β
For what is a person without memories? A ghost, trapped between worlds, without an identity, with no future, no past.
β
β
Tan Twan Eng (The Garden of Evening Mists)
β
Memory is like patches of sunlight in an overcast valley, shifting with the movement of the clouds. Now and then the light will fall on a particular point in time, illuminating it for a moment before the wind seals up the gap, and the world is in shadows again.
β
β
Tan Twan Eng (The Garden of Evening Mists)
β
The palest ink will endure beyond the memories of man
β
β
Tan Twan Eng (The Garden of Evening Mists)
β
To have memories, happy or sorrowful, is a blessing, for it shows we have lived our lives without reservation.
β
β
Tan Twan Eng (The Gift of Rain)
β
Accept that there are things in this world we can never explain and life will be understandable. That is the irony of life. It is also the beauty of it.
β
β
Tan Twan Eng (The Gift of Rain)
β
Are all of us the same, I wonder, navigating our lives by interpreting the silences between words spoken, analysing the returning echoes of our memory in order to chart the terrain, in order to make sense of the world around us?
β
β
Tan Twan Eng (The Garden of Evening Mists)
β
The mind forgets, but the heart will always remember. And what is the heart's memory but love itself?
β
β
Tan Twan Eng (The Gift of Rain)
β
Anything beautiful should be given a name, do you not agree?
β
β
Tan Twan Eng (The Garden of Evening Mists)
β
That point in time just as the last leaf is about to drop, as the remaining petal is about to fall; that moment captures everything beautiful and sorrowful about life. Mono no aware, the Japanese call it.
β
β
Tan Twan Eng (The Garden of Evening Mists)
β
Die while I can still remember who I am, who I used to be.
β
β
Tan Twan Eng (The Garden of Evening Mists)
β
Memories I had locked away have begun to break free, like shards of ice fracturing off an arctic shelf. In sleep, these broken floes drift toward the morning light of remembrance.
β
β
Tan Twan Eng (The Garden of Evening Mists)
β
We were like two moths around a candle, I thought, circling closer and closer to the flame, waiting to see whose wings would catch fire first.
β
β
Tan Twan Eng (The Garden of Evening Mists)
β
Before me lies a voyage of a million miles, and my memory is the moonlight I will borrow to illuminate my way.
β
β
Tan Twan Eng (The Garden of Evening Mists)
β
It begins to rain softly, raising goose-pimples on the pondβs skin.
β
β
Tan Twan Eng (The Garden of Evening Mists)
β
Feel your body expanding as you breathe: that is where we live, in the moments between each inhalation and exhalation.
β
β
Tan Twan Eng (The Garden of Evening Mists)
β
Moments in time when the world is changing bring out the best and the worst in people.
β
β
Tan Twan Eng
β
A raintree bent towards a window in one side of the bungalow, eavesdropping on the conversations that had taken place inside over years.
β
β
Tan Twan Eng (The Garden of Evening Mists)
β
I will dance to the music of words, for one more time.
β
β
Tan Twan Eng (The Garden of Evening Mists)
β
The tree of life is already doomed from the moment it is planted.
β
β
Tan Twan Eng (The Garden of Evening Mists)
β
Some element in the air between us changed, as though a wind that had been blowing gently had come to an abrupt stillness.
β
β
Tan Twan Eng (The Garden of Evening Mists)
β
Time did not exist; I had no idea of how many minutes had passed. And what was time but merely a wind that never stopped?
β
β
Tan Twan Eng (The Garden of Evening Mists)
β
Duty is a concept created by emperors and generals to deceive us into performing their will. Be wary when duty speaks, for it often masks the voice of others.
β
β
Tan Twan Eng (The Gift of Rain)
β
I had loaded another weight onto his suffering and it hurt me to understand that while one person can never really share the pain of another, they can so easily and so heedlessly add to it.
β
β
Tan Twan Eng (The Gift of Rain)
β
I have become a collapsing star, pulling everything around it, even the light, into an ever-expanding void. Once I lose all ability to communicate with the world outside myself, nothing will be left but what I remember. My memories will be like a sandbar, cut off from the shore by the incoming tide. In time they will become submerged, inaccessible to me. The prospect terrified me. For what is a person without memories? A ghost, trapped between worlds, without an identity, with no future, no past.
β
β
Tan Twan Eng (The Garden of Evening Mists)
β
The mind forgets, but the heart will always remember. And what is the heartβs memory but love itself?
β
β
Tan Twan Eng (The Gift of Rain)
β
A garden is composed of a variety of clocks, Aritomo had once told me. Some of them run faster than the others, and some of them move slower than wee can ever perceive. I only understood this fully long after I had been his apprentice.
β
β
Tan Twan Eng (The Garden of Evening Mists)
β
It was odd how Aritomo's life seemed to glance off mine; we were like two leaves falling from a tree, touching each other now and again as they spiraled to the forest floor.
β
β
Tan Twan Eng (The Garden of Evening Mists)
β
I realize that there are fragments of my life that I do not want to lose, if only because I still have not found the knot to tie them up with.
β
β
Tan Twan Eng (The Garden of Evening Mists)
β
Was this part of the process of growing up, that we finally noticed the people closest to us in a different, clearer light?
β
β
Tan Twan Eng (The Gift of Rain)
β
The young have hopes and dreams, while the old hold the remains of them in their hands and wonder what has happened to their lives.
β
β
Tan Twan Eng (The Gift of Rain)
β
Never meet a personβs anger directly. Deflect, distract him, even agree with him. Unbalance his mind, and you can lead him anywhere you want.
β
β
Tan Twan Eng (The Gift of Rain)
β
The world goes by, the young and the hopeful, all head for their future. Where does that leave us? There is a misconception that we have reached our destinations the moment we grow old, but it is not a well-accepted fact that we are still travelling towards those destinations, still beyond our reach even on the day we close our eyes for the final time.
β
β
Tan Twan Eng (The Gift of Rain)
β
As with all the principles of aikijutsu, you do not meet the force of the strike head-on. You parry, you step to the side to avoid the blow, your redirect the force and unbalance your opponent. It is the same with the ken, the sword. These principles apply to you daily life as well. Never meet a personβs anger directly. Deflect, distract him, even agree with him. Unbalance his mind, and you can lead him anywhere you want.
β
β
Tan Twan Eng (The Gift of Rain)
β
What made it worse was that we could never truly share such burdens with even those closest to us. In the end, the mistakes were our own, the consequences to be borne by us alone.
β
β
Tan Twan Eng (The Gift of Rain)
β
Time seems to overlap, like the shadows of leave pressing down on other leave, layer upon layer.
β
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Tan Twan Eng (The Gift of Rain)
β
Anger and sorrow walked with me, joining hands with guilt, the three walls of my prison.
β
β
Tan Twan Eng (The Gift of Rain)
β
She saw the stubborn set of my face. "I've never felt blessed," I said. "There must be free will to choose. Do you know the poem about the two roads, and the one not taken?"
Yes. That has always amused me, because who created the two roads in the first place?"
It was a question I had never considered.
β
β
Tan Twan Eng
β
One question remained to me. βIf a higher level of bujutsu involves fighting with the mind, what then is the very highest level?β He closed his eyes for a while, seeing things he would never show me. βThat,β he said, βwould be never to fight at all.
β
β
Tan Twan Eng (The Gift of Rain)
β
That night, side by side, we drifted among the galaxies of sea-stars, while far, far above us the asterisks of light marked out the footnotes on the page of eternity.
β
β
Tan Twan Eng (The House of Doors)
β
Time is eating away my memory. Time, and this illness, this trespasser in my brain.
β
β
Tan Twan Eng (The Garden of Evening Mists)
β
In return for surrendering to the throw, you are given the gift of flight,β he said.
β
β
Tan Twan Eng (The Gift of Rain)
β
It only takes one letter of the alphabet to change reason to treason.
β
β
Tan Twan Eng (The Gift of Rain)
β
The practice of designing gardens had originated in the temples of China, where the work was done by monks. Gardens were created to approximate the idea of a paradise in the afterlife.
β
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Tan Twan Eng (The Garden of Evening Mists)
β
I feel that when I travel I can change myself a little, and I return from a journey not quite the same self I was.
β
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Tan Twan Eng (The House of Doors)
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And what was time but merely a wind that never stopped?
β
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Tan Twan Eng (The Garden of Evening Mists)
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I was you before you were born and you will be me after I am gone. That is the meaning of family.
β
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Tan Twan Eng (The Gift of Rain)
β
Be wary when duty speaks, for it often masks the voice of others. Others who do not have your interests at heart.
β
β
Tan Twan Eng (The Gift of Rain)
β
Yes, I could say that I had lived my life, if not to the full then at least almost to the brim. What more could one ask? Rare is the person whose life overflows.
β
β
Tan Twan Eng (The Gift of Rain)
β
When you are lost, in this world or on the continent of time itself, remember who you have been and you will know who you are. These people were all you, and you are them. I was you before you were born and you will be me after I am gone. That is the meaning of family.β He
β
β
Tan Twan Eng (The Gift of Rain)
β
Youβve forgiven the British?β He subsided into his seat. For a while he was silent, his gaze turned inward. βThey couldnβt kill me when we were at war. And they couldnβt kill me when I was in the camp,β he said finally, his voice subdued. βBut holding on to my hatred for forty-six years . . . that would have killed me.
β
β
Tan Twan Eng (The Garden of Evening Mists)
β
It is getting dark. In the low mists over the hills, an orange glow broods, as if the trees are on fire. Bats are flooding out from the hundreds of caves that perforate these mountainsides. I watch them plunge into the mists without any hesitation, trusting in the echoes and silences in which they fly.
Are all of us the same, I wonder, navigating our lives by interpreting the silences between words spoken, analyzing the returning echoes of our memory in order to chart the terrain, in order to make sense of the world around us?
β
β
Tan Twan Eng
β
I lay in bed for a while, listening to the drowsy waves as the light outside changed, the ink of night diluting to dawn.
β
β
Tan Twan Eng (The House of Doors)
β
none of my childrenβnot oneβever took the easy road; that they strove to keep sanity, reason, and compassion alive and burning in these tragic times.
β
β
Tan Twan Eng (The Gift of Rain)
β
Then you understand that certain things cannot be stopped, that they must be allowed to proceed, regardless of the consequences?
β
β
Tan Twan Eng (The Gift of Rain)
β
while one person can never really share the pain of another, they can so easily and so heedlessly add to it.
β
β
Tan Twan Eng (The Gift of Rain)
β
When you are lost in this world, or on the continent of time itself,remember who you have been and you will know who you are
β
β
Tan Twan Eng
β
I have become a collapsing star, pulling everything around it, even the light, into an ever-expanding void.
β
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Tan Twan Eng (The Garden of Evening Mists)
β
He stopped, pausing to arrange his words like an ikebana expert with his flowers, shifting, bending, adding, and taking away to achieve the results he desired.
β
β
Tan Twan Eng (The Gift of Rain)
β
When the First Man and First Woman were banished from their home, Time was also set loose upon the world.
β
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Tan Twan Eng (The Garden of Evening Mists)
β
Enlightenment, it is a moment of complete clarity, of pure bliss. At that instant everything will be revealed to you.
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Tan Twan Eng (The Gift of Rain)
β
Puddles of rainwater glowed like the discarded scales of a dragon.
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Tan Twan Eng (The Gift of Rain)
β
Complete surrender, but not total abandonment of awareness.
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Tan Twan Eng (The Gift of Rain)
β
Veins of lightning flared and throbbed behind the wall of clouds, turning the bruised sky pink, and I felt I was being granted glimpses of blood pulsing silently through the ventricles of an immense human heart.
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Tan Twan Eng (The Gift of Rain)
β
That is what growing old consists of, mostly. One starts giving away items and belongings until only the memories are left. In the end, what else do we really require?
I examined her words carefully, and the answer came slowly but without any equivocation. Someone to share those memories with, I said finally, surprising myself.
β
β
Tan Twan Eng (The Gift of Rain)
β
I am certain it has never been easy, growing up as a child of mixed parentage in this place. But that is your strength. Accept the fact that you are different, that you are of two worlds. And I wish you to remember this when you feel you cannot go on: you are used to the duality of life. You have the ability to bring all of life's disparate elements into a cohesive whole. So use it
β
β
Tan Twan Eng (The Gift of Rain)
β
Bats are flooding out from the hundreds of caves that perforate these mountainsides. I watch them plunge into the mists without any hesitation, trusting in the echoes and silences in which they fly. Are all of us the same, I wonder, navigating our lives by interpreting the silences between words spoken, analyzing the returning echoes of our memory in order to chart the terrain, in order to make sense of the world around us?
β
β
Tan Twan Eng (The Garden of Evening Mists)
β
I have lived, I have traveled the world, and now, like a worn-out clock, my life is winding down, the hands slowing, stepping out of the flow of time. If one steps out of time what does one have? Why, the past of course, gradually being worn away by the years as a pebble halted on a riverbed is eroded by the passage of water.
β
β
Tan Twan Eng
β
Yes, I could say that I had lived my life, if not to the full then at least almost to the brim. What more could one ask? Rare is the person whose life overflows. I have lived, I have travelled the world, and now, like a worn out clock, my life is winding down, the hands slowing, stepping out of the flow of time. If one steps out of time what does one have?
β
β
Tan Twan Eng (The Gift of Rain)
β
All of us will be forgotten eventually. Like a wave on the ocean, leaving no trace that it had once existed.' He shook his head. 'We will be remembered through our stories.
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β
Tan Twan Eng (The House of Doors)
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My memory is like the moon tonight, full and bright, so bright you can see all its scars.
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Tan Twan Eng (The Garden of Evening Mists)
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I am an echo of a sound made a lifetime ago.
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Tan Twan Eng (The Garden of Evening Mists)
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The mountains are as I have always remembered them, the first light of the morning melting down their flanks.
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Tan Twan Eng (The Garden of Evening Mists)
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The noise of insects sizzled in the air, like fat in a smoking wok.
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Tan Twan Eng (The Garden of Evening Mists)
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We're all dying. Day by day; second by second. Every breath that we take drains the limited reserves we are all born with.
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Tan Twan Eng (The Garden of Evening Mists)
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I can only teach you the way, that is all. What you do with it and what it does to you, those are beyond my influence.
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Tan Twan Eng (The Gift of Rain)
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Spirit expanded, mind unfurling open, heart in flight.
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Tan Twan Eng (The Gift of Rain)
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Teacher, as he was called, looked tiny, childlike, and deceptively vulnerable.
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Tan Twan Eng (The Gift of Rain)
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I had thought my room was bad enough, but there were even more books in Kon's.
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Tan Twan Eng (The Gift of Rain)
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Before me lies a voyage of a million miles, and memory is the moonlight I will borrow to illuminate my way.
β
β
Tan Twan Eng (The Garden of Evening Mists)
β
To have memories, happy or sorrowful, is a blessing, for it shows we have lived our lives without reservation. Do you not agree?
β
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Tan Twan Eng (The Gift of Rain)
β
Why risk drawing the beam of that particular light onto yourself?
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Tan Twan Eng (The House of Doors)
β
Standing there with our heads tilted back to the sky, our faces lit by ancient starlight and the dying fires of those fragments of a planet broken up long ago, I forgot where I was, what I had gone through, what I had lost.
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Tan Twan Eng (The Garden of Evening Mists)
β
Peter has a lot of faults β we all do β but love makes you overlook them, and try to see what is good. I couldnβt have done that before β at the first sign of weakness I dropped the men I thought I loved. Itβs different now.
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Tan Twan Eng (The Gift of Rain)
β
A deep fear, so constant now in my life, was like a growth in me. When did I let it enter, steal silently in, and latch on to me? There were days I could hardly breathe, as though my blood, coagulated by fear, could not flow.
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β
Tan Twan Eng (The Gift of Rain)
β
Are all of us the same, I wonder, navigating our lives by interpreting the silences between words spoken, analyzing the returning echoes of our memory in order to chart the terrain in order to make sense of the world around us?
β
β
Tan Twan Eng
β
I am pleased that you train so much on your own. I value the amount of hard work you have put into yourself. You have realized entirely on your own that if you yourself do not put in the work required β for any endeavor! β who else will do it for you?
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β
Tan Twan Eng (The Gift of Rain)
β
He wondered what had mesmerised her down there in the deep last night. Fearing the worst when she did not resurface, he had dived in after her and had found her far below, enclosed in a bulb of dimming, wavering light, a lantern adrift in the currents of the sea.
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β
Tan Twan Eng (The House of Doors)
β
Every night, after Robert had retired to his bedroom, I would lie on the patch of kweek grass in the garden, searching the night sky with my field glasses, a thrill bolting through me whenever I saw a dislodged star streaking across the heavens. I learned their names and their shapes: the Southern Cross; Auriga; Coma Berenices; Horologium; Orion; Circinus; Apus; Andromeda. I soon knew them all, these constellations in the night sky, constellations that had, since the beginning of the world, been sinking into the earth each morning, to rise again the next night.
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Tan Twan Eng (The House of Doors)
β
Je kunt de seizoenen zien als stukjes van de mooiste, transparantste zijde in verschillende kleuren. Los van elkaar zijn ze mooi, maar leg de een boven op de ander, al zijn het alleen maar de randen, en er komt iets speciaals tot stand. Dat geldt ook voor de smalle strook tijd waarin het begin van het ene seizoen het eind van een ander overlapt.
β
β
Tan Twan Eng (The Garden of Evening Mists)
β
Yggdrasil is the Tree of Life,β he says. βIts branches cover the world and stretch up to the sky. But it has only three roots. One is submerged in the waters of the Pool of Knowledge. Another in fire. The last root is being devoured by a terrible creature. When two of its roots have been consumed by fire and beast, the tree will fall, and eternal darkness will spread across the world.
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β
Tan Twan Eng (The Garden of Evening Mists)
β
All at once we were swimming in cobalt fire, every kick and stroke igniting the tempests of plankton swirling around us. I laughed, the sound rupturing the quiet, windless night, and then Willie joined me as well. We dunked our heads under the blazing sea and came up again, spluttering fire from our lips. Rivulets of blue flames streamed down Willieβs hair, his face. I touched my own cheek, felt it glowing; I scooped up handfuls of the sea, marvelling at the fire-snakes writhing down my arms. We grinned at each other with stupid, childlike glee. Our naked bodies were visible in the water, but what was there to be embarrassed about? We were nothing more than two insects preserved in amber, after all. Whenever the fire dimmed, we would scissor our legs and swing our arms, stoking the watery furnace. βIf we flapped our limbs hard and fast and long enough,β I said to Willie, βdo you think we could light up the entire ocean?
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β
Tan Twan Eng (The House of Doors)
β
Money's the sixth sense. If you don't have it, you can't make β¦ the most of the other five.
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Tan Twan Eng (The House of Doors)
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You know what β¦ money really is? Moneyβs the sixth sense. If you donβt have it, you canβt make β¦ the most of the other five.
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Tan Twan Eng (The House of Doors)
β
Caelum non animum mutant qui trans mare curruntβ.
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Tan Twan Eng (The House of Doors)
β
The island was named Prince of Wales Island, but eventually came to be known as Penang.
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β
Tan Twan Eng (The Gift of Rain: A Novel)
β
A tea master horrified his pupils by planting a hedge in his garden, blocking the view of the Inland Sea for which his school was famous,' I said, half to myself. 'He left only a gap in the hedge and set a basin before it. Anyone drinking from it would have to bend down and look at the sea through the hole.'
'Why do you think he planted the hedge to block out the famous view?'
'Tominaga explained it to me but I've only just really understood it now - the effect of seeing the view is much more powerful than if the sea has not been obstructed.
β
β
Tan Twan Eng (The Garden of Evening Mists)
β
We are like every single plant and stone and view in the garden, I thought, the distance between one another carefully measured.
β
β
Tan Twan Eng
β
One day you will realise that there is no wind, and the flag does not move," he said. "It is only the hearts and minds of men that are restless.
β
β
Tan Twan Eng
β
As though to fortify me she took the letter out and placed it on the table between us. Its pages were folded, yellowed like old skin, the faint tattoo of aged ink that had seeped onto the blank side visible to me. Just like me, I thought, looking at the letter. The life I had lived was folded, only a blank page exposed to the world, emptiness wrapped round the days of my life; faint traces of it could be discerned, but only if you looked closely, very closely.
β
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Tan Twan Eng (The Gift of Rain)
Tan Twan Eng (The Gift of Rain)