sequence of act and response, of outrage and revenge, tit for tat, escalating always. The present is endlessly overwhelmed and devoured by the past. Forgiveness frees the forgiver. It extracts the forgiver from someone else's nightmare.
Lance Morrow (The Chief: A Memoir of Fathers and Sons)
As he poured carefully, Arrow's head turned toward the sound. The horse made a low grumbling noise in his throat. "Hold your horses," he said. The he laughed. It seemed absurd to say tat to a horse.
John Flanagan (Erak's Ransom (Ranger's Apprentice, #7))
Well I'm not dancing," Will said through gritted teeth. "I don't know how." Oh yes you are," Alyss told him. "Let's hope you're a fast learner." He glanced at her and saw no prospect of escape. "Well,at least I won't be the only one," he said. "Halt will be terrible too." But nobody in the assembly knew tat for the past ten days, Halt had been taking dance lessons from Lady Sandra.
John Flanagan (Erak's Ransom (Ranger's Apprentice, #7))
To be born again,' sang Gibreal Farishta tumbling from the heaveans, 'first you have to die. Ho ji! Ho ji! To land upon the bosomy earth, first one needs to fly Tat-taa! Takatun! How to ever smile again, if first you won't cry? How to win the darling's love mister, without a sigh?
Salman Rushdie (The Satanic Verses)
Your momma wanted to save you--save you from your fate. If she hadn't, you'd be nothing but a memory and a fear long forgotten. Just like all you who mix the breeds. What they want you two for, what they have planned." She shook her head again and when she looking at me, sorrow etched across her face. "They fear you, fear what comes from you. I told you child. I told you that your path was filled with dark things tat must be done.
Jennifer L. Armentrout (Pure (Covenant, #2))
The white man's god is just like the white man. He thinks he is the only god, just like the white man thinks he is the only man. But the only reason he is god instead of Nyame or Chukwu or whoever is because we let him be. We do not fight him. We do not even question him. The white man told us he was the way, and we said yes, but when has the white man ever told us something was good for us and tat thing was really good?
Yaa Gyasi (Homegoing)
Without thinking, I moved again, reaching out and touching the hand resting near my thigh. Call it an experiment, but I wanted to see what would happen Seth’s head whipped in my direction. “What are you doing?” “Nothing.” And nothing was what happened. Confused, I wrapped my fingers around his. “Doesn’t look like nothing,” His eyes narrowed on me. “I guess so.” Giving up on my impromptu test, I lifted my hand. “Shouldn’t you be—” Whatever I was about to say died on my lips. Incredibly fast, Seth grabbed my hand and threaded his fingers through mine. “Is this what you wanted?” he asked, ever so casually. It happened. Being so close to him this time, I could see where the markings came from. The thick veins in his hand were the first to darken, branching out before spreading up his arm. Mesmerized, I watched the inky tats cover every piece of exposed skin. Before my eyes, they shifted away from his veins, swirling around his skin. Breaking off into different designs as he—we—continued to hold hands.
Jennifer L. Armentrout (Half-Blood (Covenant, #1))
Hell is only the Cringe Eternal and the Place of our Self's Undoing. When Nietzsche proclaimed "God is Dead!" he forgot to add that Satan is also dead and we are free from all that antique tat.
Grant Morrison
Covered in tats and can’t take your girlfriend getting a simple script. I’ll be finished in a minute, Mate.” Travis’ frown deepened. “Wife. She’s my wife.
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
We can't talk about it, or I know she won't so I don't even try, but it's what goes unsaid between people tat builds up like masonry. You have to either knock the bricks out with other things, or let them keep stacking until eventually you are alone in a room.
Justin Taylor
It's so good to have the opportunity to help others who have helped you. It's not about "tit for tat," it's about "I love you, too.
Karen E. Quinones Miller
I want you to be my girlfriend.” “What does that mean?” … He looks confused. “I’m not sure. But I think it’s the same as being my friend, but I get to make you come.
Tammy Falkner (Tall, Tatted and Tempting (The Reed Brothers, #1))
Don't look back, never look back. How often do people tell themselves that after an experience that is exceptionally good (or exceptionally bad?)? Often, I suppose. And the advice usually goes unheeded. Humans were built to look back; that's why we have tat swivel joint in our necks.
Stephen King (11/22/63)
A man's power is in the half-light, in the half-seen movements of his hand and the unguessed-at expression of his face. It is the absence of facts tat frightens people: the gap you open, into which they pour their fears, fantasies, desires.
Hilary Mantel (Wolf Hall (Thomas Cromwell, #1))
I’d be more than happy to let you survey my physical perfection in its entirety. But only if I get to see you, too.” To her shocked silence, he replied, “It’s only fair. Tit for tat.” “How is that fair? You've seen countless tits.
Tessa Dare (A Week to be Wicked (Spindle Cove, #2))
The string slices into the skin of his fingers and no matter how tough the calluses, it tears. But this beat is fast and even though his joints are aching, his arm's out of control like it has a mind of its own and the sweat tat drenches his hair and face seems to smother him, but nothing's going to stop Tom. He;s aiming for oblivion.
Melina Marchetta (The Piper's Son)
Reading about how i live, you might assume i am some kind of psychopath, the sort of beast that must be locked away from society. But the truth is that I'm not tat different from you. Not very different at all. And that should scare the hell out of you
Carolee Dean (Take Me There)
What is that?” I asked, squinting at the vertical symbols. “It’s Hebrew,” Travis smiled. “What does it mean?” “It says, ‘I belong to my beloved, and my beloved is mine.” My eyes darted to his. “You weren’t happy with just one tattoo, you had to get two?” “It’s something I always said I would do when I met The One. I met you…I went and got the tats.” His smile faded when he saw my expression. “You’re pissed, aren’t you?” he said, pulling his shirt down.
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
I don’t like tit for tat. I like tit for tit. Bring on the boobies!
Jarod Kintz (This Book Has No Title)
Wer niemals ganze Nachmittage lang mit glühenden Ohren und verstrubbeltem Haar über einem Buch saß und las und las und die Welt um sich her vergaß, nicht mehr merkte, daß er hungrig wurde oder fror - Wer niemals heimlich beim Schein einer Taschenlampe unter der Bettdecke gelesen hat, weil Vater oder Mutter oder sonst irgendeine besorgte Person einem das Licht ausknipste mit der gutgemeinten Begründung, man müsse jetzt schlafen, da man doch morgen so früh aus den Federn sollte - Wer niemals offen oder im geheimen bitterliche Tränen vergossen hat, weil eine wunderbare Geschichte zu Ende ging und man Abschied nehmen mußte von den Gestalten, mit denen man gemeinsam so viele Abenteuer erlebt hatte, die man liebte und bewunderte, um die man gebangt und für die man gehofft hatte, und ohne deren Gesellschaft einem das Leben leer und sinnlos schien - Wer nichts von alledem aus eigener Erfahrung kennt, nun, der wird wahrscheinlich nicht begreifen können, was Bastian jetzt tat.
Michael Ende (The Neverending Story)
We are way less likely to love someone just because they love us than we are to hate someone just because they hate us.
Mokokoma Mokhonoana
Tit for tat, Mr. North. Tit. For. Tat,” I scolded. ... He looked me up and down and said, “Well, I’ve got the tats so…
Tillie Cole (Eternally North (Eternally North, #1))
He was gleaming with sweat. It would have taken inhuman willpower not to drink in every inch of his muscled, tatted up body. And I was human. Oh Lord, was I human.
R.K. Lilley (Lovely Trigger (Tristan & Danika, #3))
When people don’t respect one another seldom is there honesty.
Shannon L. Alder
Me?" he said in some surprise. "I won't be dancing! It's the bridal dance. The bride and groom dance alone!" For one circuit of the room," she told him. "After which they are joined by the best man and first bridesmaid, then by the groomsman and the second bridesmaid." Will reacted as he had been stung. He leaned over to speak across Jenny on his left, to Gilan. Gil! Did you know we have to dance?" he asked. Gilan nodded enthusiastically. Oh yes indeed. Jenny and I have been practicing for the past three days, haven't we, Jen?" Jenny looked up at him adoringly and nodded. Jenny was in love. Gilan was tall, dashing, good-looking, charming and very ammusing. Plus he was cloaked in the mystery and romance tat came with being a Ranger. Jenny had only ever known one ranger and that had been grim-faced, gray-bearded Halt.
John Flanagan (Erak's Ransom (Ranger's Apprentice, #7))
Love the ponytail," Connor says, pointing at his hair. Lev shrugs. "It's just because my hair is so tatted. But maybe I'll keep it." "Don't," Connor tells him. "I lied. I hate it.
Neal Shusterman (UnSouled (Unwind, #3))
Tat tvam asi: “Thou art That.” Atman is Brahman: the Self in each person is not different from the Godhead.
Krishna-Dwaipayana Vyasa (The Bhagavad Gita)
You don't get to pick who you fall in love with.
Tammy Falkner (Tall, Tatted and Tempting (The Reed Brothers, #1))
Relationships are about give and take; not tit-for-tat. If you’re keeping score, you’ll lose at your own game.
Faydra D. Fields
Tat tvam asi.
Gopi Krishna
I've been locked in my own world for a really long time," he says. I have an excuse to keep people away, because of my disability. And then I saw your tattoo..." I turn his wrist over and trace my finger across it. He shudders at my touch, closing his eyes tightly. "And I felt like maybe, just maybe, we were locked in our own little worlds and could let each other out.
Tammy Falkner (Tall, Tatted and Tempting (The Reed Brothers, #1))
Suck every moment from life. We should all do more of that.
Tammy Falkner (Tall, Tatted and Tempting (The Reed Brothers, #1))
If we love someone deeply, be they friends, family or lovers, don’t treat the relationship like a playground game of back and forth or tit for tat. See it as a loving connection and let that be the basis of it all.
lauren klarfeld
Manchmal scheitern wir in der Tat, und ich glaube fast, dieses prinzipielle Scheitern ist unser letztes Ziel.
Elfriede Jelinek (The Piano Teacher)
Supernatural healing was a handy trick for an absentminded vampire, although it would make my enemies harder to kill. Tit for tat, I guess.
Chloe Neill
Hence this life of yours which you are living is not merely a piece of the entire existence, but is in a certain sense the whole; only this whole is not so constituted that it can be surveyed in one single glance. This, as we know, is what the Brahmins express in that sacred, mystic formula which is yet really so simple and so clear: Tat tvam asi, this is you. Or, again, in such words as 'I am in the east and in the west, I am below and above, I am this whole world'. Thus you can throw yourself flat on the ground, stretched out upon Mother Earth, with the certain conviction that you are one with her and she with you. You are as firmly established, as invulnerable as she, indeed a thousand times firmer and more invulnerable. As surely she will engulf you tomorrow, so surely will she bring you forth anew to new striving and suffering. And not merely 'some day': now, today, every day she is bringing you forth, not once but thousands upon thousands of times, just as every day she engulfs you a thousand times over. For eternally and always there is only now, one and the same now; the present is the only thing that has no end.
Erwin Schrödinger (My View of the World)
I remember hearing you scream, Cat, and seeing your face. But I don’t remember dying. And how can I go on if I’m dead?” Tat answered fiercely, “Dead is stuffed inside that box, not what you are now. You’re my friend. Always will be. No matter what the fuck you eat. I didn’t believe that pale prick when he said he could wake you up, but you’re here. And don’t you dare think about covering yourself back up with dirt. I need you, buddy. It’s been hell without you.” “I missed you, amigo,” Juan said in almost incoherently accented English. “You can’t leave me again! Tat’s boring, and Copper only wants to train. You stay!” Dave stared at us.
Jeaniene Frost (One Foot in the Grave (Night Huntress, #2))
Rat-a-tat-tat." "Quack."
Kate Angell
In other words she was good at adjusting herself to other people... But tat could also mean she simply lacked the courage to be herself if it meant she had to risk ending up all alone.
Wataru Watari (やはり俺の青春ラブコメはまちがっている。1)
You’re telling me that Acheron, my boss, the really tall Atlantean pain in most of our asses, actually authorized the killing of a human?” – Sundown “I can see your confusion. It is highly out of character for him. But since she’s been killing off Hunters…I guess he figures it’s tit for tat. Or maybe he’s just having a really bad day.” – Zarek
Sherrilyn Kenyon (Retribution (Dark-Hunter, #19))
That's the existential problem," Fat said, "based on the concept that We are what we do, rather than, We are what we think. It finds its first expression in Goethe's Faust, Part One, where Faust says, 'Im Anfang war das Wort'. He's quoting the opening of the Fourth Gospel; 'In the beginning was the Word.' Faust says, 'Nein. Im Anfang war die Tat.' In the beginning was the Deed. From this, all existentialism comes.
Philip K. Dick (VALIS)
This girl will shred me. I already know she will. And I’m jumping in with everything I am anyway.
Tammy Falkner (Tall, Tatted and Tempting (The Reed Brothers, #1))
He didn’t care what people thought about the way he looked. He knew that his tats, his piercings, the way he dressed, gave people a giant fuck off message, and that suited him just fine. That shit was deliberate.
Jane Harvey-Berrick (Dangerous to Know & Love)
I feel that if I’m going through this hellish decline, you should be going through one also . . . misery loves company, and I guess we’ve all got a streak of one hundred percent gold-plated bastard in our natures, tangled up so tightly with the good part of us that we can never get free of it.
Richard Bachman (Thinner)
You’re one of the best men I know. You wear your tats and piercings and those damn leather bracelets that only you could get away with. But inside you are one big teddy bear. When someone you love needs you, there is nothing you won’t do for them. When I needed you, you were always there. I’ve never questioned your heart. It’s made of fucking gold, and we all know it. We laugh at your crude jokes and snide comments because we know they mean nothing. It’s part of your shield. Underneath, I don’t know many men that compare. You’re one of the best, Dewayne. One of the best.
Abbi Glines (Hold on Tight (Sea Breeze, #8))
Happy comes and goes, Tats. Loving someone isn’t that crazy infatuation that you feel at first. That passes. Well, not passes, but it calms down, and then sometimes, when you least expect it, you get a glimpse of the person and it all comes back again, in a big rush. But even that’s not what you’re looking for. What you’re looking for is the feeling that no matter what, being with that person is always going to be better than being without that person. Good times or bad. That having that person around makes whatever you’re going through better, or at least more tolerable.
Robin Hobb (City of Dragons (Rain Wild Chronicles, #3))
The art of crisis management is to raise the stakes to where the adversary will not follow, but in a manner that avoids a tit for tat.
Henry Kissinger (On China)
It’s not that I want to get mar­ried. I ad­mire guys who can com­mit to a tat­too.
Chuck Palahniuk (Survivor)
Ne zaman ki dinlediğiniz şarkılar size onu hatırlatmaz; işte ancak o zaman hayattan bir tat alabilirsiniz .
İlhan Berk
It’s something I always said I would do when I met The One. I met you…I went and got the tats.
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
Quick, I told myself. Try to remember what you learned from Jimbo's Self Defence for Young Ladies. Jimbo was a beefy man with prison tats. "Go into the nearest dark alley," I recalled Jimbo saying. "Freeze like a rabbit or the creature you desire your attacker to mistake you for. If your attacker shouts out to you, respond politely - maybe your optimism will change his mind. If you're about to get into an elevator with a man you feel uncomfortable spending time with in a small, escapeless room, head right in. Remember , fear i an irrational emotion, you should probably ignore it." Armed with these tips, I hung a right into the nearest dead-end, curled into a ball and started rolling.
The Harvard Lampoon (Nightlight: A Parody)
She is deeply concerned with the ways of the mice — Their behaviour’s not good and their manners not nice; So when she has got them lined up on the matting, She teaches them music, crocheting and tatting.
T.S. Eliot (The Complete Poems and Plays)
This date. You’re really giving me a chance, right? I need for you to be open to things and not just playing along because I said I would keep chasing. I need a real chance because you’ve got me all messed up inside.” Staring up at Cooper, I held his gaze and forced a smile. “I like you a lot. I don’t think we make any sense, but I wish we did.” “We could though,” he said, taking my hand. “You’re scared of all the surface stuff. The tats and the way I mouth off, but that’s surface. On the inside, I know you’re special. It’s why I need a chance.” “I’m going on the date.” Sighing, Cooper frowned. “Because I said I would basically stalk you until you said yes.” “I don’t expect anything from tonight. Good or bad. I just want to see what happens. I’m giving you a chance.
Bijou Hunter (Damaged and the Beast (Damaged, #1))
Every human creates his own imagined version of the world, and of himself. Every human is therefore Brahma, creator of his own aham. Aham Brahmasmi, I am Brahma. Tat tvam asi, so are you. We knot our imagination with fear to create aham. Tapasya and yagna are two tools that can help us unknot the mind, outgrow fear and discover atma, our true self.
Devdutt Pattanaik (Sita: An Illustrated Retelling of the Ramayana)
I want you more than I want air.
Tammy Falkner (Tall, Tatted and Tempting (The Reed Brothers, #1))
Înțelese deodată plictiseala acestei vieți unde fiecare poteca era o improvizație, iar o buna parte din viata diurna ți-o petreceai urmărindu-ți piciorele
William Golding (Lord of the Flies)
My boss, Tricia, always said tat we were a family. I should have realised she meant that I would have to put up with constant bullshit.
Nino Cipri (Finna (LitenVerse, #1))
My tats were but temporal attempts to heal my soul, as my heart remained an open wound.
S.R. Grey (I Stand Before You (Judge Me Not, #1))
A stained and wrinkled lab coat, no doubt, hid an even worse choice of clothing. Rolled-up sleeves displayed beefy forearms covered in tattoos. Frank grimaced at Mario’s shameless immaturity. Cartoon tats?
Michael Ben Zehabe
Mutluyken adil davranmak, mutsuzken adil davranmaktan daima daha kolaydır. syf- 160
Stefan Zweig (Magellan: Der Mann und seine Tat (German Edition))
Das Misstrauen gegen den Geist ist Misstrauen gegen den Menschen selbst, ist Mangel an Selbstvertrauen.
Heinrich Mann (Geist und Tat - Franzosen 1780-1930)
Kodėl žmogaus sielos esmė yra ilgesys? Kodėl žmogus, nutvėręs tai, ką buvo vijęsis, apsivylęs sako: ne, tat ne tai! Kodėl žmogaus sieloje žydi gėlės, kurių kvapu niekas nesigėri? Kodėl viso ko galas yra mirtis?
Šatrijos Ragana (Sename dvare)
Ben doğru dürüst konuşamadığım, konuşmaktan tat alamadığım birine aşık olamam. Konuşmak için de ortak bir dil, ortak bir duyarlılık gerekir değil mi? Ortak dil bulmanın zorluğundan söz ediyorum. Kibir değil bu!
Barış Bıçakçı (Sinek Isırıklarının Müellifi)
His arms are tatted up, half sleeves to his elbows. His eyebrow is missing a ring they must’ve confiscated. Dark blue eyes dark brown hair sharp jawline strong lean frame. Gorgeous Dangerous. Terrifying. Horrible.
Tahereh Mafi (Shatter Me (Shatter Me, #1))
Your calling may be to find new ways to tell the story of redemption, to create fresh symbols tat will speak of a home for the homeless, the end of exile, the replanting of the garden, the rebuilding of the house.
N.T. Wright (The Challenge of Easter)
Do you not see that? That's what being family is - that's the best part - it's not tit for tat or who owes more, it's simply - when one hurts, so does the other; when one finds good, you share in that, too. That's family.
Brad Meltzer (The Book of Lies)
We've also evolved the ability to simply 'pay it forward': I help you, somebody else will help me. I remember hearing a parable when I was younger, about a father who lifts his young son onto his back to carry him across a flooding river. 'When I am older,' said the boy to his father, 'I will carry you across this river as you now do for me.' 'No, you won't,' said the father stoically. 'When you are older you will have your own concerns. All I expect is that one day you will carry your own son across this river as I no do for you.' Cultivating this attitude is an important part of Humanism--to realize that life without God can be much more than a series of strict tit-for-tat transactions where you pay me and I pay you back. Learning to pay it forward can add a tremendous sense of meaning and dignity to our lives. Simply put, it feels good to give to others, whether we get back or not.
Greg M. Epstein (Good Without God: What a Billion Nonreligious People Do Believe)
Allmen musste ein Buch, das er einmal angefangen hatte, zu Ende lesen, selbst wenn es noch so schlecht war. Er tat dies nicht aus Respekt dem Autor gegenüber, sondern aus Neugier. Er glaubte, dass jedes Buch ein Geheimnis habe, und sei es auch nur die Antwort auf die Frage, weshalb es geschrieben wurde.
Martin Suter (Allmen und die Libellen)
What is that song they are singing Is it an old Yorkshire ditty you know like that 'On Ilkley Moor Bar T'at' " Ruby said "Nah it's a football song. It goes 'We hate Chelsea we hate Chelsea we are the Chelsea haters.
Louise Rennison (Withering Tights (Misadventures of Tallulah Casey, #1))
And now of a sudden my illusion vanished. What was my body to me? A kind of flunkey in my service. Let my anger wax hot, my love grow exalted, my hatred collect in me, and the boasted solidarity between me and my body was gone. Your son is in a burning house. Nobody can hold you back. You may burn up, but what do you think of that? You are ready to bequeath the rags of your body to any man who will take them. You discover that what you set so much store by is trash. You would sell your hand, if need be, to give a hand to a friend. It is in your act that you exist, not in your body. Your act is yourself, and there is no other you. Your body belongs to you: it is not you. Are you about to strike an enemy? No threat of bodily harm can hold you back. You? It is the death of your enemy that is you. You? It is the rescue of your child that is you. In that moment you exchange yourself against something else; and you have no feeling tat you lost by the exchange. Your members? Tools. A tool snaps in your hand: how important is that tool? You exchange yourself against the death of your enemy, the rescue of your child, the recovery of your patient, the perfection of your theorem...Your true significance becomes dazzlingly evident. Your true name is duty, hatred, love, child, theorem. There is no other you than this.
Antoine de Saint-Exupéry
In all of the Oriental religions great value is placed on the Sanskrit doctrine of Tat tvam asi, “Thou art that,” which asserts that everything you think you are and everything you think you perceive are undivided. To realize fully this lack of division is to become enlightened.
Robert M. Pirsig (Zen and the Art of Motorcycle Maintenance)
We had accepted each other's shortcomings and differences; then, just when we began to feel the yoke of each other's companionship, just when we began to feel the beginnings of what might eventually lead to lifelong loathing, we decided to move in together. It could have been worse. People marry at times like tat; they then have ten children, live under the same roof for years and years, eventually die and arrange to be buried side by side. We only signed our names to a two year lease.
Jamaica Kincaid
I’ve never done this with someone who matters. With someone I’m in love with. Jesus, girl, you make me crazy.
Tammy Falkner (Tall, Tatted and Tempting (The Reed Brothers, #1))
Some people want you to call them rabbi; some people want you to call them American; some people want you to admire their tats. We’ve all got our facades. At least the dean’s self-qualifier is based on merit. Can you say the same about your tattoos? Come on, he’s a sad man. Leave him alone.
Michael Ben Zehabe
Wie es scheint, schmilzt die Frühlingssonne den harten Eispanzer des Barbarenhäuptlings, und, o Wunder, darunter kommt ein Philisoph zum Vorschein." "Ich weiß nicht was Vielosoof für eine Beleidigung ist, aber du kannst dir sicher sein, dass der Barbarenhäuptling dir gleich die Axt in den Rachen schiebt!" Ollowain schlang die Arme übereinander und tat, als zittere er. "So plötzlich kehrt der Winter zurück und lässt die schönsten Frühlingsblüten erfrieren." "Hast du mich gerade etwa mit Blüten verglichen?", grollte Mandred. "Nur eine Allegorie, mein Freund." Der Menschensohn runzelte die Stirn. Dann nickte er. "Ich nehme deine Entschuldigung an, Ollowain." Nuramon musste sich auf die Unterlippe beißen, um nicht laut loszulachen.
Bernhard Hennen (Die Elfen (Die Elfen, #1))
If I ever get to fucking be inside you, I want to know what to call you. I want to at least know your name. Because when that happens, you’re going to fucking own me.” I tip her face up so she’s looking at me. “Do you understand?” She looks unsure. “You’re going to own me … And there’s nothing I want more.
Tammy Falkner (Tall, Tatted and Tempting (The Reed Brothers, #1))
Excuse me while I throw this down, I’m old and cranky and tired of hearing the idiocy repeated by people who ought to know better. Real women do not have curves. Real women do not look like just one thing. Real women have curves, and not. They are tall, and not. They are brown-skinned, and olive-skinned, and not. They have small breasts, and big ones, and no breasts whatsoever. Real women start their lives as baby girls. And as baby boys. And as babies of indeterminate biological sex whose bodies terrify their doctors and families into making all kinds of very sudden decisions. Real women have big hands and small hands and long elegant fingers and short stubby fingers and manicures and broken nails with dirt under them. Real women have armpit hair and leg hair and pubic hair and facial hair and chest hair and sexy moustaches and full, luxuriant beards. Real women have none of these things, spontaneously or as the result of intentional change. Real women are bald as eggs, by chance and by choice and by chemo. Real women have hair so long they can sit on it. Real women wear wigs and weaves and extensions and kufi and do-rags and hairnets and hijab and headscarves and hats and yarmulkes and textured rubber swim caps with the plastic flowers on the sides. Real women wear high heels and skirts. Or not. Real women are feminine and smell good and they are masculine and smell good and they are androgynous and smell good, except when they don’t smell so good, but that can be changed if desired because real women change stuff when they want to. Real women have ovaries. Unless they don’t, and sometimes they don’t because they were born that way and sometimes they don’t because they had to have their ovaries removed. Real women have uteruses, unless they don’t, see above. Real women have vaginas and clitorises and XX sex chromosomes and high estrogen levels, they ovulate and menstruate and can get pregnant and have babies. Except sometimes not, for a rather spectacular array of reasons both spontaneous and induced. Real women are fat. And thin. And both, and neither, and otherwise. Doesn’t make them any less real. There is a phrase I wish I could engrave upon the hearts of every single person, everywhere in the world, and it is this sentence which comes from the genius lips of the grand and eloquent Mr. Glenn Marla: There is no wrong way to have a body. I’m going to say it again because it’s important: There is no wrong way to have a body. And if your moral compass points in any way, shape, or form to equality, you need to get this through your thick skull and stop with the “real women are like such-and-so” crap. You are not the authority on what “real” human beings are, and who qualifies as “real” and on what basis. All human beings are real. Yes, I know you’re tired of feeling disenfranchised. It is a tiresome and loathsome thing to be and to feel. But the tit-for-tat disenfranchisement of others is not going to solve that problem. Solidarity has to start somewhere and it might as well be with you and me
Hanne Blank
He laughs with no sound. God, he's so handsome when he smiles. And when he's not smiling. And when he's sleeping. And when he's awake. And when he's breathing.
Tammy Falkner (Tall, Tatted and Tempting (The Reed Brothers, #1))
Harese nedir, bilir misin oğlum? Arapça eski bir kelimedir. Bildiğin o hırs, haris, ihtiras, muhteris sözleri buradan türemiştir. Harese şudur evladım: Develere çöl gemileri derler bilirsin, bu mübarek hayvan üç hafta yemeden içmeden, aç susuz çölde yürür de yürür; o kadar dayanıklıdır yani. Ama bunların çölde çok sevdikleri bir diken vardır. Gördükleri yerde o dikeni koparır çiğnemeye başlarlar. Keskin diken devenin ağzında yaralar açar, o yaralardan kan akmaya başlar. Tuzlu kan dikenle karışınca bu tat devenin daha çok hoşuna gider. Böylece yedikçe kanar, kanadıkça yer, bir türlü kendi kanına doyamaz ve engel olunmazsa kan kaybından ölür deve. Bunun adı haresedir. Demin de söyledim, hırs, ihtiras, haris gibi kelimeler buradan gelir. Bütün Ortadoğu’nun âdeti budur oğlum, boyunca birbirini öldürür ama aslında kendini öldürdüğünü anlamaz. Kendi kanının tadından sarhoş olur.
Zülfü Livaneli (Huzursuzluk)
This is a love story,” Michael Dean says, ”but really what isn’t? Doesn’t the detective love the mystery or the chase, or the nosey female reporter who is even now being held against her wishes at an empty warehouse on the waterfront? Surely, the serial murder loves his victims, and the spy loves his gadgets, or his country or the exotic counterspy. The ice-trucker is torn between his love for ice and truck and the competing chefs go crazy for scallops, and the pawnshop guys adore their junk. Just as the housewives live for catching glimpses of their own botoxed brows in gilded hall mirrors and the rocked out dude on ‘roids totally wants to shred the ass of the tramp-tatted girl on hookbook. Because this is reality, they are all in love, madly, truly, with the body-mic clipped to their back-buckle and the producer casually suggesting, “Just one more angle.”, “One more jello shot.”. And the robot loves his master. Alien loves his saucer. Superman loves Lois. Lex and Lana. Luke loves Leia, til he finds out she’s his sister. And the exorcist loves the demon, even as he leaps out the window with it, in full soulful embrace. As Leo loves Kate, and they both love the sinking ship. And the shark, god the shark, loves to eat. Which is what the Mafioso loves too, eating and money and Pauly and Omertà. The way the cowboy loves his horse, loves the corseted girl behind the piano bar and sometimes loves the other cowboy. As the vampire loves night and neck. And the zombie, don’t even start with the zombie, sentimental fool, has anyone ever been more love-sick than a zombie, that pale dull metaphor for love, all animal craving and lurching, outstretched arms. His very existence a sonnet about how much he wants those brains. This, too is a love story.
Jess Walter (Beautiful Ruins)
Begin then, my son Tat, with a prayer to the Lord and Father, who alone is good; pray that you may find favour with him, and that one ray of him, if only one, may flash into your mind, that so you may have power to grasp in thought that mighty Being. For thought alone can see that which is hidden, inasmuch as thought itself is hidden from sight; and if even the thought which is within you is hidden from your sight, how can He, being in himself, be manifested to you through your bodily eyes? But if you have power to see with the eyes of the mind, then, my son, He will manifest himself to you. For the Lord manifests himself ungrudgingly through all the universe; and you can behold God's image with your eyes, and lay hold on it with your hands.
Walter Scott (Hermetica: Volume 1 of 4)
Kaden’s and Griz’s hands were firmly tied behind their backs. “Would you really have killed them in cold blood?” I asked. “It’s no less than what he ordered for me.” “Tit for tat? Is that how this soldiering stuff works?” An annoyed hiss escaped through Rafe’s teeth. “No, I wouldn’t have killed them on the spot. I probably would have waited for Kaden to do something stupid in the heat of the moment—which he surely will—and then I would have killed him. Oh, wait, excuse me! I forgot. We’re all in good hands. Griz promised to fall on him if he got out of line. Do I have that right?” I returned his sarcasm with a steely glare. “Next I’m going to order him to fall on you. Save your cynicism. All I needed to know was that you wouldn’t kill them in cold blood.
Mary E. Pearson (The Beauty of Darkness (The Remnant Chronicles, #3))
Noch nie hatte ich einen Menschen getroffen wie sie. Sie tat nur, wozu sie Lust hatte, war aber offenbar auch gut in der Schule und sehr belesen. Sie wirkte oft albern und laut, erfand Spiele und gab vor den anderen an, wie toll ihr Freund im Bett sei. Doch unter dieser ersten Schicht wirkte sie verletzlich und manchmal sogar unsicher. Sie konnte mir so ähnlich sein, und sie war das Gegenteil von mir, und wenn meine Stimmung eine leere Fabrikhalle war, dann war sie ein Haufen Kerzen.
Benedict Wells (Hard Land)
In the ancient Indian Upanishads, the answer to the question “Who am I?” is “Tat tvam asi.” This succinct Sanskrit sentence means literally: “Thou art That,” or “You are Godhead.” It suggests that we are not namarupa—name and form (body/ego), but that our deepest identity is with a divine spark in our innermost being (Atman) that is ultimately identical with the supreme universal principle (Brahman). And Hinduism is not the only religion that has made this discovery. The revelation concerning the identity of the individual with the divine is the ultimate secret that lies at the mystical core of all great spiritual traditions. The name for this principle could thus be the Tao, Buddha, Cosmic Christ, Allah, Great Spirit, Sila, and many others.
Stanislav Grof (Holotropic Breathwork (Suny Series in Transpersonal and Humanistic Psychology))
So we're getting close to suggesting that camp is both the opposite of cool and a refinement of it. Camp and cool both have an element of not-caring, of disdain for the ordinary. The difference is that cool implies a lack of conscious effort, whereas camp is about putting everything you've got into it. Either you love something too much (much more than it's "worth", so the stereotypical anorak-wearing Doctor Who fan and the Barry Manilow cultist are both manifestations of this, at least to the outside world), or you're given to going over the top. Or you do both at once, in many cases. Both phenomena are examples of people fashioning an identity for themselves, and if you're reading this book then you must know people like that. Cool is not caring, camp is actively defiant.
Tat Wood (About Time 2: The Unauthorized Guide to Doctor Who (Seasons 4 to 6))
Qhuinn dived into the plane, pulled himself into the pilot’s seat, and tried to make sense of all the…fucking hell, there were a lot of dials. The only saving grace he had was that he’d— Rat-tat-tat-tat! —watched enough movies to know that the lever with the grip was the gas and the bow tie–shaped wheel was the thing you pulled up to go up, and pushed down to go down. “Fuck,” he muttered as he stayed in a tuck position as much as he could.
J.R. Ward
Birdle Burble I went out of mind and then came to my senses By meeting a magpie who mixed up his tenses, Who muddled distinctions of nouns and of verbs, And insisted that logic is bad for the birds. With a poo-wee cluck and a chit, chit-chit; The grammar and meaning don't matter a bit. The stars in their courses have no destination; The train of events will arrive at no station; The inmost and ultimate Self of us all Is dancing on nothing and having a ball. So with a chat for chit and with tat for tit, This will be that, and that will be It! (poem for James Broughton)
Alan Watts
Treating Abuse Today 3(4) pp. 26-33 TAT: No. I don't know anymore than you know they're not. But, I'm talking about boundaries and privacy here. As a therapist working with survivors, I have been harassed by people who claim to be affiliated with the false memory movement. Parents and other family members have called or written me insisting on talking with me about my patients' cases, despite my clearly indicating I can't because of professional confidentiality. I have had other parents and family members investigate me -- look into my professional background -- hoping to find something to discredit me to the patients I was seeing at the time because they disputed their memories. This isn't the kind of sober, scientific discourse you all claim you want.
David L. Calof
I miss talking to you, Fallen.” “That’s too bad. I don’t ever miss anything about you.” “You’re fun.” His eyes sparkled like sunlit gems. “You’re never afraid to go tit for tat with me.” “I don’t want anything to do with your tits or tats.” He laughed again, his eyes darkening back to brown. “Did we really just get beat up by that little Junior Guardian?” “If anyone asks we’ll say that there were fifty of them.” I touched my cheek and hissed. “Goddamn ninja punk.” “I feel terrible and I don’t mean my wounded ego. I feel really bad.” He groaned and rolled to his side, not moving from the floor. “I can’t believe we just got our asses handed to us by a goddamn Jonas-brother wannabe.” “He had the hilt piece. Did you see it?” “No, I was too busy crying like a girl.
Cori Moore (Half Breed)
It is not easy for students to realize that to ask, as they often do, whether God exists and is merciful, just, good, or wrathful, is simply to project anthropomorphic concepts into a sphere to which they do not pertain. As the Upaniṣads declare: 'There, words do not reach.' Such queries fall short of the question. And yet—as the student must also understand—although that mystery is regarded in the Orient as transcendent of all thought and naming, it is also to be recognized as the reality of one’s own being and mystery. That which is transcendent is also immanent. And the ultimate function of Oriental myths, philosophies, and social forms, therefore, is to guide the individual to an actual experience of his identity with that; tat tvam asi ('Thou art that') is the ultimate word in this connection. By contrast, in the Western sphere—in terms of the orthodox traditions, at any rate, in which our students have been raised—God is a person, the person who has created this world. God and his creation are not of the same substance. Ontologically, they are separate and apart. We, therefore, do not find in the religions of the West, as we do in those of the East, mythologies and cult disciplines devoted to the yielding of an experience of one’s identity with divinity. That, in fact, is heresy. Our myths and religions are concerned, rather, with establishing and maintaining an experience of relationship—and this is quite a different affair. Hence it is, that though the same mythological images can appear in a Western context and an Eastern, it will always be with a totally different sense. This point I regard as fundamental.
Joseph Campbell (The Mythic Dimension - Comparative Mythology)
The right method of philosophy would be this. To say nothing except what can be said, i.e. the propositions of natural science, i.e. something that has nothing to do with philosophy: and then always, when someone else wished to say something metaphysical, to demonstrate to him that he had given no meaning to certain signs in his propositions. This method would be unsatisfying to the other - he would not have the feeling that we were teaching him philosophy - but it would be the only strictly correct method. My propositions are elucidatory in this way: he who understands me finally recognizes them as senseless, when he has climbed out through them, on them, over them. (He must so to speak throw away the ladder, after he has climbed up on it.) He must surmount these propositions; then he sees the world rightly. Whereof one cannot speak, thereof one must be silent.
Ludwig Wittgenstein (Tractatus Logico-Philosophicus)
It might weigh little over a kilogram but, taken on its own scale, the brain is unimaginably vast. One cubic millimetre contains between twenty and twenty-five thousand neurons. It has eighty-six billion of these cells, and each one is complex as a city and is in contact with ten thousand other neurons just like it. Within just one cubic centimetre of brain tissue, there is the same number of connections as there are stars in the Milky Way. Your brain contains a hundred trillion of them. Information in the form of electricity and chemicals flows around these paths in great forking trails and in circuits and feedback loops and fantastical storms of activity tat bloom to life speeds of up to a hundred and twenty metres per second. According to the neuroscientist V. S. Ramachandran, 'The number of permutations and combinations of activity that are theoretically possible exceeds the number of elementary particles in the universe.' And yet, he continues, 'We know so little about it that even a child's questions should be seriously entertained.
Will Storr (The Unpersuadables: Adventures with the Enemies of Science)
If we measured our affection toward others by how many nicknames we bestow upon them, our pets would be the most loved. Here's the etymological journey for the nicknames I have for Tobey: Tobito, Toblerone. T-Bone. T-bonics. Ta-T. Ta-Tobes. Tubby, for when he's gotten into the trash and gorged himself. Nicknames with origins based on appearance: Bearded Yum Yum, Handsome McHandsome, Fuzzy Face. Then this strange progression: Pooch. Poochers. Poocharoo. Poochacho. Pachune. Then, somehow, Pooch turned into Mooch, and so there had to be Moocharo. Muchacho. Manu, and most recently Man-nu-nu. All these monikers I say in voices more commonly echoed from the confines of straightjackets and padded walls. Anyone we truly love should come with their own dictionary.
Carrie Brownstein (Hunger Makes Me a Modern Girl)
In the end, the record companies have the power to control the quality that is served online. Online service has been problematic in that it actively or discreetly promotes trading and duplication of music. It is not offensive to me that the MP3-quaility sound is traded around. It is, in my opinion, the new radio and serves a great purpose: making music lovers away of the content tat is out there to buy. If the consumers want it, let tham take it, whatever quality they prefer. Ultimately, nothing can stop absolute quality from making a big comeback. The stage is well set. I believe in what I am trying to do and that good Karma will come from it. It is just a matter of time.
Neil Young
Immer wenn ich schwamm, fühlte ich mich in Sicherheit. Der Boden unter meinen Füßen konnte nicht weggezogen werden. Er konnte nicht brechen, nicht einsinken oder wegrutschen, weder sich auftun noch mich verschlingen. Ich stieß nicht gegen Dinge, die ich nicht sehen konnte, trat nicht versehentlich auf etwas, verletzte weder mich noch andere. Wasser war einschätzbar, es blieb immer gleich. Gut, mal war es klar, mal schwarz, mal kalt, mal warm, mal ruhig, mal bewegt, aber es blieb in seiner Beschaffenheit, wenn auch nicht in seinen Aggregatzuständen, immer gleich, war Wasser. Und Schwimmen, das war Fliegen für Feiglinge. Schweben ohne Absturzgefahr. Ich schwamm nicht besonders schön – mein Beinschlag war asymmetrisch – , aber zügig und sicher, und wenn es sein musste, auch stundenlang. Ich liebte den Moment des Verlassens der Erde, den Elementenwechsel, und ich liebte den Moment des Michverlassens darauf, dass das Wasser mich trug. Und, anders als Erde und Luft, tat es das ja auch. Vorausgesetzt, man schwamm. (S. 87)
Katharina Hagena (Der Geschmack von Apfelkernen)
In mystical literature such self-contradictory phrases as "dazzling obscurity," "whispering silence," "teeming desert," are continually met with. They prove that not conceptual speech, but music rather, is the element through which we are best spoken to by mystical truth. Many mystical scriptures are indeed little more than musical compositions. "He who would hear the voice of Nada, 'the Soundless Sound,' and comprehend it, he has to learn the nature of Dharana…. When to himself his form appears unreal, as do on waking all the forms he sees in dreams, when he has ceased to hear the many, he may discern the ONE—the inner sound which kills the outer…. For then the soul will hear, and will remember. And then to the inner ear will speak THE VOICE OF THE SILENCE…. And now thy SELF is lost in SELF, THYSELF unto THYSELF, merged in that SELF from which thou first didst radiate.. . . Behold! thou hast become the Light, thou hast become the Sound, thou art thy Master and thy God. Thou art THYSELF the object of thy search: the VOICE unbroken, that resounds throughout eternities, exempt from change, from sin exempt, the seven sounds in one, the VOICE OF THE SILENCE. Om tat Sat."[277] [277] H. P. Blavatsky: The voice of the Silence. These words, if they do not awaken laughter as you receive them, probably stir chords within you which music and language touch in common. Music gives us ontological messages which non-musical criticism is unable to contradict, though it may laugh at our foolishness in minding them. There is a verge of the mind which these things haunt; and whispers therefrom mingle with the operations of our understanding, even as the waters of the infinite ocean send their waves to break among the pebbles that lie upon our shores.
William James (Varieties of Religious Experience, a Study in Human Nature)
If the secret core of potlatch is the reciprocity of exchange, why is this reciprocity not asserted directly, why does it assume the “mystified” form of two consecutive acts each of which is staged as a free voluntary display of generosity? Here we encounter the paradoxes of forced choice, of freedom to do what is necessary, at its most elementary: I have to do freely what I am expected to do. (If, upon receiving a gift, I immediately return it to the giver, this direct circulation would amount to an extremely aggressive gesture of humiliation, it would signal that I refused the other’s gifts — recall those embarrassing moments when elderly people forget and give us last year’s present once again … ) …the reciprocity of exchange is in itself thoroughly ambiguous; at its most fundamental, it is destructive of the social bond, it is the logic of revenge, tit for tat. To cover this aspect of exchange, to make it benevolent and pacific, one has to pretend that each person’s gift is free and stands on its own. This brings us to potlatch as the “pre-economy of the economy,” its zero-level, that is, exchange as the reciprocal relation of two non-productive expenditures. If the gift belongs to Master and exchange to the Servant, potlatch is the paradoxical exchange between Masters. Potlach is simultaneously the zero-level of civility, the paradoxical point at which restrained civility and obscene consumption overlap, the point at which it is polite to behave impolitely.
Slavoj Žižek (In Defense of Lost Causes)
I won’t be responsible for helping you move someplace where you’re at risk. For one thing, Tate would kill me if anything happened to you.” “He might maim you a little…” “I’m not joking,” Colby said quietly. “You don’t understand how he is about you. He isn’t normal when you’re threatened, in any way.” He studied her for a long moment. “Cecily, how do you think it would affect him if he knew you were carrying his child?” Her heart almost jumped out of her chest. She put a hand over her slightly swollen waistline and sighed. “I don’t know. He…loves little things,” she said after a minute, smiling as she recalled Tat with a succession of her pets over the years. “He likes children, too. We always had a Christmas party at the school on the Wapiti reservation every year, and Tate would help pass out presents. The kids were crazy about him.” “He loves children,” Colby agreed. “He’d want his own child.” She lowered her eyes to the carpet with a sigh. “Maybe. Or maybe it would just make him feel trapped all over again.” She put her head in her hands. “It’s all such a mess,” she murmured. “I don’t know what to do.” “In which case, you should do nothing,” Colby said firmly. She didn’t quite meet his eyes as she smiled. “Good advice.” Which didn’t mean she was willing to take it, she thought an hour later as she packed a suitcase. She couldn’t tell Colby her plans for fear he might tell Tate. She couldn’t tell Matt or Leta for the same reason. Her only logical solution was to get on a bus or a train or an airplane and just…vanish. So that’s what she did.
Diana Palmer (Paper Rose (Hutton & Co. #2))